#[especially if we consider the events of the 6th episode]
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hxlls-sweetest-sinner · 1 year ago
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@king-of-wrath asked: 👀 "Do you think you could be forgiven?" --Ramon
Honesty is the best policy
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Serenity paused. She wanted to be forgiven, to be redeemed, to feel safe. But did she know if it would actually be possible?
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“I… I think if my side of the story was heard. I might have a chance. I mean, that’s only fair, right?”
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aleespace · 6 months ago
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Finished watching the new season! 
I'm not that good at writing reviews but I just want to express my thoughts (spoilers ahead)
Well that was fun! I'm sad that we only got 10 episodes but hey! at least we're getting 6th season! (Upd: woah, I missed 11th episode, also there's Halloween special!)
Alien family arc was good, I really enjoyed the honeymoon episode and What if device episode (which I think is my favorite?) Also that episode where Korvo tried to beat the dad but it was in the style of old cartoons with physical gags and instrumental background music. No dialogues, just animation and funny moments😄 I hope animators had fun with this episode
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Also Tervo this season!! Mgmgm I love these nasty husbands, they had their own moments and I'm looking forward to some more the next season! Especially considering the latest interview with producers, where they said this about Tervo
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God yes, I'm glad they understand that they can make something interesting with them without this cheap drama about them breaking up or divorcing. I love that they want to keep this sincerity in their relationship.
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But I was kinda disappointed by the lack of interaction between Korvo and Terry and replicants, where is my promised Korvo & Jesse episode!? Yeah, replicants this season weren't really fun for me sadly and the episode about Jesse's boyfriends is my least favorite :( (no wait, silvercops episode is my least favorite but we'll get to that later)
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The Wall (now The Backyard I guess) arc was also enjoyable! Thank them for giving us canon lesbian pair (that was unexpected :0) and more interesting stories about tiny people. Nothing has changed much there, they're still fighting for power and resources, this time the good old Western style! The only thing I didn't like was Cherie's change of motives at the end?? Idk it just didn't feel right, I really liked her and now she's going to become the villain of the next season? And my guess is Dyke (oh god he's alive) will now become a good guy. Well, we'll see how it is next summer.
Now to Silvercops... I don't really have much to say about this arc. It was mid... What even was the point of all these events, it doesn't seem to be leading anywhere expect for showing us that silvercops are assholes which we already knew. The mlp parody was also meh.. just like this whole episode. Turning this guy into a dog didn't help at all, he's still unenjoyable protag tbh and right now it just feels like this arc simply takes time away from things I do like to watch. I hope they'll do something about it in the next season.
Well, I guess that's it! Please share your own thoughts on this season, I'd like to read them! 💚💙
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hellohimawarihana · 2 years ago
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My Review of Yu-Gi-Oh VRAINS Henshin
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Hello and welcome into another transformation analysis! This time I’ll be talking about one of Yu-Gi-Oh series that involves transformation.
If you’re not familiar with Yu-Gi-Oh then I’m gonna explain it to you. Basically it was the series who popularize the trading card game today and it always involves duel between one another by summoning creatures like dragons and fairies combined with fusion and various effects that will decide the outcome of the battle.
Now I’m not a fan of Yu-Gi-Oh myself but I do had a few interactions between the series. I was born in late 90s so I grew up with the original series and I do hear the first opening and ending songs and they felt good. Then I do watch my brother’s gameplay about some GX games (maybe?) on PS2 and one episode in 5DS (maybe in Season 2? 'cause I remember the duel back then was in chibi). ZEXAL’s first opening song was true to its name, a masterpiece to me. The rest of them like ARC-V, SEVENS and currently airing Go Rush!! isn’t my cup of tea, but the thing that does made me interested recently is the 6th anime series, VRAINS.
This series has recently got its 5th anniversary and with VRAINS World in Duel Links, few events, and goods ongoing, so I think it won’t be bad to review this third series with transformation. Well, Yu-Gi-Oh is no stranger to transformation sequence as OG and ZEXAL had done this before, but VRAINS is the first where the protagonist doesn’t need their respective partner to transform into their alter ego, whether it be possessed or by fusion.
Before that though, no transformation where the log in / sign in happened with blue flash of light as it was instantaneous / offscreen and no character without complete appearance change too, although there's one exception that will be shown later.
With no further ado, let’s dive into character sections, put the decks into Duel Disks, and “Into the VRAINS!!”
Playmaker / Soulburner
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We’ll start with the protagonist and his eventual partner in Season 2 when they sign into LINK VRAINS. And their animations are... pretty much similar, so I’m dumping both here in one session.
Let’s talk about Yusaku a.k.a. Playmaker first. First off, I like the visuals when he transforms, it’s the thing that made me impressed the first time I watched it and get hooked by the series. The blue in the background matches his personality really well too. I especially like the gold glow on his bodysuit and how he let his hair down (actually it’s his front bangs) before changing it into Playmaker, ah good stuff indeed.
As for Takeru alias Soulburner... eh, fine? Nothing much to say about this one but I do like the scarf that moves when he lowers his head and how his glasses was removed the same time as his transforming hair. It’s pretty unique, since we rarely see glasses got removed onscreen during transformation (think Barnaby in Tiger & Bunny 2 and Mew Lettuce in Tokyo Mew Mew New). And the background really represents his hot-blooded personality too.
Speaking of the visual, it’s one of the successful among anime media. Usually the pseudo-space background has to represent the individual’s strengths / elements or the series theme as a whole. VRAINS is well known by its aesthetic, and oh boy it’s really shown here. Surrounding them is the screens that represent charts and the platform where they're standing are based of hardware components with the electric fan in the center, not to mention the pillars spinning around too. What differs them is the theme color. As I stated before, Playmaker uses blue though it’s more towards Yusaku than his online alias (unless you count the glows during his Ritual and Xyz Summoning) and there's emerald green as secondary color which is the closest towards his green bodysuit and his Synchro Summoning glow. Meanwhile, Soulburner uses red and orange, which is the common element of fire that was part of his deck.
And considering the fact that this series involves virtual world, Yusaku and Takeru has to sign in by surrounding themselves with the sphere in their respective color (Yusaku’s light blue and Takeru’s red) with various screens before going into transforming part. However, considering that Yusaku’s transformation was shown few times in Season 1 as opposed to Takeru’s once in Season 2, there is some twist in sign-in variations to keep it interesting. As shown in stock footage-heavy Pretty Cure series, it could be tiring if it was shown once per episode, especially DeliPa where they often transform in group and each does two lines at once (usual naming and anything gourmet-related) during their roll call. However, Yusaku was smart, and with various sign-in sequence and other alterations enough to make his transformation felt same yet less repetitive (and honestly I’m glad it happened in order to make this GIF).
The process, however, is pretty short, as the beginning took 15 seconds uncut but the actual transforming part is 6-7 seconds long. Probably because they took the usual anime transformations with 30 seconds duration, and it’s probably why the scene focuses on leg when forming the bodysuit with the belt coming second before their hair. (I had Corrector Yui vibes from there...) But I like how they break the transformation space into a new background and change the lighting in the process, talk about powerful duelist. And I’m not keen to fanservice like in Binan Koukou and Fairy Ranmaru and instead keeping their clothes before being replaced by their suit through electricity glaze is a very good idea. (I don’t think the staff would implement fanservice in kid’s show...)
Here’s the link if you want to watch and compare both.
Oh, and in case you’re wondering, there’s no combo transformation sequence for these two. After the usual set-in sequence, there’s eye sequence and then a flash of blue light on them... done. A bit shame, actually. (the same happened for Yusaku in work outfit too...)
Blue Maiden
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In case of Yusaku-Takeru’s offscreen transformation, there’s one episode where it occurs the same time as when Blue Girl transforms into Blue Maiden in front of the two and Ema/Ghost Girl. She glows light blue and has some magical girl transformation vibes on it, with some twist. The ‘ping’ occurs with pink heart and concentrating on the transforming part one by one before scanning the glow out upon completion, which I think it’s pretty good for her.
Speaking of magical girl transformation, Playmaker and Soulburner has these vibes in their sequence too. And I like how their hair color traded with each other between their civilian and avatar form.
Though Blue Angel is more magical girl than any of Aoi’s avatars, at least she had transformation in one of her forms so it’s alright. Soulburner would definitely proud of this.
There’s also some transformations that’s too brief for me to review but I’m gonna show them anyway.
Ghost Girl
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Blue Girl
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Knights of Hanoi
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And there's the acrylic board version for Revolver and Playmaker too.
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(the render version in the link)
And that covers up my henshin review of Yu-Gi-Oh VRAINS. See you in my next post!
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saemi-the-writer · 4 years ago
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MT EPISODE REWRITING: DARK BLADE
Okay, this one is longer than the previous because I introduce some of my OCs and because the setting is different/takes longer than in canon. For continuity and character’s depvelopment’s sake, there will be more episodes like that, I hope you will enjoy them too. Btw, it’s one of my fav episode of the first season (mainly the akuma, I still find it very fun!)
Dark Blade, Miraculous team version!
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(Takes place after Reflekta, early/mid-September)
Ms. Bustier announce to her class that the class rep election will be held in a week; she quickly reminds her students what the class rep role is, and their duties, before asking who would be interested in the job and/or the deputy. Chloé, Rose and Kim raise their hands for the class rep while Sabrina precises she goes for the deputy position. Ms. Bustier writes everything down and tell them they still have a whole week before the election and the bell rings. As the students get out, Alya notices that Marinette looks a bit down -jaded even- and asks her what’s wrong.
“Chloé is going to be class rep no matter what. She’s always been since 6th (first year of middle school) and it won’t change anytime soon.”
“Wait, you really think others want that blonde bully as a class rep?! She certainly doesn’t get my vote; Kim seems a better option even if he’s a bit dumb!”
“Yeah, if Kim maintains his candidacy. But the past two years, each time, all Chloé’s opponents gave up before the election, leaving her the only option. We didn’t have a choice.”
Alya is both shocked and annoyed to learn that, and the two discuss about it more before they split up to go home. They didn’t notice their teacher heard some of it. Once Marinette is home, she rushes to do her homework and finish her secret box, in case an akuma would appear in the evening or night. Tikki is a bit anxious that she writes all her secrets in her diary until she gets trapped in the box (like in canon). Marinette also assured her she wrote the part about her life as Ladybug in Chinese, so only her mom (or family on her mother side) could read it but they were little chance they’d get their hand on the diary or even want to read it. Before going dinnertime, Marinette confides in Tikki that she would have liked running for class rep, but she’s afraid she won’t have the time to do properly. Tikki tells her it will not hurt to try and that it would be a shame to leave the position to Chloé of all people, especially because she thinks that Marinette would be a great CP. Marinette feels a bit flattered but doesn’t change her mind (yet).
At dinnertime, she hears her parents talking about the incoming elections. They’re not really happy with either candidate, but they’d rather have Mr Bourgeois again as the mayor than Mr D’Argencourt. She listens with a distracted ear, choosing not to talk about the class rep elections.
Meanwhile, at the Agreste mansion, Gabriel and Nathalie have a similar conversation. Adrien listens carefully, curious about it since D’Argencourt is his fencing teacher. When Nathalie points out that D’Argencourt is too backward-looking (among other things) for her taste, it amuses Adrien who tells them that, indeed, his teacher has an old-fashioned way of speech and is sometimes too pompous. He imitates D’Argencourt shortly, making the two laugh a bit, then Gabriel reveals him that he had been seriously considering Adrien to change fencing lessons for a while because D’Argencourt tends to speak of politics too much in front of the children, imposing his point of view on them. “I am not paying him to spread his own propaganda.” While Adrien respects his teacher for his skills and enjoys fencing, he admits that he wouldn’t mind having a new -friendlier and more open-minded- teacher. Nathalie takes her tablet so they can show him the options they found.
As the week goes by, both Rose and Kim go to Ms. Bustier to tell her they withdraw their candidacy in turn. The teacher tries to change their mind, but when she realizes the two are really scared and were threatened/blackmailed, she stops. Ms Bustier is very upset, she speaks about it to some of her colleagues and the vice-principal (Damocles) only to hear that they can’t do much about it. The principal eats out of the mayor’s palm hand and so, he lets Chloé do whatever she wants. She goes to some of her students, asking them if they would be interested but they are either not interested at all or don’t want to confront Chloé. Only Adrien, Alya and Marinette answered “I am too busy, I won’t have the time to do it”. Marinette feels kinda sorry for her teacher who seems quite glum because of that, she starts having second thoughts. Tikki gives her a pep talk, then Marinette remembers that compared to Miss Tigri and the two giant snakes, Chloé seems ridiculous, which is why she manages to hold her ground and keep her seat, so she decides to go for it. Ms Bustier and her classmates are thrilled by her decision, whereas Chloé fumes and is already on the war path.
The following events are quite the same as canon then, all Marinette’s classmate congratulates her for her courage and have some requests for her. All of them are already planning to vote for her, Adrien too: he sees that Marinette will take her duty seriously. Then Chloé tries bribing them with albums and autographs of Jagged Stones. While Marinette rushes to the hotel, Sabrina goes to the bakery and uses the geometry book excuse; Sabine hesitates a bit because she doesn’t recognize Sabrina and cannot go and look for the book herself. Then, a young woman Sabrina doesn’t know speaks up:
“I can go and look for it with her, auntie!”
Sabrina is confused and wonders who that girl is, but Sabine, relieved at the sight of her niece, allows them to go. The girl introduce herself as Ryma -Marinette’s cousin- and the two climb to Marinette’s room. Sabrina is bothered by Ryma’s presence; she cannot search the room as she wishes nor talk to Chloé (who is hopping mad since Sabrina hung up on her in panic). However, she notices the diary in the box, and the moment Ryma turns her back on her, she rushes to take it. The two girls jump at the loud snap.
D’Argencourt is still bitter because he lost the elections and takes it out on his students, being harder and more demanding than usual. After showing off his move to Adrien, he makes his speech about his ancestor during his class (like canon). Adrien only listens out of politeness, eager for him to stop so he can go – plus, he (deep down) thinks D’Argencourt is a jerk, just like his ancestor. Gabriel comes to pick him up with his bodyguard, and while Adrien goes to change, Gabriel argues with D’Argencourt. The latter doesn’t take well that Gabriel wants his son to leave his “school”, nor how he cannot counter any argument Gabriel throws at him.
The fencer leaves only to be approached by Nadja Chamack and the sight of André Bourgeois’ picture is too much, he gets akumatized. Nadja and her cameraman are changed into knights, Gabriel and Adrien’s bodyguard see it and they both try to get Adrien to safety. They are changed as Adrien transforms and rushes out as Chat Noir.
Back at the hotel, Marinette feels a bit offended that her classmates (seem to) accept to be bribed; but when she asks them, most of them put it bluntly that they don’t intend on voting for Chloé.
“She will never keep her promises if she becomes class rep, so why should we keep ours?”
Marinette is left speechless, but she cannot blame them for making a false promise to her bully. Her phone rings, and she’s surprised to see it’s her cousin Ryma calling her. She gets more and more confused until Ryma arrives, pulling Sabrina behind her by her wrist.
“That girl was literally caught left-handed!” she tells Marinette, holding out Sabrina’s trapped hand for her to see.
Chloé runs to pull them all asides and is shocked as Ryma grabs her too then terrified by the older girl’s expression. Marinette tries to calm her cousin down, but they are interrupted by the akuma’s arrival. Like in canon, Marinette takes the lead, and they barricade the doors while Chat Noir and Pandora fight the knights outside, then she sneaks away when she can. Pandora is quite irritated as she fights off the knights and takes jabs at Dark Blade whenever she can, to both LB and CN’s surprise and amusement.
When the knights catapult themselves up, Chat Noir is the one who cries out “The flag! They are aiming for the flag!” and the three quickly climb up to prevent them from taking it. Pandora stations herself near the flag, fending them off (some Les Misérables references? Maybe!) while Ladybug uses her Lucky Charm. She gets a little bag full of itching powder and she throws it at Dark Blade after he tries to pull his move on Chat Noir (“Not twice!” yes, a Saint Seiya reference too sorry not sorry), CN uses his cataclysm on the sword and LB can capture the akuma and uses her miraculous healing.
