#[ she immediately assumed it was you ]

[dykedvonte]

I think about the fact Anya locking herself in the infirmary with Curly to kill herself and how it is in way reclaiming a space that was initially hers from Jimmy.

Not to mention how she must've been aware of Jimmy's obsession with Curly and the idea that he would lose his power over the both of them (based on the fact she likely thought they would never get the door open) and having to face the responsibility of two deaths being on his hands as acting captain.

It was her final act of agency stuck on that ship with her abuser and it says something that she chose to die next to Curly, despite his inaction, leaned against him as if they were just in a casual conversation before her death. Despite everything, Anya made the final decision on her own terms and it speaks volumes considering her treatment and demeanor up until that point.

[shit-talker]

I want a Dead Boy Detectives rewrite fic, except Edwin and Charles have been dating for about 20 years, but absolutely nobody can tell, and every damn chapter they have to explain that Yes, we are dating, No, this isn't a new thing, catch up.

[whomst-yall]

...i may have accidentally gotten invested in twinfrin au...

[iwatcheditbegin]

Swifties have got to be one of the only fandoms that regularly shits on their fav to seem like a superior fan

[nemaliwrites]

utterly UTTERLY fascinated by Nathalie in the london special (and I say this as someone who wasn’t all that compelled by her before)

I’ve changed, she says - and proves it. When both the miraculouses she’s been looking for are right in front of her, she doesn’t take them. Doesn’t even try to. As though it doesn’t occur to her.

I’m not a mother, she says - but when she sees a child in pain, her first instinct is to hug them.

I’ll go to jail, she says - once again, arguably, taking the easy way out. That way, she doesn’t have to keep looking in Adrien’s eyes every day. She can feel her own guilt in peace, with no one else’s to mingle in with it.

Adrien will be okay because he has you, she says - to a child with the weight of the world on her shoulders. Nathalie doesn’t even try to lessen that burden; instead, she makes it all the more heavier.

I’m here to kill Gabriel, she says - and then what?

[ghostlygunk]

sometimes i remember that ib fan twitter user tht was diehard insisting abt how mary did nothing wrong in the story and how garry was apparently in the wrong

[glacier-shrimp]

Done with our favorite Spider-Boy! Spiderling? Spider... What was his name again?

Avengers paper cutout 6/?

[anna-scribbles]

h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work

unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion

[three-bunnies-in-a-trenchcoat]

I FUCKING TOLD YOU GUYS

[desultory-novice]

Apologies AU - Good Ending Drop

Hey, everyone. It was my goal to finish Apologies in tandem with the Tournament, but for health reasons, I won't be able to as I planned. Because I tied the story to the tournament and don't feel like untangling it again and making everyone wait more, I'm going to give you all the ending spoilers, as I promised I would if I became unable to finish the story.

What I'm about to describe is THE Good Ending. The True Ending I had planned out almost from the beginning!

-

In the main-verse...

Susie, who sees too much of herself in Adeleine, decides to take matters into her own hands to bring the girl's older brother back.

She takes the vial of Dark Matter Swordsman DNA that was harvested from King Dedede. Meta Knight catches up with her and argues against it. It's foolish, dangerous, and liable to be nothing but painful to all parties involved. But Susie anticipated interference and asked Zan to bodyguard her. When Zan arrives (late) to the lab, the argument has caused the vial to begin to react to all the negativity in the room. Zan recognizes its contents as Dark Matter and insists on calling Lord Hyness, who in his own quirky way, analyzes their problem and suggests that while the contents are too weak to survive on their own, a resurrection could be possible, using Void's powers to mimic a hive queen, supplying whatever creature emerges the power to survive on Popstar without burning up into ash...

-

In the tourney-verse...

White-Haired Noir is at peace with his life and has come to accept the death of his precious little sister many years ago, but...a part of him still wishes to make Adeleine happy.

