#“Für Elise” melody

[hitogatarock]

Musicart Profiles (04)

Approaching the game's release in late June 2023, Takt op's official twitter account has periodically releasing the profiles or biodata for the currently released / playable Musicarts. This serves as part 4, and you can look for part 1 , part 2 , and part 3 of this post here too !

— important notes :

First person basis is a term on how to address yourself in first person, widely known in Japanese language has so many words to address yourself in first person such as Freischütz's boku (a more masculine or in this case it can be used as a gender-neutral pronoun). I have an explanation on each first person basis used here on a twitter thread !

the Musicarts' ages are still a grey area since they're human-like being but not a human at the same time. I speculated that it was the age when they were first awakened as a Musicart, or the age when their human host loses their conciousness and memory before awakened as a Musicart— similar to Anna's awakening as Destiny. (this is a subject to change)

I also had a compiled twitter thread of this too so go HERE for the thread!

——————————————————————

[baby-tini]

Fyodor with a pianist wife? I just love the idea.

This idea is so beautiful!!! Scenario under the cut.

-Your love for the piano was something that made his interest deepen for you, as someone who loves music, specifically classical music, he's glad that his partner also has a love for melodic instruments, it gives him another thing too conversate about with you, that he actually enjoys.

-He loves playing the cello as you play the piano, it's one of his favorite stress relievers, it's a way for him too destress for the day, he can just sit back and relax and let his fingers work as his thoughts are drowned out by the beautiful synchronized melodies.

-His favorite thing about you being a pianist is that, the piano is a dual instrument, meaning he can play along with you. Now, if you're someone who's played for a while and you don't need sheet music, that's great for him because you two can just relax as your hands move together. If you do need sheet music though, that's fine. He's a very patient man and he also doesn't mind the reminder of notes, he doesn't need them but if it's a new piece that your playing, he'll read the sheet with you.

It was quiet as his feet followed the music, softly pushing open the large oak door as deep amethyst eyes glow as they watch your delicate fingers move around the piano, his pupils following the smallest twitch of your fingers. As slow, calculated steps quietly slip towards you while his large pale hands slip around your shoulders. There's a slight tense in your shoulders as he leans down towards your ear but they quickly relax when he murmurs in your ear about how beautiful you look moving your hands like that. The little glow in your eyes is eccentric as your fingers make the prettiest sounding music he's ever heard, bringing him to a tranquility of sorts, his full body going lax in peace as he presses a soft kiss to your cheek. The moon giving your skin an ethereal glow, as your hair lays on your shoulders, almost as loose as if it had been fresh-fallen. His hands are cold as encase your shoulders, smoothly rubbing the skin underneath as he watches your fingers dance over the black and white keys. It's a little while before Fyodor himself, sits on the bench, alongside you, you're hands gliding over as he starts too play along with you, a perfect harmony as your hands dance together in sync. It takes you a moment too realise that he's intending too play Dark Für Elise by Lucas King. His fingers starting he intro as your fingers follow in suite. It's a beautiful dance of melodies as your hands move together, the moon the only piece of lighting in the room as you take a deep breath, the music coming out in a rush towards your ears as his fingers fasten for the chorus. You watch as his pale fingers beautifully dance on the piano, not even lifting as his eyes are shut, he's going off memory of the piano and sheet, you don't even realize you've stopped playing until his eyes open, gleaming that perfect violet and his deep eyes hold an expectance of sorts, your eyes glancing down as you realise that your hands have stopped the synchronized dance. With a quick, but quiet, apology, your hands start moving again. It continues like that for a while until the beautiful piece is finished, Fyodor's shoulders lax as he breathes in, his chest rising and falling calmly as he looks at you, his eyes holding quiet appreciation as he stands and ushers you up and out of the large, spacious room and towards your shared bedroom. It's all routine too play together in the midst of the night before you two lay in peace in the soft bed, it's one of his favorite ways too end off the clear dark nights.

[anamelessfool]

12 Year Old Copia, 1988. Name his rat. (I picked Ratthias)

I want to do more domestic lore drawings, send me an ask to give me some ideas!

Plus Bonus Copia & Family Excerpt after the cut!

1986

Primo was usually in good spirits, whether tending to the Ministry gardens or to the needs of his younger brothers. There were some days, however, especially if it had rained for several days before, that the entire clergy could feel Primo’s heart fall. Primo had always been a go-getter and an upstanding member of the community since his return as an adult over a decade prior. But there was always something eating at him. Some mud that, no matter how hard he dug or clawed, would slowly sink him down into a pit of despair.

It was April, and after a long string of rainy days. Nihil’s two remaining sons and little Copia sat in the common room, winding down from an uneventful day with an equally uneventful evening. Copia observed Primo from his place coloring in a sketchbook on the carpet. Primo was lying on the couch and staring upwards, glassy eyed, a hand across his chest. Lost in thought. The darkness in his heart once again dragging him down.

Copia jogged over to Secundo who was smoking and reading at his favorite bench at the window. The boy tugged at Secundo’s sleeve, frowning and huffing.

“Use your words, Copia,” muttered Secundo.

Copia shook his head and gestured over to Primo slumped on the couch. He flapped his arms. “Can't. Ruin the surprise,” the boy whispered. “Do the thing. Come on. Please.”

Secundo glanced at his older brother and grunted, getting up from his seat. He walked over to the piano, stubbing his cigarette into the ashtray on the top. He stretched his fingers and began to play a sad, remorseful song, Beethoven’s Für Elise. The most Secundo ever moved or emoted was as he played a piece— swaying his body, hunching his shoulders, softening his eyebrows. Primo sighed as the melody dragged across the air, filling the space like a gathering raincloud. Copia shifted into position near Primo, his eyes darting over to his other brother, waiting for the cue.

At some point the tempo imperceptibly increased, the music now a different complexity… a shimmering, iconic disco tune. Copia marched out to face Primo, waving his arms, scream-singing at the top of his lungs.

“ DANCING QUEEN! YOUNG AND SWEET ONLY SEVENTEEN!” Copia twirled around on his toe landing into a comical knee bend that was only possible for youngsters. He waved his arms around, staring into Primo, pointing his finger at his adoptive brother. “ You can daaaance! You can jiii-ive! Having the time of your liiiiiife ooh-oooh-ooh!”

Primo stared at him, his eyes still tired and hollow. The corner of his mouth twitched.

“See that giiiirl! Watch that scene! DIGGING THE DANCING QUEEEEEEN!” The boy Copia wiggled his hips and nearly crabwalked across the rug.

As if tugged by a string Primo’s lips jerked into a small smile. He struggled with his face but his expression at last expanded into a full grin. Copia grinned back, jumping into his arms. “You're absolutely ridiculous—oof!” said Primo, bringing his arms around the boy. “You're getting too big to be in my lap these days.”

Copia rested his head on Primo’s shoulder, bringing his arm around him. “Nuh-uh.” He looked over to Secundo, who had relaxed Dancing Queen into a sarcastically soft piano bar improvisation.

“And how are your lessons going?” Primo asked Copia. Secundo caught his eye and stoically nodded his approval.

“Good,” said Copia. “Secundo says if you can change any sad song into Dancing Queen, you're a pretty good musician.”

Primo kissed the top of the boy’s head, patting his shoulder. “I suppose that's the right attitude.”

