#{casually puts this here}

[idyllcy]

class cancelled. see you online - professor!simon riley x professor!reader

In the early years when he first started, Simon didn't cancel class. It was kind of well known at that point. He'd rather spend the class chattering about his wife than cancel class, so imagine everyone's surprise when he sent out the collective email detailing that he was canceling class because his wife was in labor.

What.

He sent them the slides for the day and a previous recording from a while back, letting them know that class on Thursday would be on zoom — a link that he will post onto the class canvas eventually.

He signs off the email with a photo of the baby locked by a password hidden in the slides, and he replies to everyone's congratulations once you're back in the home. He ends up staying back to teach the rest of the term from home because he was taking care of the baby

It was something briefly mentioned on his rate my professor, detailing how Professor Riley had "Moved the rest of our semester online because he wanted to stay home and take care of his wife. How did the school allow this?" and "I for one loved the online classes and congrats to him for finally being a father — 5/5 for my semester tbh" but truth was while the rate my professors ratted him out, his students didn't mention that class was moved online at the time.

So, when he lets his class know that he'll be out for a couple of weeks and moving class online, everyone sends in their congratulations early, earning a furrow of his brows and a laugh from your lips as he reads his emails to you.

"They really read their RMP reviews huh?"

"Sure did. I didn't even mention it this time. I barely talk about our daughter." He hums, hand on your bump as the second kicks at it.

"Well, I think I walked in once or twice." You hum. "Besides, they like it online."

"I do too." He mumbles, pinching at his daughter's cheeks as she giggles. "But most people don't pick up enough when you teach online."

"That's true." You take the berry from your daughter's hand as she hands one to you and presses another to Simon's lips.

"Thank you, sweetheart."

She nods, eyes glued back onto the screen as you glance at the recent check-up results.

"You bet Johnny's gonna cancel class too?"

"Heard he already told his students."

"Crazy."

[6okuto]

Hi, I really love your headcanons for Touchstarved, they’re so great!! If it hasn’t been requested yet, may I please request Leander falling in love headcanons?

LEANDER FALLING IN LOVE

gn!reader | thank u!!!! \o/ es leander time :-]

don't know how to describe this. for ais + vere + kuras, romantic feelings develop somewhere in the process (ais and vere generally love being little shits so they could've liked you from the start.) but for leander, it's clear he's kinda into you from the beginning. LOL

this doesn't necessarily mean the relationship will develop super fast! leander pays attention and keeps a pace you're comfortable with, though he doesn't shy away from your flirtations (might be surprised, but then he'll smile/laugh and flirt back) or physical touch if you go for it. he loves it even!

one moment is him wooing you with magic...again... another flower! multiple, even! little fireworks! stars! a trail of flickering lights where you find him waiting for you at the end! you can show you're genuinely touched or tease him about it (is a lot of your job doing little magic shows? / is a flower the best you can do?) and he says he'll do something even bigger next time

another moment might be you taking charge in some way. telling him to back down/up, defending him, asking to take the lead for one of your adventures. it isn't often that leander's offered the option to be anything but a leader, much less told not to be. he offers advice but generally follows your lead, and is it weird for him to say that it was really attractive when you told that guy to pay attention to you, not him?

it all just seems too good to be true, he's too good to be true. so you're wary, even if you do really really want to get close or kiss him etc etc. and leander can tell, of course, so he'll just keep trying to prove himself to you

there has to be a moment where you find out how and why he does things for free—why he's the renowned leader of the Bloodhounds. that's not for me to figure out though! i am not a theorist [heart emoji]

But :3 I will offer :3 leander protecting his people above ground isn't a rare sight. leander getting super ticked off or cold is. he's all but mastered his charm and negotiations, until you're involved, and the bloodhound leader might resemble his rumors more in that moment :3c

he doesn't really run from his feelings? he knows he likes you, and that you like him too, so he doesn't see a reason to beat around the bush there. the problems lie with his gang business and possible necromancy if the theories are true, so we'll have to see about. That because there could definitely be some kind of fight or confrontation between you two depending on what he's doing

but anyway. when the time finally comes, he tells you being with him will put a target on your back, but he promises to protect you, even more so than he has been.

plus! he hasn't taken you on a proper date yet! you didn't think hanging out at the bar or looking for books or sneaking into buildings was the best he could do, did you?

