#éléonore
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don't mind me getting too invested in these characters ❤️❤️
partie 1/2 des portraits des colombes du roi-soleil
(ma colombe pref c'est charlotte, prem's)
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peppermint soda (1977)
#peppermint soda#diabolo menthe#film#movie#cinema#art#edit#screencaps#photography#cinematography#70s#diane kurys#éléonore klarwein#directed by women
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Which revolutionaries had earrings?
All I really know of are Éléonore Duplay, Lucile Desmoulins and Philippe Le Bas, who all wear hoop earrings in the most famous (and, in Éléonore and Philippe’ case, only) portraits presumed to be depicting them. Since these are just portraits, it’s however hard to say if they wore earrings everyday or just put them on for this specific occasion.
The common claim that Saint-Just had earrings does interestingly enough not appear to be that well backed up. There is only a single depiction where ”he” has one, and it’s not one of the four that we can be almost certain is Saint-Just. You can read more about it here: 1, 2, 3, 4.
#saint just#louis antoine saint just#éléonore duplay#lucile desmoulins#philippe le bas#frev#french revolution#ask#love crushing these frev myths…
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Camille Desmoulins and Maximilien Robespierre – doomed by the Revolution?
a second part of the answer to the ask kindly sent by @iron--and--blood - first part can be found here
Okay, so I tried to follow the sources and I ended up missing what is arguably the key question. I think that there is enough evidence that warrants seeing Camille and Maximilien’s relationship as a ‘friendship torn apart but the revolution’, but could it in fact be something more that the chain of events of the mid-1790s ended up destroying?
(aka the good old “were they gay?” question)
It’s probably not surprising to anyone that there is no conclusive evidence that would suggest that either of them was definitely queer or that they were involved in some kind of a relationship. For context, the French Constitutional Assembly did decriminalise homosexuality, since there was simply no mention of private same-sex relationships it in the penal code of 1791.
Of course, there would still be a stigma surrounding queerness, seeing how France was a Catholic country – well, up to that point. On the other hand, it is also important to remember that anyone who received a higher education at that time would be well versed in classical authors (Greek and Roman that is), so they would have a framework for a positively viewed queer attraction/relationship (I'm mostly thinking of a kind of Alcibiades/Socrates vibes here. I think it sort of fits? Well it does in my headcanon anyway...). Camille especially seemed to be really into classics, making references to classical authors, history or mythology in approximately every other sentence.
CAMILLE – VICES HONTEUX AND A POSSIBILE BICON
If we consider Camille, I think it is clear that he was attracted to women. I think that the historical sources show that he genuinely did love his wife - Lucile - although it may also be true he was bit of a cad. There is a whole deal with him and Lucile’s mother with whom he apparently exchanged some flirty letters? I honestly need to look into it more at some point.
That said, attraction to women of course doesn’t exclude attraction to men. The one thing that would suggest Camille might have pursued a same-sex relationships is the reference to “vices honteux“ (shameful vices), which Saint-Just claims were attributed to Camille by Danton. We also learn from Robespierre’s note that this refered to something that was ‘totally unrelated to the revolution’.
So we know it’s something that would be seen as ‘shameful’ behaviour, but nonetheless a private matter. Could it be interest in same-sex relationships? It’s of course hard to say, but the theory is not completely implausible. For a discussion about this, I recommend this article.
MAXIMILIEN – A CONFIRMED BACHELOR?
With Maximilien Robespierre, it gets a little more complicated. He was essentially a confirmed bachelor, living with a family that adored him but that was not his own (and also a dog. He had a dog.) Talk about a found family trope!
Some sources claim that he was engaged to Éléonore Duplay, but Robespierre’s sister for one vehemently denies this. It’s true that he could probably easily have married her – I can’t imagine her family being opposed to it, far from it probably – but the fact is that for one reason or another, he did not.
He also didn’t really seem to capitalise on his massive popularity among the Parisian women. (Though, to be fair, neither did Rousseau and he was… well I guess he was his own version of heterosexual.)
Sure, one can interpret that as Robespierre being a workaholic or putting the revolution above everything else, but I personally think it is very possible that he would be considered to be on the asexual spectrum by today’s standards.
That said, although France was moving away from institutionalised religion at that point, Catholic guilt could certainly play a role, especially in someone who prided himself in his moral conduct and was told to be rigid about the rules. So the possibility of him being closeted as an explanation for his lack of interest in women would also not be completely off the table.