The younger heroes have only a few minutes left, so after a group “pound it”, they leave. Pandora turns to D’Argencourt and offers to help him down the roof, but he is so rude and condescending to her that turns away. “Suit yourself, Messire. Good luck!” D’Argencourt stays stunned and huffs, trying clumsily to go down. A shadow appears behind him and reaches out:
“I think you would have been an amazing ruler, sir.” A smile. “We can help you restore your family’s former greatness, let us help you and together, we will lead the people of Paris to glory.”
D’Argencourt remains silent a moment, then takes the hand in his.
“Welcome among us, Armand D’Argencourt.”
The hands shake firmly.
Marinette sneaks back among her classmates, claiming she had been changed into a knight. Adrien does the same (and no one questions how and when he arrived at the hotel) before Chloé tries to make a scene, calling Marinette a quitter. It doesn’t last as Ryma butts in, still dragging a tearful Sabrina behind her; Marinette frees Sabrina’s hand and expose Chloé (well, she betrays herself but still). When Chloé tries to shift the blame on Sabrina, everyone rolls their eyes “yeah right, we know Sabrina is more your minion than friend.”. Although her victory is obvious, Marinette still makes a nice speech, showing them all that she does deserve to be class rep and gets a round of applause.
The following day, Marinette is officially the class president and Alya her deputy. She sees Ryma at the bakery later, who congratulates her. They both hug and Marinette thanks her again for defending her.
Adrien then joins his new fencing class and meets his new teacher, Laura Fleuret.
AN: Adrien’s new teacher is inspired by a real fencer Laura Flessel ; and if you wonder what Ryma looks like, here’s a reference)
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jalebi-weds-bluetooth · 4 years ago
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Hello S! It's been long since I came here. I absolutely loved the quiz and 6th podcast. I must say that you are an encyclopedia when it comes to IPK. I hope you are doing very well and you had a great Diwali. This time it coincided with children's day. That brings me a question- How do you imagine A and K to be as children and how do you think the events would have shaped their behaviours and beliefs as an adult? We get glimpses of this but I wanted to know your thoughts too. Love- Radhe
Dearest RDX,
It’s so wonderful to see you here! Thank you for loving the quiz and the 6th episode of the podcast! ( @ridzmystique is always surprised when we end up with another episode! Apparently this one group project seems to be working!)
I am doing well <3 Now to your wonderful ask:
How do you imagine A and K to be as children and how do you think the events would have shaped their behaviours and beliefs as an adult?
TL; DR: 
In lieu of the events, the impact, their shaped beliefs-
Arnav shows himself to be very different from his childhood but he has actually remained the same, just a bit more edge to certain behaviors that mellow down with time, Khushi’s presence, and a reality check from his past.
Khushi shows herself to be identical to the way people think she was as a child when in fact she is, internally, a vastly different human being. It helps her being in denial, believing further in intentions than consequences and ultimately allowing her to be completely in love with Arnav Singh Raizada. 
The beauty of their relationship? Arnav and Khushi are more of who they are (as adults, as kids) with each other and enjoy every facet of the other’s behavior. 
Note: Akash Payal’s wedding ceremonies bring out A-K’s behavior in the most beautiful way. 
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‘Chote’ Singh Raizada
- By the description of his family; was stubborn, egoistic, aversive to affection, extremely attached to his family (mother and sister, and shared his smiles for these two), intelligent and a master prankster (guess who glued Akash to his bed in 8th standard?), has high ethical standards (even as a child). 
- The events, instead of changing Arnav, reaffirmed a lot of his traits that one would consider ‘negative’. We see his stubbornness, aloofness, arrogance and ego take precedence in who he projects himself as. There are still signs of ‘chote’ - the way he slyly teases Anjali/Akash or his continued devotion to his family - but clearly he knows when he’s being arrogant. And masterfully uses it to achieve the success he has earned. 
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- What the events did change were his beliefs in marriage, celebration and religion. And these three things are directly related to the day his mother committed suicide. We see the teen Arnav dance and enjoy Anjali’s marriage until it all came crashing down. And having studied psychology, you know the power of association better than I do. 
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-- He hates noise, celebration and cheer. The family knows why and they don’t question him on it. Rather they try to appease him, later, with Khushi’s help, for Akash’s sangeet.
-- He has not danced in 15 years. Again, facing a trauma on the day of Anjali’s wedding might have really marred the way he felt about dancing and celebrating expressively. And he often smirks/smiles, instead of laughing out loud.
-- He hates ‘marriage’ [for himself] and refuses to believe in God. On the night of his sister’s wedding Arnav was barely given any time to absorb the shock of his father’s infidelity. It quickly led to his mother’s and eventually father’s suicide and I think Anjali’s to-be-husband abandoned her at the altar because of this. This definitely gives a heavy blow to his own views in marriage given how the end of a marriage changed his whole life. And considering how religious Anjali and his mum were (an idea he might have had doubts on as a child) he probably questioned God’s existence on the amount of unfairness he, his sister and his mum faced at the hands of his father and uncle. 
Note: Arnav believes in the institution because he, in a way, idolizes what Anjali and Shyam have. He just does not prefer it for himself. When the terrace night happens, it’s a new wound on an old, unhealed one. 
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‘Chutki’ Kumari Gupta
- I love this name and my heart breaks they abandon this name after a few episodes. But given by the little description from her family, she was; energetic, silly, loving, mischievous, wild, compassionate, competitive, friendly and extremely empathetic as a child. 
- The events did change Khushi in becoming more religious, and using her behavior her family knew as a shield to what she truly feels. It is exactly opposite to Arnav. Khushi sought religion as a coping mechanism, especially considering that she was younger than Arnav when she lost her parents. For her God gives her all the answers and she can rely on the faith that some things are beyond her control. It allows her to embrace her new family and believe her parents’ are stars. 
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As a child Khushi seems like the kid who would be pulled into sitting in pujas and stealing sweets as opposed to sitting with the purest devotion. 
- Khushi does not let anyone know, nor shows, that she has changed. This struggle is visible when Bua ji is pairing her with Shyam. Shyam is ‘everything’ her family thinks Khushi would want - very heroic, well mannered, witty, a taste for cliched Bollywood dialogues, smart, Salman Khan-esque and in love with Lucknow.  
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- If anything, the events make her feel obligated to her new family. Which is why she thinks it would be a disservice to let them know she feels differently from what they feel about her and her likes/dislikes. We see this chip away with time as she gently reminds Bua ji that Arnav’s respect and love for her family means more than tying a Raksha Dhaaga. 
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It's not that Khushi is not who she was as a child. It’s just that I feel the events and her love for her new family puts her in this cycle of never hurting them. So I feel she never shows them the parts of her that has changed with time. Is Khushi actively doing this? I don’t think so - if it was actively done, she wouldn’t have been able to effectively deny her feelings for Arnav or hide Shyam’s truth from the Raizada's. 
So...
The beauty of A-K’s relationship? Arnav and Khushi are more of who they are (as adults, as kids) with each other and enjoy every facet of the other’s behavior.
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 Hope you liked this analysis! I tried not straying too much away from this point! 
Much love, 
- Soapy
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themattress · 4 years ago
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OUAT AND ME: SEASON 3
Story - Season 3 was the first season to (intentionally) divide itself between two story arcs, with the first half being the Neverland Saga and the second half being the Wicked Saga. While the Neverland Saga focused on the journey of the show's main characters through Neverland as they conquer their own inner demons in order to save Henry from the clutches of Peter Pan, the Wicked Saga focused on a new Dark Curse being cast on Storybrooke and the main characters' fight against Zelena, the Wicked Witch of the West, who is working toward a secret objective that will allow her to exact revenge on Regina, the Evil Queen.
The Neverland Saga, in the present day sequences, is the best the show has been since the Enchanted Forest quest early into Season 2. In its best moments, it's even on par with the Dark Curse Saga of Season 1. Seeing all of the characters work together toward a shared goal after all the clashing agendas from the previous season is so refreshing and exactly what the show needed, and everyone undergoes some kind of character development and gets their moment to shine. Greg and Tamara are killed off within the first few minutes of the premiere episode after finding out that "the Home Office" was the Lost Boys all along, and Peter Pan is quite possibly the greatest Big Bad in the show's entire run, and certainly among its most popular for just how wonderfully menacing, manipulative and despicable he is.
Unfortunately, I can't extend the same praise to its flashback sequences. The ones that involve Rumpelstiltskin and Hook in the 4th, 5th and 8th episodes are great and connect to the current narrative, but I take issue with all of the others in some way, big or small. The flashbacks in the 2nd, 9th and 10th episodes have fuck-all to do with what's currently happening in Neverland, and while the ones in the 3rd and 6th episodes do, there are too many issues in them to consider them good. For the 2nd, 6th and 10th, the problem is that the show is starting to contrive new "Snow White and friends vs. the Evil Queen" stories where they don't belong and aren't needed, and it especially has a negative impact on the Evil Queen since this is the point where she shifted from slightly campy to overtly campy, her menace quota reduced to virtually nil. For the 3rd, giving Regina and Tinker Bell a past connection is fine and works for the story, but the way they do it is stupid and with dire consequences later down the line, plus the show doesn't get much into her connections with actual Peter Pan characters like Hook, Wendy, and, well, Peter Pan. And as for the 9th, I actually have quite a lot to say on that so I'll save it for when I'm discussing Episode Quality.
My thoughts on the Wicked Saga have not changed all these years later: it's a textbook example of They Wasted A Perfectly Good Plot. With the set-up it starts with: a new Dark Curse, a new Big Bad, and new dynamics between many of the characters, they had the chance to take the show in a bold new direction following the ending of the Neverland Saga wrapping up the plot that's been going on since "Pilot". But instead, Adam and Eddy fall back into their bad Season 2 habits, and the result is that the show settles into this kind of bland status quo that it won't ever be able to shake off. The arc isn't actually a bad one, as it's solidly structured just like the Dark Curse and Neverland Sagas and there's a lot of great moments and developments made. It just falls short of the greatness that it could have had.  
Characters - Everyone's more likable now! At least until they aren't.
* Emma takes center stage in the Neverland Saga. After finally learning to believe based solely on faith instead of always waiting for evidence to do so, she takes charge as the leader of the group affectionally dubbed "the Nevengers" by fans. In learning how to be a leader, she is able to learn more about herself and become an even more confident and decisive hero. Tragically, her character arc isn't fully resolved before it gets cut off by the events of the midseason finale, leaving her in a state of anxiety and uncertainty in the Wicked Saga before finally making her way back to the resolution of her character arc in the season finale. And on paper, this sounds fine, but in execution Emma's character through the majority of the Wicked Saga is a one-note bore who mainly exists to prop up the development of other characters. She isn't as sidelined as badly as she was in the latter half of Season 2, but still not ideally handled, especially when much of the story arc is specifically building toward only her being able to defeat Zelena only for Regina to do it instead. However, the resolution her character receives in the finale is handled exceptionally well, so I guess it all balances out in the end.
* Snow is actually back on top form in the Neverland Saga and it's wonderful to see, but it doesn't last into the Wicked Saga where she's back to the insipid, Regina-coddling weakling that Season 2 turned her into, whose biggest contribution to the plot is simply having a baby. Charming is a lot more interesting, as in the Neverland Saga we get to see his David Nolan weaknesses return but this time as a result of his Charming strengths, which is a fascinating dynamic to see at work and leads to some great interactions between him and Hook, a relationship that got started in Season 2 and will only continue to grow (and occasionally regress) as the show continues. And in the Wicked Saga, he has an entire episode dedicated to his feelings of failure as a father and how he fears that he might fail his second child too.
* Henry....still sucks, damn it! For a story arc with the mission statement of Save Henry, the Neverland Saga makes it difficult to care about saving him when he's portrayed as so stupid and gullible and easily led by his captor, Peter Pan, to the point where he literally sacrifices his heart (the Heart of the Truest Believer) to him against the pleas of his father and mothers. And while he has the potential to become more interesting in the Wicked Saga due to having lost his memories, the show totally ruins it by giving him his memories back by the end, because Heaven forbid that Regina pay a lasting consequence for her decades of villainy.
* Oh, and speaking of Regina, like Snow she's also really good in the Neverland Saga only for the Wicked Saga to ruin her again. In the Neverland Saga, she establishes herself as the Token Evil Teammate of the Nevengers, who knows she's a sociopathic villain and owns it as she utilizes her skill set for the greater good. Her line after ripping out a Lost Boy's heart at Emma's behest sums up why she works so well in this arc: "She didn't. I did. That's what I'm here for. One happy family." This should have been Regina's seasonal character arc and her status within the show going forward: a part of the family who may be evil and grouchy and not get along with everyone and even antagonize other members of the family, but who can still be counted on when push comes to shove and whom the other members of the family stand on equal grounds with and can push back against. It's the ideal recipe for a slow-burn redemption where by the end of the show she's truly become a semi-decent person. Just the act of destroying and fully reversing the Dark Curse in the midseason finale alone, at the cost of Henry losing all his memories of her while she gives him and Emma good memories of having always been together was a powerful start to such a redemption. It was all right there.
But of course, Adam and Eddy could never let their precious Regina go so long without having all of the things both she and they believe she is entitled to. So in the present-day story of the Wicked Saga (she's still fairly decent in the flashbacks), Regina gets a handsome soulmate in Robin Hood, and validation over her more powerful half-sister, and engagement in family dinners, and reconciliation with Snow without her expressing any remorse or apology toward her (Snow puts the blame on herself instead - "I was such a brat!"), and Henry with all of his memories back, and to out of nowhere and without her heart in her body become a powerful practitioner of light magic to the point where she's basically the Savior now! Yes, she seems to lose Robin at the end when Maid Marian is brought back, but that just ends up making her victim complex and blame deflection even stronger ("You're just like your mother!" she says to Emma, "Never thinking about consequences!" Because how dare she bring back one of Regina's past victims and allow her to be reunited with her family!)
In short, the Wicked Saga put a sudden fast-forward on Regina's redemption, giving her all sorts of goodies that would make sense as individual karmic rewards on a slow-burn redemption but make no sense when they happen in quick succession. And then at the end, they took one of those things away just to make her seem like more of a martyr, something they've been doing ever since the end of "Queen of Hearts" back in Season 2 and at this point I was sick of it. Little did I know it was about to be taken to a whole new level...
* Rumple wasn't bad in the Neverland Saga, per se, in fact he's amazing in the last four episodes. But early in, he backtracks on the goodwill he built up in the Season 2 finale by arrogantly abandoning the rest of the Nevengers to go rescue Henry all by himself, and all this accomplishes is getting him lost in the jungle, crying over old childhood dolls, being plagued by a hallucination of Belle, taunted by Peter Pan, and having an underwhelming reunion with the son he thought had died only to quickly come to blows with said son as he begins showing signs of temptation from his selfish self-preservation instincts at the expense of Henry's well-being once again. It just gets tiring after a while and you're glad when Regina verbally bitch-slaps him back into some semblance of his old self, which leads to the aforementioned amazing moments where he reconciles with the other Nevengers, confronts his father, and ultimately masterminds the heroes’ action plan in the midseason finale which culminates in his final redemption as he sacrifices his life to take down Pan once and for all.
But therein lies the problem: Rumple's entire series-long character arc just came to its natural conclusion. He chose love over power and courage over fear, standing up to the father who ruined his whole psyche and giving his life for his loved ones. However, since it's the middle of the season and Robert Carlyle is still contracted for more, they had to resurrect him. This decision cheapening his sacrifice is bad enough, but the writers also have no real idea what to do with him for the rest of the arc other than act crazy in a cage and then serve as Zelena's meat-slave, which is even less fun to watch than him moping around in the jungle was! While him deceiving Belle and killing Zelena at the end promises better things for him in the future, it's still a slog to have to sit through what preceded it, and you never quite shake off the feeling that the show might have been better off if it only had the balls to leave him dead.