! having a hard time choosing how everyone finds out he has a partner now. he could make an announcement at the wet wick if you're comfortable with it, making your spot in the gang official. it could be that people were already gossiping/betting on when it happens, and when he kisses your temple at the bar someone sees and cheers. it's really up to you! i think he's happy with whatever you'd like :3

so! leander's into you. when does he realize he's In Love with you

because i don't think he really had a Serious Relationship in his plans LOL. and that's nothing against you!! he regrets nothing!! it's just... there's things to figure out, priorities to be made, long term plans that have to be accounted for

i'm kind of imagining like. an oh shit moment. he may not say that but the emotional impact is that level

yes he was always interested in you, but it's obviously getting more serious, because he's thinking of the mundane? if that makes sense. like it isn't just that he likes holding your hand or kissing you, it's that he imagines it when he's tired and uses the thought of seeing you again as comfort. it isn't just that he'd love to wow you and take you on a date, it's that he's wondering if you'd mind going on some errands with him. he's fitting you into every area of his life in his head rather than trying to keep you separate

and at some point it just clicks in leander's head.

he can be the one to say it first! might even be the same day he realizes. you're taking a nap and he says "i love you," just to try it out. it feels a little weird but not unwelcome, and now he has to figure out when to say it while you're conscious LOL

if you say it he [ ! ] [ :) ]. maybe sighs and makes a joke about you beating him to it, but says it back sincerely :3

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[deuynndoodles]

[id: two hannukah themed sketches featuring the main trio from danny phantom.

in the first, the camera is outside a window, looking into a cozy living room with the fireplace roaring. several menorahs lay on the windowsill. closer to the viewer, tucker holds a shamash and waves his hand erratically; sam laughs at him. an arrow declares that he's "on fire". further down the windowsill, danny floats in phantom form, lighting his menorah with ectoplasmic fire.

in the second, sam and danny sit on the floor, playing dreidel. tucker sits in a chair, watching them, eating a sufganiyah. there's a large pile of gelt in the pot, while sam and danny only have a couple pieces. a plate of sufganiyot and latkes sits next to danny. sam grins, ג (gimel) announcing her as the winner. danny looks at her, deadpan. end id]

happy hannukah!

[abirddogmoment]

today's hot take for dog people: management is not the same thing as training.

[loganslowdown4]

“This is a strong powerful force that may be dictating Thomas’ actions from here on out—“

—Roman

Thinking about this line because of its said so casually in the Virgil Reacts video. It’s interesting because I’ve always had this theory that even though it’s Patton in the main storyline who ultimately makes the final decisions for Thomas based on what he needs, Virgil probably the most powerful side when it comes to influencing those decisions, or makes them in Patton’s absence—

Like Virgil made the ultimate decision to get Thomas to talk to Nico—

And the whole ‘staying home to watch frozen thing’—

Or the ‘black cloud of fear’ and turning out all the lights with a finger snap-

And you know, the tempest tongue and smashing Thomas’ phone—

Yeah, the dude likes flexing that he used to be a dark side before he even announced he was one, right?

[jamietwat]

Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead

And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all

Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best

Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”

And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”

And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with

[mixelation]

