#[ ic; questions answered ]
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cappycodeart Ā· 1 year ago
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"The dead one! Yeah I haven't thought about her in a long time!"
A little theory I've had about Winter King's original motives based on his heartless comment about Betty and Ice King's original motives for kidnapping princesses in the first place...... clearly she gave off Bad Ex Vibesā€¦
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ping-ski Ā· 3 months ago
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csp mini guide: edge eraser!
@lunasun hihi!! i tried to make an visual and wrote an explanation i hope this makes sense but if not then i failed LOL i hope you don't mind the tag
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Erase Along Edge (Edge Eraser) text version!
1. Sketch or line as normal on one layer. 2. On a separate layer, below the lineart, color as normal. 3. Return to the lineart layer, and set it as the "Reference Layer". (Toggle ON by clicking on the lighthouse icon!) 4. Return to the color layer, select the "Erase Along Edge" tool, and erase the offending overlap! Aaand then you're done! Try stick to the outside of your lineart to avoid accidently erasing what's inside. As long as your brush size is reasonable, it shouldn't erase what's inside too much or at all unless if your cursor is inside of the lineart!
Quick Troubleshoot
"It won't erase properly?" "My lines aren't opaque and/or is too messy." That's OK!! While I do recommend solid lines (few gaps or none) or opaque lines (at 100% opacity), it's NOT necessary! It just makes using the tool easier! Most of the time you can get away with it, so don't worry about having to change your style or anything. If the lines are not solid (have gaps) or aren't opaque (lower than 100% opacity), please refer to the tool properties/settings! You may need to experiment here. Adjust the "Tolerance" and "Area Scaling" settings and repeat the process until you reach your desired result! Please note: If lines intercept (creating small "pockets) or opacity is still an issue you may have to manually erase anyways (sorry lol). By all means, it isn't perfect BUT it is a BIIIGG time saver once you have it down! The creator (pharan) makes more specific points and fixes in their guide that is far more in depth! I just want this to be easy to understand for anyone who's never used it before or is trying it for the first time! :)
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who-dare-interrupt-my-slumbers Ā· 4 months ago
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sorry i canā€™t hang out today i have to repeatedly beat a 9 year old in snowball fights. yeah, headshots only. all day thing, you know how it is. canā€™t just go buy my own toasty packs now can i.
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grandmaestershibe Ā· 2 months ago
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do you guys think jaime was disappointed that joffrey liked to use crossbows?
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adorkabletwilightandfriends Ā· 4 months ago
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Adorkable Twilight & Friends - ā€œQuestions No Answers"
Adorkable Patreon Pals
Adorkable Twilight & Friends Twitter
Adorkable Twilight & Friends Wiki
Adorkable Twilight & Friends Deviant Art
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seleneprince Ā· 4 months ago
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Sorry, but you can't tell me that Cardan "I support women's rights and wrongs" Greenbriar wouldn't be friends with Nesta Archeron.
Cardan, who bullied and harassed his crush because he didn't know how to handle his feelings, who never received an ounce of genuine affection from his family and was severely neglected since he was a baby, going as far to endure brutal punishments from his brother for not "fulfilling the expectations". Cardan, who grew up to believe he was incapable and unworthy of love, drowning himself in alcohol and sex because it allowed to shut his mind off and forget himself.
The same Cardan who wields words like beautifully sharpened weapons, using sarcasm like it's a second skin, who fell in love with the girl who kidnapped, humiliated, manipulated, betrayed and used him for her best interests, only to admire her even more for it instead of feeling intimidated by her. The Cardan who, at first, could only express his love by being crude and mean because he was never taught any other way.
Cardan would take a look at Nesta and find his own twisted reflection on her. And he'll also enjoy her personality, joining her into throwing shade at the IC and supporting her.
Add Jude Duarte to the mix and trust me, they would've made an unstoppable and terrifying trio. Jude is all for power and ambition but she's also compassionate and selfless. You best believe she'll encourage Nesta to make use of her powers and not let anyone step on her.
Basically it would be like this:
Nesta: *explaining her life and what goes on with the Inner Circle*
Jude: Kill them all.
Nesta: No way, I can't do that.
Jude: Fine, I'll kill them.
And also:
Nesta: *glaring at/insulting someone*
Cardan: So, why do we hate this person? I just need the context to mock them properly.
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ask-liam-p Ā· 4 months ago
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going to be out today, so enjoy this silly drawing while I'm gone :]
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skretri Ā· 8 months ago
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here some argus & icely art i did while i was on my mental breakdown šŸ’ŖšŸ’ŖšŸ’Ŗ
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crumbsispoggers Ā· 1 year ago
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oooooooooooohhhhhhhhhhh secret kingdom under the whirlpool!
