#[that goes to the rest of her]

[mollysunder]

What I liked best about Jinx and Sevika's first post-Silco talk was how well it implies why their grief is so pronounced. Every complaint the two lodged at Silco was an admission at how dependent Silco had become on them, how much he LET himself be dependent. Silco didn't NEED to let Jinx give him his eye medicine, he was perfectly capable of doing so in season one's first act. The same could be said about Sevika, because while it wasn't nearly as extreme as with Jinx, he didn't need to give her so much responsibility. Frankly it's dangerous for a kingpin to give their righthand so much power (it's supposed to be spread around), and everyone noticed, even idiots like Finn.

That's why their loss is so pronounced, in all the years they dedicated to Silco, he gave up just as much of himself to them. Silco weakened himself and trusted Sevika and Jinx to make up for it. They filled eachother out, they needed eachother, and without him there's just a hole what they all used to give eachother.

[dootznbootz]

It saddens me that Helen of SPARTA is mostly known as Helen of TROY. As if she wasn't born, raised, and most likely, died in Sparta. Yes, she was of TROY for a while...But she was able to go back home to where she WANTED TO BE.

(Edit: Hating on Menelaus is illegal)

[here-comes-the-moose]

Echo during his time with the 501st: doing body shots, dancing on tables, blowing things up in the barracks with Fives, creating chaos with Fives, doing keg stands, complaining about them leaving the club “too early” even though it’s four in the morning, being the reason that new rules were added to the reg manuals, generally being an absolute terror

Echo during most of his time with the Bad Batch: tucking kids in, telling bedtime stories, always carrying healthy snacks, in bed by nine, putting people in time-out, telling “kids” to behave, tending to sick “kids”, being the only one to put their foot down and shut down any shenanigans, generally being a mom and an absolute angel (of course this is when he isn’t being the absolute badass that he is and always had been since let’s not forget that he’s an ARC Trooper)

[thenotoriousscuttlecliff]

The older I get the more I realise there is just nothing to Jean and Logan as a couple, he's just the cool bad boy alternative to her straight laced boyfriend, and no writer has ever bothered to develop them beyond that. Logan really has more of a dynamic with Scott than he ever had with Jean. When written well, Scott and Jean feel like genuine partners with neither character overshadowing the other, but when she's paired with Logan, Jean seems to just become the love interest or worse a prize for Logan to win for being a good person, the relationship always reduces her.

[freakartack]

"...Hello? Ma! I told you not to call me today, I'm making a movie!" -Wario, Mario Power Tennis

The most important lesson from Ma that Wario took to heart was the endless pursuit of cold, hard cash. Unfortunately, the one lesson she could never teach him was the importance of hard work to get it.  It wasn't for lack of trying; Wario's Ma is the hardest worker this side of the Mushroom Kingdom.  Raising Baby Wario was a herculean enough task on its own, but ever the enterprising spirit, she had also set out to grow one of the most profitable crops: garlic.

Her backyard business quickly expanded into a veritable garlic empire. Wario's mother toiled away tirelessly each day from sunrise to sunset to grow and harvest as much garlic as she could possibly achieve.  Much of Wario's current strength and endurance can be attributed to helping his mom on the farm as a child, although the teeth-pulling task of getting him to actually work was almost as difficult as preventing him from eating all the garlic straight out of the ground.  Wario's nose for instant gratification has always been a thorn in his mother's side, but try as she might to instill a solid work ethic into the boy, her "get-rich-slow" schemes could never appeal to him.  Still, Wario enjoyed his surprisingly agrarian upbringing. Along with garlic, his mother also raised chickens for eggs, inspiring in Wario a lifelong soft spot for poultry.  (He also had a pet hamster named Fluffy, who sadly passed away in 1986.)

Today, Wario is still on good terms with his mother despite their physical distance, and frequent phone calls keep her updated on all of Wario's business successes.  Of course, being Wario, he heavily embellishes the amount of work he actually does at his company.  If she only knew...

[zarnzarn]

(check the tags for more and also the tag for other fics in the story!)

athena, scowling as she gets bullied into marrying the people she pined over for the last 1000 years, suddenly realising something: wait a minute

odysseus: what?

athena, frozen: wait a damn minute you know what this gives me rights to do

penelope, also realising: oh fuck yes

odysseus: I don't like the sound of whatever's happening here what are you two fucking talking about?

athena, grabbing the marriage wine and tossing it back, then kissing her new wife and husband and handing penelope a spear as she picks up a mace: we'll be back shortly, you can start celebrations without us.

penelope: do u have anything that can start a fire

athena, pulling out an old contract and scanning it before throwing it over her shoulder: yes. are you scared of heights or can we fly.

penelope: fucking bring it I've waited years for this moment

zeus: where are they going

hermes, picking up the contract: they're going to... Ogygia? Oh fucking shit they're going to fucking kill Calypso- hey, hello, WAIT-

[densewentz]