* Hook was already one of the best additions to the cast in Season 2, but Season 3 is where he truly shines. He is in his element in the Neverland Saga, bonding with Emma and Charming while he rediscovers the more heroic and honorable side of himself. The insight into his past especially helps with this, as we better understand where he came from and how he got to where he was when we first met him. And in the Wicked Saga, he is the impetus behind Emma regaining her memories and returning to Storybrooke to be the Savior once more, as we learn that he had attempted to return to his old pirate ways back in the Enchanted Forest but ultimately couldn't do it, as his experiences with Emma and his love for her had changed him for the better. And so when he learned her family was in trouble and needed her help, he sacrificed the Jolly Roger and his pirate captain status in order to get back to her. After learning this on top of all the time they spend together, particularly in that very season finale, Emma finally lets down her walls and enters a romantic relationship with him...and I can't blame her in the slightest, because out of all her love interests, it's clear that she and Hook have the most in common and have the best chemistry. It’s True Love.
* This also might just be the best season for Belle as a character. Her focus episode in the middle of the Neverland Saga is actually about her and her desire to be a hero and contribute to the cause rather than just about her romance with Rumple, and she gets to be a badass who saves the day and makes a great new friend in Ariel. She's also good in the Wicked Saga, where she bonds with Neal, takes Hook and Regina to task for their past misdeeds against her until they apologize and make it up to her, and continues to be a valuable asset as the town librarian and scholar. Pity we can't feel happy for her on her wedding day, though, as even in his goddamn proposal to her Rumple manages to be the worst lover ever.
* Neal is promoted to a regular character this season, which naturally means he's its designated screwed-over regular who won't make it to the next season! It's a shame since despite how miscast Michael Raymond-James continues to be, Neal is better written in this season than he was in the previous one. Through both the Neverland and Wicked Sagas, he shows a passionate desire to be a better father to Henry than Rumple was to him, to not repeat the same mistakes that Rumple made. And so when he is separated from Emma and Henry, he becomes obsessed with getting back to them no matter what the cost, veering dangerously into Rumple territory as he starts dabbling in dark magic. But when the ritual to resurrect his father so that he can find a way back to Earth costs him his life, he ends up accepting his fate rather than cling to life like a coward and risk becoming just like Rumple. While I don't particularly miss him nor do I find his heroic death enough to warrant Snow and Charming naming their new son after him, I'm glad in the end he was able to break the cycle.
* Peter Pan, as I said before, is a top contender for the show's greatest Big Bad. Much of it has to do with Robbie Kay, who absolutely nails the cocky and charismatic yet malicious and frightening qualities that you expect to see from an evil version of Peter Pan. He is so utterly, thoroughly, skin-crawlingly evil that you are invested in the heroes' quest less out of concern for Henry and more because you want to see this demon child be defeated. And of course, there's his backstory and true identity - he's actually Malcolm, Rumple's father, who cruelly abandoned him in order to bond with the Eldritch Abomination personifying Neverland's dark side and obtain eternal youth. But eternal youth doesn't mean eternal life, and Pan will die unless he obtains the Heart of the Truest Believer belonging to his great-grandson, Henry.
While this backstory is divisive among fans, I'm in the camp that loves it. Not only does it add a greater layer of depth to Rumple and his story and make Pan both more pitiful and more reprehensible, but OUAT is at its best when it uses fairy tales to explore real issues, and this is a quite literal exploration of "Peter Pan Syndrome", where adult men selfishly remain in arrested development even when they become fathers. It also really boosts Pan's Ultimate Villain cred, as none of what transpired in the show would have happened if he hadn't abandoned his son and scarred him for life. He is Patient Zero for all the characters' suffering.
* Zelena, the Wicked Witch of the West, naturally feels like a step down when compared to Peter Pan, but this isn't for a lack of effort on the part of the actress, as Rebecca Mader is delightful as she chews the scenery in a blaze of bug-eyed, bared-teeth, shrieking, cackling, psychotic glory. The issues with Zelena are in the writing. First off, making her Regina's half-sister is questionable given that we just had a villain with a secret familial connection with one of our mainstay baddies, which was following from an evil woman with a familial connection to Regina specifically! And them being sisters doesn't have much bearing on the conflict beyond explaining why the Wicked Witch has green skin (it magically turned green out of jealousy for Regina), and she only has green skin in the flashbacks anyway. It also doesn't track with how they first present Zelena in her backstory: she's a girl who wants love and a place to belong, but the moment she discovers she has a sister in another realm her reaction isn't to seek her out and bond with her but "why does she have all of that power and privilege, I oughta have all of that, it's not faaaaaaaaair!" She also lusts after Rumple who, having previously insisted that no-one could ever love him, casually admits that "he has that effect on women" and stops training Zelena because he accepts as fact that she loves him more than anything else and so she can't cast the Dark Curse for him. It makes no sense.
On top of that, her big secret plan ends up being anticlimactic - she wants to create a time travel spell so that she can go back in time and make herself the one who casts the Dark Curse for Rumple - and she is defeated ridiculously easy by Regina's out-of-her-ass light magic powers and then unceremoniously shivved by Rumple in her jail cell. All while Adam and Eddy drop boulder-sized hints that she isn't really dead and we haven't seen the last of her. Then why "kill her" to begin with? Why not just keep her imprisoned? Like I said, Zelena is a good idea for a character and with a great actress, but the writing really let her down.
* Beyond the usual side characters around Storybrooke who are fine as usual, we get several new ones that all make an impact. There's Felix, Pan's creepy and fanatical right-hand boy; Tinker Bell the cynical exiled fairy turned reluctant ally of the Nevengers; the adult versions of John and Michael Darling who run the anti-magic group Greg and Tamara belonged to on Pan's behest since he's holding Wendy hostage; Liam Jones, the deceased older brother of Killian Jones; Ariel of The Little Mermaid fame played to adorable perfection by Joanna Garcia-Swisher, Blackbeard the pirate who serves as Hook's arch-rival in their mutual field of interest; and Glinda the Good Witch who protected Oz until Zelena ousted her from power.
And then there are the new ones that make much less of an impact such as a charisma-free Prince Eric; Walsh the Wizard of Oz (and Emma's short-lived boyfriend, and a flying monkey - yes, he's really all three of those); a bland version of Rapunzel; a dumbfounding semi-villainous adaptation of Lumiere the talking candle, and Dorothy Gale who is so devoid of anything special or interesting that she's a slap in the face to her literary and cinematic counterpart. I'm not sure what went wrong with these characters, but it went very wrong.
However, one side character needs to be addressed above all others: Robin Hood. He's back and involved in the present day story, now played by Sean Maguire instead of Tom Ellis, and the revelation via Tinker Bell's pixie dust that he's Regina's "soul mate" is the start of his character being butchered beyond repair. The sad thing is that it could have worked: the argumentative, mutual dislike yet still caring about each other type of relationship they have in the flashbacks was perfect and should have continued, progressing naturally into Belligerent Sexual Tension and finally romance as Regina becomes a better person. Instead, when they lose their memories and meet again in Storybrooke, it's now love at first sight and instant romance, with Robin being disgustingly courteous and compliant toward Regina (claiming she's "bold and audacious, but not evil"). Robin Hood is supposed to stand against corrupt, oppressive tyrants, not fall in love with them, and Regina is nowhere near out of her corrupt, oppressive tyrant mindset yet. But she's Regina, Adam and Eddy's favorite character, and so if Emma's getting a sexy British love interest than so must she, regardless of how it clashes with his code of honor! Ugh, such a waste of a great hero, and of a good actor.
Atmosphere - Remember when I said that Season 2 got dark in the bad way? Well, the Neverland Saga is dark in the good way, where the darkness isn't coming from a constant steam of personal misery, heinous actions, and the heroes failing against the villains, but from things that are suggested and things that lurk in the shadows, from trials the heroes must face in order to come out stronger that come off almost like an intense form of therapy, and from a particularly evil villain who will do anything to get what he wants.  The fight against said villain also restores the tit-for-tat style of combat that Season 1 did so well at, with both the heroes and the villain getting the best of each other on multiple occasions so that it feels like a legitimate struggle rather than a never-ending one-sided blowout like it was with Cora.
Unfortunately, the show also takes this dark atmosphere to way too literal an extreme. The choice to keep Neverland in the present day always at night seems cool early on, but the novelty wears off quickly when you feel like you've been looking at the same backdrop for scenes and even episodes on end. I think allowing some scenes to be at day or afternoon would have done wonders at keeping up a sense of variety - many gifsets online brighten up the pictures and they looks so much better as a result. This was a big wasted opportunity.  
The tone of the Wicked Saga is generally lighter and campier, with the only particularly dark things coming from Rumple and Neal's storylines, and that was definitely the right call since anything heavier after the Neverland Saga would start to feel oppressive. And again, the fight against Zelena is an even-handed one, with both heroes and villain getting to score points.
One of the biggest surprises upon revisiting this season is just how well Storybrooke was handled as a setting. It doesn't show up too often in the Neverland Saga but is well utilized when it is, and in the Wicked Saga we get a lot of new locations like Zelena's farmhouse beyond the woods and explorations of ones that were previously underexplored such as the docks and shipyard area. More importantly, magic shenanigans are kept to a minimum and for the most part there are actually sensible rules applied to them! Pan enacting the Dark Curse, the heroes counteracting him, Zelena's usage of magic, Emma learning to channel her inner magic, the séance to summon Cora's spirit, the time travel spell...they are things that don't just happen, there's stuff that has to be done and established beforehand. 
It's not all done well, of course - we get the worst excuse why no-one can leave the town line yet (flying monkeys will get you if you try!) and Regina's light magic is pulled out of her ass following a breaking of the Dark Curse from her that makes no sense (Henry wasn't under any curse, so a True Love's Kiss on him shouldn't break squat!), but it's a step up from Season 2, enough to fool you into thinking that Adam and Eddy have learned their lesson. 
Episode Quality - There's no bad episode in the Neverland Saga, although there are a few that stand out as weaker than the rest. "Nasty Habits", for instance, is kind of drag whenever Peter Pan isn't onscreen, since the Nevengers are stuck moping around at Baelfire's former tree house while Baelfire himself ("It's NEAL!") continues to be unable to sell the drama between him and his father in the way it deserves to be sold. And "The New Neverland", beyond having an awful title that gives everything away too soon, has a ridiculously fast-paced and repetitive plot in order to set up the midseason finale...a problem that could have been easily rectified had it not also hosted the most pointless flashback in the entire season.
And now I need to talk about the flashback in the episode before that one: "Save Henry", the climax of the Nevengers' time in Neverland. It's about how Regina first adopted Henry, and I actually really like it. It shows how she almost might have reformed after obtaining her new son but then discovered he was the child of the Savior, and unable to choose between him and her power over the cursed town, she copped out by drinking a memory loss potion. Not only is this tragic but it actually explains a lot about why Regina was so unstable and abusive in Season 1, since a flashback in that season had Snow drinking just such a potion to forget Charming and we got to see exactly what it did to her psyche as a result. However...this flashback didn't belong in this particular episode. Sure, Regina's love for Henry was a part of the present day story, but so was Emma's. And Neal's. And Pan's desire to fully assimilate his heart so that he could live forever. I really think that a flashback to Neverland in its prime, shared between Pan, Hook, Baelfire and Tinker Bell, would have been far more appropriate. After all, we hear a lot about those relationships, but I really want to see more of them.
I have few complaints about the present day narratives of "Heart of the Truest Believer", "Lost Girl", "Quite a Common Fairy", "Good Form", "Ariel", "Dark Hollow", "Think Lovely Thoughts" and "Save Henry", though, nor about the flashback of "Nasty Habits" that brilliantly composites Peter Pan with the Pied Piper of Hamelin, luring children away with a pan flute.
And then there's the midseason finale, "Going Home". Holy shit. This is the finale that gives "A Land Without Magic" a run for its money. It's not just the finale to the Neverland Saga, but the finale to the entire story that was begun in "Pilot", with every character making what appears to be their last stand. The stakes and the emotions run very high in this one, peaking with the double punch of Rumple's beautiful sacrifice to save his loved ones from Pan and the scene at the town line where Emma and Henry have to say goodbye to all of their friends and family from Storybrooke, with the town and the characters disappearing in a cloud of purple smoke as Emma and Henry drive across the town line, all their memories of the show's events forgotten but replaced with new memories implanted by Regina, memories of Emma never giving Henry up for adoption and them living happily together for years. It all started when Henry came to Emma's apartment to bring her to Storybrooke, and now it ends with them both leaving Storybrooke and heading toward their happy ending. It's perfect. 
The Wicked Saga had its work cut out for it in topping what came before it, and "New York City Serenade" following up the last minute, literal Sequel Hook of "Going Home" does end up feeling anti-climactic in how quickly Stoybrooke, its residents, and all of Emma's memories are restored (also, Emma's new boyfriend being a flying monkey was so dumb), but it's still a solid and enjoyable enough episode to watch, with its direct follow-up, "Witch Hunt", being even better. "The Tower" has great atmosphere and character development, and while "Quiet Minds" definitely could have been better, it could have been worse too. "The Jolly Roger", meanwhile, is the perfect midpoint episode, mostly a breather and a deeper exploration of Hook's character and how much he's changed in spite of him doing his damndest in the flashback to resist that change, as well as the welcome return of our fave fish-girl, Ariel. 
It's really just the four heavily Zelena-focused episodes "It's Not Easy Being Green", "Bleeding Through", "A Curious Thing" and "Kansas" that I have trouble with; I feel like the writers really dropped the ball on Regina and Zelena's conflict and individual character development in these episodes, which is ironic given that Evil vs. Wicked was the biggest thing promoted about this half-season arc and it ended up being its weakest element. 
The two-part season finale, "Snow Drifts" and "There's No Place Like Home", is both a weird and wacky homage to Back to the Future and a return to the series' magical roots. Emma and Hook's adventure to the time of the "Snow Falls" flashback is so much fun and is the perfect antidote to the last few lousy episodes. It also could have very well made an ideal series finale if five changes had been made to both it and the whole Wicked Saga's story: Neal would have to still be alive (that way we don't get the baby being named after him, which is stupid), Rumple would have to still be dead (so no lying to Belle via wedding proposal and killing Zelena), Zelena would have to still be alive and in jail (totally doable with Rumple not alive), Marian would have to not be included in the plot at all (past or present), and of course the stinger with Elsa showing up would have to be removed. Do that and it's a happy ending. But they didn't do that, so following a quick diversion, I'm stuck having to watch Season 4.
Overall - Just as there is no doubt in my mind that Season 1 is the show’s strongest season, there is no doubt in my mind that Season 3 is the runner-up. This is an all-around solid, largely well-crafted, entertaining season of television, especially the first half of it. During this season, I was proud to call myself a OUAT fan. It’s such a shame that the Wicked Saga didn’t end up innovating more and instead settled the show down into a status quo, because if it hadn’t done that then this season’s template would have been the one to follow for the rest of the show, with truly new and exciting story arcs in each half of a season that shake up the show and its characters for the better rather than always returning them to the same tired status quo that only lessens their appeal every time it happens. Oh, what might have been...
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madeofitzits · 5 years ago
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In honor of the impending return of Brooklyn 99, here are 99 reasons that...