Copia watched his adoptive brother’s smile fade into a wistful expression, the clouds in his eyes falling away, at least for a little while.

My Fic List

@historian-crown @riptide-kid @monkberryghouldelight @in-cardi-c-we-thrust

[halfling-myth-lady]

Luka for your miraculous rewrite pls 🫶

I gotchu

Chapter 4:a deal for a butterfly.

Warning:this series is told in achronogical order. The placement of THIS ficlet is around early season three.

Luka fiddled with his guitar.

The past month had been…eventful, to say the least. It had been a month since the Miracle queen disaster, one week since the appearance of new heroes, and a few days since his sister had been hiding things from him.

It all started four days ago, when Juleka came home at near midnight grinning like a madwoman without explanation. When their mother pried, she just said that she went on a date with Rose.

The next day, he checked on her but saw that her room was empty. Minutes later, Juleka came out of the room once again grinning.

Yesterday she was talking to someone in her room. Someone who Luka did not recognize.

Another thing was her melody.

Before hawkmoth, it was sincere. Kinda of like listening to classical music like Clair de lune or Für Elise. It changed after Reflecta, becoming… sharper, only increasing in sharpness until right now, where it felt like listening to classical rock

The change in tune happened to her classmates, too.

The tempo of both the Bourgeois sisters became sloppier, constantly losing. Chloe’s tune being faster and Zoe’s slower.

Adrien added even more sharpness to the already sharp alternative rock with some more classic added to it.

The Artist boy(Nate?) went from a melancholy tune to what Luka could only describe as an unfocused and unholy mixture of broadway, volcaloid, and the Kirby soundtrack on steroids that seemed to change cadence every ten seconds.

Alix turned from punk rock to a more Zelda-esk song that kept the same elements.

And Marinette…her music turned to a melancholy melody, tempo sometimes abruptly stopping and starting back again at random pace and similarly getting faster every few minutes.

It seemed as if recently something broke amongst most of the class. Whether that was something that sprung out of nowhere or building up for some time… Luka couldn’t tell.

“Luka!”Juleka called, as if on cue”I need to show you something!”

He set his guitar down, making his way to his sister’s room, seeing her sitting in her bed,holding something in her hands.

She stood up, locking the door behind him.

“What is it?”he asked.

“… Listen, Luka, promise me that whatever happens in this room never leaves it, alright?”

He narrowed his eyes”…why?”

She glanced at the green object in her hands(a bracelet, Luka could tell) until she held it out for him”put it on.”

He did as told, seeing as a green light started emanating from the bracelet as a small figure formed.

Once the light vanished, he saw a small creature which resembled a snake in front of him, with a green body and yellow eyes.

Luka paled, taking a slight step back at the creature gave him a wide eyed stare.

“Sso thisss isss the one you have chosssen for me?”it tilted its head, getting closer to him.

“He’s my brother, and probably the person I’d trust the most for this.”she replied.

“…Juleka?”he said.

His sister sighed, looking at her bag”Roaar, come out”

From the pouch came a red creature resembling the one in front of him.

“seems like you’ve chosen the snakelet to adorn you,Cub”it mused.

“Ssshut it, Roaar” the snake said”the only reason I agreed to thisss wasss becaussse I hadn’t taken up a holder in a while”

“Yeah, whatever”

“Roaar, Sass, please”Juleka said, before turning“Ignore their bickering”

“What are they?”he asked.

“Us? We’re Kwami! Or gods, to you”the red one -Roaar- replied.

“Oh pleassse, we are much more”the snake-Sass- replied”we are cosssmic deitiesss, given physssical form by those jewelsss and here to give boons to thossse we favor”

“Boons?”

Juleka rolled her eyes”they’re the things that give the superheroes their powers”

“How did you…?”

“I found Roaar at a yard sale, I don’t know how that vendor got it, but the moment I put on this”she pointed at a panjas bracelet on her left hand”a bright burst of light appeared and that’s how I met Roaar!”

Roaar chuckled”and after an offer she couldn’t refuse-“

“-She agreed to help me find more jewels so that I can give you and Rose powers too!”

“Wait… an offer?”

“Heh, nothing much”Roaar said”just the power to kill a butterfly”

“To kill a butterfly…?”

“Well,”Juleka replied”a human shaped butterfly with a terrible fashion sense”

“…The power to kill hawkmoth?”

“Yep! with me Cub has the power to punt that purple bastard to death, quite easily I might add”Roaar chuckled”a single punch and boom, dead as flower in winter”

Luka didn’t quite know how to respond to that.

“Though we will need help”Juleka added”which is how Sass comes into this”

“Hello there”the snake said”I might asss well introduce myssself properly. You may addresss me asss Sass, the kwami of precognition. I bring the ability which Mortalsss have taken to calling “second chance””

“Second chance?”

“Yesss, once per transssformacion you sssay thossse wordsss and sssuddenly a timer will ssset for ten minutesss, in which you will create a time loop that you can ressstart until you make the right choicesss to get the desired outcome”

“-which in this case is Hawkmoth getting punted to death”Roaar said.

“…are there any side effects?”Luka asked.

“Of courssse not!unlike other Kwami, sssuch asss…Fluff, I do not take any toll on you. In fact, over time you will only gain more abilitiesss, even if they are sssmall.”Sass replied”and all you need to accesss them is to say “Sass, Scales slither”

He looked over the bracelet on his wrist,noticing how it had changed into a soft silver color. He glanced over to Juleka, who only smiled as if egging him on.

“…Sass, scales slither”

In an instant, green light engulfed him, only fading until a few seconds after.

Once Luka regained his senses, he was dressed differently. His once blue highlights turned the same aqua green as the rest of the suit, minus the yellow highlights which adorned the suit but were mostly covered by the dark hood that obscured most of him before curling to the shape of a snake’s tail at the bottom.on his hip, attached to his belt, laid a Garrotte wire which Luka assumed to be his weapon.

“Sweet!”Juleka said”now we just need to find one more miraculous for Rose and we’ll be ready!”

She then sprinted out of the room, melody still a classical rock.

…

‘Are they gone?’

Luka jumped.

‘normally I wouldn’t pull a Ziggy like thisss but I prefer our conversationsss private’ the voice of Sass rang in his mind.

“What?”

‘It’sss another thing usss Kwami can do, however it’sss quite a hasssle to contact our holder while transssformes ssso mossst choossse to ssstay quiet’

“So you can talk to me like this…”

‘Yesss, though it’sss usssually ressserved for private mattersss, sssuch asss thisss’

“What is it that you can’t tell me out loud?”

‘It’sss about another Kwami, Nooroo isss hisss name’ Sass said ‘I will tell you one thing, Luka Couffaine, I do not care what your sister doesss to that Hawkmoth, the only thing I want to do isss make sure Nooroo isss sssafe.’

“Why are those related…?”

‘Becaussse Nooroo isss Hawkmoth’s Kwami.’

“And you want me to get him back?”

‘Of courssse. It’sss a deal on you and your sister’s part. You get to kill Hawkmoth, I get to see that Nooroo isss doing well, and Roaar getsss… well I sssuppose the Violence isss enough to keep her sssatisfied’

“What you’re saying is that the only reason that you’re helping us is because you want Nooroo?”