I was reading through Tori and Minato’s tags and realized I don’t get how seals work. Went to read the wiki which explained almost nothing and now I’m several forum and reddit pages deep and idk what to believe anymore. Did they explain it somewhere in the manga or am I stupid

no, there's barely any canon explanation. we know minato was a master and that kushina taught him. there's a lot of chatter about the difference between fuinjutsu and a "jutsu shiki" (technique.... formula?), with the hiraishin markers being canonically referred as the latter rather than fuinjutsu, even though they appear to be.... seals. and a certain genre of fan will be an absolute ASSHOLE to you if you get these two concepts confused, even though canon does not explain either or what the difference is. also sometimes you have to draw a seal and sometimes you just slap your hand into something and the seal just happens. one time i was watching one of those videos that's just some guy explaining anime lore and he was like "i don't even know how [minato] did that." in a lot of fics fuinjutsu can do literally anything if you study enough

for tori, she does need to physically draw the seals. i have not decided anything about what "slap your hand down and make a seal" even IS because what the fuck, but i guess minato and kushina can do this so maybe mutagenicity!tori will learn eventually. but anyway, for the toriverse, fuinjutsu is a set of written instructions for moving around chakra within the defined area of your seal. i decided they can't do nature transformations, but otherwise they're basically just doing ninjutsu in written form. there's limits, like not being able to adjust the jutsu mid-execution like you would for normal ninjutsu. they are useful in that they can theoretically allow for finer control and therefore more complex jutsu than one might be able to perform in their body, but the cost is that they're harder & less intuitive to learn how to do and also a pain to set up. another advantage is that you can set one up and just walk away, which is why they're primarily used for suppressing/confining chakra, ninja, and tailed beats. the disadvantage here is that unless you do something extremely skilled and/or creative, the seal will eventually run out of chakra and then stop working. this is why tailed beasts have to go into people; jinchuriki are self-maintaining chakra batteries for the seal holding the tailed beast.

in the toriverse, hiraishin markers are technically seals but they're not the entire technique. they're little seals which are designed to simply indefinitely move the user's chakra around and nothing else. for a proper marker, the seal has to be "absolutely perfect," meaning it's 100% efficient in chakra use and never loses any chakra. designing something like requires an in depth understanding of individual level chakra properties-- not everyone's chakra functions exactly the same! minato had to develop a new type of marker that suited his own chakra and couldn't just copy tobirama's. this is one contributing factor to why more people don't just learn hiraishin. the other factor is that the technique itself is also hard: once you have your marker, you have to learn the jutsu to throw yourself through space to that marker.

for mutagenicity, i wanted tori and minato to have opposite approaches to hiraishin. minato is a genius so the technique side wasn't too difficult, but it took him a while and kushina's help to develop his marker. meanwhile tori just makes up similar markers for fun as practice, but she's not naturally good at ninjutsu so learning the technique is extremely challenging for her.

late game tori is ~scary~ in that she gets really good at working around a lot of perceived limitations of fuinjutsu, mostly because any actual ninja would just stop and use ninjutsu. tori can set up fuinjutsu on the fly and is good at working with unideal conditions, like drawing on uneven surfaces with substances that aren't ink. she figures out how to use chakra that isn't her own, including nonhuman chakra. she's really, really good at using fuinjutsu in ways people aren't used to having to deal with.

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[comradekarin]

taylor swift fans constantly setting that woman up by comparing her to black artists and saying she’s better than them is super funny,, like they very seriously think that she is leagues above BEYONCÉ or MJ as if swift’s whight mediocrity isn’t the root cause,,,, but here’s the kicker… let you say that Beyonce is the better singer, or dancer, or has better production, or more of a cultural impact… “oh, let’s not compare two queens who are killing it in the game” shut the fuck up- white feminism is a disease. this is my spirit when y’all fr bring up that whight woman:

[lighthouseshepard]

oh to have someone to sit next to so i can rest my head on their shoulder while we watch the rain together

[tevintersnakes]

Some downtime doodles in my weekend

[ultrabooob]

people giggle about bojan’s clothing and outfits but at least he’s learnt to dress for his proportions

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories 🌼🌈❇️

CW: Light Spoilers for L. Frank Baum's Oz book series (books 1-15) and major spoilers for Return to Oz (1985). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Overblown Analysis Under the Cut ↓

As a huge Oz nerd, I and many others have noticed many Oz media parallels in Taylor's music. I wanted to piece together some I've seen mentioned and some I've noticed myself. More things could pop up as time goes on, so I could imagine me editing or making a second part to this post if necessary.

