So Danny is just a bunch of good that takes a humanoid shape, and we've seen him stretch and warp himself. What is sometimes he just leaves bits of himself behind. He has restoration so he can heal himself and others so when he realizes he left a foot behind he just grows a new one.
Batman: We've found more of the meta, 3 left feet all genetically identical, either were dealing with a cloning operation or someone using a regenerative meta as an organ farm. The most recent finds washed up between Gotham and metropolis.
Meanwhile Danny: I've gotta visit Dani more Madrid was beautiful can't wait to show Jazz the photos, tried to land and eats it, Damn it I though I fixed this!
Danny loves his new power- he likes to call it "Play-Boo" as a pun on playdough because it allows him to shift and change his body as he sees fit.
It was hard to mentally change his appearance as his core was tied to his idea of himself. Still, he can make his hair longer at will, shift to a younger or older version of himself, and even slightly change his coloration, though that takes a bit more concentration.
Danny is sadly unable to shape-shift into someone else. He thinks being able to regenerate is an okay trade-off. Especially when Danny accidentally leaves bits of himself behind with his new warping technique.
It's not the kind of warping he would like- seeing as he could only go a few yards from his original spot- but he hopes with time and practice, he will be able to fling himself from one side of the country to the other, much like opening portals.
But unlike the portals, he won't have to step into the ghost zone as a layaway.
One day, he'll be able to think, "Star City!" and bam will be there without having to destabilize his whole body or lose limbs. Or some internal organs. Like his left kidney.
Which was currently somewhere in Gotham as his warping has developed to the point that he can send himself to the area within eyesight, and he had traveled to metropolis in this method instead of flying to try to perfect it.
"Shoot," He grumbles, falling into a booth across from Dani. She had asked that he visit the big city with her, do a few sights, and then the two would fly downstate to check out some national parks.
"Lost something again?" She asks, sipping the soda she had ordered while waiting for him. Dani had been in the city for about three days and had fallen in love with the diner they were eating at.
She insisted they meet up there just so Danny could try some of their roast beef sandwiches. The favorite food of the two siblings.
"My left Kidney." He sighs, patting his side. Thank goodness his Play-Boo allowed him to not feel pain. He hated to have to feel every time he lost one of his body parts. "I need to eat my troubles away until a new one grows back."
"I'm not paying for your meal."
"But Dani! I'm down a kidney!"
She snorts. "It'll grow back by the time we leave, and you know it. But fine, you big baby, I'll pay for lunch. You have to cover the diner."
Satisfied, he lets her call over a waitress who quickly takes their orders and vanishes to the back, where the cook will likely make "the best damn roast beef" for him. He leans back, asking Dani about her travels.
She eagerly starts talking about the local art she has taken pictures of. At one point, her travels had turned into photo albums, documenting everything she saw and experienced.
She made some money this way, selling some of her photos, but mostly, Dani preferred to keep them for herself or the family.
As she talked about the light reflecting on some large News building- the daily planet- and the great lengths she had to go to get close enough to capture the sunlight, the door to the dinner chimed.
Two men in suits ushered in, one wearing a dark blue that seemed far cheaper than the deep black of his companion. Danny instinctively turned towards the sound, but he quickly looked away as the two men found a seat in a booth furthest away from him.
"I met this guy, Jimmy, who promised to have my photos submitted for a junior photographer contest. It's to help promote tourism, so it's based on the "Metropolis' beauty," but first place is five hundred!" Dani eagerly tells him, her eyes sparkling.
"I know you'll win. You'll make a name for yourself in no time as the best photographer of our era." Danny smiles at his little sister. He lowers his voice "Maybe with that money you win we won't have to sell my organs for a while."
She laughs, adding to the joke like it's second nature, "But you're so fun to harvest! Side's it's not like Vlad will allow you to walk away from the operation. He already has two more kidney orders from Gotham waiting for you."
Danny grimces. "I just lost one this morning. Why does he overbook me so much."
"I can do it if you-"
"Not on your life. I can regerate. You can only cry."
Dani kicks him hard in the shin. She waves her coffee spoon at him like a wizard banishing a wand. "Are you calling me a crybaby?"
"Well, I'm not calling you a cry-lady." He laughs as she scoffs. She opens her mouth to say something when her eyes lock with something over his shoulder. Her face closes down at once, hardening into someone who has traveled through the roughest parts of cities and towns.
Danny used to be worried that her instance of traveling alone at such a young age would ruin her childlike wonder and innocence, but he knew it would be worse to keep her at home.
Even with Vlad finally getting the much-needed help, the fact that Dani has existed for two years now didn't mean she was comfortable with being tied down.
Twisting around, he doesn't see anything out of the ordinary. The two men are casually eating their meals by the far window- too far for them to hear, the waitress is sitting behind the counter flipping through a magazine, and the chef can be seen through a little window making something at his gril.
What had alarmed Dani so much?
