#[Behind the Musings]
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butchtateandtackle · 2 months ago
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never seen before hidden journal page from when ford was in college
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carnivalcarriondiscarded · 1 year ago
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Does
Does Barnaby
Does Barnaby tell the others to get off his lawn when he's angry
psh, who do you think he is, an old man? he'd Bark, like any lively young dog
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naggingatlas · 2 months ago
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'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.
#mouthwashing#mouthwashing spoilers#sa mention#dont go after this person but i hooooope they rethink. their view of the story.#but god im gonna squeeze lemons in my eyes soon#taking this game away from yall until you unlearn misogyny#ooooh curlys just sooo sweet poor thaaang oh my oh my youre looking sooo far into thissss haaahaaa#its all just a misunderstanding!!!! anya didnt speak clearly enough!!!! noooo its not on my beautiful blue eyed rascal hahaaa#ok look curlys an insane character i love analyzing him and i VERY MUCH dont want people to think im like villanizing the guy#the entire point is that otherwise pretty chill people can fuck up OF THEIR OWN FAULT AND BIAS and then learn. painfully. what not to do.#and by chill i also dont mean holy water pure ok. distinctions.#and id really hate people taking either side of the argument on curlys morality. esp considering his appearance (for both.)#just don't. fucking make baby ass black and white arguments#this game should be behind a childproof lock in the shape of a reading comprehension test abt crime and punishment#im super supportive of people trying to think outside the norm about art like mouthwashing and explaining their own musings#and talking with others and trying to understand how to argument their thoughts which is what the op of the post this was left on was doing#being genuinely curious and open#but brother i draw the line at so merrily denying the main fucking point of the character in the catalyst event#GOOD GOD make this game only accessible to 35+ yo's with no internet access#the contents of their blog were just the cherry on top#unblocking them in hopes they see this ig
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tangents-within-tangents · 2 months ago
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Thinking about the song "Ship in Port" by Radical Face and clones
Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones
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Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.
The way Crosshair clings to his identity as a soldier of the Empire
And Echo as a soldier of the Republic
But Hunter puts his identity as a soldier behind him
Crosshair fights for the Empire to gain purpose
Echo fights against the Empire to save his brothers
And Hunter decides the Empire is too strong to even try to oppose
"A ship in port is a safer one"
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"but it's not the reason it was made"
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"So forgive me if I wander off"
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"And forgive me more if I just stay"
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Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies
(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)
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my-t4t-romance · 1 year ago
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pro tip for watching a haunting in venice: being in a theater that's inexplicably empty increases the creep factor by like 20%
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marztapatan · 2 months ago
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Art i did for my mootie 💙💙 Omega with their horrorbrew Parasite. Their ship name is bio terrorists.
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megamindsecretlair · 2 months ago
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Every single one of my moots is GORGEOUS. GD, I love this app. Pat yallselves on the back one time for the one time 👏🏽
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expectiations · 7 months ago
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The Husbands of River Song is not and has never been about the Eleventh Doctor being a deadbeat, distant husband (gross mischaracterization by the way) and the Twelfth Doctor being the "better, more mature, affectionate" husband.
It was about River Song. It was about River and how the events in Manhattan took such a toll on her. It was about letting us see River dealing with grief the way The Snowmen showed us how the Doctor coped after losing believing he had used up all his time with River.
Looking at THORS now with The Ruby's Curse in mind, I get the instinct (for lack of a word that I cannot remember) that the Manhattan incident Blue Roach read from River's diary was not the Manhattan episode that we saw in series 7.
On that note, I'd also like to bring up the fact that the Doctor grounds River and River grounds the Doctor. As Tree talked about in one of her tags, River's empathy is more cognitive than emotional and after musing on it for a bit – considering that the Doctor can no longer go to Manhattan (which may have changed in later series but I wouldn't know at the moment because I have yet to overcome series 7b) and that River does spend time with her parents in Manhattan post-TATM, would the latest Manhattan incident in River's diary be the funeral for Amy? Amy's death? Perhaps even Anthony's? I mean, we already know Rory died five years earlier than Amy. So, knowing how deep River's love for her mother is, it's not too farfetched to say that River spent that time with them. River was by their bedsides as they drew their last breath.
Then Rory's gone, Amy's gone, Anthony's gone. Where does that leave River? Where is the Doctor? (sulking on a cloud on top of Victorian London? trying to figure out the mystery of his newest companion? all while constantly mentioning a certain Professor Song who actually turns out to be his dearly sort of departed absolutely beloved wife?)
