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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric! It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start. People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them. That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great! I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7. If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi. That’s not up for interpretation; it’s the text. But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great! But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.” She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1. She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father). But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time. This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
From that point on, it’s a process of her putting little pieces together. She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does. Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation. She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here. I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home. Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!” And everyone else in the room is like, “....,” because they know better. Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark. This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling. There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
Is this part of her approach irrational and immature and inadvertently self-centered? Of course it is! But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!”
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention. The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants. She’s begging him to stay for the same underlying reason that Naruto is: she cares about him. She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t. But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction. She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him). “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish. It’s irrational. It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation. They both still think they can fix him themselves. They both think they can save him themselves. They both think they can convince (or force) him to do what they want, what they think is in his best interests. Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything. Their attempts to keep him in the village are immature and unrealistic, yes. What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests. They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children. They’re afraid of losing somebody they care about. Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES. He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him. He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.” She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me. It’s like a curse mark.”
(INCREDIBLE. How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has. Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about? Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him. He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side. Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets. I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys. She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation). But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]
Anyway. Back to a more measured response.
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much. Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki? Good, appropriate. The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does? Also extremely appropriate, very in-character for both of them. Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden? Juicy! AND thematically significant (promises!!!! the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again). Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start? HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT. Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)? BRUH. Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win?? INCREDIBLE. (Literally the first time I watched this, I said, “Finally!!! It’s Sakura’s turn to go off the rails!” I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.) And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!” I love her for that.
And then, of course, in the end - her not being able to do hurt Sasuke after all. Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him. She cares about him too much. This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others. She can’t do it, and Sasuke almost kills her for her compassion.
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1). This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be. Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too. Time didn’t just stop for them when he left. While he was turning into someone new, so were they. They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear. Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return. He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him. And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance.
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way. The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him. And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back. She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago). That’s huge! Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter. She stayed her hand. She spared his life. She loved him too much to hurt him, even when he’d given her every reason to take him down. She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain. Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation. This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down. Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc. She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.
She has no intention of pursuing Sasuke romantically. She knows full well that Sasuke isn’t interested in her. She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”). She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her. She’s well-aware that he left her to die in the lava pit. She’s also well-aware that none of this is enough to make her stop loving him. He doesn’t have to care about her - she still cares about him. She still wants to help him. She still wants to save him.
This is not hidden, hard-to-parse character development. It’s explicitly articulated on the page:
Sakura’s not trying or wanting to make you hers! She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality. The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7). He’s locked into a false pattern of thinking. His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers! She only wants to save you.
Sasuke matters to Sakura as more than a love interest. He always has. She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise. Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective. Kakashi is the one who’s explicitly positioned as the voice of the narrative here. We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god. She’s finally going to let him have it. It’s finally happening - ” I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me). But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.” That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her. He thinks about all of them. Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine. He cared about her once. He cared about all of them. She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story. I can’t read/watch Naruto while hating one of the protagonists and loving the other three. It doesn’t work like that for me. The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine. My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive. That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else. You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story.
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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What are Ambroys' romantic preferences? I'm not asking for a friend, I'm asking for myself. I'm completely obsessed.
Er... romantic. Yes. Such a romantic.
In his younger days, Ambroys was an incorrigible womanizer, an impulsive rake with a bad habit of sticking that long tongue of his in places where it didn't belong - like other men's wives. He's had a long string of flings as well as torrid love affairs over the course of his life, a source of endless frustration for everyone around him (including the ladies he's entangled himself with themselves). He's a sucker for love but he'll take what he can get for as long as he can until his dreadful personality inevitably ruins things and he has to throw himself at the next girl.
When Ambroys wants something, he wants a lot of it, and women are no exception to this rule. I haven't been making those jokes about unicorns and maidens for nothing!
#asks#ambroys#amaranthine#my draws#furry#unicorn#a lil suggestive - a lil racy - but NOTHING'S SHOWING SO DON'T HURT ME MR MODERATOR#so I guess to answer your question more specifically - he likes women#at the very least all his romantic entanglements have been with women in his story as I have written it thus far#but I wouldn't be opposed to him being curious about the other side of the tracks at some point in his life if someone preferred to#interpret him that way#or if I get an idea for his story in that direction#but for now - *insert neon sign that says GIRLS GIRLS GIRLS*
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me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU
#rambling#surprisingly this is not about jakob.. im just really consistent about my favorite character archetypes 😭😭#WARNING THE NOTES ON THIS ARE REALLY LONG I STARTED RAMBLING#“ouhh i have a headache i'll just lie down and rotate my blorbos in no general direction for a while until it goes away” and then boom.#serious plot considerations. 2 questions answered 24million new questions raised. this is specifically Not what i asked for.#so now im sitting here STILL dizzy running mental calculations on how i can get this bitch out of peril without reworking everything#but they literally keep dying in every timeline 😭😭 every single plausible road leads to them running off and screwing themself over#“character who doesn't realize they want to live until it's way too late to look back” VS#“character who is forced to live and handle the things they never though they'd survive long enough to deal with” FIGHT FIGHT FIGHT.#fucking hell i have never had this much trouble writing a character as i have with them#they genuinely do just run off and do shit without my permission and then i have to pace for an hour or two wondering#“ok they wOULD do that. but should they. do i feel like i can confidently write that.”#im like constantly in this tug of war trying to get them to CHILL#but also they are absolutely my favorite character from the entire project. but like. FUCK GET BACK HERE#is death the most satisfying end to this arc? is someone who was Set on dying then NOT dying the most satisfying end to the arc?#how many bridges can you burn until you irreparably set yourself aflame too?#would ghost or revival plotline work?? would it make sense with the worldbuilding??#do i just Like Them enough to want them to not die?? where do i draw the line between personal bias and a good arc?#is death not feeling as impactful as survival solely because i've been writing for so long that it's lost the initial impact?#and other such plot considerations...#im gonna have such an easy time writing another character though 😭😭 because THAT character's dynamic in the second act#is to stare at character 1 and be like “why are you like this. i mean i know Why but can you chill. please.” and like damn bro me too#actually wait no i think kaey.a is the hardest character i've ever written i take it back#had to worry about his 20million facades AND his Actual feelings AND canon compliance. shit is hard#i still havent finished the k/aeya fic i started back when the chasm first released which is uhh. two years ago. oops.#i think i struggle writing emotionally repressed liars i think thats what this is 😭😭 anyways.#(voice of guy who has been obsessed with nonlinear narratives and tragedies for several years):#“is it too much to kill this character in a nonlinear exploration game with tragic elements”#like bitch what are you talking about 😭😭 YOU'RE the target audience here figure it out#sorry the notes on this are just my writing journal now apparently
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whenever you grace us with extra bits or alternatives for stories it's such a treat ❤️❤️ i read the alt sotw scenes - the bread, the kiss - and it was so interesting to see how things could've gone if those moments had happened at those times. but i prefer the way you wrote things in the fic initially, i think everything happens when it's supposed to happen and it's so strange reading what else could have been, because while reading your fic i did wonder, but it's like seeing those other scenes has confirmed that the original order of events truly works best. again, i love the alts! but it strangely satisfies 2 things in my brain: seeing the alt play out, and knowing the original was the best choice for the story and characters (imho) ❤️❤️❤️
thank you! and I think I do know just what you mean, because of course I was hesitant to share these alt scenes at first. because there is a reason they weren't pursued. for pacing, for payoff, for themes or character motives. there are a lot of reasons that events happen the way they did in the fic. as much as I was still finding the ending as I was publishing it on ao3, I had strong instincts about the way things should unfold that I didn't want to betray
it is kind of fascinating to explore the other side, though. when I'm writing I try to do two things. (1) set myself up with things that I can use later by leaving a few openings, whether or not I take them up in the end. (2) leave room for the reader to imagine. these are the glimpses and gaps I freaking live for when I'm engaging in something. when I've been given much of the world but not all of the world. it's like playing a video game and there's a corner you can't turn down, but you can fill in without trying very hard with all sorts of enticing possibilities. it's exciting and it leaves you just a little bit unsatisfied and that's where the room for dreaming is, and I usually hope that when I'm writing there's space for readers to think, "but what about this?" or "what if they went there?" or "what if this unexplored part of the world played a role?"