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1. He was precocious enough to know, at 5 years old, that he wanted to change his name (x)
 2. He has a bunch of nicknames: Sandy Amberg, Young Sandwich, etc. but the most endearing one is 'Droidy', his family's name for him (x) 
3. He is still super close friends with people he's known since: Elementary School (Chelsea Peretti) (x)...
4. Junior High/High School (Kiv and Jorm) (x) 
5. … Summer Camp (Irene Neuwirth) (x)
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7.  ...and Film School (Chester Tam) (x)
8. Before he met Joanna, he dated other famous ladies but - out of respect - he never discussed it/them (x) 
9. He loves turtles and tortoises. When he was a kid, he had a pet turtle that he named 'Squirt' because the first time he held it, it peed on him. His Mom, Margie, accidentally killed Squirt when Andy was at Summer camp... (x)
10. … Maybe this is why, when shooting 'Popstar', Andy fell hard for Maximus (Conner 4 Real's turtle). He says they "had a good thing going" and that he wanted to adopt him. In the end, he decided against it because there are a bunch of coyotes in his neighborhood and he was worried the little guy wouldn't be safe. (Popstar: DVD Commentary)
11. Speaking of his Mom, despite being a super private person, he appeared on 'Finding your Roots' so that he could help her track down her birth family (x)
12. When he succeeded he cried (although we never got to see it on camera) (x)
13. That's because, like all good boys, he loves his Mama which is why - as part of the same episode - he said "My mom is basically the kindest person I know… and many people would corroborate that" (x)
14. Andy's Sisters, Hannie (Johanna) and Darrow, used to make him wear diapers and put his hair in pigtails until he was 5 years old. He says he didn't mind because he just liked that they were paying attention to him (x)
15. That's why he sees his identity in comedy as being 'America's kid brother'. When he was young, he would annoy his sisters until they laughed and he claims to have been replicating that approach to entertainment ever since
16. Although a bunch of his characters have 'Daddy Issues', Andy definitely doesn't. He's super close with his Papa (Joe) and has said "he's a good man" and "the best Dad in the world" (x) 
17. Joe was Andy's youth soccer coach and in one scene in 'Hot Rod', Joe's favorite photograph can be seen in the background. It shows a very young Andy posing with a soccer ball, after "scoring the winning goal against Mersey" (x)
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18. He's been a loyal Golden State Warriors fan since he was a little kid, living in Oakland (then Berkeley) and, in 2010, he correctly predicted that they would "win a Championship in my lifetime" (x) 
19. The proceeds from his Umami Burger ('The Samburger') went to a deafness early detection program in Berkeley. This cause is close to his heart because Margie uses hearing aids and used to work in the special needs program, teaching deaf kids (x)
20. He, Kiv, and Jorm have made multiple donations to their old school district, including $250 000 to its theater program (x)
21. On the subject of The Lonely Island; Andy always goes out of his way to make sure that everyone knows how much he owes to his buddies. For instance, he told Marc Maron, during his WTF appearance, that "I get a lot of credit for what Kiv and Jorm have done" (x)
22. He makes this face when he knows he’s said something naughty…
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(Gif credit: @andrewsambags)
23. During his 'Wild Horses' appearance, he said that he can't watch scary movies because they freak him out too much. He told 'Complex' that he's still scared of 'The Shining' (x)...
24. … Similarly, when he was at UC Santa Cruz he worked at the Del Mar movie theater and he had a hard time coping with screenings of 'Species 2' (x)
25. He fell in love with Joanna, the moment he met her, when she greeted him by addressing him as 'Steve the C**t' (x)
 26. He listened to 'Ys', everyday for a year, before he and Joanna started dating (x)
27. He bought the original portrait that was used as the basis of the cover art for 'Ys' and gave it to Joanna as a Christmas present, so that she could hang it in her music room (x)
 28. He loves birds and goes hiking and birding with Joanna (x)
 29. Every new comment he makes about Joanna becomes an instant contender for 'most beautiful thing a person has ever said about their spouse' (x)
30. For example, he readily admits that Jake's iconic heart eyes are the result of him thinking about his amazing wife (x)
31. There are many stories about how incredibly romantic Andy and Joanna's wedding was and Jorm has said that it featured "the most magical vows I've ever heard" (x)
32. The Newsombergs now live in Charlie Chaplin's old house (x)
33. On the Emmys Red Carpet (2015), the year he hosted, they took a momentary break from posing for the world's press to whisper 'I love you' to each other (x)
34. At last year's Vanity Fair party, Andy carried Joanna's purse for her so she could grab a snack (x)
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35. He was a semi-permanent fixture in the audience for her recent run of shows for the 'Strings/Keys Incident' tour, even officially confirming his status as the 'President of her Fan Club' (x)
36. He used his Golden Globes monologue to call out the government for framing and murdering the Black Panthers (x)
37. On the Carpet for the Guy's Choice Awards, he called the event "a ridiculous farce", adding that "men already have it so easy - it's insane that there's a show that celebrates them". That makes sense when you consider that he, Kiv and Jorm have made an entire career out of parodying toxic masculinity (x)
38. He once said that only "idiot-ass men" think that women aren't funny (x)
39. He’s been wearing glasses since 7th Grade and he has the most heartbreakingly cute habit of nudging them up his nose, (especially when he wears his Sol Moscot frames) (x)...
40. ... and of rubbing his eyes under them (x)
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41. He barely ever wears glasses for roles but he also avoids contacts (because he doesn't like touching his eyeballs) which means he's almost always 'acting blind' (x)
42. He has worn his glasses in character a few times - as 'himself' ('Lady Dynamite'), as 'Paul' ('I Think You Should Leave') and during a very small number of SNL sketches (e.g. during his one appearance in a 'Gilly' with Kristen Wiig) (x) 
43. He can't tolerate glare and when that makes him squint it's a sight that's too cute for words (x)
44. He owns about six outfits and has been rotating them for well over a decade (x) 
45. He barely ever breaks during shooting/while performing, so when he does it's aggressively adorable. (x), (x)
46. He's a grown ass man who persuades people to come with him to the bathroom because if he goes by himself he'll get lonely (x)
47. He didn't announce he was leaving SNL, until after his last appearance, selflessly choosing not to detract from Kirsten Wiig's huge and emotional send-off (x) 
48. He undertook a quest to smell like Lorne Michaels (x) 
49. He's ageing like a fine wine (x)
50. To protect their daughter's privacy, Andy and Joanna never announced that they were expecting. They've never released their little girl's name or date of birth and most news outlets still report that they became parents in August 2017 (even though that's inaccurate) (x)
51. Although he's careful not to talk about his daughter often, sometimes he can't keep from gushing about her. For example, when asked about his first year of fatherhood he said: "It’s been the best thing that’s ever happened to me. Just like a beautiful, incredible dream. It has surpassed every expectation I ever had. It’s definitely been very blissful" (x)
52. After their daughter was born, Andy and Joanna spent the first 40 days at home with her (in a practice known as 'confinement'). He's described it as being "a really special time". (x) 
53. Andy is famously mild-mannered but, when asked about what triggers his 'Dad claws', he admitted that if anyone attempted to touch his daughter, without permission, he'd "probably sock them hard in the face"…
54. ...Characteristically, he went on to add that he hopes that never happens, since he hasn't been in a fight since 6th Grade (x)
55. Cyndi Lauper was his first celebrity crush and he plays her record ('She's so unusual') for his daughter all the time. (x)
56. His is the very definition of a precious laugh (x)...
57. It's made even more wonderful by the way it makes his voice go high-pitched (x)
58.  … and the way it causes his eyebrow to rise involuntarily  
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59. It's impossible not to smile at his impression of his Mom (x)
60. And laugh at his impression of John Mulaney (x)
61. He was so convinced he wouldn't win the Golden Globe for Best Actor in a Comedy or Musical, that he didn't prepare a speech. Instead, as he explained to David Letterman, he "just went… and started drinking". The resulting list of improvised 'thank yous' was perfect in every way (x)
62. As producers, Andy, Kiv and Jorm have given life to some amazing projects ('Alone Together', 'Brigsby Bear', 'I Think You Should Leave')...
63. … and gone out of their way to support women in comedy ('Party Over Here', 'PEN15') (x)
64. As well as being a comedy legend, he's a super-talented dramatic actor, who gave the performance of a lifetime in 'Celeste and Jesse Forever' but, after the movie wrapped, and it was time to do press for it, he was straight back to goofing around (x) 
65. His lip bite should be illegal (x)
66. Even though he wears the same vanishingly small number of outfits, over and over, he has a vast collection of the most excellent socks (x)
67. He always gives 'editing notes' during his own interviews (x)
68. He has a super sweet and sincere way of thanking interviewers when they compliment him (x)
69. He adjusts his hoodie constantly (x)
70. The two most perfect Jake laughs in b99 are actually real Andy laughs 'https://m.youtube.com/watch?v=W38A_xuXaeg https://m.youtube.com/watch?v=sVm9nYrTWRQ
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71. Virtually everyone who has ever worked with Andy has talked about what a wonderful person he is. This explains why so many of them have been involved with more than one of his projects (x)
72. It's not only his colleagues who talk about what a delight he is (x), (x)
73. This lovestruck fool wore his own wife's merch when he went out to dinner (x)
74. No one else uses the word 'dinky' quite like Andy (x). The same goes for 'snacky' (see point 70)
75. He does this with his tongue (x)
76. He still likes to play soccer but his eyesight is so bad that he has to keep his glasses on for it
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77. When he lets his gorgeous floofy hair grow a little it sits perfectly over the arms of his glasses (x)
78. He gifted the world with Jakey's little curl (x)
79. At the James Franco Roast, he couldn't bring himself to be mean to anyone except himself (and Jeff Ross, a little!) (x)
80. In fact, he's always been willing to laugh at himself (x) and he still is (x)
81. He changes b99 scripts to make them more feminist (x)
82. Despite their humble insistence that they just benefited from 'good timing', the reality is that Andy, Kiv and Jorm (along with Chris Parnell) revolutionized digital media, when 'Lazy Sunday' popularized YouTube, increasing its traffic by 85% overnight (x)
83. He once attended the Vanity Fair party because his Mom told him to (x)
84. He has an amazing way of subtly but firmly shutting down inappropriate questions, like when this interviewer suggested that Holt being gay was something that could have been played for laughs https://m.youtube.com/watch?v=idQsYQfkR5o
85. He auditioned for SNL at the same time as Bill Hader. Hader thought he'd blown it because Andy had a bunch of props and Bill had none. In the meantime, Andy thought he'd blown it when he saw Hader and realized 'this guy doesn't need any props' (x) 
86. His bromance with Seth Meyers is one for the ages (x)
87. Every single second of this video is proof of why Andy, Kiv and Jorm deserve the world (x)
88. He once dragged Mulaney up on stage for SNL Goodnights, even though writers weren't allowed to join in (x)
89. He has a hilarious phobia of pooping anywhere except his own bathroom (x) 
90. His beautiful, beautiful, face: His smile (radiant), his eyes (caramel - hella disarming), his ears (adorably asymmetrical), his nose (perfect), His chin (the dimple… *swoon*), his jaw (could cut glass), The 'Sambeard' (another amazing layer of pretty) (x)
91. His body: His butt (x), his thighs, (x) his soft lil tummy (The ‘Sambelly’) (x), his hands. (x), his arms (x), his hips…
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(Gif credit: @amystiago /@badpostandy on Twitter)
92. All signs point to the fact that, like Jake, Andy uses his glasses case as a wallet (x) 
93. Jake's "cool-cool-cool-cool-cool-cool" is an irl Andy-ism that the writers worked into b99 scripts. What's even better is that Joanna does it, too (x)
94. He has a really good arm and is low key competitive, which is super hot https://m.youtube.com/watch?v=e32K_nBDy3Q
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95. He's one half of the cutest Red Carpet pose of all time (x)
96. He barely ever seems to get mad but if angry Jake is anything to go by, maybe he should... (x)
97. He's a huge nerd, who geeks out over GOT, LOTR, 'Star Wars', 'Alien(s)' and anything relating to time travel (x), (x)
98. He has a gorgeous speaking voice, especially when he’s tired or a little sick. (Bonus points for any time he uses the word ‘correct’. See point 30) (x) 
99. He’s still so committed to his b99 fans and fam, even after all this time and is as excited as the rest of us that...
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diabolik-trash-heap · 5 years ago
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My Top 10 Utapri songs:
Since @lazarustrashpit tagged me for album/song thing and I pretty much listened to nothing but Utapri music this year, I figured I would just do a top ten Utapri songs:
1. Night Dream (Masato Hijirikawa, Tokiya Ichinose, Cecil Aijima, Camus, Ai Mikaze) - God where do I start with this one. I think I fell in love with it the moment it first popped up on Shining Live and jumped right into the chorus on the song selection screen.  Everything about the song is just...beautiful. The lyrics, the melodies, the music itself, the artwork (I have the art for all the boys framed above my bed). And then I heard the off-vocal for the first time a few months ago which I love just as much, and almost sounds like a different song at some points. I don’t think a day has gone by I haven’t listened to it at least a few times and I’m sure everyone has to be tired of my shit by now LOL I’m glad nobody is usually around when I re-watch the performance in the 6th live over and over again.
2. God’s Star (Quartet Night) - Another song I can’t go a day without listening to it. Quartet Night was so, soooo robbed that they didn’t win with that song because I’m sorry , it completely blows “We are Starish” out of the water.  I love the build up to that amazing chorus and that feeling like I’m cheering them on as I sing along. It gets me so hyped every damn time. The day it appears in SL if ever guaranteed I will be a sobbing mess because I have been asking for this forever.
3. Ultra Blast (Starish) - This song also gets me pumped. It pulls no punches as to the kind of song it is front the get go. I consider this the Starish equivalent of “God’s Star” when it comes to the kind of energy it produces. The beatmap for it in SL is fun as hell, albeit a bit hard, and it one of my favorites in the game. Of course watching it performed in Maji Love Kingdom only further cemented my love for it and I’m dying to watch the performance in it again.  Sentai Filmworks when?
4. Force Live (Quartet Night) - This was the first song I ended up liking (and pretty much the start of it all) when I first started playing Shining Live and generally getting into Utapri. I have watched the video for this more times than I care to admit, to the point the entire dance routine is pretty much ingrained in my head. I actually teared up watching it performed live for the first time in Quartet Night Live Future.
5. Hurray x 2 Dreamers (Reiji Kotobuki) - I feel like I discovered this one kind of late. I should slap myself for being such a Reiji stan failure for that one, but I didn’t really pick up on this one until the Ski Reiji event and playing it over and over and over again (over 150 or so times?). Honestly that shit should make most people hate it.  Except people like me who are worse than little kids and Baby Shark. It’s so fun and bouncy and the lyrics are adorable, especially the line about the Kotobuki stamp of love.  
6. Maji Love 2000 (Starish) - I’m kind of not the biggest fan of the Maji Love songs from Starish. I like them, but I generally don’t seek them out, although the performances are fun as hell to watch and sing along to in the lives.  That being said, I fucking love Maji Love 2000 and the second I hear “Nissen pa, saiko na love!” my mood immediately rises. I have to give credit to Starish for the fact their songs always sound like they are having fun together singing it and actually love singing with one another. The energy is infectious. 
7. Non-Fiction (Ranmaru Kurosaki and Camus) - Oh lord this was a banger the moment the preview came out for it. Play this at my funeral. I love the back and forth singing between the two, especially perfect given the character’s general animosity towards each other. Please watch the live version of this in Live Future if you have not.  Tatsu and Maeno are cocky as fuck and nail the song so perfectly.
8. Never (Reiji Kotobuki) - I’m kinda sad that “Hurray x 2″ trumped this one as my favorite Reiji song, because this is the quintessential Reiji song to me.  I can’t look at a Ferris wheel without thinking of this song. It’s also the title of my favorite Utapri episode (what a shocker) so it holds a special place in my heart. It’s sweet, romantic, and makes you wanna dance with him all night long. I’m in constant awe how a lot of the solo songs are composed so well to fit the character that’s singing it, and this one is no exception.
9. Original Resonance (Tokiya Ichinose and Masato Hijirikawa) - You know it almost took me a good year to master the beatmap for this one? I love the song but holy shit is that song a bitch to play. This is a perfect pairing of voices if I ever did hear one. Again I love how they play off each other’s singing. And you know it’s always fun to whisper Original Resonance when these two appear together.
10. Top Star Revolution (Natsuki Shinomiya) - Kishow is a powerhouse when it comes to singing. In fact he is my favorite vocalist out of the bunch (gomen, gomen Reiji but Kishow hits me in all the areas). Another SL beatmap I absolutely love to play. It’s fast, it’s pounding, the wonderful sweetness of the viola playing against those electronic beats, and ugh those high notes. It’s a ride from start to end.  Ah my princess indeed.
Runners-up - The World is Mine, Lost Alice, Setsugetsuka, Dancing Over Night, Colorfully Spark, I Swear, Be Proud
I’m going to tag @ranmarukurosakis, @singergurl91, @lazarustrashpit, and whoever else wants to do this.
