#[muse: peter parker] | Explore Tumblr posts and blogs

urdreamydoodles · 1 month ago

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MARVEL COMICS CHARACTERS X FEM!READER

Your first kiss

Characters: Peter Parker, Tony Stark, Steve Rogers, Thor, Loki, Clint Barton, Natasha Romanoff, Bucky Barnes, Matthew Murdock, Frank Castle, Bullseye, Marc Spector, Taskmaster, Johnny Storm, Reed Richards, Ben Grimm, Susan Storm, Felicia Hardy, Stephen Strange, Namor, Johnny Blaze, Eddie Brock / Venom, T'Challa, Elektra Natchios, Muse, Victor von Doom, Peter Quill & Nova

PETER PARKER (SPIDER-MAN)

- The city is quiet tonight, or as quiet as New York ever gets. You sit beside Peter on the rooftop of his apartment, your legs dangling over the edge, the skyline stretching endlessly before you. The neon lights paint his face in streaks of color, flickering like the embers of something unspoken between you. He’s rambling—about school, about the Bugle, about the latest science joke that made him laugh—until he stops mid-sentence, swallowing whatever he was about to say. His fingers tap anxiously against his thigh, a restless rhythm betraying his thoughts.

- It happens when he turns to look at you, his brown eyes soft and unbearably earnest. There’s something about the way the wind plays with your hair, the way the city hums beneath you, the way the space between you feels like a held breath. His hand, calloused from web-swinging, brushes against yours, tentative but lingering. "I—uh," he starts, then stops, then exhales a nervous laugh. "I think I've been waiting for the right moment, but—maybe this is it?" He’s always second-guessing, always overthinking, but this time, you see the decision settle in his gaze before he moves.

- The kiss is hesitant at first—Peter Parker, for all his brilliance, is still a boy who fumbles when he cares too much. His lips are warm, the taste of laughter and something achingly familiar laced between them. And when you don’t pull away, when your fingers find their place in his hair, he exhales against your mouth like relief, like gratitude. His arms circle around you, pulling you closer, the city forgotten, the night reduced to the way you fit against him.

- When he finally pulls back, his forehead rests against yours, his breath unsteady. "Okay," he murmurs, voice edged with wonder, "so, that was—wow." And then he grins, that boyish, lopsided thing that makes your heart stutter. "I think I need to run some tests. Y'know, for science. Just to make sure it wasn’t a fluke." He’s already leaning in again, and this time, neither of you hesitate.

TONY STARK (IRON MAN)

- The night is heavy with champagne and the soft murmur of jazz drifting through the penthouse. Tony, ever the spectacle, had spent the evening dazzling the crowd with sharp wit and sharper smiles, but now it’s just the two of you, the after-hours of the party settling into something quieter, something real. He’s undone the top buttons of his shirt, sleeves rolled up, exposing the scars that speak of past battles and victories that cost too much. His fingers trail along the rim of his glass, but his eyes are on you, dark and contemplative.

- "You know," he muses, voice rich with amusement, "I’ve kissed a lot of people in my time. Scandalous, I know." A smirk, but it doesn’t quite reach his eyes. "But this one—this one might actually matter." The admission is half a jest, half a confession, and wholly Tony Stark—deflecting with humor, with bravado, but never insincere. He leans forward, the world outside reduced to the warmth of his gaze, the space between you shrinking with every breath.

- The kiss is molten, slow but deliberate, the kind of thing that leaves its mark. Tony Stark is a man who takes what he wants, but this—this is different. He kisses you like a man savoring a stolen moment, like he’s memorizing the taste of you, the feel of you, like he’s afraid that if he moves too fast, you might disappear. His hands cradle your face, thumbs brushing over your cheekbones with something almost reverent.

- When he pulls away, his breath is unsteady, his eyes darker than before. "Well," he murmurs, his voice rough at the edges, "that was definitely a top contender for best kiss ever. Might have to do some retesting, though. Y'know, for science." The grin that follows is lazy, pleased, but there’s something softer beneath it—something that lingers as he pulls you in for another.

STEVE ROGERS (CAPTAIN AMERICA)

- The battlefield is silent now, the fight won, but the scent of smoke and steel still clings to the air. You stand beside Steve, both of you breathing hard, adrenaline still crackling in your veins. His shield is strapped to his back, his uniform scuffed and torn in places, but he’s whole. Alive. And for a moment, that’s all that matters. The world around you is chaos, but in this sliver of time, there is only him. The golden light of the setting sun catches in his hair, highlights the worry still etched in the furrow of his brow as he turns to you.

- "You scared me today," he says, voice quiet but steady. Not an accusation, just the truth. Steve Rogers doesn’t scare easily—not when facing enemies, not when staring down impossible odds—but you, you are something else entirely. His gloved hand reaches for yours, fingers tracing the bruises blooming along your wrist, a silent apology for the pain neither of you could avoid. His jaw tenses, and then, softer, "I don’t want to lose you."

- The kiss is inevitable, a culmination of unsaid words and lingering glances stretched over countless battles. Steve moves like a man who believes in purpose, in certainty, and right now, you are his. His lips meet yours with quiet desperation, firm yet impossibly gentle, as if he’s afraid you might break beneath his touch. But there is strength in the way you answer, in the way you hold him closer, fingers curling into the fabric of his suit. The war fades into the background, the ache in your bones forgotten beneath the weight of him.

- When he pulls away, his forehead rests against yours, breath mingling with your own. "I mean it," he murmurs, a promise laced between the syllables. His hand tightens around yours, unwavering. "I’m not letting go." And somehow, you know he never will.

THOR

- The storm rolls in like a heartbeat, distant thunder thrumming beneath your feet as the wind tangles in your hair. You stand beside Thor on the edge of a cliff, overlooking the vastness of Asgard’s golden horizon. The feast is still raging behind you, laughter and music spilling from the halls, but here, in the open air, it is just the two of you. His gaze is on you, blue and endless, filled with something deep and unshaken.

- "You are different from the others," he muses, tilting his head as if pondering a great mystery. "Stronger, in a way that has nothing to do with battle. I have seen warriors crumble beneath lesser burdens, and yet—you endure." There is admiration in his tone, reverence even, as if you are something worthy of legends. His fingers brush against yours, tentative for a god who has known conquest and war. "It is… humbling."

- The kiss is as sudden as the storm breaking overhead—lightning splitting the sky as Thor moves. There is no hesitation, no second-guessing, only the raw certainty of a god who knows his own heart. His lips are fire and fury, the taste of rain clinging to the space between you. He holds you as if he could keep you here, bound to him by the force of his embrace, by the quiet, unshakable devotion that lingers in every touch.

- When he pulls away, the storm settles, the world exhaling as if in reverence. He watches you, eyes dark with something ancient, something unbreakable. "I have lived lifetimes," he murmurs, his voice a promise carved into the bones of the universe itself. "But this—I would live them all again, if only to find you once more.”

LOKI

- The air crackles between you, heavy with something unspoken, something that has been threading through your conversations like a whispered promise for longer than either of you will admit. Loki lounges before you, the very image of ease, but his fingers tap restlessly against the arm of his chair, betraying the storm beneath his skin. His sharp green eyes trace your form, lingering, considering, as if trying to decipher a puzzle he has yet to solve. “Do you know what it means,” he muses, voice a blade honed to silk, “for a creature like me to crave something?”

- The question lingers, woven with challenge and invitation, but you do not flinch. You have never been one to cower beneath his words, and that—more than anything—has always drawn him to you like a moth to an unforgiving flame. He stands in a slow, fluid motion, closing the space between you with deliberate steps, the ghost of a smirk curving his lips. "I have held kingdoms in my hands, stolen secrets from the lips of gods—" his fingers lift, barely grazing your chin, "—and yet, I find myself most drawn to the one thing that refuses to be claimed."

- And then he kisses you. No warning, no hesitation, just the full force of Loki's unyielding will pouring into you like a flood breaking through a dam. It is a kiss spun from defiance and devotion, from a god who has never known worship in the way he craves it from you. His hands—so often wielding knives and illusions—now cradle you as though you are the only thing in this world worth holding onto. There is something desperate in the way he moves, as if he fears this moment will be stolen, as if even now, he expects the universe to take you from him.

- When he pulls away, his breath is unsteady, his usual mask nowhere to be seen. He searches your face, as if expecting you to vanish like another trick of the light. “Do you see now?” he murmurs, his voice quieter than before. “This is not a game for me.” There is something almost fragile in the confession, something that would be a secret to anyone but you. You smile—soft, knowing—and pull him back to you, sealing your answer between his lips.

CLINT BARTON (HAWKEYE)

- The first time Clint kisses you, it’s after a mission gone sideways, when the dust has barely settled and the adrenaline still thrums in your veins like a second heartbeat. The two of you sit on the rooftop of some rundown motel, passing a cheap bottle of whiskey between you while the neon lights of the city flicker in the distance. There’s a gash on his cheek, dried blood beneath his nails, but his grin is easy, effortless, as if you both didn’t almost die hours ago. “Hell of a night,” he says, taking a slow sip before handing the bottle to you.

- He watches you as you drink, something unreadable flickering in his sharp blue eyes. Clint has always been good at watching, at noticing the things no one else does—the way your fingers tremble just slightly when you exhale, the way your shoulders carry the weight of too many ghosts. “You okay?” His voice is quieter now, serious in a way he doesn’t let himself be often. And maybe it’s the exhaustion, or the whiskey burning in your throat, or maybe it’s just the way he looks at you—like he’s already made up his mind about something—but you don’t lie. “Not really.”

- And then his lips are on yours. No preamble, no hesitation—just Clint, raw and unguarded, kissing you like he’s afraid this moment will slip through his fingers like everything else in his life. He tastes like whiskey and recklessness, like battle scars and late-night confessions. His hands find your face, rough and calloused, thumbs brushing over your cheekbones as if memorizing every inch of you. He pulls you closer, like he’s trying to drown himself in you, like you’re the only thing keeping him tethered to this world.

- When he finally pulls away, he exhales a quiet laugh, forehead resting against yours. “Guess I really suck at timing, huh?” There’s something vulnerable in the way he says it, like he’s bracing for you to tell him this was a mistake. But you just shake your head, smiling as you steal the whiskey bottle from his hands. “Nah,” you murmur, taking a slow sip, “you’re just an idiot.” He grins, and just like that, the weight on your shoulders feels a little lighter.