this is the transformative element, the thing that is so great about our source material: spn is infamous for offering us SO MUCH potential and then not delivering on what you might expect. pockets and gaps that artists and writers fill in with wondrous works, or that we simply dream about after we've taken in the story. and I always think there's a way to sate cravings and leave cravings at the same time, and that's what I aim to do
#ask#long answer#I have one more alternate route to share#all these alt scenes were written AFTER the whole thing was finished#they were just the moments where I'd caught a possibility for a different direction that didn't quite fit#but that might've had it's own interesting friction#they weren't the story I wanted to tell but that doesn't mean they never held their own particular shine
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the best writing advice i can give you is to ignore all of those people who insist there are a bunch of rules you need to follow in order to be a Good Writer, or are so painfully terrified of doing anything that has been done before or could be deemed cliched that they end up shoving themselves into a tiny box they’ve invented that completely restricts them creatively and stunts any kind of genuine growth they might get to experience as a writer. i ignore the rules of grammar fucking constantly if i think it serves the tone of my narrative better, because i think a sentence that’s ‘too long’ and doesn’t have enough punctuation is a GOOD thing if you want to illustrate a frantic or stressed person’s mindset. i WILL write the most stereotypical cheesy ending to a story because sometimes it just makes the most sense to do that because of the themes and conflicts im working with and im not going to force myself NOT to do it just because it’s ‘predictable’ or someone else did it before me (guess what everything has been done already and doing something that has literally never been done before is not actually what originality is). stop scaring yourself away from exploring and finding your own unique writing style just because someone is telling you you need to obsess over and memorise a load of non existent rules that people often just throw around to make themselves sound intelligent (it’s not working. you are dumb)
#i realise the irony of me of all people saying this because like im not a particularly great writer#but at least i let myself have fun and have my own style (in my opinion)#JUST FUCKING WRITE FOR YOURSELF. WRITE WHAT YOU WANT TO READ KILL THE CRITIC AND FAKE AUDIENCE IN YOUR BRAIN#and also can i be honest? a lot of the time i see writers give writing advice as if they know everything#and then you go and read what they've actually written and you're like yeah no im not fucking listening to you mate#again. i realise the irony of ME saying that but uh. shut up#partly posting this in response to someone who asked me for writing advice IM SO HONOURED but please. dont listen to me too much#listen to me a little bit so i can gain a superiority complex. but. you know#i'll answer you ask eventually im just nervous to give direct writing advice to someone who asked because i am not really qualified
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also alicent hightower
ooh this is a good one 🗡️💚
x
thanks again!! :D
#now my opinions on alicent go back & forth...... i'm still not sure what i think of her & she's definitely not a fave of mine#i do really really like emily & olivia's portrayals of alicent & the depth their performances give her are both fantastic!!!!!!#i guess sometimes i feel really sympathetic & other times i feel so frustrated with her (especially adult alicent)#also sometimes i like how she's written & other times i don't like how she's written............ idk i like her character but i'm conflicte#like a lot of the time i can't decide whether the writing for her is more complex or more contradictory#also to be transparent i lean more towards team black so i do have that bias & i tend to be more critical towards the green characters#i do think the fandom can be appalling towards her: e.g. she was forced into marrying viserys as a child & *somehow* that was her fault?!?!#the misogyny directed towards her character is WILD because there's a lot of legitimate criticism you can have for her#but fans jump straight to the vilest most misogynistic insults & act like she's evil incarnate#idk i'm looking forward to seeing how my opinions change in season 2 because i'm sure they will#ask game#ask games#my asks#my ask#my answers#my answer#house of the dragon#alicent hightower#hotd fandom#house of the dragon fandom#house of the dragon spoilers#tv show tag#tv shows#hotd#hotd spoilers#spoilers
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okay folks. i need to put my brain to something otherwise i think it might start melting.
that to say. please send asks. they can be questions. they can be writing prompts. they can be opinions. theories. you could ask me about my opinions and theories.
#i think it goes without saying that any answer will probably be related to those vampires that are being interviewed#but! it might not. you could ask me about other things too#i want to write some quick drabble-y things and i have a whole load of half written meta things in my drafts so#could be about ocs or my wips too. i really don't mind. you could send me a character name (oc or not) and i can just talk about them.#i just need direction
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whats the best episode of mash
*gestures at my url* no jk it really depends on how you define "best" and what you want the episode to do. M*A*S*H has so many strong episodes and so many of them stand out as excellent episodes in terms or comedy or drama or anti-war satire or balance of comedy and drama.
#mash#asks#like best written? directed? funniest? saddest? best satire? best balance of elements? most mash?#and even then I can probably not objectively answer this#at least not without a full rewatch and taking notes#I've been watching nothing but the finale on loop for months now#But I cited yankee doodle doctor in my thesis and like underrated as fuck#perfect microcosm of mash
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I don't know maybe I haven't read or watched a lot of Olena's interviews and might have missed it but has anyone ever asked Olena what makes her happy these days? What makes her laugh? What makes her smile? I see Vova get asked that but I don't remember for Olena.
Not really. She usually gets asked how she endures, what she does for her mental health / to get through the day or things like that. And Olena mentioned here and there (rarely) what makes her smile or happy. But she doesn't get asked that explicitly like Vova or doesn't talk so much about it. Most times she uses the opportunity to promote the / educate about strategies from her mental health programme (decluttering, moving the body / doing sports, having a routine, talking about it, ...).
#the most visible answer what makes her smile is probably her kids and vova#because she always has the biggest smile on her face whenever she talks about them#which shining eyes and love written all over her face#❤️❤️❤️#now that you mention it anon it truly would be nice if people would also ask her such questions#and not the ones that go in the direction of her work#there is also the thing that sometimes olena decides on which questions she gets asked and which not so maybe still applies her too#and shes not comfortable talking about it in an interview
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Pssst hey,, hey Emile,, sakura, strawberry, and puppy crush asks for Gaster!! He’s very neat,,
He IS very neat!!! Mysterious Void Peepaw <3 Thankyou for asking!!
Asks from Here
🌸 Sakura — What's your favorite thing about them?
Ehm well.... The way he speaks, the confidence in his tone... It's reassuring... Truthfully I don't know all that much about him heheh... But I feel safe when he holds me, and his voice is comforting.
🍓 Strawberry — What did they do that first caught your eye?
He called me here, or... made me? Brought me into existence here in some way... I'm really not sure honestly, my first memory was him reaching out to me, asking me if we were... connected. I guess what first caught my eye was just the fact he wanted to reach me!
🐶 Puppy — Is your crush on them obvious? How do you act around them?
I don't think so? Kris hasn't noticed, and they're the only one who could so.. I must be keeping my crush contained well!
As for how I act around him... Well I haven't seen him sense I woke up as Kris, and I couldn't really... speak or move like I can now. I may have acted a bit spoiled if I remember right. Wanting to be held even when he was working, snuggling myself into his pocket, following him around his lab. He thought it was endearing though and always catered to me <3
#Thankyou for asking#Gaster#We know nothing but I think he is neat <3#Little more Deltarune S/I lore but this is mostly just me guessing at stuff that will probably never get a direct answer#Gaster and the Soul is a very cute dynamic to me <3#Thanks for asking!!! Answers written in character for the S/I for the fun of it
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PAUSE when did nath get pregnant in the deserted island au? - the anon from last ask
oh, no. she doesn’t. sorry if i gave that impression, lol
i did toy with it at one point though, since they’d likely run out of birth control if they’re stuck on the island long enough. but, nah. i’m taking the easy way out and going with her having an iud
#meg answers#deserted island au#there is some dialogue written already of gabriel super awkwardly asking her if she’s missed a period#that might’ve led in that direction but i changed my mind#there’s also a cut ending from an alternate storyline where adrien isn’t stranded with them#where he meets them at the hospital after they’re rescued only to be introduced to his new baby sister
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for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
#good omens#neil gaiman#sir terry pratchett#good omens show#good omens fandom#good omens mascot#weirdly specific but ok#asmi
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TME and TMA as intersexist terms: as written by an intersex transfem
I’ve had a few different people in my inbox asking me why I view these terms the way I do. In particular, why I claim it’s intersexist. So, I thought I’d lay out a few examples, so everyone can understand where I’m coming from.
Imagine an intersex woman. She was assigned female at birth by her doctors, and was able to go about her childhood as a woman with no inclination that anything was amiss. Sure, she didn’t experience certain parts of puberty, but puberty was different for everyone, right?
But, later in life, she learns she has Turner syndrome. This is an intersex condition where a woman has only one X chromosome, rather than the usual two.
Soon after she learns this, she finds that laws are being made to attempt to keep trans women out of women’s spaces (often specifically sports) which use chromosomes as a defining factor of womanhood.
Would this intersex person be considered “transmisogyny affected”? She has been raised as a cisgender woman with no problems regarding being ‘clocked’, but she is also a direct target of transmisogynistic laws. She lies in a gray area.
Now, let’s go to another intersex person. Imagine an intersex man with PAIS. AIS is an intersex condition where babies are born with testes and XY chromosomes, but their body is immune to or can’t respond to androgens (which includes testosterone). Intersex people with partial AIS (PAIS) often develop a vulva and clitoris during puberty.
This intersex person identifies as a man, and he was assigned male at birth. However, his body does not produce testosterone, and he went through a feminizing puberty. To the average eye, he appears to be a woman now because of this.
