#[ about: aurora capulet ]

[ofmalevolence]

Maleficent smiled at the sky as she practically smelled the fear of the princess as she stepped into the forrest. She knew the girl would come looking for her in desperation. People did anything for the ones they loved, or so they said, very few actually got to prove that oath. But here was Aurora making her way in the dark, she should be grateful. Only Maleficent could provide her with an opportunity like this. Only she could be kind enough to give her something to brag about. 

There was little to be done here. Maleficent truly wanted nothing from the child but to make her suffer. She was too pure and too kind and it was simply unfair that she should exist and not be punished for the crimes of her father. She wouldn’t rest until every Capulet knew her fury. She had nothing to gain from torturing Aurora other than satisfaction. She had been robbed of her family and so she would not rest until the world of humans felt the same pain. 

Her anger getting the better of her she turned into the direction of the approaching princess, “Come out! What ever are you waiting for?”

( @dawnsrose​ )

[waltrp]

WALT EVENT: THE FULL MOON BALL.

it feels like ages since a ball was last put on in the city of elias. the last time one was held a very unpleasant guest had made her presence known. this time that won’t be the case. after a few tumultuous months there is much to be celebrated in the city of elias. we keep moving forward, opening new doors and new opportunities as we build towards a better tomorrow. on the night of the full moon a ball full of enchantment, excitement and possibilities will be held. with acrobats flying from the ceiling, masqueraders brushing past you with haste and glorious, opulent outfits it is an event one doesn’t want to miss. 

A NIGHT YOU’LL NEVER FORGET …

it’s been a minute since a ball was had ! we’re so excited to have one once more. to make things a little bit more fun we’re going to be dropping some plot bunnies and in the vein of old shenanigans we’re asking you to send in pairings you’d like to see interact at this event.

as per usual outfits can be tagged with waltstyle. 

this event will begin friday april 28 @ 7 EST.

plot bunnies

The following plots and characters were assigned through a randomiser. They’re not mandatory, you could even change which of your characters takes on the plot if you wish, If your characters are not listed below, you’re more than welcome to have them react as onlookers where appropriate. Remember that none of the interactions on the dash happen in a bubble, everyone is at the same event !

For one reason or another one of them has climbed up the huge oak tree sculpture and become stuck. The other has been roped into helping them down without causing a scene– a difficult task considering the sculpture is in the middle of the ballroom: Riku Park and Penelope Hainline and Thackery Binx and Daphne Baykam

In someone’s attempt at privacy while smoking in the bathroom, the door has become stuck closed. Now there’s a line of people desperate to pee and security trying to break in and catch the culprits of the smoke seeping out from under the door: Nick Wilde and Aurora Capulet-Charmont and Cruella De Vil and Wednesday Addams and Flynn Rider and Adam Beausoleil

Hungry minds think alike– these pairs stumbled across each other in the kitchen while on a secret mission for a second round of dessert and/or to find the champagne stash: Vanellope Von Schweetz and Nala Omita / Mavis Vaduva and Shaggy Rogers / Elsa Arandalr and Kit Charmont / Donnie Hamato and Mikey Hamato

One has been waiting out in the courtyard under the impression they are about to meet a secret admirer. The other just happened to wander out for some fresh air at the right time… or did they ? ( aka it’s up to you to decide what’s going on here ): April O’Neil and Leo Hamato and Max Dennison and Florian Charmont and Marie Beaumont and Ariel Nystrom

[eternallyjuliet]

 ACT  I

───⋆⋅☆⋅⋆──

    

Scene 1

─⋆⋅☆⋅⋆─

{gale draws his sword} gale:”What, art thou drawn among these heartless hinds? Turn thee,” 

finnick; “look upon thy death. I do but keep the peace. Put up thy sword, Or manage it to part these men with me.” 

gale;”What, drawn and talk of peace? I hate the word As I hate hell, all mellarks, and thee. Have at thee, coward!”

Enter old  everdeen in his gown, and his Wife.

everdeen;”What noise is this? Give me my long sword, ho!”

Lady everdeen;”A crutch, a crutch! Why call you for a sword?”

 Enter old  mellark and his Wife.

Enter head  peacekeepers

Head peacekeeper; “Rebellious subjects, enemies to peace, Profaners of this neighbor-stainèd steel— Will they not hear?—What ho! You men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins: On pain of torture, from those bloody hands Throw your mistempered weapons to the ground, And hear the sentence of your movèd prince. Three civil brawls bred of an airy word By thee, old Capulet, and Montague, Have thrice disturbed the quiet of our streets And made Verona’s ancient citizens Cast by their grave-beseeming ornaments To wield old partisans in hands as old,Cankered with peace, to part your cankered hate. If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time all the rest depart away. You, Capulet, shall go along with me, And, Montague, come you this afternoon To know our farther pleasure in this case, To old Free-town, our common judgment-place.Once more, on pain of death, all men depart.”Mellark , to finnick

Mellark; “who set this ancient quarrel new abroach? Speak, nephew, were you by when it began? Here were the servants of your adversary, And yours, close fighting ere I did approach. I drew to part them. In the instant came The fiery Tybalt with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who, nothing hurt withal, hissed him in scorn. While we were interchanging thrusts and blows.Came more and more and fought on part and part, Till the Prince came, who parted either part.”

Lady mellark; “O, where is peeta? Saw you him today? Right glad I am he was not at this fray.”

Finnick; “ Madam, an hour before the worshiped sun Peered forth the golden window of the east, A troubled mind drove me to walk abroad, Where underneath the grove of sycamore That westward rooteth from this city side,So early walking did I see your son. Towards him I made, but he was ’ware of me And stole into the covert of the wood. I, measuring his affections by my own (Which then most sought where most might not be found, Being one too many by my weary self), Pursued my humor, not pursuing his, And gladly shunned who gladly fled from me.”

Lady mellark; “Many a morning hath he there been seen, With tears augmenting the fresh morning’s dew, Adding to clouds more clouds with his deep sighs.But all so soon as the all-cheering sun Should in the farthest east begin to draw The shady curtains from Aurora’s bed, Away from light steals home my heavy son And private in his chamber pens himself, Shuts up his windows, locks fair daylight out, And makes himself an artificial night. Black and portentous must this humor prove, Unless good counsel may the cause remove.”

Finnick; “My noble uncle, do you know the cause?”

Mellark; “ I neither know it nor can learn of him.”

Finnick; “Have you importuned him by any means?”

Mellark; “Both by myself and many other friends. But he, his own affections’ counselor, Is to himself—I will not say how true, But to himself so secret and so close, So far from sounding and discovery, As is the bud bit with an envious worm Ere he can spread his sweet leaves to the air Or dedicate his beauty to the same. Could we but learn from whence his sorrows grow, We would as willingly give cure as know.” Enter peeta

Finnick; “See where he comes. So please you, step aside. I’ll know his grievance or be much denied.”

Mellark; “ I would thou wert so happy by thy stay To hear true shrift.—Come, madam, let’s away.” Mellark and lady mellark exit.

Finnick; “Good morrow, cousin.”

peeta; “Is the day so young?”

Finnick; “ But new struck nine.”

peeta; “Ay me, sad hours seem long. Was that my father that went hence so fast?”

finnick; “It was. What sadness lengthens Peeta’s hours?”

 Peeta; “Not having that which, having, makes them short.”

finnick; “In love?”

Peeta; “Out—”

finnick; “Of love?”

Peeta; “Out of her favor where I am in love.”

Finnick; “Alas that love, so gentle in his view, Should be so tyrannous and rough in proof!”

Peeta; “Alas that love, whose view is muffled still, Should without eyes see pathways to his will! Where shall we dine?—O me! What fray was here? Yet tell me not, for I have heard it all. Here’s much to do with hate, but more with love. Why then, O brawling love, O loving hate, O anything of nothing first create ! O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh?”

Finnick; “No, coz, I rather weep.”

peeta; “Good heart, at what?”

Finnick; “At thy good heart’s oppression.”

peeta; “Why, such is love’s transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate to have it pressed With more of thine. This love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke made with the fume of sighs; Being purged, a fire sparkling in lovers’ eyes; Being vexed, a sea nourished with loving tears. What is it else? A madness most discreet, A choking gall, and a preserving sweet. Farewell, my coz.”

Finnick; “Soft, I will go along. An if you leave me so, you do me wrong.” peeta; “Tut, I have lost myself. I am not here. This is not peeta. He’s some other where.”

Finnick; “Tell me in sadness, who is that you love?”

Peeta; “What, shall I groan and tell thee?”

finnick; “Groan? Why, no. But sadly tell me who.”

peeta; “A sick man in sadness makes his will— A word ill urged to one that is so ill. In sadness, cousin, I do love a woman.”

Finnick; “I aimed so near when I supposed you loved.”

Peeta;  “A right good markman! And she’s fair I love.”

Finnick; “A right fair mark, fair coz, is soonest hit.”

Peeta;  “Well in that hit you miss. She’ll not be hit With Cupid’s arrow. She hath Dian’s wit, And, in strong proof of chastity well armed,From love’s weak childish bow she lives uncharmed. She will not stay the siege of loving terms, Nor bide th’ encounter of assailing eyes, Nor ope her lap to saint-seducing gold. O, she is rich in beauty, only poor That, when she dies, with beauty dies her store.”

finnick; “Then she hath sworn that she will still live chaste?”

peeta; “She hath, and in that sparing makes huge waste; For beauty, starved with her severity, Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, To merit bliss by making me despair. She hath forsworn to love, and in that vow Do I live dead, that live to tell it now.”

finnick; “Be ruled by me. Forget to think of her.”

Peeta ; “O, teach me how I should forget to think!”

finnick; “By giving liberty unto thine eyes. Examine other beauties.”

Peeta; “ ’Tis the way To call hers, exquisite, in question more. These happy masks that kiss fair ladies’ brows, Being black, puts us in mind they hide the fair. He that is strucken blind cannot forget The precious treasure of his eyesight lost. Show me a mistress that is passing fair; What doth her beauty serve but as a note Where I may read who passed that passing fair? Farewell. Thou canst not teach me to forget.”

Finnick; “ I’ll pay that doctrine or else die in debt.” THEY EXIT.