‘You’re sssmart for a Mortal. You were the right choice, after all. Also, in cassse you though of double crosssing usss. I mussst tell you that we are beingsss beyond comprehensssion. You are mortal. You will die.’

“Good to note.”

[casualclassical]

Piano Through The Ages: A Playlist, now with explorations

“Prelude in C Major” by Johann Sebastian Bach

I started with a Baroque piece because that was around the time where the direct forerunners to pianos - harpsichords and clavichords - were invented.

2. “Piano Sonata No. 16 in C Major” by Wolfgang Amadeus Mozart

For the second track, I chose a Classical piece by Mozart, who wrote over eighteen piano sonatas. "Piano Sonata No. 16", a piano learner's favorite, is often labeled facile or semplice.

3. “Impromptu No. 3 in G Flat Major” by Franz Schubert

Moving generally forward in chronological order, here we have a piece by Schubert, who composed with a style that was both Classical and Romantic.

4. “Für Elise” by Ludwig Van Beethoven

The great Beethoven revolutionized Western art music, moving it from Classicism to Romanticism. He wrote music for many instruments, including the still-developing piano.

5. “Nocturne No. 2 in E Flat Major” by Fryderyk Chopin

Chopin, an early Romantic, wrote music almost exclusively for the piano and popularized it as a musical instrument. His work is known for its beautiful melodies and inventive harmonies.

6. “Hungarian Rhapsody No. 2 in C Sharp Minor” by Franz Liszt

Liszt, a contemporary of Chopin's, was renowned for his electrifying showmanship and dazzling piano concerts. This is arguably his most famous piece, almost all of which are difficult on a technical level.

7. “Arabesque No. 1” by Claude Debussy

This is a piece characteristic of Impressionism, a movement that began in France at the twilight of the Romantic era. While Romanticism was overwrought, Impressionism favored simplicity.

8. “Prélude in C Sharp Minor” by Sergei Rachmaninoff

As the Romantic era ended and the 20th century began, composers of Western art music turned to multiculturalism and innovation while largely rejecting the traditions of their Romantic forebears.

9. “The Entertainer” by Scott Joplin

The end of the Romantic era in Europe coincided with a period of musical exploration across the Atlantic, in the United States. "The Entertainer" is an example of ragtime, a favorite genre of the time.

10. “I Got Rhythm” by George Gershwin

With the 20th century in full swing, the United States produced a new musical genre: jazz. It originated from African-American musical traditions and is characterized by colorful chords and rhythms.

11. “The Name of Life” by Joe Hisaishi

As new musical genres arrived rapidly onto the scene throughout the 20th century, the piano found use in almost all of them. "The Name of Life" uses the solo piano in soundtrack and theme music.

12. “River Flows in You” by Yiruma

The piano continues to be a popular instrument today, with Yiruma's "River Flows in You" being an example of a New Age genre solo piano track of the 21st century.

[riffingtheverse]

99pi had an episode of their podcast about it!

So several years ago I was in Taiwan with my betrothed and two of our other friends, one of whom was Taiwanese. One morning we had the bewildering experience of waking up to Beethoven’s Für Elise blaring through the misty morning streets.

We sat up in utter perplexity. We went to a window and watched people trailing after a garbage truck, chucking their trash bags at it while it slowly drove down the street, speakers pumping out orchestral music.

Three of us gathered at the window staring in rapt fascination and the one native friend was like. “Guys, it’s just the garbage truck song.”

Years later I can’t hear it without thinking of the garbage trucks.

So when I was working on Kilonova in our team space with twenty some people and heard Für Elise playing briefly my head popped up and I said, “Oh! The garbage truck song!”

I planned to explain but one of my teammates heads also shot up and said, “Yes!! The garbage truck song!!” I’d forgotten she was Taiwanese and we were both suddenly bonded in our mutual joy of knowing the garbage truck song together.

We then realized the rest of the team was just staring at us like ????

[hunting-songs]

🎼 - What is your muse's comfort song?

Asking Senritsu to play favorites with music is like putting a gun to her chest and pulling the trigger. She has no favorite song, however there are certaine songs that are definitive connected to for her very important melodies:

"Für Elise" was the song with which Ask had teached her to read musicnotes as until she had started to study at the musicconsortium Senritsu had strictly learned every song by ear with her naturally keen hearing and talent for music. She was able (and still is) to play every melody perfectly she had heard once (which, considering she had listened to the Sonata of Darkness, is a problem and curse in itself). Due to her dyslexia and the with it connected anxiety Senritsu had very early gave up on the online-seminars of the school-colloquim she had to learn so she therefor never learned reading musicnotes and what their place on the lines meant. Ask was the first person who actively sat down with her and they would use "Für Elise" to learn the musicnotes, first with the easily played first apart of the musicpiece and than with the second part that famously turns suddenly madly hard to play. It is the reason why Ask and Senritsu shared a tattoo (she on her left forearm and Ask on his right forearm) which consisted of the first page of "Für Elise" tattooes wrapping around their forearms. Hours upon hours, upon hours they would repeat the song, write the notes, read the notes until Senritsu had learned every tune of the song and how it was connected to the written down musicnote by heart. It is not the right way to learn to read as she simply learned by heart the tunes and frequences but from this she was able to translate what she could read of that musicpiece unto other musicpieces.

Naturally their friendship- tattoo had been eaten up by the cursemarks. Yet nowdays Senritsu would always play Für Elise when she is asked to play a song on the piano, even if the song feels heavy for her.

[spela-melodier]

Fem klassiska melodier

I denna video kan du lära dig att spela:

Ode to Joy ("Januari", av Beethoven)

Eine kleine nachtmusik (av Mozart)

Für Elise (av Beethoven)

Våren (av Vivaldi)

Radetzky March (av Strauss)

[thedhananjayaparkhe]

dyk and tiq

Did you know… … that today is Für Elise Day? On this day in 1810, Ludwig van Beethoven composed Bagatelle No. 25, more commonly known as Für Elise. It is one of the German composer’s most popular works and most recognized melodies in the history of music. Trivia buffs: It was not published during his lifetime, only being discovered 40 years after his death! ~~~ Today’s Inspirational Quote: “If…

[captain-kit-adventuress]

I wanted to add some info about the ones with question marks. And maybe some fun facts about others.

"Surprise" Symphony - This is probably very apocryphal, but supposedly, Haydn wrote it the way he did because he was fed up with people falling asleep in his concerts. Which I get, because his music, to me, is boring AF. What's fun is to hear how very clearly he influenced Beethoven, who was his student. It's like Beethoven took the best of Haydn and put it into his own work and made something totally fantastic out of it.

That Chopin Nocturne™ (Op. 9 No. 2) - I will die a happy woman if I never, ever have to hear this nocturne again. There are so many better ones that deserve the love this one gets. Sigh. Seek out the posthumous Nocturne in E Minor, Op. 72, No. 1. SO much better.

Jesu, Joy of Man's Desiring - This is a wonderful song, but it should never be played on an acoustic guitar–though it often is. You hear it a lot at weddings (before the ceremony starts) and it's a peaceful sort of thing that people can enjoy whilst they're waiting. Go with Sheep May Safely Graze instead. In fact, that's just good life advice.

