#ştefan cel mare
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— in which Vlad Dracula and a childhood acquaintance reunite after years, and both assess one another anew through the perspective of adulthood.
words: 5,252 words
warnings: implications of a love triangle, mentions of concubinage and extramarital relationships, (very) mild suggestive language and innuendos
a/n: Somehow, I have always felt in my writing bones that the beginnings of Vlad’s story with Cătălina should begin in Moldavia. I see Vlad’s years at the Moldavian court as one of his happiest moments in Voievod. Is it 100% plausible? Maaaybe not completely but it could not be any other way. Cătălina has a crucial place in his life��� and here is how it all begins. I hope you enjoy the ride together with them! ❤️️
➨ also available on AO3
January 1950, Curtea Domnească, Suceava, Moldavia
The sheep wool draped over his shoulders offers warmth but no relief. Beneath him, the stone steps bite with cold — they had to sweep away the thick layer of snow so they could sit on them. The tension in his muscles comes from elsewhere. Rest has become foreign to him, though his body pleads for it. Dark shadows have settled beneath his eyes, almost black now, sharp against his pale, bone-white face. Exhaustion weighs heavy, and still, he cannot let go.
Though his uncle became voivode in autumn, they arrived at the court only two weeks ago — messages between Suceava and the Porte crawl at a torturous pace. When the messenger delivered Bogdan’s offer to him which stated that he was welcome to live at the Moldavian court if he pleased, Vlad had little time to drag his feet. But to go to Moldavia seemed a great risk. His uncle turned away from the Poles and now leaned on Hungarian support. Hunyadi might be eager to assist him for now, but his tune could change the moment he learned that the Moldavian voivode gave shelter to the young man whose head he wanted on a silver platter. To come here could have meant an instant execution. Family ties? They rarely matter, even less in royal families. Family is always the first scapegoat sacrificed on the path to power. His nephew’s death could help Bogdan secure a comfortable future.
But to come here seemed a better choice than staying in Edirne, even despite the risks. To move forward is to push through. And so he gathered the few belongings he had and set off for Suceava with his companion. The thick December snow turned the typically month-long journey into a much longer toil; having to bypass Wallachia entirely stretched the odyssey even further. Long days in the saddle or rough nights in shoddy inns in Dobruja nonetheless seemed a more preferable option than ending up dragged to Târgovişte and butchered on the doorstep of the palace like a stray dog.
Both men were received with warmth Vlad had not experienced in years. Bogdan has repeatedly reassured him that he will see to it that no harm comes to them, yet Vlad cannot shake off the state of alarm. One can feign affection with ease, perhaps even better than other emotions. And so instead of letting sleep overpower him in the comfort of the warm bed, his body stays alert. Every sound beyond the bolted door jolts him awake at night. He keeps a dagger beneath the pillow, ready, as if sleep itself is a danger he cannot afford to trust.
The same cannot be said of his companion. After that tumultuous year, Dracea has found Suceava to be the ideal place for repose. As Vlad walks past his chamber at the first light of dawn every morning, the heavy snores rumble from behind the closed door, deep and unbroken.
And, of course, there is that woman.
She is the reason why they are freezing on the stone steps instead of lounging by the fire in the hall. The cook gave them both this year’s walnuts wrapped in two cloth bundles, and Vlad was already turning towards the grand entrance that would take him to the hall when Dracea heard her voice — just a faint sound from outside — and bolted out of the gate. He has been mesmerised by her since the first moment he was introduced to her, longing to spend every second near her presence. Dracea’s eyes have been searching for her everywhere.
Vlad followed his footsteps without hesitation, watching his friend’s obsession with amused detachment. He could not help himself. Curiosity pulls him in like a moth to a flame and demands satisfaction. He has been observing this infatuation with fascination that has little to do with her and more with the simple notion of what a woman’s allure can turn a man into. There is certain bemusement in it, he thinks, that a single glance — barely a tilt of her chin, the flicker of a smile — can unravel a man so completely. She has reduced Dracea to a trembling boy and hypnotised him into thinking he is the one in control.
Dracea fights this battle with honour. His gaze never falters, never hesitates, never gives the poor soul rest — there is no respite in love, no pause for the weary. She moves and he follows, without question, without breath. If she graces him with a smile, his becomes all the wider. If she seems to be in need of a helping hand, he is ready to move the mountains for her. During a shared meal in the hall, amidst the murmur of voices and the clink of metal against wood, he leans back with satisfaction whenever her eyes find him. In that glance, the world collapses and folds inwards, existing only in the space of their unspoken words. An unabashed, mischievous wink earns him her laughter — soft, fleeting yet eternal. That is how wars are won.
He does not give her rest even now. His eyes anchor themselves to her form as her fingers caress the fabric the merchant displays to her. The delicate touch of wool against the soft skin he longs to touch, the whispered shift of fibres between her hands, hold his attention in a grip stronger than any grasp could. She pulls her woollen cloak tighter around her shoulders, and when she laughs, her cheeks flushed from the cold tighten in amusement. She is hardly the only living being standing in the courtyard — Ștefan’s elder sister Maria might be older than them but is enchanting nonetheless — but none of that matters to Dracea. The world around him dissolves, vanishes, and all that remains is her, untouchable yet infinitely near, caught in the invisible tether of his focus.
Cătălina. The name rolls around in his mind like a secret meant to be whispered in the darkness of a night. Sharp yet soft, delicate but never fragile. Că-tă-li-na. Că-tă-li-na. He says it in his mind, again and again, testing its weight as if by repeating it he might unravel the mystery of her, might understand how the smoothness of the syllables could match the depth in her eyes, the curve of her smile. It does not belong to her but becomes her, and with each thought of it, he is more certain that no other name would ever do.
How can something so simple hold so much power over him?
