#{Anyways sorry for dying on you guys}

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[stefisdoingthings]

ark aftermath

[queeniehostapasta]

Brief summary: Tiny bloody,beaten gremlin man hallucinates of his future wife before he gets revived or something because why not…

Again, cannot name the painting because crediting the artist and source suck on Pinterest, but I literally thought of them when I saw this!!!

[ashpkat]

i can’t believe octavian died like… that. of all things in a middle grade kids books series. and everyone was chill about it. literally no one gaf octavian died so horrifically even if it was ‘just’ —and as the readers… we were chill with it too

[lycanlovebites]

You know what? Fuck you *hits Father Ardelian with the shoujo filter and babygirlifies your priest*

@stjohnstarling

[lunarharp]

revamped looong mermaid orufrey au :')

[phoenixkaptain]

Okay. I’ll write an actual analysis.

A Lonely Place of Dying does a few things, storytelling-wise, that are actually incredibly impressive. Like, I figured it out and I was so excited.

First, we don’t see Tim. Not in part 1. All we see is glimpses. His hands as he puts away his camera. His feet as he runs away from Starfire’s apartment. We only see small parts of him, leaving him shrouded in mystery, which leads into part 2, where he’s represented by a shadowy figure on the cover.

The Titans, but especially Starfire, are all worried about the small child looking for Nightwing. This kid knows Nightwing’s name, knows where he lives, nd has a very conspicuous camera. I’d be worried too! So of course, from the Titans perspective, he’s an intimidating opponent that they don’t understand. (Especially since I’m like ninety percent sure Tim isn’t actually the one they’re looking for. Like, I think it was just a happy coincidence that the most suspicious child on the face of the planet happened to show up at the same time as the actual problem.)

We don’t see Tim’s face until just under halfway through part 2. And the first thing they show us are his eyes. He’s searching for Dick, even among all the pandemonium, and it’s only upon him finding Dick that we see his whole face.

Tim’s eyes are important. They’re an important part of his character in this storyline. Because Tim sees things. He sees through Bruce, he sees through Dick, he sees through Alfred even. He’s always looking.

And this is compounded when he explains how he knows what he knows in part 3.

We see child Tim Drake at the circus. Tim says this to Dick “…I kept staring at you…” and this “I remember waiting for you to go on. And then, when you did, I just sat there and watched.”

On the next page, he says, about Dick’s parents’ deaths, “I turned away… I couldn’t watch. Then I heard you crying and I turned back and I saw you holding onto them, and I began crying, too.”

Page 11 has his monologue about seeing Batman for the first time, and how he thought Batman would hurt Dick, but what’s important isn’t the dialogue, it’s the panels. They focus on the realization of Batman being safe, entirely through Tim’s eyes. He’s panicked and scared, then slowly relaxes. We see it all, because Tim sees it all.

And it’s THIS. Tim started the story by finding Batman, but he starts his story by beginning to look for Dick. Us seeing Tim seeing Dick is a direct parallel to us seeing Tim seeing Batman with Dick. Tim’s story starts by him staring at Dick, unable to look away. And when we see him for the first time, he’s looking at him again, still unable to look away.

Throughout the story, Tim is constantly looking at Dick. Yes, this is mostly because he’s talking to Dick, but even at the end of part 2, when Dick is being congratulated by Haly’s Circus members and isn’t paying attention to Tim at all, Tim is still watching him.

Why is there so much emphasis on his eyes? I’m so glad you asked- IT’S VISUAL STORYTELLING BABEYYYY.

Tim’s most important role in A Lonely Place of Dying is as a third party. He cares about Bruce and Dick, and he knows them a lot better than they might think, but he’s still a third party to them. They don’t know him. He’s someone who’s been looking in on their lives for ten years.

He’s. A. Voyeur.

The emphasis being placed on his eyes cements this. Dick, Alfred, and Bruce are all put off by him at first. He knows too much, he doesn’t offer much information on himself until he’s forced to, it’s almost uncomfortable how much of a stalker this thirteen-year-old manages to be. He’s a voyeur, watching their lives, unnoticed by any of them, and that’s a bit unnerving! I don’t blame Dick for being unsettled by him, he’s weird!

And, his eyes as a child watching Dick to his eyes as a preteen finding Dick. They’re connected. A perfectly linear story, just told backwards. It’s really very satisfying.

Now, point two. The question we all have. Is Tim a stalker?

Short answer: yes.

Long answer: yes, but I’ll explain.