Part 1: Rainbows 🌈

In the 1939 film, Dorothy's home, Kansas, is portrayed as a dreary sepia or greige color, that way the contrast to the gorgeous technicolor of the land of Oz could be even more effective on the audience. Somewhat surprisingly I guess, this sepia color is reflected in the book, with Kansas being described as "the great grey prairie" and even W. W. Denslow's original illustrations of Kansas being colored in greige; the pages don't include more color until Dorothy is swept into the cyclone on her way to Oz.

So many of Taylor's lyrics describe events turning her world from colorless to colorful or vice versa. "The rest of the world was black and white // But we were in screaming color" from "OOTW", "You showed me colors you know I can't see with anyone else" from "Illicit Affairs", "If all you want is gray for me // Then it's just white noise, and it's my choice" from "BDILH", "Like a rainbow with all of the colors" from "ME!" turning into "I'm just... in shades of greige" from "The Prophecy", etc.

For TTPD, from a gaylor perspective, the sepia and greige theme of the album is supposed to reflect that for Taylor the closet is colorless and sad. It also invokes old Hollywood and how closeting is an old-fashioned practice figuratively and literally. Closeting is a practice based on outdated mindsets and fears and it's been a practice since Hollywood as we know it today was beginning to be established. MGM Dorothy actress Judy Garland was in at least one lavender marriage and might've been queer herself, but the latter isn't as confirmed as other victims of closeting of the time like, say, her husband Vincente Minnelli. Taylor often utilizes vintage imagery in her music, romanticizing it, but the song "TTPD" (and other points in the album) calls her out for it with her lover having to remind Taylor that they are living in modern times despite being held down by old-fashioned ideals. The Wizard of Oz (1939) film is arguably the epitome of old Hollywood nostalgia, so it makes sense for Taylor to use it as a way to tell the story she wants to tell, especially if it's a queer one since Oz is very special to a lot of queer people.

For what it's worth, Ashley Park performed the film's song, "Somewhere Over the Rainbow" on The Drew Barrymore Show in what looks to be the Christian Siriano rainbow dress. Fun! Curiously, I can't find a video of this performance, I just happened to stumble upon this GIF on giphy.com and an article talking about the performance.

As an extra tidbit, in the Oz books, the rainbow is personified in the character Polychrome, the youngest daughter of the rainbow. She happens to be featured in one half of a certain famous quote from The Road to Oz. Polychrome comments, "You have some queer friends, Dorothy," to which Dorothy responds, "The queerness doesn’t matter, so long as they’re friends." This quote is theorized to be the inspiration for the phrase "friend(s) of Dorothy" in queer slang. And it's nice to have a friend like Dorothea, of course. Speaking of which...

Part 2: Dorothy and Ozma 🌪️🌺

Dorothy Gale needs no introduction, but I will give Princess/Queen Ozma one since she's a more niche character. Ozma is the rightful ruler of Oz. The "Wizard", Oscar Diggs, was not meant to rule over Oz. He went to great lengths to usurp the throne from Ozma's father, Pastoria, and hide Ozma away as a baby, dumping her on a witch named Mombi, who enslaves her and disguises her as a boy named Tip so she and others won't know her identity. She learns the truth about who she is and takes back her throne in book 2, The Marvelous Land of Oz (This backstory is why Ozma is a trans icon, along with a sapphic one). Ozma and Dorothy meet each other in book 3, Ozma of Oz, and are inseparable from there on. A common queer interpretation of Oz sees Kansas as like the closet and Oz as being out and free. A part of why the queer interpretations of Oz work particularly well in the books is because in The Emerald City of Oz, Dorothy and her Kansas family move to Oz permanently when Kansas stops being liveable for them. So Dorothy becomes the second ruler of Oz and Ozma's "constant companion" at Ozma's "proposal", as L. Frank Baum describes it. Dorothy is the only person allowed in Ozma's bedroom unannounced, which is cutely domestic. Baum's story and John R. Neil's illustrations of the two often depict them as being very close, holding hands, and kissing. It's not really knowable if Baum intended for it to be seen this way, but many modern Oz book fans see them as a couple.