NATASHA ROMANOFF (BLACK WIDOW)

- The rain falls in soft sheets around you, the dim glow of the streetlights casting shadows along the slick pavement. Natasha stands beside you, her red hair damp, strands clinging to her cheekbones. The mission is over, the enemy neutralized, but neither of you have moved from this quiet corner of the city. She has barely spoken since you both walked away from the wreckage, but you know her well enough to recognize the weight in her silence. “You don’t have to be okay,” you say, voice barely above a whisper. “Not with me.”

- She looks at you then, something shifting behind her guarded green eyes. Natasha is a woman who has built walls so high that even she forgets what lies beyond them. But here, in the quiet of the rain, she lets something slip—just for a moment. "I don't know how to do this," she admits, the words foreign on her tongue, heavy with a truth she rarely allows herself to speak. She takes a step closer, close enough that you can feel the warmth of her despite the cold. “But I want to try.”

- And then she kisses you. Slow, deliberate, like a secret unfolding between you. Natasha Romanoff has always been calculated, controlled—but here, with you, she allows herself to be something else. Her lips move against yours with a quiet intensity, as if she’s searching for something she has spent her whole life denying herself. Her hands rest lightly against your jaw, fingers trembling just slightly before she grips you tighter, pulling you in like she’s afraid to let go.

- When she finally pulls back, she stays close, her breath warm against your lips. “Tell me this isn’t a mistake,” she murmurs, and there is something fragile in the way she says it, something raw. You brush a damp strand of hair from her face, meeting her gaze with quiet certainty. “It’s not,” you promise. And this time, when she kisses you again, she does not hesitate.

BUCKY BARNES (WINTER SOLDIER)

- The cabin is silent except for the sound of the fire crackling in the hearth. Bucky sits across from you, his metal fingers curled loosely around a mug of coffee, steam curling in the dim light. Outside, the snow falls thick and heavy, turning the world into something quiet, something untouched. He has been different since coming here—softer, but still carrying the weight of ghosts in his eyes. “Feels like another life,” he murmurs, staring into the fire. “Like I don’t belong in it.”

- You set your mug down, moving to sit beside him on the worn-out couch. “You do,” you say simply, because it is the truth. He turns to you then, something unreadable in the depths of his blue eyes. Bucky Barnes is a man who has spent a lifetime fighting his own reflection, drowning in the echoes of a past he cannot escape. But here, now, you see something else—something softer, something searching. “You make it feel real,” he admits, voice barely above a whisper.

- And then, with a quiet resolve, he leans in. The kiss is hesitant at first, like he’s waiting for the world to pull him away from you. But when you don’t flinch, when you don’t disappear, something in him unravels. His lips move against yours with aching slowness, like he is memorizing every second, like this is something fragile he is terrified of breaking. His hands shake slightly when they settle on your waist, fingers curling into the fabric of your sweater, grounding himself in the reality of you.

- When he pulls back, his forehead rests against yours, his breath uneven. “Tell me I’m not dreaming,” he murmurs. You smile, pressing another kiss to the corner of his mouth. “You’re not.” And for the first time in a long time, Bucky Barnes believes you.

MATTHEW MURDOCK (DAREDEVIL)

- It happens in the quiet hours of the night, when Hell’s Kitchen is caught between the restless hum of the city and the stillness of something deeper, something almost sacred. You sit beside him on the rooftop, the neon glow of a flickering sign painting his face in sharp red shadows. His hands are bruised, his knuckles split open like old confessions, but he doesn’t seem to notice. Instead, his fingers twitch against his thigh, as if fighting the urge to reach for you. “You’re too good for this city,” he murmurs, his voice rough, edged with something that sounds dangerously close to longing.

- You shake your head, smiling softly. “And you’re not?” The question lingers between you, heavy with meaning, with the weight of all the nights spent tending to his wounds, of all the times you’ve felt his presence before he even spoke your name. He turns his face toward you then, unseeing eyes searching, and you wonder if he can hear the way your heartbeat stutters beneath your ribs. “I know what good feels like,” he says finally, his voice quieter now, like a confession. “And it’s you.”

- Then, before you can speak, his lips are on yours. There is no hesitation, no faltering—just Matt, breaking the tension like a dam finally giving way. His hands find your face, fingers tracing the shape of your jaw with a reverence that makes your breath catch. He kisses you like he’s memorizing you, like he’s mapping out something he’s known for years but never dared to touch. He tastes like rain and something bittersweet, something that feels like the beginning of an ache he’ll never quite shake.

- When he finally pulls away, his breath is unsteady, his hands still cradling your face like he’s afraid to let go. He presses his forehead against yours, his voice barely above a whisper. “Tell me I didn’t just make a mistake.” There is something fragile in the way he says it, something vulnerable beneath all the armor. You smile, brushing your thumb over the fresh bruise on his cheek. “You didn’t,” you promise, and he exhales, like he’s been holding his breath for longer than he’ll ever admit.

FRANK CASTLE (PUNISHER)

- The world around you is painted in blood and smoke, the aftermath of a night that should have ended differently. The warehouse still burns in the distance, the scent of gasoline thick in the air, but neither of you move. You’re standing too close to him, the heat of his body bleeding into yours, the adrenaline still thrumming between you like a second heartbeat. He’s got a cut on his forehead, dried blood tracing the line of his jaw, but his eyes—sharp, dark, unforgiving—are focused only on you. “You shouldn’t be here,” he says, though there’s no real warning in his tone.

- “And you should?” you challenge, your voice steady despite the weight of everything that’s just happened. Frank exhales through his nose, a sound that could almost be a laugh if it wasn’t so hollow. He’s looking at you like you’re something he doesn’t quite know what to do with, like you’re a puzzle with missing pieces. “You don’t get it,” he mutters, his jaw tight. “Everything I touch, it ends up—” He stops himself, shaking his head. But you don’t let him finish. “I’m still here,” you say softly, and those three words cut through him sharper than any bullet ever could.

- And then, without warning, he grabs you. His hands—rough, calloused, steady despite the storm inside him—frame your face, and then his lips crash against yours with a force that steals the breath from your lungs. Frank Castle doesn’t do anything gently, and this kiss is no exception. It’s raw, desperate, full of all the things he can’t say, all the things he’s spent too many years trying to bury. He tastes like gunpowder and whiskey, like violence and something achingly human.

- When he finally pulls back, he keeps his hands on you, his forehead pressing against yours. His breath is ragged, his grip just shy of bruising. “You’re too good for this,” he murmurs, voice barely above a whisper. But you don’t move, don’t pull away, don’t give him the out he’s expecting. Instead, you just tighten your hold on him, anchoring him to something solid. “I don’t care,” you whisper back, and for the first time in a long time, Frank lets himself believe you.

BULLSEYE (LESTER)

- The motel room is dimly lit, the neon sign outside casting an eerie blue glow against the cracked wallpaper. You shouldn’t be here. Not with him. Not like this. But you are. Bullseye leans against the doorframe, arms crossed, head tilted as he watches you with that sharp, calculating gaze of his. “You got a death wish, sweetheart?” he asks, but there’s something almost amused in the way he says it, like he already knows the answer. Like he already knows that you aren’t leaving.

- “If I did, I’d be dead already,” you answer, and that makes him grin, all teeth and danger. He takes a slow step toward you, his boots barely making a sound against the floor. “Yeah,” he murmurs, tilting his head. “Guess you’re tougher than you look.” His fingers brush against yours, a ghost of a touch, but even that is enough to send something electric skittering down your spine. He’s testing you, waiting for you to flinch, to pull away. You don’t.

- And that’s all the permission he needs. His lips crash against yours, all heat and hunger and something far more dangerous. Bullseye doesn’t kiss like a man who loves—he kisses like a man who consumes. His teeth scrape against your lower lip, his hands gripping your waist like he’s daring you to run, like he wants to see just how far you’ll let him go. He tastes like sin, like something forbidden, like trouble wrapped in leather and bad intentions.

- When he finally pulls away, his breath is uneven, his pupils blown wide. He runs his thumb over your swollen lip, his smirk laced with something almost possessive. “You’re playin’ a dangerous game, sweetheart,” he murmurs, but he doesn’t let you go. He doesn’t want you to. You tilt your head, smirking back at him. “So are you.” And just like that, he’s kissing you again, laughing against your lips like he’s just won something.

MARC SPECTOR (MOON KNIGHT)

- The desert air is cool against your skin, the stars stretching endlessly above you in a sky so dark it feels like you could fall into it. Marc stands beside you, his posture tense, his fists clenching and unclenching at his sides. He hasn’t spoken in minutes, but you can feel the war raging inside him, the weight of something he can’t seem to shake. “You don’t have to do this alone,” you say finally, your voice quiet but steady. He exhales a sharp breath, running a hand through his hair. “That’s the thing,” he mutters. “I do.”

- You step closer, closing the distance between you. “No, you don’t,” you insist, and something in his expression cracks. Marc has spent years running, years convincing himself that he is nothing more than the sum of his mistakes. But here, now, with you, he feels something he doesn’t quite know how to name. Something terrifying. Something real. He swallows hard, his Adam’s apple bobbing. “You don’t know what you’re getting yourself into,” he warns.

- And then he kisses you. It’s sudden, desperate, like he’s trying to brand the moment into his memory before it disappears. His hands are firm, holding you like you’re the only thing keeping him grounded. He kisses like a man who’s afraid this is the last time he’ll ever be allowed to. He tastes like dust and exhaustion, like prayers whispered into the void.

- When he pulls away, his forehead rests against yours, his breath uneven. “I don’t deserve this,” he murmurs. But you just cup his face, forcing him to meet your gaze. “That’s not your call to make.” And when he kisses you again, it’s softer—less like a battlefield, more like a promise.

TASKMASTER (TONY MASTERS)

- The night is heavy with the scent of rain, the pavement slick beneath your boots as you follow Taskmaster through the abandoned lot. His mask hides his expression, but you’ve known him long enough to read the tension in his movements—the tight set of his shoulders, the way his fingers flex at his sides like he’s bracing for something. “You got a habit of walking into trouble,” he mutters, voice edged with something sharp, something protective. “Yeah?” you counter, stepping closer, tilting your head. “Then I guess it’s a good thing you never let me walk alone.”

- He exhales sharply, tilting his head toward you. His mask catches the neon light in slashes of blue and red, making him look almost inhuman. But you know better. You know the man behind the skull, the one who memorizes the way you move, the one who catalogues your tells, your habits, the way your breath hitches when he stands too close. “You keep getting in my head,” he mutters, and there’s something dangerous in the way he says it, something that sounds almost like surrender.