Tim begins the story by taking pictures of Batman fighting Ravager. The narration mentions someone calling in a tip to Gordon about Ravager’s location, which is what led Batman to this point, and I’m on the fence over whether or not Tim was the one who called in. On one hand, it would make a lot of sense. Ravager is part of a bigger ploy by Two-Face, and we find out in part 2 that Tim knows Two-Face is behind the trouble. It would also explain how Tim found a spot to set up his camera for a good portion of the fight. And, it isn’t like Tim wouldn’t know Gordon’s phone number. On the other hand, it’s never explicitly stated who called Gordon, so assume what you will.

Part 1 actually shows us a glimpse of Tim’s collection of photographs. It’s huge. Most of them are obviously newspaper clippings, but a few are just pictures (I assume on photo paper because the edges are cleaner than the newspaper photos). Tim says, in part 3 “You know, since I was able to read, I clipped every article on Batman and Robin.” We admittedly don’t know when Tim learned to read, but he’s thirteen and says he gets mostly A’s, so I’m assuming he probably learned in preschool or kindergarten, around the age of 3-5. That’s a lot of newpaper clippings. We only see his more recent and his most stalkery ones, so who knows how many more he has?

There are only a few points in the story where we see that Tim is genuinely emotional about anything. For the most part, he is calm. He smiles a lot. He doesn’t use a lot of exclamation marks. The only times he does use exclamation marks are when he’s monologuing (internally or externally) about how great Dick is or when he’s trying to make a point. The only time we see him get visibly distressed is when Dick ignores him about Batman needing a Robin.

I don’t know how to stress upon you that Tim only cries that one time. Tim almost dies three times in this comic. He went to his second circus and another person died. His idols both berate him and talk down to him (although Dick stops right after they meet with Bruce. I’m going to be honest, I think Dick wants Bruce to take Tim on as Robin because if Dick had to deal with Tim for a whole day, so does Bruce). He has to recount watching Dick’s parents die and the nightmares he got from it.

He went through so much. But, the only time he’s upset is when Dick won’t listen to him about what’s best for Batman.

Anyway, Tim flat out just says a lot of really stalker-y shit, so I’ll just list some more:

We already know about him clipping newspapers since he could read

When he’s asking Kory where Nightwing is, he lets slip to her that he was watching Titans Tower with this line “I know he wasn’t at your meeting today.”

There’s also a few lines from breaking and entering Dick’s apartment “Grayson kept his old apartment. If he left the Titans, he might be here.” “He’s a detective… he must keep notes. Even something scribbled on a shopping list.” “No! The Haly Circus is closing? It can’t be! It can’t! But at least I now know where he is!” (Why is the shopping list thing stalkery Kacie, I’m so glad you asked. Tim knows Dick well enough that he knows Dick writes things down. Bruce certainly doesn’t, and Bruce is also a detective, so it’s a logical leap unless Tim knows Dick is inclined to write things down.)

There’s one part that isn’t stalkery so much as really funny to me. While Tim is looking for Dick at the circus, he realizes that Dick is “a master of disguise” and that “I’ve been looking for Dick Grayson, but he could be anyone.” only to almost immediately after say “No, not the roustabouts. They’re too tall.” First, that means he can’t “be anyone.” Second, he knows Dick’s height just. So well.

Tim realizes who Dick is and I think I’ll just tell you what he said to explain how he figured it out “Th-that jump- - -that’s him! It’s got to be Dick!” What was so special about Dick’s jump? I don’t think there was anything special, I think Tim is just weird.

Dick asks Tim who he is no less than three separate times. Tim refuses to tell him, all three times. At the beginning of part 3, while Dick is introducing Tim to Alfred, Dick says “Alfred, this may be a bit awkward, but I’d like you to meet- - - -what did you say your name was again?” Implying that Tim did tell Dick, but only briefly.

Back in part 2, Tim says this to Dick “Look, I know you’re Nightwing. You used to be Robin. Then Jason Todd became Robin, and when he died, Bruce Wayne went to pieces.” Tim says this before telling Dick his name by the way.

Tim, upon being introduced to Alfred (a cont. of the earlier Dick line) “Tim. Mr. Pennyworth- - gosh I was really hoping we’d meet. I know you’re Batman’s confidant, and I’ve dreamed about the stories you could tell.”

Alfred’s response to this is “I am- - what did you say?” Which is very funny.