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lanabenikosdoormat Ā· 7 months ago
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soloing azteca and khrysalis as an ice type beat
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ranticore Ā· 5 months ago
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Hi has anyone ever told you Ice Storm Over Kosa has impeccable vibes and feels incredibly innovative and fresh!
In terms of the towns and communities, what types of infrastructure connects them? What kinds of technologies are common vs cutting edge in the settingā€™s different time periods?
hehe thank you.. i really like how the setting tag is just one of the character's names so it looks like you're saying He has impeccable vibes
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<3
So there is a huge huge almost insurmountable limiting factor when it comes to the growth of towns and communities, which is that large aggregations of living creatures will attract the crawly beasts and they pollute the earth, make crops wither and die away, kill livestock, kill people, etc, and humans can't even touch them with protective gloves on since the crawlers' fluids eat through leather
humanity (and monsters) were forced to spread out over a larger surface area. villages and settlements are small and have to be actively defended almost nightly. there has been a slight stagnation of the march of progress, as just fighting off this threat takes up so much of everyone's resources, and forbids institutes of learning and the like from forming. so most of the technological advancements we see, they are in the field of long-range communication, weaponry (falconry too), and material technology that might repel crawling beasts
in prehistory, the land now called "the Ama plains" hosted a gigantic city with a hundred thousand people living in it, called Amphora. it was very advanced for its time period, with working plumbing, hot and cold water even, mass production of cloth and food, etc (not to mention the magic). Amphora no longer exists and most of its innovations were lost.
in the early time period after the arrival of the crawling beasts, humanity and monsterkind are scattered. the only established settlements are those guarded by wyrms, but it took many centuries to reach that point. human towns are ruled by small feudal lords who may form loose alliances with one another but typically rule their land as if it's a lone island in the middle of a vast sea. this is the time of Revelation's march. the most established settlement is the city of Onozar in the far west of Ama, which is ruled by a king who has a hold over many of the neighbouring towns and lords, by virtue of Onozar's size and relative safety. technology levels are low; no firearms, trebuchets and crossbows are cutting edge.
in the time of Twist and Flicker, there is an age of unprecedented cooperation with monsters (Revelation's march might have had something to do with this change). This means that towns and villages are now usually protected by something other than a wyrm - this ranges from willing cooperation to cruel self-styled 'monster tamers' who force monsters to do their bidding. This is the dawning age of harpy falconry as described in the lil story i wrote about Ice Storm of Kosa himself, though back then the old method was to make a contract with an adult harpy and cooperate that way. The infrastructure is still not very advanced; they're still struggling with plumbing and sewage systems, because crawlies come out of the ground and their poison can seep into aquifers. Anyway communication between towns is usually done by pigeon (or pigeon harpy). The ground is not a safe place to be, so houses are typically built on short stilts, or at the very least, residential rooms are upstairs. Water supply is often provided by elevated aqueducts; wells are a last resort, but often the only choice for impoverished villages. There is a culture of fear surrounding large gatherings and groups - sometimes it's unavoidable, and human/monster nature, but that anxiety is always there.
With this increased cooperation between humans and monsters, people are able to gather in larger groups. this enables more learning, more apprenticeships, more farmlands, and a more rapid development of technology. It also means a more centralised ruling system begins to form; it takes a lot of resources to supply a pack of wolfmen or a harpy flock to defend a town, so small towns must make petitions to their more prosperous neighbours, and this develops into a Government of the entire region. firearms develop in this time as a means to kill crawling beasts; they are not that successful, and it takes a while before people realise you can use firearms to kill other things, too.
A century later, developments are progressing well enough. Firearms are still rare but starting to spread. Harpy falconers have developed a new, effective technique for their art, it's called "kidnapping"; steal an egg, and raise the chick to imprint on its human parents. that way it won't want to leave. There is a sense of teetering on an edge; humanity leaning more into forcing monsters to help, instead of cooperating. But this is not the progression; the success of the Kosa flock helps convince many falconers that the kidnapping method isn't the best after all. technology is still uh bad, but this is an era where writing materials are finally becoming more mainstream, literacy rates are slowly rising. the printing press is the hot new thing. they have water towers now to provide the plumbing at a safe elevation. communication between villages is still very dove-based, since flight is the safest method of travel.
fire is the only thing that both kills and neutralises the poison of a crawling beast. by this time, progress has been made to develop "automatic fire machines". so all the R&D people put into guns in the real world was put into flamethrowers instead. it's easy enough to rig up a system that pumps out burning oil, but these devices are usually stationary, heavy, and fixed at the gates of the various more prosperous town walls.