Without her parents (and her husband) to ground her, she goes on this maddened, grieving space Robin Hood spree. She seeks fun to fill in the void and takes up marriage as a hobby/side quest. Does she look for the Doctor? Perhaps. Yes, actually. Considering she crashed her latest sort-of-husband's ship onto a planet where she purported the TARDIS to be.
But... she's stealing the TARDIS. She could have just called the Doctor, yeah? So, she doesn't want the Doctor to know then. Well... yeah, considering she has two sort-of-husbands in hand.
So, River would just have gone on from one space Robin Hood spree to the next had the TARDIS not sort-of-stranded herself on Mendorax Dellora to make sure her Water stopped being stubborn and reconcile(?) with her Thief?
Also taking note of how River has read stories about them and knows that Darillium is purported to be their last night together (I could also bring up the fact that this is why I find it easy to digest the "River meeting regenerations of the Doctor younger than the Tenth Doctor makes sense and doesn't break cannon nor ruin SITL/FOTD" but that would take a whole other post). Does this River believe her time with the Eleventh Doctor has ended? The same way series 7b Eleven believed his time with older versions of River has ended? Is this all part of some grand fuckup in communication all thanks to their tangled timelines?
Maybe. Maybe not.
But has River not just been running from her family's death? Has River been running from her supposed last night with the Doctor?
"But River doesn't run." Oh yes. Yes, she does. She knows when to stand her ground. She knows when to charge. And she knows when to run.
"That's out of character for her." No, it's not. She's not invincible. She's this well trained assassin, yes. But invincible? No.
Invincible from the tendency to be blinded by their emotions? Obviously not.
River lies. And River runs.
She is not afraid of her death. She is afraid of the day when her husband, her Doctor, looks into her eyes and looks right through her. And it shouldn't kill her but it does. It did.
So she ran and ran until her bigger-on-the-inside Mum gently reached out and put her back together with the only person left who could ground her. Who she didn't recognize at first but still fell in love with (and would have loved even if he hadn't been revealed to be her actual, long missing husband). Who finally found out their last night wasn't just any night – it was a twenty-four year long last night. Who finally gave her a breather from all the running she'd been doing.
And oh what a night that was (it was the talk of the universe).
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a-perfect-parisian-day · 6 months ago
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Anna Karina on the set of Alphaville, 1965
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pyrosomatic-metamorphosis · 11 months ago
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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cobra-wives · 10 days ago
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said it on discord, but i'd love to say it here - i feel like, if they choose to show kwon's death as kreese and silver's turning points - both as the ones who began the cycle of violence that he eventually got himself killed in - the symbolism of someone literally killing themselves on a knife meant to symbolize winning the prize is NOT lost on me and i love that storytelling choice.
"winning the prize" has always held the same messaging of the american dream that kreese and silver were originally aspiring towards - you're going to hurt someone, you're going to kill yourself in the process, but you have to get there so bad and it ties so DAMN WELL with the messaging of generational influence and the cycles of violence. kreese is emblematic of the darker facets of this cultural ideal, highlighting themes of ambition, competition, and the relentless pursuit of success, often at the expense of morality and compassion.
it's kreese's silver knife - the dagger he's attached to his never ceasing grudges - and it ending up lodged in his champion's chest.
it's tory asking if it's worth it - to win, even if you're putting your friends down - and eventually, choosing her friends.
it's kreese implanting those thoughts in her head about individualism - projecting his own feelings about his life, about silver and betrayal and lost friendship to circumstance.
this story may struggle at times with where it's finding the ground of its messaging, but the themes of violence and competition being associated with that of cobra kai, and nonviolence and camaraderie with miyagi do, are not lost on me at all. and if they actually move forward with this theming (and honestly, make something better out of whatever the hell they're doing to miyagi), they can close this story out in a really nice way.
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carnivalcarriondiscarded · 1 year ago
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nervously holding out & rattling a Little Tip Jar
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sinfully-divine · 2 months ago
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Mainly focused on Lucoa's assets, after all O-Cups are simply to die for, literally.
But her other "ass"ets though~
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Just. As. Good.
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shamebats · 2 years ago
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Getting married is widely considered to be the second most significant bond two people can engage in. The most significant, of course, is being Tumblr mutuals
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ludmilachaibemachado · 9 days ago
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George Harrison, Paul McCartney, and Jane Asher by Henry Grossman, 1965🌺🌸🌺
Via @adayinthelifeofabeatlewife on Instagram🌸
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walkingstackofbooks · 10 months ago
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A drabble on Bajoran Time
Or: Why would a Bajoran hour be the same as an Earth one?
Featuring the classic trope, Julian Bashir's genetically enhanced awareness of time.
