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bubmyg · 3 years ago

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there was no particular reason i wrote all this down other than reading the translations to my universe made me cry last week because i’m just Like this. this is a mini compilation of yoongi lyrics that i hold gently in my palm and close to my heart in a he’s my artist for life kind of way. these aren’t all my favorite yoongi lyrics, i certainly have more but not ones that fit this general vibe.

this is like extremely disorganized, i kind of just wrote it like a journal (and i’ll probably copy it to my bullet journal at some point actually). interpretations are my own, music is cool in that we can all read and hear the same thing and get different things out of it (which is why yoongi has often said he doesn’t attach specific meaning to things, giving it up to the listener instead)

so yeah. here’s me being fond of yoongi in 4k for no reason other than. idk. i wanted to. all translations are from doyoubangtan and doolsetbangtan.

song request - lee sora ft suga

“I’ll be with you, for your birth and your end; That you’d remember that I’m with you, wherever you are; I’ll be a comfort for your life at any time, and so; please, that you’d lean on me and take a rest, every once in awhile.”

to me, this perfectly encapsulates what creating music is for yoongi in a two-fold kind of way. not only does he want his music to be a source of comfort for those who listen to it (just as the art of music is for himself), he’s also consistent in his assurance that taking a rest is okay. not being okay is okay. simply existing for the time being is okay. it’s a gentle empathy that comes from the experienced heart of someone who’s not going to tell you that it is okay, but will tell you that it won’t always be like this. friendly little moon trying to get you to smile with him on sleepless nights.

so far away - agust d ft suran

dream, will eventually be in full bloom at the end of hardships

this was on my undergrad graduation cap. it’s one of my favorite lyrics of all time. if so far away is my heart song, this is my heart lyric. this is a common motif in yoongi’s lyrics; dormancy is only temporary, you will bloom at the end of the cold winter.

dream, hope it to be there with you at your creation and at the end of your life

creation to end is another common motif n his lyrics. in this specific context, i imagine it to most closely be analogous to holding dreams close to you your entire life. dreams are dreams no matter how they manifest, even if they’re simply something you long for until your “end”.

Hope it to be there with you at your creation and at the end of your life; It will be generous to you wherever you stand; It will eventually be in full bloom at the end of hardships; The beginnings will seem humble, so prosperous will the future be

the entirety of this song reads like a story and this last refrain reads like the conclusion (kind of). the slight wording change from the previous choruses means a lot in that regard, more definite and firm. you will be okay. maybe not now, maybe not next week. but you will be.

suga’s interlude - halsey ft suga

Though the dawn before sunrise is darkest; don’t forget the stars you longed for only rise in the darkness

just a really pretty but heart wrenching lyric in the context of the entire song. he’s also used this metaphor several times. i love me a good string of consistency with minor adaptations to fit the vibe. this song also made me cry the first time i read the translations lmao.

my universe - coldplay ft bts

Because the trial we face now is just for a moment anyway; All you have to do is to just keep shining bright like now; And we will follow you, embroidering this long night

this could mean so many things depending on how you wanted to contextualize it. of course the song is about love, so you could view it in that way. we’re in the midst of a global pandemic where we can’t see each other. or maybe it’s simply existence. continue to exist and one day your bright light will be followed even in the darkest of nights.

also the og title of telepathy being 잠시 (for a moment) is so...min yoongi you are so cool

people - agust d

Did someone say humans are the animals of wisdom?; The way I see it, humans are the animals of regret

Your ordinaries are my extraordinaries; Your extraordinaries are my ordinaries; Your ordinaries are my extraordinaries; Your extraordinaries are my ordinaries

super simple to understand which i think makes it more poignant. especially if you contextualize it with everything he’s said or written regarding the plight of fame and how he himself grapples with it as min yoongi.

28 - agust d ft niihwa

just this whole song. if song request encapsulates yoongi’s musical ethos, this captures a lot of his general musings.

paradise - bts

Just living like this, surviving like this, that’s my small dream; Dreaming dreams, grasping dreams, breathing breaths, it’s often too much

a more blunt take on the simply existing is a good enough dream. yoongi’s 2018 new years message was one of the things that made me go “yes. Him™” so paradise is very <3 for me

interlude: shadow - bts

Flying high scares me; I mean, nobody had told me; how lonely it is here –;how my leap could be my fall

another thing he uses frequently, even as recently as an interview regarding permission to dance. the contemplation of how a fall is far scarier than landing because getting back up is uncertain.

Yeah, I’m you and you’re me, do you finally get that now?; Yeah, you’re me and I’m you, do you finally get that now?

the entirety of this song is haunting particularly paired with the sampling and the music video as a visual but this part is just...the whole idea of competing internal voices throughout the narrative of the song or if you’d rather truly treat the lyrics like a piece of literature, you have quite the unreliable narrator, one that’s trying to grapple with his own sense of self.

140503 at dawn - agust d

Pretending that I’m not lonely, pretending that I’m not suffering; needlessly pretending that I’m okay, and pretending hard that I’m strong; I built a wall in front of me, “Don’t come inside”; I’m an island in this wide ocean, “Don’t abandon me”

the entirety of agust d just makes me ache but i mainly pulled this part because he uses the island metaphor consistently. here, it’s used like i said before; achingly.

this song also gets overlooked a lot in the larger context of agust d but anyway

eight - IU ft suga

Island, yeah this is an island; a small island that we made for each other; Yeah, mm, forever young, the word ‘forever’ is a sandcastle; A farewell is just like an emergency text warning of a disaster; A morning met together with yearning; As each of us pass this eternity, we’re sure to meet again on this island

can i be honest and say i forgot this song came out at the beginning of the pandemic. anyway, if you haven’t heard the various times that jieun has spoke about this song and it’s conveyance, i encourage you to. the music video also gives a beautiful visual.

i wrote a small analysis of this when it came out so i’ll just put it here

burn it - agust d ft max

I hope you don’t forget that giving up decisively also counts as courage

of course this can absolutely be taken at a literal meaning especially considering he said a similar iteration of this to someone on kkul fm BUT i also like looking at it in context of the entire song because maybe this is him trying to convince himself too, especially considering the wording of the last chorus doesn’t change it so it implies in order to get past the fire u need to let it burn first? burn it = giving up on some aspect of pain?

i see why max didn’t shut up for eight months about making this song i wouldn’t either hello

outro: tear - bts

im including this one firstly because i love the song but secondly to say i knew the second u all were surprised by yoongi saying he wrote this as essentially a break up song for bts and they all cried while listening to it that y’all don’t actually read or interact w their lyrics fjdklafjsd

just bc it’s a rap song doesn’t mean it’s a diss or a flex. weirdos.

intro: never mind - bts

I hope you forget about all your mistakes and such; Never mind; It’s not easy, but engrave this in your heart; If you think you’re going to crash, accelerate more, you idiot; Never mind, never mind; Whatever thorny path it may be, go run; Never mind, never mind; There are a lot of things that you can’t control

the entire composition of nevermind is similar to first love and shadow to me where you can just hear the emotion in his voice while performing it

this is also another general idea that he mentions a few different times through different songs which as we’ve seen i am <3 for

intro: the most beautiful moment in life - bts

once again i don’t have a specific lyric to pull i just love this song so much and i feel like it isn’t talked about enough because first of all the use of the basketball throughout the instrumental, the incorporation of the origin of his stage name into an entire song regarding his general existence as a performer and coming into the beginnings of sizeable fame, and just his general way of essentially writing one giant ode to something he loves and analogizing it to something else he loves to talk through internal struggles.

aka im once again saying min yoongi you’re so cool

first love - bts

same line of awe from above this whole song is just a story, a poem, a journal entry, a beautiful confession, i don’t know. this is yoongi’s best bts solo u can argue with a wall about it also if you were able to see this live i hope u have a terrible week (im joking)

every fancam i’ve ever seen of this makes me cry. so. do with that what you will in regards to how i feel about this song.

#i have no reason for posting this so im not gonna tag it with anything other than so i can find it again for myself JFEKWFJS #ffr #my writing #i just realized only one of these is from an ot7 song help #there are so many others. tomorrow. autumn leaves. mikrokosmos. black swan........

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thepriceofbeingaroseisloneliness · 4 years ago

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KAORU PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION ½

The ideal figure that the guitarist who leads the band as a leader got while struggling, and the reason for his unstoppable pursuit. “When we released "CLEVER SLEAZOID", we were still chasing an ideal, and I think we didn’t reach it. We didn’t, but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment. If you look at it now, I think it’s connected to reality”

Notes before reading: This is the first part of the personal interview of Kaoru from the magazine Headbang Vol.27 released on 18th August 2020. The interview is 11 pages long and this part covers the first 6 pages. As Toshiya and Die’s interviews, 2nd part is focused on his roots as a guitarist and overseas experience. You can read Toshiya’s personal interview here You can read Die’s personal interview here

You can get the magazine at Amazon Japan or CDJapan.

Feel free to correct me if you spot any mistake or any confusing parts.

Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) -------- Text by: Yohsuke Hayakawa The first to appear in this magazine is Kaoru, the guitarist who is also the composer of the latest single "Ochita koto ga aru sora”. Starting with the process of making the single, leading up to the completion of this new song, the days of struggling to pursue the ideal sound, the originality that they got from that, and the current band that has not changed from the past intense days. What I saw on him was, the figure of a stoic leader who bet on Dir en grey possibilities and devoted himself to it. Also in the latter half of the interview with the theme of “Albums that inspired you”, he did not only talk about X Japan and national legendary bands that changed his life, but he also talked enthusiastically about the unknown world that he learnt from Hide and Tsuyoshi Nagabuchi, who he is a fan of. “I think there is something that can be challenged now” -First of all, I would like to ask you about the corona outbreak we are currently in, but it was impressive when you, with your own words, announced on SNS a live without audience ‘The World You Live In” that was held in March with the message of "it’s not the things that we can do now , it’s the things that only can be done now”. I thought the movements of DIR EN GREY with these rare activities and projects that entertained fans were summarized in those words. K: Well, that's right. There are things that can be done in the current limited situation, things that we wouldn't normally do, things that we didn't come to, and things that we can challenge now. There were quite a few things that were more like "Let's do it". Regarding lives without audience, we don’t know how long this situation will keep going on but, under these circumstances, it wasn't that much at that point in time for us to perform live. We thought it would be a plus for what we are expressing and what we are going to express in the future. Also, we tried to do it in a moment in which you could feel something. -Including the streaming that came after that, I think there are many people who felt closer to DIR EN GREY. In particular, the livestream of talk between members (DIR EN GREY LIVE ARCHIVE & SPECIAL TALK) is a project that you wouldn’t had think of before, isn’t it? K: (laughs) We don't usually talk much. -(Laughs) Moreover, I thought that it was only now that we could see an appearance of the combination of Kaoru and Shinya acting ‘as usual’. K: Well, that's right (laughs). -Is that something that you could do now, 23 years after your formation as band? K: No (laughs), the main reason is to do it is the situation right now. If this weren't the case, I think the idea wouldn’t even come up. Normally there are live performances, so I'd like people to feel it there, but we can't do that now. Well, it’s just to entertain the fans, but after all we thought it would be nice if they could feel something similar to that, feeling excited by our presence. -I see. So, regarding the status of the announced the Pia Arena MM performances for the tour final "The Insulated World -The Screams of Alienation-" in July, you probably were thinking about what do to about them until the very last minute. K: That's right. It was decided a few days before the announcement that the lives were canceled. Of course, we also made a set list, and the production side was also moving. The entirely staff were informed, and everything was working. I actually went to the venue and talked about how it would be possible to hold the lives in these conditions. However, there may be some people who couldn’t come no matter how much they tried to. There was also the risk of not knowing if you can do it until you start it. -I think it was canceled after assuming the kind of live performance that was possible to be held, but it was a really tough decision. K: Well, it couldn’t be helped. -Oh, in a nutshell. K: Yes, it couldn’t be helped, it couldn’t be helped. What we could do following the rules (the government guidelines) is the reason we couldn't do it. Tickets were sold in advance through the fanclub, but in fact, with the spreading of Corona on the way it already had a significant impact on sales. -Oh, that was what happened? K: Yes. So, in response to that, we even came up with the idea that all the arena would have seats not only the designed areas. We could do that by reducing the capacity in order to keep a social distance. That way, we also thought that we might be able to do it. However, there may still be some people who wouldn’t be able to come, and moreover, there were a lot of things that we couldn’t do in both days. Well, it was a half-way point situation. Therefore, there is no choice but when the situation calms down, to relocate the dates. -Under such circumstances, you said you were producing the single in parallel. K: Yes, we were planning to release it around the Pia Arena performances, so we have been working on it for some time. -And “Ochita koto ga aru sora” was completed. The original melody was composed by you but, the title was announced in May. I wondered if it was going to be a song that brings melancholic elements to the forefront. I was trying to imagine it. K: (Laughs) Ah, the atmosphere of the title. -Yes. The sound that we actually got is bursting with DIR EN GREY-ish aggression that explodes from the beginning including a grooved dragging guitar riff. So, to put it into words, I had the impression the style of DIR EN GREY was contained in a "super condensed" form. It's used in a kind of luxurious way, with the melody refrain being minimal by scraping off the excess. K: That’s right. This shape (final song) is like, we were really worried about it and it felt like it just got here. Along the way, there were elements that would make things more exciting, more piercing. There was more development. However, we made it in that way, but I felt like “Well, I’m tired of it” (laughs). -Hahaha. K: Rather, it doesn’t seem as interesting as usual. This is really…. words may not match…it’s somehow Japanese. I wasn’t satisfied with anything, so it felt more like I was speaking out my mind (laughs) I scraped it off though. -The reason why the song became very condensed is that all the members were looking in the same direction. K: Well, I don't know that. However, as my method, I don’t really decide (the direction) at the beginning. If you do that, the result will be in that shape and I prefer to explore the possibilities. Besides, because I don’t know if the rhythm really matches the melody or if the back-melody matches, there are many things to think about, so I don't want to decide at the beginning. Under such circumstances, I didn’t know what to do in the end. Well, I settled on something that someone said, or something that inspired me, but it was hard to get to the point where I could see it.- -As a result, I feel that the single became very DIR EN GREY-like. K: Yes, that’s right. I was working on it while thinking that there was that “likeness”

-Did you imagine the development of this single with an impressive melody popping out even though it’s aggressive? I wonder if something like this come out naturally.

K: No. I didn’t really imagine that. Even if I try to imagine, there are things that I can’t imagine at all.

-So, how does the completed form of this song look to you?

K: This time I was arranging it all the time based on the data of the tentative/provisional songs recorded at the beginning. So, with that, it was almost brought to this finished form. From that point on, Kyo sang again several times and changed it slightly but along with the melody from the beginning, it was made with that flow. However, there were setlists that each member made during this time, right? (”DIR EN GREY AUDIO LIVE STREAM 5 DAYS" that was broadcasted on YouTube in May). As you could see there, there are various DIR EN GREY, right? On the other hand, I feel that whatever we do, it will probably feel like DIRENGREY-ish.

-Something that can be hidden anymore. There is something that oozes out.

K: Well, very much, as far as you don’t do something different. I was too worried. When I told the members that I didn’t know what to do, I was told ‘You don’t have to think so much about, right?”, so I was like ‘is that so?’. In the end, the song turned out like this (laughs).

“At that time, I kept struggling to find out how to get closer to the sound I envisioned.”

-Oh, that’s what they told you. As for the form of songwriting, you work remotely regardless of the corona, right?

K: Yes, that’s always the way. So, nothing was different than usual for us.

-The change was that you couldn’t go outside between work time.

K: That’s right. I was concentrated on it all the time.

-Always? (laughs) Then, in that situation, that a member told you to not think about too much, did those words make it easier for you?

K: Well, you can open yourself to new options like “well let’s do it this way a little more”. However, it’s something that I do all the time. Year after after, it’s not finished.

-It will take some time to complete the song.

K: It takes some time. After all, if it doesn’t become something interesting, I feel like what should I do. It takes time to move from the first stage, the members listening to it and go to the “let’s do this”.

-What’s that next step?

K: Listen to the demo songs together and decide to try one from the songs that are there.I think it’s necessary to put a song and drop the world view and the atmosphere of the song clearly at some point, but it takes a long time to get there.

-I think it’s difficult to express this stage in words, but it’s the key to make songs.

K: Yes, it’s quite difficult.

-However, this is also one of the traits of DIR EN GREY but, the chorus that enters at the key points is burning with passion. It seems like it’s going to look good live.

K: As I said before, Kyo is the one who puts the chorus, so it’s normal than the rest don’t know where the chorus is until we record it.

-It doesn’t matter how the guitar riff is going…

K: Yes. It doesn’t matter. That’s why we have to practice all the time during the rehearsal before the live performance. I’m the type of person who can’t do different things at the same time, so I skip it quite a bit (laughs)

-Hahaha. You leave it to the other two (Die and Toshiya)

K: Yes (laughs).

-Then there is another retake of the song “Clever Sleazoid”. What made you pick this song again?

K: He said that he wanted to translate the lyrics into Japanese. Kyo said something like he wanted to try it because the lyrics from the original song changed. It was like, “Well, let’s try to do it”.

-Then, how about the completed form after re-recording?

K: Well, it was already released once, so I don’t really care about it(laughs) Some people liked the original, others will like the new version. Except for the lyrics, the tempo is a bit faster but overall, it hasn’t changed much.

-Originally, this song was released in 2005, but when you look back on DIR EN GREY at that time, what do you think is very different from the present of the band?

K: I would say that there is a solid feeling now. Rather than trying to catch up with anything, I think we are proceeding in a somehow calm manner. The same applies to the stage. It was 15 years ago, so we were young….it was like an apprenticeship, now we are old men, that’s what different from that time.

-What do you remember pursuing at that time?

K: At that time, I was struggling to get closer to the sound I was envisioning.

-Do you mean that you haven’t been able to achieve what you were looking for?

K: Yes. It’s the same with the songs. I was thinking about the sound aspect every, like “How can I make a powerful heavy sound” every day.

-Was that a personal thing?

K: It was for the band as well, I often talked to the members about the kind of sound I wanted to do at that time for the CDs but also for the lives as well, I wondered how could I do it. But at that time, I was struggling to understand it like, “I haven’t achieved it, but I can only show the power of pursuing it while looking for the way to reach it”.

“I haven't reached it, I can only show the pursuit and power of" how can I do it?"

-Did you see anything regarding that aspect when you started going overseas?

K: No, what I thought when we started going abroad was the importance of being ourselves. I wonder if that would be the most powerful thing. So, around 2005, I felt like I was still chasing my ideals. Like a way that I could I express them in this way. But since we went abroad… and I started to notice that being ourselves was the best more and more….. how could I say it?,..it seems that the destinations we were looking at have been pinpointed all the time. It’s not about how to do it, if we could express what was in ourselves more and more, we would change it to the consciousness that would create that kind of sound.

-That means, for example, that when you released “CLEVER SLEAZOID”, looking back, you hadn’t reached that point that you are talking about yet.

K: I think we didn’t reach it. We didn’t but I feel that pursuing how we could do that, the power at that time, remains in it as something that could be only be produced at that moment.

-True. It emits an unbelievable power and it was a proof of that struggle.

K: Yes. If I look at it now, I wonder if that it’s linked to its originality.

-Surely. After that it connected with THE MARROW OF A BONE (2007). Around that album, did you feel like you obtained that you were looking for?

K: Well, I think I did, but still at that time, I was wondering how I could do it. So I think it’s only recently that I’m thinking in this way.

-Ah, recently?

K: Yes, about “DUM” (DUM SPIRO SPERO, released in 2011). But “DUM” isn’t recent either (laughs)

-Hahaha you noticed that…that’s right (laughs). In an era when you were struggling to pursuit something, you became solid as a band. Then, the atmosphere in the band would naturally change for the better, because it means that from that moment, along with them and the music, you have reached your goal.

K: I think so. Also, what could I say about our band?..... All the members think that they have a different feeling about their knowledge and ability to imagine but, the reaction will definitely come when the song seems to settle down in a “this is it” form. Some of us will say, “I think it’s better do it this way”, while other will say “if we go in this direction, we should do this”. Therefore, that we can talk about such things has not changed from the past. While my senses are growing, after all there is still an atmosphere of pursuit in the end, in doing more and more interesting things, so I think that’s a good place for us.

-Even if you gained more knowledge and experience, it doesn’t feel strangely calm at all. K: It’s not. If that happens, it wouldn’t be interesting.

“Now I think, do we really want to do that?”

-I see. So, the mastering engineer and mixing-in engineer this time are also talented, but did you proposed the selection of these people to the members after listening to how overseas artists sound?

K: Sometimes I do. As for this engineer,Josh Wilbur, the director said he would like to try to work with him once and asked him to mix “Ochita koto ga aru sora”.He had been trying to get in touch with him for a long time, but he couldn’t, but he was able to communicate with him this time and asked, "Would you like to try it once?".

-Josh Wilbur is a person whose range of work goes from Avil Lavigne to Lamb of God. How was the result?

K: Well, I’m glad we asked for a simple one.

-After all, with that width….

K: It’s better that way. This kind of person will return what you ordered exactly as you ordered it. Sometimes no matter how much we explain it, there are people who don’t understand, so they don’t know what to do. At first, Josh used to put a lot of effects on songs and so on. Listening to that, Kyo said "nothing is good" (laughs). The exchange was interesting, though.

-If you leave the decision to someone else, something that shocks you can come out.

K: Yes. Wow, this person comes quite a bit (laughs)

-(Laughs) At that moment, you understood his way.

K: So, Josh’s first mix was more metal-ish. Also, the sound of the drums….it wasn’t like it was crazy but it felt like bumpy….it was like “mmm, it’s a bit different”, but after several exchanges with him, it went well.

-What about Jens Bogren (who has worked with many famous metal bands such as Arch Enemy and Opeth) who mixed “CLEVER SLEAZOID”?

K: It’s a different type (of mixing) from Josh. Jens has worked with us several times so far so he knows the directions.

-And the mastering engineer for the three songs of the single, including the live version of “Followers”, Brian Gardner (Linkin Park, Michael Jackson, Madonna, Eminen etc..) is the same one than “Ningen wo Kaburu” and “The World of Mercy”.