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brandycardella-blog · 4 years ago
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Lose Fat - Keep Lean Mass
What about hydrolyzed proteins? While it does still go along with process of breaking to the protein into its amino acid, is a bit lower in quality, while 5mp may not overall continues rather top. Also, those with allergies to milk or lactose should be able to digest hydrolyzed proteins as the actual non-hydrolyzed. You must re-load on carbohydrates big event 5th or 6th day (for 1-2 days) immediately after resume the carb fast for another 5 evenings. The reason this can be considered a speedy weight loss plan is because out of all diets out there, training must be done report the best results the actual carb fast. A search should done under "Generation Keto Price diet" to discover the exact procedures to perform this rapid weight loss plan both safely and effectively. Rather then telling you what to eat or tips on how to keto diet facts eat your meals, I will simply declare that your total daily calories should be 10 to 12 times your bodyweight in surplus. So if we use our 200lb man again, we times his body weight by 11 and we 2200 consumption. We can workout that164g of protein equals 656 calories 30% of our daily intake (1g protein = 4 calories) that leaves us with 1544 calories for that day. Should certainly fill these calories with at least 20% fat (1g fat = 9 calories), and the remaining 50% should be from carbohydrates (1g carbs = 4 calories). Some useful resources - get ripped routine tools.
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So, Experienced to as well as beat it on mine. The dizzy spells, the panic attacks, the hypoglycemic episodes, the weakness, the fatigue, the shakes, the heart palpitations.and, well, I did! But here comes nutrition and supplement science towards rescue each morning form of non-impact carbs, net carbs and effective carbs i'm able to promise of low-carb foods wrapped up in traditionally high-carb services! It sounds prefer a dream the reality to low-carb dieters who crave amount of carb-containing foods on the other hand want eating habits study of a low-carb eating habits. Hopefully it's not you. By now, you've read of those unfortunate different diets by name that purchase choose as a result of. Atkins Diet, the Zone Diet, the Scarsdale diet, to name a few. All of these kinds of diets have merit. Here is a word of warning about dehydration. An individual are are seeing dark purple consistently, Generation Keto Review Keto Pills please make sure you are drinking enough water. Sometimes the dark purple indicates dehydration. Make sure you stay hydrated properly when to your ketogenic decide. Without starting too much detail, the objective of 1-2 events of high carb intake will be refill the glycogen stores in your muscles. Glycogen is the main source of food for your muscles. If you use your muscles throughout a few days (hopefully you utilize your muscles), glycogen reserves slowly starts to empty. Therefore, increasing carb intake for a couple of days 1 week fills increase muscle energy tanks anymore. Now you're ready to go to the gym with full force! Now, don't run off just yet because I discussed fat. Fat has gotten a bad rap your years, yet , can help you when eaten with the proper diet. You see, your own burns carbohydrates first, then fats, then protein.and battle that Reactive Hypoglycemia is basically a solution to carbohydrates, especially simple sweets. Simply put, with Reactive Hypoglycemia, you eat carbohydrates and 1 to 4 hours later the system is secreting an far more than insulin and causing your blood sugar to transfer. This of course comes just about all the sorts of fun symptoms like dizziness, anxiety, tremors, cold extremities, heart palpitations, etc.
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meladis · 6 years ago
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The Boys: Season 1/ Spoiler Free Review
So, I just finished watching the new TV-show (which I have been waiting pretty much since its very announcing) and, boy (haha), it’s was diabolical.
That a very bad feeling, when you’re waiting for something for too long, getting excited for every piece of information you receive and then when it comes out, you realize that your expectations were much bigger than this show/movie/book can offer you. Fortunately, watching this show (especially first 5 episodes of it) I couldn't stop but feeling some kind of relief as the show was surprisingly good. 
Without any further discussion let me try to tell you what good and bad sides of the show are.
1. Visual effects
Though I believe the show didn’t have a big budget, the visual effects were pretty good, all this blood and supe’s “stuff” looked very cool and pleasant for eyes to watch. Moreover, I really liked the colouring the creators decided to use which gives this show its very unique style. And every “the boys” opening was just as perfect as you can only imagine it to be. That’s all I can say, like, really.
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2. Music
Oh, boi. I can’t describe how AWESOME the music in the show was. I’m not talking about the original soundtrack which really suits the whole atmosphere but the songs that were used there. It not only introduces every character with his/her own character-describing theme but makes every shot diabolically stylish. I mean I’m listening to those songs on repeat. Very cool stuff. Even better than The Umbrella Academy’s, though, it’s very hard for me to admit it. 
Btw, my favs are “Iggy Pop - The Passenger”, “Daniel Pemberton - Take You Down”, “R.E.M. - Everybody Hurts” and “Bill Withers - Ain't No Sunshine”.
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3. Characters
That’s gonna be a very big topic, prepare yourselves to this. 
Billy Butcher. Played by diabolical Karl Urban this character stole my attention with the first trailers, promos etc. Man, he’s good. He’s awesome. Though I can’t tell that while watching the show itself Bucher was my favourite because there were some moments (especially with his wife) that weren’t emotional enough (comparing to the more or less the same theme in Punisher, for example). I wasn’t on his side fully. That’s why the ending didn’t play to me as it supposed to. Though yeah, he’s diabolical.
Hugh "Hughie" Campbell. So, Hughie was definitely the one who had a character developing line in the show and with that said he was growing as a person throughout the whole season. I really like what the creators did with him, and his line was never boring, always understandable and interesting. Really into what is going to happen with him in the 2nd season.
John/Homelander. Antony Starr did an amazing job showing this very complex character. My thoughts towards him were changing constantly during the process of watching. Closer to the end he was stealing every scene. What a character, what a story. You bought me, I’m waiting for the 2nd season.
Annie January/Starlight. I was afraid her line wouldn’t be as complex as it could have been, comparing to the others. I was wrong. I really sympathized her, her story was actually sad and inspiring at the same time. Cool. 
Frenchie. That was a “surprise” character for me. I mean, I didn’t expect to worry about him, but his line turned out to be very interesting and very enjoyable to watch. 
A-Train. I hate this character from the beginning to the end. Maybe the final episode’s stuff changes him and I won’t be so certain about my feelings? We’ll see. 
“Can you teach me to run out cancer?”
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Marvin "Mother's Milk". I don’t know if it were just my thoughts but while watching I felt like Marvin was really left out. Maybe it was because of the number of the characters the show had or the creators decided to leave something for the 2nd season, but there wasn’t a lot of him on the screen and his character's development. I don’t know him that much.
Kimiko / the Female. Her storyline was actually something very new to me. I was into her story and every new piece of information we were given gave her a very new perspective look. Hoping to see more of her in the future.
Queen Maeve. As in the situation with Marvin, there is something in her, and we were shown her character changing (the plane scene and its consequences) but still, could have been more? 2nd season, ha?
Kevin/The Deep. That was a very weird part of the story, I didn’t get it, really. So I have very mixed up feelings about this character and... cough *gills* cough scene.
Madelyn Stillwell. She was a person with her own motivation, she had her view on everything, she knew what she wanted. Maybe, that’s why I considered her as the main villain of the season.
Hugh Campbell. They got Simon Pegg!!! Yaaas.10 unexpected cameos out of 10.
There are much more characters, some of which were more interesting than the others, but everybody felt like they belonged there. Diabolical cast.
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4. The Main Plot
Attention! I haven’t read the comics, so all that I’m going to talk about is the show. I don’t know what’s going in comics and I’m judging just by what I’ve seen in the show.
As you could have noticed, I said at the very beginning that the first 5 episodes were good. I didn’t lie. In fact, they were perfect. The structure, the dynamic, character’s development, their relations with each other, diabolical actions scenes, blood and stuff. 
The first 5 episodes were iconic, very stylish, unique. The authors really decided to make a satirical story on superheroes and the real situation in the world, showing some stuff that is happening or more likely to happen within the circumstances. The people, events were so down to earth it was very easy to believe that such things really could have happened. 
And the plot. It was interesting, so much mystery, unknown and I was sitting, asking myself a bunch of questions and hoping to find astonishing answeres later in the season.
And the Spicy Girls’ reference - I laughed so hard. Awesome.
Unfortunately, something went a little bit wrong and starting with the 6th episode it wasn’t as exciting as it was before. I can’t tell that everything went wrong and it was impossible to watch, no. Just the tone and the style were gone, for some reason, plot twists didn’t work for me that much (not all of them, of course). I just found myself looking on the timeline of the episode (you know what I mean). 
Also, I thought, in the end, there would be a big diabolical fight between two characters (spoiler-free, hehe), but there was a scene of them just talking. Don’t get me wrong, I like talking stuff, it just didn’t feel like those character’s actions. Maybe again, the budget. But first five episodes worked with it, so why?
In the end, it was a very diabolical TV-show, and I’m going to watch the 2nd season, hoping that the creators won’t lose their style and motives closer to the end of it, ‘cause people are likely to remember last moments than the first ones)
Gonna give it 8,5 diabolical supes out of 10 (for the first five episodes).
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wandering-----wonderings · 5 years ago
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A glimpse inside everyones favorite hyperpolyglot, Sydney Bristow. (Yes, I childishly cut Danny out of the picture because I prefer Sydney with Noah, but I like this picture, so there you go.)
Let's start this off with a quick quote from Recruited: I speak five languages (six if you count pig latin. From Shadowed, we also know this: for SD-6 agents, mastering five or six languages was the bare minimum. So right out of the gate, before she even starts working at SD-6, she's already met the 'bare minimum' requirement. Sort of; I'm not sure if SD-6 would count English - or pig latin for that matter.
My current wondering is: what five languages (six including pig latin) did she know before starting SD-6? English would be 1, obviously, and Pig Latin would make two. I'm assuming she's counting her Spanish and Mandarin college electives when she said that (unless she already spoke those languages and just took them as electives to get more of a background on them), so that would be 3 and 4. So what were 5 and 6?
Truthfully, I have no idea. Wikipedia has a list of her speaking 30 languages: English, Russian, German, Greek, Dutch, French, Italian, Spanish, Portuguese, Norwegian, Swedish, Romanian, Hungarian, Hebrew, Uzbek, Arabic, Persian, Urdu, Indonesian, Cantonese, Mandarin, Japanese, Korean, Hindi, Vietnamese, Polish, Serbian, Czech, Ukrainian, and Bulgarian.
Now this is completely a supposition, but the Wikipedia list doesn't mention Latin - it doesn't mention pig latin, either - but I would think that one of the languages she knew before coming into SD-6 would be Latin; it just ... sorta seems like it would be the first language she would learn with her being as studious as she is since, while being considered a dead language, it's still quite present in today's world, especially in the sciences. So my guess for language-number-5 would be Latin.
The sixth language is more of a long-shot. Seriously. In the pilot episode, in the SD-6 briefing room, we hear this:
Sydney: ''What is that? Hieratic?'' Sloane: ''Good try. That's what I thought. Actually, it's demotic. Taking notes in ancient languages was just one of Muller's quirks.''
A quick Google search showed this:
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Now, she obviously doesn't know Hieratic or Demotic, otherwise she would've been able to translate right off. However, she was able to recognize it. So my theory is that she either learned the 'parent language' or one of the other 'child languages'. None of them are on the Wikipedia list. Most kids are interested in hieroglyphics but usually not enough to actually learn them (at least, such was the case with me), but I think we can all agree that when it comes to languages Sydney is a bit different - in a good way. So my long-shot-of-a-guess is that her 6th language is 'Egyptian'. Granted, she'd been at the agency for about seven years when we see her in the pilot episode so she could have learned it within that time.
Now that we've done that, let's review her language history in the books (at least, all of the one that I can remember off the top of my head). (I don't think she spoke in anything but English in Sister Spy, Father Figure or Skin Deep, but I may be wrong.)
Recruited: she's taking Spanish and Mandarin as electives, and she also says that she can speak a total of six languages (prior to being recruited)(see above). Spanish is also used later in the book. A Secret Life: she's was trying to teach herself Russian. French was used in this book, but she couldn't understand it. Disappeared: she had to learn Romanian (which she was distracted and didn't do too well at, but I assume she went back and learned it properly later). She also states that after the events in A Secret Life, she came back to L.A. and learned French as if her life depended on it. Free Fall: had her brushing up on one of her ''better languages'' - French. She was also able to translate an one-sided phone conversation she was eavesdropping on, from Russian. Infiltration: her Russian is described as amazing (and at times she'd been ahead of her SD-6 tutor), she says the Romance languages had been easy to learn (I haven't got a clear answer as to how many there are), Japanese took an impossible amount of concentration, and says it was difficult to keep the Oriental languages straight when she threw Cantonese and Mandarin into the mix (which, she should have already knew a fair bit of Mandarin since, as stated above, it was one of her electives). Vanishing Act: speaks in 'flawless' Dutch. (Also, she asks a woman working in a bookstore if she has any first additions of Chekhov, and when the woman ask if she wants it in English [the book], Sydney says she wants it in Lithuanian. This doesn't necessarily mean she speaks Lithuanian since it was a code phrase and it's not listed in her Wikipedia languages, but maybe she learned at some point.) Shadowed: she had recently brushed up on her Greek, and had learned German at some point.
Think about that for a minute. Did you catch what I did? She was recruited in the fall of her freshman year (a few weeks into the school year) and Free Fall says this happened in September. Shadowed itself happens in October of her sophomore year. Which means, Sydney learned 11+ languages in a year. So, aside from learning stuff for school, learning bank stuff (so she would be able to lie more efficiently to anyone who asked what she did on a daily basis for Credit Dauphine), and learning cool spy stuff and going on missions, she managed to cram in 11+ languages amidst carving out time for a social life with Francie (and a few dates with Noah) in one year's time. At the age of 19 and 20 years old. If you didn't think she was superwoman before, you should now.
Not to mention, that that's just the languages she speaks. While Sydney's trading card lists her languages as ''numerous'', she obviously knows a various amount of codes and ciphers as well; which, to me, counts as a language. We know she knows Morse code (2x18) from her mother's earrings, the Substitution cipher from when her dad encrypted her crossword puzzles (4x12), and Skip Sequencing Cypher Text (2x19) from when she was trying to get a message to Vaughn and an ever-helpful Weiss. That's just the ones I can remember right off, I'm sure she knows quite a few more.
As a side note, on Noah Hicks' trading card, it claims he only speaks three: English, French, and Russian. Oddly enough, the Russian was episode based while the French happened in the books - it's odd because I like to find what's different between the show and novels, but that's something that lines up. I'm sure he knows more languages - as it's said, five or six was the minimum - but it's not stated in the novels, the show, his Wiki page, or his trading card.
((Update: Ok, so two things. One, one the back of her season 3 trading card, it has one of Sydney’s languages as Taiwanese, so I guess that bumps her (known) total to 31 languages. Secondly, I did forget about a language from Vanishing Act; ''... a circle filled with words in what Sydney immediately recognized as Latin.'' Now again, it said she recognized it and not knew it (though, that’s probably the same thing for her), but I feel it’s further evidence supporting my theory.))
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annakie · 5 years ago
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It took three and a half months, but I’ve finished my Doctor Who Rewatch.
It’s time to talk about seasons 10, 11, overall wrapup thoughts and some best/worst lists.  Very long post below.
I started doing this back at the end of August as more of a joke when I was going back and cleaning the terrible cringe stuff off the first few months of my blog, then ended up taking that project from when I started the blog in May, 2011 until late 2016.  I realized that I had too much going on IRL right now to revisit my life at the end of 2016 when things took a sharp turn the wrong way, so I haven’t picked that back up again.  I still might at some point.
After the start of the nostalgia tour I:
Cried about Doomsday
Still hated the Manhattan episodes but renewed my love for one of my favorite characters of all time.
Reflected about Martha Jones and being an overly-zealous defender of a fictional character
Cried a lot over meeting and losing River Song in the span of an hour and a half.
Made my way through Season 4 and found myself still mostly loving the show.
Finished Season 4 and was starting to tire of Ten but knew I had more content to get through.
Didn’t post again til I was done with Amy and Rory.  Loved Amy, Rory and River even more, especially Rory.
Watched an episode I remembered I didn’t like just because of the guest actors.  Only marginally helped the episode.
Disliked the second half of season 7 even more than I used to.  Felt meh about Clara.
Warmed to Clara more in seasons 8 and 9.  Still, was ready to see her go.  Loved Twelve, though the first half of season 8 continued to be rough.  Adored the Husbands of River Song for the 6th+ time.