The sound of a rasping breath pulls him out of his reverie. A sweetness still lingers on his tongue when he recognises that sound — laughter, choked and restrained, desperately held in the throat. He turns to Vlad and lets the world of whiteness and empty walnut shells come into focus. The man sits there, his mouth stuffed with the nuts and cheeks puffed out in unspoken jest. He tips the cloth, and the walnuts tumble free and fall into the folds of the sheep skin laid across his knees. Then he dangles the cloth before Dracea’s face.
“A kerchief, my lord?”
“Wha— Why?”
“You are starting to slobber all over your knees.”
The laughter intensifies and swells around him, but Dracea pays it no mind. He flicks his wrist in a dismissal, and the cloth slips through Vlad’s fingers as he yanks it out of his hand. His eyes settle once more on that divine thing before him.
“You must be the only man alive immune to her charms,” Dracea shakes his head in disappointment, then points at her with an arm outstretched in indignation. “Take a good, long look at her and tell me it stirs nothing within you!”
“I am aware of her looks. You forget that I have known her since childhood.”
“I hardly doubt she looked like this. So ripe, so…”
Vlad wants to argue that countless other girls are ready to catch the wandering gaze of their starving eyes. He holds his tongue instead and looks at her, feeling a flicker of memory appear in front of him like the dust of a long-gone afternoon. She is not a girl anymore. The childish softness in her face is gone, stripped away by time. She is a woman now, not very tall but with a graceful posture befitting her class, hardly waifish, instead well-built — slim, with strength in her body indicating that she remains physically active. He recalls that she is a decent rider, at least from what he noticed during the sparse and short moments when their paths crossed in childhood. His eyes sweep over her features. Dark eyes, neither too large nor too small, a narrow nose, full lips. Her hair flows down her back in a river of dark chestnut waves, surprisingly not tamed in a braid, and the cool winter sun paints the tresses with a faint reddish tinge characteristic of her family. It almost reaches her waist, almost touches, but does not quite.
“There is more to life than beautiful women,” Vlad says at last, palms open in front of him.
“That is not what you said last night in the arms of the carpenter’s daughter.”
A walnut shell strikes Dracea’s temple with a thud, then clatters down the steps and rolls away. “At the very least, I keep my dalliances far from our host’s threshold.”
“As do I! Yet this one… this one may well be worth a sin or two.”
Dracea lets the words fall, expecting the familiar grin, the quick flash of approval in Vlad’s eyes — a sign of shared understanding, the unspoken camaraderie of men who dance on the edge of fate. Fortune favours the bold, he thinks to himself, and the Dragon’s son is never one to leave boldness unanswered, always quick to recognise it and enjoy it in others as if it were his own. But now, the silence stretches. Instead, there is only the crunch, soft but decisive, of the walnut splitting under Vlad’s thumbs. Not a word. Not a glance.
Dracea’s tongue curls, his remark now a hollow thing. Fortune favours the bold, yes — but it has its moods, and today, it is nowhere to be found.
The walnut shell drops to the ground.
“Exile need not mean we live as monks,” he tries again, and that is when the shadow of a grin pulls at Vlad’s lips.
“I would be the last man to pretend otherwise.”
“So?”
Vlad inhales, the crisp air sharp in his chest, while moss-green eyes trace the skies that sag under the weight of impending snow. Dracea can warm his bed with whomever he pleases. That much does not stir him. But that Muntenian woman, sharp-eyed and unbending, is not some tavern girl. Ruining a lady-in-waiting’s reputation is a game only fools play, and a single indiscretion could snap the trust their uncle has placed in them like a brittle twig. There is a reason why any non-committal adventures are kept strictly outside the palace’s gates. And then, there is always the chance of the unexpected, and to tether oneself to anything more than a fleeting passion when tomorrow, they might not even be in the same land… He knows better than to believe in anything as fragile as permanence in a place where nothing is ever promised, least of all tomorrow. Serious commitments are a luxury, and luxuries require stability. Vlad smirks at the thought — stability is the one thing they lack.
This might grow into a distraction that could taint all of his obligations.
But then again, he is not in a place to forbid such private matters. When Vlad had to flee, he did tell Dracea that he could not demand his companion as his ruler but could only ask it of him as his friend. Dracea is risking his life, not for the country or the crown but for the man — not out of obligation, but of his own volition. Besides, the lady-in-waiting hardly seems like a fragile damsel, and if she is anything like his sister to whom she once used to be close… God help the man foolish enough to think her weak.
A touch of something — is it concession? — graces Vlad’s lips as his fingers gather the last of the scattered nuts. He takes the white cloth from Dracea’s outstretched hand and wraps them into it again. Who is he to guard another man’s life when it is only his to live? To each man his own.
“So… Be discreet. Do nothing reckless. Beyond that, I care not for the rest. That is all I ask of you, Dracea.”
Lost in thought, he does not realise that his eyes stray from his friend and, as if pulled by an invisible thread, land upon her. It is fleeting, a moment that could dissolve in the air, but Dracea notices. He sees the pause, the way Vlad’s gaze betrays him just enough. A small victory, perhaps, but one that sparks a knowing smirk on his lips.
And so he presses further. “Like a rose in full bloom, is she not?”
He rises swiftly, fingers brushing the dust from the wool that clings to his legs. His hand, deliberate and firm, falls on Dracea’s shoulder.
“Mind the thorns. Roses are laced with them,” he says at last and disappears through the gate and into the palace’s corridors.
Dracea glances at her once more, the sharp pull of longing rising from his chest as if it could lacerate the air between them. He has already already made his choice, perhaps long before he knew.