K: Yes. If you change the mastering too much, it’s hard to predict the finish result. It’s difficult to know how the mix will turn out, so if you want to change the engineer that does the mixing, you should do the mastering with the same person as before.

-I see. Because the song will be created from the scratch again.

K: Well, that’s also interesting but I’m worried about what to do if it fails…

-About the future of DIR EN GREY, of course, I think that you will only do what you can do under these circumstances but, what kind of expectations do you have?

K: We are thinking about moving towards making an album. As for concerts, it can’t be helped that we have to wait until we can do them, so I guess that I have to devote myself to making songs.

-Taking advantage of this situation, you will be able to concentrate in that.

K: Well, that’s right. I have time, so in that sense it’s easy to concentrate.

-In fact, is it time already to move into the album?

K: Yes. After Pia Arena, we were planning to go to production as we don’t have any concerts.

-For example, the single “The World of Mercy” included an acoustic version of “Dozing Green”, was there any talk about trying to do an acoustic live at these times?

K: Sometimes….that’s right. If we do that, I have to think about acoustic arrangements for that so let’s do a normal live performance (laughs). It’s not a bad idea to do a live like that because of this situation but, it’s like “do we really want to do it now?”.

-Ah, I see. Apart from your intentions it doesn’t make sense to you to simply say “We’ll do it because we can do it” in the current situation.

K: Yes, I think so.

“Without “BLUE BLOOD” I wouldn’t really be who I am now” (second part here)

#dir en grey #kaoru #headbang vol 27 #translation #interview

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scruffyssketchbook · 4 years ago

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Character theories/stories

Bolt: A timid eevee who likes planes and works way too hard. Has two ghostly things. Has the eyes of a silph. scope TM. No idea on sexual orientation, referred to in ask blog as asexual by Dusk. In on secret about Blizz. Leader of Lightfire.

Vay: Defenitly gone through the most of all eevees. Twin to Blizz. Traumatized by experience at Eevee Plex Labs, seemingly due to some sort of Absol that tormented him. Has a son named Nego, seemingly the product of Vay and a leafeon named Fern. Friend to Dusk, knows about Night. In on secret about Blizz, Police of the PC and leader of Icedrop, although many eevees in all the houses dislike him. Seems to be able to turn into a human who goes by the name of Jay, with a team consisting of a Beedrill, Delcatty, and Bisharp, and 2 unknown others. Crushing on Daisy. At lab, he lost his eevee fluff which seemingly is why he does not have a frill and why he does have hair instead of fins.

Flame: Seems to not be too scared of Lab, though in comic 100 he is shown shaking during hi sleep, presumably in fear. When scared, he turns invisible. In love with Miku. Hates Dusk because in Flame's opinion it is his fault they were sent to the lab. Hates and is hated by Dawn. Huge perv, with lots of corn books. HE A CHUBB (Sorry I just had to say it). In on secret about Blizz. Seems to work with the agency that rescued Sora, Volt, and other lab escapees. Deptuy of Lightfire. Hates LGBTQ groups (though the views of the character do not reflect the view of author-chan).

Daisy: Unknown if sent to lab, however it seems she has some sort of power. Worked with group who helps Lab escapees under codename Agent Lea. According to canon, has relations shortly after evolving, meaning there is possibility of her having a child. At one point captured by the mysterious Dr. Felix, seems to have traumatized her and made her retire, decoming the Daisy we all know and love. This is also why she likes routine and safety. Friend to Flame and admirer of Dusk, though she has a huge crush on Blizz. Might be in on Blizz's secret, but maybe not.

Blizz: An eevee who was broken and beaten at lab until he became, as Dusk puts it, "their puppet". However, as escaping lab, he seemed to have a head injury leading to Amnesia, and has no idea about the lab. The lab is a closely guarded secret by other eeveelutions. Seemingly has no idea about his super strength, which activates when he gets angry. seems to think Dusk is his friend, even though Dusk is very mean to him. Has weird ghost things living in his head or something, only known ones are Pepper (Eevee), Sage (Espeon), and Lune (Umbreon). Seems to be into Leafeons, though he doesn't seem to show a real interest in Daisy. Twin to Vay, Deputy of Icedrop. Overprotective of Eve.

Dawn: Been through the least of all of the mains. Brother to Dusk, boyfriend to Scull. Blizz has confided in her about his suspicions about the others, but she did not want to believe it. Knows about both Night and Nego.

Dusk: Raised by Harmony to replace her past Mate, Darren (I think), who seems to either left them or died. Has two abilites, physic and hacking abilites, one of which he inherited, the other he got from the lab. At a child, he was in love with the Eevee known as Sky, who changed their name to Sora. An alt text hinted at Dusk being Bisexual. Cared deeply for Sky and because of this still has the soothe bell (S)he wore. Very exclusive to the eevees not in his brotherhood, not giving them proper computers or supplies. Seems to have accidentaly have created Night while trying to create a replica of Sky. Acts dumb around the other eevees but seems to actually be very smart. Seems to work with the agency that rescued lab escapees. Leader of Greenpaw."Friend" to Blizz.. Knows about Nego. Seems to still care deeply for Sora. According to Daisy, he saved her in a time of need.

Sky/Sora/Miku: Oh boy. Where do we start? So she is genetically female, though has been referred to by author-chan as trans. However, it seems that right now in the present she is a she. SUPER in love with Dusk, though she calls him Night because they planned to run away together and change their names to Night and Sora. Wore a silver soothe bell on a purple ribbon. Hated by Harmony, seemingly because Dusk loved Sky/Sora/Miku instead of her. Sent to lab with others, though got separated with her cousin, Volt, while escaping. While at lab, she seemingly found Oliver while there and gave him an Egg, seemingly containing unborn Eve. Seemingly had relations at lab with the mysterious vaporeon Ford, who seems to be Eve's father. After excaping lab, she was separated from Volt, and was found by the two rescue team members (I forget their names). While collecting berries, Daisy, working as agent Lea at the time, found her and made Sora come with her to the agency where she was questioned and badly hurt. While recovering, she met with Flame in the most recent meanwhile, where he asks her about her memory loss. She seems to have a really bad memory after being hurt so badly at the lab. However, she only remembers Night, who she later leaves the lab to find. Note: In a previous ask, Author-Chan has mentioned that there was a very good reason Sora had to leave the lab and change her name, meaning there might be more to the story than what we know. While searching for Night, she changed her name to Miku, and this is when the "Meanwhile in Kalos" chapter takes place. As of right now, she is still at the pokemon center waiting for her trainer to come get her.

Oh boy, now I am done. This was just the main characters, I might do another posts later on some other less-important characters, but it took like 20 minutes to write this and I need a break. As of this day, it is 2/26/2021, so this might become unreliable in the future. Also, I do not know everything about this comic, so on many things I might be wrong and there might be many things I missed. This is just what I have noticed and theorized. If you have read all of this so far, you deserve a cookie *gives cookie*. Thanks for reading!

P.S.: For those of who who do not know, the "meanwhile" series takes place in the past according to Author-Chan herself, which Is helpful, as otherwise we would have no idea if Sky is Sora is Miku. Buh-bye!!!

#stupidshorteeveecomic #submission

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true-intha-blu · 4 years ago

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In Regards to Kingdom Hearts UX: Dark Road; Baldr, Loki, Luxu, and Luxord

Hi there. This is True-InTha-Blue coming to you with some interesting lore I was discussing with some very wonderful people on the Destined Oath Discord server. Once again I thank them for helping me out with this analysis and mythos research, as well as asking questions that really got my brain thinking about what all of this could be. This, of course, is in relation to the Kingdom Hearts Union Cross Dark Road game that was released 6/22/20. Specifically for Chapter 1.

This does contain slight spoilers so for those who want to go in completely blind. I recommend playing through KHuX:DR first, then coming back to my theory. This will go over a lot of Norse Mythology, how it relates to this new game, what roles the characters play, and what it could mean in the future. Warning, I’m not one for screenshots so prepare for a large amount of text.

Theory time:

In KHuX:DR we’re introduced to the new character, Baldr, named after a prominent god in Norse Mythology. As the Son of Odin, Baldr’s murder is what eventually leads the world into Ragnarok, the Norse armageddon myth.

Let’s investigate the Mythos of Baldr.

Baldr is the Norse god of peace, justice, light, forgiveness, and love. He and his mother, Frigg, had prophetic dreams of his death. As such, Frigg made every object and being in existence vow to never bring harm to Baldr. Every object and being except one, mistletoe. This was because no one saw mistletoe as a threat and was too young to make such an agreement.

This made Baldr pretty much indestructible. As per usual with the Norse gods, they made sport of this by throwing dangerous stuff at the man since they knew he couldn’t die. That was until Loki decided to fashion an arrow or spear (Different tellings of the myth have different weapons) out of mistletoe. He handed this weapon over to Baldr’s blind twin brother, Hodr. Thinking that it would bounce off his brother like usual, Hodr ended up killing his brother.

Heartbroken, Frigg called upon Hermod, another one of her sons and messenger of the gods, to go to Hel and retrieve Baldr.

In Hel, the goddess Hel (it is both a location and a person. Also not to be confused as Hell), said that Baldr could be revived if everyone (objects included, alive and dead) cried for him.

In Norse mythology, “Hel” is both a place and a goddess. Hel (the place) is the norse underworld. Hel (the goddess) is the one who reigns over the Underworld. When Hermod reached Hel and asked how Baldr could be revived, he was told that if every being in existence cried for his brother, then Baldr would return.

Everyone did, except one.

Loki, disguised as the giantess Þökk (pronounced Tokk), did not cry. As such, Baldr is set to stay in Hel until Ragnarok.

Now let’s look at Loki’s role in Norse Mythology.

He is often (or always) depicted as a shapeshifting trickster. In fact much of the trickster archetype in modern stories stems from Loki’s place in mythology. For a large part of the Mythos, Loki either aids the Aesir (the Norse Gods) or is malicious towards them. No matter what Loki eventually comes to be the enemy of the Norse gods at the end of Ragnarök.

So where am I going with this?

There are two major groups of people: Those who see Odin and the Master of Masters as being the same person, and those who see Odin and Luxu as the same people. But I think that people are focusing on the wrong deity. Instead, I think that shifting the focus onto Loki is the key. As a shapeshifter, Loki has gone by many names. Luxu parallels this, as he’s most likely taken on countless different names besides “Braig” or “Xigbar”.

In fact, let’s focus on the meaning behind Luxu’s name.

Like all of the Foretellers, Luxu’s name parallels one of the Seven Deadly Sins, that of Lust (Luxuria). Loki, in a myth where he insults all of the Aesir, is called a “Pervert God”. Loki has also been accused of doing perverse things. Luxu may not have a sexual lust, but rather a lust for power. There is also the fact that Luxu is associated with the goat, a Catholic symbol of lust.

Also to note in this conversation of Loki insulting the gods. This is the one that leads Loki to being bound to a rock with a snake dripping venom over his eyes until he is released from Ragnarök. The context is that Loki killed a servant, was kicked out of a party, and then came back to ruin the party but the Skaldic god Bragi says that Loki shouldn’t be allowed back in. Loki however called on blood bonds with Odin (because they are half-brothers) to be invited.