As to Camille and Maximilien being together in some way? I think there is certainly a precedence for this type of relationship in adolescence. Seeing that they have studied together (and shared enthusiasm for classics probably), it is not impossible, though of course, it is highly speculative.
I think it is also fair to say that Robespierre went above and beyond for Camille until the last few months. That is something he probably would have not done for many other people. He actually said as much himself:
“Learn, Camille, that if you were not Camille, one could not have so much indulgence for you.“
Was it because Camille was universally liked by the revolutionaries for all the good he has done? Possibly, but I think one can also read more into it. It certainly suggests that Camille was special in some way, and the fact that Robespierre uses ‚one‘ instead of ‚I‘ does not necessarily mean he is not speaking about himself here.
CAMILLE AND MAXIMILIEN IN THE MEDIA
When it comes to media portrayal, the relationship often comes across as queer-coded - to an extent.
In La Révolution française, this aspect is more prominent between Robespierre and Saint-Just, but with some well-timed smiles and glances, it almost reads as a tragic love triangle between the three. There are some unfortunate implications however, mainly that the hints of Robespierre's queerness in the movie are implicitly associated with his descent to tyrany. Ugh. (And let's face it, a kind of effeminacy linked to villainy as well. Honestly, who thought that kind of portrayal would be a good idea? Kudos for making a historical movie about the French Revolution come across as homophobic I guess.)
Hilary Mantel straight-up makes Camille Desmoulins bisexual (ish?) in A Place of Greater Safety, though there are <a lot of> issues with that portrayal, as discussed here (watch me linking another mutual's great post! Frevblr is truly the best). Not sure how the relationship with Robespierre is presented here since it’s one of the books I’ve been in the middle of for months.
And then there’s Stanisława Przybyszewska of course. She would honestly warrant a separate post, but long story short: in her works, there is no doubt about the fact that she portrays the relationship between them as queer. She invokes the Erastes/eromenos dynamic between them (quite explicitly, referring to Camille as an ephebe at one point) and makes the attraction between the two seem palpable. There is plenty of queer (under)tones to be found in The Danton Case, but in Last Nights of Ventôse , she straight up interprets the fall of the Dantonists as Camille running into Danton’s arms to spite Robespierre for snubbing him and rejecting his devotion (romantic advances?). And it gets quite physical – not in a way that would warrant an E rating, but it would certainly deserve one for the sheer emotional intensity.
#there is a great fic that explores the idea of Robespierre being ace btw. Features some A+ philosophical discussions as well#the only issue is the fact that the other person in the pairing is --#no - shan't say!#frev#french revolution#asks#camille desmoulins#maximilien robespierre#queer history#frevblr#frev community#robesmoulins#1700s#history#stanisława przybyszewska#hilary mantel#a place of greater safety#the danton case#la révolution française#la revolution francaise#bisexuality#asexuality#Éléonore Duplay#robespierre#desmoulins#queer analysis#saint-just#louis antoine de saint just#lucile desmoulins#georges danton
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Éléonore Duplay and Cat Robespierre.
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*Among his correspondence, there is a glimpse of what it seems a homemade jam. On it, a piece of paper rests gingerly, attached together with a lace. It says: "For the man I wish the utmost happiness. Yours truly, Èléonore Duplay."*
Maximilien says nothing about this and spends the rest of his day as normal. But the next day, Éléonore finds a blue hair ribbon she has never seen before, tied around a letter on her bedside table.
Dear Éléonore, Through your attentive presence, your good care, your ability to listen and your conversation, you are the architect of this happiness that you wish for me. Your devoted, Maximilien.
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If Robespierre marries a person that u hate, how would you react?
If Maximilien decides to marry, it will most likely be Citoyenne Éléonore Duplay. I have no objection.
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Charlotte Robespierre basically having her own underground party made of her brother's ex-friends.
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Rosalie Jullien casually inserting herself into government affairs by dining with the Robespierre siblings and the Barère brothers.
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Éléonore Duplay and Élisabeth Duplay-Le Bas basically serving as hosts for and connections between Babeuf, Buonarroti and others.
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Albertine Marat and Simonne Évrard's entire lives of dedication to politics via Marat's memory.
God, I love those women.
#they're my next academic project#stay tuned#charlotte robespierre#rosalie jullien#élisabeth duplay lebas#éléonore duplay#albertine marat#simonne évrard#élisabeth duplay le bas
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Queen Eleanor of Aquitaine (1124-1204). American school.
