#“get a hobby” is better

[gremzon]

People who use "get a job" as a comeback will suffer my wrath.

[999999999inadream]

toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[r26yz]

💚💙 when the sea loves the moon

[stuckinapril]

I hate to be that one person who’s like when ur so busy ur not consumed by other people or being in a relationship blah blah blah …. But truly when u have ur hands full you could fucking care less and it’s so liberating

[knifetomeatu]

HEARTBREAKING: the worst person you know sleeps like THIS

[hamandeggbun]

I hope this isn't weird but I've been reading this by @batmanisagatewaydrug and I had like the sudden, strongest urge to make art properly for the first time in ages, so uhhhh have some Jessie (or Jess? Can I call her Jess because I love her?) who is a terrible wet cat of a woman!

I wanted to get this done fast and human anatomy is not my forte so I traced a picture of Natalie in the City, who's a fashion blogger and has some cute fits, though no supervillain ones as far as I'm aware :3

[little-mouse-adventures]

Currently thinking about Artemis's will in the code at the bottom of TLG and how it really kinda shows how strained his relationship with his dad still is. Everyone else gets something they're interested in or that Arty thinks they'd like (sound system for Juliet, frozen chicken for Mulch, ethical investments for his mother, etc) and yet for his father he leaves only bearer bonds, despite Artemis I trying to move away from a money-focused enterprise and lifestyle as of TEC. Not to mention it's Butler who would know how to disengage all the booby traps protecting said bearer bonds, further highlighting the difference in trust & familiarity Artemis has with everyone but his father.

[i-have-dots-in-my-brain]

Astarion: *shaking Gale awake at 3am*

Astarion: Time is ever marching forward and your mortal days are running out. Every second that goes by is a second lost.

Gale: …should I be worried?

Astarion: time is an fucking illusion, Darling, the only thing truly real is death.

Gale: go back to bed.

Astarion: what truly comes after death?

Gale: …I’m not emotionally or mentally stable enough for this, go ask Withers.

[hellenhighwater]

Have you taken any pottery classes or were you entirely self taught? I REALLY want to get into it but classes are quite expensive

I took some sculpting in undergrad, but it was in the context of casting and mold-making, not ceramics. So I'm fairly comfortable with clay as a medium but not so much with clay as an end product--not being able to do armatures and having to think about firing is weird. (If I had the opportunity to do bronze casting again, though, I would, no hesitation.) That puts me in the minority of my current pottery peers, who are largely self-taught or only learned in our studio.

I do pottery now at a co-op studio space, and technically that means that I'm taking classes there--but the classes are more like guided lab time? There's not really assignments or anything, and there's only a couple other people who sculpt, none of whom are in my class. Mostly the class just means that the person in charge demonstrates a technique or two once a week and then lets us do our thing.

Personally I think that shared studio space is the absolute best way to go. You spend less in startup costs (kilns are EXPENSIVE, running kilns is expensive, glaze is expensive) and it plugs you directly in to a group of fellow artists who can help and support you at whatever skill level you're at. Yes, classes are expensive--my class is $250 per season. But for me that includes lab space, 50 lbs of clay per season, almost all of the glaze I use, kiln time, and other people doing all the maintenance and kiln loading/unloading etc. Very much money well spent.

Artist-run shared spaces are often not turning a profit on anything with studio fees, just covering operations costs, so while it's pricey, it generally is just...what it costs to do that hobby. And it is sooooo much easier to be motivated when you're going to what is, basically, Grown-Up Art Club.

But if costs are prohibitive for you to do pottery via classes, and you want to learn to sculpt, then get some polymer clay and see what you can do. It's a different game than actual clay, but form is form, and the medium is secondary to figuring out how to translate an idea into reality.

Polymer clay is relatively affordable and doesn't require nearly the infrastructure of ceramics. If you can't spend the money on classes or a shared studio, then polymer clay is a great way to develop technique and an eye so that when you're in a position to spend the money, you already have the skills to make it worth what you're spending.

[wizzard890]

My cousin is having a baby shower on Saturday and I'm knitting her future child a blanket for swaddling purposes and whatever other uses a baby has for a blanket (comfort? chewing?). However, I got plastic surgery two weeks ago that took my arms out of commission, and now that I'm recovered enough to once more grasp my needles, I only have three days to finish knitting and blocking.

No one has ever been as locked the fuck in as I am on this random Wednesday.

[heph]

TLDR: Got any drawing exercises to recommend?

I’m in loooove with the way you use lines, shapes and colors/shading to show form in your art. The way you draw bodies shows a lot of understanding of the shapes that go into them, and that’s something I often personally struggle with. I’m familiar with the shapes of a face, but when it comes to connecting them to the shapes of the body and so on, I get frustrated that it’s jumbled instead of cohesive.

I was wondering, when you’re looking to practice, whether that’s anatomy, line-making, still life shapes or whatever, do you have any exercises you’ve done and would be willing to share? I’ve been trying to crawl out of the no-art-depression-hole for a bit and want to start with things that don’t take much willpower but help me improve

I might be the worst person to ask this! My relationship with art is not typical and I do not practice mindfully! (I just draw whatever I want and that's my practice, y'know?

Anyways, here's my progress of how I learnt to draw :3

Step 1 is proportions - breaking up the human body into manageable blocks and pieces. And step 2 is learning the muscles that build up the body, and from there you can simplify as needed... Or do that thing anime art kids do and skip directly to the simplified bit! (You probably shouldn't do that but if it's a hobby who cares!)