There is one other thing of note in the myth about Loki insulting the Aesir. After a certain point, he got kicked out, only to return to ruin the party even more. The god Bragi said that he shouldn’t be allowed in, but Loki calls his blood bond with his half-brother Odin, saying he has every right to be invited. As things continue, this leads to Loki’s capture and his near eternal punishment of being bound with poison dripping on his face. Then: “Loki declaims a toast to the gods, with a specific exception for Bragi. Bragi responds that he will give a horse, sword, and ring from his possessions so that he does not repay the gods "with hatred." Loki responds that Bragi will always be short of all of these things, accusing him of being "wary of war" and "shy of shooting." Bragi responds that, were they outside of Ægir's hall, Bragi would be holding Loki's head as a reward for his lies. Loki replies that Bragi is brave when seated, calling him a "bench-ornament," and that Bragi would run away when troubled by an angry, spirited man.”

And this is also remarkably interesting because I have seen the Bragi = Braig/Luxu theory, but this kind of contradicts it. It makes me think that Bragi and Odin are red herrings in all of this. Remember, we do not know what happened to the Master of Masters, except that he ‘faded from existence’ one day. Nor do we know why or how MoM showed himself to Young Xehanort in the Keyblade Graveyard. Only Luxu has been confirmed to have the ability to change bodies

Keep in mind, the No Name Keyblade was passed down from Luxu to his student. When the time came, that student passed on the keyblade as well, the cycle continuing into the present. This was all so MoM could see into the future and author the Book of Prophecies.

Now I wish to bring up another name of Loki, that of Lóðurr. It can be translated into Lodur.

Please understand that the context between these two names is still being debated by scholars, but I think this is important to bring up nonetheless.

Lodur is one of the gods that helped create the first two humans, the others being Odin and Hoenir. Let’s assume this is just another name for Loki. Remember how earlier I said that Loki is the main archetype for both the good and bad trickster in stories? Let’s go to something you may have noticed.

Lodur. Let’s add an ‘X’, reminiscent to the old Org XIII style. It becomes Luxord.

Now remember that scene in the beginning of Re:mind DLC? With Xigbar/Luxu and Luxord asking questions about each other’s identity?

My take is that Luxord is the other role of Loki, the more beneficially trickster. Now this may be more of a stretch if not for the fact that we kinda believe/see Luxord’s somebody in Yozora’s time. As of now, it is a major point of both curiosity and contention within the fandom.

One theory is that Yozora’s world is connected to the breaking of the One World before the end of the Keyblade World. This is inferred because Yozora seems to know what a keyblade is and knows how to fight the wielder of one.

Since Lodur (the Norse god) has a hand in the creation of the world in Norse mythology, which (going by the KHuX:DR lore about the worlds’ development) may have been one of the first worlds to develop from the Keyblade War thus tying Luxord to the legacy of the keyblade war stated by Xemnas.

To add a bit on the Luxu/Xigbar and Luxord to Loki parallels:

- Both fights with them have misdirection, trickery with locations or indirect fighting styles when confronted by Sora. This fits a trickster archetype

- Also Braig/Xigbar uses arrowguns. In myth, Baldr was killed by an arrow (That may be a bit of a stretch though so don’t take it too seriously.)

In the end, we have a lot to think about here.

I am less inclined to look at Master Odin from KHux:DR and would rather look out for someone we have not seen yet, a Loki or a Þökk. And keep an eye on Baldr whenever he shows up.

There are many other connections to tie ‘Bad’ Loki to Luxu. Loki heralding Ragnarok could parallel the fall of Scala Ad Caelum. Loki being a Johtun but being able to hang around the Norse gods could be a parallel to how Luxu may be among the students but actually being a foreteller.

If any reader has any details they want to share to clear up some details about the mythos, want to correct an inaccuracy, or wish to elaborate on the topics more, please share them. I am always up for fun, healthy, and well-reasoned discussions.

My next theory will be about the development of the worlds and the foretellers and how they came back.

Stay tuned, Blue

[Edited by @SourCherryBomb]

#kingdom hearts #kingdom hearts union cross #kingdom hearts dark road #norse mythology #luxu #baldr #luxord #lore #theory #lorekeepper

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fyrapartnersearch · 5 years ago

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[A4A] (Fandoms) Summer is here! Looking for Long-term, writing Partners!

Your Name/Nickname/Alias: Bocaj Age: 22 Time zone: EST Add. Information: Born in the Year of the Rat, Also, a Hufflepuff.

Looking for: Someone interested in writing with Fandoms.

Literate/semi-Literate/Basic (Script): Literate, no text talk or anything like that please.

Response Time: Varies throughout the day, but a few times a day. At least twice! Response Lengths: Again, varies. Bare minimum, a paragraph. More, usually. POV: 3rd Past Tense, 1st when a character is in thought.

Original /Fandom: Fandom, please. Canon Characters/Original: Usually, I stick to Canons. Some Fandoms are open to OC's, I don't ask you to nail their character 100 percent, but try your best. Favored sexual orientations: If things go in a romantic way, usually I like FxF, or MxF.

Response Time Preferred: I ask, at least once a day, if not more.

Contact Stuff: I like to Discuss, and possibly write on Discord. Open to moving to Email. Discord is: TheOneWhoSits#3363

Some ideas Revolving around the Fandoms I wish to write with: Kingdom Hearts: Now this can go many, many ways! I have played every game in the series, including the mobile App game, Union Cross. That said, my favorite must be, 358/2 Days. (Just so you have a feel of my type of KH fan I am.) Could dive into a certain time frame from the serious, or, not. AU’s also welcomed to be discussed! For the sake of keeping spoilers out of public eye, I will say, there are things in Kingdom Hearts 3, that I would personally like to re-write in a Roleplay. But I will not dive into said things here. Also, open, to writing in the time frame, when the Organization, the original Organization were still Some-bodies, under the study of Ansem the Wise. Dive into the rather sketchy experiments and studies they performed.

Recently thought of something, sort of like an AU, based off the same idea of Final Fantasy X-2. Basically, some adventure /spin-off with the girls of the series. Could be its own AU, or what not. But, Aqua, Kairi, Namine, Xion all working together sounds fun! Not sure where we could take it, but very open to this!

Also open to playing with any of the Trio's, even one that's not highlighted a lot- (Young Xehanort, Yen Sid, and Eraqus.) A lot is open for this Fandom.

Might be open to OC Keybladers, in Union Cross type story, ending with the Keyblade War. That is one aspect of that game, I do like.

Dragon Ball:

For this Fandom, I wish to stay within Universe 6, Champa's Universe. Mainly focusing on the Saiyans of said Universe, Kale and Caulifla, and Cabba. I really want these three to be the main protagonist! After watching Super Heroes, I like to adapt some of that, and the GT Tuffle Arc in the Sixth Universe. The Tuffles rebelling against the Saiyans, perhaps them targeting Kale, since her Legendary like form. OC's, as villains and antagonists are welcomed here, but the focus being on the Saiyans.

Persona 5: This is also very open! Part of likes the idea, of going through the story, with an all-female version of the Phantom Thieves. Also like the idea, taking inspiration from the Anthology Manga, with side stories and events. Perhaps we find a way to Cross Kingdom Hearts over with the Thieves. Sora, Donald and Goofy, working alongside the Phantom Thieves of Heart, could be fun! Maybe something with the P5 Royal Girl, from the trailer. Something redeeming Akechi, or even the story from his perspective. Maybe we can dive into our favorite ship and write an AU around them. (Mine is MakoAnn~!)

Pokémon: In reality, this deals with Pokémon Colosseum specifically, but not against any of the other games. (Though, the idea of mixing other Protags into the Colosseum realm is welcome too!) Growing up, this was one of my favorite games. Though, even then I noticed how quiet it was. In a way, I wish to re-write in, but giving character arcs/growth to main villains and Wes himself. Let's have Wes have done some pretty horrible things, while working for Team Snag'Em, hinting at why he decides to betray them. People around the world, recognizing Wes, from his time as a bad person. Adding a sense of a redemption story for him, in his quest to stop them. Team Snag'Em, themselves perhaps could be working in the Shadow Pokémon business, selling to other Crime groups, maybe other organizations from the other games. Power Rangers!: So, who doesn't like colorful spandex, and explosions! Of course, I did say I want to dive into the 2017 Movie universe, and this is still true! Ideally, continuing where it left off. Adding in, a new Green Ranger (ideally, a female Tommi Oliver) Though, my idea is to have her, slightly corrupted by the Power Coin Rita once held. (Stealing from the MMPR arc, Evil with Green) the coin could slowly corrupt her mind, in a way making her a second Rita, and the Rangers having to deal with a way to free her. If we go the BOOM STUDIO Comic-Verse, I'd like to play around with the Broken Grid, type arc, after Lord Drakkon tried to rule over all. Form a team of our favorite Rangers, and have them stuck in many places, dealing with monsters out of time. Have this team, unstuck in time, as they try to fix the Grid, one way or another.

Jojo’s Bizarre Adventure: I’ll be honest, I skimmed through most of Part-4; it didn’t really capture me that much. My favorite parts (of the anime, and in order) must go: Part-2, Part-3, Part-1, Part-5, and Part-4. Recently started watching Part-5, and its doing a lot better for me, than Diamond is Unbreakable. I will also add, I enjoy Hamon, a little more than Stands. I know Hamon is all but forgotten now, but still, Joseph made me love it.

Though, I am not sure what I would do with this Fandom, just that it could be fun to write in! Perhaps OC’s, rather than Canon characters; though, I could try Canon characters. But we could take this many direction, really. Just a bit more discussing for this one.

The Arrow-Verse: For this, I have written a time-line, of sorts, for a Darker Future; since, all the shows seem to point in this direction. However, with the current season of Arrow having Flash-forwards to a dark future, I might have to re-work my Time line. But, ideally, I wish to have the focus on Nora West-Allen/Xs. and John Diggle Jr/Connor Hawke. Dealing both with the loss of their father figures, and trying to work in a world, that has almost gone completely to crap. Since Arrow has introduced new characters like Mia, and William, we can have them join the group as well. Kind of, like a new Generation of the Trio (The trio being Ollie, Barry and Kara). Open to introducing a character from Super-Girl's blood line. I don't want this to focus on one show's characters too much, hence why I suggest Nora and John Diggle Jr be the leads; the arrow and Flash reps. A super-girl character could be fun too! Have arcing plots, maybe Nora looking for what happened to the Flash, but trying to locate Oliver Queen (since he was close to Barry) only to discover a ruined Star City and a New Green Arrow hopelessly holding on.