All I can think about is how fucked everyone treats a Shadow Dragon Rook if they choose to save Treviso over Minrathous. Because the decision is sound, you know? Horrible, and hard, but Treviso is this half-broken merchant city. No guard other than the crows, no defenses, no giant floating big brother laser in the sky and one of Thedas' largest collection of mages. And so Rook has to trust their fellow Dragons to protect their home and hope to anything that they can keep the blight from Treviso. Only it's not enough, and despite the fact that Rook is one (1) person, who's only leading because no one else would goddamn do it, who has never even SEEN a dragon before the one at D'Meta's Crossing, and who still managed to fight off one dragon right after a grueling mission and then still have the energy to run off to try and help Minrathous - everyone still seems to blame them. And not just that, but the entire team spends most of the next act with their hearts breaking for Minrathous, and for Neve especially. 'Poor Neve, her home is gone, her people are dead, her life as she knew it is changed forever, poor neve, I know you didn't have a choice Rook but Neve is hurting now'. And I LOVE Neve. I love her. But it is so fucked up that as a Shadow Dragon Rook who was forced to make a horrific choice, who ALSO lost their home, their people, the life they knew- no one ever really bothers to comfort Rook. Or even consider that Rook would be absolutely shattered by what happens to Minrathous. Or fucking furious, because Rook and the goddamn Crows managed to fight off their dragon by the skin of their damn teeth with basically nothing, so how could the Shadow Dragons and the rest of Greater Minrathous not handle theirs! What were they goddamn doing that whole time?!?

The only difference between Rook and Neve is that Rook doesn't have the luxury of fucking off in the middle of a fight for the world to go mourn what they've lost. They have no choice but to pull their shit together and keep going.

And still every time Rook goes to a companion with the broken pieces of themselves in their bloody palms its just. "Oh Rook, how could this have happened to Poor Neve"

[too-many-lavellans]

Camp Canids

[yuseirra]

The journey

[wastedwastelandme]

I'm 50 pages in to Mansfield Park for the first time and in terms of Fanny Price's general health, education and well-being getting looked after, if anything at all happens to Edmund she is absolutely FUCKED

[dootznbootz]

Yes, Odysseus was "Defending what's his" and "reclaiming his kingship, riches, and masculinity" during the killing of the suitors but Leiodes' death shows how it was also still very much personal and about Penelope.

Then Leiodes ran out, grabbed Odysseus’s knee,                                   and begged him—his words had wings: “Odysseus, I implore you at your knee—respect me and have pity. I tell you I’ve never                                       injured a single woman in these halls by saying or doing something reckless. Instead I tried to stop the other suitors when they did those things. They did not listen or restrain their hands from acting badly. So their own wickedness now brings about their wretched fate. Among them I’m a prophet who has done no wrong, and yet I will lie dead, since there’s no future thanks for one’s good deeds.” Shrewd Odysseus glared at him and answered:                           “If, in fact,                                           you claim to be a prophet with these men, no doubt here in these halls you’ve often prayed that my goal of a sweet return would stay unrealized, so my dear wife could go back to your own home and bear you children. That’s why you won’t escape a bitter death.” As he said this, Odysseus picked up in his fist a sword that lay nearby—Agelaus had dropped it and left it on the ground when he was killed—with it Odysseus struck Leiodes right across his neck.                                       His head was rolling in the dust as he was speaking.

(Book 22, Johnston)

Leiodes: "Hey, we're good, right? I didn't even do anything with your servants or riches." Odysseus: "I don't care if you didn't do anything else, your crime is that you were trying to court my wife in the first place. You're fucking dead."

Also, he was so angry that he cut off his head in one stroke (Athena was juicing him up but still)

Touch the Wife, you get the Knife.

[greatgoddyke]

time to make your choice only you can be the one

[egophiliac]

We ARE going to bring up Captain Amelia. You have good taste! GOOD TASTE I SAY! *aka I just rewatched Treasure Planet and got hit with, "Oh yeahhhhh... that explains a lot!"*

honestly, the Meg/Jasmine/Amelia trifecta tells you 90% about me as a person. (the rest is covered by Sailor Jupiter and Sailor Uranus and, uhhh, I'll stop baring my soul to the world now)

and speaking of Amelia, this is tangential, but like -- there's one Twst comic I have been kicking at for a while where I needed an RSA sports/flight teacher and, uh, well

someday I will wrangle this stupid comic into coherency and she'll get to make an appearance (in the background of a single panel, half-obscured by a tall hat) (but I will know she's there and that's the important thing)

[peacockrulz]

Sorry for the lack of posts, have some more headcanons!!

[ronanxing]

heehoo

[buccellato]

Going a little insane thinking about how from Knives' perspective, his olive branch for Rem was rejected by his childhood perception of her loyalty to humanity, but Rem was assessing the situation as both a ship official and a parent and definitely making the choice she thought would maximize his and Vash's survival chances...like, if she was following duty as a crew member first and foremost, she'd head immediately to the bridge and tell the boys to head to the escape pods via comms or something. But instead she spent valuable minutes ensuring that Vash and Knives were safely strapped in and ready to escape, and then turned around to minimize the ship damage. Plus she had no actual way of knowing whether the plant ships were on a crash course, either—and while tristamp Nai can survive completely without food and water, no version of Vash has been shown to be able to do so completely (plus all other versions of Knives are shown at least drinking lol). So from her perspective she didn't just need to save both her kids and the humans on board, she also would've needed to save as many dependents as possible just so the boys had a way to stay alive.

She did the best she could do as a parent in that scenario, and Knives forever locked himself into a traumatized child's reasoning for her actions and blamed her to cope with it and then never reassessed from the perspective of an adult due to his, well, issues with everything. That's rough buddy.