This one might be worth piercing his fingers for.
three days later, Curtea Domnească, Suceava, Moldavia
Cătălina can recall the first sentiment she has ever felt for Dracul’s son with striking clarity — a creeping, uneasy shadow of envy. More than a decade ago, she was an observer in her own quiet solitude. She remembers looking at him in the same manner as she is now, through the grand window of the Voivodal Palace in deep contemplation, back hunched forward, chin cradled in the hollow of her small palms, dark eyes burning through his figure. Her body repeats the posture as if it were branded into her bones.
They were only children then, and she envied the lightness with which he sprinted through the path among his mother’s beloved rose bushes, cheeks puffed out and red with exertion. She always saw him in a frantic blur of motion, never still enough for her to catch more than a glimpse, a mass of black curls bobbing around his face. Cătălina was granted this freedom only within the sanctity of her own home. Beyond its confines, it was forbidden. She would swiftly face chastisement otherwise, made to remember who she was — or rather, what she could never be. A flicker of her tongue, a pink dart that vanished as quickly as it appeared, was a secret rebellion she allowed herself when no one was watching. Such a fate would never befall him. What was deemed naughtiness in her was celebrated in him. He could run as swiftly as he wished to, climb cherry trees as high as the boughs would permit, spit the crimson-stained pits upon the earth. It appeared as if the world had already bent its knee to him, a six-year-old boy.
The circumstances have changed significantly since then.
The world shifted and slipped into new hands. She now resides in a different Voivodal Palace — amidst a different court, under the rule of a different voivode, in a different land. The girl of six is long gone and left behind, buried beneath whatever remains of her childhood home, replaced by a woman on the cusp of eighteen. The sting of envy has disappeared together with that small girl.
She feels something different now. Curiosity, perhaps. Certainly sorrow — for what is lost, for what was taken from them, for those who would never return.
She has barely seen him since he arrived at Voivode Bogdan’s gates, but from the little she has noticed, she can already sense it. Life has hardened him and shifted something in him. He had to bury that boy who once scrambled up cherry trees as if he owned the sky, too.
“There you are, Cătălina!” she hears a voice behind her back and, as if by command, she snaps upright, her back straight and body rigid with that automatic obedience. Her hands, so quick to gesture, to grasp, now hang by her sides. “I have searched for you everywhere! Mother speaks of nothing but the engagement, I could bear it no—”
Maria stops mid-sentence, her voice swallowed by the quiet tension as she comes to stand beside Cătălina. Her gaze drifts to the window, large blue eyes settling not on the blond-haired youth outside, her brother Ștefan — shirt loose and sword in hands, all sinew and readiness — but on the unspoken subject of Cătălina’s attention.
Ștefan, for all his taut energy, could not be the man she was watching.
The man’s raven curls glisten with sweat, and the linen of his shirt clings to his back, every contour alive, the tension radiating from his form. But it is not infatuation that crosses her companion’s face. Cătălina’s gaze is not soft, nor does it linger with that longing Maria has come to recognise in so many women in his presence.
“Bogdan has instantly warmed up to him. He says he reminds him of his sister very much,” Maria’s voice softens, almost slipping into a whisper as if the words could barely hold themselves together.
She watches Cătălina’s lips curve into a smile filled with fondness. “Doamna Vasilisa was indeed a force to be reckoned with.”
Her mind floods with memories of the Moldavian princess, her hair the colour of honey sculpted into a tight bun atop her head. The strands, thick with waves, were always held by dozens of thin, gleaming pins and tucked beneath a veil of lace so delicate it looked like air. To the outside world, she was elegance incarnate, poised, a devoted wife to their beloved voivode, a loving mother to their children. She was the figure whispered about with admiration in the corners of markets, the dream mothers harboured for their daughters. A model of grace and temperance. The wife every man envied. But Cătălina remembered a different version of the graceful noblewoman, too. Behind the closed doors of the palace, Vasilisa unravelled into a sprightly soul full of vigour, always so quick with her wit, her words slicing through the air with the sharpness of steel. Vlad and his sister Alexandra bear their father’s face most strongly, but it is their mother’s fire that dances behind their eyes, her resilience burning beneath the surface.
The tender smile freezes on her lips in further remembrance. Life was rarely kind to Vasilisa.
She wrestles with her past like a ghost clinging to her skin, heavier than it should be, more real than she can bear. The memory resists her, coiled around her thoughts, but Cătălina forces her focus forward, settling her eyes on Maria. A deep silence blankets them both, a quiet that only makes the young woman’s nerves more visible. There’s a tremor in her stance, a subtle bow to her shoulders as if the weight of invisible hands presses down, bending her towards some unnamed fear. The crease between her pale brows is faint, but Cătălina catches the restless twisting of the rings, the way Maria’s fingers worry at her wrists, pale against the dim light.
She may be here to play the part of distraction, to ease the tension with soft laughter and lighter airs, but fondness, in its delicate intimacy, makes pretences an unbearable weight. She would rather silence the empty gestures of her role than betray this quiet bond. Damn him. The thought flares, sharp and brief, as her back turns to the window. The two figures outside, blurred by the clash of swords and steel ringing against steel, become distant, irrelevant. She loops her arm around Maria’s and pulls her away, guiding her through the winding corridors, where the dimness stretches over them like shadows.
“Have you had the chance to see him yet?” Cătălina speaks softly through the strain, drawing Maria out of her nervous daze.
Maria’s eyes flash with surprise, startled by the directness. She hesitates, then shakes her head, a sigh escaping like a confession. “No. I tried to catch a glimpse, but Mother would have none of it. I was left with Bogdan while she was giving her approval to this… man.”
“So you will have to wait until the engagement festivities begin?”
“Yes.” The word lands heavy, dragging Maria’s gaze to the ground. “What a surprise that shall be,” she teeters on the edge of bitter resignation. “Yet, I cannot say whether it will be a welcome one.”