Funeral March - Honestly, this one's pretty self-explanatory. You'll hear it a lot in cartoons if someone's about to die. It's actually quite haunting, and lovely if done well. Chopin tends to capture sadness better than most.

The Next Six Songs - Pretty sure each of these has appeared at least once in a cartoon starring Bugs Bunny. Also, seek out Elgar that isn't Pomp and Circumstance. He wrote some really cool stuff, like The Enigma Variations.

Für Elise - This one drives me batty because all people know is the first repeated notes. (Hmm, sounds like not one, not two, but at least three famous Beethoven pieces. Learn the whole thing, guys.) But it's actually pretty good, and has varying sections to it. I highly recommend listening to all of it.

Night on Bald Mountain - If you've seen the original Fantasia (1940), you've heard this piece.

The Fucik Piece (aka the 24 f guy) - I would love to see this guy in a head-to-head competition with Sousa (nicknamed The March King, because he wrote a shit-ton of marches), both for composition style and moustache-having. It'd be wild.

The Flower Duet - Also used lots of times over graphically horrifying things to add a sense of jarring whimsy.

The New World Symphony, 4th mvt especially, sometimes called "Largo" - I've heard a lot of classical music in my day, but honestly, there are very few pieces that can compete with it in my heart. Y'all think you know the main melody of this movement, but you don't. And I promise it doesn't hit as hard if you don't listen to the whole thing. The gorgeous, lush string part at the end needs the previous 8-10 minutes. It's the catharsis to the beginning's tumult. Imagine, if you will: it's been storming for weeks, maybe longer, and you've been stuck on a rickety wooden ship, tossed about by waves that crest the ship's sides and threaten to capsize everything. You've narrowly escaped death several times. And then, just as you think this was the most foolish voyage you've ever undertaken, you see land. You see the edge of the beach, and you can't quite hold down the rush of emotion from spotting a line of sand in the distance. It's not a trick, it really is what you've been dreaming of for months and nearly died to reach. The boat hoists anchor, and you're taken in a small rowboat to the shore. All you want to do is kiss the ground beneath your feet and thank all that is holy that you have survived. That's why you need the whole thing, not just the pretty melody at the end.

Ave Maria - There are lots of Ave Marias. This one is by Schubert, and one of my favourites. Another popular one is the arrangement by Gounod, set to Bach's Prelude No. 1 in C Major.

Canon in D - You mostly hear this at weddings and there's a million and one interpretations of it. If you don't like one, seek out another, I'm sure there's one out there for all. The TSO's version is really cool.

Adagio for Strings, Samuel Barber - I'm surprised this hasn't made any lists. It's most famously from Platoon (1986), but it's another one of those slow, sad songs that gets played over horrific scenes of violence. One of the best melancholy pieces of music ever written. Agnus Dei is the vocal version.

Sorry this got long, hope you enjoyed!

Classical Pieces You've Probably Heard but Might Not Remember the Name

William Tell Overture- Rossini (Most famous part at 8:45, but why not listen to the whole thing?) I’m adding hints, at least to the ones I recognized culturally. This one is “go, horsey, go!”

Also Sprach Zarathustra- Strauss Slow, dramatic entry scene, IN SPAAACE.

Eine Kleine Nachtmusik- Mozart People running out of a fancy wedding or something. Also known as DUN, dun DUN, dun DUN dun DUN dun DUUUUN.

Symphony 94, Mvt. 2 “Surprise Symphony”- Haydn ?

Toccata and Fugue in d Minor-Bach Halloween organ!

Nocturne Op. 9 No. 2- Chopin Picture a tiny old woman playing piano in a sunlit room with lots of flower vases, about the spill the tragic secrets of her past to some timid young visitor.

Rondo alla Turca- Mozart the babysitter from The Incredibles: “Time for some COGNITIVE ENRICHMENT!”

Sinfonie de Fanfares: Rondeau- Jean-Joseph Mouret Royalty is coming. Or someone is getting married. Or royalty is getting married. Also the PBS Masterpieces theme.

The Four Seasons: Spring- Vivaldi (I just linked to the whole thing because it’s great) Again, someone is getting married, but this one is strings instead and a lot less frumpy.

Jesu, Joy of Man’s Desiring- Bach That one that amateur guitarists love where the notes are all up and down but all the same length. Also used in movie weddings.

O Fortuna (from Carmina Burana)- Carl Orff SONG OF DOOM. Also song of “baby on fire!” in The Incredibles.

Funeral March- Chopin ?

Orpheus in the Underworld: Infernal Galop (A.K.A. Can Can)- Offenbach Well, “aka can-can” says it all.

Pomp and Circumstance (You probably graduated to this)- Elgar Oh yes, Baaaa dun dun dun duun duuuuun… Also if you were a bandie you had to play it for 3 years before graduating to it.

Gayane: Sabre Dance- Aram Khachaturian Comically hectic productivity, a circus clown juggling while standing on a ball, or perhaps a rapidly-approaching termite infestation. Could go any way, really.

A Midsummer Night’s Dream: Wedding March- Mendelssohn The song movies play right AFTER they both say “I do.”

Carmen: Les Toreadors- Bizet I can’t be the only one who remembers when ‘Hey Arnold’ did this. “Bullfights and swordfights, rolling in manuuure!”

The Ride of the Valkyries- Wagner Good song for a naval battle I guess? I can only think of the mini golf course I went to as a kid with the creepy castle on Hole 18 that played this.

Für Elise- Beethoven That one every amateur piano player loves to play because the beginning is just E and E-flat over and over. Also ballet and piano recital scenes in movies.

Dance of the Hours- Ponchielli Hello mudda, hello fadda, here I am at, Camp Granada��

Rigotello: La Donna e Mobile- Verdi More than a few sophisticated movie villains (or snobby good guys) have this playing on a Victrola. Also, tell me you don’t picture Pavaroti no matter who’s actually singing.

Night on Bald Mountain- Mussorgsky ?

Romeo and Juliet: Love Theme- Tchaikovsky More movie-love, usually building up to admitting they live each other.

Entry of the Gladiators- Julius Fucik I have one word for you: CIRCUS.

Lakmé: Flower Duet- Delibes OMG ALIAS. Nadia’s spy  backstory in Film Noir!

Peer Gynt: In the Hall of the Mountain King- Greig Mischievous Tiptoeing in Movies song. Also something growing out of control, slowly at first and then quickly, and (comically) exploding.

Rodeo: Hoedown- Copland The title says it all tbh.

Peer Gynt: Morning Mood- Greig Sunrise/waking up Movie Song du jour.

New World Symphony Mov. [2][4]- Dvorak Well now I’m thinking of “An American Tail” and I’m crying…

Ave Maria (You knew this, but did you know that it was by Schubert?) Nothing to add. I’m not a music snob, really, but if you didn’t know this, YOU SHOULD.

Canon in D- Pachelbel This is the one that the pretty Trans-Siberian Orchestra Christmas song comes from. :-)

Add others if you want! Have fun!

[writersfantacy]

A melody

Every day, I hear a melody that captivates me; the hands that bring it to life on the piano are truly mesmerizing. It conveys deep emotion, overwhelming me each time I listen. It seems as though the pianist wants to express various meanings. I long to see and meet him. Maybe one day, that opportunity will arise, and I might have the chance to meet this artist. 