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The most disorienting thing about living on Deep Space Nine was undoubtedly the time. Not for the reasons you might think - Julian was far from the only new Starfleet resident who had heard "26 hour clock" and assumed that would mean Bajor rotated 2 hours more slowly than Earth. But in fact, a day on Bajor was only 44 minutes - well, 44 minutes, 17 second, 592 milliseconds, to be precise - longer than an Earth day.
Which was good, undoubtedly. Julian had been worried about the physical toll that changing to a 26-hour day would have on the human residents of the station, and although a 44 minute difference wasn't nothing, he was certain the effects would have been greater had a Bajoran hour been the same as a Terran one.
But, of course, it wasn't. It made sense, really - in fact, it would be stranger if a Bajoran hour was the exact same as an hour on Earth. Though Julian couldn't help feel that 60 really was a better number of minutes (Because 39?* Really?! A number with only 4 factors?!), it would have been some coincidence indeed for both planets' history of subdividing time to happen upon the same number.
In some ways it was remarkable that the Bajoran system, splitting their days up into teneyru, loiru and kerriloiru**, was so similar to Earth's hours, minutes and seconds. Each teneyn comprised of 39 loiru, and each loira comprised of 52 kerriloiru. It worked out that a Bajoran kerriloira lasted for 1.689 Terran seconds - which for the average person, wasn't hugely noticeable.***
Julian still hadn't got used to 1300 hours being midday, or that his automatic translation of 1700 hours into 5pm was no longer useful, given that the Bajorans had no concept of AM and PM - and even if they did, it would now be an hour out. He would still talk about time using "half past" or "twenty-five to", before catching himself - and realising there was far less of the hour remaining than he had thought! He was, however, beginning to use the Bajoran equivalent more frequently, getting a secret thrill when he told a patient their appointment was at "thirteens fourteen" or "two-thirteens twelve".****
But these were things that most Federation officers were finding difficult - at least, it seemed to be one of the more common grumbles he overheard in Quark's, definitely among his fellow humans. Non-humans were more diverse in opinion; some found the adjustment easy, having already had to adapt to the Terran time that was the standard used on Starfleet ships, while others found it doubly hard to be learning yet another time system.
What Julian was finding most troublesome to deal with was his until-now fastidiously-accurate internal clock. He had developed it when he was 16, wanting to put his memory through a real test, and figuring that if he could remember precisely how long a second was, he would always know the time. While it hadn't been quite as simple as that - he had spent hours staring at the clock on his PADD - eventually tracking the time had become as automatic as breathing, a calculation that his brain kept permanently ticking in the background. During a bout of illness and extreme boredom during his 1st year at the Academy, he'd even fine-tuned it down to deciseconds, although even he hadn't managed to make it more precise than that.
Which was why he was constantly finding himself off-balance in his time-keeping. For 10 years, he hadn't had to think about what time it was, it had just been there, in his brain. And now, even with a Bajoran clock in front of him, or regular check-ins with the computer, Earth seconds continued to tick by in the back of his mind, an ever-present distraction from getting to grips with station time. Trying to learn the length of a Bajoran second was like listening to a piece of music that you didn't know was written in 5/4 - it felt jarring and off and as soon as he felt that he had gotten to grips with it, a few kerriloiru later and he'd lost it again.
Eventually it would become second-nature, Julian was sure. But he was impatient to get there. For the meanwhile, it meant spending what little free time he had in his quarters, staring at a Bajoran chronometer, and trying to ignore the small pangs of discomfort as the kerriloiru ticked over - 1.689, 1.689, 1.689...
*I've decided Bajorans use a Base-13 system simply because it's fun and they have a 26 hour day. 🤷‍♀️😅
**The words teneyn and loira come from this Bajoran dictionary. Kerriloira is a combination of loira and kerripate (a fraction of a tessipate, a measure of land). The only example of a Bajoran plural I could find was maktal > makteru on this wiki so that's what I went with 😅
*** 1 loira is equivalent to 1 minute and 27.828 seconds. 1 teneyn is equivalent to 57 minutes and 5.292 seconds.
**** Obviously, the logical way to divide a teneyn up is into 3 lots of 13 loiru. Although humans cling so tenaciously to "half-past" as a concept, that eventually station Bajorans do end up adopting it as meaning 19 minutes after the hour.
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Thanks for sticking with me in this silly little maths worldbuilding :P I'm totally not going to go and write up my Bajoran counting system now, that doesn't sound like me at all... 😅😬 (Who am I kidding, sign me up to everything numbers and Star Trek and alien cultures)
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