Cătălina’s hand rests gently over Maria’s trembling fingers in a gesture meant to console, but even she knows — deep down — that any attempts come thin. Hollow. “He might be a good man,” she offers and flinches at the sound of her own voice, at the smallness of that desperate hope.
As if that could mean much in a woman’s world…
“He might be…” Maria repeats, the words dissolving as her hands fly up full of frustration. “I know— I know that Sorea endured her own engagement two years ago. And Isaia is a kind husband to her, and a generous brother-in-law to me. Mother’s judgment was right then, so why should I question her now? But, Cătălina, I do not even know this man’s face! His name, his family — that is all I have. What if I do not like him, what if—”
Her words falter as she falls into Cătălina’s arms, seeking refuge from the storm of doubt swirling inside her.
“I am certain that you will find many opportunities to spend time at court, with your family,” Cătălina says, threading the tension with care. “The voivode is fond of you all, and your husband… well, he can hardly refuse when the voivode asks for your presence, can he?”
But the answer comes not in words — just the muffled sound of stifled tears, breath trapped in the tight press of Maria’s body against hers. Then the break, the sudden release. Maria pulls away, her hand brushing at eyes that are too red, too swollen to hide the tremor in her laughter. It breaks, like glass splitting.
“Bogdan has always treated us like his own children. Sometimes more kindly than our own father ever did.” The acknowledgement feels sharp and bitter, and she regrets saying it even as it leaves her mouth. She bites down on her lip, stifling the slip of honesty — but she has no reason to with Cătălina. Never with her. She pushes forward instead. “I sometimes wonder if Mother truly sees the privilege she holds. How many women can say that? That a man had to ask her permission — her permission, not the father’s — to marry her daughter. Șendrea went to her. Bogdan did not interfere, not once. What woman here can claim such freedom?”
Cătălina reflects on her words in silence. Being a royal concubine carries its own weight of trials and tribulations. Power and autonomy can be such fragile things, gone as quickly as they appear, and at times, they cut deeper than they shine. The comfortable existence hangs by a thread, liable to disappear at a moment’s notice. So much depends on the will of the voivode, and not all treat their mistresses with Bogdan’s love and generosity. Some consider their concubines true partners — confidants in life and governance, a voice of conscience, a source of laughter and comfort. For others, a mistress is nothing more than a body to conquer and discard at whim.
Men are takers, always. The difference lies not in the taking but in the subtlety or brutality with which they claim what they believe is theirs. This insight, however, Cătălina chooses to keep to herself for now.
Her role, after all, is to entertain. And entertain she shall. As they descend the stone steps and traverse the courtyard — snow crunching underfoot, whispers of their skirts tracing the path behind them — the sound of steel and grunts drifts towards them. Her eyes fall upon the scene unfolding in the distance, and the two men still locked in combat momentarily seize her attention. A sharp and reckless thought sparks in her mind. She chews the inside of her lip. The risk of overstepping and offending the young woman beside her briefly lingers. She weighs Maria, her delicate posture concealing an appetite for audacity, the woman’s fingers twitching with the restrained energy of a bird too long in a cage. If there is one thing she has learned in this household, it is that Maria thrives on the whispered words that slip between the cracks of propriety that Cătălina dares to share, lips brushing an ear in youthful conspiracy.
And so, she takes the risk.
“Well…” she murmurs. “Should the engagement fail for any reason…”
She lets the words trail, her eyes gliding to the dark-haired man who flings Ștefan to the ground with a practised sweep. A sly grin tugs at her lips as she nudges Maria’s hip. Instead of speaking further, Cătălina jerks her head towards the laughing Wallachian who is now helping Maria’s brother to his feet. For a second, the fair-haired woman feigns indignation and even places a jewelled hand to her lips, but the twinkle in her blue eyes betrays her. Soon enough, bright and carefree laughter escapes her. It hangs in the air around them, vibrant as a ripple on the surface of still water.
“He is Ștefan’s cousin!”
“But not yours.”
“And much younger than me.”
“Four years. Just like the voivode and your mother.”
Maria brushes the idea aside with a flick of her wrist. “That man undoubtedly finds his thrills elsewhere. Besides… No man of sound mind would wish to face Bogdan’s anger. Neither would I.”
The two women exchange soft, knowing laughter, but Maria slows her pace, eventually stopping by one of the stone pillars. She leans against it, careful to keep them hidden from the view of the cousins. She takes the opportunity to look more closely at the foreigner Bogdan has taken under his wing, at the ripple of vitality coursing through his every movement. There is an energy in him that, though contained after the exercise, still threatens to spill out at any moment.
“He is quite an enigmatic man. So… I struggle to find the word—”
“Exotic?” Cătălina offers, and Maria nods her head with quiet satisfaction.
“Yes. Very. Certainly not like a Turk, yet quite different from other Muntenians.” She leans closer to her companion and drops her voice to a conspiratorial whisper as though the young man donning his doublet might somehow overhear the exchange. “Some of the ladies say he seems foreign enough to keep you guessing but familiar enough to keep you comfortable.”
Cătălina raises an eyebrow, but the curve of her lips betrays her mischief. “Is that what those God-fearing women whisper about into their goblets at dinner?”
“Oh, hush, you! Allow those poor souls a bit of innocent amusement.”
She cannot help the soft scoff that rises at the thought of innocence, but she swallows it down, biting her tongue with practised precision. Maria, mistaking the silence for uncertainty, presses on, her curiosity already pulling her past the point of no return. The next question spills from her lips before she can reconsider.
“Then how do you perceive him? What was he like?”