- Elise

I penned this in my journal while awaiting the replay of his melody; ah, this unknown man has captured my heart. I said leaning against my desk. 

"Are you daydreaming again?" Theodore asked, sporting a foolish grin while leaning against the door frame. His mere presence was enough to infuriate me.

"No, I was just thinking. What do you want?" I asked, standing up straight.

"I'm going to London next week, so I was wondering if we could—" he began, scratching the back of his head, cheeks flushing with heat.

"No, I'm busy. Furthermore, you're really annoying," I said, heading straight for the shop.

He started following me. He never listens. I've rejected him quite a few times. The only person I'm interested in is that unknown pianist. He knows this, yet he remains persistent.

"Come on, Elise, I might not come back for a long while after this one. At least have an ice cream with me," he said, holding my hand and turning me to look into his eyes. One thing I hate about him is his eyes; they express so much emotion. Right now, I see hope in his eyes.

"Who wants you back?" I retorted, pouting and clutching my journal close.

"You do. You might deny it, but deep down, you'll miss me. Otherwise, you wouldn't send letters pleading for my return," he said with that boyish grin. It's true, I care about him, but love him? He's been with me since I was four, and since then, I've endured the pain of putting up with this man.

"Fine, just ice cream, but only because you insist so much. And don't take this as a sign of advancement. I still like the pianist. He has my heart," I said, twirling around, lost in thoughts of his new melody.

"Why do you like that man so much? You don't even know him. And what kind of man doesn't go to war but plays the piano all the time, even at midnight?" he asked, seemingly offended.

"Who said? Being able to play the piano is an art, a rare skill. It's another form of expression. It can convey so much without a single word. And I think it's attractive," I countered.

""Really?" he asked, looking quite astonished.

We strolled by the garden after enjoying some ice cream. I sensed he wouldn't just let me leave after the ice cream. I felt a tinge of sadness about his departure, but I kept that to myself.

"What's your favorite tune or song?" he inquired abruptly, turning to me.

"That's quite sudden. Well... I like 'Für Elise,'" I replied after pondering a bit.

"Hmm... You're boring. Don't you listen to any new songs? What kind of woman are you?" he teased, chuckling in an attempt to rile me up.

"You lack any appreciation for art, so please, spare me the nonsense," I retorted, playfully hitting his shoulder.

"Ouch, you hysterical woman. How have I managed to put up with you all these years?" he exclaimed dramatically, bursting into laughter.

I returned his pout, and after a while, he dropped me off at my house; it was quite late. Before going inside, I decided to bid him farewell, knowing I wouldn't see this crazy man for some time.

"Hey, don't die," I said, looking at him.

"Before marrying you? Nah," he replied with a grin. He's truly irritating.

"Who said I'd marry you? Don't be ridiculous."

As soon as I said that, he hugged me. Unexpectedly, tears welled up in my eyes.

"Okay, okay. Now go. I need to rest," I told him, cutting him off. I didn't want him to see me cry.

After Theodore left, I went upstairs to freshen up, hoping he would return safely. That thought consumed me.

I couldn't sleep well, insomnia creeping in. All I wanted was a melody, his melody.

Then I heard piano playing—a familiar tune, very close to my house. Surprised, I got up. It was "Für Elise." I ran outside in my nightgown, following the sound to the garden behind my house. What I saw left me stunned. I couldn't hold back any longer and started crying. There was Theodore, playing "Für Elise."

It had been him all along—the unknown man I had fallen for. It was always him. I felt wronged; why hadn't he told me? Yet, I was relieved it was him. I had hoped it would be. Tears were in his eyes as he finished the last note and stood up.

"Forgive me, Elise. I should've told you, but I didn't have the courage to break your heart by revealing it was me. I know you despise me, and if you had known, you would've despised me even more. But I couldn't keep it in any longer. I couldn't bear the thought of you loving someone else, even if it was secretly me," he said, unable to continue, looking down at the ground, ashamed.

I ran and hugged him. "Shut up, you idiot. I'm so happy it's you. I love you too."

[hitogatarock]

Musicart 4koma (08)

• 4koma manga series by Aiwo

Was announced on the February 2023 livestream, Takt op's official twitter account will begin its online 4koma manga project about the Musicarts' daily life and interactions! This serves as part eight of this post, make sure to look forward for more!

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important note : since this was posted at the JP game twitter acc, to read the manga would be from left to right !

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# 28 : Omnidirectional

Featuring Don Giovanni, Für Elise, Eine kleine Nachtmusik, Pomp and Circumstance, and Swan Lake

# 29 : Hugging to Save the World?

Featuring Autumn and Spring

# 30 : Top Priority

Featuring Tannhäuser, Pavane for A Dead Princess, Fantaisie-Impromptu, Eine kleine Nachtmusik, and Belkis

# 31 : An Enigma

Featuring Enigma Variations, Air on the G String, and Belkis

I also had a compiled twitter thread of this too so go HERE for the thread!

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[drgreggweidner]

Harmonious Journeys: Exploring Piano Styles from Classical to Jazz and Pop

The piano, a versatile and timeless instrument, has found its place in a wide array of musical styles throughout history. From the refined compositions of classical music to the rhythmic complexities of jazz and the catchy tunes of pop, the piano has adapted to suit various genres. In this article, we embark on a journey to explore the diverse piano styles, each with its unique characteristics and charm.

The Elegance of Classical Piano

Classical music, with its centuries-old tradition, holds a special place in the hearts of pianists and music enthusiasts. The piano has been an essential instrument in the world of classical music since its inception in the 18th century. This genre is defined by its intricate compositions, rich harmonies, and adherence to a precise musical notation system.

Notable Composers and Their Contributions

Ludwig van Beethoven: Beethoven's sonatas are a testament to the emotional depth and technical brilliance of classical piano. Pieces like the "Moonlight Sonata" and "Für Elise" are celebrated classics.

Johann Sebastian Bach: Bach's keyboard works, including the Goldberg Variations and The Well-Tempered Clavier, exhibit mathematical precision and a profound understanding of counterpoint.

Wolfgang Amadeus Mozart: Mozart's piano sonatas, like the "Piano Sonata No. 16 in C Major," epitomizes the elegance and grace of the classical era.

The classical piano style is characterized by its emphasis on form, structure, and adherence to musical conventions. Pianists in this style focus on perfecting their technique, mastering dynamics, and conveying the composer's intentions with precision.

The Improvisational Artistry of Jazz Piano

Jazz piano is a musical genre that thrives on improvisation and spontaneity. Rooted in the African-American community, jazz is known for its rich harmonic language, syncopated rhythms, and intricate melodies. Jazz pianists are often recognized for their extraordinary skill in improvisation, taking the audience on a musical journey with every performance.

Influential Jazz Pianists

Duke Ellington: Ellington's innovative compositions and piano playing, as showcased in pieces like "Take the 'A' Train," have left an indelible mark on jazz history.

Thelonious Monk: Known for his unique and eccentric style, Monk's compositions and performances, such as "Round Midnight," challenged the traditional jazz norms.

Herbie Hancock: A modern jazz legend, Hancock's work in albums like "Head Hunters" and "Maiden Voyage" exhibits his fusion of jazz with electronic elements.