Naturally, there's the theory that Taylor's song "Dorothea" is about Karlie, as well as the fact that Karlie dressed up as Dorothy for Halloween 2023 and did a partly-Oz-inspired photoshoot in 2010, among other Oz-themed things. Also, after the first book, Baum had a falling out with Denslow and appointed a new illustrator, John R. Neil; Neil's design of Dorothy sports a blonde bob, which reminds me of the "Karlie Kut" a bit, even if that's coincidental. Since the Karlie as Dorothy theory is pretty well established, I want to forward a theory about Taylor taking on the role of Ozma.

For starters, Taylor wears a gingham green dress in her music video for "Karma (ft. Ice Spice)" as she skips and sweeps down a yellow brick road in red shoes, looped braids, and lemon beret. This outfit is a bit perplexing, as while it seems very Dorothy-inspired, it actively makes itself just different enough from how Dorothy is illustrated in the first Oz book and seen in pop culture. It could be suggested that this is for copyright reasons since 1939 Dorothy is not in the public domain yet and using that likeness would require making a payment. However, thanks to the book specifically describing/illustrating Dorothy as wearing blue and white gingham and pigtail braids, these features can still be used, as all of Baum's Oz novels are in the public domain. Oddly, the only potentially copyright-able aspect of Dorothy's costume is the one that Taylor kept, the ruby slippers exclusive to MGM's '39 film, since in the book Dorothy's shoes are silver. So why were all these unnecessary changes here?

My main theory is that Taylor is subtly invoking Ozma in a way that would still be recognizably Oz-ian, as I don't think most people would catch on to the Oz reference if Taylor dressed as a more accurate-looking Ozma. Hence why the gingham and red shoes are present even though Ozma is never described as wearing anything like that. Ozma is often depicted in long flowing white or green dresses. And while Ozma's hair is usually free in Neil's illustrations, her hair is sometimes tied into a bun, and Taylor's looped braids seem to be in the same family as a bun (I don't know how else to say that, I hope you get what I mean...). The lemon beret is hard to explain. As far as I know/can recall, lemons have never played a major role in any Oz media, so my guess is that the hat is meant to match the yellow brick road or maybe slightly invoke the fighting trees from the film and book. Since Taylor's outfit is similar but not the same as Dorothy's, it could be interpreted as Taylor dressing as someone adjacent to Dorothy, or a friend of Dorothy's, and Ozma would definitely fit that title. Ozma is also a fairy, so this also lines up with my Taylor is the beast to Karlie's beauty theory, since a fairy is a creature. And as the small, coincidental cherry on top, Ozma was originally described as blonde like Taylor in the story's text, despite the fact that Neil always drew her as a brunette. Dorothy's appearance outside of her clothes is rarely if ever given, that way anyone could see themselves in Dorothy, her design not mattering too greatly. The only clue to her physical looks is in the illustrations, but the consistency changes over the Oz series when it comes to Dorothy's design, so again it doesn't matter. Kind of like how, whether a song has male pronouns or not, it’s always describing Karlie, the "design" of the muse not mattering. And it actually does make some sense for Ozma to have the ruby slippers, even though she never had them in the books, but more on that in the next part. If Karlie is Dorothy, Taylor is Ozma.

An alternate, more flimsy idea is that Taylor is dressed as Dorothy in her green dress returning to the Wizard with the wicked witch's broom as proof that she melted her. However, this doesn't quite work for me personally, as in the film, Dorothy never got a green dress from the Emerald City. And while book Dorothy did get a "green" dress, she never had to bring the witch's broom to the Wizard and her dress wasn't actually green but white; it only appeared green in the Emerald City due to the green spectacles everyone was tricked into wearing by the shamming Wizard. And of course, book Dorothy's slippers weren't red like Taylor's, but silver. Maybe I'm being too particular, but to me, the details of the two titular versions of Oz make this idea weak.