Would this intersex person be considered “transmisogyny affected?” He was assigned male at birth, and now appears to be a woman, much like many transfems. However, if many saw how he looks now, stating that he is a male, they would probably clock him as transmasc. He was raised as a boy until puberty, and then faced astrozcization from his peers when he began a puberty that feminized him. What he was facing was a form of intersexism where transmisogyny was playing a huge part. Does his childhood matter? Can one become TME over time, when they were TMA as a child? Again, he lies in a gray area, where the answer is not quite so simple.
What about the “opposite”, per se — an intersex woman who had a masculinizing puberty? She has aromatase deficiency, which means that many ‘male’ hormones (which would usually be converted to ‘female’ hormones) would remain unconverted. She identifies as a woman, and was identified as a female at birth and was raised, until puberty, as a female. But now, she would be clocked as a trans woman upon looking at her. What does that make her? Is it different from the previous example? How and why? This intersex person also lies in a gray area. How she should be described with these terms is not clear.
And keep in mind, these are all relatively simple examples. All of the examples I listed self-identify as cisgender. But there are intersex people who are trans in any direction you can imagine.
If that last example identified as a trans woman, because she is now clocked as one, would you be able to say she’s wrong for that? What about if she identified as transmasculine, because of her experience with puberty? What if she’s multigender, bigender or genderfluid, and says she’s both transmasc and transfem because of her complicated experiences? Would that make her a TMA transmasculine person? But I thought that transmascs were all TME? That’s how it’s so often framed, anyway.
The reason why these questions are so difficult to answer is because these terms were not made with intersex people in mind. Very real intersex transfems were pushed to the wayside in favor of centering the perisex view of transgenderism. Intersex people are nothing but an inconvenient little afterthought, annoying perisex people with their demand for “inclusion” and “consideration”. (As per usual.)
You cannot simply make a new gender binary and say, “No, really, this time everyone fits into these two categories! Forcing people to confine themselves to these two rigid labels which are shown as opposites, and as never interacting, will definitely include everyone this time!!” No matter what the contents of the new binary is, it’s not going to work, because sex and gender alike are too complicated for that. There will always be people in the gray area.
This isn’t even getting into the fact that these terms, for all intents and purposes, seem to have been popularized by and associated with the Baeddelism movement around 2017, which was essentially “Radical Feminism 2: We’re Trans Women, So It’s Fine!” This movement is known for chronic villainization of trans men and non-binary people who aren’t transfem. (They act like this with cis people too, but noticeably less so than they do with non-transfem trans people. How curious.) Think along the lines of how regular radfems treat all men (and who they deem to be men) as inherently morally disgusting scum who deserve to be attacked.
Methinks that maybe these terms aren’t the neutral, fact-based descriptors of oppression that many people nowadays tout them to be, considering that.
So, yeah. “Transmisogyny exempt” and “transmisogyny affected” as terms: not even once. Listen to intersex people, stop trying to make sex and gender into binaries, and for the love of God, stop drinking the queer seperationist koolaid!
#intersex#intersexism#lgbt#transgender#actually intersex#long post#azure does a thing#i’ll get off my soapbox now#btw if you’re gonna argue with me on whether or not it’s intersexist you’d Better be intersex#or so help me god i will (REDACTED BECAUSE TRANSFEMS CANT JOKINGLY THREATEN VIOLENCE APPARENTLY)
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clueless, kuroo tetsuro
ˏˋ°•*⁀➷ kuroo tetsuro has a thing for girls with long hair. so what if you're a girl with long hair? that doesn’t mean anything!
➼ pairing! kuroo tetsuro x fem!manager!reader
➼ warnings! none, just fluff and humor. maybe ooc because i haven't written in years??? unfortunately, because this is based on the scene of kuroo and yaku arguing about their preference, this is really for my long haired girlies 😣 i apologize to the short haired readers
➼ word count! about 1.4k
➼ author’s note! "haikyuu renassiance!" we all cheer in unison. anywho, this is my first time posting in two years. please be nice to me 🫡
"So, you prefer girls with short hair then, Yaku?" Kai asks, shedding off the white button-up of his school uniform and revealing his black practice t-shirt. The three third-year Nekoma players had found themselves in an empty classroom, deciding to use it as a makeshift changing room. Luckily for them, they had all worn their clean practice clothes under their school uniforms. Doing so allowed them to save time and cut back the number of minutes they were already going to be late to practice, thanks to Yaku getting distracted by a group of girls, which Kai noted all had short hair. Hence, his question.
Yaku paused his work of ridding himself of his tie to send Kai a proud grin, pointing towards him with both hands, “Yesss!
"And you, Kuroo?" Kai turns to him, now curious to know his captain's answer as well.
"Long." Kuroo's answer is firm, leaving no room for debate. Still, he glances at Yaku, as if daring him to try.
Yaku only snorts, shaking his head in amusement as he too turns to look at his captain, "Like that wasn't obvious."
"Ehh," Kuroo's eyes narrow, head craning down to peer at the libero, "What's that supposed to mean?"
"It means," Yaku starts, taking a step closer as he peers right back up at Kuroo, "Everyone knows you have a crush on our manager, who just so happens to have the longest hair I've ever seen!"
"Ehh?" Kuroo repeats, louder this time as he cranes his head down even more, "Who says I have a crush—"
"Hey!" The door to the classroom slides open with a shocking force, startling the boys and drawing the attention of all three of them to it. Kuroo and Yaku both grow rigid as they find you standing in its opening. Quiet pants slip past your lips, and you take a moment to catch your breath as you stare at the three of them before you begin speaking, "There you guys are! I've been looking for the three of you everywhere."
"Hello," Kai greets kindly, the only one not left in a stupor at your sudden appearance, smiling as you make your way into the classroom. "We apologize, we're running a bit late."
"Yeah," You huff, coming to a stop a few steps away from them as you cross your arms, "It was your guys' turn to set up the nets. So when you guys didn't show up in time to do so and none of you answered your phones, Coach sent me to find you guys. Didn't know I'd be going on a wild goose chase."
Your words leave you in a huff before your eyes land on Kuroo, raising an eyebrow at the captain. His shoulders tense even more at the sudden eye contact and he's quick to snap his head in the other direction. Kuroo suddenly feels warm, realizing how you could have easily heard the conversation transpiring between the three of them. Stupid Yaku, Kuroo curses the libero in his head, doesn't even know what he's talking about.
"Sorry, Y/N." And of course it’s Yaku who disrupts his thoughts, pulling Kuroo's eyes to him just as he sends you an innocent smile, "We got carried away, talking."
There's a teasing tone to Yaku's voice, and Kuroo knows it's directed at him. Why is he friends with him again?
"I don't even want to know," You speak, and Kuroo can envision you shaking your head at the three of them, "Just get dressed and get to the gym as quick as possible, please."
All three boys give some noise of recognition in response to your words, and Kuroo takes the chance to glance at you then. He's quick to regret it. Your hand rises just as he locks eyes with you, reaching up to tuck some of the more unruly pieces of your hair (which most likely came undone due to your seemingly frantic search of the three third years) behind your ear and out of your face. Kuroo's eyes follow the movement of your hand, trailing downwards and taking in the long strands of hair that fall well past your shoulders. Once again all too aware of the conversation he was just having with his teammates, the tips of his ears burn as he pulls his gaze away from you once more. He shakes his head, trying to get Yaku's words out of his mind. Just because he liked girls with long hair, and just because you so happened to be a girl with long hair, did not mean he liked you.
Right?
A snort of laughter suddenly leaves Yaku, having caught the interaction, and Kuroo turns to him with a heated glare. You don't miss the exchange between them either.
"Are you two having one of your petty arguments again?" You accuse, eyes glancing between Kuroo and Yaku who are suddenly staring back at you like two deers caught in headlights. "Seriously, you've been fighting like this since first year. What topic could you guys possibly still be discussing?"
Yaku's smirk returns as he glances at his captain with an all too knowing look before he turns back to you, "Well, if you really want to kn—"
"Nope!" Kuroo is quick to interject, speaking for the first time since you entered and drawing your attention away from Yaku and back to the captain himself. Your eyes widen as he begins to take long strides in your direction. "No arguing here!"
Your lips part, confusion taking over your features at the odd behavior your captain is displaying. You don't get the chance to say anything, however, as Kuroo makes a show of glancing at the clock on the wall before turning back to you with a dramatic gasp, "Oh, would you look at the time! We should really be heading to practice."
"You still have your school shirt on, Kuroo.” You point out when he stops in front of you, pointedly glancing down at Kuroo's attire, which consisted of his practice shorts and white button-up, with his red school tie hung loosely around his neck.
"I'll just change it once we're in the gym," Kuroo responds, waving away your interjections before he drops his hands onto your shoulders and forces you to turn around and back toward the door. You attempt to dig your heels down when he begins to push you in the direction of the door, but you're truly no match for his strength. Stupid volleyball training.
"Kuroo," You voice your protests, attempting to swat at his hands in order to get him to release you. Once again, your attempts remain futile, "Let go of me!"