[aurorarose]

𝕥𝕒𝕤𝕜 𝟙𝟚 || character tropes - aurora capulet

𝚝𝚑𝚎 𝚒𝚗𝚐𝚎𝚗𝚞𝚎

absolutely the dictionary definition of the fresh-faced idealist that never fails to see the good in even the most dire of circumstances. a life of being sheltered has meant that she’s got little to no idea as to just how bad the world can be, and that leads her to be extremely trusting (if not a little naive).

𝚌𝚊𝚐𝚎𝚍 𝚋𝚒𝚛𝚍 𝚖𝚎𝚝𝚊𝚙𝚑𝚘𝚛

there’s not a time in her life where she’s not felt stuck, as if she’s caught somewhere in-between what she wants and what’s expected of her as a princess. add in her incredibly overprotective aunts to the mix, and it’s really no wonder why she feels trapped in a life she didn’t ask for.

𝚛𝚎𝚊𝚕𝚕𝚢 𝚛𝚘𝚢𝚊𝚕𝚝𝚢 𝚛𝚎𝚟𝚎𝚊𝚕 

while she spent 16 years of her life believing she was simply an orphan being raised in the woods by her three aunts, aurora later discovered that she was the daughter of king stefan and queen leah - the princess kept hidden from the world for fear of what may come of her at the hands of maleficent. it was a bombshell discovery and she’s still not fully wrapped her head around the fact that the life that she’d thought she knew was a lie, but her strong sense of duty is the one thing that’s kept her from running away from it completely.

𝚙𝚛𝚒𝚗𝚌𝚎𝚜𝚜 𝚌𝚕𝚊𝚜𝚜𝚒𝚌

while she may not have grown up knowing her royal status, her aunts really did train her well. she’s beautiful, kind, well-mannered, and graceful - not to mention that killer singing voice thanks in no small part to the gift of song she received from her aunt flora while she was just a baby. it’s really no wonder why she fits the ‘fairytale princess’ bill so well - she actually is one.

𝚏𝚛𝚒𝚎𝚗𝚍 𝚝𝚘 𝚊𝚕𝚕 𝚕𝚒𝚟𝚒𝚗𝚐 𝚝𝚑𝚒𝚗𝚐𝚜 

regardless of whether she’s dealing with people, animals, or really any type of creature she comes across, it’s no secret that aurora is incredibly easy to like. there’s very few souls out there that she truly can’t find some way to connect with, and she makes that love she has for others very evident in her actions and decisionmaking.

𝚎𝚊𝚛𝚝𝚑𝚢 𝚋𝚊𝚛𝚎𝚏𝚘𝚘𝚝 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛

having grown up in the midst of the woods, rora has an obvious soft spot for all things nature-related. she tries her best to satisfy her homesickness with close replacements, but nothing quite beats the fond memories she has of her days spent roaming about the forest she called home as a child.

𝚙𝚎𝚛𝚏𝚎𝚌𝚝𝚕𝚢 𝚊𝚛𝚛𝚊𝚗𝚐𝚎𝚍 𝚖𝚊𝚛𝚛𝚒𝚊𝚐𝚎

while she’s currently aware of - and incredibly distressed by - the fact that she’s been betrothed to a stranger as a part of a political alliance, rora is currently unaware that the man she’s been promised to is also the man she’s fallen desperately in love with. she’ll be heartbroken until the full details come to light, but once that revelation is made she’ll be more than happy to go right along with it.

𝚛𝚎𝚟𝚎𝚗𝚐𝚎 𝚋𝚢 𝚙𝚛𝚘𝚡𝚢

while she’s done nothing to deserve maleficent’s wrath, rora was the one to pay for her father’s misdeeds against the faerie. she’s still under a terrible curse that could put her into a deep, death-like sleep at any moment, and the thought of it absolutely terrifies her. that being said, she’s told nobody - best not to make anyone worry about her too much, right?

[evenlarksandkatydids]

i made a very self-indulgent uquiz. find out if you’re satine from moulin rouge, ariel, the last unicorn, lady viola de lesseps, elizabeth bennet, emma woodhouse, belle, princess aurora, rapunzel, princess jasmine, beatrice from much ado about nothing, jo march, edith cushing, anastasia, elizabeth swann, winnie foster, sophie hatter, juliet capulet, chihiro, wendy darling, evie carnahan, danielle de barbarac, emily from corpse bride, sarah williams, kim boggs, yvaine from stardust, buttercup from the princess bride, rose dewitt bukater, or cinderella. 

[cestmoipenelope]

Penelope Hailine Moodboard 007: Her Girls

There is no one else that I could say this to And there is nothing better than a talk to you If you have a problem, I’ll be here for you ‘Cause girl, you always know that It’s us against the world

{ @aurorarose @d-blake @notjustaprincess-youknow @sally-stitches-things }

[dawnsrose]

↪  inspired  by  :  princess  aurora  /  briar  rose  ( sleeping beauty ) ,  odette  ( barbie of swan lake ) ,  audrey  hepburn  ( actress ) ,  juliet  capulet  ( romeo & juliet ) ,  sibyl  vane  ( the picture of dorian gray ) ,  psyche  ( greek deity ) ,  the  star  ( major arcana )

aurora josephine antoinette capulet.  phoebe dynevor.  february  26th. pisces. n/a. ylisse. heterosexual/romantic. earth  angel  by  the  penguins.  marie  antoinette. homeschooled. phlegmatic. isfp. neutral good. n/a. hufflepuff.  (✨🥀)

present !!

aurora came to elias under her parents’ orders, which her fairy - aunts followed without questioning. on her way to town, she was told that this would be a sort of safe haven for her, safer than the little cottage she grew up in. for many years, she simply lived her life one day at a time, waiting and hoping that eventually the time would come for her to return home and meet the parents she’d grew up not knowing existed, and that she still knows so little about. nevertheless, reuniting with philip, meeting people and making meaningful connections made her grow more and more enthusiastic about her life in elias, which she is quite happy about  ─  except for the fact that she knows maleficent is lurking nearby.

past !!

aurora grew up in a cottage in the woods, unfamiliar with the world beyond the surroundings of her little home.  in fact,  she was unfamiliar with a lot of things: who her parents were, her title as princess and of course, the curse that’d been cast upon her by maleficent on the day of her christening. 

all those details were kept secret from her until the day of her sixteenth birthday, which also turned out to be the day where she met the handsome stranger of her dreams, whose identity she was completely unaware of. naturally, hearing from her aunts that she’d been bethroted to a prince from birth and would never be able to see the stranger again was devastating to aurora, not to mention surprising. 

nevertheless, she eventually came to understand that everything her parents had done for her, everything the good fairies did was out of love and in her eyes, that was the most important part. so when the news came that she would have to leave her cottage life and move to the town of elias for her own safety and protection, albeit a bit confused and hesitant at first, the princess understood and chose to keep her spirits high, knowing that one day she’ll be able to go home at last.

future !!

i would love to see aurora continue to grow confident in her own self, as well as form her own little version of a family. because she didn’t grow up with her parents, she has very little idea of what familial bonds should look like, aside from her experience with the fairies (which i honestly think still confuses her a bit, considering she sees them as family members and not just people who had a duty to fulfill when raising her). i love that the connections she’s made with people like sally and daisy are slowly helping her reach that ‘found family’ aspect, and her marriage to philip obviously plays a big part in that as well. i would also love to see her eventually finding a little job somewhere, i think it would do her good and i can definitely see her working with animals or flowers! very on brand for miss thing. i also can’t wait to see her dynamic with kit and florian develop more because i do imagine aurora always felt very lonely, so the whole concept of siblinghood and watching the dynamics between the charmont boys is so new and different to her and there’s a part of her who’s eager to belong. i’m also v v v excited to see what her first direct interaction with maleficent will be like bc aurora doesn’t really hate her but like ... she will create problems on purpose if any of her loved ones are messed with :/  in that same vein i really want rora to learn more about her dad at some point because he is Not a good person and i’d love for her to be more conflicted about the whole ‘um if u love me why did u abandon me’ situation she was put through and just riot a little lmao

taken connections

philip charmont:  husband love of her life everything to her 

florian charmont:  brother in law

kit charmont:  brother in law on weird terms but its getting better 

reagan cymbeline:  close friend

sorrel white:  close friend

sally carrera:  friend  /  older sister figure

daisy duck:  friend  /  older sister figure

ella  kaur:  chaotic friend duo

nala omita:  friend / rora looks up to her

maleficent fayre:  sworn enemy cries

wanted connections

i really really really would love for rora to have more people who share of her interests? especially her love of animals and plants and flowers and nature as a whole? ngl if witch didn’t have a bad connotation in elias i would 100% say aurora is a witch i mean look at her she legit manifested her dream man AND she has animal friends AND she lived in the woods cmon

in that same vein, people who also love music and dancing and stuff! please please give her a karaoke buddy or something along those lines.

it has literally just occurred to me that aurora doesn’t really have a bad influence in her life so ... give her that. make her question everything. make her question herself. Do It.

i’ll think of more stuff i am simply a fool !

playlist  🥀  musings 

[wallyaxiom]

𝚃𝙰𝚂𝙺: 𝙲𝙷𝙰𝚁𝙰𝙲𝚃𝙴𝚁 𝙺𝙸𝙽𝙽𝙸𝙴𝚂

here is the list of characters i see myself in. This list radiates dramatic dumbass with a heart of gold who’s naive as hell. without getting too deep into who i am here’s why !

percy hawkins

listen, bee admitted in front of god and anime that percy is based off of me. so my son here he is first on this list. dramatic as all hell, a little lost but loving as can be. Having a lot of crushes and falling easily. Y’all see how Percy is with Lachlan ?? I swear bee crawled into my brain or something. Baby Percy was very trusting and naive because of his great abilities and yeah…you know it be like that sometimes

jack frost

i love fun, chaos, mischief, a little shit if you will but i also kinda want to be left alone. i can be aloof sometimes. 

hercules zervous

i feel in my past life i was a himbo or in this life. i feel i just radiate that energy. besides that, i feel i connect to hercules on his need to be something more. to find his belonging in this world. not to be dramatic but i am willing to go the distance for the things i want & dream of. the love and loyalty he has for the people in his life and the need to help those around him is something i share as well. 

howl pendragon

remember when howl melted into the floor yeah bc me. that’s all i need to say on this one. 

penelope hainline

first and foremost, dramatic. a lot of the characters on this list are dramatic as heck but you know what so am i. i see myself in penelope because of her strength. the journey of self love is a hard one but an important one. what i’m hoping for is to one day to fully have the confidence that penny has. it’s getting there but she’s a queen. i’d like to be half the woman she is one day. also her down to fight at all times. Me. these hands are rated E for everyone !!

theo pendragon

i think i was also a pendragon in another life i fear. miss theo is feisty. She’s smart but guarded. how she interacts with seth is literally me in a nutshell. mean but in a loving manner. 

aurora capulet

her hopeless romantic ways and hope for good are traits i relate to. Her recent needs of wanting to prove her strength and capability is something I myself have gone through in recent years. landing herself in situations because of her silly actions is also ... something i do.  

luca paguro

a sheltered dreamer, a little naive, full of childlike wonder & so much love. longing for something more. For so long I’ve had a hard time believing in myself. I always listened to the voice in my head saying I couldn’t do something or I wasn’t good enough but I’m learning to tell that voice to be silent. i have great friends who have pushed me to be great. also that gif set bun just reblogged of luca saying  i don’t go anywhere i just dream about it ... phew we didn’t have 2 go there. 