Using his fairy-born dimension sight, he discovers an Alternate Noir who is 98% percent compatible with main-verse Noir. This is the Purgatory!Noir from the Re_Birthday post. And he drags this unstable, utterly clueless Noir out of this peaceful void without his permission and secretly "volunteers"  the massively confused, un-alive but un-dead teen boy for the Kirby OC Tournament.

It is White-Haired Noir that is the "good" voice on phone and in Noir's head, encouraging rationality. His goal? Get Noir some friends. Get him to face up to/open up to people about his past. And get him caring about his life enough that he wants to live...! 

White-Haired Noir has seen what the main-verse Star Allies are attempting and knows that the odds of them actually bringing "Noir" back instead of just an emotionless monster are low without a compatible "Noir Soul" (haha) to inhabit the new vessel.

Over the course of many in-tourney events, including Noir learning to have faith in the sibling bonds he built with Gooey despite being Dark Matter at the time, learning to separate himself and Adeleine as individuals instead of clinging to her to his own neglect, privately opening up to King Dedede, who put the pieces together post-possession, about some awful stuff Noir put up with for years in secret from Raquelle's father (who privately loathed Neichel AND her kids and took it out on Noir) to "pay" for Adeleine's good life...

And lastly, using the power of wishes to interrogate if THIS Noir's true wish is to die and be free, to have never been born, to have had a normal "perfect" life, or if he simply wishes for a second chance to be with those he cares about... White-Haired Noir determines that Tourney!Noir is ready and reveals his plan to him. Noir confesses to him that he really does want to live and be with his family again and offers up his stronger soul for Susie and the gang's vessel.

-

Back in the main-verse...

The experiment is a success! They have brought, well, something back. It is not quite like Dark Matter Swordsman in form, nor is it exactly a human boy. It looks a little bit like a spiky haired-Gooey.

After some tense questioning of the emotionless, memoryless, unresponsive goo, it...suddenly seems to awaken. With the voice of a deeply shaken and scared young boy, the violet-eyed blob questions the mad scientist, cultists, and masked man surrounding him... Where the hell is he? And where are his little brother and sister?

Meta Knight welcomes Noir back to the world of the living.

Later, after Noir has time to dress himself in an appropriate scarf, Adeleine and Gooey are brought in and it is a happy and tear-filled reunion all around as Noir confirms that, while this form is strange, it's not dangerous and he's not in pain. He is then re-introduced to King Dedede, whereupon it's revealed that even though Noir likes him, he's still a snarky teen punk at heart, as he sasses the king horribly. (Dedede has gained another kid, but at what cost? XD)

...And that's it.

That's the ending to Apologies I've held onto for nearly a year.

For reading through all that, here is a short comic I drew a while back of the reunited family having a snowball fight in White Wafers.

-

(Not to unnecessarily over-explain the story but because the comic is a little vague, I have to tell you that no, Noir does not ever return to human after his revival. I meant it when I wrote in several places that their parting on Shiver Star was the last time they'd see each other "...in this form." This is merely meant to depict a moment in which Adeleine, seeing her brother alive and smiling and laughing and having real fun for the first time in so long, is able to imagine his old self smiling and is at peace that her brother is finally free from the hurt and misery he bore up with for so long.)

(...And yes, he has a long, silly tongue just like Gooey. Which is why he hides all but his eyes behind the scarf. Gotta keep up that cool older brother look even as a little goo creature! While Noir can't become human - frankly, he doesn't miss having a human body, given the stuff in his adolescence and being over-stressed, underfed, under-slept and just overall sick all the time in his later teens - he does eventually acquire the ability to shift into his old "Swordsman" form for short bursts of time.)

-

(Lastly, you might wonder how I could have had this exact ending in mind from almost the beginning when so much of it is tied up in recent posts like the tourney? ...Well, originally what was going to happen to allow Noir to be properly resurrected into the Dark Matter Goo body is that the Dream Rod from Star Allies was going to appear in response to a grieving Adeleine's wishes to see her brother again, bringing Noir-as-Swordsman back. At least for a LITTLE while, as it would be revealed that with Zero dead, Noir, who was entirely composed of Dark Matter at this point, couldn't survive on Popstar. Every moment he was there, his body was burning.)