Jazz piano is characterized by a complex harmony, frequent use of improvisation, and the incorporation of blues elements. Jazz pianists must have a strong understanding of scales, modes, and chords, enabling them to navigate the intricate harmonic landscape of the genre.

The Catchy Versatility of Pop Piano

Pop music is all about catchy melodies and relatable lyrics, and the piano plays a crucial role in creating these memorable tunes. Pop piano style is known for its simplicity and accessibility, making it a popular choice for budding pianists and songwriters.

Iconic Pop Pianists

Elton John: Elton John's vast repertoire includes classics like "Your Song," "Rocket Man," and "Tiny Dancer," characterized by their memorable piano melodies.

Billy Joel: Known for his storytelling through music, Joel's "Piano Man" and "New York State of Mind" are enduring pop classics.

Alicia Keys: With her powerful voice and piano skills, Alicia Keys has produced hits like "Fallin'" and "If I Ain't Got You."

Pop piano style focuses on melodic simplicity and the use of chords that provide a strong foundation for vocalists. Pianists in this genre often serve as both accompanists and composers, creating songs that resonate with a wide audience.

Bridging the Gap: Crossover Styles

While each piano style has its distinct features, there are crossover points where the genres blend, creating captivating and innovative music. These fusion styles combine elements from classical, jazz, and pop, resulting in a rich and diverse musical landscape.

Neo-Classical and Contemporary Classical

Neo-classical and contemporary classical music bring classical piano into the modern era. Pioneered by composers like Ludovico Einaudi and Yiruma, these styles retain the elegance of classical music while incorporating contemporary harmonies and a more emotive approach.

Jazz Fusion and Smooth Jazz

Jazz fusion combines the improvisational aspects of jazz with elements of rock and electronic music. Pianists like Chick Corea and Herbie Hancock have explored this style, creating exciting, high-energy compositions. On the other hand, smooth jazz offers a more mellow and accessible take on jazz, with artists like George Winston delivering soothing, melodic piano pieces.

Pop-Rock and Pop Ballads

The pop-rock style merges the catchy melodies of pop with the energy of rock, often featuring pianos prominently in bands like Coldplay and Keane. Meanwhile, pop ballads focus on emotional storytelling and are characterized by expressive piano accompaniments, as seen in Adele's "Someone Like You" and John Legend's "All of Me."

The piano's enduring popularity across classical, jazz, and pop music is a testament to its versatility and timeless appeal. Each of these piano styles offers a unique experience, from the refined elegance of classical compositions to the improvisational artistry of jazz and the catchy versatility of pop. While they may appear distinct, the lines between these genres often blur as musicians draw inspiration from multiple styles. Exploring these diverse piano styles can be a rewarding journey for both pianists and music enthusiasts, showcasing the instrument's ability to adapt and shine in various musical landscapes. Whether you prefer the intricate sonatas of Beethoven, the jazz improvisations of Thelonious Monk, or the pop melodies of Elton John, the piano continues to be a captivating and influential force in the world of music.

[classicalmusicdaily]

Do you know the iconic song, Für Elise? Its haunting melody has captivated music lovers for centuries. But what grade level is this beautiful piece of music? Are you a beginner, intermediate, or advanced pianist who wants to learn how to play it? Let's dive into all the details about the Grade level of Für Elise and how challenging and rewarding it can be to master its timeless notes!   Overview of Für Elise and its composer, Ludwig van Beethoven   Have you ever heard the piano classic, Für Elise? It's a beautiful and catchy piece that has stood the test of time. Written by the renowned composer Ludwig van Beethoven, this timeless piece was first discovered after his death and has been adored ever since. Für Elise captures the playful essence of a spring day, with its light and airy melody. As for Beethoven, he is an icon in music history, known for revolutionizing classical music. Despite facing hardships such as deafness, Beethoven left an indelible mark on music and continues to inspire musicians to this day.   Explanation of piano grade levels and their difficulty   Have you ever wondered how professional piano players evaluate their skill level? The answer lies in the piano grade levels. These levels are used as a standard measure of a pianist's proficiency, with grades ranging from 1 to 8. Each grade level comes with a set of pieces and technical requirements that increase in difficulty as the pianist progresses. For example, Grade 1 covers basic skills such as playing scales, chords, and simple tunes, while Grade 8 includes complex pieces that test the player's technical ability, sight-reading, and musical interpretation skills. Achieving a higher grade level indicates a higher level of proficiency, but it requires dedication and years of practice. So if you're currently at a lower grade, don't be discouraged. Keep practicing and you'll be able to tackle those more difficult pieces in no time!   A detailed breakdown of the difficulty of each section in Für Elise   Have you ever tried to play Für Elise on the piano? If you have, you know it's not the easiest of pieces. But have you ever wondered which section is the hardest part? Let me break it down for you. The beginning might sound simple with its repetitive theme, but don't be fooled. The left hand has to maintain an even rhythm while the right-hand jumps around the keyboard. The middle section is where things get tricky. The fast and intricate melody is played solely by the right hand, while the left hand still has to maintain a steady beat. And finally, the ending - the most iconic part of the piece can be a challenge with its ascending and descending arpeggios. Overall, Für Elise is a beautiful piece, but don't underestimate its difficulty. With practice, though, even the hardest sections can be mastered.   Tips for learning the piece at different grade levels   Learning to play a new piece of music can be a daunting task, regardless of skill level. It's easy to get overwhelmed by complex rhythms, tricky finger patterns, and challenging techniques. However, there are a few tips and tricks that can help make the learning process more manageable. Whether you're a beginner or an advanced player, breaking the music down into smaller sections is a great place to start. Take the time to study each section individually before attempting to put it all together. Additionally, listening to recordings of the piece can provide invaluable insight into the overall sound and feel of the music. With a bit of patience and diligence, you'll be able to tackle even the most challenging pieces with confidence and skill.   Tips to help you master playing Für Elise regardless of your current skill level   So, you've set your mind on mastering Für Elise? Great choice! It's a beautiful piece of music that has captured the hearts of many. But where do you begin? Well, whether you're a total beginner or an intermediate player, there are a few tips that can help you along the way.