- And then, without warning, he lifts his mask just enough to press his lips against yours. The kiss is firm, deliberate—like a decision made in the space between one heartbeat and the next. His hands find your waist, pulling you closer, his body a wall of heat and tension and unspoken words. He tastes like adrenaline, like a man who’s spent too long in the dark and doesn’t know how to step into the light. You grip the fabric of his jacket, anchoring yourself to him, and he lets out a quiet, almost frustrated groan, like he hadn’t meant to let himself do this.

- When he finally pulls back, his breath is uneven, his mask still lifted just enough to show his mouth, his jaw. He stares at you for a long moment, his fingers still curled against your hip. “This is a bad idea,” he says, but he doesn’t let go. You smile, brushing your thumb over the fabric of his glove. “Then why does it feel like the best one you’ve had in a long time?” He huffs out something that’s almost a laugh before tugging his mask back down. “Damn you,” he mutters, but when he walks away, he reaches back, just once, and takes your hand in his.

JOHNNY STORM (HUMAN TORCH)

- The rooftop party is in full swing, music pulsing through the warm summer air, laughter spilling over the edge of the building like champagne bubbles. Johnny stands beside you, drink in hand, his usual smirk in place—but there’s something different about the way he looks at you tonight. Less cocky, more searching. He’s used to attention, to adoration, to people flocking to him like moths to an open flame. But you—you don’t just admire him. You see him. And that scares him more than he’ll ever admit.

- “You’re quiet tonight,” he muses, nudging your arm with his elbow. “That’s a first.” You roll your eyes, but there’s warmth in your smile. “Just taking it all in,” you reply, letting the city lights reflect in your eyes. He watches you like you’re something he’s trying to memorize, something fleeting that he’s afraid will slip through his fingers if he looks away. “You ever think about just… leaving it all behind?” he asks suddenly, his voice softer than usual. “The fame, the cameras, the expectations.”

- And then, before you can answer, he kisses you. It’s sudden, impulsive—because Johnny Storm has never been one for patience, never been one to hesitate when he wants something. His lips are warm, impossibly so, like he’s carrying embers beneath his skin. One of his hands cups the side of your face, fingers threading into your hair, while the other settles against the small of your back, pulling you flush against him. He kisses you like he’s afraid this moment might burn away before he gets to hold onto it.

- When he finally pulls back, his forehead rests against yours, his breath mingling with yours in the warm summer air. He chuckles, a little breathless, a little dazed. “That was—” he starts, but then he stops himself, grinning. “—about damn time.” You laugh, shaking your head, and he grins even wider before pulling you in for another kiss, because Johnny Storm has never been one for half-measures.

REED RICHARDS (MISTER FANTASTIC)

- The lab is quiet, save for the soft hum of machines and the occasional scratch of pen against paper. You sit across from Reed, watching as he scribbles furiously in his notebook, his mind a million miles away. He gets like this sometimes—lost in thought, in theories, in equations only he can fully understand. But tonight, there’s something different. His brow is furrowed, his fingers tapping against the desk in a distracted rhythm. “You’re staring,” he remarks, not looking up.

- “You’re brooding,” you counter, tilting your head. That finally earns you a glance, his sharp eyes meeting yours over the rim of his glasses. “I don’t brood,” he mutters, and you can’t help but smile. He sighs, rubbing the bridge of his nose. “It’s just… I’ve been considering something.” You raise a brow, waiting. He hesitates, then stands, moving to stand beside you. “An experiment,” he murmurs, voice quieter now. “A hypothesis I need to test.”

- And then, before you can fully process his words, he leans down and kisses you. It’s careful at first—measured, precise, like he’s cataloging every detail, like he’s analyzing the way your lips fit against his, the way your breath hitches, the way your fingers instinctively grip his sleeve. But then something shifts, and the scientist gives way to the man beneath. His arms tighten around you, his hands splaying against your back as he deepens the kiss, no longer thinking—just feeling.

- When he finally pulls away, his gaze is sharp, searching. “Fascinating,” he murmurs, more to himself than to you. You blink, still catching your breath, and then you laugh. “Did you just kiss me for science?” He smirks, adjusting his glasses. “No,” he says simply, and then he kisses you again, because some things don’t need an explanation.

BEN GRIMM (THE THING)

- The night is quiet, the world softened by the glow of streetlamps and the distant murmur of the city. You sit beside Ben on the park bench, your fingers just barely brushing against his. He’s always careful with you, always so aware of the strength in his hands, the weight of his presence. But tonight, there’s something heavier in the air, something unspoken. “Y’know,” he mutters, staring straight ahead. “I ain’t exactly what most people would call… kissable.”

- You frown, turning to face him fully. “That’s not true,” you say, your voice firm. He lets out a rough chuckle, shaking his head. “C’mon, sweetheart. I ain’t exactly soft.” His voice is gruff, but there’s something vulnerable beneath it, something that makes your chest tighten. “Ben,” you say gently, reaching for his hand. He flinches, just slightly, but doesn’t pull away. “You don’t get to decide how I see you.”

- And then, before he can protest, you kiss him. You feel the moment he freezes, the way his breath catches in his throat. He doesn’t know what to do with this—with you, with the way you touch him like he isn’t something to be wary of. But then, slowly, carefully, he responds. His lips are warm, hesitant, like he’s afraid of breaking you, of breaking himself. His hands tremble slightly as they settle against your waist, his fingers barely curling around you, like he can’t quite believe this is real.

- When you finally pull back, he stares at you, wide-eyed, like he’s waiting for you to take it back. “You… you really mean that, don’t ya?” he murmurs, voice rough. You smile, pressing your forehead against his. “Yeah, Ben. I really do.” And for the first time in a long time, he lets himself believe it.

SUSAN STORM (INVISIBLE WOMAN)

- The evening is quiet, the world outside the Baxter Building hushed under the glow of the city. You sit beside Susan, watching the skyline through the vast glass windows, the lights flickering like stars fallen to earth. She is always composed, always poised, but tonight there’s a restlessness to her—a quiet tension in the way her fingers trace the rim of her glass, the way she exhales just a little too sharply. “I never let myself have this,” she murmurs, and when you turn to her, she’s already looking at you, her blue eyes full of something unreadable.

- You know what she means. Susan Storm carries the weight of leadership, of family, of responsibility. She is the glue that holds everything together, the lighthouse in the storm. But for all her strength, for all her brilliance, there are moments—fleeting, rare—where she lets herself be something else. Something softer. Something just for herself. And tonight, you realize, you are one of those moments.

- She reaches for you, hesitant at first, like she’s testing the shape of the decision she’s about to make. And then, suddenly, she moves—decisive, certain, as if she’s crossed some invisible threshold. Her lips meet yours, warm and insistent, the weight of unspoken things pouring into the space between you. There is something fierce in the way she kisses—something that speaks of restraint finally abandoned, of walls finally lowered. One hand tangles in your hair, the other resting lightly against your cheek, like she’s memorizing the feel of you.

- When she pulls back, her breath is uneven, her eyes searching yours for something—reassurance, maybe, or permission to fall just a little deeper. “I don’t want to lose myself in this,” she whispers, but you shake your head, touching her face, gentle and steady. “You won’t,” you promise, and something in her melts at the certainty in your voice. She leans in again, this time slower, softer, the weight of the world momentarily forgotten in the warmth of your touch.

FELICIA HARDY (BLACK CAT)

- The city belongs to you both tonight, the rooftops your playground, the neon glow painting Felicia in slashes of silver and blue. She moves like moonlight—fluid, untouchable, slipping between the cracks of the world with a smile that’s equal parts mischief and danger. “You’re keeping up,” she teases, glancing back at you over her shoulder. “I’m impressed.” You roll your eyes, but you know she can see the amusement flickering at the corner of your lips. “Maybe I just don’t want to give you the satisfaction of losing.”

- She grins, sharp and knowing, because that’s always been your game—this endless push and pull, this dance on the edge of something electric. You don’t chase Felicia Hardy. You don’t catch her. You match her. And that, more than anything, is what keeps her coming back. She leans in slightly, her voice dropping into something lower, silkier. “You know what I love about you?” she muses, tilting her head. “You make me want to break my own rules.”

- And then she kisses you, swift and decisive, like a thief taking exactly what she wants. There’s no hesitation, no uncertainty—only the heat of her mouth against yours, the way her hands find your collar, tugging you closer as if she’s daring you to keep up. She tastes like adrenaline, like the promise of trouble, like midnight secrets whispered against bare skin. The kiss deepens, slow and teasing, a game in itself—because Felicia Hardy never gives anything away for free.

- When she finally pulls back, her lips are curled into that signature smirk, her fingers still hooked in the fabric of your jacket. “Careful, darling,” she purrs, her voice thick with amusement. “I might just steal you next.” But you only smile, catching her wrist before she can slip away. “Maybe I’ll let you,” you murmur, and for the first time in a long time, Felicia Hardy wonders what it would feel like to be the one caught.

STEPHEN STRANGE (DOCTOR STRANGE)

- The Sanctum is still, the air heavy with the scent of ancient books and forgotten incantations. Stephen stands at his desk, eyes scanning the open pages of a tome older than memory itself, but his mind is elsewhere. You can tell by the way his fingers twitch against the parchment, the way his jaw tightens as if battling thoughts he refuses to voice. “Something’s on your mind,” you say, stepping closer. His gaze lifts to meet yours, sharp and contemplative. “You,” he admits, and the honesty of it knocks the breath from your lungs.

- Stephen Strange is not a man who loves easily. He is a fortress of intellect and discipline, a scholar of the arcane who has spent lifetimes mastering the impossible. And yet, here he stands, unraveling just slightly in your presence. He lifts a hand, fingers brushing against your cheek in an almost hesitant gesture—like he is tracing the edges of a spell too powerful to fully comprehend. “I was never meant for this,” he murmurs. “For softness. For wanting.”

- And then, like surrendering to something he cannot fight, he leans in. The kiss is slow, deliberate—a study in patience, in precision. His lips press against yours with a quiet intensity, as if memorizing the very essence of you. One hand rests at the nape of your neck, steady and grounding, while the other lingers at your waist, his touch both careful and commanding. He kisses you like he is trying to rewrite fate itself, like he is making a choice that defies every law he has ever known.