Sword Art Online: I don't have too much on this, just that I would like to have Suguha as a main character. Perhaps an AU, where she was trapped in a game, instead of her cousin. Or, her in some other sorts of games. OC's are welcomed in this as well. A few other things, that would be discussed, but also open to write within! High School of the Dead| Prison School| The MCU| Legend Of Zelda| Battlefront II; Inferno Squad|

#para #semipara #long term #email #pokemon rp #mcu rp #submission

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hopeshauntedmyghosts · 8 years ago

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Some thoughts on Digimon Adventure tri. 4/Loss

oh boy... last movie I was live-tweeting all my thoughts and emotions as they came up because I was overwhelmed by them, and now, I don’t have many thoughts at all... which is a bad sign, I guess. I didn’t really like it. So little heads-up that this’ll be mostly complains and also full of spoilers

What enraged me most and will be in my nightmares forever is definitely Not-Gennai molesting Sora (licking??) and kind of Meiko too (kabedon-ing and touching her face) which is so not appropriate for this kinda show but to call them kids while doing it made it even worse. If that’s the “adult content” they talked about then I’d really preferred none at all. I was very much into the idea of darker plot elements but sexual assaults is definitely not the kind of thing I want to see my childhood heroes get done to them, especially when it’s so random and unnecessary since Not-Gennai just wanted to intimidate them which could have been done in countless other ways. I’m glad they switched him from the Kaiser Avatar because I’d have been even more uncomfortable with that because I love Ken so much, but Gennai was a sacred, unhuman figure until they ruined this right now, this was absolutely horrible.

I would have loved more kid + another kid’s Digimon interaction! I’m happy for what I got but I wish there could have been more, eg Mimi could have talked to Tentomon about that time in the Labyrinth and all.

Same goes for Plotmon - at least it was kind of mentioned that it’ll grow up fairly differently now that it’s not captured and raised by Vamdemon (at least I think that’s what Hikari was referring to when she said Plotmon was happier this way?) but I wish they would’ve talked more about this because it’s a big deal imo, bigger than one sentence at least.

I guess there just isn’t enough screentime but eh, I could tell like 90 min of footage that could easily be cut away from Reunion and Determination to make more room for the actual story elements.

But about that about Plotmon - I can think of nothing else than Not-Gennais statement about how Digimon can’t be reborn when they died in the real world being a reference to Wizardmon, and probably Vamdemon too, especially since the fifth movie will focus on Hikari. Though Plotmon/Tailmon doesn’t even know them right now so it should be interesting to see how Hikari makes a connection.

And this statement could include the Leomon that died in Determination too, though I’m still wondering why it was alive in the first place. It wasn’t reborn in Adventure or 02 just like Wizardmon.

As for other logic holes, I can’t count how many times Meiko’s glasses broke by now and are magically replaced (or she has like a thousand of them because this always happened) and Mugendramon with its iron claws smashing Sora against the rocks would have killed her the first time but she didn’t even bleed. All the kids should have been more afraid of the Dark Masters btw, considering they were their strongest opponents and they couldn’t even evolve to Adults right now but that’s maybe another screentime problem. Also I know Koushirou is smart but starting a ship?? That should be impossible for him and everyone know it, it’s not a darn switch in the engine room and done lmao.

SO MAD about the Seraphimon evolution being no big deal hahaha. I know we’ve seen it in Awakening Of The Digi-Mentals but still, not like we or the characters have seen it just recently like the other Ultimates. Also, this was after-reboot-Patamon’s 1st time evolving - I wish someone, probably Takeru, would have addressed the fact that it died the first time.

Also I’d never miss all that subtle Takari - Takeru’s line after Hikari asked him about Meiko would better be translated as “you know who my #1 is” so before he turned his head to Yamato, the scene was totally meaning to say he was still talking to Hikari. Taichi’s “aren’t you glad?” matches that. Also, after they reunited after all the evolutions, Hikari ran to Takeru.

More shipping stuff - I would have expected and actually liked more Taichi/Sora/Yamato triangle? I do not like the triangle or lots of shipping in Digimon, but like it or not, this is definitely a big deal in the franchise and fandom and they set up perfect opportunities when the boys came to talk to Sora, but what they said then was neither shippy nor did they seem jealous that the other one was there, and I just feel like they’ve wasted an opportunity here to settle the neverending discussion in a cute, heartfelt way (since Sora was so sad and the boys just wanted to cheer her up).

Btw, Piyomon was just a bitch at some point. I liked its suspicion, made sense imo, but then sleeping on Meiko’s legs when she was the last to even arrive was just an attack against Sora personally which made no sense at all.

The ending was absolutely terribly made, it really just felt like just a chapter or episode had ended, not a movie

BUT WHAT WAS GOOD?!

I like where the plot is going. Losing a partner is an issue that wasn’t adressed in the franchise before, and it was beautifully portrayed.

The soundtrack was really, really beautiful, especially the usage of old tracks. I was mad when Butter-Fly was played during the evolution of Wargreymon and Metalgarurumon but turned out that it was this way because they’d play Brave Heart... 2 times? Full? during all the evolutions afterwards and I feel like we never hear that song in tri. even though it’s really the highlight of Digimon to me, so that was nice.

It was nice to see stuff from other seasons like the Gods and Yggdrasil and I feel like there was a lot of plot in this one?? With Maki, Yggdrasil and all I feel like we finally have an idea of what’s going on and this feels so nice hahaha!

That’s all, though. I don’t even have many questions for the next movies, other than the ones I’ve already mentioned in this wall of text. With the plot actually going somewhere finally, there’s less for me to theorize but not enough for me to actually call things because I know tri. will continue to be vague even still lmao. It’s really a bummer I didn’t like this one at all, considering how much I loved Confession, but let’s hope it’s just setting up a great finale!

Hope Union/Kyousei will release in September-ish so they can squeeze the final movie in this year still! :)

#digimon #digimon adventure tri #digimon adventure tri 4 #digimon adventure tri soushitsu #digimon adventure tri spoilers #digimon adventure tri loss

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myanime2go · 5 years ago

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15 Anime Like Dr. Stone [Recommendations]

I am ten billion percent sure you have been compelled by the power of science and you’re looking for more anime like Dr. Stone. Well, you have come to the right place!

And for readers who have not watched Dr. Stone yet. Dr. Stone was one of the most popular anime of the Summer 2019 anime season, and for good reason. It was a fascinating show with a unique premise, interesting main cast, educational, insightful and fascinating to watch. Summary One fateful day, all of humanity was petrified by a blinding flash of light. After several millennia, high schooler Taiju awakens and finds himself lost in a world of statues. However, he's not alone! His science-loving friend Senku's been up and running for a few months and he's got a grand plan in mind—to kickstart civilization with the power of science! By resetting the world, animes like Dr. Stone really allow us to explore human nature and the future of society. Can we be better? Is it possible to restore technological advances to what it is now? It's definitely a fun topic to watch.

let's get started!

Anime Similar to Dr. Stone

15. Planetes

Studios: SunriseEpisodes: 26Aired: Fall 2003 If what you loved most about Dr. Stone was its commitment to scientific accuracy, you should give Planetes a try, it can be slow-paced but for your patience, it rewards you with amazing character development that sets Planetes apart from other anime. Summary Haunted by a space flight accident that claimed the life of his beloved wife, Yuri finds himself six years later as part of a team of debris cleaners on a vessel called the Toy Box charged with clearing space junk from space flight paths. The team consists of Hachimaki, a hotshot debris-man with a sailor’s affinity for the orbital ocean; Fee, a chain-smoking tomboy beauty with an abrasive edge; and Pops, a veteran orbital mechanic whose avuncular presence soothes the stress of the job. https://youtu.be/IzfiI1jIGi8 Planetes features distinct realism in its storytelling, relatable characters, a genuine sense of humour and motivational dreams. 14. Are You Lost? (Sounan Desu ka?)

Studios: EzόlaEpisodes: 12Aired: Summer 2019 Dr. Stone and Are You Lost? both have characters that must survive the peril they are kept in and characters that know a lot and come up with ideas to help survive. Summary Four girls are stranded on a deserted island after surviving a plane crash. How can they survive? Because of a plane crash … starting today, we're spending the springtime of our lives on a desert island!! There's nothing here, so we have to make everything!! And eat everything!! (Ugh!) Check out our high-school-girl survival story of courage and knowledge. We're actually doing pretty well! https://youtu.be/wwP8TQE2P0c Are You Lost? doesn't take itself too seriously, it is a little more light-hearted, funny, fan service fueled and filled with cute girl anime. while with some of the same themes as Dr. Stone, Are You Lost? maybe a good choice. 13. Space Brothers

Studios: A-1 PicturesEpisodes: 99Aired: Spring 2012 Space Brothers and Dr. Stone are both animes about science and engineering. Both characters also dream of going to space and both plots are rooted in real science. Summary One night in 2006, when they were young, the two brothers Mutta (born 1993) and Hibito (born 1996) saw what appeared to be a UFO heading for the moon. They decided that night to both become astronauts and travel out into space. In 2025, Hibito has become an astronaut, and he’s going to go to the moon. Mutta ended up following a more traditional career path with an auto development company. However, Mutta just ruined his career through a violent altercation with his boss. Now, not only has he lost his job, he appears to be blacklisted in the entire industry. Maybe this is a rare opportunity for Mutta to once again chase his childhood dream and become an astronaut like his little brother! https://youtu.be/ciS3fDqT1Vw Space Brothers is a well-constructed anime that mixes a heartwarming story with delightful comedy and relatable characters to show the audience just how difficult it is to become an astronaut. 12. Moyashimon

Studios: Telecom Animation Film, ShirogumiEpisodes: 11Aired: Fall 2007 Moyashimon like Dr. Stone is very educational and entertaining. It may not be survival based like Dr. Stone but most of the skills learnt in it, will be needed by Senku and Taiju if they are going to survive and kick start civilisation. Summary Meet Sawaki Tadayasu, second son of yeast preparation suppliers, who is forced to go to an agricultural university and continue the family business. He has the unique ability to see and communicate with microbes, and so he and his friend, Kei, are taken as students to the fermentation-process obsessed Itsuki-sensei. This anime follows Sawaki as he tries to make his way through university as discreetly as possible…which is pretty impossible if you’re as talented as he is. https://youtu.be/CzKecuRFICw Every now and again an anime comes along that is quirky, odd, and oftentimes underrated, Moyashimon is just such an anime. 11. Steins;Gate

Studios: White FoxEpisodes: 24Aired: Spring 2011 Steins;Gate like Dr.Stone is a science fiction anime that anyone who loves this genre should be sure to give it a try. Summary The story of Steins;Gate takes place in Akihabara and is about a group of friends who have managed to customize their microwave into a device that can send text messages to the past. As they perform different experiments, an organization named SERN who has been doing their own research on time travel tracks them down and now the characters have to find a way to avoid being captured by them. https://youtu.be/27OZc-ku6is Steins;Gate was one of those animes that made me laugh, cry and really connect with our characters. It also made me think, and it rewarded my thoughts by having closure and clarity. 10. 7 Seeds

Studios: GonzoEpisodes: 12Aired: Spring 2019 After watching Dr. Stone you are probably now into series that depict people trying to survive in a post-apocalyptic future. Well, 7 Seeds is a much more realistic take on this narrative, with ordinary people trying to come to terms with the idea of everyone they knew and loved being dead while trying to survive in the wilderness. Summary Scientists had predicted this disaster, and in response, the leaders of every country met to develop a plan for human survival before the meteor hit. The Seven Seeds project was developed out of this meeting. Each country froze a number of young healthy people, which allowed them to survive the meteor. After the computer determined that Earth was once again safe for human life, it released them into the world. The Japanese government created five groups of survivors: Winter group, Spring group, Summer group A, Summer group B, and Fall group. Each group consisted of seven members and one guide. The guide carried small tubes of poison on their necks to allow them to end their lives if their situation became unbearable. The Japanese government prepared seven "Fuji" as refuges for the groups. In each Fuji, the group would find seeds and numerous books instructing them on survival in the wilderness. https://youtu.be/7iCWs2HigSw Much like Dr. Stone, 7 Seeds is all about learning to prevail in the wilderness without the benefits of modern technology. And it's definitely can be seen has a more realistic, less comedic take of Dr. Stone's end-of-humanity plot. 9. The Promised Neverland (Yakusoku no Neverland)