At the question, Cătălina pauses. No answer rises easily to her lips. Her childhood, after all, was a small world, one of girls from noble families and of walking hand-in-hand with his sister, Alexandra. They would spend hours together, secluded from the bustle of boys and their pursuits. His world was different, tethered to the saddle, to the hunt, to the future that awaited him in the court’s halls, whether as a voivode or a voice of reason to his elder brother, Mircea, the designated heir to their father’s throne. She doubts he even remembered her name when their paths crossed once more here, at the Moldavian court. His attention was on Dumitru, her elder brother, who used to be Mircea’s closest friend. They embraced immediately, the weight of years dissolving in the clasp of their arms around each other’s shoulders. Reintroducing her, she recalls, was an afterthought to Dumitru — just another formality.
Yet one thing stirs now, vivid in her memory.
Etiquette. Presentation. He has always been impeccable in those, of course — none of the siblings could ever escape their mother’s iron-handed teachings. But beneath it all, he was the rebel. Always the rebel. He was never one to bend to the weight of other people’s judgment; he relied on his own reason to guide him. While Alexandra was always the one to ask many questions, he was the one who questioned everything. If he disliked someone, it was not necessarily cruelty that came through, but a relentless defiance. He could become a particularly painful splinter beneath their nail. He never bullied or lowered himself to pettiness; he was raised with too much pride for that. But when he felt strongly about something, he would never bite his tongue or hold back his aggravation.
A rebel, yes. But always with reason. She doubts that much has changed since then.
She hums in contemplation before deciding on her next remark. “Individualistic.”
“Come now, Cătălina. You are choosing your words too carefully!”
She throws her hands in the air. “But I hardly know him! We were both children when I last saw him. All that time can change a person beyond recognition. He is a grown man now.”
Time — and years spent as a hostage among the Turks, she thinks to herself, burying the thought deep. No one but he knows what that life cost him, what it shaped. He might flaunt his knowledge of their arts, language, and customs like a polished shield, but he keeps any personal accounts closely guarded. And that is not her story to tell.
“A handsome grown man, might I add.”
She does not rise to the bait. Her eyes dart back to him again instead. Without meaning to, she wrinkles her nose. “He is a pretender to the throne.”
“Well? That is not a physical impairment.”
A voice pierces the air, calling Cătălina’s name. It shatters the fragile bubble of carelessness that envelops them. Lifting her gaze, she spots Oltea leaning out of one of the grand windows, her hand beckoning her to join her upstairs.
In a fleeting moment, she manages to whisper a hasty farewell to her companion, pressing a soft kiss to her cheek before turning toward the staircase and finding Maria’s mother. “No, but it is best to steer away from him. A lot of trouble.”
“Oh, but you have just proposed him to me!”
She swivels her head to meet Maria's gaze again, laughter bubbling up from her core, rising in intensity. It dances in the air and rings out across the courtyard, drawing the attention of every soul present — including Vlad. His eyes flicker with both intrigue and surprise at such unrestrained mirth, so delightfully undignified for a lady.
“Haven’t you learned by now that you should never take my advice lightly, my lady?”
My journey with Voievod delves deep into the borders of historical fiction that tend to blur and overlap. As with many such stories, some moments draw closer to what we can trust from the past, others are swept into the currents of imagination and reshape reality to craft a captivating narrative. This series leans heavily on the latter. We know little of Vlad’s time in Moldavia and, besides that, many of the characters I introduce through this series are mentioned in Vlad’s life as traces only, as scattered names and fleeting roles that barely hint at the lives behind them. These are the fragments I have chosen to piece and tie together so that I could breathe life into forgotten figures and stitch together these whispers of history into a life-like and rich world. Do not take this series as a dependable biography because it is purely a work of imagination of yours truly — nonetheless, I do hope you will enjoy this journey and see how, where, and why an important part of Vlad’s life begins.
I am also beyond thrilled to finally introduce Cătălina, a character who has grown incredibly dear and significant to me over time. Her story began with two simple mentions in Vlad’s biography: Dracula’s concubine. The mother of his son. A short while ago, I learned her real name (long after I settled on Cătălina, and her name has not yet been officially revealed to the wider public, hence why I have chosen to keep the fictional name). Still, we do not know anything about her. We do not know what she was like, where she came from, how her paths with Vlad crossed. The lack of information made me think about what kind of story it could be. Who is this woman the Dragon’s son loves so dearly? I initially started to build a character that would have natural chemistry with this man — I dissected his personality and shaped another being that would match it. His conscience, his anchor, his sanctuary. Eventually, Cătălina has decided to free herself from any mould I put her in and become her own person. She has become a woman of flesh and bones, with her own dreams and aspirations, with her own fears and battles. She has become the main protagonist of her own story which does not always remain stuck to Vlad’s but stands meaningful on its own — and I cannot wait to delve deeper into it in the future.
That she has become her own person feels very fitting. What other woman could become Vlad’s love of his life than a woman who hungers for freedom with the same intensity he does? He will fall madly in love with her. I already have. I hope you do, too.
This chapter of the series also keeps referencing the Moldavian royal family, particularly the parents and half-siblings of Ștefan cel Mare, Vlad’s cousin and the future voivode of Moldavia. The family dynamics are very intriguing and reveal more about Moldavian (but also Wallachian) society as it was — while showing that not every European region lived in such a stifled and constricted environment as people always believe when they hear about the Middle Ages.
The information we have about Ștefan’s mother Oltea (or Maria Oltea) is quite insufficient. Some sources indicate that she was born around 1405 into a Moldavian noble family and that her family might have come from the region of Țara de Jos (literally “Lower Country”) of Moldavia, specifically the village of Borzeşti (which is also mentioned in Ștefan cel Mare’s biography as his place of birth). It is also speculated that Bogdan met Oltea during a diplomatic trip to Wallachia, but I have decided to work with the first version as it makes more sense in the context of the story and generally seems like a more plausible version given that Ștefan’s ties to Borzeşti are historically documented. After Bogdan’s death, she became a nun and adopted the name Maria. She died on November 4, 1464, and was buried at the Probota Monastery in Dolhasca (near Suceava).