First, break the piece down into smaller sections and practice them one at a time. Focus on mastering the right and left hand separately before bringing them together. Second, practice slowly and deliberately. Speed will come with time, but accuracy is key. Lastly, don't be afraid to make mistakes. Embrace them as learning opportunities and keep pushing forward. With these tips, you'll be well on your way to playing Für Elise like a pro!   Examples from beginners to advanced players    When it comes to learning to play Für Elise on the piano, it's easy to feel intimidated by the task at hand. But the truth is, mastering this iconic piece is easier than you might think. From beginners to advanced players, there are plenty of examples out there to prove that anyone can learn and conquer it. With a bit of practice, dedication, and perhaps a little bit of guidance from a skilled instructor or online tutorial, you'll be playing Für Elise with confidence and skill in no time. Don't let fear hold you back from attempting this staple of classical music you might be surprised by just how much you're capable of achieving.   Conclusion:   Für Elise is often seen as an intimidating piece for beginners, but with practice and proper instruction, anyone can master it! As discussed, the complexity of the piece is judged primarily by its grade level. At any level  whether you’re a beginner or a more experienced player being adequately prepared for Für Elise is key. You should learn the fundamentals before tackling this timeless classic. Even though this will take more time, it will be a worthwhile endeavor in terms of your overall advancement as a musician. As Beethoven himself once said “Music should strike fire from the heart of man and bring tears from the eyes of woman” so don’t be afraid to go on that journey to enrich your musical experience with Für Elise!   FAQS: Q: How long does it take to learn Für Elise? A: It depends on the skill level and experience of the musician. For those with some previous piano playing experience, learning Für Elise could take anywhere from a few days to a few weeks or more. For absolute beginners, mastering this iconic piece could take several months, depending on their dedication to practice and instruction. Q: What should I know before attempting Für Elise? A: Before starting to learn Für Elise, it’s important to have a basic understanding of musical theory as well as some knowledge of piano techniques. It is also helpful to comprehend the significance of dynamics in music, so you can get the most out of playing the piece. Lastly, it's essential to have a solid grasp of sight-reading and fingering techniques before attempting Für Elise. Q: What is the hardest part of learning Für Elise? A: The most challenging part of playing Für Elise can be navigating all the tempo changes. It’s important to have a good sense of rhythm and understanding of musical phrasing. Additionally, mastering the arpeggios can be tricky as they require careful precision and control. With patience and practice, however, even these difficult sections will eventually become second nature! Q: What tips do you have for learning Für Elise quickly? A: To master this piece more quickly, focus on sectional practice. Break the piece up into smaller sections and work to perfect each part before moving on to the next one. Additionally, employing finger exercises such as scales and arpeggios can help you build your technique and improve your overall skill level.

[mapecl-stories]

Der Strahlende Liebreiz

Es war einmal im beschaulichen Örtchen Kleinhausen, wo Herr Wolfgang ein ebenso charmantes wie kurioses Häuschen besaß. Vor dem Häuschen thronte stolz ein Gartenzwerg, der mit einem verschmitzten Lächeln und einem zu großen Spaten bewaffnet den Vorgarten schmückte. Doch das Auffälligste an der Szenerie war zweifellos das Kernkraftwerk, das unerwartet seinen Platz neben dem Zwerg gefunden hatte. Nun, das nannte man wohl "strahlende Vielfalt".

An einem sonnigen Tag ereignete sich im beschaulichen Kleinhausen etwas, das die Dorfbewohner in helle Aufregung versetzte. Die Tomaten von Herrn Wolfgang wuchsen auf einmal in den Himmel und waren so prächtig wie der Riese aus den Märchen. Sogar der Sellerie wurde zum Wunderwerk der Gemüsewelt und versetzte die Dorfgemeinschaft ins Staunen. Besonders Herr Wolfgangs Frau in dritter Ehe, die gute Anette, war außer sich vor Freude. Als jemand, der von Cäsium und Plutonium so viel Ahnung hatte wie ein Zwerg von Raketenwissenschaft, feierte sie die prächtige Ernte in ekstatischem Entzücken. Sogar der arme Peer, der Hund der Familie, konnte dem Gemüsewachstum kaum standhalten und verschwand kurzzeitig zwischen den Tomatenbergen.

Aber es sollte noch erstaunlicher kommen: Eines Tages kam der lang erwartete Nachwuchs der Familie zur Welt – der kleine Wolfgang Junior erblickte das Licht der Welt. Doch es war, als hätte der Neuling die Großzügigkeit der Natur auf einmal für sich beansprucht. Der junge Wolfgang hatte links und rechts drei Ohren, auf seinem Köpfchen prangte ein Pilz, er schien eine Vorliebe für überzählige Zehen zu haben, und auch seine Hände waren mit einem Überschuss an Fingern ausgestattet. Manch einer konnte schwören, er habe einmal Klaviertöne aus dem Kinderzimmer vernommen – oder war es nur ein Zufall, dass die Melodie von "Für Elise" erklang?

Trotz der bedenklichen Anzahl von Körperteilen und den unerwarteten musikalischen Einlagen wuchs Wolfgang Junior heran, genoss sein Dasein und nahm den Titel "Menschlicher Nachttischlampenersatz" in seinem Kinderzimmer eifrig wahr. Während der Sohn also nachts strahlte, genossen die Eltern ihren "Spar"-Tarif bei der Stromrechnung.

Als der Junge schließlich heranwuchs, waren auch die Pickel auf seinem Gesicht so zahlreich wie seine Finger. Eine Suche nach Liebe gestaltete sich für ihn schwierig, bis er auf die gleichfalls strahlende Amalia traf, die mit einem Hauch von Tschernobyl-Charme gesegnet war. Gemeinsam strahlten sie in den Hafen der Ehe – ein strahlendes Paar, sozusagen.

Die Liebe zwischen Wolfgang Junior und Amalia blühte auf, und das Paar fand Freude in ihrer außergewöhnlichen Gemeinsamkeit. Selbst die Anzahl ihrer Körperteile konnte ihre Liebe nicht aufhalten – sie waren eben einzigartig, zusammenpassend wie zwei Puzzleteile aus einer seltsamen Dimension.

Und so endete die Geschichte von Herrn Wolfgang, seinem strahlenden Häuschen, den prächtigen Tomaten und der außergewöhnlichen Familie. Kleinhausen war vielleicht ein wenig anders als andere Dörfer, aber das machte es nur umso liebenswerter. Denn am Ende des Tages zeigte die Geschichte, dass die wahre Schönheit und der Liebreiz im Besonderen liegen können – selbst wenn es ein bisschen mehr als nur "drei, zwei, eins" davon gibt.

[cyarskaren52]

Who knew that classical music could slap hard ?

FEATURES

8 HIP-HOP SONGS THAT SAMPLED CLASSICAL MUSIC

Published Tue, August 23, 2022 at 6:00 PM EDT

HOW ARE HIP-HOP AND CLASSICAL MUSIC RELATED?

Hip-hop and classical music may seem like two different styles of music, but they have more connections than one might think. Both genres share a deep appreciation for musicality, and their artists use music to express themselves and convey powerful messages. 

Hip-Hop music, like classical music, is an art form that has evolved, with different styles of music emerging and blending to create something new. Hip-Hop artists often use samples and remixes of classical music in their rap songs, incorporating classical elements into their music. 

The use of classical music in Hip-Hop is not new. It has been a common practice since the early days of rap music. If it doesn’t feel like you should mix Jay-Zor Kendrick Lamar with Chopin or Bach, you need to check out the vast history of classical Hip-Hop mash-ups.

 Some rappers have even gone as far as to collaborate with symphony orchestras, creating a unique sound that combines the best of both worlds. As Hip-Hop continues to evolve, we will likely continue to see more connections between these two seemingly disparate styles of music.

8 HIP-HOP SONGS THAT SAMPLED CLASSICAL MUSIC

1. Nas – “I Can”

Sample: “Für Elise” by Beethoven

Beethoven’s Für Elise is one of his popular and recognizable compositions. It is a solo piano piece that was likely composed in 1810, although the exact date of its composition is unknown. The piece was not published during Beethoven's lifetime and was only discovered and published posthumously in 1867, over 40 years after the composer's death.

The composition is in the key of A minor and is written in rondo form, meaning it has a recurring main theme interspersed with contrasting sections. The piece is relatively short, with a total playing time of approximately three to four minutes. The main theme of "Für Elise" is a simple but catchy melody played with the right hand while the left hand provides a harmonic accompaniment.