[diamcndgirl]

have you ever thought to yourself, “hmm, i love one direction and i love waltrp... i wonder what would happen if we gave every taken character a one direction song that reminds me of them??” well, don’t worry because even if it never crossed your mind because it did for me. i’m back once again with another silly little #waltmeme for you with songs by one direction or their solo albums that remind me of your characters. the choices can have something to do with a certain lyric, the title, or just the all around vibe it gives me that makes me think of them. don’t worry everything is under ‘read more’ and in alphabetical order-- or whatever order the taken list is in. p.s. not everyone has a blurb. but i still had a reason for everyone. if you really wanna know why just dm me and i'll give an explanation. love u mean it.

ALEJANDRO DIAZ - STOLE MY HEART / ONE DIRECTION

“you stole my heart with just one look” alejandro, my love, my heart. it’s clear the reason i chose this song is because it talks about having something stolen. but, you and your band of misfit criminal friends can steal my heart any day.

AURORA CAPULET - LITTLE THINGS / ONE DIRECTION

“i can’t let these little things slip out of my mouth” aurora you may be thinking.. this song talks about all my imperfections why would you pick such a thing? oh no! it’s not because i think you’re imperfect at all. it’s because i’m totally in love with all the little things that make you who you are.. and not to mention i couldn’t not give you a ballad. 

ANNA ARNADALR - HEY ANGEL / ONE DIRECTION

“hey angel do you ever try to come to the other side?” this whole song has anna vibes. anna, you’re an angel.. did you know that? well, angel… when you aren’t busy trying to fix your sisterly connection come to the other side and hang out with me.

BECKHAM TEAGUE - NICE TO MEET YA / NIALL

“i want your number tattooed on my arm in ink i swear.” the song, the lyrics, the vibe all just fits beckham’s personality very well. 

BENNET DOE - SWEET CREATURE / HARRY

“sweet creature running through the garden oh where nothing bothered us.”  sweet, soft, and lovely bennet.. sweet creature is one of my favorite songs in the world and it reminds me so much of you. i couldn’t pick a character better than you to give it to. 

BARLEY LIGHTFOOT - CANYON MOON / HARRY

“i keep thinking back to a time under the canyon moon.” lyrically this song doesn’t fit you, barley. not truly. but, aesthetically it reminds me of you very much. you’re adventurous and a little out there just like this harry styles tune. the bridge especially gives me a vibe of riding around in guinevere out on an adventure.

CASSANDRA JAGER - ONLY THE BRAVE / LOUIS

“tall stories on the page, short glories on the fade.” cassandra reminds me of strength and being brave (wink wink). and this song just reminds me of you, cass. though short it gives me a feeling like i can kick some ass. 

DANI DENNISON - THROUGH THE DARK / ONE DIRECTION

“oh i will carry you over fire and water for your love and i will hold you closer hope your heart is strong enough.” i love dani.. like really really love your sweet soul. she’s the cutest truly. just the sound and lyrics remind me so much of her and her heart to help the ones she cares about. 

DAPHNE BLAKE - LITTLE BLACK DRESS / ONE DIRECTION

“i wanna see the way you move for me, baby” clearly this song isn’t anything to write home about lyrically. but, when i hear this song i get all excited and ready to go take on the world. something about it makes me feel like i’m the hottest girl in the room and it should go to the hottest girl in the room.. which is you, daphne.

ELIZABETH MCQUEEN - WOMAN / HARRY 

“i hope you can see, the shape that I’m in while he’s touching your skin.” hi elizabeth.. this song is just hot. you’re just hot.. i really am jealous of monty and would take his place at any given moment if you let me.

ELSA ARNADALR - DON’T LET IT BREAK YOUR HEART / LOUIS

“don’t you let it kill you even when it hurts like hell. oh, whatever tears you apart don’t let it break your heart.” elsa, you’re truly the strongest girl i know. this song just radiates that energy of getting over what you’ve been through and not letting it break you down. 

EMILY LORELEYN - BLUE / ZAYN

“in the clouds where the angels sing. in your eyes, where i wanna be and her smile is all i see….. i need someone to love me blue.” emily is a goddess okay.. like she’s so beautiful and kindhearted. this song is so beautiful and then also the ‘love me blue’. reminds me of her origin and how she waited for love until she passed and turned blue. 

EUGENE FITZHERBERT - ONE WAY OR ANOTHER (TEENAGE KICKS) / ONE DIRECTION

“and when the lights are all out.. i’ll follow your bus downtown.” oh horace.. this whole song just fits you so well.. the teenage kicks mashup with the joan jett classic. it just embodies you so well. i don’t think i could’ve picked a better song for you. 

FLORIAN CHARMONT - NIGHT CHANGES / ONE DIRECTION

FRANCIS KYDD - SOMETHING GREAT / ONE DIRECTION

“come on, jump out at me. come on, bring everything. is it too much to ask for something great? the script was written and i could not change a thing. i want to rip it all to shreds and start again.” there isn’t a real lyrical reason i picked this song for you, francis. just something about it made me think of you. just gave me a feeling that it was theatrical enough for you, dear.

FRAN BERNOULLI - NO CONTROL / ONE DIRECTION

“i just can’t get enough of you the pedal’s down, my eyes are closed. no control” did i pick this song because you’re a race car driver and it made me giggle… yes, and because i haven an uncontrollable crush on you, fran. 

FRED FREDRICKSON - SAVE YOU TONIGHT / ONE DIRECTION

“i, i wanna save you. wanna save your heart tonight. he’ll only break ya. leave you torn apart inside.” fredzilla, my absolute favorite hero. i dedicate this to you. simple but effective.

FREDDY JONES - END OF THE DAY / ONE DIRECTION

GEORGIE FOXWORTH - SOUR DIESEL / ZAYN

GRACELYNN MOON - HAPPILY / ONE DIRECTION

this is my favorite one direction song, gracie and i’m giving it to you. so take care of it and understand that it’s upbeat sound reminds me of you and your cute behind.

HADES VASILIKAS - STOCKHOLM SYNDROME / ONE DIRECTION

you steal people. but if you stole me.. i’d fall in love. that’s all really.

HAVEN LEMOS - STEAL MY GIRL / ONE DIRECTION

HERCULES ZERVOUS - STRONG / ONE DIRECTION 

get it because you’re strong? hehe.

HOWL PENDRAGON - ILLUSION / ONE DIRECTION

IAN LIGHTFOOT - MAGIC / ONE DIRECTION

JACK FROST - LET IT SNOW, LET IT SNOW / LIAM

i’m sorry but i’m not sorry i chose this song for you, jack. feel free to hate me forever. 

JIM HAWKINS - WE MADE IT / LOUIS

KIARA SANTUCCI - NOBODY COMPARES / ONE DIRECTION

LILO PELEKAI -  SHE’S NOT AFRAID / ONE DIRECTION

LOGAN TEAGUE - TEENAGE DIRTBAG / ONE DIRECTION

LUCA PAGURO - SUMMER LOVE / ONE DIRECTION

MAEL CALCIFER - FIREPROOF / ONE DIRECTION

“i’m feeling something deep inside. hotter than a jet stream burning up.” i’d only want to be fireproof for you, mael. there is just something about you that wins my heart. i’d walk through fire for you.

MAVIS VADUVA - 

MEG DIMITRIOU - SHE / HARRY 

MOLLIE SILVER - KISS YOU / ONE DIRECTION

MONTY MCQUEEN - ROCK ME / ONE DIRECTION

“hit the pedal heavy metal, show me you care.” not only do i want you to rock me, monty. the only reason i chose this song is because i have a nascar inspired shirt for this and it reminds me of you. 

NALA OMITA - NEW ANGEL / NIALL HORAN

NUKA LEU - PILLOWTALK / ZAYN

ORION BARTHOLOMEW - KIWI / HARRY 

orion, are we sure you’ve never had a woman accuse you of being her baby daddy? either way, this songs vibe just makes sense for you, dear.

PENELOPE HAINLINE - GIRL ALMIGHTY / ONE DIRECTION

“she floats through the room on a big balloon. some say she’s such a fake that her love is made up.” penny, you are aware you’re the literal coolest girl in the world this song just proves it more. 

PHILIP CHARMONT - WOLVES / ONE DIRECTION

REAGAN CYMBELINE - SUNFLOWER VOL 6 / HARRY

“sunflower my eyes want you more than a melody.” reagan, besides the fact you’re a literal walking and talking sunflower there is just a sweet feeling i get when i hear this song and its the same feeling i get when i think of you. 

RITA HOLDEN - ONLY ANGEL / HARRY 

SADIE TEAGUE - KILL MY MIND / LOUIS

SIMBA SANTUCCI - TIO / ZAYN

SHAGGY ROGERS  - WHAT A FEELING / ONE DIRECTION

SOPHIE HATTER - ADORE YOU / HARRY

THACKERY BINX - SMALL TALK / NIALL

VITANI LEU - MIDNIGHT MEMORIES / ONE DIRECTION

“tell me that i’m wrong but i do what i please.” vitani, if anyone in elias is gonna say fuck you i’m doing what i want.. it’s you. 