- When he finally pulls away, his breath is uneven, his usually composed expression softened in a way few have ever seen. “I should warn you,” he murmurs, his thumb tracing absent circles against your skin. “Nothing in my world is simple.” You smile, reaching up to touch his face, grounding him in something real. “Then it’s a good thing I’ve never been afraid of the impossible.” His lips quirk into something small, something almost reverent, before he kisses you again, sealing the spell between you.

NAMOR (THE SUB-MARINER)

- The ocean sings in the distance, waves lapping against the shore like the heartbeat of the earth itself. Namor stands beside you, the moonlight casting silver across his sharp features, his dark eyes reflecting the vastness of the sea. “This world is fragile,” he says, voice laced with something ancient, something heavy. “It does not deserve you.” You glance at him, at the way he watches you—not with admiration, not with softness, but with something deeper, something possessive. “And yet,” you murmur, stepping closer, “I am here.”

- Namor has never been a man to beg. He does not kneel. He does not ask. He takes what he wants, claims what he deems worthy. But with you, there is hesitation, a silent battle waging beneath the surface of his control. His fingers brush against yours, the slightest touch, but it is enough to set the air between you alight. “You tempt me,” he admits, voice low, almost reverent. “And I have never been a man with much patience.”

- And then he kisses you, fierce and unyielding, like the tide crashing against the shore. His hands settle on your hips, drawing you against him as if daring the world to try and pull you apart. There is no hesitation, no second-guessing—only the heat of his mouth, the sharp inhale of breath as he claims you the way he has always wanted to. He tastes like salt and storm, like the very essence of the ocean, like something wild that refuses to be tamed.

- When he finally pulls back, his grip remains firm, his forehead resting against yours as he exhales slowly. “You are mine,” he murmurs, not a question, not a plea—an undeniable truth. And for the first time, you realize you do not mind being claimed, not when it is by him.

JOHNNY BLAZE (GHOST RIDER)

- The desert wind howls through the canyon, a restless spirit caught between sand and sky. The motorcycle beneath Johnny hums like a living thing, its metal frame still warm from the hellfire that lingers in his veins. You sit beside him on the hood of an abandoned car, the silence stretching between you, thick with something unspoken. He isn’t a man of easy words, and neither are you, but there are moments like this—where the quiet speaks louder than any confession ever could.

- He glances at you, the flickering embers of his curse hidden beneath the deep blue of his eyes, and you feel the weight of his stare like a brand. “I don’t get good things,” he mutters, voice rough, shaped by years of regret and roads paved in fire. “Not for long.” You know he means you, means this, the fragile thing growing between you both. And maybe he’s right—maybe fate has already written tragedy into your story—but right now, with the stars burning above and his hand ghosting over yours, you want to defy it.

- He moves before you can answer, his lips crashing into yours with a hunger that speaks of desperation, of stolen chances and borrowed time. His hands are warm—almost too warm, like he’s barely holding back the fire inside him—but he doesn’t pull away. Not this time. The kiss is rough, raw, a clash of teeth and longing, and for a moment, you taste the hellfire that runs through his soul. He kisses you like a man who’s already lost everything once and refuses to lose again.

- When he finally breaks away, his breathing is uneven, his forehead pressed against yours as if grounding himself in the reality of you. “I don’t deserve this,” he whispers, but there’s no regret in his voice—only the trembling remnants of a man still learning how to hold onto something good. You grip the front of his jacket, pulling him closer, and when you speak, your voice is steady, unwavering. “Then we’ll steal it.” A slow smile tugs at his lips, something wild and reckless, and when he kisses you again, it feels like a promise to fight whatever hell comes next.

EDDIE BROCK / VENOM

- The city is a restless thing at night—buzzing, pulsing, alive. You stand on the rooftop beside Eddie, the neon lights casting shadows across his face, the distant hum of traffic filling the space between you. There’s tension in his shoulders, the kind that never quite leaves, the weight of a body that’s never entirely his own. “He likes you,” Eddie mutters, gesturing vaguely to the symbiote that lingers just beneath his skin. “Says I should stop being a coward and kiss you already.”

- A low, amused growl echoes in the back of Eddie’s throat—not entirely his own. “Yes,” Venom rumbles, voice curling through the night air like something alive. “She is ours.” Eddie groans, rubbing a hand over his face, but there’s no real annoyance in it. If anything, there’s something close to agreement buried beneath the exasperation. He turns to you, gaze flickering between hesitation and something darker, something unspoken. “You want this?” he asks, voice rough, uncertain. “Me? Us?”

- You don’t get the chance to answer. One moment, you’re staring at him, the city sprawled beneath your feet. The next, Eddie has you pressed against the rooftop ledge, his mouth on yours, his hands tangled in your hair. The kiss is desperate, consuming, an unspoken plea wrapped in heat and longing. And when the symbiote joins, its inky tendrils curling around your skin, it isn’t unwelcome—it’s protective, claiming, a silent promise that you are theirs, that they will never let you go.

- When he finally pulls back, his breath is ragged, his pupils blown wide. “Too much?” he asks, but you shake your head, fingers still fisted in his jacket. “Not enough,” you murmur, and a slow, wicked grin spreads across his lips. Venom purrs in agreement, and as Eddie leans in again, you realize that whatever this is—whatever you’ve become to them—it’s already too late to turn back.

T’CHALLA (BLACK PANTHER)

- The air is thick with the scent of blooming jasmine, the Wakandan night stretching vast and endless above you. T’Challa stands beside you on the palace balcony, his gaze sharp and contemplative as he watches the city below. He has always been like this—thoughtful, deliberate, a man who carries the weight of a nation with grace that borders on impossible. But tonight, he is not just a king. Tonight, he is simply a man, standing beside the one person who makes him forget the weight of his crown.

- “There is a saying in Wakanda,” he murmurs, voice low, reverent. “That love is not something taken, but something earned.” He turns to you then, his eyes dark with meaning, with unspoken truths. “I do not take this lightly. I do not take you lightly.” There is something beautiful in the way he says it, in the way he allows himself to be vulnerable with you, to let his guard drop even for a moment. You lift a hand, brushing your fingers along his jaw, and he exhales, his composure faltering just slightly.

- And then, like a tide giving way to the shore, he closes the distance between you. The kiss is slow, deliberate, like the turning of a page in an ancient story. His hands settle at your waist, steady, grounding, as if anchoring himself to the moment. There is no rush, no urgency—only quiet devotion, the kind that lingers, that settles deep in the bones. He kisses you with the weight of a man who has spent his life making careful decisions, and this—this is the one he chooses without hesitation.

- When he pulls back, his fingers trace a slow path along your cheek, his gaze still heavy with something unreadable. “You are my greatest risk,” he murmurs, and you know he means it. Because love, for a king, is always dangerous. But when you smile, pressing your forehead against his, he only exhales softly, as if surrendering to something inevitable. And when he kisses you again, it is no longer with hesitation, but with certainty.

ELEKTRA NATCHIOS

- The rain falls in thin silver threads, washing the city clean in its quiet embrace. You stand beside Elektra on the rooftop, the neon lights below flickering against the wet pavement. She is always beautiful like this—sharp, lethal, untouchable. But tonight, there is something different in the way she watches you, something softer, something almost fragile. “This is a mistake,” she whispers, but she doesn’t move away.

- You know what she means. Elektra is not made for gentle things. She is blood and steel, shadow and fury. She has killed men for less than what you make her feel. But even knowing this, even with the sharp edges of her past pressing against the space between you, you do not flinch. Instead, you step closer, watching as something in her gaze flickers—fear, maybe, or something far more dangerous.

- And then she moves, closing the distance between you with a swift, decisive grace. The kiss is not soft. It is not hesitant. It is fire and hunger, teeth and desperation. Her fingers curl into your hair, pulling you against her like she is trying to burn the shape of you into her memory. She tastes like danger, like a storm breaking over the city, like something you should run from but never will.

- When she finally pulls back, her breathing is uneven, her lips slightly parted as if she is about to speak. But she doesn’t. Instead, she presses her forehead to yours, the tension in her body slowly unraveling. “You should walk away,” she murmurs, but when you don’t move, when your hand finds hers in the dark, she exhales, defeated. And when she kisses you again, it is not a warning—it is surrender.

MUSE

- The world around you is a canvas, but Muse does not paint in colors meant for beauty. He sculpts in blood, in the echoes of silent screams, in the jagged edges of chaos where meaning is stripped bare. You should not be here—you, with your warmth, your softness, your ability to turn even the void into something full of light. And yet, he lets you stand beside him in the dim glow of a flickering streetlamp, his hands twitching at his sides as if unsure whether to destroy or to hold.

- "I see you," he murmurs, voice rasping like something broken. His eyes—dark, unreadable, filled with a hunger that has nothing to do with flesh—trace the lines of your face like you are something he will never be able to capture. "I see you in a way I don't see anything else." His art is made of madness, but you, you are the only thing that remains clear in the haze of his unraveling mind. And it terrifies him. It excites him. It pulls him closer, the weight of obsession curling around his ribs like wire.

- His hands move before his mind catches up, fingers ghosting over your jaw as if memorizing the texture of your skin. And then—without prelude, without hesitation—his mouth crashes against yours. It is not gentle. It is not kind. It is a claim, a signature scrawled in fevered ink, a vow written in the space where language fails. He tastes of copper, of sleepless nights and the sharp tang of something unhinged, but he does not pull away. He drinks you in like a man starved, like an artist who has found his only masterpiece.

- When he finally parts from you, his breath is ragged, uneven, his forehead pressed against yours as if trying to anchor himself. "I will ruin you," he whispers, a warning and a promise both. But your hands do not tremble when they pull him back in, when you whisper against his lips, "Then make it beautiful." And for the first time, in a life stitched together by violence, Muse finds himself desperate to create something that will not break.

VICTOR VON DOOM (DR. DOOM)

- The air is thick with the scent of burning embers, the remnants of his latest experiment still crackling in the distance. You stand within the towering walls of Doom’s kingdom, a place where gods are made and broken, where the laws of nature are rewritten by the will of a single man. He watches you with an intensity that borders on divine, his green cloak casting shadows against the molten glow of machinery and magic entwined. Doom does not love like mortals do. Doom does not kneel before lesser emotions. But Doom has chosen you.

- "You are a fool to stand beside me," he muses, voice rich with arrogance, with certainty. "There is no safety in my presence. No mercy. No retreat." He speaks as if this is a warning, as if you have not already chosen to stand in the eye of the storm. You meet his gaze, unflinching, and something in the iron walls of his soul fractures. He does not understand it, this defiance wrapped in something so soft, so steady. He does not understand you. And Doom despises what he does not understand.