Before Oltea met Bogdan, she was married, probably to a boyar from the Bacău area. From this marriage came five children, all Ștefan’s half-siblings — brothers Ioachim, Ion, and Cârstea, and sisters Maria and Sorea. It seems that her five children remained on her family’s estates in Borzeşti even during her relationship with Bogdan. I have decided to twist this fact a little so that I could make the plot for Cătălina’s story work better, nonetheless, even in my version, the family goes through its trials and tribulations. More about that will be revealed in future chapters.
We know that Oltea was Bogdan’s concubine because she never used the title Doamna which could only be used when the woman was the Voivode’s (i.e. Domn’s) lawful spouse. The title does not even appear on her tombstone which simply states “the servant of God, Oltea, the mother of Io Ştefan Voievod”. The most interesting fact about their relationship is that this article mentions that “they planned their marriage, which should have taken place around 1440” and that “their marriage was not formalised, or at least not recognised”. What caught my attention is the explicit use of the word “căsătoria” which, in Romanian, does not mean any abstract union but actual matrimony. This could mean that Bogdan actively tried to marry Oltea despite her social background — the formalisation of their matrimony either could not be carried out or they just went ahead and did it for themselves to simply feel more united as a couple. Either way, it provides an interesting perspective on Bogdan’s character, one that I look forward to exploring a little more in future. It also creates a nice parallel for Vlad and Cătălina’s relationship. :)
Ștefan was a child born out of (official) wedlock. We do not know the exact date of his birth — estimations vary between the years 1433 and 1437. I have decided to choose the middle ground and settle on the year 1435 which still makes sense for the timeline of Oltea’s life while making him a bit older and closer to his cousin’s age when Vlad comes to Moldavia. Ștefan was the only child Oltea had with Bogdan. He spent his childhood growing up at his mother’s family estate in Borzeşti, then moved with his father to the capital of Suceava when Bogdan became the voivode in 1449. There, Ștefan instantly assumed the role of co-ruler alongside his father.
#vlad dracula#vlad drăculea#vlad tepes#vlad ţepeş#vlad the impaler#cătălina costescu#dracea de măneşti#stephen the great#ştefan cel mare#bogdan ii of moldavia#historical fiction
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Scrisoarea lui Ștefan Cel Mare către Papa Sixt al IV-lea
Scrisoarea lui Ștefan Cel Mare către Papa Sixt al IV-lea
29 noiembrie 1473: Ștefan cel Mare scrie Papei Sixt al IV-lea făcând un apel la unitatea creștinilor împotriva turcilor. Ștefan cel Mare este considerat o personalitate marcantă a istoriei României, înzestrată cu mari calități de om de stat, diplomat și conducător militar. Aceste calități i-au permis să treacă cu bine peste momentele de criză majoră, generate fie de intervențiile militare ale…
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„Fost-au acestu Ștefan vodă…” - Cartea Sfinţilor
Sursă: „Fost-au acestu Ștefan vodă…” – Cartea Sfinţilor – Cronopedia Sursă: „Fost-au acestu Ștefan vodă…” – Chilia “Buna-Vestire” „Fost-au acestu Ștefan vodă…” La 2 iulie 1504, în Cetatea de scaun a Sucevei trecea la cele veșnice, după o lungă domnie, Ștefan cel Mare, voievod al Moldovei, împlinindu-se astfel 520 de ani de atunci. Cronicarul Grigore Ureche ne-a oferit o perspectivă asupra…
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12 aprilie 1457 a fost ziua în care, în urma bătăliei de la Doljești – județul Neamț, Ștefan cel Mare a devenit domnul Moldovei.
La data de 12 aprilie 1457 a avut loc Bătălia de la Doljeşti, în urma căreia Ştefan cel Mare ocupă tronul Moldovei, înlăturându-l pe Petru Aron, domnitorul care-l ucisese pe tatăl său, Bogdan al II-lea, la Reuseni.
Dorind să răzbune moartea tatălui său, tânărul Ştefan pătrunde în Moldova, în aprilie 1457, cu sprijinul lui Vlad Ţepeş domnul Valahiei şi ajutat de boierii din Ţara de Jos, adună sub steaguri circa 6 000 de oameni cu care se îndreaptă spre Suceava pentru a-l da jos pe Petru Aron, amintește preotul Florin Tuscanu.
În condiţiile compromiterii lui Petru Aron, în urma acceptării de către acesta a solicitării sultanului de închinare a Moldovei şi de plată a tributului (5 iunie 1456), Ştefan pătrunde în Moldova, în aprilie 1457, cu sprijinul lui Vlad Ţepeş (1456 – 1462) şi cu susţinători din Ţara de Jos (însumând c. 6 000 de oameni).
Confruntarea cu forţele lui Petru Aron are loc la Doljeşti [jud. Neamţ], pe pârâul Hresca, afluent al Siretului. Cronica moldo-germană arată că „în anul, cum se scrie de la naşterea lui Hristos, 1457, în luna april, în ziua 11, într-o marţi, în săptămâna mare, înaintea Paştilor, atunci a venit Ştefan voievod, un fiu al lui Bogdan voievod, care a venit cu putere mică, cu muntenii, cu ţările de jos, ca la 6 mii de oameni.
Şi au venit asupra lui Aaron voievod la o gârlă sau apă cu numele Hresca, lângă Doljeşti. Acolo a bătut Ştefan voievod pe Aaron voievod, alungându-l din ţară şi el însuşi a rămas stăpân cu putere”.