(Still, he lasts long enough to have one final talk with Adeleine that helps heal him from the torturous events of DL 3 - in which we learn a highly disappointed Zero drove Noir to the absolute breaking point, shattering his mind and his newly regained soul. Adeleine also tells Noir she has finally realized everything he did for her during their childhood and apologizes to him for not seeing it before. With dawn on the horizon, Noir asks to look over Adeleine's sketchbooks with her before the end... He dies one last time, peacefully, while Adeleine finally gets to properly mourn him.)

(Then, all the "main-verse" sections proceed to happen as stated above!)

-

(...Okay, okay. One last thing. There was also an alternate ending planned where Magolor, taking advantage of the fact that Merry Magoland was built on a nexus point, finds a way to reunite Adeleine and White-Haired Noir - still a teen in this version - using his theme park as a union point, as special birthday gift for Adeleine.)

(I was kinda fond of this one for reuniting the timelines, but it opened up a lot of questions such as, if Magolor made it so that Noir and Adeleine from two different dimensions can see each other as long as they're both in Magoland, could others from the WH Noir-verse see the main-verse this way? It invited too many questions, so that's why I scrapped that one and just let White-Haired Noir grow up instead.)

[possamble]

I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way

[fullmoonfireball]

i've had this dialogue stuck in my brain for a while and only just got around to drawing it. Company President Lu Chacho may be stupid.

[anastacialy]

actually, fuck it, i AM writing the essay, even if no one will read it.

my thoughts on penelope, how she sees herself, and why the carriage scene's ending is the most important thing in the whole wide world under the cut. and bridgerton season three part one spoilers, obviously.

penelope featherington hates herself. bit of a strong start here but, there we go. that's what you get when i'm going feral about her again at three in the morning. (it was eleven a.m. when i finished writing this post. i rewatched all four episodes of season three...)

i'll start from the beginning — she isn't a confident person. i think that's what a lot of penelope hate really comes down to, not relating to her in that way at all. not understanding what being treated the way she has can do to you. so let's start here:

imagine for a moment, no one fucking listens to you.

this includes her favorite people in the world. her family, for one thing, that's obvious, but her best friend, too. many times we hear eloise discover and re-discover what penelope's interests are in the series because, as she says, "i didn't really hear it." she was so frequently not really listening to her. they've been friends for years, but huge aspects of her friend's personality were completely unknown to her. this isn't anti-eloise by the way, i love her too, but we're adults who can admit our favs are all flawed people. the show wouldn't be nearly as fun if they weren't. eloise continues to belittle others for their interests when they don't match up to hers (like that poor girl who was just really passionate about embroidery) and she's done so to pen, however unknowingly, for ages.

penelope tried to beg marina to not fool colin into marriage. she had so, so many other suitors, so many other choices she could have made. all pen wanted was to not have her other best friend slash crush make that life altering of a mistake. but for this, she was called a child. immature. talked down to as if she knows nothing about the world. (she had been mostly right, by the way, in her insisting that george must still love marina, would still want to marry her, discovering that the letter had been forged. if he'd not died on the battlefield, penelope would have been the one to secure a happy ending for marina.) when she wasn't listened to then, she got more desperate, telling colin that marina was in love with someone else to deter him from the marriage while still careful to not ruin marina's reputation and expose her pregnancy in the process. she tried. but no one would listen.

so only when the situation became dire, she did the only thing that she could, and took matters into her own hands.

which brings us to lady whistledown.

it's interesting, really, that she chose that name. to specify lady so she might be taken seriously, yet not hide under a pseudonym completely removed from herself (i.e. using a masculine pen name or implying she's not a part of the ton at all) it's clear that lady whistledown is, for the most part, what penelope wants to and yet fails to be: someone who commands attention, who people admire and trust for an opinion, someone who gets listened to.