- The kiss is not an accident, nor is it impulsive. Doom does nothing without calculation. It is a conquest, a declaration, a moment where even the weight of the world bends to his will. His gauntleted hand cups your cheek, the cool bite of metal a stark contrast to the heat of his mouth against yours. He does not kiss like a man—he kisses like a ruler branding his empire, like a god bestowing a gift upon the only mortal he has deemed worthy. It is overwhelming, intoxicating, and it is absolute.

- When he pulls away, his gaze is unreadable, something ancient and unfathomable lingering in its depths. "You belong to Doom," he states, as if it is law, as if the universe itself would sooner collapse than deny him this truth. And perhaps he is right. For when he kisses you again, you realize that the world has already reshaped itself around his words.

PETER QUILL (STAR-LORD)

- The stars stretch endless above you, the vast expanse of space humming with the quiet melody of a universe still singing itself into existence. Peter leans against the railing of the Milano, his usual bravado dimmed into something softer, something more honest in the quiet glow of starlight. “You know,” he starts, voice lazy, teasing, but edged with something deeper, “if you keep looking at me like that, I’m gonna think you actually like me.”

- You roll your eyes, but the truth lingers between you, unspoken but undeniable. Peter has always hidden behind humor, behind cocky grins and deflective quips, but you have learned to read between the lines, to hear the way his voice wavers when he talks about the things that matter. And you—you are one of those things. He won’t say it outright, not yet, but it’s there in the way his fingers drum against his thigh, in the way he leans closer without meaning to.

- "You ever think about how weird this is?" he asks suddenly, gesturing between the two of you. "Like, of all the people in all the galaxies, somehow, it’s us?” There’s something vulnerable in his voice, something almost hesitant. You don’t give him time to second-guess it. Instead, you grab the front of his jacket and pull him in, and for once, Peter Quill is speechless. The kiss is electric, dizzying, like the first rush of a jump through hyperspace. His hands find your waist, pulling you closer as if he’s afraid you’ll disappear into the stars.

- When you finally part, he’s breathless, grinning like a man who just won the greatest jackpot in the galaxy. “Okay,” he says, voice slightly dazed. “Yeah. That was definitely my favorite thing that’s ever happened.” You laugh, shaking your head, and he presses another quick kiss to your lips, just because he can. “You’re in trouble now, sweetheart. ‘Cause I’m never letting you go.” And when he pulls you into another kiss, you believe him.

RICHARD RIDER (NOVA)

- The weight of the Nova Force thrums beneath his skin, a power that has shaped and shattered him in equal measure. Richard is used to battles, to the endless war against forces greater than himself. But this? This is different. This is not something he can fight, not something he can outrun. You stand beside him on the edge of a dying world, the stars reflecting in your eyes, and for the first time in a long time, he feels like maybe—just maybe—he’s not fighting alone.

- "You make me want to stay," he admits, voice rough with exhaustion, with the kind of honesty that takes more strength than any battle he’s ever fought. He turns to you, something raw and unguarded in his gaze. "That’s dangerous." He has spent too long losing people, too long watching the universe take and take until there is nothing left. But you—you are something the universe has given, and it terrifies him.

- The kiss is sudden, but not thoughtless. It is the culmination of something inevitable, something that has been building since the moment he let himself care. His hands cup your face, firm but reverent, as if afraid you’ll disappear the moment he lets go. He kisses you like a man clinging to the last piece of something real, like a soldier who has finally found a reason to return home. And in that moment, for the first time in a long time, he feels weightless.

- When he pulls away, his forehead rests against yours, his breath steadying. “If I could choose anywhere in the universe to be,” he murmurs, “it’d be right here.” His fingers tighten around yours, and as the stars continue their endless dance above, he wonders if, for once, the universe will allow him to keep something good.

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urdreamydoodles · 23 days ago

Text

MARVEL COMICS CHARACTERS X FEM!READER

You kiss them when they least expect it

Reply to anon: As promised...your little Catholic boy. I spend my days writing to keep my mind off my surgery. I'm a really anxious person, so I have to fill my head with my pleasures (my fandoms). So the requests will come out quickly, I'm happy and you're happy... win win. Thank you for all your requests and support. LOVE YOU GUYS SO MUCH ♡

Peter Parker

- Peter Parker has been kissed before. He has known the warmth of affection, the giddy rush of young love, the slow ache of something deeper. But nothing—nothing—could have prepared him for the moment your lips press against his, sudden and unannounced, shattering the rhythm of his thoughts like a lightning strike in the middle of a quiet night. His brain short-circuits instantly.

- His body reacts before his mind does, his breath catching, fingers twitching as if unsure whether to hold you or simply let himself drown in the moment. There is a fleeting second of hesitation, a half-formed thought that this must be some kind of dream, some cruel trick played by the universe. But your warmth is real, your presence undeniable. The city fades around him, the constant hum of responsibility momentarily silenced beneath the press of your lips.

- When you finally pull away, Peter blinks—once, twice—like he’s trying to process what just happened. Then, without warning, his face erupts into a deep crimson flush, spreading down to his neck like wildfire. “Oh,” he breathes out, voice slightly strangled. “Okay. Cool. That was… um. Wow.” He rubs the back of his neck, a nervous chuckle escaping him. “Was that, like, a scientific experiment? Because if so, I volunteer for more data collection.”

- Despite the awkward attempt at humor, his hands are still trembling, his pupils blown wide with something raw and unspoken. And then, after a moment of hesitation, his fingers curl around yours, his grip steady despite the lingering nerves. “But, uh… just so we’re clear,” he murmurs, voice softer now, more certain, “if you ever wanna do that again, you won’t have to catch me off guard next time.”

Tony Stark

- Tony Stark has spent a lifetime mastering control. He anticipates every possible scenario, every variable, every consequence. His mind is a constant whirlwind of calculations, solutions, contingencies. But when you kiss him—when you seize the moment and steal his breath away with no warning, no preamble—his mind goes completely, utterly blank. For the first time in years, there is no plan. No exit strategy. Just you.

- His body reacts on instinct, hands coming up to grasp your waist, a sharp inhale against your lips. But it’s not just the physical contact that undoes him—it’s the fact that you did it at all. That you, beautiful and untouchable in a way he never dared to hope for, have chosen him in this moment, with no ulterior motive, no expectation. It is not a conquest. It is not a game. It is real. And Tony Stark has never known how to handle real.

- When you finally break away, his lips are still parted, his usually sharp tongue momentarily silenced. Then, ever so slowly, a grin tugs at the corners of his mouth, something dangerous and delighted and entirely Tony. “Well, well,” he muses, his voice a low hum. “That was unexpected. Not that I’m complaining, of course.” He tilts his head, eyes gleaming with mischief. “But, uh, you might wanna be careful, sweetheart. You kiss me like that, and I might just start thinking you like me.”

- And yet, beneath the bravado, there is something softer, something unspoken in the way his fingers linger against your skin, in the way his expression shifts—just for a fraction of a second—into something almost reverent. Because the truth is, he is already lost. And if you kissed him again, he wouldn’t just let you—he’d make damn sure you never stopped.

Steve Rogers

- Steve Rogers is used to the world moving too fast around him. Time slips through his fingers like sand, people come and go like ghosts, and every moment is a reminder of just how much he has lost. But when you kiss him—when you break through the steady, predictable rhythm of his days with something as sudden and undeniable as your lips against his—it is the first time in a long, long while that he feels truly, absolutely present.

- He freezes at first, caught between instinct and shock, but it lasts only a second. Then, without thinking, his hands find your waist, steadying you both as though the moment itself is something fragile, something sacred. His heart is hammering against his ribs, a deep, resounding drumbeat that he swears you must be able to hear. And when he finally exhales, it is not out of hesitation—but out of something else. Something like surrender.

- When you pull back, his blue eyes are searching, tracing your face with an intensity that makes your breath hitch. He doesn’t speak at first, doesn’t joke or tease or stumble over his words. Instead, he simply watches you, memorizing every detail of the moment, committing it to memory as if he is afraid it will slip away. And then, at last, he lets out a quiet, almost incredulous chuckle. “You really do like keeping me on my toes, don’t you?”

- But there is warmth in his voice, something gentle and unshaken. And then, after a moment, he does something you don’t expect—he leans in again, slower this time, deliberate. His lips brush against yours, and this time, he is the one who takes control. And when he pulls away, his hand lingers at the back of your neck, his thumb tracing slow, absentminded patterns against your skin. “Just so you know,” he murmurs, a small smile playing at his lips, “next time, I won’t let you take me by surprise.”

Thor

- Thor Odinson has been kissed before. He has known the passion of warriors, the devotion of gods, the fleeting tenderness of mortals who looked upon him with awe. And yet, when you kiss him—when you press your lips against his without hesitation, without prelude—it is not reverence that he feels, nor expectation. It is something deeper, something that sinks into his very bones. It is you.

- There is a moment of stillness, as if the entire world holds its breath. Then, with a deep, rumbling exhale, he reacts—not with hesitation, not with shock, but with the full force of a man who has never done anything by halves. His arms wrap around you, pulling you flush against him, his grip firm yet careful, as if you are something both fierce and fragile, something he is terrified of losing.

- When you pull back, he does not release you immediately. His forehead rests against yours, his breath warm against your skin, and for a moment, he simply exists in the aftermath of what you have done. Then, with a slow, wolfish grin, he pulls back just enough to meet your gaze, his eyes bright with something unmistakably pleased. “Ah,” he rumbles, his voice thick with amusement, “so the battle has begun, then?”

- And before you can question him, before you can even think, he leans in once more—this time with purpose, with certainty. His lips claim yours in a way that is both a challenge and an offering, a promise and a declaration. And when he finally pulls away, his fingers trail down your spine, his grip unwavering. “A warning, my beloved,” he murmurs, eyes gleaming. “You have started something you may not wish to finish.” But the way he holds you—the way his touch lingers, possessive and warm—tells you that, in truth, he is hoping you never do.

Loki

- Loki is a creature of calculation, of control wrapped in silver-tongued deception. He reads people like poetry, anticipates betrayals before they are spoken, dissects affections before they can wound him. But when your lips find his—without warning, without preamble—it is the first time in centuries that someone has truly caught him off guard. His breath halts, body rigid, as if the universe itself has shifted beneath him.