 Took a brief moment to love Bill.
Full disclosure on the rewatch: I skipped most of Fear Her except the first and last few minutes, and actually haven’t gotten back to Waters of Mars or the one 11 Christmas Special with the kids who’s father dies.  I may or may not pick those up in the next week or two.
So tonight I finished rewatching all of Thirteen’s episodes and wanted to talk a bit more about Bill, and then a lot about Thirteen, and some general thoughts about the whole rewatch.
Bill Potts is too good for this world.  I remembered loving her during her season but was blown away on the rewatch with how much I loved her, and almost all of her season.  Her energy, her story, her smile, it’s infectious.  It’s infuriating that so many people didn’t watch Bill because wow she deserved a lot more attention that I feel like she got, and also I feel like the show itself turned a real corner that season.  Season 9, yes, definitely better than 8 and 7.5.  But It’s like Moffat or the writers in general kinda grocked into several important things and made the show more progressive and less cringe?  
There wasn’t an episode I thought was bad, even the more filler episodes like the one in space with the air being a commodity was tense and fun.  I’m not sure I’d skip a single episode.
And then Bill, I think, ends up getting an even shittier deal than Martha in her season.  Left alone for ten years in a shithole mopping up floors, only to be turned into a cyberman and get left extremely traumatized, and sacrifice herself.  A very good story.  A very sad and frustrating ending.  Except that she does get to “transform” and travel the universe with Heather.
Maybe she did eventually go back home and finish living her life from not long after she left in the TARDIS the last time -- it’s entirely possible.  The Memory-Bill in Twice Upon a Time (the Twelve & One crossover) remembered traveling with Heather, which means her memory was taken from some point AFTER.  So maybe she got to be an ethereal being for a long time, and then eventually went home to Earth.  Or maybe she’s still out there traveling the stars with Heather.  Either way, she deserves a good life, and a good ending, even if we never know the true ending.
Twelve -- I love him.  Again, he had a really rough start but Capaldi is an amazing actor and he owned the role. I don’t think it’s actually possible to rank my favorite doctors from the new Who era, they’re all different, all great.  And Missy -- such an amazing villain.  Paired with Simms-Master was so, extremely fun, but even on her own, I think she’s now my favorite incarnation of The Master.  (I’ve only seen a few episodes of Old-Who with Delgado, and I really love Delgado’s Master as well.)  
Nardole was also a fun addition to the season.  I know technically he was considered a full companion and enjoyed him when he was there, but tbh, to me it was all about Bill.
But hey, when Twelve left, it was a good time for him to go -- I really think three seasons is the sweet spot for length of a Doctor.  I was so ready for Thirteen and The Fam.
I remembered loving Thirteen when her episodes were airing and, I was right to.  Jodie Whittaker is so good -- I never doubt for a second that she’s The Doctor.  The show one again feels very different with a new doctor / companions / showrunner.  I honestly loved the lack of Doctor-Angst in the season.  Thirteen is so much more brightness and sunshine and I think it was a good way to swing the Doctor after Twelve.  I also liked that there were a few comments about changing genders, a little bit of frustration from noticing how people treated her differently, but it was neither an earthshattering thing that made EVERYTHING DIFFERENT nor was it a non-event.  I really think they handled it well.
I will say that I think some of the critics were right, that the season itself could have used a bit more of an arc.  Not a heavy arc, like seasons five and six had, but a bit more than Tim Shaw showing up in the first and last episodes of the season.  It looks like next season is going to have that.
The arc that was there though really came from Graham and Ryan’s grief about Grace and their relationship growing.  Honestly, I remember when we learned that one of the new companions was going to be a 60-ish year old dude I wasn’t looking forward to that at all, but honestly, I love Graham.  He’s an actual good guy, he loves deeply, he’s allowed to show his emotions, he handles things WELL.  He’s not perfect but also I felt like they wrote his character so well, he wasn’t an arrogant guy expecting everyone to follow his orders, he cares deeply for Ryan and even had some great scenes with Yaz.  
Ryan and Yaz are both also just so fantastic.  I loved getting to spend time with Yaz’s family both current and past.  I actually learned a little history in the episode that took place in Pakistan (and loved having a benevolent alien storyline there, love that episode so much).  I also loved that they allowed Ryan to show grief and sadness, and vulnerability too.  
I was definitely feeling the 13/Yaz vibes on the rewatch, and although I wouldn’t say I’d be upset if they did end up doing a Ryan/Yaz storyline, I also wouldn’t be upset if they didn’t do any romance storylines at all.  I didn’t miss it this season, and 13/Yaz seemed more likely than anything.
I also loved that they took on racism in a couple of big ways this series.  I felt like the only big swing-and-miss episode was Ker-Blam! where they were so close to really hammering down a good message in the episode and then it felt like Jeff Bezos himself came in and rewrote the last 10 minutes.
TBH there were a couple of episodes that I had COMPLETELY forgotten about, especially the one with Chris North and the big spiders.  Like while I was watching it I had a vague memory of seeing it before, but not up until then.  I’d also forgotten about the New Year’s episode last year with Ryan’s dad.  I only remembered to watch it because after the final episode I was like “Wait, wasn’t Ryan’s dad supposed to be in this season?” and so I went to hunt for the episode.
SO... that’s it.  I was actually a little shocked last night when I finished up the New Year’s episode and realized... I was DONE.  I made it back through eleven seasons and... it was worth it.  
Some final thoughts... and I’m just picking a few things out here off the top of my head, I wasn’t keeping a list all the way through so I’m sure I’m going to think of other things after hitting Post, but here we go.
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COMPANION RANKINGS: God Tier: Martha Jones
Faves: Bill Potts, Rory Williams, River Song
I love you so much: Donna Noble, Amy Pond, The Fam (All together!), Jack Harkness, Mickey Smith, Wilfred Mott
Very very Good: Rose Tyler, Nardole
I Still Like You: Clara Oswald
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FAVE SEASON: I mean, it’s still gonna be Martha’s season with an honorable mention of the second half of 4.
If you take Martha Jones out of the equation, it’d probably be either 6 through 7.0, or Bill’s season.
LEAST FAVORITE:  The second half of 7, for sure, and the first half of 8 is kinda rough.  It’d be easy to say season 1, as well, but I don’t think that’s entirely fair, as I think the age of the show really shows there and there was a lot of getting-on-their feet they had to do.  There’s still a lot of good there, you just have to look for it harder.
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Favorite Specials: 
The Husbands of River Song, #1 favorite no question
The Day of the Doctor a close second. 
Honorable mention to the Night of The Doctor for the canonical return of Eight.  Seriously, the first time I saw that it may have been the single most joyous moment of New Who for me.
Least Favorite:
I mean, I haven’t rewatched two of them yet since I remember not liking them.  
Also Voyage of the Damned was just even worse than I remembered it.
I Cried The Hardest:
Amy and Rory’s leaving in The Angels Take Manhattan
River’s death in the Library
The end of Doomsday
Danny’s death
The end of Vincent and the Doctor
Prem’s death in Demons of the Punjab, maybe the only single-episode character death that hit me that hard.
Happiest Tears: 
Martha leaves the Doctor
The group in the TARDIS towing Earth home in Journey’s End
Twelve and River get 24 years together
Ryan calls Graham “Grandad”
Jackie and Alt-Pete meet/”reunite”
Heather shows up and... “saves” Bill, they go off on adventures.
Best Twists: 
John Simms Return at the end of season ten.  
YANA is the Master
Oswin is actually a Dalek
Heaven is run by Missy, and the Cybermen. (Damn I really love twists concerning the Master don’t I?)
Bill discovers she IS a Cyberman
Loudest cheers: 
Mickey showing up in Doomsday
Martha laughs at the Master
Rory’s speech at the beginning of A Good Man Goes to War
The Doctor punches a racist who insulted Bill
Best dramatic moments: 
Jack and the Doctor talk about Rose in Utopia
Twelve takes several billion years to punch through a wall
Just This Once, Everybody Lives!
Turn Left
The Doctor says goodbye Idris in The Doctor’s Wife
Missy and the Master’s mutually assured destruction.
Biggest Laughs for a good reason: 
The entire poison scene in the Unicorn and the Wasp
Basically everything about the Doctor attempting to be normal in The Lodger.
Right, putting Hitler in the Cupboard.
Doctor, when I’m on a date, do not put the Pope in my bedroom.
Biggest Cringe: 
Penis-head half-human Dalek
Concrete blowjobs
Anytime a lady slapped/hit a guy not in self-defense
Old goblin Ten / Jesus Ten in Last of the Time Lords
Most of The End of Time part 1
Eleven forces a kiss on Jenny in The Crimson Horror (THAT deserved the slap.)
There’s a lot of things I could point out in season 1 but I’m grading season 1 on a curve.
Favorite non-companion recurring characters: 
Danny Pink
Brian Williams
Jackie Tyler
Worst Villians: 
“Love And Monsters”
“Fear Her” 
The eye-crud sleep monster with Twelve
I kinda wanna say the Daleks are so overdone it’s hard to get excited about them anymore, though I did kinda like what they did in “Resolution” (13′s New Years episode last year.)
OK I honestly don’t know if I want to put “A sentient universe who is in the form of a large frog and just wants a BFF” in best or worst but I feel it belongs SOMEWHERE.
Best Villians:
Missy
Whatever the fuck that thing is in Midnight
House
Got a Raw Deal award:
Adam (Seriously, he was told nothing and did nothing wrong via what he’d been told?!
Donna
Bill (Seriously, TEN YEARS SCRUBBING FLOORS? only to not be saved by 2 hours and then turned into a cyberman and killed again?)
Most Bothersome Lack of Continuity:
The rules for meeting yourself / interfering in the past.
Uh so who was the Not-Danny astronaut in “Listen” anyway?
Most Improved on a Rewatch:
The Fires of Pompeii because... ten and twelve?  It used to be one of my least favorite eps of season 4.
the Daleks in Manahattan episodes I guess just because I liked them more this time though they’re still not great. 
Seeing all of River’s timeline in such a short period of time
Gotta say I enjoyed Planet of the Dead a normal amount when before I used to really dislike it.
Best Premiere of a Doctor:  The Eleventh Hour Roughest Premiere of a Doctor: Deep Breath, since I’m grading season 1 on a curve. Best Exit of a Doctor: Honestly?  I’m gonna give this one to Nine.  He sacrificed himself to save Rose, and he died too soon.  It seemed a fitting end, if too quick.
Roughest Exit of a Doctor: I’m going to go with Eleven here.  It came at the end of what I felt was the worst period of New Who.  The episode itself was... I kind of felt like it was overwraught and didn’t pack quite the same punch as the other three.  Say what you will about the “I Don’t Wanna Go” line with Ten and Twelve needing to be convinced to regenerate at all.  Matt Smith did the best with what he was given, but he wasn’t given much in the entire last run of his episodes after having some of the BEST episodes the previous two and a half seasons.
Best Premiere of a Major Companion: Honestly?  Still gotta go with The Eleventh Hour, for both Amy and Rory and the great way they were both set up and the mysteries of the season.
Worst Premiere of a Major Companion: If you don’t count Asylum of the Daleks (which I thought was great) as Clara’s premiere, then it was definitely Clara’s “The Bells of Saint John”.  No contest.  I don’t think ANY of the rest of them were done poorly, TBH.  I guess I’d have to go with “Rose”, because the Autons themselves are pretty meh and the plastic wasn’t great.
Best (Main) Exit of a Major Companion: This one is more difficult. Doomsday deserves a nod.  Martha Jones walked the world and ended on her own terms.  Journey’s End saw the end of an entire era of companions we loved.  River showed up and died on the same day, but her final appearance is one of my favorite episodes ever.  The Angles Take Manhattan was SO GOOD.  But The Doctor Falls was exciting and tense and tragic.  Hell, even Clara’s final episodes were great.
Honestly, this shouldn’t even be a question.  I can’t choose.  I can’t think of a single one I didn’t love.
Anyway, thanks for reading this, if you got this far!  Know what?  Doctor Who is still a great show, even if it’s not an obsession anymore.  I can see myself doing this rewatch again in a few years, and I’m super looking forward to the next season starting in a couple of weeks!
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calliecat93 · 6 years ago
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RvB17 Episode 8 Review: Finally
Well guys, after so many years, Donut finally gave the Reds and Blues a piece of his mind. While I felt that last week had the weakest episode so far, I can forgive it because it gave us Donut telling everyone off. It’s a week later and I still get so much satisfaction from that scene alone. With Wash sending everyone to apologize, and Huggins in Season 1 with Caboose, what’s going to happen now? Well, lets lake a looksie shall we?
The Reds and Blues have caught up to Donut and apologize, but he's not willing to accept it since... well saying your sorry and showing it are two different things. Considering that Donut went through all of time and space to fix what he did and make it right... yeah, point. Carolina asks if they can prove it by fixing the timeline, which he agrees with. So... that was resolved quickly. Everyone naturally has questions about the time travel, Doc's being about what's going on with Caboose right now. Donut explains that while their Caboose is somewhere else, the one with them is a different timeline Caboose, aka Season 5 Caboose. When Simmons questions how reliving their history is going to correct anything, Donut decides to jump them all ahead ten minutes. Since they'll lose Wash and Carolina, he instructs them to meet up and for Wash to give Carolina the explanation.
Donut jumps them all back ten minutes, where he's still crushed by Sister's ship and Tucker is recovering from childbirth. Church is understandably confused, but at this point, Caboose has returned and he sends Church to take a nap. But Caboose did not come alone. Huggins arrives, much to Grif's glee. Like... he sounds happier than I think he ever has. He's so happy and missed Huggins so much that her still being angry at him, to the point that she goes red, doesn't even phase him. Donut proceeds to explain about how they have to stop Genkins from creating paradoxes... but since they don't know where he's going to be, they have to relive their lives and make sure it goes exactly as it happens.
Huggins, however, points out that there's another way... just as Lopez has already jumped. Whoops. Anyways, since Huggins is made of light, she can go forward on her own, find alternate timelines, report back, and the guys can jump ahead to that point and make the event go as it's meant to. Sarge things that's too convoluted and will take too long... but Huggins proves it by going to and from the moon in a blink, plus she already did it with meeting with Caboose and it sounds like they already did it once. Grif is outright tearful that this means less bullshit before apologizing to her for fucking time up. Huggins... doesn't forgive him, but she can't stay mad at him right now due to time being fucked up. She therefore just tells him to fix reality before going off to get her scouting underway. Ouch.
Simmons repeats his question about exactly why they need to relive their lives to begin with. Caboose, therefore, proposes this analogy to explain it. You know how you can sometimes get a gap in your zipper? Apparently, it happened to Simmons in 6th Grade during Debate Class, but to the point. To fix the gap, the zipper has to go all the way down and then zipped back up to fix it. So that's what they have to do, go back through their lives to undo the gap and fix it again. Even Donut admits that the analogy makes things clearer. Yeah, the two former rookies are the ones figuring out how to fix shit. Who knew? Tucker is questioning if this will even work, to which Donut replies that the only way that they'll be able to find out all depends on them.
From there, we get a montage of the guys going back to events where Genkins is trying to strike. Sarge ends up at the day that they deleted the Blues, aka the best day of his life. When Genkins tries to interfere by hacking the computer, Simmons simply reboots it to get rid of him. Which keep in mind that isn't present!Simmons, that's Season Six Simmons doing it nonchalantly. Anyways, Sarge proceeds to relive the moment several times to make sure that ti worked... aka to relive the moment cause he can. We also get to see the end of Season 5, where Andy blows up the ship, which is where Grif ends up. Genkins tries to prevent the explosion and reveal the truth to Church, so Grif simply goes off, gets a rocket launcher, and does the job himself. He also makes it clear that this is him getting payback on Tex for the beatdown his balls got in Season 8. Hopefully, he jumped out after, since Church is understandably angry and ready to give Grif a beatdown.  
Our episode ends at one more moment. Tucker arrives at Crash Site Bravo in Season 11, the day where they lost and half their forces were captured... and when Felix was still faking being an ally. Well, shit.