by the time we find her in season three, she's fresh off hearing her crush saying he'd never, ever court her, and her best friend finding out that she was lady whistledown all along and had exposed a secret of hers — only after penelope had, of course, also begged eloise to stop seeing theo, to stop raising the queen's suspicions, and was once again ignored. her only friendships have been destroyed, and she has resigned herself to a loveless marriage of convenience because she can't stand to be ignored, controlled, and belittled by her family any longer. she's ready to take the devil she doesn't know over the devil she does.

so, when i say her self confidence is on the floor, i mean it.

yes, a sliver of hope remains in her, and we can see that in her decisions (wearing parisian fashions, for instance) but her plan remains, she is simply going to marry someone, anyone, because she has to.

but even still, her confidence has not taken it's last hit.

let's imagine some more: no matter what you do, people are going to laugh at you.

penelope finally, finally gets her big moment. people stare at her as she enters the room. she still immediately hides herself in a corner because that's who she's always been, but still. she has a moment. not quite what she'd imagined, i'm sure, as she bought all new gowns, but attention and awe nonetheless. but it cracks almost instantly when her social awkwardness comes out, failing to get anyone to ask her to dance, and shatters completely when cressida destroys her dress before she can ever take to the floor.

colin tells her she looks nice, and her immediate reaction is "do not mock me, please."

it's only after this that she confronts colin about what he said, only after this that she speaks ill of him as lady whisteldown — not saying any more than what his sister had already pointed out earlier in the episode, mind you, that his change in personality seemed disingenuous — only after she has been publicly humiliated that she lashes out in her anger.

and, this anger, she also immediately regrets after colin has proven himself to be kind. it's a bit like making a snide comment online without the ability to delete it after.

but when penelope has hope, she is kind. she writes of the promising ladies of the ton and wishes them well with their matches, when she has hope she speaks positively of would-be spinsters and their successful marriages. many of her earlier musings in previous seasons were to call the women of the ton beautiful, to speak to their skills.

but hope for penelope does not last long. she manages to successfully speak to one suitor at the next ball (which, though this is another argument entirely, is backed by a string quartet version of "jealous" as colin re-approaches her at the drinks table — any arguments that his feelings start at their kiss isn't paying near enough attention) but the entirely true rumor about her having help from him spreads through the vine and penelope is hopeless once more.

and a hopeless penelope is a cruel penelope, as we've seen, and this time, she turns that cruelty inward, publicly. while she later says it would have been suspicious if lady whistledown hadn't commented, in truth, she has proven time and time again that her emotions rule lady whistledown's writings. in that moment, eyes tearful, she was embarrassed and ashamed of herself, she decided to say so. she repeats the same sentiment to colin when he comes to visit her:

"in truth i brought this on myself. a sad, stupid girl who believed she might actually have a chance at love."

and here is where lady whistledown continues to be someone penelope sees as different to herself, because penelope doesn't see herself as a lady. not just for lack of title — she does not see herself as worthy of or requiring protection. to call back to antony's season one romance: "every woman is not afforded such gallant protection." "every woman is not a lady."

she says nothing of him bribing her maid to give them time alone. like most of the ton she doesn't think the time they spend alone together could be anything other than platonic, at least on his end. they spent extended time unchaperoned at the bridgerton house and not once did she speak on impropriety. he'd been alone with her in the previous season and even when they were caught no one had a thing to say about it. no one questions it because penelope is not recognized as desirable, not seen as needing this protection, not seen as a lady. she is seen, even by herself, as a spinster already.

when she asks colin for a kiss, she reassures him that she would ask nothing of him for it, she would not entrap him in a marriage citing impropriety, she doesn't even think about whether someone might see. she does not care in this moment if she is to be "ruined," she only wants to feel some illusion of intimacy, some imitation of being wanted. even her running back inside immediately after, and the subsequent conversation under the willow tree, are further proof that she doesn't believe he could have kissed her for any reason other than pity.