Some more stalker lines that come from Tim looking around the manor: “I’ve seen pictures of this place,” “There’s the renoir Mr. Wayne bought last year. I read about that in Art World Today.”, “He’s got an erte? Oh, I love his stuff.”, “Please, can I see the rest of the house?”

There’s this, which a part of was mentioned earlier “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”

Tim says, before explaining anything, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” He then says, “I’m sorry, Dick. I really am. I told you I didn’t want to hurt you by telling you all this.” Tim is right, Dick is hurt. Tim is a stalker, but he’s a conscientious stalker.

There’s this “That image of you doing your somersault- - - -it stayed with me for years. I couldn’t get it out of my mind.” “I knew that somersault. I knew it like I knew my own name.”

This is just the beginning of a sentence, but it still is very stalkery “When you moved to New York to become Nightwing…”

Or how about “…Batman and Robin have meant everything to me. I’ve followed them both… I know them so well. I knew when Dick left to become Nightwing. I knew when Jason came and became Robin… and I knew when Jason died.”

Tim mentions offhandedly that he managed at some point to slip a tracking device on Two-Face. An impressive feat, considering Two-Face was trying to hit him with a crowbar and Tim only came into contact with him twice, either to punch him in the face or push him away from attacking Alfred. I doubt he slipped it on him while punching him, but his ability to stay calm under pressure even while acting panicky, managing to smoothly slide a tracking device onto Two-Face that Two-Face never realizes is there, is very impressive. Or, it’s practiced-

Bruce says “I don’t want a partner. It’s as simple as that.”

Tim responds “After all you’ve been through, I understand.”

So you may be wondering, with all of this overwhelming evidence and the fact that he knows where both Kory and Dick live and the fact that he already knew Alfred Pennyworth was Batman’s confidant and all of the weird, supervillain-esque shit he says, why does anyone like him?

And I’ll tell you why. It’s because he’s so fucking awkward.

Tim says things like “oh thank goodness” or “gosh” or “it’s still been wonderful.” Tim stutters talking to Batman. Tim fanboys over Dick and Bruce constantly. He isn’t even upset to have gotten a mystery wrong, he’s just happy he got to see Dick solve a case.

But also, Tim is right. Batman is acting recklessly, and it’s directly as a result of Jason dying. Tim says he needs Robin, not Nightwing, but I think what he means is more the role that they fill. Robin is little and Bruce can tuck him under his wing and keep him safe. Nightwing is an adult who argues with him and is a good leader in his own right, leading to more arguments. Robin is someone Batman has to take notice of, has to account for when making plans. Nightwing can keep up, and he isn’t as worried about Nightwing because he trusts Nightwing’s ability to stay alive. They fill very different roles, and that’s what Tim means, even if he has trouble saying it.

And he’s completely right. Batman without Robin runs recklessly into a building without scoping it out, tries to save two boys tied with active grenades by himself, walks into a room full of mobsters with guns without having any protection himself. Tim implies that he’s worried Bruce might die, and he’s right to be worried.

But even with Nightwing there, Batman only worries when things go wrong. He doesn’t see Dick as his scrappy little sidekick anymore, he sees him as an adult. And it’s only when Dick’s in trouble that Bruce reverts to treating him like a child.

Robin makes Batman stop and think before they go in. Robin makes Batman patient. Because Bruce cares about Dick and Jason, and he comes to care about Tim too.

Tim wins him over by being clever, but later comics show that they have to build trust in each other. Tim trusts Bruce completely, right off the bat, and that’s overwhelming for Bruce. But Bruce stops being overwhelmed and starts feeling fond.

Because despite everything I said, Tim is a good person. He’s so worried about Bruce that he’s willing to search everywhere to find Dick to try and help him. He’s so worried about Bruce that he spends his vacation week slumming around on his bicycle trying to save Bruce’s life. He dives down a coal chute without a second thought, and he pushes with all his might to unbury Batman and Nightwing. He cares about them, and it’s painfully obvious that he does.

Tim doesn’t want to be Robin. Like, okay, he would love to be Robin, but that’s not why he’s here. He doesn’t want to tell Dick his first name, and it’s only after seeing that Dick isn’t taking him seriously that he spills the beans. He didn’t want to tell Dick, because that would hurt Dick. He says “B-Batman, it’s hard for me to say this to you” because he’s about to tell Bruce off for being reckless and he doesn’t want to. Tim wants to know that Bruce and Dick are safe, and that’s the only thing he wants.