"No can do! As captain and manager, it's our job to be on time to every practice. What would our team do without us?" Kuroo shakes his head, clicking his tongue as if he's scolding you. He turns back to Kai and Yaku, flashing them a warning smile, daring them to say another word. Yaku merely watches on with an unamused look, while Kai holds a placid smile. There's extra sweetness in his voice as he practically chirps out, "Bring my stuff to the club room, will you?"
"I was on time!" You retort, not giving Kai nor Yaku a chance to respond to their exasperating captain as you send them a pointed look, all the while succumbing to your fate and allowing Kuroo to push you out of the classroom. After all, he did have a point. It probably wouldn't be long before Lev managed to push somebody's buttons (most likely Yamamoto’s) one too many times and ended up in hot water. "The only reason I'm not there right now is because I came looking for you guys!"
"Ah, now is not the time to deal blame, Y/N. Our juniors are waiting on us." Kuroo argues back, shaking his head as he removes one hand from your shoulder to slide the door shut behind the two of you. Still, Yaku and Kai face the door as the sound of your guys' bickering persists. It grows quieter and quieter with each passing moment, and it isn’t until they can no longer hear your guys' voices does Yaku glance away with a shake of his head.
"He's clueless." Yaku deadpans, glancing back down at his tie as he continues to work on untying it.
Kai nods, neatly folding his button-up before placing it in his bag. "Completely."
#kuroo x reader#kuroo tetsuro x reader#haikyuu x reader#haikyu x reader#kuroo fluff#haikyuu fluff#haikyuu imagine#haikyuu imagines#hq x reader
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Have A Good Night
Pairing: Joel Miller x f!reader
Summary: Every week like clockwork, the same devastatingly handsome man comes into the grocery store where you work to buy flowers. It's not until he asks you out when you realize the flowers aren't for his wife or girlfriend.
Warnings: no outbreak AU, language, flirting, alcohol and food consumption, smut (18+ MDNI), protected piv sex, size kink, shy!joel, fluff, mutual pining, cringy/embarrassing crush interactions
WC: 7.9K
Written for @morallyinept's Flora & Fauna Challenge (masterlist here)
dividers by the one and only @saradika-graphics
It was never roses that he bought. That should have been your first clue.
Every Friday he came through your checkout lane with a beautiful flower arrangement. Sometimes it was lilies, sometimes it was daffodils, but never roses.
He hardly spared you a glance when he slid his card through the machine. Occasionally he would comment about the weather or how busy the store was, but he rarely ever made eye contact.
It wasn't unusual and it didn't offend you. Most customers had other things on their minds and they preferred to get in and out of the store as quickly as possible. But this particular customer, the one with dark hair and eyes, broad shoulders and patchy beard always caught your eye. It was the best part of your week. You never had the nerve to say anything to him, but your friend Andy noticed the way you always got nervous when you saw him standing in line, how your demeanor shifted and your hands shook just a little bit.
He's not wearing a ring, Andy pointed out one day as you counted your drawer. You rolled your eyes.
That doesn't mean anything, you replied. Why else would he be buying flowers?
Then one day, as you scanned your handsome stranger's flowers, you noticed a few of the daisies were wilting.
"Do you want to pick out a different bouquet?" you had mustered up the courage to ask. The store was quiet, no one was lined up behind him. There was a big football game that night and it kept most people at home.
His eyes snapped up to yours and he froze like a deer in the headlights. You raised your eyebrows, waiting for an answer while trying to think if you said something stupid to warrant such a delayed reaction. "A few of these flowers are already dying. See?" You tilted the bouquet in his direction so he could see the flowers with the petals that were turning brown.
"Oh," he finally said, then nodded his head. "Y-yeah, thanks. D'you mind if I just-" he jutted his thumb over his shoulder.
"It's no big deal, I'll wait."
He gave you a crooked grin and disappeared back into the store. The florist department wasn't far from the registers but it was enough time for Andy to lock eyes with you from customer service and give you a look. You rolled your eyes at him and turned back around just as the hot flower guy was returning with a new selection.
"Thanks," he said again once you handed him his receipt. He didn't make a move to leave.
"Don't mention it," you replied, feeling Andy's stupid grin burning into the back of your head the longer hot flower guy stood there.
"Have you worked here long?" he asked after a brief silence that was bordering on uncomfortable. You blinked, taken aback at the random question and tried to ignore your heart fluttering excitedly in your chest.
"Um, just over four years," you replied. His beautiful dark eyes drifted over your face as he nodded and swallowed before looking back down at his flowers.
"You work most Fridays?"
You could feel your cheeks warming up and you wished the ground would open up and swallow you whole. How can someone be embarrassed for being embarrassed? Jesus, you were such a mess.
"Yep," you said, tucking a stray piece of hair behind your ear and praying he didn't notice how flushed you were.
He rubbed the back of his neck and shifted his weight. If you weren't so absorbed in your own uneasiness you might have noticed he was acting just as uncomfortable as you.
When he opened his mouth to say something else, a middle aged woman pushed her cart up behind him and began to unload her groceries onto the belt. He glanced quickly over his shoulder and nervously swiped his palm over his mouth.
"Have a good night," he told you abruptly, and before you had a chance to reply he was halfway to the front door.
The following week was busier and you lost track of time. Typically, as your shift dragged on, you began to anticipate his arrival but on that particular day, you were distracted. Andy ended up having to help out on another register, it was so busy.
"You wanna come out with us tonight?" Andy asked you over his shoulder. He was closing down the extra register while you were finishing up with a young mom who had her hands full wrangling her toddler away from the candy.
"Uh, yeah, sure," you agreed absentmindedly, lifting the last paper bag into the cart. You tapped a key on your register so she could slide her card through the reader and looked over at Andy. "Where are you guys going?"
"Murray's," he replied immediately, his focus still on counting the coins in the drawer. You rolled your eyes and grinned.
"Why am I not surprised?"
It was well known Andy harbored a huge crush on a bartender there and he had been trying to work up the courage for months to ask for her number.
"Thank you, have a good night," you told the young woman, handing over her receipt with a smile. When you glanced up to greet your next customer, you felt your heart skip a beat when you were met with those dark brown eyes you had grown so enamored with.
"It must be later than I thought," you said, without even thinking twice. Surprise passed over his beautiful features as you scanned his flowers and then your nerves finally caught up with you. "I-I mean, you usually come in around the same time every week," you explained hurriedly. Andy was smirking at you from behind hot flower guy's broad shoulder and you made a mental note to punch him later.
"I didn't realize you noticed," he replied after he cleared his throat.
Oh, you idiot. You could tell you made him uncomfortable with your comment and you just prayed he didn't figure out you had been lusting after him all these months with the little observation you made.
"You always pick out the best flower arrangements, it's hard not to," Andy piped up. Relief flooded your veins for the save. Maybe you should rethink that punch. "Must be one lucky girl," he added with a mischievous wink in your direction before picking up the drawer and walking towards the office, leaving just the two of you with Andy's loaded comment hanging heavy in the air.
He took his time pulling his credit card out of his wallet, wracking his brain for something to say. His cheeks dusted with pink the longer he took to formulate a sentence.
"So... Murray's, huh?" he asked, cringing inwardly at the stupid question as he swiped his card.
You blinked, confused at the change in topic until it clicked. "Oh, yeah. He drags a bunch of us out after work sometimes because he's got a thing for a girl who works there." You gave the man behind hot flower guy a smile as he unloaded his groceries on the belt.
Your handsome stranger froze, his hand still holding the receipt midair while the gears turned in his head.
"So, you two aren't-"
"Oh, sorry, excuse me," the customer behind him mumbled when he accidentally bumped into him with his cart.
"Have a good night," you told him with a sweet smile, then quickly turned away, hoping your hair would hide your embarrassment.
"I am not playing darts with her! Don't you remember last time? She almost took my eye out!"
"Oh, shut the fuck up!" you laughed, shoving Courtney, another co-worker of yours, in the shoulder. There were only five of you that night, Courtney being the only other girl in your group, but you were fine with that. Over the past few years you all bonded over the shared trauma of nasty customers and terrible management to the point where you were like family, and nights where you blew off steam only brought you closer together.
"Anyone need anything? I'm heading up," Andy shouted over the live band.
"Didn't you just get a water a minute ago?" you teased, knowing full well he was looking for an excuse to talk to the bartender.
"What can I say? I'm thirsty," Andy replied with a smirk before pushing his way through the crowd to get to the bar.
"When the hell's he just gonna ask her out? We've been coming here for months," Courtney said, turning away from the bar to look at you. You took a sip from your mixed drink and shrugged.
"Probably for the best. You know if he makes things weird then we'll need to find a new spot to hang out."
She giggled and winced when the band began to sing Journey off-key. "God, these guys are... not it."
"I think it's the owner's way of making us drink more!" James shouted from across the table, the four of you dissolving into laughter. He had a good point because your drink was nearly empty.