Another idea is that Taylor is dressed as an amalgamation of Dorothy and the witch, which is definitely an interesting thought. In the 1st book, both Dorothy and the witch have no magic of their own and need to obtain magical items, like the silver shoes or the golden cap. But the difference is that the witch uses her power to do evil while Dorothy doesn't know the power she has, even by the time the shoes get her to Kansas again, as they presumably could do way more than that. The idea of Taylor combining the two is interesting, but again the red shoes put me off.

I think the Ozma theory works the best (and I think it's the cutest).

The story of Ozma being unrightfully taken from her throne and hidden away from everyone and herself reminds me of many stories told through Taylor's music. Lyrics like "I (I) don't (don't) like your kingdom keys (keys) // They (they) once belonged to me (me) // You (you) asked me for a place to sleep // Locked me out and threw a feast (what?)" from "LWYMMD" and trapped imagery in MVs like "Willow" feel somewhat reminiscent of that story.

Taylor isn't any kind of genderqueer as far as anyone publicly knows for sure, but Taylor definitely seems to have no problem with aligning herself with masculinity and taking on male roles. Take things like the wonderland photoshoot (Lordy! 🤭), Taylor semi-confirming she's Folklore's JaMEs, "The Man", "Peter", and maybe etc. Ozma being a girl but forced to present as a guy for years could be seen as similar to Taylor having to paint some of her songs about women as being from a male perspective, or some songs never being officially said to be from a male perspective being assumed to be so anyway, like "Question...?"

One more small parallel between Taylor and Ozma: Ozma is often pictured as wearing two poppies, one on each side of her head, seemingly in her hair or connected to her crown. Reminds me of "Say a solemn prayer, place a poppy in my hair" from "The Great War".

Part 3: Return to Oz 👠

Return to Oz (1985) is an unofficial sequel to The Wizard of Oz (1939) made by Disney. It takes the stories of The Marvelous Land of Oz and Ozma of Oz and combines them into an original story. At least in America, this is the only feature-length film to feature Ozma and attempt to vaguely adapt the novels more closely. (Context for RTO photos in the image descriptions, which is the case for every image and GIF on this post because why the hell not)

Return to Oz adds a setting that wasn't featured in any of the Oz books: a mental hospital. Aunt Em and Uncle Henry, concerned that Dorothy isn't sleeping and won't stop insisting Oz is real, send Dorothy to a mental hospital in an attempt to get her help (not out of malice). As we know, TTPD features the theme of asylums prevalently. The treatment chosen to help Dorothy is electroshock therapy, similar to Taylor receiving electroshock therapy in the MV for "Fortnight". In "Down Bad", Taylor says, "They'll say I'm nuts if I talk about the existence of you", just like how Em and Henry thought Dorothy needed psychiatric help when she talked about Oz being real.

When Dorothy stays over at the hospital for treatment, a character named Nurse Wilson (Kansas doppelganger of Mombi) escorts her to her room; Nurse Wilson wears a black dress very similar in style to Taylor's black dress from "Fortnight".

When the power goes out and the electroshock therapy isn't given a chance to begin, a fellow patient revealed later to be Ozma helps Dorothy escape the asylum by freeing her from the bed she's strapped to and bolting with her. Ozma and Dorothy slip into a river while running away, in which Ozma finds an abandoned chicken coop for Dorothy to ride through said river to Oz, Dorothy fearing Ozma drowned during the process until the end of the film. This is similar to Taylor and Post Malone's character escaping the asylum after Post cuts the power in "Fortnight". Ozma unstrapping Dorothy from her bed is similar to the nurse who unchains Taylor from the bed in "Fortnight", theorized to be played by Karlie herself. And Ozma finding the coop for Dorothy to ride away on is reminiscent of Taylor clinging to her piano in "Cardigan". Clinging to something when in rough water is common imagery, so it could definitely be coincidental, but I thought I'd mention it.