Yes, Tim is definitely a stalker. He literally said himself that he followed them, and even if it was only through newspapers, it still counts as following. Now, maybe he doesn’t fit this dictionary definition of a stalker: “a person who harasses or persecutes someone with unwanted and obsessive attention,” but I think he does fit this dictionary definition: “a person who hunts prey stealthily.” Tim is stealthy and quick.

I read an article that said his weakness was unexpected situations, but I would argue that that’s bullshit. Tim is great in unexpected situations. Did he expect Two-Face to start trying to beat him with a crowbar? No, but he managed to avoid being hit and plant a tracker on him. Did he expect Two-Face to crush the Batmobile he’s sitting in with a wrecking ball? No, but he managed to jump out and hide and tried to warn Batman and Nightwing to watch out. Did he expect Bruce to agree to let him train to be Robin? No, but he’s going to do the best he can now that he has the chance.

From the very beginning, we can see that Tim is someone with an answer to just about everything. He knows things, he notices things, and he’s good at reacting. Later comics don’t dispute this, that I know of. Tim is the Robin with multiple contingencies for his contingencies, but he’s also the Robin who is most likely to say “oh shit I did not see that coming.” He’s a surprised sometimes, yes, but that doesn’t mean he’s unprepared.

All in all, Tim Drake is a fascinating character study of a rich kid who talks like an elderly woman providing therapy for a man who is at least two, if not three, decades his senior. Tim doesn’t quite understand at any point that monitoring isn’t the same thing as showing affection, which is why he and Bruce get along swimmingly and why Tim is often slated to be the Robin most alike to Batman.

Congratulations, Tim.

Also, I really truly believe that Tim had his first crush on Dick, which is why he couldn’t stop staring at him. And I didn’t mention he said this, because it wasn’t important to the points I was making, but it’s important to this one. Tim says “…I kept staring at you, and your circus costume.” The circus costume being similar to Robin’s is never brought up, only the fact fact that Tim couldn’t stop staring at it. I’m telling you, his first crush was here, it’s so obvious, just look at my corkboar-

[ennard-is-near]

I feel like Time Travel stuff in this fandom often ignores the cause and effect that exists in the games and instead has the time traveler (Usually Michael) trying to stop each individual death/murder despite having successfully stopped the inciting incidend(for example: Evan lives but he still has to stop William from killing Charlie) and I think this can be really cool sometimes, especially in more of a oneshot collection type of story, but I have a pitch:

Time travel story where Michael doesn’t do the Bite of ‘83 (which comes first in the timeline, don’t @ me) so the entire timeline is different and he’s just desperately trying to stop things from going wrong but he has no idea what’s going to happen next.

So like, because the springlock suits were never taken out of commission because The Bite of ‘83 didn’t happen, some random employee (let’s say it’s Phone Guy, just for fun) gets killed in a total springlock failure in one of the suits. And Michael’s so confused for a minute because that’s not what happened the first time around, before realizing that obviously things will change. Then he spends a while trying to figure out if the suit is possessed or not before eventually deciding that it’s best to set it on fire either way. He just burns down Fredbear’s in the middle of the night, both suits still inside.

So maybe burning down Fredbear’s was a bad decision. William seems really stressed out (bad) and he’s been arguing a lot with Henry lately (really bad) about insurance and new locations and maybe bringing back springlock suits if they could be made safer (Henry is completely against the idea, but William thinks the idea of springlocks is still really good, they just have to work some things out). To stop one of their fights Michael pitches them the toy animatronics, as a distraction, without really thinking about it. (He does leave out the facial recognition, though. He’s got a weird feeling that broken facial recognition was what did in Jeremy) Now they think he’s some sort of creative genius or something, and they end up making the toy animatronics even earlier as well as assuming Michael has a lot of interest in robotics (he is actually very scared of them).

Unrelated but then Evan gets like, appendicitis or some shit (he didn’t have the chance to get it before, because he died lol) and is ultimately fine after a while, but William seems understandably stressed about it. Completely normal reaction, but it scares Michael into putting together a whole plan to immediately kill his father if anything goes remotely awry with his siblings (and maybe Henry depending on how William seems to be handling whatever happened) ever again. He’s got some arsenic or something on hand just in case.