"Why didn't you just have Andy get you one?" Courtney asked when you slid down from your barstool.
"If I did, there was, like, a one percent chance he would bring it back to me within the hour," you told her, nodding towards Andy setting up shop against the bar, his eyes trailing after the cute bartender.
It took several minutes but you were finally able to wedge yourself between other patrons and secure a refill of your drink, but when you turned around to walk back to your table you nearly ran right into someone's chest.
"Oh! Sorry, I - " your eyes widened when you tilted your head up to find those familiar brown eyes staring down at you. "It-it's you!" you finally said as the shock began to wear off. He gave you a lopsided grin and nodded.
"Joel," he offered, sticking his hand out. Joel. Joel. Joel. You rolled his name around in your head like a ping pong ball. It suited him.
You took his hand, his long fingers dwarfing yours. "I'm-"
Then he cut you off and said your name and once again, you struggled to keep the shock from your face. "Your nametag," he explained, letting your hand go and gesturing towards his own chest where a nametag would sit. "I remember."
"Yeah," you said breathlessly with a smile. You glanced around the room while people shoved past you to get to the bar. "What are you doing here?"
His smile faltered a bit and he rubbed the back of his neck. "I don't live too far. Had the night to myself so I came out with my brother. He's over there," Joel pointed to the opposite corner of the bar but it was impossible to see him through all the people.
"Oh, cool," you nodded and took a sip from your glass. His eyes drifted to your lips, getting lost in the way they puckered around the straw. "Do you guys come here a lot?"
He chuckled and dropped his chin shyly to his chest before shaking his head. "No, um," he cleared his throat and looked back up at you. "Was hopin' I would run into you, actually."
"Me?" you squeaked and your heart began to race. He nodded and grinned.
"Yeah. Wondered if maybe you'd-"
A huge, burly man who definitely had too much to drink shouldered past you, accidentally shoving you into Joel's chest. His arms immediately wrapped around your ribs to steady you and somehow you didn't spill anything on his clothes.
"God, I'm sorry," you mumbled, his scent making you dizzy. You always had a register between you. Never before had you been that close, noticing he smelled like he had just gotten out of the shower and it was instantly overwhelming.
"It's alright," he said, his arms still loosely wrapped around your midsection. "But I gotta get this out before I lose my nerve, darlin'."
Darlin'. Your brows furrowed and before you could reply, he spoke. "I wondered if you wanted to go out on a date sometime? Maybe a movie or somethin'? I know you work alotta nights but I -"
"You want to go out with me?" you asked in disbelief. He looked at you like you had two heads.
"'Course I do. Wasn't it obvious?" he could feel the heat creeping up his neck.
"No! I thought... nevermind, it doesn't matter," you told him, a smile pulling across your lips. "Yes, I would love to. God, if you only knew-" you stopped yourself by slapping your hand over your mouth and he quirked a playful eyebrow at you but he was too excited that you agreed to go out with him to ask you to finish your thought. He handed you his phone as you shakily typed in your number, hoping your trembling fingers didn't mess it up before giving it back to him.
"I'm gonna text you tomorrow, set somethin' up, yeah?" he asked and you nodded numbly, your mind reeling as you tried to process everything that was happening. He grinned and slid his phone back into his pocket. "Have a good night," he said, the familiar phrase making you smile before disappearing into the crowd.
"Um, who the hell was that?" Courtney questioned the second you arrived back at your table.
"I need a fucking shot first and then I'll tell you, holy shit," you said, taking a deep breath to calm your nerves with no success. She laughed and got you each tequila shots, then you spent the rest of the night telling her all about Joel the hot flower guy.
The next morning, you paid for your crimes. Your head throbbed and your mouth was dry as sand as you stumbled into your bathroom to scoop water from the faucet, desperately trying to quench your thirst. You weren't normally a huge drinker, but after your run-in with Joel, you were so nervous that you found yourself tossing back a few extra drinks than normal. Fortunately, you didn't work until late afternoon, so after you fumbled around your cupboards for some crackers, you fell back into bed. Your eyes widened when you saw a missed text from an unsaved number an hour ago.
Hey, it's Joel. It was great running into you last night. I was thinking we could go to dinner this week, if you're still up for it. What nights are you free?
"Shit," you muttered, running a hand anxiously through your hair. Now that you were sober, the prospect of seeing hot flower guy outside of work made you inexplicably nervous.
You must have typed out and deleted fifteen responses before going with I would love to! I'm free Sunday, Monday and Wednesday nights. Or we could do something after I get out of work, we close at nine.
Did you sound too desperate? You chewed on your fingernail as you read your sent text over and over, then shrugged and put your phone down. Too late now, anyway.
It took a while to get his response, but to be fair, you didn't reply to him for an hour.
I can make Sunday work.
Sunday? As in, tomorrow?
"Oh, fuck," you groaned, fully not expecting him to set something up so quickly. You needed time to mentally prepare, but of course you agreed, then quickly texted Courtney, begging for her help on what to wear and how to do your hair.
Yay!! We can talk about it at work tonight!
After you ironed out a time and restaurant with Joel, you popped two pain relievers and chugged some water, hoping to get rid of your hangover before work.
"Okay, so where's he taking you?" Courtney asked excitedly as you stocked cereal together.
"This Italian place on Westwood. Here, I looked it up," you said, pulling out your phone and showing her the menu. "Have you been there before? What do I wear?"
She squinted at your screen and shook her head. "I haven't been there but we can figure this out. It doesn't look that fancy, but you should probably wear a dress or skirt."
"Ooo, do you finally have yourself a date?" Andy asked from halfway down the aisle, clearly overhearing part of your conversation. "Hot flower guy is going to be so disappointed."
You laughed and pocketed your phone. "It's with hot flower guy," you said triumphantly. Andy's eyes bugged out of his head, confused, until you and Courtney explained what happened the night before when he was busy staring at the bartender.
"You should have told me last night! So I guess that means he really is single."
You paused and cocked your head to the side, realizing all of the sudden you still didn't know why he bought flowers every Friday.
"Uh, yeah, I guess so," you replied, turning your attention back to the cereal. Andy and Courtney exchanged worried glances behind your back.
"I'm sure he's not stupid enough to buy flowers from you for another woman every week and then ask you out," Courtney said, glaring at Andy. He cleared his throat and nodded.
"Y-yeah, I mean, maybe they're for a grave or something."
You both turned to him and gave him an incredulous look.
"Hey, I'm just trying to help," he said, throwing up his hands and walking away. You bit your lip and glanced at Courtney.
"Don't worry about it. There's tons of reasons why guys would buy flowers weekly... maybe he just likes to have fresh flowers in the house. Maybe they're for his mom!"
"Yeah, good point. I bet they're for his mom," you agreed, feeling a little better as you ripped open the next cardboard box full of cereal boxes.
When you woke on Sunday morning, you were already nervous. You could have sworn your heart was slamming in your chest from the moment you opened your eyes, already overthinking your date with Joel.
You spent the afternoon texting Courtney pictures of outfits you hauled out of your closet and tossed on your bed, then decided you needed to try them on for her to get the full effect. You were sitting on your bed, wearing a light blue sundress, the last outfit you had tried on as you gathered your pictures. Your thumb quickly tapped all of the photos of you modeling your options and typed out what one looks the best? then hit send.
As you were unzipping your dress and sliding it down your legs, you heard your phone ping from your bed. You hung up the dress and pulled your sweats back on before reaching for your phone, hesitating when you saw Joel's name pop up. You felt a pit in your stomach, worried that he came to his senses and was asking to cancel, so you sat down on the bed before sliding your thumb over the screen to open his text.
You look great in everything, but I really like the pink one.
Your palms instantly broke out into a sweat and you felt lightheaded.
"Oh no, oh no, oh no," you mumbled, scrolling up in your text chain before cursing and throwing yourself into your pillows to scream. In your rush to send your text, you accidentally sent the pictures to Joel instead of Courtney. You waited until you got your bearings and tried to convince yourself it wasn't really that bad, that it definitely could have been worse, before replying.
Ha, sorry. I meant to send those to a friend, but if you like the pink one, then I guess that answers my question
You stared down at your phone, anxiously waiting for his answer, which didn't take very long at all.
You could wear a paper sack and you would still look beautiful.
The grin that stretched across your face was massive. He was probably just sweet talking you and trying to make you feel better about making such a stupid mistake, but damn, it worked.
Looking forward to tonight :) you said in response, then bit your lip and flung yourself backwards on your bed. Your eyes drifted to the light pink dress hanging in your closet and you smiled.
As it turned out, the Italian restaurant was owned by Joel's brother, Tommy. You met the younger man at the host stand when you walked in the door. He had a huge grin plastered across his face and although you were an only child, you could still tell when someone was itching to tease their sibling. Tommy's eyes flickered back and forth between you and Joel, silently communicating with his brother as you introduced yourself. You managed to catch Joel shooting Tommy a warning glare before nervously resting his hand on your lower back and guiding you through the restaurant to an empty booth in the back.