Despite its popularity, there is much debate among scholars and musicians about the true identity of "Elise" and the intended context of the piece. Some believe that the title may be a misspelling of "Therese," a woman that Beethoven was known to have been fond of. Others suggest that "Elise" may have been a nickname for one of Beethoven's students or a family member. Whatever the true origin of the title may be, "Für Elise" remains a beloved piece of music that audiences and musicians worldwide enjoy.

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2. Ludacris – “Coming 2 America”

Samples: Mozart’s “Requiem” and the stately last movement of Dvorak’s Symphony No 9

Mozart's "Requiem" is one of his most famous and enduring works and is widely regarded as one of the greatest choral compositions ever. It was commissioned by a mysterious stranger who identified himself only as "Count Walsegg" and requested that Mozart compose a requiem mass to commemorate the death of his wife.

Mozart began working on the piece in 1791 but could not complete it before his untimely death later that year. The work was then completed by Mozart's student and friend, Franz Xaver Süssmayr, according to Mozart's notes and instructions.

The "Requiem" is a solemn and powerful piece of music meant to be performed as a requiem mass, a type of Catholic mass that is said or sung for the repose of the souls of the dead. The work is scored for a large orchestra, chorus, and four soloists and features choral and solo sections. The music is highly emotional, with sweeping melodies and dramatic crescendos that evoke a sense of loss and mourning.

Although the "Requiem" was left unfinished by Mozart and completed by another composer, it remains one of his most beloved works and a testament to his genius. Its popularity has endured for over two centuries,

3. DJ Premier and Nas – "Regeneration"

Sample: Vivaldi’s "Summer," Mozart’s Linz Symphony, and Beethoven’s Egmont Overture

Summer" is one of the four concertos that make up Antonio Vivaldi's "The Four Seasons," a set of violin concertos depicting the changing seasons. "Summer" is the second concerto in the set and is known for its vivid musical portrayal of a summer thunderstorm.

The composition is scored for solo violin, strings, and continuo and features three movements. The first movement is marked "Allegro non molto." It is a fast and energetic depiction of the summer heat, with the solo violin representing the singing of birds and the buzzing of insects. The second movement is marked "Adagio e piano - Presto e forte" and represents the arrival of a summer thunderstorm, with the violin imitating the sound of thunder and lightning. The final movement is marked "Presto" and represents the aftermath of the storm, with the violin imitating the chirping of crickets and other insects.

4. Busta Rhymes – “Back on My B.S. Intro”

Sample: Beethoven Symphony No. 5

Beethoven's Symphony No. 5 is one of the world's most famous and widely recognized symphonies. It is a monumental work known for its dramatic opening four-note motif, which has become one of history's most iconic musical phrases.

The symphony is composed of four movements and was completed in 1808. It is scored for a large orchestra, including strings, woodwinds, brass, and percussion. The first movement,  "Allegro con brio," begins with the famous four-note motif, which is repeated and developed throughout. The second movement, marked "Andante con moto," is a more lyrical and melodic section that contrasts the intensity of the first movement. The third movement, marked "Scherzo: Allegro," is lively and rhythmic, featuring a prominent horn section. The final movement, marked "Allegro," is a triumphant and energetic conclusion to the symphony.

5. Wu-Tang Clan – “Impossible”

Sample: Beethoven’s Sonata No. 8 Pathetique - 1st Movement

Ludwig van Beethoven's "Sonata No. 8 in C minor, Op. 13" is commonly known as the "Pathetique" Sonata. Its first movement is one of the piano repertoire's most famous and beloved works.

The "Pathetique" Sonata was composed in 1798 and is one of Beethoven's earliest published works. The first movement is marked "Grave - Allegro di molto e con brio," a dramatic and powerful expression of emotion. The opening "Grave" section is a slow and mournful introduction that sets the stage for the explosive and intense "Allegro di molto e con brio" that follows.

The first movement of the "Pathetique" Sonata is notable for its striking use of contrasts. The dramatic opening section gives way to a fast and frenzied main theme marked by sudden shifts in dynamics and tempo. The music is highly expressive, with sweeping melodies and dramatic chord progressions that evoke a sense of passion and intensity.

Despite its technical demands, the first movement of the "Pathetique" Sonata has become one of Beethoven's most popular and enduring works. It is widely regarded as a masterpiece of Western classical music. Its emotional power and technical virtuosity continue to inspire and captivate audiences worldwide, and it remains a testament to Beethoven's genius and ability to convey complex emotions through music.

6. Capone-N-Noreaga – “Straight Like That”

Sample: Mozart’s Symphony No. 25

Wolfgang Amadeus Mozart's Symphony No. 25 in G minor, K. 183, is a landmark work in the history of classical music. Composed in 1773, when Mozart was just 17 years old, it is one of his earliest symphonies and is notable for its dramatic and intense character.

The symphony comprises four movements and is scored for a relatively small orchestra of strings, woodwinds, and horns. The first movement, "Allegro con brio," begins with a brooding and ominous theme that sets the tone for the rest of the work. The second movement, marked "Andante," is a more gentle and lyrical section that contrasts the intensity of the first movement. The third movement, "Menuetto," is lively and rhythmic, with a prominent horn section. The final movement, marked "Allegro," is a fast and energetic conclusion to the symphony that features complex rhythms and intricate counterpoints.

Mozart's Symphony No. 25 is known for its technical and compositional innovations, particularly in its sonata form and integration of different musical styles and genres. The symphony's intense and dramatic character is also notable, particularly in the brooding opening theme of the first movement, which has been used in numerous films and other media.

7. EPMD featuring Keith Murray and Redman – “K.I.M.”

Sample: Mozart’s Symphony No. 40 (Third Movement)

The third movement of Symphony No. 40 is a minuet, a popular dance form of the time that is characterized by its triple meter and stately pace. Mozart's version of the minuet, however, is more lively and energetic than many of his contemporaries, with a fast tempo and intricate rhythms that give the music a sense of urgency and excitement.

The movement features two contrasting themes, with the first being a jaunty and playful melody repeated and developed throughout the section. The second theme is more subdued and lyrical, providing a brief respite from the energetic dance music surrounding it.

Despite its relative brevity, the third movement of Symphony No. 40 is a masterclass in Mozart's compositional style, showcasing his ability to craft memorable and intricate melodies that are both accessible and sophisticated.

8. Immortal Technique – “Dance with the Devil”

Sample: Bach’s Sonata for Viola and Harpsichord (First Movement)

Johann Sebastian Bach's Sonata for Viola and Harpsichord in G Major, BWV 1027, is a beautiful and virtuosic work for two instruments. The sonata comprises three movements; the first is marked "Adagio" and is a somber and expressive introduction to the work.

The sonata's first movement opens with a beautiful and lyrical melody played by the viola, accompanied by the gentle arpeggios of the harpsichord. The music is marked by its slow tempo and mournful character, with a sense of deep emotion and reflection.

As the movement progresses, Bach introduces several virtuosic passages for the viola, showcasing the instrument's expressive and technical capabilities. The harpsichord provides a subtle and supportive accompaniment, adding to the overall sense of melancholy and introspection.

All of it makes for a dope sample for this Immortal Technique track.

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