#engravings#eleanor of aquitaine#queen of france#vive la reine#queen of england#god save the queen#duchess of aquitaine#crusades#crusader#Aliénor d'Aquitaine#Éléonore d'Aquitaine#Alienòr d'Aquitània#House of Poitiers#maison de poitiers#Ramnulfids#duchy of aquitaine#duchy of gascony#queen consort#eleonore de guyenne#on horseback#equestrian portrait
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Wondered what my wizard's spellbook would look like. I have a mage sigil for her now
#it looks cool btw. i'm a creative genius and everyone loves me#but this means i went in a weird rabbithole. is what i mean by this#it's great cause i can reuse for her everywhere and include it in her outfits and shit though! so that's cool#it would also make a sick pin design. i think. in my humble opinion#i almost want to say cécilia is my most developed OC#i've got a trajectory for her arc & general life story. she has a personality. she's got opinions. she has symbols and items.#an aesthetic & design informed by all this. i know about her childhood. how she sees the world. etc#cécilia éléonore octavie de la verpillière i love you. she'll be five years old in february#wow i have an ocs tag now
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Eleanor of Habsburg (1498-1558), Queen of France (1530-1547).
#royaume de france#maison de valois#éléonore d'autriche#reine de france#vive la reine#full length portrait#maison de habsbourg#full-length portrait#infantes de españa#leonor de austria#infanta de españa#casa de austria#reino de españa#kingdom of spain#house of habsburg#reines de france#curious costumes
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Frev friendships — Robespierre and Éléonore Duplay
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Please present the testimonies of my tender friendship to Madame Duplay, to your young ladies, and to my little friend. Also, please do not forget to remind me of La Coste and Couthon. Robespierre in a letter to Maurice Duplay, October 16 1791
Present the testimonies of my tender and unalterable attachment to your ladies, whom I very much desire to embrace, as well as our little patriot. Robespierre to Maurice Duplay, November 17 1791. These letters are the only pieces conserved in which Robespierre mentions Éléonore.
[Robespierre’s] host's daughter passed for his wife and exercised a sort of empire over him. Causes secrètes de la révolution du 9 au 10 thermidor (1794) by Joachim Vilate, page 16.
When the constituent assembly was transferred to Paris after the October days, Robespierre came to stay in the house of Duplay, located on rue Saint-Honoré, opposite the convent of Assomption, and wasted no time in becoming a zealous devotee. The father, the mother, the sons, the daughters, the cousins, etc, swore only by Robespierre, who deigned to raise the eldest of the two [sic] daughters to the honors of his bed, without however marrying her other than with the left hand. At the time of the organization of the revolutionary tribunal, Robespierre had father Duplay appointed as juror; the two sons had a distinguished rank among Maximilien I’s bodyguards, whose leader was Brigadier General Boulanger. Mother Duplay became superior of the devotees of Robespierre; and her daughters, as well as her nieces and several of her neighbors, obtained high ranks in this respectable body. Souvenirs thermidoriens (1844) by Georges Duval, volume 1, page 247.
It has been rumored that [Éléonore] had been Robespierre's mistress. I think I can affirm she was his wife; according to the testimony of one of my colleagues, Saint-Just had been informed of this secret marriage, which he had attended. Mémoires d’un prêtre regicide (1829) by Simon-Edme Monnel, page 337-338.
Madame Lebreton, a sweet and sensitive young woman, said, blushing: “Everyone assures that Eugénie [sic] Duplay was Robespierre’s mistress.” “Ah! My God! Is it possible that that good and generous creature should have so degraded herself?” I was aghast. “Listen,” cried Henriette, “don’t judge on appearances. The unhappy Eugénie was not the mistress, but the wife of the monster, whom her pure soul decorated with every virtue; they were united by a secret marriage of which Saint-Just was the witness.” Souvernirs de 1793 et 1794 par madame Clément, Née Hémery (1832) by Albertine Clément-Hémery.
[Robespierre’s] relationship with Éléonore, the carpenter's eldest daughter, had a less protective and more tender character than with her other sisters. One day, Maximilien, in the presence of his hosts, took Éléonore's hand in his: it was, in accordance with the customs of his province, a sign of engagement. From that moment on he was seen more than ever as a member of the family. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). At the end of this article, Esquiros claimed to have obtained the information contained in it from Éléonore’s sister Élisabeth. Shortly thereafter, said Élisabeth did however write a letter to the paper in order to ”protest loudly against the use that, without consulting me, you have made of my name, and to declare that this article, on many points in contradiction with my recollections, also contains a large number of inaccuracies.” She does unfortunately not indicate exactly which parts of the article are inaccurate and which ones are not, and certain details contained in it match up too well with what Élisabeth writes in her (by then not yet published) memoirs for me not to believe Esquiros hadn’t actually interviewed her prior to writing the article. In spite of her complaint, all the information in article was republished, almost entirely word for word, in volume 2 of Ésquiros’ Histoire des Montagnards (1847).