Review
This was better than last week, but still not the best. Not to say I didn't like it though. As I kinda said in the overview, it felt like Donut... kinda forgave them all far too easily. I mean I guess something can come up later, but after how much last week's moment was built up and the payoff being amazing, this kinda felt like we were sweeping it back under the rug. Though to their credit, they listen to him... kinda hard when he's under a Pelican, but hey they're listening. And to his credit, Donut's not letting the emotions control his decision making, which really displays a lot of emotional maturity on his part. I really like that about him. I feel it's always been there, but now we can actually let it be on display. Bless Jason Weight for making Donut a character. Bless him so much.
So... let's do something a little different. We're gonna talk about Grif, and consequently how he's... kinda gotten the shaft, sadly. So last season and even S15, Grif got a lot of character development and focus. He realized he needed his friends, began to commit himself more, confronted his issues with the constant adventures, started to focus more to the point that he confronted Genkins and gave up on wanting the pizza he wanted the whole time to try and prevent the paradox. He failed, but the fact that he tried and that he became a more focused, more mature person was great... and that has been ignored so far. Mind you he spent half the season with his memory wiped and so far not a lot of time to show that development and I'll give them credit when I get to the positive side, but it still really feels like all the build-up and development that Grif got last time is just... gone. I mean you'd think he'd be more angry about Genkins considering, especially since Genkins outright told him everything right to his face just because he could, and that hasn't come up at all. It's just frustrating to a huge Grif fan like me. Is this how Tucker fans felt last season?
But with that said... I'm gonna be fair here. I think the reason why we can't do a lot with Grif, and probably others who could use development, is the 12 episode count. While the count is good for advancing the plot at a good pace and has a main focus to work on (in this case Donut, Wash, and the time travel) it sadly means a LOT of character opportunities get wasted or shafted as a result. Since those things need the focus for this story, those have to gain the focus and everything else falls by the wayside. Kinda like how in S12, Tucker got the majority of focus while others aside from the Freelancers and Church didn't get much. And that season had the standard 19 episodes, but the plot needed to advance so there just wasn't really time to do other things that I myself would have liked, like more focus on Grif, Simmons, and Caboose as Captains and not just Tucker. But that's a discussion for another day, but the point is the plot, as it is now, sadly means that Grif doesn't get the focus that I feel he should be getting. Which Simmons, Tucker, and even kinda Carolina are getting the short end of the stick too. Lopez is getting it really bad in comparison so... yeah. Production can suck sometimes.
Even with me feeling that Grif's focus is lacking after the build-up, I don't at all feel like his development is being outright forgotten though. Sure he's confused about what's going on and the time travel... but honestly I am too because GDI I don't understand time travel. So I can't get mad at something I don't get either and have kinda just resigned myself to. His reaction to seeing Huggins again was really, really cute. I don't think he's ever sounded that happy at any other point in the show. Sure Huggins is still angry at him, and it's not hard to fault her, but the fact that Grif was so happy that he wasn't even phased by it until near the end... it was really sweet especially compared to how volatile he was to her at first last season. And then once Grif understood, he committed to it, figured out rather quickly how to take Genkins down in S5, and blew them up with a rocket launcher with zero hesitation. The fact that after nine seasons he finally got payback on Tex for the brutal beat down was also satisfying as Hell. Sorry Tex, but Grif earned this moment. And even during the mindwipe, he was the only one who even considered believing DOnut and was weirdly motivated, even in places he normally wouldn't have been like during S13. So yeah, I wish that more was done after all the build-up prior, and I hope the next story arc will allow it, but I'm still enjoying Grif. I just wish we had more.
I'm not sure what else I can say really. Some funny moments, like Sarge's utter glee at reliving deleting the Blues. Part of me feels like he should be past this by now... but hey, it was still funny. Also, the link that appears on the Delete Blues screen? Type it in. Trust me, you will NOT regret it... or you will and cry, but do it anyways. The fact that Donut could give a coherent explanation while being crushed under a ship is impressive... although shouldn't he have landed in the cavers by then? Meh, maybe he's just really good at throwing his voice. Simmons just rebooting the computer to get rid of Genkins, which again it wasn't present!Simmons who did it was an underrated badass moment imo. And of course, the ending. Tucker is with Felix again, back when he was still pretending to be an ally. And Tucker has to let the event go as it's supposed to, so not only does he have to deal with Genkins... but he's got to keep his own feelings in check. Because if he can't and tries to kill Felix here... that may very well be the kick that Chrovos needs to be set free.
Final Thoughts
Good episode. Nothing major happened, and I'm starting to see some cracks in the structure, but I still enjoyed it. We have a clear directive for now and we have a pretty damn promising lead-in for next week. With four episodes left, there's a lot to still do and not a lot of time left. How will it play out? Not sure, but it's gonna leave one Hell of an impression. In that, I have little doubt.
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hypeathon · 6 years ago
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RWBY - Volume 6, Chapter 13 Production Analysis
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Previous Volume 6 Production Analysis Posts:
Chapters one, two, three, four, five, six, seven, eight, nine, ten, eleven & twelve
When starting this production analysis series, three goals were kept in mind: 1) To disspell any potential misconceptions and myths about RWBY’s production, 2) to help add more depth and nuance to discussions about the production since some fans out there do care enough to talk about it, and 3) to highlight how various members of the staff have helped carry on certain aspects of the vision meant to be applied to this show. When the late creator of the show, the writers most closely associated with the show’s story, and almost every animator, storyboard artist, modeler, camera layout artist, rigging artist compositor, VFX artist, sound designer, etc., have all been passionate about the medium of anime and have applied that passion into crafting this ongoing anime-inspired project, why not give them all credit where credit is due, especially for this specific occasion?
As with all other prior analysis posts, this one is intended to put forth as much insight and context of the behind-the-scenes as possible. That said, since the volume 6 finale chapter follows the tradition of every other volume finale, expect things to be a bit more “shot-in-the-dark” than usual. Since volume 3, the ending credits of every other episode will usually list the names of those that were involved in that episode. Sometimes, names of certain people from certain departments will change depending on whether someone is being assigned to work on something a few episodes later or because that person is possibly preoccupied with another big project at Rooster Teeth Animation like Gen:Lock at around the same time. However, the ending credits for the volume finale are setup to list literally everyone that was involved throughout, even those that were otherwise non-credited from those with specialized roles to the families, children and pets of individual members of the production staff under “Special Thanks” and “Additional Security”. Combine that with no one in the animation and storyboard teams having mentioned who did what, there will be a lot more guesswork involved.
That’s not to say there was nothing to acknowledge about this episode, far from from it actually. To see how, let’s dive right in the Neo and Cinder scene. One of the first things of note that has not been mentioned elsewhere yet is Neo’s materialization effect. This has been done once before in chapter 11 of volume 3, but like with Yang’s semblance, the approach has changed with more nuance. By close observation, the way she previously materialized may have been done in a manner where one character model was layered on top of the other with the same exact pose and a wipe effect was used through the light emitted with another layer of the shattered pieces added. In comparison, Neo’s semblance in this chapter is a bit more elaborate. The supposed character model layering trick is still there, but what was once a more simple wipe with some pink lighting is now an empty space with a lot of fractal pieces swirling with the brighter colored ones in the middle. The effect also extends to Roman’s hat on Neo (assuming that was his hat) and the tips of pieces of the Mistralian ship as it transforms into an Atlessian one.
Then there’s the matter of the new designs for Neo and Cinder. Again, since the volume 6 finale did the ending credits differently, that also means that no concept art was shown, so there are no notes regarding the matter. It doesn’t help either that there is no known concept art of Neo in particular throughout the show’s history in general, partly due to how her model was originally conceived a mere 10 days prior to her first appearance in volume 2. However, right before volume 6 premiered, the key visual art made by concept artist, Einlee appeared which featured a silhouetted character with peculiar claw-like left hand in front of the head of the Sphinx Grimm. Many fans have quickly speculated that it was Cinder but the context of the appearance was kept vague. It’s now clear as to why that was the case considering how much Cinder’s new attire matches that of silhouette. What’s most curious about this design is how much a certain accessory has been kept between her main designs in volumes 1-3 and volumes 4 & 5, that being the “iridescent feathers” which have been kept towards her right side in varied places. That and her black crystal earrings and anklets have been mostly exclusive to her base designs and not present in any of her past, alternate incognito designs which have been designed by volume 2 art director, Kristina Nguyen, current art director Patrick Rodriguez and lead concept artist, Erin Winn. However, her two main designs that come with both of those accessories were done by Einlee and become increasingly darker in their color schemes to her now fully black outfit. As for why this specific design was in the poster when it didn’t officially make an appearance until this episode is hard to say, but it’s possible that on some level, this was an attempt to throw off fans from guessing too easily where things will turn out as they would theorize. How successful that was however is a whole other matter.
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Putting that aside, as well as an extra mention of the choice of rim lighting for the setting and the little bits of animation that show off Cinder and Neo’s differing characteristics, we can move on to the main event regarding the Leviathan Grimm... or Levi, or Bubbles or whatever its nickname is suppose to be. Similar to Neo and Cinder, there were no concept designs of the character to dissect from, but it is clearly safe to say that the character was inspired by kaiju of the tokusatsu or “special filming” genre in Japan. Tokusatsu is basically used to describe any live-action films or shows that utilize a series of special/practical effects, one of which being having a stuntman portray a giant creature of mech or some other variation inside a suit, otherwise referred to as “suitmation.” The fall 2018 anime, SSSS Gridman, served as an example of simulating that feeling to a great degree through the way the creatures and for the most part, Gridman were animated in 3-D. Co-writer Miles Luna has gone on record before about being a big fan of the Godzilla franchise, having grown up watching them with his father, so it would not be the least bit surprising if the Leviathan Grimm was his idea. The way it was animated seems to strike this balance between how Godzilla and other kaiju have been depicted in live-action Japanese films while also making it believably feel like a part of the world of RWBY. Another noteworthy bit regarding the Grimm and how it moves is the way it dives down into the water and then rises back up from it slightly later in the episode. This is not so much to do with animation as it has to do with the use of visual effects and compositing, but parts such as the Leviathan’s silhouette underwater are especially interesting since that has rarely happened in the show prior. The only other comparable instance that springs to mind is when the Nuckelavee appears from the smoke in the volume 4 finale and there may have been a similar compositing trick. The other thing of note was the water effects which are depicted much more realistic compared to when say, Cordovin shot at Ruby and Weiss in chapter 11 which that giant splash was done in 2-D or when splashes are done via more cel-shaded 3-D visual effects.
There is more to talk about regarding the Godzilla inspired Grimm, but first, let’s rewind back slightly to bits of character acting. Despite being unsure of who did these moments, the transition from Cordovin feeling frustrated to feeling incapable of doing anything was very convincing, as well as the scene with Blake, Yang and Ruby right after and then. Of course, Blake’s ears was part of the reason for the latter as when we hear Ruby off-screen, her right ear shifts and then a bit later we see them perk up after she, Weiss and Yang talk to Maria. Even though certain animators like Asha Bishi and Hannah Novotny took more advantage of the rigs for the cat ears than others back in volume 4, a lot more animators have since then been increasingly been more conscious about having that be a part of Blake’s character acting. Speaking of rigs, the rigging artists, along with the audio and tech teams, can be considered the unsung heroes of the ever-growing staff. Lead rigging artist, Gio Coutinho and fellow rigging artists, Brian Eby and Ariana Fillipini may be one of the smallest teams and are hardly mentioned throughout these production analyses, certain animators such as Kim Newman have gone on record to owing them for providing what are essentially the virtual skeleton and bones of the character. As talented as the animators are, they can only do so much with the character models unless they are as “animatable” as possible to quote volume 5 lead rigging artist Sean Stephenson on the 6th episode of CRWBY - Behind the Episode, who is now the current lead of the rigging team for Gen:Lock.
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We then get some effects of the hard-light dust barriers being implemented and are timed pretty effectively through some slow-in and slow out animations along with the use of lighting towards the start of the barrier as the hard-light shifts from one pole to the other. Next is more homage to Godzilla by having the Leviathan breathe out its version of the atomic ray (there’s a lot of them in the franchise). Between the first instance and the next one when the main party attempted to close in, there is actually a combination of certain lightning and fire effects such as the same animations for the swelling ball of energy used whenever Cordovin was about to fire lightning dust, as well as sparks surrounding the fire breath with some seemingly blurred compositing layered on top. There is also a neat recoil animation with the Grimm as it unleashes its attack. In between all of this though is a scene of Ruby putting forth her plan within the airship. The timing and facial reactions presented by everyone felt similar to that of when Jaune announced his idea to steal the Atlas airship in chapter 9 which was animated by Hannah McCravy, so it’s possible that she may have animated this scene too. Whether she animated the entirety of said-scene though is what I’m more uncertain of.
Skipping ahead a bit, we get to Ruby preparing to use her silver eyes by getting the music being more subdued and getting quick cuts to the things going on around her. I nice touch here was having Ruby’s mouth twitch a bit right when her name gets called out through her ear piece. Then again, what’s really surprising is the fact there was an ear piece model at all. Back in chapters 10-12, we saw quite a bit of the main cast using gestures with their fingers by their ears as if there was a device they were using the listen to each other. However, the device in question was never really shown up until now. One educated guess could be that there never was one until this small scene here where it needed to be made and shown in order to see Ruby attempt to remain focused. Now comes what is part of the highlight of the episode being Ruby’s memories which are mostly redrawn shots from various cuts in the series with parts of characters like arms, legs, hair and in Zwei’s case, his tail being movable (and his butt having an actual x-marked "hole”). There were also certain details implemented such as the lighting being more comparably warmer and the line work in certain characters hair, clothing and in Nora’s case, her biceps being slightly more defined. Many fans by now have already concluded that due to the show’s visual presentation of its first few volumes not having aged that well back when Poser was the main animation software that the choice for 2-D art was shown instead. That would not at all be a wrong assumption to make. However, even the one shot with Jaune in the forest in chapter 2 of volume 4, back when RWBY transitioned to using Maya and 3DS Max was entirely redrawn. The same goes for Oscar and Ruby in the training room during chapter 5 of volume 5 which seems to have been slightly redrawn but to more with adjusted lighting. So the choice was not limited to anything prior to them using the two softwares. The one clear exception to this ensemble set of shots was of Maria back during chapter 8 of volume 6. Admittedly, it was tricky figuring out who did all of the redrawn shots, especially since not all of them seem to have been done by the same person. The shot with Qrow and Ruby in particular sticks out as being more different. It may be that Erin Winn did most of the shots since the way she draws lines for hair like with Yang being similar that of the line work for Kali Belladonna’s concept art, which she designed. As for Qrow and Ruby meeting, that may have been Patrick Rodriguez.
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One other thing to note in these series of shots were the sound effects used during them. Sound designer, Philip Spann described the change of the sound of the memory flashes to Pyrrha and Penny as being the equivalent of viewers “being hit in the gut”, using large reverberant drums. Conversely, sound was applied  a little differently during the the latter set of memory flashes, namely “pulling the music back” as Philip phrased it when seeing Summer Rose which was Kerry Shawcross’s idea. Now, in-between all of this, there was a bit of Ruby and Jinn interacting with each other. While I’m uncertain as to who animated it, it may be the same person that animated Ruby and Weiss’s interaction at the bar room during chapter 5 of volume 6. With that mention out of the way, there’s the first reveal of a fulled rigged and animated model of Summer. There were a couple of noteworthy design choices, the first being how her clothing more or less resembles Ruby’s current outfit while hairstyle is more varied in appearance. The other thing of note is her eyes. According to Kerry Shawcross on the season 2 finale of RWBY Rewind, characters with silver eyes have a small “tick”, referring to the small white dashes on their eyes whereas characters like Mercury who have been confused for having silver eyes, don’t. This is something Kerry admitted as being an oversight at first when needing to differentiate between such characters and their visual traits.