Studios: CloverWorksEpisodes: 12Aired: Winter 2019 The Promised Neverland like Dr. Stone is a survival anime though not completely the same, but with its psychological thriller element it keeps us at the edge of our seats. Summary Emma, Norman and Ray are the brightest kids at the Grace Field House orphanage. And under the care of the woman they refer to as “Mom,” all the kids have enjoyed a comfortable life. Good food, clean clothes and the perfect environment to learn—what more could an orphan ask for? One day, though, Emma and Norman uncover the dark truth of the outside world they are forbidden from seeing. https://youtu.be/JIcjo7XVlOY The Promised Neverland starts off cute and harmless but it turns out there is more than meets the eye in this anime, with its cliffhangers, extremely suspenseful, tense and heart-rending moments. It's definitely a must-watch. 8. No Game, No Life

Studios: MadhouseEpisodes: 12Aired: Spring 2014 No Game, No Life is a beautifully colourful world, filled with wonder and brilliance. And like Dr. Stone, there is a lot of tactical thinking used by the characters which are very exciting to watch. Summary The internet is full of rumours about the Neet and Hikikomori genius gamer siblings Sora and Shiro. The two go as far as to refer to the world as a “shit game“, but then one day a young man calling himself “God“ summons them to a parallel universe. There, God has forbidden war, and “everything is to be settled with games“. Yes, even the national borders. Driven into a corner by other species, the ’human species’ is down to its last city. Can Sora and Shiro, these related failures of society, become the saviours of humankind in this parallel world? https://youtu.be/fV7nGIUuyzA No Game No Life is a brilliantly exciting masterpiece that challenges and excites viewers all at once. And just like Dr. Stone, you will find yourself needing to binge-watch the whole series if you decide to give it a try. 7. Cells at Work! (Hataraku Saibou)

Studios: David ProductionEpisodes: 13Aired: Summer 2018 After watching Dr. Stone, if you’re curious about science and biology, Cells at Work! Is definitely the show for you, it will satisfy and entertain you to no end, with its educational substance, comedic take and like Dr. Stone, it is an exciting take on the 'science is fun' trope. Summary Within the human body there is said to be approximately 60 million cells. White blood cells, red blood cells, platelets, macrophages, memory cells, killer T cells, natural killer cells, B cells, mast cells and many more! All these different cells work tirelessly within the body, never resting for a moment, at any time willing to resist invading foreign entities like germs and viruses to the bitter end! From Akane Shimizu, winner of Shounen Sirius’ Rookie Award, comes an informative tale about anthropomorthized cells! https://youtu.be/HMXWvvjAJek Cells at Work! is definitely different from a lot of anime shows, I mean how many shows are set inside the human body, humanizing all the cells and microscopic organisms within. It's definitely a must-watch if you liked Dr. Stone. 6. Astra Lost in Space (Kanata no Astra)

Studios: LercheEpisodes: 12Aired: Summer 2019 Kanata no Astra is definitely an underrated anime, looks can be deceiving and that's how this anime feels at first glance but it's a real gem and like Dr. Stone is a whole new breath of fresh air. Summary The year is 2061 when space travel is now possible and commercially viable, and the students of Caird High School embark on their Planet Camp. But soon after Group B5 arrived at their planetary campsite, a mysterious and unforeseen sentient light sphere warps its 9 members into outer space, stranding them 5012 light-years away from their home planet. With the discovery of an old, unmanned spaceship nearby, the students must stay strong, manage their limited resources and remain united in the darkness of space, so that all of them can survive their long and likely perilous trek back home aboard the Astra. https://youtu.be/wD9o_8UjOvg Kanata no Astra is a really decent anime, with a lot of mystery, logic and survival. Each element is done in a reasonable and accurate way like Dr. Stone, even the humour and drama aspects are well balanced and perfectly timed. 5. From the New World (Shinsekai Yori)

Studios: A-1 Pictures Episodes: 25Aired: Fall 2012 From the New World is like Dr. Stone just a lot darker and with a more serious tone, looking at how humanity has survived its destruction and rebuilt society. Asking the big questions what is yourself? society? and the importance of humanity? Summary The story is set in Japan a millennium from now. Five children — the protagonist Saki, Satoru, Maria, Mamoru, and Shun — have been born and raised in a tranquil town that can be described as a utopia, overflowing with water and green foliage. The world is ruled by people who have the “cursed power“ or the “gods’ power“ of telekinesis. After a certain incident, Saki and the others come to realize the true nature of their world. Before long, they learn everything, including the bloody history that brought humanity to this state. The five throw themselves into life-threatening adventure, fighting to protect friends and a world on the brink of collapse. https://youtu.be/hJn3FNPoY5A From the New World is a slow-paced anime but if you are patient with it, it's an amazing and thought-provoking anime that you will be glad you watched. 4. Silver Spoon (Gin no Saji)

Studios: A-1 PicturesEpisodes: 11Aired: Summer 2012 When I started watching Silver Spoon, like Dr. Stone I had my reservations thinking it would just be another fun little slice of life anime but it was much more. Summary Yugo Hachiken aspires to live separated from his family, so he takes the initiative by enrolling in an agriculture school. He thinks, with his talent in studying, no problems will arise no matter what kind of school he attends. He is quickly proven wrong. Raised as a city boy, he is forced to uncover the inconvenient truth about agricultural life. Enjoy the story of Hachiken, as he tries to keep up with his new friends, farmers’ heirs, who are already accustomed to the harsh world of farming. The story of a sweat, tear, and mud-stained youth begins! https://youtu.be/b-yCzcYqH5E Silver Spoon like Dr. Stone is the perfect example of an anime that encourages us to believe in our abilities to set our own path and with hard work and teamwork, we can overcome hardship. 3. Death Note

Studios: MadhouseEpisodes: 37Aired: Fall 2006 When Tsukasa Shishiou reveals his intention to revive only the young, destroy the petrified adults and leave society in the Stone Age, Dr. Stone started to remind me a lot of Death Note. With the strong rivalry between our protagonist and rival, the way they used their intellect to get things done, outsmarting the rest of the cast or just the lengths they went to achieve their dreams. Summary An overachieving 12th grader, Yagami Light is an aspiring young man who seems destined for success. Unfortunately, his daily habits bore his incredible intelligence. So when a strange black notebook falls from the heavens during his class, it isn’t long before he takes it for himself. In his room, he finds, to his horror/fascination, that the Death Note is real, and owned by Ryuk, a Shinigami (Death God). Any person’s name written in the Death Note will die in 40 seconds.... without fail. With this supposed gift of God, Light swears upon his grave that he will ’cleanse’ the world of the evil and needless people that inhabit it, thus creating a utopia for all. With the world’s greatest detective, L, hot on his tail, will Light’s ideals prove too fantastic to realize, or will he succeed bringing justice? https://youtu.be/Vt_3c8BgxV4 Death Note is definitely one of the best anime series of all time. 2. Ascendance of a Bookworm

Studios: Ajia-DoEpisodes: 14Aired: Fall 2019 Ascendance of a Bookworm starts off like Dr. Stone the main character is removed from her world and brought back to a world that is primitive to her own. Using science and history knowledge from her time period to adapt and influence the new world and its native inhabitants. Summary Reino, a book-loving college student who just got her Librarian certification and was just hired to be the librarian of a large university library. Just before graduating and entering the job of her dreams, she was killed by a massive earthquake crushing her underneath a pile of her own books. Wishing for reincarnation in order to read evermore, where she got reincarnated to was a world with a low literacy rate and very few books, limited only to the nobility of the world. As she reincarnated as the daughter of a lowly soldier, no matter how much she wants to read there is no way there are any books around. If there are no books then what do you do? Why you make them yourself of course. What her goal is, to become the librarian of a library! In order to live a life surrounded by books, she starts with making books. https://youtu.be/KfPyxG-ZbFM Ascendance of a Bookworm is Dr. Stone for viewers who want a slow-paced plot, that explores more of the ordinary life of a bookworm. It's a beautiful isekai anime I recommend you give a try. Honourable Mentions Tokyo Magnitude 8.0

Studios: Bones, Kinema CitrusEpisodes: 11Aired: Summer 2009 Uninhabited Planet Survive! (Mujin Wakusei Survive)

Studios: Madhouse, Telecom Animation FilmEpisodes: 52Aired: Fall 2003 Kemurikusa

Studios: YaoyorozuEpisodes: 12Aired: Winter 2019 Nausicaä of the Valley of the Wind

Studios: Studio Hibari, TopcraftEpisodes: 1Aired: Winter 1984 The Disastrous Life of Saiki K.

Studios: J.C.Staff, Egg FirmEpisodes: 120Aired: Summer 2016 Jyu-Oh-Sei: Planet of the Beast King

Studios: BonesEpisodes: 11Aired: Spring 2006 1. Girl’s Last Tour

Studios: White FoxEpisodes: 12Aired: Fall 2017 Girl’s Last Tour is quite similar to Dr. Stone in both plots happen in an apocalyptic world, where our characters survive the day-to-day hostilities of their environments. Summary Civilization is dead, but Chito and Yuuri are still alive. So they hop aboard their beloved Kettenkrad motorbike and aimlessly wander the ruins of the world they once knew. Day after hopeless day, they look for their next meal and fuel for their ride. But as long as the two are together, even an existence as bleak as theirs has a ray or two of sunshine in it, whether they're sucking down their fill of soup or hunting for machine parts to tinker with. For two girls in a world full of nothing, the experiences and feelings the two shares give them something to live for… https://youtu.be/SuVVs4giZrI Girls’ Last Tour is lighthearted and emotionally; it excels through simplicity and thoughtfulness. Making it one Of best shows of its year.

science!!!!! Well, that's my list. Do you think there is any anime I missed let me know in the comments section below? Till next time stay safe. Read the full article

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thepriceofbeingaroseisloneliness · 4 years ago

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Toshiya Interview 「PHY」Vol.17 Translation 1/2

He talks about the negative parts in human beings that the world has no choice but to look straight at. Also, he talks about his own melancholy. “The places, the time, and the people I cherish are not eternal, rather, they can be destroyed in an instant…. that resignation…no…I wonder if there is an awakening about that”

Note before reading: This is the first part of Toshiya’s interview in 「PHY」Vol.17 released last 19th. This part covers half of the interview. You can already read the second part here. You can get the magazine at Cdjapan if you live out of Japan. Please buy and support it if you can. Feel free to correct me if you spot any mistake or any confusing parts. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) ----- It was the kind of interview that made me believe in them forever. DIR EN GREY's first digital single, 'Ochita koto no aru sora ', it’s a song like a warning bell that appeals to live without looking away from this restraining reality, as well as the desire to bet on a band of five members. Of course, there,the feelings of how each member feels about Corona are included there. In this solo interview with Toshiya (Bass), he talked about the melancholic feelings he is having facing the current situation of the world. In his own words, he feels sometimes hesitant to say his own thoughts, the conflict, the indecision, but at the same time, he revealed the reason why a strongly man like him felt the necessity to be in this band. Text by: Higuchi Yasuyuki Photos by: Sasahara Kiyoaki Hair&Make-up : Yamaguchi Atsushi “Putting their problems aside, we have lived mediocrely. Then, facing this situation, we are unable to compete. But that's the negative part that we have been facing for a long time” -The other day, I was allowed to hold an event at a certain place. T: Thank you. You were really helpful. -It's been a while since I witnessed the scene of the 5 of you reunited together. Your presence in the dressing room at that time, felt like a person who was really at home. T: What do you mean? (laughs) Well, I haven’t been meeting people. -It’s a time that it’s stimulating (meeting people)… T: It’s scary, isn’t it? If you get infected, you will affect those around you, moreover, if you get someone else infected…..you think about those things after all. -Staying all time at home made you feel depressed? T: Not really. Basically, because in the first place, my life is the same as when we are doing our underground activities. -The other members believed the same (laughs) T: So, it wasn’t depressing. These activities were rather normal or even plain. Well, if I had to say something that was different than usual…. thanks to having more time than usual (the single), it was completed very smoothly. -It seems like that. T: Originally, we were planning to record while touring but the postponement of the tour gave me some time and it was very smooth. -Are you always on a tough schedule? T: It’s already rough. And at the very end I always feel like I’m compressing everything so in that sense, it was every easy to do (the single) this time. -If you had made it between tours as planned, wouldn't the single have a different style?