VELMA DINKLEY  - BACK FOR YOU / ONE DIRECTION

VIDIA BELLEFONTE - SHE / ZAYN

WALLY AXIOM - PERFECT / ONE DIRECTION

WILL TURNER - LIKE I WOULD / ZAYN

[glenrocklibraryteens]

Romeo and Juliet Playlist

blog post by OT

Romeo  “Cosmic Love” by Florence + The Machine   Romeo mentions a lot about stars and fate throughout the book. This song also seems to have a vibe that seems to say, “well, that’s just fate; that’s just how it goes, tragic as it be.” Romeo entered the story sad and left the story sad. The way he tragically joined Juliet at the end seems to match up well with the lyrics, “...And I heard your heart beating, you were in the darkness too, so I stayed in the darkness with you”.   Benvolio  “Landslide” by Oh Wonder  Throughout the story, Benvolio has a reputation of being the one who is always chill and calm, much like the feeling of this song. He is also very loyal to his friends Romeo and Mercutio, always giving them advice. He just wants everyone to have a good time. I feel that this song fits his character all throughout the story, but especially in Act 1, scene 1 when he meets the heartbroken Romeo and kindly tries to figure out ways to cheer him up.

Mercutio “Bohemian Rhapsody” by Queen  Mercutio is one of the comic relief characters in the story, and is extremely clever with words. The witty and dramatic way that he is reminds me of the feel of this famous song. Also, when Mercutio dies in Act 3, scene 1, he says “ask for me tomorrow and you shall find me a grave man”, which reminds me of the lyrics “if I’m not back again this time tomorrow, carry on, carry on…”.       Tybalt “Burn the House Down” by AJR  It may seem kind of surprising, but this song reminds me of Tybalt because I feel like this is what would be going through his head whenever he gets into a fight (especially in Act 3, scene 1 when he walks into the scene relatively calmly but then just gets too fired up to restrain ~ ). He always acts so angry all the time that I feel like there could be more to him than we see. He might be considering what Lord Capulet told him at the party in Act 2 (note the slightly doubtful sounding lyrics in the song)… but we don’t know. Juliet “Dance on the Moon” by AURORA This song makes me think of how Juliet starts out as shy and naïve in the beginning of the play but actually has a lot of strength inside. This song reminds me of people’s hidden potential and of Juliet’s whimsical and delicate vibes.

[anentirepandabear]

R o m e o a n d J u l i e t

ACT IPROLOGUETwo households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend. SCENE I. Verona. A public place.

Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklersSAMPSONGregory, o' my word, we'll not carry coals. GREGORYNo, for then we should be colliers. SAMPSONI mean, an we be in choler, we'll draw. GREGORYAy, while you live, draw your neck out o' the collar. SAMPSONI strike quickly, being moved. GREGORYBut thou art not quickly moved to strike. SAMPSONA dog of the house of Montague moves me. GREGORYTo move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. SAMPSONA dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. GREGORYThat shows thee a weak slave; for the weakest goes to the wall. SAMPSONTrue; and therefore women, being the weaker vessels, are ever thrust to the wall: therefore I will push Montague's men from the wall, and thrust his maids to the wall. GREGORYThe quarrel is between our masters and us their men. SAMPSON'Tis all one, I will show myself a tyrant: when I have fought with the men, I will be cruel with the maids, and cut off their heads. GREGORYThe heads of the maids? SAMPSONAy, the heads of the maids, or their maidenheads; take it in what sense thou wilt. GREGORYThey must take it in sense that feel it. SAMPSONMe they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh. GREGORY'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool! here comes two of the house of the Montagues. SAMPSONMy naked weapon is out: quarrel, I will back thee. GREGORYHow! turn thy back and run? SAMPSONFear me not. GREGORYNo, marry; I fear thee! SAMPSONLet us take the law of our sides; let them begin. GREGORYI will frown as I pass by, and let them take it as they list. SAMPSONNay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.

Enter ABRAHAM and BALTHASAR

ABRAHAMDo you bite your thumb at us, sir? SAMPSONI do bite my thumb, sir. ABRAHAMDo you bite your thumb at us, sir? SAMPSON[Aside to GREGORY] Is the law of our side, if I say ay? GREGORYNo. SAMPSONNo, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. GREGORYDo you quarrel, sir? ABRAHAMQuarrel sir! no, sir. SAMPSONIf you do, sir, I am for you: I serve as good a man as you. ABRAHAMNo better. SAMPSONWell, sir. GREGORYSay 'better:' here comes one of my master's kinsmen. SAMPSONYes, better, sir. ABRAHAMYou lie. SAMPSONDraw, if you be men. Gregory, remember thy swashing blow.

They fight

Enter BENVOLIO

BENVOLIOPart, fools! Put up your swords; you know not what you do.

Beats down their swords

Enter TYBALT

TYBALTWhat, art thou drawn among these heartless hinds? Turn thee, Benvolio, look upon thy death. BENVOLIOI do but keep the peace: put up thy sword, Or manage it to part these men with me. TYBALTWhat, drawn, and talk of peace! I hate the word, As I hate hell, all Montagues, and thee: Have at thee, coward!

They fight

Enter, several of both houses, who join the fray; then enter Citizens, with clubs

First CitizenClubs, bills, and partisans! strike! beat them down! Down with the Capulets! down with the Montagues!

Enter CAPULET in his gown, and LADY CAPULET

CAPULETWhat noise is this? Give me my long sword, ho! LADY CAPULETA crutch, a crutch! why call you for a sword? CAPULETMy sword, I say! Old Montague is come, And flourishes his blade in spite of me.

Enter MONTAGUE and LADY MONTAGUE

MONTAGUEThou villain Capulet,--Hold me not, let me go. LADY MONTAGUEThou shalt not stir a foot to seek a foe.

Enter PRINCE, with Attendants

PRINCERebellious subjects, enemies to peace, Profaners of this neighbour-stained steel,-- Will they not hear? What, ho! you men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins, On pain of torture, from those bloody hands Throw your mistemper'd weapons to the ground, And hear the sentence of your moved prince. Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate: If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time, all the rest depart away: You Capulet; shall go along with me: And, Montague, come you this afternoon, To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart.

Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO

MONTAGUEWho set this ancient quarrel new abroach? Speak, nephew, were you by when it began? BENVOLIOHere were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, Till the prince came, who parted either part. LADY MONTAGUEO, where is Romeo? saw you him to-day? Right glad I am he was not at this fray. BENVOLIOMadam, an hour before the worshipp'd sun Peer'd forth the golden window of the east, A troubled mind drave me to walk abroad; Where, underneath the grove of sycamore That westward rooteth from the city's side, So early walking did I see your son: Towards him I made, but he was ware of me And stole into the covert of the wood: I, measuring his affections by my own, That most are busied when they're most alone, Pursued my humour not pursuing his, And gladly shunn'd who gladly fled from me. MONTAGUEMany a morning hath he there been seen, With tears augmenting the fresh morning dew. Adding to clouds more clouds with his deep sighs; But all so soon as the all-cheering sun Should in the furthest east begin to draw The shady curtains from Aurora's bed, Away from the light steals home my heavy son, And private in his chamber pens himself, Shuts up his windows, locks far daylight out And makes himself an artificial night: Black and portentous must this humour prove, Unless good counsel may the cause remove. BENVOLIOMy noble uncle, do you know the cause? MONTAGUEI neither know it nor can learn of him. BENVOLIOHave you importuned him by any means? MONTAGUEBoth by myself and many other friends: But he, his own affections' counsellor, Is to himself--I will not say how true-- But to himself so secret and so close, So far from sounding and discovery, As is the bud bit with an envious worm, Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun. Could we but learn from whence his sorrows grow. We would as willingly give cure as know.

Enter ROMEO

BENVOLIOSee, where he comes: so please you, step aside; I'll know his grievance, or be much denied. MONTAGUEI would thou wert so happy by thy stay, To hear true shrift. Come, madam, let's away.

Exeunt MONTAGUE and LADY MONTAGUE

BENVOLIOGood-morrow, cousin. ROMEOIs the day so young? BENVOLIOBut new struck nine. ROMEOAy me! sad hours seem long. Was that my father that went hence so fast? BENVOLIOIt was. What sadness lengthens Romeo's hours? ROMEONot having that, which, having, makes them short. BENVOLIOIn love? ROMEOOut-- BENVOLIOOf love? ROMEOOut of her favour, where I am in love. BENVOLIOAlas, that love, so gentle in his view, Should be so tyrannous and rough in proof! ROMEOAlas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love. Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? BENVOLIONo, coz, I rather weep. ROMEOGood heart, at what? BENVOLIOAt thy good heart's oppression. ROMEOWhy, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz. BENVOLIOSoft! I will go along; An if you leave me so, you do me wrong. ROMEOTut, I have lost myself; I am not here; This is not Romeo, he's some other where. BENVOLIOTell me in sadness, who is that you love. ROMEOWhat, shall I groan and tell thee? BENVOLIOGroan! why, no. But sadly tell me who. ROMEOBid a sick man in sadness make his will: Ah, word ill urged to one that is so ill! In sadness, cousin, I do love a woman. BENVOLIOI aim'd so near, when I supposed you loved. ROMEOA right good mark-man! And she's fair I love. BENVOLIOA right fair mark, fair coz, is soonest hit. ROMEOWell, in that hit you miss: she'll not be hit With Cupid's arrow; she hath Dian's wit; And, in strong proof of chastity well arm'd, From love's weak childish bow she lives unharm'd. She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor ope her lap to saint-seducing gold: O, she is rich in beauty, only poor, That when she dies with beauty dies her store. BENVOLIOThen she hath sworn that she will still live chaste? ROMEOShe hath, and in that sparing makes huge waste, For beauty starved with her severity Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. BENVOLIOBe ruled by me, forget to think of her. ROMEOO, teach me how I should forget to think. BENVOLIOBy giving liberty unto thine eyes; Examine other beauties. ROMEO'Tis the way To call hers exquisite, in question more: These happy masks that kiss fair ladies' brows Being black put us in mind they hide the fair; He that is strucken blind cannot forget The precious treasure of his eyesight lost: Show me a mistress that is passing fair, What doth her beauty serve, but as a note Where I may read who pass'd that passing fair? Farewell: thou canst not teach me to forget. BENVOLIOI'll pay that doctrine, or else die in debt.