My eldest sister had been promised to Robespierre. Note written by Élisabeth Duplay, cited on page 150 of Le conventionnel Le Bas : d'après des documents inédits et les mémoires de sa veuve (1901) by Stéfane-Pol.
Duplay's eldest daughter, Éléonore, shared her father's patriotic sentiments. She was one of those serious and just minds, one of those firm and upright characters, one of those generous and devoted hearts, the model of which must be sought in the good times of the ancient republics. Maximilien could not fail to pay homage to such virtues; a mutual esteem brought their two hearts together; they loved each other without ever having said so to each other, there is no doubt that if he had succeeded in bringing order and calm to the State, and if his existence had ceased to be so agitated, he would have become his friend's son-in-law. The slander, which spared none of those loved by the victim of the Thermidorians, did not fail to attack the woman he wanted to make his wife, and one was not afraid to write that a guilty bond united them. We, who knew Éléonore Duplay for nearly fifty years, we who know to what extent she carried the feeling of duty, to what extent she rose above the weaknesses and fragility of her sex, we strongly protest against such an odious imputation. Our testimony deserves all confidence. France: Dictionnaire Encyclopédique (1840-1845) by Éléonore’s nephew Philippe Lebas jr, volume 6, page 821.
A virile soul, said Robespierre of his friend [Éléonore], she would know how to die as she knows how to love... The destitution of his fortune and the uncertainty of the next day prevented him from uniting with her before the destiny of France was clarified; but he only aspired, he said, to the moment when, the Revolution finished and strengthened, he could withdraw from the fray, marry the one he loved and go live in Artois, on one of the farms that he kept from his family's property, to there confuse his obscure well-being in common happiness. (Extract from a part of l’Histoire des Girondins looked over by Philippe Le Bas). Le conventionnel Le Bas: d'après des documents inédits et les mémoires de sa veuve (1901) by Stéfane-Pol, page 78.
All the historians assert that [Robespierre] carried out an intrigue with the daughter of Duplay, but as the family physician and constant guest of that house I am in a position to deny this on oath. They were devoted to each other, and their marriage was arranged; but nothing of the kind alleged ever sullied their love. Testimony from Robespierre’s doctor Joseph Souberbielle, cited in Recollections of a Parisian (docteur Poumiès de La Siboutie) under six sovereigns, two revolutions, and a republic (1789-1863) (1911) page 26.
[Robespierre] rarely went out in the evening. Two or three times a year he took Madame Duplay and her daughters to the theater. It was always to the Théâtre-Français and to classical performances. He only liked tragic declamations which reminded him of the tribune, of tyranny, of the people, of great crimes, of great virtues; theatrical even in his dreams and in his relaxations. Histoire des Girondins (1847) by Alphonse de Lamartine, volume 4, page 132. Lamartine claimed to have interviewed Élisabeth Le Bas Duplay and it therefore seems likely for this detail to come from her.
The eldest of the Duplay daughters, who Robespierre wanted to marry, was called Éléonore. Robespierre allowed himself to be cared for, but he was not in love. […] The Duplay family formed a kind of cult around Robespierre. It was claimed that this new Jupiter did not need to take the metamorphoses of the god of Olympus to become human with the eldest daughter of his host, called Éléonore. This is completely false. Like her entire family, this young girl was a fanatic of the god Robespierre, she was even more exalted because of her age. But Robespierre did not like women, he was absorbed in his political enlightenment; his abstract dreams, his metaphysical discourses, his guards, his personal security, all things incompatible with love, gave him no hold on this passion. He loved neither women nor money and cared no more about his private interests than if all the merchants had been free, obligatory suppliers to him, and the inn houses paid in advance for his use. And that’s what he acted like with his hosts. Notes historiques sur la Convention nationale, le Directoire, l’Empire et l’exil des votants (1895) by Marc Antoine Baudot, page 41 and 242.