"Have I told you how beautiful you look?" Joel asked, his dark eyes sparkling even under the dim mood lighting. You giggled and shyly looked down at your lap.
"A couple times."
Joel smiled warmly and leaned forward, his eyes trailing over the soft curves of your jaw and the way your plush lips stretched when he made you smile.
Before the food arrived, you learned a little more about him. He worked in construction, doing mostly residential but some commercial property work. He was trying to go into business for himself, which he told you was difficult but he already had years of experience and contacts in the area. He preferred to do most jobs himself or with as little help as possible because he only trusted his own work, but sometimes he did hire Tommy for a job to help his brother earn extra money.
"And in return, he lets me eat here for free," Joel finished, wiping the small smudge of red sauce from the corner of his mouth.
"That sounds like a win-win," you joked, and Joel chuckled.
"Tell me 'bout yourself. You said you been workin' at the store for four years?"
"Yeah," you nodded, pushing your empty plate to the side. "It's just meant to be temporary. I'm going to community college three days a week. Trying to get my degree so I can get a job with normal hours."
Joel hummed and leaned back in the booth. "What'dya wanna do?"
You shrugged. "I'm not sure, really. Hoping I figure that out as I go. I just know being a cashier for the rest of my life isn't for me, you know?"
"Yeah, sure," he agreed. "I could ask 'round if you want. Maybe some place is hirin' a receptionist or somethin'?"
"Oh, it's okay," you waved him off with a smile. "I appreciate it, though."
Afterwards, he took you for ice cream. You sat together outside the ice cream stand on a bench. The temperature outside was perfect and the place was mobbed. Kids ran around playing tag while other families gathered around picnic tables, laughing and telling each other about their days while you tried not to stare at Joel licking his ice cream and fantasizing about what that would look like between your legs.
"I wouldn't've pegged you for a strawberry girl," he said, nodding towards your rapidly melting ice cream.
"It reminds me of when I was a kid. My grandma liked to take me out for ice cream when she babysat me and strawberry was her favorite."
He smiled, listening to you talk about your family, getting a brief glimpse into your life, leaving him wanting more.
You thought everything was going so well. The date went perfectly. There wasn't as much awkwardness as you originally thought there would be and Joel was very easy to talk to. So when he dropped you off at your door and you invited him inside, you were surprised and somewhat hurt when he declined after a quick glance at his watch. He only kissed your cheek before telling you have a good night and backing out of your driveway, leaving you confused and a little self-conscious.
"He's probably just a gentleman," Courtney assured you the following day, "wants to take things slow and all that."
And you agreed. Once you had time to process everything, that seemed like exactly what it was, and you began to feel better.
But then Joel took you on a second date, and then a third, and he still hadn't tried to kiss you or make a move whatsoever.
"Maybe he's just rusty," Courtney offered after the fourth date and still finding yourself being shot down. "He wouldn't keep going out with you if he didn't like you."
Once again, Courtney made sense and you agreed he just liked to take things slower than you were used to.
But on your fifth date, where he took you to a baseball game, you misjudged the size of the beers they sold and you found yourself tipsier than you expected. Joel seemed really into the game but turned his focus on you whenever you searched for it, which, as the night wore on and the alcohol buzzed in your veins, became more and more frequent. You would ask him questions about how the game was played, even though your father watched baseball your whole life, just so you could listen to him talk. You looped your arm through his when the game was over and you both shuffled out of the stadium with a whole herd of drunk fans, back out into the parking lot. You tightly held onto his bicep, the feeling of his muscles under you fingertips more intoxicating than the beer, as he escorted you to his truck.
On the drive back to your place, you could feel your confidence building. Maybe he's just shy and doesn't know how to make a move. Maybe he just needs a clearer sign. Maybe he's waiting for you to make a move.
So, when he walked you to your door and he leaned in to kiss your cheek, you turned your face at the last second and locked your lips with his.
You could feel his surprise when your lips met. He froze and stopped breathing as he tried to figure out what to do, so you decided to make things easier for him and draped your arms around his neck, pulling him closer and massaging your lips over his, urging him to reciprocate.
And finally, his hands flew up to your waist and tugged you against him. His mouth began to move and he crowded you up against your door. When your back made contact with the wood and his large palms squeezed gently at your hips, you moaned into his mouth. You had been dying for this for weeks and you would be damned it you were going to let it stop too soon.
Without even asking this time, you reached behind you and fumbled with your doorknob, twisting it blindly without breaking the kiss so you could both stumble inside. He kicked the door shut behind him, tongue licking at the seam of your lips while he brought one of his hands up to cup the back of your head. You granted him access, parting your lips and tangling your tongues together as he continued to walk you backwards. He opened his eyes and glanced around the dark living room quickly before pulling away and whispering one word: bedroom?
The way he said it made your knees weak and your heart flutter excitedly in your chest. You pulled him down for one more kiss before grabbing his hand and practically dragging him down the hall. About halfway to your room, his lips latched onto the crook of your neck and you slowed down, closing your eyes and twisting around in his arms so you could kiss him again. He pinned you against the wall with a groan, his thumb and forefinger clutching your jaw, prying it open so he could devour you. You hooked one leg over his hips and he let go of your jaw so he could grab the backs of your thighs and haul you off the ground.
You tugged at his hair impatiently, then gasped when he ground himself against your core, your body jolting in his arms and knocking a canvas print off the wall.
"Shit," he muttered, barely sparing the picture a glance before peeling you off the wall and carrying you towards your bedroom with your ankles hooked together at his lower back. You giggled against his mouth then squealed when he tossed you onto your bed. His hands glided underneath your dress and up your legs, slipping his fingers around the the waistband of your panties and tugging them down, pausing once he got to your knees. He blinked a few times like he was snapping out of a stupor and glanced up at you.
"Is this okay?"
"God, yes," you said, reaching behind you to tug at your zipper. You tried to shrug off your dress but his lips found yours and you quickly got distracted. You nibbled at his bottom lip while simultaneously tugging at the hem of his shirt, pushing it up over his soft stomach and stopping at his broad shoulders. He broke away just long enough to lean back and toss the shirt over his head and he was back on top of you before you could even drink him in.
You dragged your mouth over his chin, biting and nipping as you went. He groaned as you left open mouthed kisses across his jaw, his prickly beard tickling your tongue. "My dress," you whispered against his cheek before mouthing at the skin there, "take it off."
His palms slid over your shoulders, pushing the straps of your dress down while you wiggled a bit, helping move the fabric down your body. You arched your back so he could pull your dress all the way off, his breath getting caught in this throat when your nipples brushed against his bare chest.
He couldn't resist. When your dress was discarded on the floor, he sat back between your legs to admire your naked body, completely transfixed. Too much time had passed without him saying anything and you grew self-conscious, so you slowly began to cross your arms over your chest, but he stopped you.
"No," he rasped with a shake of his head. "You're so beautiful, just wanna look at you another minute."
Your cheeks flared with heat but you dropped your hands and gazed up at him, watching his eyes flicker excitedly over your body, memorizing every curve and freckle he could find. Out of the corner of your eye, you noticed a twitch in his pants and you glanced down at the outline of his cock through his jeans. You bit your lip and he followed your gaze, palming his erection briefly before undoing his pants.
"Oh," you whispered to yourself when you saw his cock spring free. He wrapped his hand around his thick shaft and glanced up at you as he crawled back up the mattress on his knees. "You're big," you added, unable to look away. He blushed but didn't reply. Instead, he leaned forward and kissed you, this time slower. You shuddered in anticipation when you felt the tip of his leaking cock brush against your pussy and he froze.
"Shit, wait," he grumbled, sitting back on his heels before reaching for his wallet, which was still stuffed inside his jeans. You figured out the problem and leaned over to your nightstand, fishing around in the drawer until you found a condom and held it out for him. He looked relieved when he saw the little foil square and tossed his wallet back onto the ground before ripping open the condom and rolling it on.
"Sorry. It's... been a while. Wasn't exactly prepared," he explained, rubbing the back of his neck awkwardly. The endearing confession just made you want him even more.
"It's okay, come here," you murmured, reaching your arms out for him. He grinned and fell down onto his elbows, kissing you slow and deep. When you felt him rest his tip at your entrance, you tensed up.
"Relax," he whispered in your ear. You slid your eyes shut and snaked your arms around his shoulders, gasping sharply when he pressed forward. When he sunk his teeth into your shoulder, your eyes rolled to the back of your head, the pain mixing with the pleasure in a way that made you dizzy.
"Oh, fuck, Joel," you whimpered when he bottomed out, your body stretching around his girth, the sting setting your nerves on fire.
He groaned against your neck and began to rock his hips steadily, making sure to not go too fast. He could tell you were still getting adjusted but it had just been so fucking long and he liked you so much, it was difficult to hold back. He could feel the sweat collecting between his shoulder blades as he focused all his energy on going slow, and when he felt your thighs relax around his waist and your back arch underneath him, he sighed with relief.