Exeunt

SCENE II. A street.

Enter CAPULET, PARIS, and ServantCAPULETBut Montague is bound as well as I, In penalty alike; and 'tis not hard, I think, For men so old as we to keep the peace. PARISOf honourable reckoning are you both; And pity 'tis you lived at odds so long. But now, my lord, what say you to my suit? CAPULETBut saying o'er what I have said before: My child is yet a stranger in the world; She hath not seen the change of fourteen years, Let two more summers wither in their pride, Ere we may think her ripe to be a bride. PARISYounger than she are happy mothers made. CAPULETAnd too soon marr'd are those so early made. The earth hath swallow'd all my hopes but she, She is the hopeful lady of my earth: But woo her, gentle Paris, get her heart, My will to her consent is but a part; An she agree, within her scope of choice Lies my consent and fair according voice. This night I hold an old accustom'd feast, Whereto I have invited many a guest, Such as I love; and you, among the store, One more, most welcome, makes my number more. At my poor house look to behold this night Earth-treading stars that make dark heaven light: Such comfort as do lusty young men feel When well-apparell'd April on the heel Of limping winter treads, even such delight Among fresh female buds shall you this night Inherit at my house; hear all, all see, And like her most whose merit most shall be: Which on more view, of many mine being one May stand in number, though in reckoning none, Come, go with me.

To Servant, giving a paper

Go, sirrah, trudge about Through fair Verona; find those persons out Whose names are written there, and to them say, My house and welcome on their pleasure stay.

Exeunt CAPULET and PARIS

ServantFind them out whose names are written here! It is written, that the shoemaker should meddle with his yard, and the tailor with his last, the fisher with his pencil, and the painter with his nets; but I am sent to find those persons whose names are here writ, and can never find what names the writing person hath here writ. I must to the learned.--In good time.

Enter BENVOLIO and ROMEO

BENVOLIOTut, man, one fire burns out another's burning, One pain is lessen'd by another's anguish; Turn giddy, and be holp by backward turning; One desperate grief cures with another's languish: Take thou some new infection to thy eye, And the rank poison of the old will die. ROMEOYour plaintain-leaf is excellent for that. BENVOLIOFor what, I pray thee? ROMEOFor your broken shin. BENVOLIOWhy, Romeo, art thou mad? ROMEONot mad, but bound more than a mad-man is; Shut up in prison, kept without my food, Whipp'd and tormented and--God-den, good fellow. ServantGod gi' god-den. I pray, sir, can you read? ROMEOAy, mine own fortune in my misery. ServantPerhaps you have learned it without book: but, I pray, can you read any thing you see? ROMEOAy, if I know the letters and the language. ServantYe say honestly: rest you merry! ROMEOStay, fellow; I can read.

Reads

'Signior Martino and his wife and daughters; County Anselme and his beauteous sisters; the lady widow of Vitravio; Signior Placentio and his lovely nieces; Mercutio and his brother Valentine; mine uncle Capulet, his wife and daughters; my fair niece Rosaline; Livia; Signior Valentio and his cousin Tybalt, Lucio and the lively Helena.' A fair assembly: whither should they come? ServantUp. ROMEOWhither? ServantTo supper; to our house. ROMEOWhose house? ServantMy master's. ROMEOIndeed, I should have ask'd you that before. ServantNow I'll tell you without asking: my master is the great rich Capulet; and if you be not of the house of Montagues, I pray, come and crush a cup of wine. Rest you merry!

Exit

BENVOLIOAt this same ancient feast of Capulet's Sups the fair Rosaline whom thou so lovest, With all the admired beauties of Verona: Go thither; and, with unattainted eye, Compare her face with some that I shall show, And I will make thee think thy swan a crow. ROMEOWhen the devout religion of mine eye Maintains such falsehood, then turn tears to fires; And these, who often drown'd could never die, Transparent heretics, be burnt for liars! One fairer than my love! the all-seeing sun Ne'er saw her match since first the world begun. BENVOLIOTut, you saw her fair, none else being by, Herself poised with herself in either eye: But in that crystal scales let there be weigh'd Your lady's love against some other maid That I will show you shining at this feast, And she shall scant show well that now shows best. ROMEOI'll go along, no such sight to be shown, But to rejoice in splendor of mine own.

Exeunt

SCENE III. A room in Capulet's house.

Enter LADY CAPULET and NurseLADY CAPULETNurse, where's my daughter? call her forth to me. NurseNow, by my maidenhead, at twelve year old, I bade her come. What, lamb! what, ladybird! God forbid! Where's this girl? What, Juliet!

Enter JULIET

JULIETHow now! who calls? NurseYour mother. JULIETMadam, I am here. What is your will? LADY CAPULETThis is the matter:--Nurse, give leave awhile, We must talk in secret:--nurse, come back again; I have remember'd me, thou's hear our counsel. Thou know'st my daughter's of a pretty age. NurseFaith, I can tell her age unto an hour. LADY CAPULETShe's not fourteen. NurseI'll lay fourteen of my teeth,-- And yet, to my teeth be it spoken, I have but four-- She is not fourteen. How long is it now To Lammas-tide? LADY CAPULETA fortnight and odd days. NurseEven or odd, of all days in the year, Come Lammas-eve at night shall she be fourteen. Susan and she--God rest all Christian souls!-- Were of an age: well, Susan is with God; She was too good for me: but, as I said, On Lammas-eve at night shall she be fourteen; That shall she, marry; I remember it well. 'Tis since the earthquake now eleven years; And she was wean'd,--I never shall forget it,-- Of all the days of the year, upon that day: For I had then laid wormwood to my dug, Sitting in the sun under the dove-house wall; My lord and you were then at Mantua:-- Nay, I do bear a brain:--but, as I said, When it did taste the wormwood on the nipple Of my dug and felt it bitter, pretty fool, To see it tetchy and fall out with the dug! Shake quoth the dove-house: 'twas no need, I trow, To bid me trudge: And since that time it is eleven years; For then she could stand alone; nay, by the rood, She could have run and waddled all about; For even the day before, she broke her brow: And then my husband--God be with his soul! A' was a merry man--took up the child: 'Yea,' quoth he, 'dost thou fall upon thy face? Thou wilt fall backward when thou hast more wit; Wilt thou not, Jule?' and, by my holidame, The pretty wretch left crying and said 'Ay.' To see, now, how a jest shall come about! I warrant, an I should live a thousand years, I never should forget it: 'Wilt thou not, Jule?' quoth he; And, pretty fool, it stinted and said 'Ay.' LADY CAPULETEnough of this; I pray thee, hold thy peace. NurseYes, madam: yet I cannot choose but laugh, To think it should leave crying and say 'Ay.' And yet, I warrant, it had upon its brow A bump as big as a young cockerel's stone; A parlous knock; and it cried bitterly: 'Yea,' quoth my husband,'fall'st upon thy face? Thou wilt fall backward when thou comest to age; Wilt thou not, Jule?' it stinted and said 'Ay.' JULIETAnd stint thou too, I pray thee, nurse, say I. NursePeace, I have done. God mark thee to his grace! Thou wast the prettiest babe that e'er I nursed: An I might live to see thee married once, I have my wish. LADY CAPULETMarry, that 'marry' is the very theme I came to talk of. Tell me, daughter Juliet, How stands your disposition to be married? JULIETIt is an honour that I dream not of. NurseAn honour! were not I thine only nurse, I would say thou hadst suck'd wisdom from thy teat. LADY CAPULETWell, think of marriage now; younger than you, Here in Verona, ladies of esteem, Are made already mothers: by my count, I was your mother much upon these years That you are now a maid. Thus then in brief: The valiant Paris seeks you for his love. NurseA man, young lady! lady, such a man As all the world--why, he's a man of wax. LADY CAPULETVerona's summer hath not such a flower. NurseNay, he's a flower; in faith, a very flower. LADY CAPULETWhat say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content And what obscured in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea, and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, making yourself no less. NurseNo less! nay, bigger; women grow by

men. LADY CAPULETSpeak briefly, can you like of Paris' love? JULIETI'll look to like, if looking liking move: But no more deep will I endart mine eye Than your consent gives strength to make it fly.

Enter a Servant

ServantMadam, the guests are come, supper served up, you called, my young lady asked for, the nurse cursed in the pantry, and every thing in extremity. I must hence to wait; I beseech you, follow straight. LADY CAPULETWe follow thee.

Exit Servant

Juliet, the county stays. NurseGo, girl, seek happy nights to happy days.

Exeunt

SCENE IV. A street.

Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and othersROMEOWhat, shall this speech be spoke for our excuse? Or shall we on without a apology? BENVOLIOThe date is out of such prolixity: We'll have no Cupid hoodwink'd with a scarf, Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; We'll measure them a measure, and be gone. ROMEOGive me a torch: I am not for this ambling; Being but heavy, I will bear the light. MERCUTIONay, gentle Romeo, we must have you dance. ROMEONot I, believe me: you have dancing shoes With nimble soles: I have a soul of lead So stakes me to the ground I cannot move. MERCUTIOYou are a lover; borrow Cupid's wings, And soar with them above a common bound. ROMEOI am too sore enpierced with his shaft To soar with his light feathers, and so bound, I cannot bound a pitch above dull woe: Under love's heavy burden do I sink. MERCUTIOAnd, to sink in it, should you burden love; Too great oppression for a tender thing. ROMEOIs love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. MERCUTIOIf love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: A visor for a visor! what care I What curious eye doth quote deformities? Here are the beetle brows shall blush for me. BENVOLIOCome, knock and enter; and no sooner in, But every man betake him to his legs. ROMEOA torch for me: let wantons light of heart Tickle the senseless rushes with their heels, For I am proverb'd with a grandsire phrase; I'll be a candle-holder, and look on. The game was ne'er so fair, and I am done. MERCUTIOTut, dun's the mouse, the constable's own word: If thou art dun, we'll draw thee from the mire Of this sir-reverence love, wherein thou stick'st Up to the ears. Come, we burn daylight, ho! ROMEONay, that's not so. MERCUTIOI mean, sir, in delay We waste our lights in vain, like lamps by day. Take our good meaning, for our judgment sits Five times in that ere once in our five wits. ROMEOAnd we mean well in going to this mask; But 'tis no wit to go. MERCUTIOWhy, may one ask? ROMEOI dream'd a dream to-night. MERCUTIOAnd so did I. ROMEOWell, what was yours? MERCUTIOThat dreamers often lie. ROMEOIn bed asleep, while they do dream things true. MERCUTIOO, then, I see Queen Mab hath been with you. She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep; Her wagon-spokes made of long spiders' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's watery beams, Her whip of cricket's bone, the lash of film, Her wagoner a small grey-coated gnat, Not so big as a round little worm Prick'd from the lazy finger of a maid; Her chariot is an empty hazel-nut Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er courtiers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies ' lips, who straight on kisses dream, Which oft the angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Sometime she gallops o'er a courtier's nose, And then dreams he of smelling out a suit; And sometime comes she with a tithe-pig's tail Tickling a parson's nose as a' lies asleep, Then dreams, he of another benefice: Sometime she driveth o'er a soldier's neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five-fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted swears a prayer or two And sleeps again. This is that very Mab That plats the manes of horses in the night, And bakes the elflocks in foul

sluttish hairs, Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she-- ROMEOPeace, peace, Mercutio, peace! Thou talk'st of nothing. MERCUTIOTrue, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air And more inconstant than the wind, who wooes Even now the frozen bosom of the north, And, being anger'd, puffs away from thence, Turning his face to the dew-dropping south. BENVOLIOThis wind, you talk of, blows us from ourselves; Supper is done, and we shall come too late. ROMEOI fear, too early: for my mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels and expire the term Of a despised life closed in my breast By some vile forfeit of untimely death. But He, that hath the steerage of my course, Direct my sail! On, lusty gentlemen. BENVOLIOStrike, drum.

Exeunt

SCENE V. A hall in Capulet's house.

Musicians waiting. Enter Servingmen with napkinsFirst ServantWhere's Potpan, that he helps not to take away? He shift a trencher? he scrape a trencher! Second ServantWhen good manners shall lie all in one or two men's hands and they unwashed too, 'tis a foul thing. First ServantAway with the joint-stools, remove the court-cupboard, look to the plate. Good thou, save me a piece of marchpane; and, as thou lovest me, let the porter let in Susan Grindstone and Nell. Antony, and Potpan! Second ServantAy, boy, ready. First ServantYou are looked for and called for, asked for and sought for, in the great chamber. Second ServantWe cannot be here and there too. Cheerly, boys; be brisk awhile, and the longer liver take all.

Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers

CAPULETWelcome, gentlemen! ladies that have their toes Unplagued with corns will have a bout with you. Ah ha, my mistresses! which of you all Will now deny to dance? she that makes dainty, She, I'll swear, hath corns; am I come near ye now? Welcome, gentlemen! I have seen the day That I have worn a visor and could tell A whispering tale in a fair lady's ear, Such as would please: 'tis gone, 'tis gone, 'tis gone: You are welcome, gentlemen! come, musicians, play. A hall, a hall! give room! and foot it, girls.

Music plays, and they dance

More light, you knaves; and turn the tables up, And quench the fire, the room is grown too hot. Ah, sirrah, this unlook'd-for sport comes well. Nay, sit, nay, sit, good cousin Capulet; For you and I are past our dancing days: How long is't now since last yourself and I Were in a mask? Second CapuletBy'r lady, thirty years. CAPULETWhat, man! 'tis not so much, 'tis not so much: 'Tis since the nuptials of Lucentio, Come pentecost as quickly as it will, Some five and twenty years; and then we mask'd. Second Capulet'Tis more, 'tis more, his son is elder, sir; His son is thirty. CAPULETWill you tell me that? His son was but a ward two years ago. ROMEO[To a Servingman] What lady is that, which doth enrich the hand Of yonder knight? ServantI know not, sir. ROMEOO, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows, As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessed my rude hand. Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night. TYBALTThis, by his voice, should be a Montague. Fetch me my rapier, boy. What dares the slave Come hither, cover'd with an antic face, To fleer and scorn at our solemnity? Now, by the stock and honour of my kin, To strike him dead, I hold it not a sin. CAPULETWhy, how now, kinsman! wherefore storm you so? TYBALTUncle, this is a Montague, our foe, A villain that is hither come in spite, To scorn at our solemnity this night. CAPULETYoung Romeo is it? TYBALT'Tis he, that villain Romeo. CAPULETContent thee, gentle coz, let him alone; He bears him like a portly gentleman; And, to say truth, Verona brags of him To be a virtuous and well-govern'd youth: I would not for the wealth of all the town Here in my house do him disparagement: Therefore be patient, take no note of him: It is my will, the which if thou respect, Show a fair presence and put off these frowns, And ill-beseeming semblance for a feast. TYBALTIt fits, when such a villain is a guest: I'll not endure him. CAPULETHe shall be endured: What, goodman boy! I say, he shall: go to; Am I the master here, or you? go to. You'll not endure him! God shall mend my soul! You'll make a mutiny among my guests! You will set cock-a-hoop! you'll be the man! TYBALTWhy, uncle, 'tis a shame. CAPULETGo to, go to; You are a saucy boy: is't so, indeed? This trick may chance to scathe you, I know what: You must contrary me! marry, 'tis time. Well said, my hearts! You are a princox; go: Be quiet, or--More light, more light! For shame! I'll make you quiet. What, cheerly, my hearts! TYBALTPatience perforce with wilful choler meeting Makes my flesh tremble in their different greeting. I will withdraw: but this intrusion shall Now seeming sweet convert to bitter gall.

Exit

ROMEO[To JULIET] If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. JULIETGood pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. ROMEOHave not saints lips, and holy palmers too? JULIETAy, pilgrim, lips that they must use in prayer. ROMEOO, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. JULIETSaints do not move, though grant for prayers' sake. ROMEOThen move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. JULIETThen have my lips the sin that they have took. ROMEOSin from thy lips? O trespass sweetly urged! Give me my sin again. JULIETYou kiss by the book. NurseMadam, your mother craves a word with you. ROMEOWhat is her mother? NurseMarry, bachelor, Her mother is the lady of the house, And a good lady, and a wise and virtuous I nursed her daughter, that you talk'd withal; I tell you, he that can lay hold of her Shall have the chinks. ROMEOIs she a Capulet? O dear account! my life is my foe's debt. BENVOLIOAway, begone; the sport is at the best. ROMEOAy, so I fear; the more is my unrest. CAPULETNay, gentlemen, prepare not to be gone; We have a trifling foolish banquet towards. Is it e'en so? why, then, I thank you all I thank you, honest gentlemen; good night. More torches here! Come on then, let's to bed. Ah, sirrah, by my fay, it waxes late: I'll to my rest.

Exeunt all but JULIET and Nurse

JULIETCome hither, nurse. What is yond gentleman? NurseThe son and heir of old Tiberio. JULIETWhat's he that now is going out of door? NurseMarry, that, I think, be young Petrucio. JULIETWhat's he that follows there, that would not dance? NurseI know not. JULIETGo ask his name: if he be married. My grave is like to be my wedding bed. NurseHis name is Romeo, and a Montague; The only son of your great enemy. JULIETMy only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy. NurseWhat's this? what's this? JULIETA rhyme I learn'd even now Of one I danced withal.

One calls within 'Juliet.'

NurseAnon, anon! Come, let's away; the strangers all are gone.

Exeunt

ACT IIPROLOGUE

Enter ChorusChorusNow old desire doth in his death-bed lie, And young affection gapes to be his heir; That fair for which love groan'd for and would die, With tender Juliet match'd, is now not fair. Now Romeo is beloved and loves again, Alike betwitched by the charm of looks, But to his foe supposed he must complain, And she steal love's sweet bait from fearful hooks: Being held a foe, he may not have access To breathe such vows as lovers use to swear; And she as much in love, her means much less To meet her new-beloved any where: But passion lends them power, time means, to meet Tempering extremities with extreme sweet.

Exit

SCENE I. A lane by the wall of Capulet's orchard.

Enter ROMEOROMEOCan I go forward when my heart is here? Turn back, dull earth, and find thy centre out.

He climbs the wall, and leaps down within it

Enter BENVOLIO and MERCUTIO

BENVOLIORomeo! my cousin Romeo! MERCUTIOHe is wise; And, on my lie, hath stol'n him home to bed. BENVOLIOHe ran this way, and leap'd this orchard wall: Call, good Mercutio. MERCUTIONay, I'll conjure too. Romeo! humours! madman! passion! lover! Appear thou in the likeness of a sigh: Speak but one rhyme, and I am satisfied; Cry but 'Ay me!' pronounce but 'love' and 'dove;' Speak to my gossip Venus one fair word, One nick-name for her purblind son and heir, Young Adam Cupid, he that shot so trim, When King Cophetua loved the beggar-maid! He heareth not, he stirreth not, he moveth not; The ape is dead, and I must conjure him. I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh And the demesnes that there adjacent lie, That in thy likeness thou appear to us! BENVOLIOAnd if he hear thee, thou wilt anger him. MERCUTIOThis cannot anger him: 'twould anger him To raise a spirit in his mistress' circle Of some strange nature, letting it there stand Till she had laid it and conjured it down; That were some spite: my invocation Is fair and honest, and in his mistres s' name I conjure only but to raise up him. BENVOLIOCome, he hath hid himself among these trees, To be consorted with the humorous night: Blind is his love and best befits the dark. MERCUTIOIf love be blind, love cannot hit the mark. Now will he sit under a medlar tree, And wish his mistress were that kind of fruit As maids call medlars, when they laugh alone. Romeo, that she were, O, that she were An open et caetera, thou a poperin pear! Romeo, good night: I'll to my truckle-bed; This field-bed is too cold for me to sleep: Come, shall we go? BENVOLIOGo, then; for 'tis in vain To seek him here that means not to be found.