T: There is a possibility. However, I don't think it would be completely different…. I don’t really know. -That's right. Personally, when I listened to this song, I thought about how you would perceive the current situation as a band that can’t see what lies ahead. It’s a song with a lot of power and energy, are you worried about the future of the band? T: I see. About what your personal thoughts…. I think this band will be fine as long as the members are living, like, the band will continue on as long as the members are alive. It might be an extreme reasoning but that's what I think myself. Regardless of the Corona and what will happen after it. -Because you don’t think that just because of this situation…. T: Yes. Because I think Dir en grey is consisted by these 5 people. Well, until now, I used to say it with words in interviews and so, but maybe recently I really came to think that. -It could be. T: In the past, being honest….when I was thinking about the band….of course I know I'm a person that would be in a band but I thought that there was no reason why it had to be these five people. -That way of thinking its not only limited to you, that’s a thing you think when you are young. T: It’s not only related to bands but also to human relationships. For example, let’s say that you insult someone on the internet. Of course, there might be a reason behind why that person got insulted but rather than insulting them, don’t say anything. You accumulate those things inside (the attacks/insults) and eventually that person will….like….* *He is is making a subtle reference to the recent news of Hana Kimura’s suicide after being harassed online. -There was this sad incident…. T: The places, the time, and the people I cherish are not eternal. A word that has no meaning at that time, the words of someone who doesn't understand the true meaning of what they are saying. With a single word that dances around with collective complicity, important things can be broken in a instant. That resignation…no… if you don’t have that awakening, that you don’t need to insult someone or do just as you please…. -Do you think you are the type of person that lets those things accumulate in yourself? T: How should it be? But I want to cherish where I am, I know that this position is only possible with these five people, so I sometimes I don’t express my thoughts, but it’s like that for all human beings, right? - When you started the band, you were more self-assertive but you had to change that in order to be able to continue in this band. T: That's right. After all, I'm basically a very selfish person (laughs), so I feel like I'm going to destroy the place I'm in if I'm a selfish person like I was in the past. Isn’t that scary? - You have that kind of trait rooted in yourself. T: When I was a kid, I was always selfish and selfish, for example, even if I played soccer with my friends, if I had the ball, I would go to the score goal myself. I didn’t pass it to anyone (laughs) -But team playing is an important thing in sports…. T: I had no spirit of cooperation. I was often told that by my parents. Like “As you are not cooperative, you’re better off doing things alone than doing it with others”. -And such a person has been in the same band for over 20 years (laughs) T: That's right. That's why I feel that the band has given me spirit of cooperation with others. If not, I would still be running to the score the goal with the ball (laughs). -But that kind of person is doing the bass in a band called Dir en grey, so I think it’s a perfect balance. T: Is that so? - The members in charge of bass and drums tend to be less self-assertive and more cooperative than vocals and guitars. I think that's probably because rhythm is related to the fundamental base of music and it’s created by the instrument that play it. T: In the past, that was the impression, right? About the bass. Like being a step back from everyone and playing silently. -But you are not that type of bassist. In the first place, each of you asserts themselves on stage. T: I agree. I mean, I've never though that "because I was the bassist I had to take a step back" (laughs) -That’s what DIR EN GREY is. I thought that it must be hard for the band to have a bassist with such a strong presence when I saw the current shooting. T: What it’s hard? -I meant that the individuality of each one of you collides violently. You can’t take pictures like these with 5 people, right? T: That's right. In a good way, it's also the band's mood. That's why I've been playing in this band with a mysterious sense of balance. I'm not going to take a step back, and while I have a desire to go forward, I'm also conscious of not going too far. “I feel that the band has given me spirit of cooperation with others. If not, I would still be running to the score the goal with the ball (laughs).” - You said that you have acquired that kind of balance in this band. T: That’s what I think. And that doesn’t apply just to me, but also to the other four members. Like, everyone is looking properly at others, not only themselves. It’s the same at lives, and of course what you want them to see it’s your playing but what I really want them to see the most is the sight of these five people standing there. That’s what the image of a cool band might be and on top of that, each of us can shine in their own way. - As I said earlier, I think you are really a strong person. And I think that's something that all the members of this band have in common. T: That might be true. - So, your personalities collide violently, and that friction is what creates your sound. However, on the other hand, there are some moments in which you have negative thoughts, or you are not confident in yourself. T: That's right. After all, I don't have self-confidence. - Especially in your case, I feel that you often make statements like that in interviews. T: Is that so?......mmmm…..I wonder why….but it’s like... I think that saying that kind of things doesn’t matter in some cases?.... -What do you mean with “it doesn’t matter”? T: Well, like they ask “are you confident?” and you are, but saying those things openly/loudly isn’t something that is bothering? I think it's only me who knows in what I am confident and in what aspects I am not. But then, do you know yourself well? If you ask me, I don’t know the answer at all. In short, you probably shouldn’t believe the words you are told. -You don’t believe in those words? T: Yes. Everything is a lie or a false image. Words, including lies and truths are mysterious. After all I believe it’s like that. Also, I think of myself as just a shallow/miserable person. Next part

#dir en grey #toshiya #phy vol 17 #phy magazine #translation #toshiyatranslations

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thepriceofbeingaroseisloneliness · 4 years ago

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DIE PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION 1/2

Sometimes delicate, sometimes rough, sometimes you are dazzled by his splendid playing. The red guitarist has reached Dir en grey’s unique mark . “Surprisingly, I like the rough feeling of those times. It felt like each member was strangely not trying to coordinate with the others. It seems like every member was playing with that rough feeling while just focusing on each’s one position. I remember quite a bit the atmosphere around 2005.”

Notes before reading: This is the first part of personal interview of Die from the magazine Headbang Vol.27 released on 18th August. The interview is 11 pages long, this part covers the first 6 pages. As Toshiya’s interview, 2nd part is focused in his roots as a guitarist and overseas experience. This interview is hella long so expect second part in a week or so. You can read the second part here You can get the magazine at Amazon Japan or CDJapan. Feel free to correct me if you spot any mistake or any confusing parts. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) -----

“These concentration of feelings…. I wonder if this has become one of our distinctive characteristics. That’s why it wasn’t like ‘let’s try some different ways about how it can be listened’. I think the current Dir en grey is in a middle point. Ah, I wonder if this is our distinctive mark I was working on it while thinking if this uniqueness is a method that can’t be imitated anywhere else” Text by: Yohsuke Hayakawa Next appearance is a guitarist who pulls the string of his vivid red-coloured instruments, Die! In ‘Ochita koto no aru sora’, he has certainly established himself. Also, in an interview focused on 2005, focusing around the same time they released the single ‘Clever Sleazoid’, he confesses his honest thoughts of those days when they were putting their eyes at overseas as the band was going through a transitional period. It became a really interesting text.

In addition, from domestic artist such as D’ERLANGER which are the flesh and bones of Die, up to the ‘Family Values Tour’ organized by KORN, which became a battle ground, this interview must be read in full, along with the second half theme interview in which several problems appeared

“Feeling the same than the fans, I wanted to see it as a situation that we don’t know what’s coming’