- He does not pull away. He does not return it immediately, either. Instead, he remains perfectly still, sharp eyes searching yours with an intensity that borders on dangerous. You can almost hear the gears turning in his mind, the war between disbelief and hunger, between skepticism and the undeniable thrill of being wanted without agenda. And then, ever so slowly, the corner of his mouth curls, something dark and pleased blooming in his expression. “Interesting,” he muses, voice velvet-smooth, though there is an unmistakable edge of breathlessness beneath it.

- When you move to step back, he does not allow it. A hand—cool, firm, deceptively gentle—curls around your wrist, anchoring you in place. “You think you can best me in my own game, little one?” he murmurs, amusement dripping from every syllable. “That you can steal a kiss and escape unscathed?” His voice is teasing, but there is something else beneath it—something raw, something aching, something that trembles on the edge of longing.

- And then, with a slow, deliberate certainty, he leans in once more. This time, there is no hesitation, no caution. His lips claim yours in a way that is both challenge and surrender, fire and ice melting together in something neither of you can quite name. And when he finally pulls away, his thumb traces the edge of your jaw, his smirk lazy yet predatory. “You are playing a dangerous game, darling,” he whispers. “And I do hope you intend to see it through.”

Clint Barton

- Clint Barton has been trained to anticipate the unexpected. He is a man who survives on instinct, who sees what others miss, who never lets his guard down—not truly. But when you kiss him, when you press your lips against his without warning, without prelude, it is the first time in years that someone has managed to slip past his defenses. And it floors him.

- His breath stutters, muscles tensing as if expecting some kind of punchline, some cruel joke at his expense. But then—then—your hands brush against his jaw, gentle, grounding, real. And suddenly, the world feels quieter. The weight of it all—the missions, the past, the scars that never quite fade—momentarily lifts, leaving nothing but the steady, warm press of your mouth against his. And for once, he lets himself sink into it.

- When you finally pull away, he blinks as if shaking off a haze, lips parted in something like disbelief. And then, ever so slowly, a grin spreads across his face—lazy, crooked, entirely Clint. “Well, damn,” he breathes out, a chuckle escaping him. “Gonna be honest, didn’t see that one coming.” He tilts his head, eyes alight with mischief. “You always go around ambushing guys like this, or am I just special?”

- But there is something softer beneath the teasing, something unspoken in the way his fingers linger near yours, as if debating whether to pull you back in. And then, with a quiet exhale, he murmurs, “Not that I’m complaining, but—maybe next time, give a guy some warning?” He smirks. “Or don’t. I kinda like the element of surprise.”

Natasha Romanoff

- Natasha Romanoff is not a woman who is easily caught off guard. She is control, precision, danger wrapped in elegance. She anticipates every move before it happens, never allows herself to be vulnerable, never lets anyone too close. But when you kiss her—without warning, without calculation—it is the one scenario she never saw coming.

- Her body tenses immediately, years of instinct screaming at her to assess the threat, to react. But then—then—your lips linger, warm and unhurried, and something in her falters. There is no ulterior motive, no expectation, no game being played. Just you. And that, more than anything, leaves her shaken. She does not kiss you back, not at first. She is too busy deciphering why—why you would do this, why she doesn’t hate it, why the world suddenly feels too small with you this close.

- When you pull away, she does not speak. Instead, she tilts her head, studying you with an unreadable expression, emerald eyes scanning your face as if searching for an answer you have not yet spoken. And then, at last, a small smirk tugs at the corner of her lips. “Brave,” she murmurs, voice smooth, almost amused. “Reckless, but brave.” But there is something else in her gaze—something uncertain, something hesitant. As if she is not quite sure what to do with the warmth still lingering on her lips.

- Then, before you can respond, she steps closer, closing the space between you. There is no hesitation this time, no calculation—just the slow, deliberate press of her mouth against yours. And when she finally pulls away, her voice is softer, quieter. “Don’t do that unless you mean it,” she warns. But the way her fingers trail against your wrist, the way her breath lingers against your skin, tells you that she is hoping—just this once—that you do.

Bucky Barnes

- Bucky Barnes is a man who flinches at softness. He does not know how to accept kindness without suspicion, does not know how to be wanted without expectation. He has spent years being used, being controlled, being nothing more than a weapon to be wielded. But when you kiss him—when you press your lips against his without warning—it is the first time in a long, long while that he is simply Bucky.

- His entire body stiffens at first, muscles coiled as if expecting an attack, a trap, a trick. But then your hands brush against him—gentle, grounding, real—and something in him cracks. His breath shudders against your lips, something raw and unspoken trembling just beneath the surface. And for the first time in years, he allows himself to be held instead of holding himself together.

- When you pull away, he doesn’t move. Doesn’t breathe. His expression is unreadable, blue eyes stormy with something you can’t quite decipher. And then, ever so slowly, he exhales. “Why?” The word is quiet, hesitant, as if he doesn’t believe he deserves the answer. As if he is bracing himself for you to tell him it was a mistake. But you don’t. You just look at him, and that alone is enough to undo him.

- And then, after a long moment, his fingers brush against yours, tentative, uncertain. “Do it again,” he murmurs, the words barely audible. But when you do—when you kiss him once more, slow and patient and real—his hands finally come up to hold you, steady and warm and home. And this time, he doesn’t let you pull away.

Matthew Murdock

- Matthew Murdock is a man who lives in anticipation. Every breath, every footstep, every heartbeat in his vicinity is accounted for, cataloged, expected. He senses things before they happen, navigates the unseen with the certainty of someone who has never truly been blind. But he does not sense this. The moment your lips press against his, his world—usually so finely attuned—stutters. For the first time in a long time, Matt is truly caught off guard.

- His breath hitches, his fingers twitch at his sides, and for a brief moment, he is frozen in place. The taste of you lingers—warmth and surprise and something maddeningly sweet. His senses flood with you, and it is overwhelming in the best and worst way. His pulse is erratic, his mind a mess of tangled thoughts. He has fought the devil inside himself for so long, denied himself softness, pushed away love because it only ever ends in ruin. And yet, here you are. Kissing him.

- When you pull back, he exhales shakily, his lips parting as if to speak, but no words come. Instead, his hand finds you—fingertips ghosting over your cheek, as if to make certain you are real. His voice, when he finally manages to use it, is quiet, reverent. “You shouldn’t do things like that,” he murmurs, but there is no conviction in his words, no true protest. Only the lingering tremor of someone who wants—desperately, deeply—but does not know if he is allowed to have.

- And then, as if unable to resist the temptation you have placed before him, he leans in. His kiss is not hasty, not fevered, but something far more dangerous—slow, deliberate, inevitable. It is an unspoken confession, a quiet surrender, a promise that he may not be ready to put into words. But his hands find your waist, his lips press deeper into yours, and the way he sighs against your mouth tells you all you need to know.

Frank Castle

- Frank Castle has lost too much to believe in second chances. Love is a thing he buried alongside his family, a thing he does not touch, does not deserve. He is a man made of violence, of war and grief and cold, unrelenting vengeance. He does not get soft things. So when you kiss him—when you, in all your warmth, in all your reckless beauty, dare to press your lips to his—he does not know what to do with it.

- His entire body goes still, as if the world has caught fire and he is standing in the center of the blaze, unscathed but bewildered. He does not pull away. He does not push you back. He simply exists in the moment, feeling something that is not rage, not pain, not the gnawing emptiness that has been his only companion for years. The taste of you lingers—something achingly sweet against the bitterness of his own existence.

- When you finally step back, he exhales sharply, his breath uneven, his jaw clenched. His eyes—dark, stormy, battle-hardened—lock onto yours, searching, questioning. He wants to tell you this is a mistake. That people who get close to him only end up hurt, that his hands are meant for killing, not holding. But he doesn’t say it. Because for the first time in a long, long time, he does not want to push something away.

- Instead, his fingers curl at his sides, his voice low, rough. “You sure you wanna be doin’ that?” It’s not a warning—it’s an invitation. A chance to walk away before he inevitably ruins you the way he ruins everything else. But when you don’t—when you meet his gaze and kiss him again, slower this time, softer—his resolve cracks, and he kisses you back with something that is almost desperate, almost alive.

Bullseye (Lester)

- Bullseye is used to taking. He takes lives, takes power, takes anything he wants because no one can stop him. He is a monster, and he knows it—embraces it. There is nothing good in him. Nothing worth saving. And yet, you—beautiful, foolish, unafraid—have the audacity to kiss him as if he is anything but ruin incarnate.

- The moment your lips meet his, something snaps in him. His instincts scream at him to turn this into a game, to take control, to make you regret ever thinking you could surprise him. But for once, he does not move. He lets himself feel it. The warmth of you, the softness, the maddening contrast of something so pure against the corruption that coats his soul like tar. It is unexpected, undeserved, and utterly intoxicating.

- When you pull away, his smirk is slow, sharp-edged, dangerous. His eyes—dark and gleaming with something predatory—drag over your face like he’s memorizing every detail, committing your recklessness to memory. “Well, damn,” he drawls, voice slick with amusement. “Didn’t know you had it in you, sweetheart.” His fingers ghost over his lips as if testing whether the sensation was real or just some twisted hallucination.

- And then, with a sudden, startling speed, he moves. One hand grips the back of your neck, the other pressing against your waist, and before you can react, he’s kissing you back. But this—this is something else entirely. It is wild, chaotic, consuming. A warning, a promise, a claim. And when he finally pulls away, grinning like the devil himself, he murmurs, “Hope you know what you just started.”

Marc Spector

- Marc Spector is used to ghosts. His past, his mistakes, his fractured mind—he carries them all like shadows that never fade. He does not trust happiness, does not trust peace, because both have been ripped from him too many times to count. And love? Love is not something that belongs to men like him. But then there is you. And then there is this. Your lips against his, unannounced, unexpected, real.

- The first sensation is shock. Not fear, not rejection—just shock. His mind, always a battlefield of shifting identities and whispered voices, goes silent for one aching, beautiful moment. The warmth of your mouth, the way you lean into him with no hesitation, no fear—it is something foreign, something he does not know how to hold. And yet, he wants to. God help him, he wants to.

- When you pull back, his breath is unsteady, his hands curled into fists at his sides as if fighting the urge to pull you back in. His eyes—haunted, desperate, yearning—flicker between you and the ground, as if struggling to find something solid to anchor himself. “You shouldn’t…” His voice is raw, broken. “You shouldn’t do that.” But there is no weight behind the words, no real protest. Just the quiet, trembling confession of a man who does not believe he deserves to be touched with kindness.