"We have to go," She hisses in ghost speech, eyes never leaving the man in the blue suit. Was it him? He seems to unthreatening with his big bulky glasses and easy smile. "I don't know why, but I don't like that guy's vibe."
Well, he won't argue with her about her gut feelings. Those were never important to ignore. "Let's take the rest of this to go."
She raises her hand, calling over the waitress, flipping open her wallet to leave enough to cover their bill and leave a generous tip. Danny quickly gathers their food in take-home boxes, keeping his body in front of Dani to block the men's view of her.
He's grateful that he had pulled on his hood, as his ears had gotten cold from the warping. With the fact he never turned around once since they walked in and his trusty hood, his face has been kept hidden from the men.
A small victory.
Hopefully, he won't see them again after this.
"Come on." He tells Dani, as she quickly gathers her stuff. "Vlad is going to have my arms and legs if we late meet him. I don't want to be just a torso again."
"I mean, it's your fault for trying to run away." She sighs. "You know how he gets. At least you didn't have to entertain his guests."
"Yeah laying in a dark room hoping to regrow my limbs is much better than letting those freaks touch me." Danny agrees thinking back to the big gala Vlad had invited them to.
To show goodwill and try to move past their hostility, the Fentons' children- Jazz, Dan, Danny, and Dani- had all agreed to go with him, under the condition that they be on their best behavior.
Danny had been running late due to a ghost attack and had chosen to use his wrapping far past the agreed limitation his parents, and Vlad had set for him.
He got to Vlad's castle but none of his limbs had followed him. Mom had been so outraged by his reckless behavior he's been grounded staying in one of the guest rooms without tv to "think about what could have happened!"
Dad and Vlad had merely nodded to their wife's punishment for their child. (And he was still getting used to the idea of Vlad being married to his parents.)
Jazz, Dan, and Dani were left to the gala, where Jazz had intellectual conversations with college professors Vlad was funding or where Dan was talking up some pretty men and women with a drink in hand, Dani as the youngest was left to affluent old ladies pinching her cheeks and giving her backhand compliments on being a "lady."
The Dannies hated being touched by strangers, and those higher-class old ladies had no concept of personal space.
"Don't worry, I'm almost too old soon." Dani chirps, holding the door open for him. "Soon Vlad will have to find other kids to flaunt in front of rich people."
"That would be the day." The two exit the dinner, switching the conversation to the idea of dessert- deciding to search on their phones a local frozen yogurt place.
Neither notice the two men- one whose fork has crumbled in his grip and another who is clicking away on his phone with a look of outer disgust on his face
"Bruce?"
"I'm already messaging Babs. She's following them with the city cameras as we speak. Don't worry, Clark, this "Vlad" isn't going to get away with it."
1K notes
·
View notes
I think what bugs me the most about the type of analysis that is common in this fandom is that sometimes people are obsessed with not actually looking at choices being made by characters and instead try to project extra-textual symbolism/parallels they pulled out of thin air or use essentialist arguments to predict a certain character’s trajectory. There is already a weird tendency to blame bloodlines instead of institutions, oppressive/destructive social constructs/systems, and abusive cycles. This series repeatedly deconstructs bio essentialist ideas in a multitude of ways. Characters being viewed as monsters for the way they are born is a concept that is repeatedly torn down. There is a combination of nature & nurture at play with these characters, I admit, but it is nuanced. Your environment and your nature are in constant conversation with each other. Certain environmental factors will worsen certain attributes, while repress others etc. Your blood is not evil, nor is it pure, it just is, and your nature will be affected by your rearing, tragedies you face, and the environment you live in. Monsters are created and developed, not born. This whole concept is apparent with all the siblings in the series. Dany & Viserys are drastically different people, and make different choices despite having similar experiences and the same blood. Same can be said for Joff, Myrcella, and Tommen. Another very good example are the Lannister siblings. The twins’ idea of “one soul in two bodies” is deconstructed, and they are faced with how dissimilar they actually are. All three siblings have differences in nature, as revealed by their behavior as young children & their current values and motivations, and they are all shaped very differently by their environment. Cersei is affected by the oppressive system of the patriarchy, Jaime by the trauma due to the violent construct of knighthood, and Tyrion by the rampant ableism of the world around him. Tywin also shapes them by giving each of them their own flavor of parental abuse based on the role he wants them to play in his legacy. It is so apparent just how these characters became what they are, and how they navigate their world as a result of a nuanced combination of nature and nurturer. But in the end, it comes down to choices that they keep making. Characters on the right path can also falter sometimes, weigh their values wrong, and make bad decisions at certain points. Not to mention how thoughts and words do not speak as much as actions and actual choices that are made do. You all take bio essentialist arguments that some characters in the text make at face value, even when it is obviously bullshit. Any analysis that hinges entirely on “this character is the son/daughter of this character”, or “this thing on the surface parallels this other thing from something I read/watched”, “this character is a dragon. Dragons plant no trees”, “this character is a monster”, “this character is from this house”, “this character is related to this character” etc instead of actually looking at what said characters do or try to do is gonna lead to unconvincing arguments that are antithetical to one of the main ideas that this series is built on. To me it feels like these books are communicating that in spite of your birth, your origin, your trauma, your prophecies, etc it is primarily your choices that lead you to where you are and the legacy that you create. Cersei’s prophecy will come true as a result of the choices she makes. Dany’s many prophecies are also as a result of choices she makes, she was not just gifted with everything that she has achieved, she is an active agent who makes choices that push her a certain direction. This is also why it is weird when everybody wants to make characters have a predetermined trajectory solely based on “what” they are, or who they are related to.