A doua zi, pe câmpul de la „Direptate”, de lângă Suceava, Adunarea Ţării îl aclama pe Ştefan, iar mitropolitul Teoctist îl ungea domn al Moldovei. În acest timp, Aron Vodă se retrage în Polonia, apoi în Ungaria, de unde va emite în continuare, pentru mai mult de un deceniu, pretenţii la tronul Moldovei.
Executarea sa, în timpul unei expediţii a lui Ştefan în Transilvania, în 1468 sau 1469, va contribui la consolidarea domniei acestuia.
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105 ani de la unirea Bucovinei cu România
Pe 28 noiembrie 1918, reprezentanţii Bucovinei au proclamat Unirea cu țara. România îi datorează boierului Iancu Flondor faptul că Suceava şi mănăstirile lui Ştefan cel Mare se află astăzi pe teritoriul său. Îi datorează mult şi profesorului Sextil Puşcariu, jurnalistului Valeriu Branişte, ofiţerului Ilie Lazăr şi medicului Isidor Bodea. Ei au fost liderii mișcării patriotice din Bucovina. Spre…
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#bucovina#Ion C. Bratianu#ion inculet#ionel bratianu#marea unire#marea unire de la 1918#regele ferdinand#stiri din galati#stiri galati#unirea bucovinei#unirea bucovinei cu romania
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Apariţie surpriză a tenorului ŞTEFAN von KORCH la Noaptea Dansului 2024 – cel mai mare eveniment de dans urban din ţară
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Festivalul "Primăvara Poeţilor" la Colegiul Tehnic "Mihai Băcescu" Fălticeni
Din Fălticeni, în social media Colegiul Tehnic „Mihai Băcescu” Fălticeni a fost gazda celei de a XIV-a ediţii a Festivalului „Primăvara Poeţilor” („Les Printemps des Poetes” / „Poesie et musique en fete”). Evenimentul a avut loc miercuri, 13 martie 2024, în parteneriat cu Biblioteca Univesrităţii „Ştefan cel Mare” Suceava, Asociaţia Bibliotecarilor din România – Filiala Suceava, Societatea…
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Un tânăr IT-ist din Iaşi şi-a făcut arborele genealogic şi a aflat că este rudă cu Ştefan cel Mare
Un tânăr IT-ist din Iaşi, în vârstă de 32 de ani, s-a documentat timp de patru ani pentru a-şi face arborele genealogic şi a aflat astfel că este rudă cu domnitorul Ştefan cel Mare.
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2 IULIE — Chișinăul de azi
2 IULIE — Chișinăul de azi
Evenimente: 1823 — Plecarea din Chişinău a poetului exilat A.S. Puşkin.1834 — Aprobarea planului de sistematizare a orașului Chișinău.1918 — A fost înfiinţată, la Chişinău, Capela Corala „Armonia”. Alexandru Bernardazzi S-au născut: 1895 — Constantin Romanov, pianist, compozitor (d. 1961).1831 — Alexandru Bernardazzi, arhitect-şef al oraşului Chişinău în anii 1856–1878, Cetățean de onoare al…
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#Alexandr Sergheevici Pușkin#Alexandru Bernardazzi#Constantin Romanov#Georgeta Voinovan#Gheorghe Colţun#Ion Bolboceanu#Maria Mardare-Fusu#Ştefan cel Mare și Sfânt
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Percheziţii în comuna Ştefan cel Mare
Percheziţii în comuna Ştefan cel Mare
Miercuri, 16 iunie, poliţiştii oneşteni, cu sprijinul jandarmilor din cadrul I.J.J. şi G.M.J. Bacău, precum şi reprezentanţi ai Gărzii de Mediu, au pus ȋn executare un număr de trei mandate de percheziţie domiciliară pe raza comunei Ştefan cel Mare, la locuinţele a trei bărbaţi cu vârste cuprinse între 33 şi 47 de ani, bănuiţi de săvȃrşireainfracţiunii de furt calificat. Ȋn urma…
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Ștefan cel Mare cucerește Cetatea Dâmboviței
Ștefan cel Mare cucerește Cetatea Dâmboviței
24 noiembrie 1473: Ștefan cel Mare cucerește Cetatea Dâmboviței (Bucureștilor). „Ștefan Vodă au dobânditu cetatea Dâmbovița și au intratu întrânsa și au luat pre doamna Radului vodă și pe fiică-sa Voichița o au luat-o lui și doamnă și toate avuțiile lui și toate veșmintele lui cele scumpe și visteriile și toate steagurile lui și petrecu acolo trei zile în veselie.” – Grigore Ureche. Arhiva…
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Când a fost să moară Ştefan
I.
Când a fost să moară Ştefan,
Multă jale-a fost în ţară:
Câte braţe-n deznădejde
Către cer nu se-nălţară?
Câte jertfe la altare,
Câtă smirnă şi tămâie,
Pentru ca viteazul Ştefan
Viu şi teafăr să rămâie!
Se părea că nici pământul
Nu se-ndură să-l primească,
Pe acel ce-a fost preavrednic
Peste tot să-l stăpânească.
Şi de groază şi durere
S-a cutremurat pământul,
Ca în ziua răstignirii
Celui ce-a vestit cuvântul...
II.
Când a fost să moară Ştefan,
Multă jale-a fost în ţară.
Cine ar putea să spună
Câte inimi sângerară?
Iarnă grea ca niciodată
Şi o foamete cumplită
Se-abătură-n anul cela
Peste ţara lui iubită.
Însă nici pe patul morţii
Nu putea s-o dea uitării
Cela ce pe drept fusese
Poreclit: Părinte-al Ţării...
Lângă patul său chemându-i,
Mângâie pe toţi sărmanii,
Plâng şi îi sărută mâna
Văduvele şi orfanii.