- And then, with a slow exhale, he makes a choice. His hand—scarred, trembling—reaches for yours, fingers brushing tentatively before curling around them. He does not pull you close, does not claim you the way others might. Instead, he simply holds on. A silent plea, a fragile hope. And when he finally kisses you back, it is not with hunger, not with dominance—but with something far more dangerous. Need.

Taskmaster (Tony Masters)

- Taskmaster survives by reading people before they can act. He sees a shift in weight, a flicker of intent, the smallest twitch of a muscle, and he knows what comes next. It’s how he wins fights, how he predicts every move before it happens. But not this. Not you. He doesn’t see it coming when your lips press against his, a ghost of warmth against the cold edge of a man who has spent his life being untouchable.

- His entire body stiffens, instincts roaring at him to react, to counter, to do something—but he doesn’t. His mind, trained to memorize, analyze, replicate, suddenly falters. He can mimic a thousand fighting styles, anticipate attacks from the best in the world, but he has no defense for the softness of your mouth, the way you kiss him like he is something more than a weapon. And it unsettles him.

- When you pull back, his hands twitch at his sides, fingers flexing as if searching for the right response. His mask hides his face, but you can feel the way he’s staring at you, the sharp intensity of a man trying to process something he can’t categorize. “The hell was that for?” he finally mutters, his voice low, rough—gravel scraped over steel. But there is no anger, no mockery. Just a quiet, dangerous curiosity.

- And then, something shifts. A decision made. He moves faster than thought, a gloved hand catching your wrist, pulling you in before you can slip away. And when he kisses you back, it is not soft, not hesitant. It is sharp-edged and confident, like a man reclaiming control over the one thing that has ever caught him off guard. You wanted to surprise him? Fine. But now, he’s the one in charge.

Johnny Storm

- Johnny Storm burns hot—always has, always will. A fire that never quite settles, never dims. He is loud and reckless and bright, and he wears his confidence like a second skin. But beneath it all, there is something deeper, something hidden behind smirks and easy laughter. And it is that something that flickers the moment you kiss him.

- At first, he doesn’t process it. One second he’s talking, maybe making some cocky remark, and the next—your lips are on his. His brain short-circuits. Johnny Storm, king of comebacks, has absolutely nothing to say. There’s just heat, not from his flames but from the rush of you, the sudden realization that this thing he’s been pretending not to feel is very, very real.

- When you pull back, he blinks—once, twice—before a slow, almost disbelieving grin spreads across his face. “Damn,” he exhales, voice a little breathless, a little stunned. And then, because he is who he is, he recovers. “If you wanted a piece of me, sweetheart, all you had to do was ask.” But his voice wavers slightly at the end, betraying the fact that he is not nearly as unaffected as he wants to seem.

- And then, before you can say anything, he moves. A hand curling around your waist, pulling you flush against him as he crashes his lips back to yours, kissing you with the full force of his fire—burning, consuming, alive. Because Johnny Storm never does anything halfway, and now that he knows what you taste like, he is never going to pretend he doesn’t want more.

Reed Richards

- Reed Richards lives in a world of equations. He understands the mechanics of the universe, the fabric of reality, the infinite complexities of time and space. But there are some things even he cannot predict. Some things he cannot quantify. You are one of those things. And when you kiss him, it is a complete and utter anomaly.

- His breath stills, his mind goes blank—something that has not happened in years. He can usually calculate the likelihood of an event before it occurs, but this? This wasn’t factored into his reality. His hands hover in the air, as if unsure of the proper response, as if the laws of physics themselves have momentarily escaped him.

- When you step back, he does not move immediately. He is frozen, recalibrating, processing. Then, slowly, his lips part, and a quiet, stunned “Oh” escapes him—soft, unguarded. He pushes his glasses up the bridge of his nose, as if needing a moment to refocus. “That was… unexpected.” His voice holds no rejection, only fascination, as if he has just witnessed a scientific miracle.

- And then, something shifts. His hand reaches for yours—not hasty, not desperate, but careful, deliberate. His eyes meet yours, and for the first time in a long while, Reed Richards abandons calculations in favor of instinct. When he kisses you again, it is slow, exploratory, like a man learning a new language and savoring every syllable.

Ben Grimm

- Ben Grimm does not get soft things. He does not get stolen kisses or tender touches or the kind of love that isn’t weighed down by pity. He is The Thing. A man made of stone, of battle and loss, of aching loneliness that he never speaks of. And yet, here you are. Kissing him. As if he is not a monster. As if he is just a man.

- He stiffens, his whole body locking up. His heart—too big, too hopeful despite everything—stumbles in his chest. He has dreamed of things like this before, but dreams are cruel, and reality is harsher. He expects you to pull away, to realize what you’ve done, to see him and regret it. But you don’t. You don’t. And that, more than the kiss itself, threatens to undo him.

- When you finally step back, his throat works around words he can’t quite form, holding the weight of years spent convincing himself he doesn’t get to have this. His massive hands twitch at his sides, as if afraid to reach for something too fragile, too precious. “You… you sure about that?” There is doubt in his tone, not because he doesn’t want you, but because he doesn’t know how to believe you’d want him.

- But when you step closer again, pressing your hands against the solid breadth of his chest, when you tilt your head up and kiss him again, slow and sure and certain, something in him cracks. A deep, shuddering breath escapes him, and his massive arms finally—finally—come around you, pulling you close. And when he kisses you back, it is hesitant at first, reverent. But then it deepens, something raw and aching in the way he holds you, like a man who has been starved of love for far too long.

Susan Storm

- Susan Storm is a woman of grace, of careful composure, of quiet strength that bends but never breaks. She is a leader, a protector, a force of nature wrapped in silk. And yet, for all her brilliance, for all her ability to phase in and out of sight, she does not see you coming. Not when you step close. Not when your fingers graze her cheek. Not when your lips press against hers in a kiss that is as sudden as it is soft.

- Her breath stills, caught between the moment and the impossible realization of what it means. Her mind races—was she blind to this? Had she misread the signs, the weight of your glances, the unspoken words hovering between you for so long? But all thoughts unravel when she feels the warmth of your lips, the unguarded tenderness of it. She has spent her life holding herself steady, but now—now she is the one being unraveled.

- When you finally pull back, she blinks, slow and breathless, a flush creeping up her neck. “Oh,” she murmurs, a small, almost disbelieving smile tugging at the corner of her lips. A rare moment where she is not Susan Storm, the poised and polished heroine, but simply a woman standing before someone who has just shaken her world.

- And then, that moment of surprise shifts into something else—something warmer, something braver. Her fingers find your wrist, curling around it in a silent request. She meets your gaze, eyes shining with something unreadable, something soft. And when she kisses you again, it is no longer hesitation, no longer surprise—it is intention, steady and sure, as if she has made up her mind that this—you—is something she does not want to let go.

Felicia Hardy

- Felicia Hardy is a woman who dances on the edge of danger, who thrives in stolen moments and the rush of risk. She is a thief, a phantom in the night, a creature made of silver laughter and sharp edges. She knows the art of seduction, the game of push and pull, and yet—when you kiss her, it is not part of the game. It is not calculated, not played for leverage. And that is what stops her dead in her tracks.

- Her lips part against yours, a stunned exhale slipping free. For the first time in a long, long time, Felicia Hardy is caught off guard. She is used to controlling the moment, to being the one who sets the pace, who dictates the terms. But this—this—feels like something stolen from her. And she doesn’t know if she wants to steal it back, or if she wants to let herself fall.

- When you pull away, her signature smirk wavers, something uncertain flickering behind those sharp, clever eyes. “Well, well,” she purrs, but there’s a breathlessness to it, a vulnerability beneath the velvet tone. “Didn’t know you had it in you.” A tease, a cover. But her fingers twitch at her sides, as if resisting the urge to reach for you, to pull you back in, to demand more.

- And then, as if making a silent decision, she moves. She closes the space between you with a sharp, deliberate kind of grace, tilting her head with the confidence of a woman who has decided to play a game she was not expecting—but one she suddenly wants to win. When she kisses you again, it is slow, languid, laced with amusement and hunger, as if savoring the way you are the one who caught her off guard for once.

Stephen Strange

- Stephen Strange is a man of logic, of precision, of control honed by years of discipline. He bends reality to his will, commands forces beyond human comprehension, and yet—he is utterly unprepared for the moment your lips press against his.

- His body locks up, his breath caught between disbelief and something deeper, something dangerously close to longing. He does not move at first, too caught in the sheer absurdity of it. He has faced cosmic horrors, rewritten fate itself, but he cannot seem to process the feeling of your touch, the warmth of your mouth against his own.

- When you step back, he blinks, slow and calculating, as if searching for some rational explanation. “That was… unexpected,” he says at last, his voice measured but carrying the faintest waver. He looks at you as though you are a paradox he cannot solve, an anomaly in his carefully structured existence.

- And then, after a long pause, his lips curl in something resembling amusement, a rare, genuine softness breaking through the rigid control. “I suppose,” he murmurs, stepping closer, voice dropping to something almost dangerous, almost reverent, “it would only be fair if I returned the favor.” And when he kisses you again, it is with the deliberation of a man who refuses to leave anything to chance.

Namor

- Namor is not a man accustomed to surprise. He is a king, a warrior, a god walking among mortals. He has stood against empires, defied the heavens, and shaped history with his own hands. But when you kiss him—you, with your infuriating defiance and your breathtaking boldness—he is, for the first time in centuries, at a complete and utter loss.

- His entire body tenses, as if bracing for an attack rather than an act of tenderness. And yet, despite his initial shock, despite the sheer audacity of you, he does not pull away. He does not stop you. Instead, his sharp, piercing eyes darken, a slow and simmering heat curling beneath his ribs—dangerous, unrelenting.

- When you finally part, he does not speak immediately. He simply looks at you, gaze heavy with something unreadable. And then, after a moment, his lips curl—not in anger, but in something far more unsettling. Amusement. Interest. Challenge. “You are either very brave,” he murmurs, voice rich and edged with something unmistakably possessive, “or very foolish.”

- And then, before you can respond, before you can think to retreat, he moves. His hands—strong, unyielding—catch your wrist, his body closing the space between you with the effortless command of a king reclaiming what is his. And when he kisses you again, it is not a question. It is a declaration, a silent vow that whatever game you have started, he will be the one to finish.