Madame Duplay had three [sic] daughters: one married the conventionnel Le Bas; another married, I believe, an ex-constituent; the third, Éléonore, who preferred to be called Cornélie, and who was the eldest, was, according to what people pleased themselves to say, on the point of marrying my brother Maximilien when 9 Thermidor came. There are in regard to Éléonore Duplay two opinions: one, that that she was the mistress of Robespierre the elder; the other that she was his fiancée. I believe that these opinions are equally false; but what is certain is that Madame Duplay would have strongly desired to have my brother Maximilien for a son-in-law, and that she forget neither caresses nor seductions to make him marry her daughter. Éléonore too was very ambitious to call herself the Citizeness Robespierre, and she put into effect all that could touch Maximilien’s heart. But, overwhelmed with work and affairs as he was, entirely absorbed by his functions as a member of the Committee of Public Safety, could my older brother occupy himself with love and marriage? Was there a place in his heart for such futilities, when his heart was entirely filled with love for the patrie, when all his sentiments, all his thoughts were concentrated in a sole sentiment, in a sole thought, the happiness of the people; when, without cease fighting against the revolution’s enemies, without cease assailed by his personal enemies, his life was a perpetual combat? No, my older brother should not have, could not have amused himself to be a Celadon with Éléonore Duplay, and, I should add, such a role would not enter into his character. Besides, I can attest it, he told me twenty times that he felt nothing for Éléonore; her family’s obsessions, their importunities were more suited to make feel disgust for her than to make him love her. The Duplays could say what they wanted, but there is the exact truth. One can judge if he was disposed to unite himself to Madame Duplay’s eldest daughter by something I heard him say to Augustin: “You should marry Éléonore.” “My faith, no,” replied my younger brother. Mémoires de Charlotte Robespierre sur ses deux frères (1834) page 90-91.
A little wooden staircase led to [Robespierre’s] room on the first floor. Prior to ascending it we (Fréron and Barras) perceived in the yard the daughter of the carpenter Duplay, the owner of the house. This girl allowed no one to take her place in ministering to Robespierre's needs. As women of this class in those days freely espoused the political ideas then prevalent, and as in her case they were of a most pronounced nature, Danton had surnamed Cornelie Copeau "the Cornelia who is not the mother of the Gracchi." Cornelie seemed to be finishing spreading linen to dry in the yard; in her hand were a pair of striped cotton stockings, in fashion at the time, and which were certainly similar to those we daily saw encasing the legs of Robespierre on his visits to the Convention. […] Fréron and I told Cornelie Copeau that we had called to see Robespierre. She began by informing us that he was not in the house, then asked whether he was expecting our visit. Fréron, who was familiar with the premises, advanced towards the staircase, while Mother Duplay shook her head in a negative fashion at her daughter. Both generals, smilingly enjoying what was passing through the two women's minds, told us plainly by their looks that he was at home, and to the women that he was not. Cornelie Copeau, on seeing that Fréron, persisting in his purpose, had his foot on the third step, placed herself in front of him, exclaiming: ”Well, then, I will apprise him of your presence," and, tripping upstairs, she again called out, "It’s Fréron and his friend, whose name I do not know." Fréron thereupon said, "It’s Barras and Freron," as if announcing himself, entering the while Robespierre's room, the door of which had been opened by Cornelie Copeau, we following her closely. Memoirs of Barras: member of the Directorate (1899) page 167-169, regarding a meeting he and Fréron tried to have with Robespierre following their return from Marseilles in March 1794.
In the morning, the daughters of the carpenter with whom Robespierre lived dressed in white and gathered flowers in their hands to attend the feast [of the Supreme Being]. Éléonore herself composed the bouquet for the president of the Convention. Histoire des Montagnards (1847) by Alphonse Esquiros, volume 2, page 447-449. In a footnote inserted on page 28 of Thermidor, d’après les sources originalets er les documents authentiques (1891), Ernest Hamel writes that Esquiros obtained this description from Élisabeth herself.
…Éléonore, Victoire, Sophie, Élisabeth, raised in the peaceful interior of the home, in the oasis of the family, sincerely imagined that the same happiness extended to the whole city; they blessed in their hearts the God of the revolution who had given such rest to the French nation. Only one circumstance worried them, it was that for some time the porte-cochère of the house had been strictly closed night and day on orders from the carpenter. Éléonore timidly asked Maximilien the reason for it in front of her other sisters. He blushed. “Your father is right,” he said; ”Everyday right now something passes along this street that you must not see.” In fact, around two o'clock in the afternoon, a tumbril was rolling heavily on the pavement of Rue Saint-Honoré; the sound of horses and the cries of people could be heard even in the courtyard. It was the thing that passed by. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). The incident is portayed as taking place during the time of the ”great terror” of June-July 1794. When republishing the anecdote in his Histoire des Montagnards (1847), Esquiros instead has Robespierre say this to Éléonore on January 21 1793, the day of the king’s execution.