"More," you moaned, pressing your body against his, trying to get as close as possible. He growled and dipped his mouth down to capture one of your nipples, swirling his tongue around the sensitive bud, releasing it with a wet pop and reveling in the sweet noises you made for him.
He wanted to tell you everything. He wanted to tell you how much he thought about you, how long he wanted to ask you out, how he wanted to know everything about you, how nervous you made him with just a simple glance. But he didn't say any of that. It had been so long since he had gone on a date that he wasn't even sure what women liked anymore. So he remained silent, focusing on not coming too soon while paying close attention to your cues, memorizing what you liked based on the breathy whines in his ear and the way your fingers clutched frantically at his hair. You, however, took his silence to mean he wasn't enjoying himself and you really, really didn't want that, so you pushed gently on his shoulder, drawing his attention.
"Let's switch," you murmured, and he gave you a quizzical look. "Why don't you lay back and let me do some of the work?" you explained, nipping playfully at his jaw.
When his head settled into your pillows, watching with heavy lidded eyes as you straddled him before catching his gaze and slowly sinking down, taking every inch of his cock with a low moan, he thought for sure it would be the death of him. You looked so beautiful all spread out and full of him that he had to squeeze his eyes shut so he wouldn't come just looking at you.
Then you started riding him and his eyes flew open, his chest heaving as he watched your tits bounce and your head tip back in ecstasy and he knew he was done for.
"Wait," he rasped, grabbing your waist and stilling your hips. You stopped, swollen lips parted as you panted for air and looked down at him.
"What's wrong?"
"N-nothin'," he stammered, taking a few deep breaths in before chuckling. "I'm just... I need a minute, is all."
You could see the red beginning to stain his cheeks and the look of embarrassment flicker across his face, melting your heart. Leaning down, you cupped his jaw and kissed him tenderly.
"Is that why you've been so quiet?" you asked softly, leaning back so you could look into his eyes but still holding his cheek in the palm of your hand. He nodded, his fingers gently wrapping around your wrist.
"I'm sorry. I haven't been with anyone in years and I've been tryin' to take things slow with you but I think all the buildup just made it worse." You grinned and took his other hand.
"Don't be sorry. I think it's hot," you whispered, pulling his free hand down between your bodies. He splayed his hand out across your lower abdomen and you took his thumb between your fingers, pulling it down so it made direct contact with your clit. You sucked in a sharp breath when you felt the pressure and a slow smile spread across his face when he realized what you were doing.
"Yeah? Why's it hot?" he asked, drawing slow circles over your clit and watching your jaw fall open and your eyes flutter shut. Both your hands dropped to his chest, holding yourself up.
"Because," you began, then bit your lip and moaned when he picked up the pace. "Because it's l-like you c-can't control yourself. Like y-you need me so badly, you can't hold back." You knew it sounded pathetic but you didn't care. His touch was intoxicating and you needed more.
"I can't," he admitted, his eyes glued to your face, taking pride in how good he made you feel. "I can't control myself. Wanted you for so long. Been thinkin' about this for months."
You gasped and your eyes snapped open, locking onto his. "Me, too. I never thought, shit, never thought you noticed me."
"Are you kiddin' me? I noticed you the first day." Now that the truth was out there, the words wouldn't stop coming. "You were wearin' a yellow shirt and I saw these perfect fuckin' tits when you bent over. Went home that night and-"
He stopped himself, wondering if he was going too far, but you dug your fingers into his chest and urged him to continue, desperately gasping for air as his thumb applied more pressure.
"Say it," you whispered. His cock pulsed angrily inside you, begging for release.
"Went home and fucked my fist thinkin' 'bout you."
You groaned loudly and leaned back, grabbing your breasts and playing with your nipples. "Fuck, I'm close, Joel."
"Yeah? Can you ride me, baby? Wanna come with you," he begged, his voice strained. Immediately, you resumed bouncing on his cock, letting go of your tits so you could brace yourself on his chest once again.
He watched in awe as you gasped and squeezed your eyes shut, stilling for just a moment, pulsing around his length as you came, his name and curses tumbling from your lips.
He couldn't hold back any longer.
He grabbed your hips with both hands and slammed up into you, grunting louder and louder each time. And it didn't take long. You had barely recovered from your own orgasm before he groaned, his eyes trained on where you were connected, thrusting as deep as he could go while his cock throbbed inside you.
"Fuck," he whispered, his head falling back limply onto your pillow. You slumped forward and buried your face against his neck, each of you trying to regulate your breathing.
"That was..." you began, trailing off when you realized your brain was still a pile of mush.
"Better than I ever imagined," Joel finished for you, wrapping his arms around your ribs.
Regrettably, he eventually pulled out, making you both wince. You rolled over onto your back and watched as he made his way to the bathroom to dispose of the condom. If you had any energy left, you might have shot off a quick text to Courtney, but you were barely coherent by the time he slipped back into your bed.
You didn't even need to ask if he was staying the night. He pulled you into his arms, his chest pressed up against your back when you fell asleep, completely at ease.
It could have been the beer or the sex, but you didn't hear his phone go off in the middle of the night. You didn't feel him slip his arm out from under you so he could answer the call in your living room, and you definitely didn't hear him quickly dress and leave.
It was finally Friday and you were moments away from calling off from work. The thought of facing him again made your stomach roll and your head swim.
You hadn't heard from Joel since he left in the middle of the night after you slept together, days ago. You foolishly texted and called him multiple times, but he never answered. Eventually, you got the message.
Countless hours were spent crying, then more were spent stalking around your place angrily, and a mixture of the two happened at work when either Courtney or Andy asked you about hot flower guy.
They eventually learned not to ask.
As badly as you wanted to call off, you dragged yourself into work. Andy offered to take over the registers so you could hide in the aisles stocking shelves during the hour Joel typically showed up, and you shamefully took him up on it. But when it was close to closing time and you made your way back to the front, Andy shrugged his shoulders.
"He never came."
You had a moment where you worried that something happened to him and you considered texting him just one more time, but when you got into your car that night and opened your text chain to a long list of unanswered texts, you changed your mind.
However, the next morning you awoke to a handful of texts from Joel. At first, your heart raced in your chest, but then your anger crept up and you had half a mind to just delete them. After you had some coffee and a chance to think clearly, your curiosity won and you opened the texts.
I'm so sorry
Something came up
Can you call me back?
Please let me explain
Your fingers hovered over your screen as you debated on what to say. Then you decided to leave the messages unanswered. At least for a little while. If he left you hanging for almost a week, he could wait a few hours, right?
What you didn't expect, however, was for him to show up at the store on a Saturday. He only ever came on Friday evenings. You were cashing out a customer, zoning out a bit, grateful for the distraction. When you reached for the receipt, your eyes locked with his and your pulse began to race. He was holding a bouquet of white roses and looking at you with a guilty expression. Your fingers froze around the paper momentarily until the little old lady in front of him cleared her throat and you blinked, snapping out of it and handing her the receipt with an apologetic smile.
"Hey," he said, but you kept your gaze trained down at the scanner.
"Hi."
Your hands shook as you scanned his flowers, doing your best to get the interaction over with as quickly as possible. Out of the corner of your eye, you saw Andy at customer service notice Joel in line, watching from a distance in case you needed rescuing.
"You didn't respond to my texts," he said quietly. You shrugged.
"I've been busy," was all you said, tapping the button on the register for credit.
After he paid, you handed him his receipt and forced yourself to look at him. You could see in his eyes he looked exhausted and run down and despite how upset you were, you felt bad. But you felt even worse after he pocketed the receipt and handed you the flowers.
"They're for you."
"Oh," you said, surprised, as you looked down at the roses. "T-thank you."
Joel looked over his shoulder when a young couple began to unload their groceries on the belt. You panicked, not sure what to do or say, and then you felt a tap on your shoulder.
"Why don't you take your break?" Andy offered, "I'll cover."
You gave him a shaky smile, both of you knowing full well you already had your break. "Yeah, okay." Glancing over at Joel, you tilted your head towards the front door and he nodded.
"I'm so sorry I left without sayin' anythin'," he began when you sat down together on a bench outside the store. "There was an emergency and I had to go."
"You could have texted me or left a note," you said sadly, looking down at the flowers clutched in your hands.
"I know, and I was gonna, but my damn phone died and I was in the hospital for days. I was outta town, couldn't leave, I even wore the same clothes the whole time," he rubbed his face and sighed. "And once we got back home, I wanted to explain in person what happened."
"We?" you questioned. He dropped his chin to his chest and nodded solemnly.
"I have a daughter," he confessed, and your jaw dropped in surprise.
"W-what?" you whispered softly, "why didn't you tell me, Joel?"
His eyebrows pinched together, still avoiding your gaze.