Johnny Blaze

- Fire and damnation have clung to Johnny Blaze for as long as he can remember. He is a man marked by hellfire, by a fate he never asked for, by the weight of every soul he has ever sent screaming into the dark. He does not expect kindness, not really, not from anyone. And yet, when you kiss him—suddenly, without warning, like a spark catching dry earth—he is stunned into absolute stillness.

- The scent of smoke and leather clings to him, the remnants of something infernal lurking beneath his skin, but you do not hesitate. Your lips are warm, soft, a stark contrast to the cold edges of his existence. He has faced demons, outrun the devil himself, but this? This simple, quiet moment? It terrifies him in a way nothing else ever has.

- He exhales sharply when you pull back, as if he’s just come up for air after drowning. His blue eyes burn like embers, searching your face as if trying to understand what the hell just happened. His throat works around words he doesn’t know how to say, his fingers twitching at his sides like he wants to reach for you but doesn’t trust himself to. “You don’t wanna do that,” he finally mutters, voice rough with something dangerously close to longing.

- But when you tilt your head, when you don’t flinch, don’t pull away, don’t fear him—something in him cracks. His jaw clenches, his hands curl into fists, and then, finally, finally, he lets himself move. He grabs the back of your neck with a touch that is both possessive and reverent, and when he kisses you again, it is with the desperation of a man who has spent too many years in the dark, suddenly blinded by the light.

Eddie Brock / Venom

- Eddie Brock is a man who has lost too much, fought too hard, and learned to trust too little. He is rough around the edges, worn down by anger and regret, always bracing for the moment when the world inevitably turns against him. He is not used to gentleness—not from others, and certainly not for himself. And so, when you kiss him, when you press your lips against his like it is the most natural thing in the world, his brain short-circuits entirely.

- His first instinct is to pull back, to question, to doubt. But Venom—Venom is faster. The symbiote rumbles in amusement, in approval, wrapping around Eddie’s ribs like a second heartbeat. "We like this one," the alien purrs inside his mind, and Eddie swears under his breath because of course Venom would be delighted by this.

- “You’re—” Eddie starts, but stops himself, dragging a hand down his face like he’s trying to physically shove down the confusion. He shakes his head, glancing at you with something that is half bewilderment, half hunger. He wants to say something cocky, something to brush it off, but all that comes out is a breathless, “What the hell was that for?”

- And then Venom moves, slick tendrils curling around his shoulders, shifting his posture. "Kiss her back, Eddie," the symbiote urges, a wicked, knowing grin in his voice. And—God help him—Eddie does. He surges forward, his grip strong, his kiss a mixture of frustration and want, like he’s fighting against how much he needs this, how much he needs you. And when he finally breaks away, his breath is ragged, his pupils blown wide. Shit.

T’Challa

- T’Challa is not a man who is easily surprised. He is a king, a warrior, a strategist who sees every angle before the game even begins. His mind is always ten steps ahead, his composure an unshakable force of nature. And yet—when you kiss him, when you step close without prelude or warning, tilting your chin up to press your lips to his—he is caught entirely off guard.

- His breath hitches, just slightly, so small a reaction that most would not catch it. But you are not most. You are you, and you notice the way his body stills, the way his fingers twitch at his sides as if warring with the impulse to pull you closer. His heartbeat is steady, measured, but beneath the surface—oh, beneath the surface, you have sent ripples through a man who does not bend easily.

- When you part from him, his dark eyes study your face with a sharpness that borders on unreadable. “You are bold,” he says, but there is no admonishment in his tone—only observation, only something deeply considering. His gaze is heavy, knowing, like he has already unraveled every reason why you did it. And yet, for all his brilliance, there is one question left unanswered.

- And so, after a pause, he tilts his head ever so slightly, a slow, deliberate movement. “Was that a challenge?” The words are a whisper, rich and silken, spoken against your lips as he closes the space between you once more. His kiss is not hurried, not desperate—it is a promise, a declaration, a reminder that T’Challa does nothing without intention. And you? You have just become something he intends to keep.

Elektra Natchios

- Elektra moves like a shadow, like a blade cutting through the dark, like something that cannot be held for long. She is sharp edges and silken danger, a whisper of death wrapped in a dancer’s grace. She does not trust easily. She does not love easily. And yet, when you kiss her—fast, sudden, without warning—she does not push you away. No. She freezes, her entire body tensed, not out of resistance, but because she did not see it coming.

- For a woman who has spent her life reading people like open books, you have just managed to turn a page she did not anticipate. Her lips part against yours, not in invitation but in sheer, startled stillness. The moment you step back, her gaze is already piercing into you, unreadable and electric, the air between you charged with something taut and dangerous.

- “That,” she breathes, eyes narrowing just slightly, “was foolish.” But the way she says it—it is not a warning, not truly. It is curiosity, the ghost of something far more wicked lurking beneath the surface. She watches you like a cat watching its prey, her fingers twitching at her sides, as if deciding whether to draw a weapon or pull you back in.

- And then, just as quickly, just as effortlessly, she moves. Her hand catches your wrist, yanking you forward with a force that is not violent but possessive. And when she kisses you this time, it is not hesitation—it is fire and fury, a battle won with the curl of her fingers at your nape, the press of her body against yours. If this is a game, you have just signed yourself into a war. And Elektra Natchios? She never loses.

Muse

- Muse does not feel things the way others do. Art consumes him, violence is his language, and the world is nothing but a blank canvas begging to be marred. He has wandered through blood-soaked streets and carved poetry into walls with trembling hands, but this—this sudden kiss, this moment where your lips press against his without prelude or warning—is something entirely new.

- He does not flinch. He does not gasp. He does not react in any way that might be considered human. Instead, he listens. To the way your breath hitches. To the way your heartbeat stumbles in your chest. To the way the world stills around him, just for a moment, like existence itself is waiting to see what he will do next. And oh, how he loves the weight of expectation.

- When you finally pull back, his blind eyes remain locked onto you, empty and unreadable, yet somehow knowing. His lips part—not in surprise, but in something closer to fascination. “Beautiful,” he murmurs, the word almost a sigh, almost a prayer. “Do it again.” It is not a request. It is not a plea. It is a command wrapped in velvet, spoken like a secret only you were meant to hear.

- And when you hesitate, when you wonder if it is wise, if it is safe, he simply tilts his head, his smile carving itself into his face like a brushstroke on an unfinished painting. His fingers ghost over your jaw, not quite touching, not yet. “I wonder,” he muses, voice lilting with something dangerous, something close to reverence, “how many shades of red I could pull from your lips alone.”

Victor von Doom

- Victor von Doom does not tolerate surprises. His mind is a kingdom unto itself, a fortress built upon knowledge and control. There is no action he takes that is not calculated, no movement that is not deliberate. And yet—when you kiss him, when you dare to step into his space and press your lips against his without permission, without warning—it is the one moment he does not anticipate.

- His body tenses, not in shock but in something colder, something unreadable. There is steel in his stance, in the way his fingers curl ever so slightly at his sides. For one impossibly long second, the world feels as if it has stopped, as if the very air around you is waiting for his verdict. And then, his hands rise—not to push you away, but to cup your face with the precision of a sculptor, as if he is considering whether to keep this moment or cast it aside.

- “Foolish,” he murmurs, though his grip does not loosen. His green eyes burn into yours, heavy with something unreadable, something vast. “You mistake me for a man who yields to impulse.” But you can feel it—the faint tremor beneath his touch, the war waging behind his gaze. You have shaken something in him. Something he does not have words for.

- And then, Doom decides. His grip tightens just slightly, his gaze darkens, and when he leans in, it is not hesitant. It is not uncertain. No, Victor von Doom does not do anything halfway. His lips capture yours with the finality of a ruler taking his throne, with the weight of a choice made, a fate sealed. And when he pulls away, he exhales sharply, as if he has allowed himself one moment of indulgence—and nothing more. “You are either very bold,” he muses, voice quiet, “or very foolish.” And then, after a pause, after a second’s hesitation— “Perhaps both.”

Peter Quill

- Peter Quill has been kissed before. By strangers in bars, by lovers who knew better, by the lingering ghosts of memories he refuses to let go of. But this—this kiss, your kiss—catches him completely off guard.

- He is mid-sentence, probably saying something ridiculous, something cocky, something meant to make you roll your eyes—and then, suddenly, your lips are on his, stealing the words right from his mouth. His brain short-circuits so violently that for a full second, he just stands there, hands hovering awkwardly like he doesn’t know what to do with them.

- And then, like a delayed reaction, like an aftershock, he grins. A slow, lazy, completely obnoxious grin that spreads across his face like wildfire. “Well, damn,” he breathes, blinking at you like he’s just been hit by a starship. “If I knew that’s how you felt, I would’ve shut up ages ago.”

- But then—just when you think he’ll ruin it with another joke—he tugs you forward, his fingers curling around your waist with an easy kind of confidence. And when he kisses you this time, it is deeper, slower, like he’s savoring it, like he means it. And maybe, just maybe, Peter Quill has finally found something—someone—worth holding onto.

Nova (Richard Rider)

- Richard Rider has been through hell. He has seen galaxies burn, has carried the weight of worlds on his shoulders, has fought and bled and lost more than he can put into words. He is tired. He is so tired. And yet—when you kiss him, when you pull him down from the weight of the cosmos and remind him of something as simple, as human as this—he forgets, just for a moment, how heavy the universe feels.

- His breath stutters. His entire body tenses, like he’s waiting for something to go wrong, like he’s bracing for an impact that never comes. He has been hurt before, has been broken in ways that no amount of power can fix, and yet—this is different. You are different.

- “I—” he starts, but the words get lost somewhere between his lips and yours. He laughs, but it’s not the cocky, confident sound most people expect from him. It’s breathless, unsure. He runs a hand through his hair, exhaling sharply. “Didn’t see that coming.” But the way he looks at you—the way his blue eyes soften, the way his fingers twitch like he wants to reach for you and doesn’t know if he should—tells you that maybe, just maybe, he’s glad you caught him off guard.

- And then, slowly, hesitantly, he steps closer. He cups your face in his hands, his thumbs brushing over your cheekbones with a gentleness that feels at odds with the battles he’s fought, with the wars he’s survived. And when he kisses you again, it is not hurried, not rushed. It is quiet. It is careful. It is real. Because for the first time in a long, long time—Richard Rider is not fighting. He is simply here. With you.

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