It was the first days of Thermidor: Maximilien continued his evening walks at the Champ-Élysées with his adoptive family. The sun, at the end of the sky, buried its globe behind the clumps of trees, or swam softly here and there in a dark gold fluid. The sounds of the city died away in the agitated branches; everything was rest, silence and meditation: no more tribunes, no more people; nothing but the peaceful and solemn teaching of nature. Maximilien walked with the carpenter's eldest daughter at his arm: Brount followed them. What were they saying to each other? Only the breeze heard and forgot everything. Éléonore had a melancholy brow and downcast eyes: her hand carelessly stroked the head of Brount who seemed very proud of such beautiful caresses; Maximilien showed his fiancée how red the sunset was. Here ends the story of intimate life; here Mme L(ebas) movedly wiped her eyes. This walk was the last. The next day, Maximilien disappeared in a storm. Une Maison de la Rue Saint-Honoré by Alphonse Ésquiros, published in Revue de Paris, number 9 (May 1 1844). When republishing the anecdote in Histoire des Montagnards (1847), volume 2, page 460, Esquiros adds the following part right after reprinting the anecdote word by word: “It will be good weather tomorrow,” said [Éléonore]. Maximilien lowered his head as if struck by an image and a terrible presentiment.
Legendre: At the time of 9 Thermidor, I was secretary as well as Dumont: I said to him: “There’s going to be some noise. Do you see in this rostrum the whole Duplay family? Do you see Gerard? Do you see Dechamps?” At the same moment Saint-Just began his speech; Tallien interrupted him and tore the veil. Louis Legendre at the Convention March 26 1795
One of those who had witnessed the outcome of this catastrophe (the execution on 10 thermidor) told me that he recognized in the crowd Duplay's eldest daughter, who had wanted to see for one last time the man whom her whole family had looked upon as a god. Mémoires d’un prêtre regicide (1829) by Simon-Edme Monnel, page 337.
The widow of the deputy Le Bas, who gave birth to the man who was to be my teacher, was one of the daughters of the carpenter Duplay. This Duplay family had become Robespierre’s family. He lived with them, and when he died, he was engaged to Mademoiselle Éléonore, the sister of Madame Le Bas. The fiancée mourned Robespierre up until her death. This whole family was closely united, and the memory of the deceased contributed not a little to this union. Premières années, (1901) by Jules Simon, p. 181-187.
#robespierre#éléonore duplay#frev#frev friendships#poor éléonore#she can choose between getting depicted as either#a - a blind fanatic#b - a clueless little girl#c - an ambitious seducer#d - someone who was above ”the weaknesses and fragility of her sex”#I guess the last one is the least bad but still more or less akin to saying ”you’re pretty smart for being a girl”#your aunt did not go to prison for almost a whole year for this philippe!#éléonore possibly being present for the session of 9 thermidor and the execution on 10 thermidor though…💀
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Sometimes, a family can be a pro-revolutionary cabinetmaker, his wife, their four daughters and a son, and the brilliant-yet-slightly-awkward middle-aged politician they decided to adopt
#and his dog of course!#has this been done before?#frev#frev memes#french revolution#maximilien robespierre#the duplays#éléonore duplay#élisabeth duplay#history memes#history shitposting#frev community#hall of fame
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Éléonore Toulin by © Anthony Maule
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Royal Birthdays for today, April 30th:
Casimir III, King of Poland, 1310
Anne of Gloucester, Countess of Stafford, 1383
William III, Landgrave of Thuringia, 1425
Louise of Lorraine, Queen of France, 1553
Éléonore de Bourbon, Princess of Orange, 1587
Mary II, Queen of England, 1662
François Louis, Prince of Conti, 1664
Juliana, Queen of the Netherlands, 1909
Carl XVI Gustaf, King of Sweden, 1946
Miguel Urdangarín y de Borbón, Son of Infanta Cristina, 2002
#mary ii#louise of lorraine#casimir iii#Éléonore de Bourbon#william iii#anne of gloucester#francois louis de bourbon#queen juliana#carl xvi gustaf#Miguel Urdangarín y de Borbón#long live the queue#royal birthdays
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