-I have the impression that Dir en grey has been so close to their fans over the last few months. After all, in this unprecedented situation, as they are people looking for themselves, was there a moment that you thought that there was something you could do even if it seemed impossible to be until then? Die: Well, that’s true. I feel like I've been doing specials things and things that I haven't done before. Like the live without audience (’The world you live in’, a live without audience in March). All the members were looking at strange places while playing. As there were no fans there and then all the same staff members were doing the same lighting and production as usual, I was wondering how it would feel when the live started. It would be strange to say that there was a response, but I feel we were able to play in a good atmosphere. As a result, I think I had a very good experience. -After that, in May, there was a Youtube broadcast with setlist planned by the members (DIR EN GREY AUDIO LIVE STREAM 5DAYS) and you personally appeared in the chat. D: The chat was actually quite hectic (laughs) -Hahaha. In addition, there was also a broadcast of a talk with a relaxed atmosphere where you could see the real face of the members (DIR EN GREY LIVE ARCHIVE & SPECIAL TALK). At those, I felt the love for your fans. D: Well, that’s right. However, even if the AUDIO LIVE STREAM was done for fans, we also enjoyed it. The setlist of the other members were sent in advance to me but I didn't look at them. As I wanted to see it with the same feeling as the fans, not knowing what was coming. Enjoying them, mine was on the 3rd night and until then, I was watching the flow of the fan chat and I it looked amazing. I thought ‘I want to join as well in the chorus part’ (laughs) So I decided to participate at the part of the chorus in real time. However, the pace of the chat was too fast, and the timing didn't match at all (laughs) That’s why that part felt very much like a live. When it finished, I felt like time flew so fast. -There was a rare feeling about discovering each member’s setlist. I enjoyed the 5 days. Apart from you, there were people talking on SNS from different positions and I think there were many people who were going through difficult situations, so it was a good project to make everyone feel closer to each other. D: That's right. Then, one to two weeks later, the members themselves appeared on the screen. Well, if it weren't for this situation, I probably wouldn't have done it. But if you are going to do it…. it’s a strange way to say it, but it's wasn’t the usual DIR image, but bit more relaxed. Because we said we wanted to create an atmosphere that made that fans happy.) I did (my appearance) it with Toshiya…. -Yes. It was quite a shocking time (laughs). D: Hahaha. Toshiya said that if we did the talk as always, it wouldn’t be exciting for the fans. That’s why we caught up and drank a little bit in advance, so we raised our spirits by ourselves. I think we have the desire of fans enjoying this part of the talks too. -Well, the good atmosphere that you both created was cool. D: Well, when you are thinking about what you can do to make it better, you are kind of wondering what it's going to be like. The live with no audience, the ”AUDIO LIVE STREAM’, there was also the members talk…. But it's not something you can do so many times. It’s just doing what we can do now. -Indeed. I don’t even know if the proper answer to the current situation would be to keep doing lives without audience. D: I did the live without audience once, but once I did it, I felt like I couldn't do them properly in the same circumstances even if I did them twice or three times again. -After all, there is a feeling of tension and challenge unique when you do it for the first time. D: That's right. Like, “How is going to be?”, I can only do it with that sense of tension. “I was like, ‘what’s is this space (venue)? I feel like I was inside of a dream” -Also, I remember your words in the members talk, you said "I feel like the days when I was playing lives are an illusion”. D: Ah, yes yes. -A heated up crowded show is no longer realistic for you? D: That’s right. At that moment, I couldn’t see the future at all. If I thought that we couldn’t do anything in the future (lives) I wondered what that space (venue) will become. I think I feel like I was in a dream. After all, if you have too much time, you will end up imagining various scenarios. Good and bad. -For sure. So, while the tour went from being postponed to cancelled, the Pia Arena MM performances 'The insulated World- The Screams of Alienation', that marked the end, remained as a possibility until the last moment to finally being cancelled as well. I think that was a tough decision. D: It really was. It would have been the fans and the band just meeting…...It's a bit strange to say, but if that were all was about, we could have done it. But we couldn’t do our live. Naturally, we could have changed the arena tickets and the standing that were being sold as seating tickets, also, you needed to leave an empty seat between people at that time. And after all, if you have to be ventilating all the time, you won’t be able to use things like smoke, or certain things on the stage. If we have gone through that, Dir en grey may have been the first band in the world to perform a concert like that, which would had made us the reference for other bands for the future… At that point,we were wondering if it would be best to be the first ones to do it but, after all, our live couldn’t be materialized as we wanted so as we couldn’t do it, we decided to cancel. It was also the closure of 'The insulated world' (2018), so it wouldn’t be finally closed. It's nice to have a live performance, but in the place where we were going to show the culmination of what we've been touring for the past 1-2 years, even though we did those lives performances, there wouldn’t be any special production due to Corona. -It would have been simply like a fact, “we did them because we had to”. D: That's right. We felt like we were going to get catch up with out activities for the future. It was a tough decision. We really wanted to do something in order to be able to do the performances and we were looking for a way to do them, so the announcement of cancelation was made at very last minute. During days, we were going from the phase of “Yes, we can do it” to “No, we can’t” during the whole day. -You have just transmitted that sense of tension here, the feeling of going against the timing….When the tickets were about to be on general say, you cancelled the performances. D: Yes, it happened around that point. It’s hard to imagine playing a live with social distance due to the current situation. We have been active until now, and we have been watching the crowded audience all the time. I don’t think otherwise it would be a Dir en grey’s live, spaced apart and with everyone not being able to say a word (shouting/cheering). If we had to do it in such conditions, I don’t think it's necessary to do the performances. “Oh, is this our distinctive mark? I wonder if this uniqueness is something that can’t be imitated anywhere else”

-Meanwhile, the new single "Ochita koto no aru Sora" was completed. While it’s filled with DIR EN GREY essence, such as a heavy riffs, a fierce chorus, and a catchy melody, I felt that you made this song made with a strong feeling of scepticism/caution. D: I see. If you put aside the last song 10-minute song 'The World of Mercy', it’s a song that seems to be following the flow of “Utafumi” and “Ningen wo kaburu”. It seems they are following a pattern as songs that we release as singles. I wonder if that’s possible to be done. There is no guitar solo. -It's a song quite solid overall. D: That’s right. The (guitar) phrase is changing little by little due to the composition the riffs, but it feels like I’m aggressively pushing the riffs all the time. It’s like adding nuances that change the scene so clearly. -It's like a seamlessly connected melody flowing. D: Yeah. The atmosphere flows as it is, but I wonder if the details will change in the future. I wonder if this feeling of scepticism/caution you mentioned is one of our unique traits. That's why I didn't feel like trying to make it sound different. I think this style is the middle point of the current DIR EN GREY. The feeling of this uniqueness that we have created is the most suitable for us. - So, you just let it out without trying to knead it strangely. D: That’s right. If you think about it in various ways, you can develop it more and make it more attractive, but I want to go with a pattern that runs through the core without any strange element. However, it is surprisingly difficult to make such a thing. After all, it's easier as a pattern to make a development in the middle of the song. After all, it’s difficult to create a high point in a song like it is floating on air. -Ah, I see. If the atmosphere of the back is modulated in a completely different form, it’s easier to get that you did the song with the intention of making a high point. D: It's kind of easy to do that way, isn't it? However, instead of going like that, it’s 3 minutes and 20 seconds of a song with consist mostly of one consistent riff. However, when I played the guitar in the recording, actually it was quite dizzying. Even if the riff repeated, it may not be exactly always following the same pattern, so it is always thrilling. - Certainly, the pattern of riff changes in the first half and the second half. D: Oh yes. I wonder if this our distinctive mark. I wonder if this uniqueness is a method that can’t be imitated anywhere else -So, do you think that that aspect is established as a tacit understanding between the members? D: Yes, I wonder if it became like this naturally. There were quite a few developments but in the process of pre-production, I went to the direction of scraping off and scraping off the guitar (*An effect created by scraping the pick along the strings of an electric guitar). I don't overdub (*a technique used in audio recording where a passage has been pre-recorded, and then during replay, another part is recorded to go along with the original) as much as I used to. After all, in the old days, I was relieved to do it in that way but, that’s not how you are going to play it live (laughs). It's quite courageous not to do it. If it's a recording, you can record several layers of sound, but since you only play live the original, how can you compete with what sounds there? And this time, I could hardly take a break while working at home as I couldn’t barely get out of my house. - So, due to this unusual event going on, the schedule changed significantly. D: That’s right. I think we will be aware of this later. It feels like “Oh we did this single under these circumstances” or “at the time of this single, we were under a lockdown”, things like that. - By the way, this time the chorus… isn’t the pattern a bit difficult to do while playing live? D: No, it comes in at a good timing. Kyo has thought about the chorus with the flow of the song. If you think about the all the set of instruments will be played live at some point, it’s easier to get focused in the moment when the sound is rising up but when it's in the riff or in the back timing, It's almost impossible (laughs) If you are playing at this speed. As usual, when we were going to record the chorus, the lyrics were given to us for the first time. As it is in English, the timing is quite difficult. “Each member was strangely trying to not to assemble with each other. I like the rough feeling of those days” -I feel like that chorus is very DIR EN GREY once again. Also, about the remake of 'Clever Sleazoid'. The lyrics have changed to Japanese, but the impression of the song is that it’s relatively faithful to the original. D: Yes. In terms of backing, we haven't changed it much from the original one, and we just raised the tempo a little. Also, it's a moment in which we re-recorded it with our own sound. And when it comes to guitars, it's more like the two guitars are playing closer together. The the original song was released around 2005, at that time, each of us were playing with our own sense of timing. Every of us were disconnected from the others, but there was a feeling of everything coming. But now, I wonder we did it with a pattern that fits tightly in unison. -You just mentioned it but, what do you think is the biggest difference between Dir en grey in 2005 and Dir en grey today? D: Well…..Really, 2005 was a transitional period for the band, or a time when we were looking for a little change. Everything was trembling, in a good an in a bad way as well. It was such a time like that. Personally speaking, it's better now……it's bad that I say this, but it was like “am I playing guitar properly?” kind of. -Hahaha. Really? was it like that? D: Yes. But surprisingly, I like the rough feelings at that time. It feels like each member wasn’t trying to get connected with each other strangely, and it feels like everyone was playing it while only caring about their position. I remember the atmosphere of 2005 quite a bit. -In 2005, Dir en grey participated in the Japan leg of the tour 'Taste of Chaos', and I remember the festival on the studio coast. D:, Ah yes yes. Thinking about it now, wasn’t it rare? -I agree. Besides you, there was Killswitch Engage.... D: Also, The used, STORY OF THE YEAR, Funeral For A Friend, etc. -Yes. That band (Killswitch) was really exciting. D: Yes. we used to get together at festivals with Killswitch Engage at that time. I also did two-man in France.

-So, as you said, I feel that Dir en grey at that time was in a rough and emotionless moment.

D: Yes, it was like that. Even if I was standing on the stage, it was more about how could I raise my own mood/tension rather than doing it for the fans who came to see us, so if I was in a bad mood, I would stay in a bad mood. But well, at that time, we were playing with that kind of mood/atmosphere: if you don’t like this, then you shouldn’t come to see us.

-If it’s a festival focused on overseas bands like ‘Taste of chaos’, as some people in the audience didn’t know Dir en grey, did that that feeling of irritation come to the forefront?

D: Rather than……at that time, I knew about other bands only by name, but honestly, I was wondering “What the hell is everyone clapping for?”. It looked more like buttering up the audience. It was like “Ah, this is so shallow”. But there are a quite things that I can reflect on now. There were times when I wasn’t kind to the fans.

-That was also reflected on the changes of your music style?

D: That’s it. Back then, it was all about playing guitar. I thought it was pointless if I didn’t shake the guitar off all the way. That’s why I barely listen to the sound of the other members when we were playing live. Things like, matching the rhythm of the drums. This was something that the staff would sometimes point out to me. “Listen to what the others are playing, keep the rhythm more”, things like that.

-At that time, when they told you that, what did you say?

D: I said “Oh, yes” and I tried to do what I was asked to do, but once the live started I was like “Waa, let’s go” (laughs) It was good and bad, isn’t it?

(2nd part here)

#dir en grey #die #Headbang Vol 27 #translation

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fyrapartnersearch · 6 years ago

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Fandom Partner Search!

Your Name/Nickname/Alias: Bocaj Age: 22 Time zone: EST Add. Information: Born in the Year of the Rat, Also, a Hufflepuff.

Literate/Semi-Literate/Basic (Script): Literate, no text talk or anything like that please. Response Time: Varies throughout the day, but a few times a day. At least twice! Response Lengths: Again, varies. Bare minimum, a paragraph. More, usually. POV: 3rd Past Tense, 1st when a character is in thought.

Original /Fandom: Fandom, please. Canon Characters/Original: Usually, I stick to Canons. Some Fandoms are open to OC's, which I will mark, but typically, Canon. I don't ask you to nail their character 100 percent, but try your best. Favored sexual orientations: If things go in a romantic way, usually I like FxF, or MxF.

Response Time Preferred: I ask, at least once a day, if not more.

Also open to playing with any of the Trio's, even one that's not highlighted a lot- (Young Xehanort, Yen Sid, and Eraqus.) A lot is open for this Fandom.

Dragon Ball:

For this Fandom, I wish to stay within Universe 6, Champa's Universe. Mainly focusing on the Saiyans of said Universe, Kale and Caulifla, and Cabba. After watching Super Heroes, I like to adapt some of that, and the GT Tuffle Arc in the Sixth Universe. The Tuffles rebelling against the Saiyans, perhaps them targeting Kale, since her Legendary like form. OC's, as villains and antagonists are welcomed here, but the focus being on the Saiyans.

That's all I shall write for this. My roleplay Medium is: Discord My Discord Handle: TheOneWhoSits#3363

#multiple paragraph #semipara #long term #pokemon rp #mcu rp #dc rp #submission

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