Plâng şi-l binecuvântează,
Şi se-ntorc pe la căminuri,
Iar boierii zi şi noapte
Stau la patul său de chinuri...
III.
Când a fost să moară Ştefan,
Multă jale-a fost în ţară:
Lângă patul său de chinuri
Toţi boierii s-adunară.
În ceardac cerând să-l ducă,
A luat în mâini ocheana,
Să mai cate încă-odată
La Moldova lui — sărmana!
Şi de ce-a văzut într-însa
L-a cuprins întâi fiorul —
În ocheana fermecată
El citise viitorul!
Veacuri negre, de urgie,
Şi de lupte, şi de jale,
S-arătară, într-o clipă,
Fulgerând privirii sale...
IV.
Vis e însă, ori aieve?
Dinspre Olt, urcând, zăreşte
Un vultur măreţ ce-ntinde
Aripile, — şi-adumbreşte
Toată Ţara Muntenească
Şi Moldova şi Ardealul...
Vai! dar noapte şi mai oarbă
Îşi aruncă-n urmă-i valul!
Dintr-o dată, făr' de veste,
Faţa iar i se-nsenină:
Pâcla grea deschide iarăşi
Gene-albastre de lumină.
Pe câmpia dunăreană
Vede oşti române-n zare;
Mândru prinţ din ţări străine
Merge-n fruntea lor călare...
Cântece de biruinţă
Cresc şi umplu tot văzduhul —
Şi zâmbind cu pacea'n suflet,
Ştefan-vodă-şi dete duhul!...
V.
Dar cu dangăt plin de jale
Mii de clopote dau veste:
„Ştefan-Vodă al Moldovei,
Ştefan-Vodă nu mai este!"
Tristă-i mănăstirea Putnei,
Porţile deschise-aşteaptă
Strălucit convoi ce vine
Şi spre ele-ncet se-ndreaptă.
Este Ştefan. Azi străbate
Cel din urmă drum prin ţară,
Dar pe unde trece-acuma,
În măreaţa zi de vară,
Plânge dealul, plânge valea,
Plâng pădurile bătrâne,
Şi norodu-n hohot plânge:
„Cui ne laşi pe noi, stăpâne?"
EPILOG
Patru veacuri de durere
Au trecut - şi-n noapte-adâncă
Doarme Ştefan, dar şi astăzi
Neamu-ntreg îl plânge încă.
Şi-l vor plânge codrii veşnic
Fremătând duios din ramuri,
Cât vom fi-n cuprinsul nostru
Tot iloţi ai altor neamuri!
Jalnic apele l-or plânge;
Şi zadarnic, multă vreme,
Din adânc de văi pierdute,
Triste buciume-or să-l cheme...
Însă când suna-va ceasul
De dreptate pentru ţară,
Din mormântu-i va străbate
Vârful sabiei de pară...
Şi va fi războiul mare
Între neamurile toate;
Caii, în potop de sânge,
Pân-la coame-or să înoate...
Peste noi atunci pluti-va
Duhul lui Ştefan cel Mare —
Şi vom rumpe orice lanţuri,
Vom sfărma orice hotare!
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Misterul morţii lui Ştefan cel Mare. Ce l-a ucis, de niciun medic al lumii nu a reuşit să-l vindece
Voievodul Ştefan cel Mare a murit în vara anului 1504. Ştirea morţii sale a făcut înconjurul Europei şi a fost prezentată în numeroase cronici. Ceea ce rămâne învăluit în mister este adevărata cauză a morţii sale. Medicii timpului, dar şi istoricii au elaborat mai multe ipoteze. În ziua de marţi 2 iulie 1504, la orele 16.00, marele voievod al Moldovei, Ştefan cel Mare, se stingea din viaţă la…
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#cantecul lui stefan cel mare#luptele lui stefan cel mare#moartea lui stefan cel mare#Moldova#principatul moldovei#stefan cel mare#stefan cel mare film#stiri din galati#stiri galati
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LECȚIA DE ISTORIE - 12 aprilie: Bătălia de la Doljești în urma căreia Ștefan cel Mare a devenit domnul Moldovei
LECȚIA DE ISTORIE – 12 aprilie: Bătălia de la Doljești în urma căreia Ștefan cel Mare a devenit domnul Moldovei La data de 12 aprilie 1457 a avut loc Bătălia de la Doljeşti, în urma căreia Ştefan cel Mare ocupă tronul Moldovei, înlăturându-l pe Petru Aron, domnitorul care-l ucisese pe tatăl său, Bogdan al II-lea, la Reuseni în octombrie 1451. Dorind să răzbune moartea tatălui său, tânărul…
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Lucrări ale angajaţilor ACET Fălticeni pe coloanele de apă de pe strada Pietrari
Lucrări ale angajaţilor ACET Fălticeni pe coloanele de apă de pe strada Pietrari
Dispeceratul ACET Fălticeni a anunţat o întrerupere a furnizării apei pe mai multe străzi din municipiul Fălticeni, în prima parte a zilei de joi, 24 noiembrie, până la ora 16. Este vorba despre străzile; Caporal Popescu (parţial), Pietrari, Mihail Sadoveanu (parţial), Ştefan cel Mare (parţial), Costică Artenie, Ion Dragoslav (parţial), Sublocotenent Grigoraş, Răzeşilor, Dumbrava Minunată, Dr.…
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#acet fălticeni#apă fălticeni#avarii apă fălticeni#oprire apă fălticeni#ştiri din fălticeni#ştiri fălticeni#ştiri fălticeni online
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Incendiu la mănăstirea Sihăstria Putnei din Suceava. Pompierii au intervenit cu opt autospeciale
Incendiu la mănăstirea Sihăstria Putnei din Suceava, în apropiere de locul unde este înmormântat Ştefan cel Mare.
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