Exeunt

SCENE II. Capulet's orchard.

Enter ROMEOROMEOHe jests at scars that never felt a wound.

JULIET appears above at a window

But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. I am too bold, 'tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, That I might touch that cheek! JULIETAy me! ROMEOShe speaks: O, speak again, bright angel! for thou art As glorious to this night, being o'er my head As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. JULIETO Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. ROMEO[Aside] Shall I hear more, or shall I speak at this? JULIET'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself. ROMEOI take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIETWhat man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEOBy a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word. JULIETMy ears have not yet drunk a hundred words Of that tongue's utterance, yet I know the sound: Art thou not Romeo and a Montague? ROMEONeither, fair saint, if either thee dislike. JULIETHow camest thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here. ROMEOWith love's light wings did I o'er-perch these walls; For stony limits cannot hold love out, And what love can do that dares love attempt; Therefore thy kinsmen are no let to me. JULIETIf they do see thee, they will murder thee. ROMEOAlack, there lies more peril in thine eye Than twenty of their swords: look thou but sweet, And I am proof against their enmity. JULIETI would not for the world they saw thee here. ROMEOI have night's cloak to hide me from their sight; And but thou love me, let them find me here: My life were better ended by their hate, Than death prorogued, wanting of thy love. JULIETBy whose direction found'st thou out this place? ROMEOBy love, who first did prompt me to inquire; He lent me counsel and I lent him eyes. I am no pilot; yet, wert thou as far As that vast shore wash'd with the farthest sea, I would adventure for such merchandise. JULIETThou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet if thou swear'st, Thou mayst prove false; at lovers' perjuries Then say, Jove laughs. O gentle Romeo, If thou dost love, pronounce it faithfully: Or if

thou think'st I am too quickly won, I'll frown and be perverse an say thee nay, So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond, And therefore thou mayst think my 'havior light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange. I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered. ROMEOLady, by yonder blessed moon I swear That tips with silver all these fruit-tree tops-- JULIETO, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable. ROMEOWhat shall I swear by? JULIETDo not swear at all; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee. ROMEOIf my heart's dear love-- JULIETWell, do not swear: although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be Ere one can say 'It lightens.' Sweet, good night! This bud of love, by summer's ripening breath, May prove a beauteous flower when next we meet. Good night, good night! as sweet repose and rest Come to thy heart as that within my breast! ROMEOO, wilt thou leave me so unsatisfied? JULIETWhat satisfaction canst thou have to-night? ROMEOThe exchange of thy love's faithful vow for mine. JULIETI gave thee mine before thou didst request it: And yet I would it were to give again. ROMEOWouldst thou withdraw it? for what purpose, love? JULIETBut to be frank, and give it thee again. And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.

Nurse calls within

I hear some noise within; dear love, adieu! Anon, good nurse! Sweet Montague, be true. Stay but a little, I will come again.

Exit, above

ROMEOO blessed, blessed night! I am afeard. Being in night, all this is but a dream, Too flattering-sweet to be substantial.

Re-enter JULIET, above

JULIETThree words, dear Romeo, and good night indeed. If that thy bent of love be honourable, Thy purpose marriage, send me word to-morrow, By one that I'll procure to come to thee, Where and what time thou wilt perform the rite; And all my fortunes at thy foot I'll lay And follow thee my lord throughout the world. Nurse[Within] Madam! JULIETI come, anon.--But if thou mean'st not well, I do beseech thee-- Nurse[Within] Madam! JULIETBy and by, I come:-- To cease thy suit, and leave me to my grief: To-morrow will I send. ROMEOSo thrive my soul-- JULIETA thousand times good night!

Exit, above

ROMEOA thousand times the worse, to want thy light. Love goes toward love, as schoolboys from their books, But love from love, toward school with heavy looks.

Retiring

Re-enter JULIET, above

JULIETHist! Romeo, hist! O, for a falconer's voice, To lure this tassel-gentle back again! Bondage is hoarse, and may not speak aloud; Else would I tear the cave where Echo lies, And make her airy tongue more hoarse than mine, With repetition of my Romeo's name. ROMEOIt is my soul that calls upon my name: How silver-sweet sound lovers' tongues by night, Like softest music to attending ears! JULIETRomeo! ROMEOMy dear? JULIETAt what o'clock to-morrow Shall I send to thee? ROMEOAt the hour of nine. JULIETI will not fail: 'tis twenty years till then. I have forgot why I did call thee back. ROMEOLet me stand here till thou remember it. JULIETI shall forget, to have thee still stand there, Remembering how I love thy company. ROMEOAnd I'll still stay, to have thee still forget, Forgetting any other home but this. JULIET'Tis almost morning; I would have thee gone: And yet no further than a wanton's bird; Who lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty. ROMEOI would I were thy bird. JULIETSweet, so would I: Yet I should kill thee with much cherishing. Good night, good night! parting is such sweet sorrow, That I shall say good night till it be morrow.

Exit above

ROMEOSleep dwell upon thine eyes, peace in thy breast! Would I were sleep and peace, so sweet to rest! Hence will I to my ghostly father's cell, His help to crave, and my dear hap to tell.

Exit

SCENE III. Friar Laurence's cell.

Enter FRIAR LAURENCE, with a basketFRIAR LAURENCEThe grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.

Enter ROMEO

ROMEOGood morrow, father. FRIAR LAURENCEBenedicite! What early tongue so sweet saluteth me? Young son, it argues a distemper'd head So soon to bid good morrow to thy bed: Care keeps his watch in every old man's eye, And where care lodges, sleep will never lie; But where unbruised youth with unstuff'd brain Doth couch his limbs, there golden sleep doth reign: Therefore thy earliness doth me assure Thou art up-roused by some distemperature; Or if not so, then here I hit it right, Our Romeo hath not been in bed to-night. ROMEOThat last is true; the sweeter rest was mine. FRIAR LAURENCEGod pardon sin! wast thou with Rosaline? ROMEOWith Rosaline, my ghostly father? no; I have forgot that name, and that name's woe. FRIAR LAURENCEThat's my good son: but where hast thou been, then? ROMEOI'll tell thee, ere thou ask it me again. I have been feasting with mine enemy, Where on a sudden one hath wounded me, That's by me wounded: both our remedies Within thy help and holy physic lies: I bear no hatred, blessed man, for, lo, My intercession likewise steads my foe. FRIAR LAURENCEBe plain, good son, and homely in thy drift; Riddling confession finds but riddling shrift. ROMEOThen plainly know my heart's dear love is set On the fair daughter of rich Capulet: As mine on hers, so hers is set on mine; And all combined, save what thou must combine By holy marriage: when and where and how We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, That thou consent to marry us to-day. FRIAR LAURENCEHoly Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, So soon forsaken? young men's love then lies Not truly in their hearts, but in their eyes. Jesu Maria, what a deal of brine Hath wash'd thy sallow cheeks for Rosaline! How much salt water thrown away in waste, To season love, that of it doth not taste! The sun not yet thy sighs from heaven clears, Thy old groans ring yet in my ancient ears; Lo, here upon thy cheek the stain doth sit Of an old tear that is not wash'd off yet: If e'er thou wast thyself and these woes thine, Thou and these woes were all for Rosaline: And art thou changed? pronounce this sentence then, Women may fall, when there's no strength in men. ROMEOThou chid'st me oft for loving Rosaline. FRIAR LAURENCEFor doting, not for loving, pupil mine. ROMEOAnd bad'st me bury love. FRIAR LAURENCENot in a grave, To lay one in, another out to have. ROMEOI pray thee, chide not; she whom I love now Doth grace for grace and love for love allow; The other did not so. FRIAR LAURENCEO, she knew well Thy love did read by rote and could not spell. But come, young waverer, come, go with me, In one respect I'll thy assistant be; For this alliance may so happy prove, To turn your households' rancour to pure love. ROMEOO, let us hence; I stand on sudden haste. FRIAR LAURENCEWisely and slow; they stumble that run fast.

Exeunt

SCENE IV. A street.

Enter BENVOLIO and MERCUTIOMERCUTIOWhere the devil should this Romeo be? Came he not home to-night? BENVOLIONot to his father's; I spoke with his man. MERCUTIOAh, that same pale hard-hearted wench, that Rosaline. Torments him so, that he will sure run mad. BENVOLIOTybalt, the kinsman of old Capulet, Hath sent a letter to his father's house. MERCUTIOA challenge, on my life. BENVOLIORomeo will answer it. MERCUTIOAny man that can write may answer a letter. BENVOLIONay, he will answer the letter's master, how he dares, being dared. MERCUTIOAlas poor Romeo! he is already dead; stabbed with a white wench's black eye; shot through the ear with a love-song; the very pin of his heart cleft with the blind bow-boy's butt-shaft: and is he a man to encounter Tybalt? BENVOLIOWhy, what is Tybalt? MERCUTIOMore than prince of cats, I can tell you. O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado! the punto reverso! the hai! BENVOLIOThe what? MERCUTIOThe pox of such antic, lisping, affecting fantasticoes; these new tuners of accents! 'By Jesu, a very good blade! a very tall man! a very good whore!' Why, is not this a lamentable thing, grandsire, that we should be thus afflicted with these strange flies, these fashion-mongers, these perdona-mi's, who stand so much on the new form, that they cannot at ease on the old bench? O, their bones, their bones!