In this film, Ozma is trapped in a mirror by the witch Mombi, reminiscent of Taylor depicting herself as trapped behind glass closets in numerous MVs. After Dorothy saves Oz, she is the one to free Ozma from her glass prison by touching her hand and guiding her out of the glass, similar to Post and Taylor in the last scene in the "Fortnight" MV. Ozma in the mirror behaves like Dorothy's reflection, which reminds me of Taylor having Post's tattoos when she wipes her face in the mirror as if to say she's a reflection of his character.

Dorothy gives Ozma the ruby slippers before leaving Oz (Disney paid for the right to use them). That could help to explain why Taylor wears the ruby slippers that Ozma never had in the books if she's truly dressed as Ozma. And notably, when dressing up as Dorothy for Halloween, Karlie wore a full Dorothy costume, except for the ruby/silver slippers, arguably the most important part. As if Karlie was in "Kansas" and gave Taylor her shoes.

Dorothy chooses to return home in the end, but Ozma gifts her a way for them to communicate: through her mirror. This way Ozma can watch over her and when Dorothy wants to return to Oz, Ozma will make it happen. I've mentioned the parallels with the glass closets, but this also reminds me of "A tiny screen's the only place I see you now" from "Dorothea". In the book and '39 film, Dorothy uses her shoes to get back to Kansas, but in RTO, they are presumably going to be used to get Dorothy back to Oz when the time is right. So maybe after Taylor potentially comes out she will use Karlie's ruby slippers to sweep into the rescue and save Karlie from Kansas/the closet and back to Oz/freedom with her. Outside of RTO, it could also work the other way, with Taylor using the shoes to go home, especially with all the lyrics Taylor's had about returning home to/with her lover. Kansas doesn't represent anything bad in the original story, so it's possible that Kansas isn't a debilitating cage/closet, just home where you feel safe with the ones you love. Ozma also encourages Dorothy to keep their communication secret. Dorothy wants Aunt Em and Uncle Henry to know of Ozma, as she calls for Em to come and look as soon as she summons Ozma. But Ozma seems to see it as best kept quiet, no exact reason given to the audience from what I can tell, but it's understood by Dorothy and Ozma themselves. Pretty similar to Kar and Tay maintaining their closet for reasons we gaylors don't fully get to know, at least not yet.

(I didn't know where to put this little factoid, but in this film, the only times Ozma really smiles is at Dorothy. It's not important, just a bit cute and sad.)

And as a bonus for you Spade riddle fans out there, when Dorothy meets Ozma in the hospital, Ozma gifts Dorothy a pumpkin because "it's Halloween soon". The pumpkin is a Kansas doppelganger to an Oz character called Jack Pumpkinhead, who calls both Ozma and Dorothy "Mom" because Dorothy saved him from Mombi and Ozma built him and brought him to life. A bit reminiscent of Karlie and Taylor having Levi and Elijah if you ask me. I'm admittedly not a huge riddles person because it goes a bit over my talents, but I think they're intriguing and I'm curious if the riddles and Oz/RTO together would mean anything.

There's debate on whether Post's character is supposed to represent Taylor working with herself to get free or Karlie. I think it could be either or even both in a convoluted way. I like both theories. If "Fortnight" is based on RTO, the roles of Ozma and Dorthy seem switched, with Dorothy rescuing Ozma from the asylum. However, the tattoo mirror scene suggests that Taylor is mirroring Post's character, or playing him, and if that's Karlie, maybe the MV could be seen as Taylor playing Karlie in a sense since they're "twins" whose pasts are "parallel lines", while Post is either playing Taylor or Karlie; they are one and the same. The MV is really interesting to ponder in general.

Part 4: Miscellaneous Oz Connections ❇️

Lightning round (filled with tons of reaches)! ⚡️

In the "ME!" MV, Taylor and Brandon running up to the green building with a rainbow beam on it whilst in green marching band outfits looks similar to Dorothy and her friends running toward the Emerald City in the '39 film.

The all-pink soldiers in the marching band scene of "ME!" remind me of Glinda's all-female red army in the books.

In "loml", Taylor sings "The coward claimed he was a lion", a reference to the cowardly lion.