Not only does George say this in interviews, it is an explicit thesis statement in the text itself:
This is the concluding statement of Jaime’s ASoS arc. Like “The things I do for love”, “So many vows...”, and “The heroes […] the best and the worst, and those who were a bit of both”, as extremely relevant it is to him in specific, it is a major thesis statement for the series as whole, and overlaps with many characters, just like how other characters also have a bunch of these overlapping arc theses. So can we please primarily look at the choices characters make and what ultimately motivated them to make these choices rather than thinking their ending and what they “are” as characters is set in stone because of the reasons mentioned. I feel like how you all engage with some of these characters contradicts the deconstruction of this kind of essentialism that is so apparent in these books.
228 notes
·
View notes
Hi ! I have question, not too sensitive I hope...since this is a very pro Aegon III blog, could you explain to me why you love him so much ?
I've always struggled to love/understand the character, like yes, he seems nice overall, he's pretty and quiet (though the beautiful melancholic ones have never done it for me *looking at you Rhaegar*), he went through lots of trauma, and his relationship with Daenaera is cute, but nevertheless i've always found Viserys II and even Jace more pleasant and competent.
Like what i love about the most about Aegon III is that he's the son of Rhaenyra and Daemon, but that's not exactly a personality trait (well, it could be considering his parents, but you know what i mean).
Maybe there's something I'm missing about him (or maybe I'm just not receptive to this kind of character), so could you pretty please explain to me what is so great about him so that I might hopefully start to enjoy him as much as you do ? :)
Thank you so much ;)
Hi there,
I would like to start by saying that I don't really see the point in trying to convince anyone to like X or Y character. I certainly hope that people have enough of their own opinion to go by that and not by what someone else thinks or what by others like.
What is the problem of you not linking Aegon III?
I personally see none. I would also argue that you don't have to like Aegon III just because he was Daemon and Rhaenyra's son. For instance I like Corlys and Rhaenys yet their children are as bland as oatmeal and have 0 personality. I won't like them only because of who their parents are, much less make up traits and a personality George couldn't be bothered to give them.
We don't have to like every character. I myself have many that do nothing for me - many from Daemon and Rhaenyra's line - and that I struggle to understand what others might like about them. We are all different and to each their own. I am a firm believer that as long as we stay in our lanes, don't make sh:t up to try and prove a point (headcanons are not the same as canon), and don't harass anyone over their tastes, we don't owe anyone an explanation about why we like or don't like a character.
Now, as to why I like Aegon III, and what I think is so great about him, I believe canon explains itself much better than my own simple words could. I could transcribe everything written, however, since my time is limited and it has been over a month since my last update, I will give you three quotes, spoken by Aegon III himself that not only prove that he was very much Daemon and Rhaenyra's son, but also his own person, one with empathy, and with a little bit of light and fire left to him, even after all the darkness he endured. That an a tiny scene that people sleep on ;) this was a boy every inch worthy of being named after Aegon the Conqueror.
Just as a small note, none of this is to make you like him, it is intended to answer the question of what makes me like him and I think these quotes and the small moment speak for themselves. Alas, I am biased.
"I shall," King Aegon said. "You are sitting in my chair." (Fire and Blood, pg. 704)
"There will be no progress," the king declared, as he was seated. "I will not spend a year upon a horse, sleeping in strange beds and trading empty courtesies with drunken lords, half of whom would gladly see me dead if it gained them a groat. If any man requires word with me, he will find me on the Iron Throne." (Fire and Blood, pg. 704)
"I mean to give the smallfolk peace and food and justice. If that will not suffice to win their love, let Mushroom make a progress. Or perhaps we might send a dancing bear. Someone once told me that the commons love nothing half as much as dancing bears. You may call a halt to this feast tonight as well. Send the lords home to their own keeps and give food to the hungry. Full bellies and dancing bears shall be my policy." (Fire and Blood, pg. 704)
"The blood drained from the queen's cheeks when she beheld the bodies, but young Prince Aegon was the first to realise what they meant. "Mother, flee," he shouted, but too late." (...) "When Prince Aegon snatched up Ser Harrold's sword, Ser Alfred knocked the blade aside contemptuously." (Fire and Blood, pg. 540)
PS: Goes without saying that this is only concerning asoiaf canon, not redacted. Keep redacted in the trash where it belongs.
34 notes
·
View notes