and, even after all she goes through with lord debling, she is still not the only object of his affections. the entire time she pursues him, cressida is there, hot on the trail, ready to sweep him away on a moment's notice. penelope writes of their dance that his choice of her is surprising. though her feelings for colin have not simply fluttered away once debling's shown interest, her possible engagement to debling is on a wavering tightrope. not once in this can she feel wholly at ease with lord debling, only afforded a bit of security once he asks her mother for her blessing. and amongst this, her mother still belittles her, saying she should not become greedy for wanting to marry someone who actually cares for her.

she asks lord debling if he might ever love her, in all the years of marriage they may have ahead, and he says probably not.

and when colin breaks up her proposal, insisting debling isn't right for her, still penelope does not even consider, can not even conceptualize that it might be done out of jealousy. colin having feelings for her is laughable, she says as much, and it is the same thing she has been told over and over since the start. he chases after her carriage out of breath asks to be let in, gets on his knees and tells her he can't stop dreaming of her and she tells him "please. do not say things you do not mean." she cannot imagine that any of this is real. it is confusion that prompts her to repeat the agreement they had in episode one, "but, colin, we are friends."

and while an entirely separate essay could be written about the rest of the carriage scene, it is what happens the moment the carriage arrives at bridgerton house that stands out to me. they have this moment, colin asks "could the carriage driver not keep on driving?" and they both laugh, the way they always do with one another, and he fixes her dress (carefully, avoiding using a select few fingers as he does so) and they kiss again, and he gets out of the carriage.

and for a single, heartbreaking second, penelope's face falls, and she calls after him: "colin?"

it is so clear in her demeanor that she thought that was it; that's all she gets. the fantasy is over and it is back to reality. for a split second, she believes he is no longer hers.

for a single second, it's as though she thinks he is going to shut the carriage door on her, and walk away.

but he turns around, hand outstretched, asking if she'd like to come in. and she's once again confused, "what?"

do not say things you do not mean. do not mock me please.

and when he says: "for god's sake, penelope featherington, are you going to marry me or not?"

she looks so relived she could cry.

[aroaessidhe]

2024 reads / storygraph

The Sword of Kaigen

standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors

follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city

and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage

when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people

[shitpostingkats]

I know identity reveals are overdone, I know they had more important plot stuff going on, but we gotta take a second and imagine what it was like when Skye/Aoi first learned Yusaku was Playmaker.

You go to highschool. There's all the typical highschool students there, including a quiet kid who sits by himself and never talks to anyone. The closest you ever see to him socializing is the class clown talking at him while he walks away???? He doesn't have any interest in playing the Literal Only And Greatest Game Ever. He doesn't even know your school has a club for that. But one day he shows up, and he doesn't seem interested at all, despite, you know, being there. You look at his cards and another club member says they look terrible and he must be an awful duelist. He shrugs and doesn't argue this point.

He never comes back to the club again.

And then one time you sneak away from class to go fight a vigilante and get in over your head and end up falling into a coma, and this guy, who you already kinda feel bad for because of that awkward social interaction is for some reason hanging out on the roof of the school and notices your unconscious body and calls an ambulance about it. Kinda a weird life event to tie two people together, but hey, now you feel double bad about your literal only two interactions with this guy, so you see him working at a food truck one day (badly) and you figure the least you can do is go buy lunch, thank him properly.

He seems completely as anti-social as he comes across in class. The two of you exchange maybe a dozen words. How is he still employed here.

Then a few weeks later that same guy tells you he's a vigilante cyberslueth that you've been repeatedly working with as you and a few other friends/enemies of the state unravel a criminal conspiracy.

You are Skye Zaizen.

[thatonegaybrit]

; I know assuming someone is queer based on their appearances is bad and promotes stereotypes that are harmful and I'd never genuinely judge someone based on their apperance but ... You ever just see someone and think " if that mf is cishetallo then my gaydar has been destroyed by a target shopping cart of straightness and barbecues because holy friend of mara they're gay. " like is it just me or do some people just ?? Fruit ??