For specific tutorials, I find that proko is probably the best mix of entertaining/educational content you can find, but aside from that I watch a lot of speedpaints.

As a sort of get rich quick scheme, I think the absolute easiest way to get stupidly good at art is studying perspective - but you at least need a basic understanding of proportions and anatomy before you can draw someone in a funky perspective.

Everything in life is in perspective, and every piece of work you will ever make will have perspective in it. Perspective is sort of like an all-encompassing thing in our reality that you don't realise is there, and maybe even not realise is missing in your work (just that something feels... Wrong) AND LIKE NOBODY EVER TALKS ABOUT IT! WHAT THE FLIP!!!

I don't really have a specific source for learning perspective, because I've been on-and-off trying to wrap my head around it for a few years (I'm still awful at it but I'm getting there...!) here's a video!

I do think that drawing with progression in mind might help, but I think with art (as a hobby) the most important thing is probably love for a special guy and joy of creation. You have to love what you're drawing and the simple act of creating, or it just won't work out. If you're in a depression hole maybe just try creating for the sake of it, and don't give yourself too many expectations :)

[aworldofendlesswonder]

oh hama bead sg-1 we're really in it now

[girlboyburger]

with my move around the corner and life feeling sort of real again, i'm having Regular Thoughts about hobbies i've been meaning to revisit...

[methoughtsphantom]

DP x DC

not me thinking about imaginary scenarios of ten year old Tim Drake in the ghost zone (pariah’s castle)

where Tim thinks it’s strangely soothing that despite being the only one whose steps connect to the ground, there’s not that eerie silence that befell drake manor

strange blob creatures chitter softly and nip at his hair and swooshes and wisps of wind betray the presence of an invisible ghost

which after following he realizes it’s almost like he’s trailing after the black dark shadow that is batman again

which gives him the idea that, maybe, just this one time, he can play the part of robin

that in mind Tim makes out a game of sneaking to the side of ghosts that look like they’re brooding and if they can spot him he loses

most just grunt in response (very in character) while others fuss over him and ask questions which Tim uses to infodump

he also politely asks the ghost that always asks him how he’s doing to instead say the word “report”

(the ghost looks at him weirdly but humors him and besides the answer would be the same anyways)

Tim also(!!)

gets on the case of why the walls lack tangibility when he is the one leaning on them (he doesn’t live down the time he wanted to look cool only to fall through the wall)

hyperfixates on how gravity works in the ghost zone because he couldn’t do a skateboard trick he has pulled off many many times and he’s salty about it

tries to figure out where they are getting human food from (cause it’s hot enough to be homemade but also there’s no kitchen —so how could it be) (also he wants coffee)

finds out the dude that often gives him a side eye when he finds that Tim knows how to do something (math homework), is next in line for the throne and yet doesn’t have a single “mingle and talk people up” bone in his body. (despite it his networking is a solid 7/10)

gets a ghost horse to adopt him what

discovers pretty quickly that there are rooms to which he can’t phase through (a.k.a. he’s not allowed entry) to which he begrudgingly backs off even though that stands in his way of doing a very thorough layout™ of the place (robin would)

sulks over the lack of extreme sports in the place

(Danny takes him to the Far Frozen where they go tire sliding in the snow and where tim learns how to use a skateboard skate and also that ghost ice cream is just as good as normal ice cream)

sulks again cuz he caught a common cold

also because there’s no sun or moon poor Timmy’s already screwed sleep schedule gets more messed up to the point no one knows when or where he will fall asleep

(ghosts find him in the most unhinged of places with a signature purple cloak draped over him every. single. time.)

overall, be a menace

see-> the time he threatened to build ghost weapons he’d somehow memorized the blueprints of cause Danny wouldn’t let him visit the radium girls factory but yes the renaissance period

see-> that time he went through the whole ghost energy and how to work with it book section in the library and half an hour later had a prototype of a star wars laser beam made

(note: bribing only works for hot chocolate, not for letting him keep cool-looking guns)

just tim having the time of his life

clockwork being no help at all (the ghost loves being a cryptid)

and danny trying not to get attached while he progressively gets more concerned over this chaos child he emotionally adopted as his little brother

(to fit canon cause i want it to this would just be until Danny finds the dimension little Timmy is from, then they can safely yeet the child back to the moment he first went missing)

anyways before anyone knows it’s been three months

[leapdayowo]

I am learning that writing my own story is akin to unraveling a ball of yarn. I find one end, unravel it and it’s satisfying and fun, then BOOM massive clump of knots! But no worries! I’ll just- if I can get this loop over this bit- oh for the love of- how did that happen??? And then most of the knots are out of that section (ignoring the ones I just tighten so much I cannot get them out). And then more unraveling fun! Yippee! until the mother of all tangles and knots appears from the center somehow like a writhing king rat and there’s yarn everywhere :’) some piles are meticulously folded or laid out nice and neat on the floor while other parts are a Mess. And I’m sitting there, looking at this creation/project at 2am realizing, I can’t put it back. Maybe I could have at the first hiccup, but Oh No. I have to finish this now because look at how much progress I’ve made! And made if I. Just. Keep. Chipping. Away. At. It-

nope.

I’m sleepy

so I carefully scoop everything up and place it in a basket until six months later when I have more important things to do that I really don’t want to do, I find that basket and dump its contents back out and start retracing my steps and progress I made on the yarn. I ‘tsk’ at the tight knots beyond help and resolve to take it slower. There is no rush with this particular ball of yarn to unravel it and get it ready to be used. So this end goes over here, then over here, put this piece in my mouth to create tension over here, pull this through then under- AHA!

and so it goes :)