Okay anyway, sharks. I’m asking for a $75,000 investment in exchange for 10% of my FNaF time travel AU…

[monstersinthecosmos]

the most rancid drama starters in fandoms are always like "gee i wish this fandom was nicer, why do we have to fight all the time :("

[fumifooms]

Chilchuck you’re so fucking funny wtf do you mean with Izu it’s "byeee" and with Marcille it’s "if you die I die". You ass

Chapter 69 vs chapter 92 Results:

Be so serious my guy

[emotional-mess-in-distress]

My second playthrough of exocolonist was so funny likee

I was trying to get into a relationship with both Dys and Sym. But somehow messed up and didn't flirt enough with either. I also changed my mind halfway through and let Dys bomb the colony just to see what happens. And then let him become a gardener. And then I got into a relationship with Sym. And then I became governor and saved everyone.

I just find it funny to think about this through that timeline's Sol eyes like.

You have a crush on this guy since you were a kid.

And hey! If that's not working out you also have a crush on this hot alien you just met. You shoot your shot with both.

Then you just fucking randomly find out they're together after one of em bombed the colony you're planning to lead.

Your childhood crush turns into brain goop. You have a very emotional moment.

You think your romantic life is fucked.

Not even a month later you fuck the alien in a cave.

Then another month later you overthrow the government.

Then you falsify info for everyone on earth to think the planet exploded.

And at the end of the year you strike a deal with the consciousness that's been trying to kill you and save everyone you love.

I just know that version of Sol had years cut off their life just by the sheer stress of that one last gameplay year 😭😭😭

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[shrews-art]

Today's little sketches 🌾🌾

[dinoswordsb]

Everything you say about caves terrifies me

Caves are very terrifying it's true as for the story I left in your tags I really oversimplified it for the sake of a joke so let me rectify that (read: this ask has given me a chance to talk about a cave accident)

It's true that a group of divers went into an underwater cave system and two died. The system, the Plura system in Norway, was actually a popular diving spot from what I can tell, as you can find a dry cave system within without going too deep, but this group went much further than that. Two of them went down first and the other three allowed the sediment to clear before following. One of the first two got caught in some cords in a narrow section of the cave, panicked, and died, blocking the path for the other three and leaving the survivor between the two alone. And its believed that the second death was a direct cause of witnessing the first one. So without the appropriate equipment, the survivors either had to push past their friend or turn around and take the long way back up. Either way was risky because these accidents caused them to take longer than planned to surface, so they would have to make much longer stops on their way up or risk decompression sickness, and oxygen is very limited on these dives because you have to plan for the duration youll be down there. Luckily the other 3 survived.

Plura was closed off and became illegal to dive within because of the incident. So the reason the group returned approximately a month later wasn't for fun; they were retrieving their friends bodies out of the system. They'd been left there because the cave was deemed too dangerous to retrieve them, even for trained and experienced police divers. So they did something very risky and illegally returned to the cave they'd lost their friends in and successfully got them out. After the retrieval, the system opened back up to divers, and iirc someone even had a wedding within the dry cave system you can find down there.

It's a very very interesting story to me ^_^ I think it is endlessly fascinating the lengths people will go through to get someone out of a cave because when I think of body retrievals all I can think of is how there's none on the big mountains like everest and k2 because of how dangerous it is. I know a lot of people would say these men were stupid for doing this and maybe they were but i cant help but be a little touched by the idea of them risking everything just to save the memory of their friends. I don't really have a larger takeaway otherwise, I just think it's neat.

I did also of course summarize this quote a bit. If you have the stomach for it I definitely recommend looking more into it :]

https://www.youtube.com/watch?v=h4gaqJQ-ZPY

^video that talks about it pretty well

^really good article on the incident

[seventh-district]

i’ve just finished season one of TMA, and being someone who’s okay with spoilers is fun because it means i can peruse the wiki and scroll through the tag and i get to become privy to all sorts of weird, wonderful, halfway-out-of-context information that i get to look forward to understanding in the future

like. what do you mean Leitner’s in the tunnels?

what do you mean Jon eats the extinguished sun??

what do you mean it’s spelled Gerard Keay???

[moe-broey]

Men only want ONE THING and it's DISGUSTING (Guy who's uour best friend who's always happy to see you who visibly lights up and sparkles when you enter the room who's comstantly looking out for you and doting on yiu just a little bit and making sure you're taken care of and who you trust so mucj so completely that you can share a bath and sleep side by side amd you'rw. Best Friwneds...)

AND YET. AND YET. Moe has something Worse than self-loathing going on. Like this is just denial at this point. And for WHAT (PSYCHOLOGICAL REASONS. IT'S SO DIRE)