"I don't know. In the past, women haven't exactly been thrilled findin' out I come with baggage and I guess I was bein' selfish." He finally looked up and you could see the pain behind his eyes. "I was tryin' to find the right way to tell you but I was so scared of losin' you."
You shook your head in disbelief. "It doesn't bother me at all that you have a daughter, Joel," you told him, "it bothers me that you lied."
He inched forward on the bench and put his hand on your knee. "I know. I'm so sorry. It was stupid. If you gimme another chance, I promise I'll never lie to you again."
Your chest tightened and you had to look away. He was so sincere, you could feel your resolve crumbling. After a moment, you dragged your eyes back up to him and you could swear he looked like he was on the verge of tears.
"Is she okay?"
He blinked rapidly for a moment, surprised by your question, then nodded.
"Yeah. She's okay now. She had appendicitis. She was with her mom last week. She lives an hour outside Austin and I just went right there from your place. Scared the shit outta me," he finished with a dry chuckle. Then something clicked.
"Your daughter..."
"Sarah."
"Sarah," you repeated. "The flowers you bought every week. Were they for her?"
He smiled shyly and nodded. "Yeah. She gets nervous goin' to her mom's still. The situation is a little rocky so I always get her flowers. Whether she's goin' there or comin' back. They make her smile," he said with a little shrug, and your heart melted.
"That's... that's really sweet," you said, looking down once again at the roses he bought you. He watched you closely for a moment then sat back on the bench, scratching his chin and trying to read your mind. Everything was out in the open now. He should have listened to Tommy and just told you the truth from the first date, but he couldn't remember the last time he ever felt so strongly about someone else before.
Just when he was about to leave, wanting to give you your space to think things over, you spoke again.
"So when are you free next?"
Joel exhaled in relief, then laughed. "Tomorrow?"
You bit your lip and nodded, then leaned forward and cupped his jaw, giving him a chaste kiss on the corner of his mouth.
"It's a date," you whispered before standing up. He watched you from the bench as you walked towards the front doors. At the last moment you turned around, the white roses clutched against your chest, and called out, "have a good night."
He grinned.
"Have a good night."
#jettsflora&faunachallenge#joel miller tlou#joel miller#joel miller fanfiction#joel miller smut#joel miller x reader#joel miller x you#joel tlou#joel the last of us#joel x reader#the last of us au#pedro pascal character
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diet pepsi | jjk
summary. stuck in the rain, jungkook can’t resist the sweetness of your lollipop—or the taste of your lips.
pairing: jungkook x reader
genre: established relationship au (kind of?), suggestive
word count: 1.4k
content/warnings: allusions to car s^x / kissing / making out
notes: inspired by this ask. ik i’ve only written for yoongi on here until now, but i thought that jk fit the request better. as always, asks, reblogs, likes, comments and feedback are so so appreciated! not my best work but i hope you enjoy my loves <3333
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The rain had been falling for hours now, in waves so steady it felt like the whole world had dissolved into a haze of mist and water. Jungkook’s car was the only thing cutting through the fog, its headlights barely illuminating the slick pavement ahead.
The city lights blur in the distance, their neon colours muted by the downpour. Inside, it was warm, quiet, with only the soft hum of the engine and the patter of rain against the windows.
You sit in the passenger seat, the candy on your tongue melting into a slow, sugary sweetness. A lollipop, something you had absentmindedly grabbed from the convenience store before you hit the road. Now, you twirl it between your fingers, occasionally taking it back into your mouth, tasting the sweet tang as you watch the rain race down the window.
Jungkook, next to you, is focused on the road. His grip on the steering wheel is relaxed, the ink across the back of his hand disappearing into the shadows cast across his skin every so often.
His eyes flicker in your direction, catching the movement of the lollipop between your lips. Though the movement is subtle, you don't miss the way his jaw tenses, or how he shifts in his seat ever so slightly. His expression is cool, his face unreadable, but a small smirk teases a corner of your lips.
The soft glow from the dashboard casts shadows across his features, highlighting the sharp line of his jaw, the slope of his nose, and the way his tongue darts out to wet his lips.
“Can I have a taste?” His voice is smooth, cutting through the low hum of the engine, playful but low enough to send a shiver down your spine.
You glance over at him, brows raised slightly in surprise by the sudden request. You slide the lollipop out from between your lips, holding it out in front of him with a teasing tilt of your head.
His eyes flicker from the road to the candy, then back to you. “That’s not what I meant.”
Your pulse quickens at the subtle undertone in his voice. The suggestiveness lacing his words isn't lost on you, and something about the way the rain made everything outside feel distant and forgotten made the air inside the car feel thick, heavy with an unspoken tension. You plop the lollipop back in your mouth, swirling it around in a deliberately slow manner, before pulling it out again, this time letting your teeth drag lightly across it.
“Oh?” you murmur, turning your body toward him, leaning a little closer. “What did you mean, then?”
Jungkook shoots you a sidelong glance, his lips curving into a small, almost dangerous smile. He doesn’t answer right away, letting the question hang in the air between you, like the lingering fog outside the car. His fingers flexes against the steering wheel, and you watch the way his knuckles whiten as his grip tightens.
Outside, the rain begins to fall harder, each drop splashing against the windshield like tiny explosions. The wipers move faster, thundering from one side to the other, but it only made the scene beyond the glass more distorted, more dreamlike. The city lights turn into glowing streaks, the world outside reduced to a blur of motion and colour.
Inside, it feels as though time has slowed.
“You’re gonna make me crash if you keep that up,” he mutters, his voice thick with something deeper, rougher.
“Am I distracting you, Kook?” you asked, your voice light, but the challenge in it was unmistakable. You blink at him innocently, failing to hide the cocky smile that draws across your lips.
His hand tightens on the wheel for just a second, and you know you have him. His eyes are still locked on the road, but there's something in the way his breath quickens, the way his body shifts, that tells you he's paying more attention to you than he is to the endless stretch of highway in front of him.
Without saying anything, you lean back into your seat, drawing the lollipop slowly into your mouth again, the sticky sweetness spreading across your tongue. You can feel his eyes on you, a quick glance, before they flick back to the road. The air between you crackle with a tension that feels like it might snap at any moment, and you revel in it.
Minutes pass, the rain a constant backdrop, the car a world of its own. Every now and then, Jungkook would exhale sharply, and you’d catch him watching the way your lips moved around the lollipop, the way your mouth worked the candy with deliberate, languid motions. It's a game, one you know you're playing well, and you can feel him slipping.
And then, just as you're about to push him a little further, Jungkook’s hand moves from the steering wheel. He reaches over, his fingers brushing against your thigh, light at first, but firm enough that it sent a jolt of heat through you. His touch is warm, steady, and he gives your leg a gentle squeeze.
“I’m pulling over,” he says, his voice deeper, rougher now, no longer trying to hide the want simmering underneath.
Your heart skips a beat, a thrill running through you as you watch him steer the car toward the side of the road. The rain hasn’t let up, pouring harder now, but it doesn’t seem to matter. The world outside has already disappeared, fading into nothing more than a wet blur, leaving just the two of you.
Jungkook shifts the car into park, the engine still running, headlights casting faint beams through the thick curtain of rain. He leans back in his seat, exhaling slowly, before turning his head to look at you, his gaze dark, heavy with intention.
“You’re trouble, you know that?” he says, his hand still resting on your thigh, his fingers now tracing lazy circles over your skin.
You smile, a small, knowing smile. “You know you love it.”
He doesn't deny your words, and simply watches you for a long moment, as if weighing what to do next. Then, slowly, his hand slides higher, his fingers brushing the hem of your denim skirt, teasing the skin beneath. The warmth of his touch sends a wave of heat coursing through your body, and suddenly the air inside the car feels too thick, too charged.
Jungkook moves his hand up from your thigh to cup your cheek, and you pull the lollipop out of your mouth just before he presses his lips to yours.
His touch is soft at first, the pressure he puts into the kiss feather light. When he pulls back, your eyes remain shut for a few more seconds. He moves his thumb across the apple of your cheek and your eyes flutter open.
In an instant, his lips return to yours with such force that you freeze for a second. He kisses you roughly, refusing to part from you as if you might cease to exist if he does. His mouth is sweet, his breath tinged with hints of mint, and a small sound escapes your throat when he grazes your bottom lip with his teeth.
Goosebumps rise across your skin as his kisses move along the curve of your jaw, his electric touch leaving you breathless.
You pull apart from him only when you're forced to catch your breath, your chest rising and falling rapidly. His eyes dart across your parted lips.
He doesn’t give you much time to recover, his hands slipping back to your waist, pulling you closer again as if he can't stand the distance between you. His kisses trail down your neck, slow and deliberate, each one more intense than the last. His lips graze over the sensitive skin just below your ear, and you can’t help the soft moan that escapes your lips.
He pauses for a second as you stare at him with eyes clouded with desire.
"Fuck," he groans. "Get in the back seat, baby."
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