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edgecallskating Ā· 7 months ago
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I'm feeling vintage, so I'm going waaaaaaay back to a time when spiral sequences were a required element in the SP. Few skaters mastered the spiral sequence like Sasha Cohen, so let's take a look at the sequence from her 2005-06 Dark Eyes short program.
First, I-spiral (which Sasha popularized!) into a fan. No struggle for the I position and superb balance into the fan position.
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The sign of a great fan spiral position isn't just the height of the free leg but minimal bend in the working leg. Bending the working knee can help cheat the position by offsetting a lack of strength or flexibility. Note the minimal knee bend here! Then the spirals dreams are made of: a nearly 180 degree arabesque held over a change of edge. I love how she tugs it just a little bit higher to get the full extension and the point in the toes is *chef kiss*.
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And finally, just because she can, a Beillmann position to round out the ice-spanning set:
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Spiral sequences are a hallmark of early IJS programs. When I watch them now they feel like an attempt to reconcile some of the showiness of 6.0 skating with the bullet points of IJS. Not every skater survived the transition. For every sublime Sasha Cohen moment there were a dozen skaters with limp Kerrigan spirals and dodgy catch-foots.
The spiral sequence was replaced with the choreographic sequence as of the 2012-13 season, a nod to changing tastes and shifting technical priorities. Few skaters now could hit a 180 arabesque, which is why I get so excited when I see a classic, well-supported spiral in the competitive wild.
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celestialseamysteries Ā· 8 days ago
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did some JLI headshots to try and get a feel for them
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kiwimeephu Ā· 7 months ago
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fear garden 2 spoilers ............
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guys im so sad guys guys guys im so sick guys im new to osc tumblr but did i mention theyre one of my favorite ships . DID I.
extra doodle under cut i wont tag grassy cuz hes not part of the big drawing but!! he is there!
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still here ... one way or another ... (she has no family left besides her cousin which is .. complicated)
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bonefall Ā· 1 year ago
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Does Heartstar/Tigerstar II have thalassophobia(fear of deep water/drowning) would certainly make sense given his family's entire Deal with the lake. Also does Rowanstar drowning in the Moonpool mean that there's just. A rotting corpse in the moonpool now? Don't the medcats drink from that water?! (Sorry if yiu see this twice! I think tumblr deleted my ask?
I've said it before and I'll say it again. The desire to CinemaSins Ding poetic imagery is the death of visual metaphor and the bane of creativity. Kill the impulse. The moonpool is as deep and clean as it needs to be in spite of being canonically a stillwater pool and logically full of algae and microbes. Magic cat god water, full of StarClan Magic (tm)
We do not need to see the cats fishing Rowanstar's body out, or an accurate estimate of pool depth, or its PH level. StarClan's emotions do wonderful things when miracles occur. A wizard with a big pool cleaning net did it.
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black-queen-rising Ā· 3 months ago
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Me desperately trying to find this so-called "bias" it often feels like a solid two thirds of this fandom claim that the HotD producers/writers have towards Rhaenyra when literally every single change to other characters has fundamentally come from minimizing/obfuscating/or otherwise reducing her narrative and overall characterization and character.
Yes, I'm sure this woman who they have invented continual bad decisions, internalized misogyny, blatant disregard for the people closest to her, ineptitude, blindspots, and blatant, borderline unbelievable public disdain for in their adaptation of her character; who's background as a victim of child abuse, of continual misogynistic psychological and eventual physical violence, who's love of both other women and her own womanhood, infamy in her charm and popularity and continual attempts (and yes, often failures) to rise above the positions she was forced into they have also ERASED...is actually someone they're going out of their way to portray sympathetically?
Oh, but they favor her because...idk they haven't shown her being violently raped or repeatedly physically abused? Because you believe they actually think that making her seem like an idiot who never knows or thinks about what she's doing is somehow favorable?? Because it seems like ANY of these changes have actually endeared her to the fandom much less the show's general audience??? I literally cannot explain it most of the time, it baffles me.
I know I shouldn't be because why should any of us ever be shocked by misogyny in media anymore? By the portrayal of a woman for a mass-media (and heavily desired male) audience that's reductive and hollow?? But it's simply unreal to see how so many people somehow believe that this was done out of some sort of benevolence or favoritism. That so many people believe any of the changes made in the opposite direction of, and often active opposition to Rhaenyra's portrayal in Fire and Blood, were made out of some sort of desire to make her a tangibly more sympathetic or broadly understandable character, is something I'm not sure I'll ever be able to fully understand.
Except, of course, in the view that I really hope not everyone who says this sort of thing actually believes; that a self-confident woman who exercises her own agency is such an affront that even an unsympathetic, inconsistent, reductive, and idiotic cardboard cutout of a character is still a more respectable alternative.
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