The men in the "ME!" MV falling from the sky with umbrellas reminds me of Dorothy and her cousin Zeb falling through the sky with an umbrella down to Oz in Dorothy and the Wizard in Oz.

Taylor might've been in a Wizard of Oz play at her school in 2006. The linked post doesn't give too much evidence admittedly, but I think it's worth saying that the play at least happened at her school.

I wasn't sure where to put this mini-analysis, but I think it's interesting that Taylor associates Dianna Agron with Wonderland and Karlie with Oz and the differences that could suggest. Alice and Dorothy go through similar adventures, but the two go about them very differently. Dorothy adapts to Oz very quickly and loves it there, enough for it to be her second home. Meanwhile, Alice certainly doesn't enjoy Wonderland as much as Dorothy loves Oz, itching to get out and stay out. Dorothy is very active in her role, making friends and changing Oz forever, while Alice passively goes through the motions and lets things happen before escaping to the next thing. It seems like Baum wrote the Oz books to give children lessons on friendship, feminism, and more, while Lewis Carroll wrote the Alice books with the exact purpose of saying nothing and giving birth to the genre of "nonsense writing". And Wonderland is definitely a dream in the original two novels while Oz is a very real place in the books. I know the associations seemingly have to do with the muses’ actual taste in fairytales, but I wonder how the differences speak to the story Taylor’s spun in her music about them. Assuming both Oz and Wonderland are freedom to some degree, does Wonderland being temporary speak to Taylor and Dianna as a couple, while Taylor and Karlie are still ongoing IMO, just like the Oz book series to this day (Canonical Oz books are still being written by different authors. There’s 40+ of them)? Is there something in the fact that Alice’s Adventures in Wonderland is an English fairytale and The Wonderful Wizard of Oz is considered the first American fairytale, and Karlie convinced Taylor to stay in America and live in New York rather than London where Dianna was? Do Alice and Dorothy’s different reactions to their discovered worlds speak to how both Karlie and Dianna feel about closeting vs being out or maybe how they feel toward Taylor in some way? I genuinely have no clue, but it's some interesting food for thought. (This isn't Dianna, Swiftgron, or Alice's Adventures in Wonderland slander btw, I don't know enough about Swiftgron besides the basics to do that.)

In Conclusion 🌼

I have no way of knowing if Taylor has even read the Oz books, seen Return to Oz, and knows all this information, but I think it's fun that these connections are there. If there are more connections you thought of or ones that you think I missed, let me know!

Thanks for reading!

[hanzajesthanza]

ida emean is the most mysterious witcher character to me. like she literally just showed up from the blue mountains (i thought the elves were starving up there last time we checked) (also last time we checked the elves which lived in the blue mountains wanted nothing to do with humans ever and that’s why they live in said mountains) (like filavandrel whom sapkowski said intentionally never showed up again after time of contempt because he was an old and wise elf that could not be fooled and was not persuaded by the nilfgaardianian bequeathing of land)

and she just shows up as francesca findabair’s plus one to the who run the world girls meeting. you know. which contains humans. and then her only thing is that she’s an elf. she showed up. and oh yeah she fucking slayed that shit so hard not wearing any stones or metals at all in her jewelry in a daffodil dress. and her red hair. of course. but her dialogue is basically just: “yep confirming that’s magic” and “you are being a bit racist don’tcha think”

but the thing that REALLY makes me throw my hands up here is that she’s an AEN SAEVHERNE ?? literally a title we know best from it also belonging to LARA DORREN and AVALLAC’H?? but she was just hanging out with francesca in dol blathanna like going over to her friend’s for tea, when it is said even among the elves it’s rare to known an aen saevherne. so what relationship do they have that… ? dunno.

and but of course, because she is an elf, she is aloof, taciturn, and inscrutable as all hell and so we learn practically nothing about her.

[creatively-cosmic]

i completely forgot to ever put anything abt him up here please enjoy the dragon master (as seen in missing numbers). weve been struggling to work out his design so bad but we did the last two sketches tonight so ig that's the most up to date for his hair and scars. the first one is the current colors tho