Next is when Ruby unleashes her silver eyed powers which involves the same hatch-lining effects which have not been used since the Wyvern Grimm in chapter 12. Skipping ahead to when the Leviathan is still moving, we get Cordovin who believes in the Ruby that believes in her. In all seriousness, just as how it was likely that Miles Luna anticipated the Levianthan Grimm as a fan of Godzilla, Kerry very likely planned for the moment Cordovin utilized her mech’s drill feature as a big fan of Tengen Toppa Gurren Lagann. To put this all in perspective, Gurren Lagann was an anime Monty Oum introduced him to as a fan of the show himself back around the time they and Miles started forming ideas and outlines for RWBY’s story in the midst of Red vs Blue season 10 production in 2012. It was even among the various anime that Monty had him and Miles study as inspiration for RWBY. Fast forward to over a year later in August of 2013 and Kerry mentioned being on his sixth viewing of the show.
“Toppa Tengen Gurren Lagann is probably my all time favorite anime. It just has a level of energy and enthusiasm I enjoy. There are subtle (and not so subtle) lessons in Gurren Lagann about not giving up; energy that persists beyond oneself that I apply to RWBY.”  - Monty Oum, Crunchyroll
Having said that, the scene itself gained the most criticism out of the whole episode from the fan base due to the frame rate when Cordovin attacked the Leviathan. Obviously the choice to lower the frame rate two 2s and 3s was a creative one given the likely homage previous mentioned. However, the matter of frame rate in 3-D animation will never cease to be a delicate subject matter with the creative decision leading to varying results from project-to-project and leaving different responses from viewer-to-viewer. As much as these analyses are dedicated to providing any objective insight about RWBY’s production whenever possible and making educated guesses in-between, whether the frame rate felt right, is up to you, the reader. Speaking personally, since the visual choice revolved around a character whose recurring animation and camerawork has been often depicted as over-the-top and dramatic, it only felt fitting. Speaking of dramatic, when Ruby and Cordovin face each other, there is an interesting fast zoom between the two before amends are made between them.
Once all has died down, we get a scene with quite a bit of rim lighting to help emphasize on the night time setting. The animation of the scene itself and how the characters are timed to do a small pause before each gesture was akin to that of the beginning of chapter 8 with the main party and Cordovin and in chapter 2 when team RWBY were all arguing with Ozpin, both of which were largely animated by Nicole LaCroix. Everything from when everyone talked to Ruby about her bold decision-making to when the cast sees Atlas and the Kingdom’s air fleet were probably animated by her. Whether or not that’s true, certain instances like Weiss’s concerning facial expression when seeing the air fleet were quite nuanced. One last thing to talk about regarding the scene are the matte paintings of Atlas, made by one of the environment designers, Weston T. Jones, who apparently contributed quite a bit throughout the volume in terms of what is shown in the final product. With that said, the ending credits themselves have some interesting positions only seen here that are not shown in earlier volumes. This is nothing new, as the volume 5 finale ending credits had a team of crowd animators which was not previously listed throughout every other episode of that volume. In this case however, positions such as matte painters and script consultants were exclusive to the finale credits this time around. Also, side note, Dustin Matthews and Kim Newman credited among the series animators even though they were never credited on any episode this volume and have been dedicating time working on Gen:Lock as that series’ animation director and lead animator respectively. Maybe he was credited for providing bits of motion capture?
Finally, there’s the after credits scene which actually has a fair bit to touch on, one of which being the forming of new “flying monkey” grimm. Aside from it being another nod to The Wizard of Oz, there seems to also be the sound of the Nevermore cries layered beneath the Beringel roars a bit. Accompanying the scene is some intriguing framing of Emerald and Mercury by the broken windows and then Hazel being framed with them a bit later. This is actually very similar to the opening scene in volume 4 before Cinder called them over, so it’s possible this was done by design to indicate the shift in who they find themselves sticking with. Lastly, Salem summons the pools of black in the form of some 2-D effects animation to end the scene and thus wrap-up the volume as a whole. As said in the previous analysis, there’s no clear indication of when production of volume 6 ended between departments. However, Miles Luna confirmed in a podcast interview with Chad James on the “Lights, Camera: Austin” website that the outline phase for RWBY volume 7′s story started as of January 21st. Combine that with how Neath Oum confirmed that there was still something leftover that never made it into the volume 6 finale and it’s clear that Kerry and Miles are itching to tell the next installment of RWBY’s ongoing story.
That officially marks the end of the chapter 13 production analysis, as well as the production analysis series for this entire volume as a whole. To say that this was a strenuous process would be putting it mildly, as a lot of searching and fact-checking information of the show’s production, past and present and forming it into as cohesive of a narrative as possible each chapter, each week, was definitely more of an ordeal. This was all a lot fun to do and some of this would have not been as doable without much needed help. A tremendous thanks to Changyuraptor over on the RWBY Sub-Reddit for being as gung-ho about updating his Source McGourse document every week to confirm who animated which sequences every week which greatly helped with better understanding how certain animators approached doing what they did. A big thanks also goes to MyAmelia on the RWBY Sub-Reddit who provided some very constructive, much-needed advice for both this Tumblr page and its posts to help potentially attract more viewers. There are still some kinks to work out, but I’m very much bearing in mind the feedback. Speaking of which, a big thanks also goes out to the following who have been very eager and provided great feedback about seeing these analysis, both on tumblr and on reddit:
Duelverse
Achro-o
HighPriestFuneral
i-am-the-entertainer
htgeehtgee
lordess-dickery-doof
yellow-eyed-green-crocodile
ladychaosstudios
And everyone else whose names I’ve otherwise neglected to add here that have been avidly reading these analyses. Finally, a grand shout-out to Kerry Shacross and Miles Luna for continuing to do great work, as well as every member of the CRWBY in every department, new and veteran for putting as much time, effort and skill into their respective crafts for making the show look, sound and feel the way it volume 6 did. They all did an overall hell of an amazing job. Among these members I wish to thank especially are animator Asha Bishi, storyboard and camera layout artist Rachel Doda and 2-D FX Artist, Myke Chapman, who have each decided to follow some random, awkward fan on Tumblr that spent perhaps a bit too much time obsessing over the production of this show. Thank you guys so much.
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amisbro · 6 years ago
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A UtaPri Q to answer
“How Long did it take you to like HEAVENS?” THIS is an interesting question to answer because we need to do the backstory how we got here and also compare them to say...QN and STARISH (or more specifically the individual members of the two in a way) Wanna go on a trip?  LET’S GO!
So If we take a look at S1 of UtaPri (1000%) we had an interesting landscape.  I say this because of the fact that literally I knew NOTHING about any of the characters that would be included in this series at the time and when I say “nothing” I mean jack squat.  The reason for this is because I wanted my reaction to the characters in the show to be genuine and I refused to let any “outside influence” persuade me one way or the other. I can tell you this too...the characters I liked then were almost different to whom I like now which is interesting. Like if you made me literally break it down for you it went something like this Masa ,Tokiya and Otoya were locks (especially Tokiya cos his reactions to how he had to handle having Oto as a roommate were priceless) Ren was in the category of “You annoy the shit out of me but I’m going to see what you got to show me” And then you had Syo and Natsuki that ,for whatever reason, weren’t exactly high on my faves list...more like on the outs (spoiler:  As far as the ANIME goes this doesn’t change...Shining Live I actually enjoy Syo and Natsuki more) and there were reasons but even I couldn’t tell you what they were.  I think a big one is cos ,for me, Syo just wanting to fight people cos of his height (which was a big thing in Season 1 and 2 to a lesser extent) was kind of ridiculous so that grated me.  Natsuki well...we know the reason as I make no bones that I was NEVER a fan of the “Satsuki Persona” and that just grated me (although his event story with Ren is cute af and if you never read it then SHAME ON YOU!) You will note that I conveniently leave out Cecil (sorry @baku5ds) but that was because ,at THIS POINT, while the cat storyline was an important one (and it was) and then his first appearance near the end of the season and I was just like “I need to see what the heck your angle is” Now as we know come Season 2 I liked Cecil a lot (he almost “replaced” Tokiya in the top tier but I still enjoyed him) but there was one other change Ren ,whom had been on my s**t list in Season 1, showed his maturity for me and we kind of came to an understanding ESPECIALLY after his reconciliation with Seiichirou.  THAT really helped me with him but every one else kind of stayed the same (and I was fine with this). When we got to Season 2 also we had two new groups added to the fray QUARTET NIGHT and HEAVENS Now full disclosure:  While I never really paid attention to the blurbs that were wrote on the UtaPri wikipedia page for STARISH or any other characters the ones I DID read were for QN...I actually read theirs more before I started Season 1 and when I first read the name “Ai Mikaze” and then “Aoi Shouta” my first thought was “Is this a woman?” (Before we go any further I would like to formally apologize to Shoutan for thinking he was a “she”.  For some reason I sometimes hear voice pitches and it screws me up so there we go) Now in QN there weren’t really any members that made me want to throttle them (save Reiji) and I really loved Ai and also the Baron himself in Camus and if there needs to be a breakdown of why Camus well Long hair occasional megane Royalty Good enough...aight! Alright I half told a lie about STARISH...there was ONE member I think I read their blurb the most and IT WAS Nats believe it or not...yet he was one of the two I didn’t really care for...aight! The wild card in ALL of this comes when I meet HEAVENS for the first time as a trio and we know them by now but what the hell I’ll list them out Kira Sumeragi Nagi Mikado Eiichi Otori NOW...if you were to go back into my archives (and have fun with that) you would know that I wasn’t always the biggest fanboy of HEAVENS and I wanted to see them get theirs in the end...well they did and I was happy even if the ending of Season 2 was confusing as all hell! Now this kind of brings us to the question which is “How long did it take me to like HEAVENS?” Here’s why After I saw HEAVENS lose the first time in my mind I was like this “Well these three lost and now Eiichi got knocked down a peg so now can I consider rooting for them at some point later and if so what will cause it?” Now keep this in mind when you read that 1.  HEAVENS had no Canon information on them so building sympathy was going to be harder 2.  It actually took me TWO full viewings of Season 2 (before Season 3 ever aired) to really come to the idea that I might want to really get in THEIR CORNER because watching them get beat stopped being fun THEN! (That second point is going to come into play real quick...just wait) Season 3 happens and we have QN and STARISH battling it out to see whom is going to win the spot to rep the Shining Agency for Super Star Sports (from this point on the “Triple S”) and in the final episode of Season 3 (6/27/2015) HEAVENS reappears as a 7 member group.  Now I think here is where things get a little weird with the fandom because people say they are “still new” and stuff like that.  I would like to remind people of something HEAVENS is a 5 year old group.  You use the ORIGINAL date they debuted vs. when they became a 7 member group and that’s how it goes.  Its weird to me because when you look at the fan art for STARISH I think there was one that celebrated them being 7 years old but I also saw one where they had acknowledged HEAVENS being 3 years old...that’s NOT how it works in the Music industry but I digress When we were getting ready for Season 4 I had “officially” made the decision that I wanted to see what Broccoli did with HEAVENS and I wanted to see what their role in Season 4 would be.  Now we know how HEAVENS was treated both in the Anime and on this website during the whole season and it was the first time I ever got legit angry but that was a culmination of things  - I had wondered WHY the fandom ignored the times that a HEAVENS member was under distress like when Shion flipped out even Eiichi getting manhandled by his dad...the latter there were people that legit believed Eiichi DESERVED that because of “what happened to Otoya” (despite us knowing that he didn’t mean for that to happen and he basically stated such the following episode after NEXT DOOR)  - The other thing is that it felt like the fandom just never wanted to see HEAVENS happy...yeah I’m saying it and I don’t care who gets mad.  I know there were some that wanted the best for them but they always got drowned out by the people that LOVED STARISH so much that if something negative happened to HEAVENS I bet they were happy Then of course EVERYONE knows about my thoughts and feelings about 6th stage and why I thought that was a complete dumpster fire and I still do.  That show is one I pretty much ignore it unless you show me the intro from QN because...Maeno! Now HEAVENS has had some positives (although they get consistently overshadowed by STARISH in most cases) HEAVENS has had a group single go to #3 on the Oricon chart (and beat STARISH no less) A Drama CD unto themselves that went to #5 on the same chart (but unlike the Anime single this one dropped like a rock after the fact) They also had their own birbs and now they DO have bears and Eiichi has his own plush (which I still want for damn sure) and next year they will start their own web radio show and store...although unlike the Shining Store theirs isn’t going to be separate and instead its going to be a part of an Animate store which...not sure how I feel about that (oh yeah and Shuffle Units they are with a QN/Starish member and you know they are gonna get buried again...fuck I wrote a fic about my displeasure for it when I had Camus beat the **** out of Eiji!) Here is going to be my period on all of this YES...HEAVENS has the movie single ,the shuffle units and even are going to be involved in Dolce Vita...this is GREAT! Here is my problem They have always been treated like 3rd class citizens by both Broc and the fandom and they deserve better and we all know this to be fact BUT as it appears if you are a HEAVENS fan on any social media you get run off because of the fact that we have this “Seniority complex” bull shit!  HEAVENS and their fans deserve a lot more than we get and one thing we definitely deserve is our “moment” because I’m sorry but STARISH got theirs HOW MANY TIMES...AND I LIKE MEMBERS OF STARISH BUT SHIT MAN! People have asked me before why I like HEAVENS...I have said this in video form but I will do it again for new people Because there are things about each member that is literally a part of me Eiji is the shy kid to a degree...I can relate to that Yamato had his issues with his brother...you have NO IDEA how I relate to that and in his case he was the younger...for me I’m the older one! Shion is shy/anxious around new people...I REALLY can get with that for sure (and I have had my share of freakouts like he did...never hid in a closet though) Van loves him some baseball...I used to too (and with me my sport of choice to really watch is Hockey oddly enough) Nagi is smart as a tack and sassy af...I at least relate to the whole thing with his smarts...and some would say the sass too I’m sure! The BIG one though is Eiichi because you have NO IDEA the shit I went through with my mother many years ago and the times she decided to get physical with me...we won’t even talk about one of my grandparents and his short fucking temper!  If you wonder why I am always quick to protect Eiichi there we go! Do we get it yet?  Like I LOVE HEAVENS because I probably share more personality traits with them or experiences than I ever could say STARISH...then again there are the members I like there for different reasons and the big one was Tokiya because he (kind of like Camus to a degree) was someone that was organized and was good at getting shit done...yeah that is kind of me right there (and I am working on the “getting shit done” part). When people say about HEAVENS you “need more time” I respond like this It is 2018 and soon to be 2019...you have had over 5 years and a total of 18 episodes to figure the fuck out whether or not you were going to like them or not.  It LITERALLY only took me two watches of S2 and the duet project of S4 to figure out that I was going to “Ride and Die” with HEAVENS and for me that is where I will mark my grave and die with my boots on. Maybe there are some of you that need just a little bit more (and genuinely which I can respect) but I wonder if when people say “I need more time” its just a way of saying “I will NEVER like them” This is just something I wanted to write about for a while and now I did and I enjoyed writing this...good therapy! I’ll be back in the near future with a brand new fic I promise!
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phoebosacerales · 3 years ago
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Hello!!My birth time is not exact According to my mom it has a range of 15-20 mins Nothing much changes just 1 or 2 fixed stars but my part of fortune changes too It's either 4th house capricorn or 5th house aqua How can i know which one is true I know we have to look at the whole chart but maybe they make enough difference to consider maybe a few characteristics My saturn is in 8th house and ven merc jup 7th,mars 2nd,sun 6th in whole sign If you can help me with this i'd be so grateful Thanks
Gotta first of all know why your mom says that. Is it that she thinks the nurses forgot to write down the time until sometime later? Or is it because she thinks she remembers it better than the birth certificate? Or something else? Some mothers think they remember stuff very vividly, but childbirth is a very chaotic event to trust memory.
But anyway, if you really dont know, then I recomend finding an astrologer especialized in rectification. I'm not good at that, but if you're interested in how it works, Chris Brennan has a good episode on the subject. And also I love these guys trying to rectify Beyoncé's chart to a first decan Scorpio rising chart. The process is fascinating. They use zodiacal releasing to think about whether her part of fortune is in capricorn or sagittarius.
You could benefit from studying the constellation of the fixed star on the ascendant on the Constellation of Words website, but sometimes the 2 options could be of the same constellation and have the same effect. And some stars, the brightest ones, tend to have a larger orb than most people think, in my opinion.
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