Enter ROMEO

BENVOLIOHere comes Romeo, here comes Romeo. MERCUTIOWithout his roe, like a dried herring: flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flowed in: Laura to his lady was but a kitchen-wench; marry, she had a better love to be-rhyme her; Dido a dowdy; Cleopatra a gipsy; Helen and Hero hildings and harlots; Thisbe a grey eye or so, but not to the purpose. Signior Romeo, bon jour! there's a French salutation to your French slop. You gave us the counterfeit fairly last night. ROMEOGood morrow to you both. What counterfeit did I give you? MERCUTIOThe ship, sir, the slip; can you not conceive? ROMEOPardon, good Mercutio, my business was great; and in such a case as mine a man may strain courtesy. MERCUTIOThat's as much as to say, such a case as yours constrains a man to bow in the hams. ROMEOMeaning, to court'sy. MERCUTIOThou hast most kindly hit it. ROMEOA most courteous exposition. MERCUTIONay, I am the very pink of courtesy. ROMEOPink for flower. MERCUTIORight. ROMEOWhy, then is my pump well flowered. MERCUTIOWell said: follow me this jest now till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain after the wearing sole singular. ROMEOO single-soled jest, solely singular for the singleness. MERCUTIOCome between us, good Benvolio; my wits faint. ROMEOSwitch and spurs, switch and spurs; or I'll cry a match. MERCUTIONay, if thy wits run the wild-goose chase, I have done, for thou hast more of the wild-goose in one of thy wits than, I am sure, I have in my whole five: was I with you there for the goose? ROMEOThou wast never with me for any thing when thou wast not there for the goose. MERCUTIOI will bite thee by the ear for that jest. ROMEONay, good goose, bite not. MERCUTIOThy wit is a very bitter sweeting; it is a most sharp sauce. ROMEOAnd is it not well served in to a sweet goose? MERCUTIOO here's a wit of cheveril, that stretches from an inch narrow to an ell broad! ROMEOI stretch it out for that word 'broad;' which added to the goose, proves thee far and wide a broad goose. MERCUTIOWhy, is not this better now than groaning for love? now art thou sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. BENVOLIOStop there, stop there. MERCUTIOThou desirest me to stop in my tale against the hair. BENVOLIOThou wouldst else have made thy tale large. MERCUTIOO, thou art deceived; I would have made it short: for I was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer. ROMEOHere's goodly gear!

Enter Nurse and PETER

MERCUTIOA sail, a sail! BENVOLIOTwo, two; a shirt and a smock. NursePeter! PETERAnon! NurseMy fan, Peter. MERCUTIOGood Peter, to hide her face; for her fan's the fairer face. NurseGod ye good morrow, gentlemen. MERCUTIOGod ye good den, fair gentlewoman. NurseIs it good den? MERCUTIO'Tis no less, I tell you, for the bawdy hand of the dial is now upon the prick of noon. NurseOut upon you! what a man are you! ROMEOOne, gentlewoman, that God hath made for himself to mar. NurseBy my troth, it is well said; 'for himself to mar,' quoth a'? Gentlemen, can any of you tell me where I may find the young Romeo? ROMEOI can tell you; but young Romeo will be older when you have found him than he was when you sought him: I am the youngest of that name, for fault of a worse. NurseYou say well. MERCUTIOYea, is the worst well? very well took, i' faith; wisely, wisely. Nurseif you be he, sir, I desire some confidence with you. BENVOLIOShe will indite him to some supper. MERCUTIOA bawd, a bawd, a bawd! so ho! ROMEOWhat hast thou found? MERCUTIONo hare, sir; unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent.

Sings

An old hare hoar, And an old hare hoar, Is very good meat in lent But a hare that is hoar Is too much for a score, When it hoars ere it be spent. Romeo, will you come to your father's? we'll to dinner, thither. ROMEOI will follow you. MERCUTIOFarewell, ancient lady; farewell,

Singing

'lady, lady, lady.'

Exeunt MERCUTIO and BENVOLIO

NurseMarry, farewell! I pray you, sir, what saucy merchant was this, that was so full of his ropery? ROMEOA gentleman, nurse, that loves to hear himself talk, and will speak more in a minute than he will stand to in a month. NurseAn a' speak any thing against me, I'll take him down, an a' were lustier than he is, and twenty such Jacks; and if I cannot, I'll find those that shall. Scurvy knave! I am none of his flirt-gills; I am none of his skains-mates. And thou must stand by too, and suffer every knave to use me at his pleasure? PETERI saw no man use you a pleasure; if I had, my weapon should quickly have been out, I warrant you: I dare draw as soon as another man, if I see occasion in a good quarrel, and the law on my side. NurseNow, afore God, I am so vexed, that every part about me quivers. Scurvy knave! Pray you, sir, a word: and as I told you, my young lady bade me inquire you out; what she bade me say, I will keep to myself: but first let me tell ye, if ye should lead her into a fool's paradise, as they say, it were a very gross kind of behavior, as they say: for the gentlewoman is young; and, therefore, if you should deal double with her, truly it were an ill thing to be offered to any gentlewoman, and very weak dealing. ROMEONurse, commend me to thy lady and mistress. I protest unto thee-- NurseGood heart, and, i' faith, I will tell her as much: Lord, Lord, she will be a joyful woman. ROMEOWhat wilt thou tell her, nurse? thou dost not mark me. NurseI will tell her, sir, that you do protest; which, as I take it, is a gentlemanlike offer. ROMEOBid her devise Some means to come to shrift this afternoon; And there she shall at Friar Laurence' cell Be shrived and married. Here is for thy pains. NurseNo truly sir; not a penny. ROMEOGo to; I say you shall. NurseThis afternoon, sir? well, she shall be there. ROMEOAnd stay, good nurse, behind the abbey wall: Within this hour my man shall be with thee And bring thee cords made like a tackled stair; Which to the high top-gallant of my joy Must be my convoy in the secret night. Farewell; be trusty, and I'll quit thy pains: Farewell; commend me to thy mistress. NurseNow God in heaven bless thee! Hark you, sir. ROMEOWhat say'st thou, my dear nurse? NurseIs your man secret? Did you ne'er hear say, Two may keep counsel, putting one away? ROMEOI warrant thee, my man's as true as steel. NURSEWell, sir; my mistress is the sweetest lady--Lord, Lord! when 'twas a little prating thing:--O, there is a nobleman in town, one Paris, that would fain lay knife aboard; but she, good soul, had as lief see a toad, a very toad, as see him. I anger her sometimes and tell her that Paris is the properer man; but, I'll warrant you, when I say so, she looks as pale as any clout in the versal world. Doth not rosemary and Romeo begin both with a letter? ROMEOAy, nurse; what of that? both with an R. NurseAh. mocker! that's the dog's name; R is for the--No; I know it begins with some other letter:--and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it. ROMEOCommend me to thy lady. NurseAy, a thousand times.

Exit Romeo

Peter! PETERAnon! NursePeter, take my fan, and go before and apace.

Exeunt

SCENE V. Capulet's orchard.

Enter JULIETJULIETThe clock struck nine when I did send the nurse; In half an hour she promised to return. Perchance she cannot meet him: that's not so. O, she is lame! love's heralds should be thoughts, Which ten times faster glide than the sun's beams, Driving back shadows over louring hills: Therefore do nimble-pinion'd doves draw love, And therefore hath the wind-swift Cupid wings. Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come. Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. O God, she comes!

Enter Nurse and PETER

O honey nurse, what news? Hast thou met with him? Send thy man away. NursePeter, stay at the gate.

Exit PETER

JULIETNow, good sweet nurse,--O Lord, why look'st thou sad? Though news be sad, yet tell them merrily; If good, thou shamest the music of sweet news By playing it to me with so sour a face. NurseI am a-weary, give me leave awhile: Fie, how my bones ache! what a jaunt have I had! JULIETI would thou hadst my bones, and I thy news: Nay, come, I pray thee, speak; good, good nurse, speak. NurseJesu, what haste? can you not stay awhile? Do you not see that I am out of breath? JULIETHow art thou out of breath, when thou hast breath To say to me that thou art out of breath? The excuse that thou dost make in this delay Is longer than the tale thou dost excuse. Is thy news good, or bad? answer to that; Say either, and I'll stay the circumstance: Let me be satisfied, is't good or bad? NurseWell, you have made a simple choice; you know not how to choose a man: Romeo! no, not he; though his face be better than any man's, yet his leg excels all men's; and for a hand, and a foot, and a body, though they be not to be talked on, yet they are past compare: he is not the flower of courtesy, but, I'll warrant him, as gentle as a lamb. Go thy ways, wench; serve God. What, have you dined at home? JULIETNo, no: but all this did I know before. What says he of our marriage? what of that? NurseLord, how my head aches! what a head have I! It beats as it would fall in twenty pieces. My back o' t' other side,--O, my back, my back! Beshrew your heart for sending me about, To catch my death with jaunting up and down! JULIETI' faith, I am sorry that thou art not well. Sweet, sweet, sweet nurse, tell me, what says my love? NurseYour love says, like an honest gentleman, and a courteous, and a kind, and a handsome, and, I warrant, a virtuous,--Where is your mother? JULIETWhere is my mother! why, she is within; Where should she be? How oddly thou repliest! 'Your love says, like an honest gentleman, Where is your mother?' NurseO God's lady dear! Are you so hot? marry, come up, I trow; Is this the poultice for my aching bones? Henceforward do your messages yourself. JULIETHere's such a coil! come, what says Romeo? NurseHave you got leave to go to shrift to-day? JULIETI have. NurseThen hie you hence to Friar Laurence' cell; There stays a husband to make you a wife: Now comes the wanton blood up in your cheeks, They'll be in scarlet straight at any news. Hie you to church; I must another way, To fetch a ladder, by the which your love Must climb a bird's nest soon when it is dark: I am the drudge and toil in your delight, But you shall bear the burden soon at night. Go; I'll to dinner: hie you to the cell. JULIETHie to high fortune! Honest nurse, farewell.

Exeunt

SCENE VI. Friar Laurence's cell.

Enter FRIAR LAURENCE and ROMEOFRIAR LAURENCESo smile the heavens upon this holy act, That after hours with sorrow chide us not! ROMEOAmen, amen! but come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight: Do thou but close our hands with holy words, Then love-devouring death do what he dare; It is enough I may but call her mine. FRIAR LAURENCEThese violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow.

Enter JULIET

Here comes the lady: O, so light a foot Will ne'er wear out the everlasting flint: A lover may bestride the gossamer That idles in the wanton summer air, And yet not fall; so light is vanity. JULIETGood even to my ghostly confessor. FRIAR LAURENCERomeo shall thank thee, daughter, for us both. JULIETAs much to him, else is his thanks too much. ROMEOAh, Juliet, if the measure of thy joy Be heap'd like mine and that thy skill be more To blazon it, then sweeten with thy breath This neighbour air, and let rich music's tongue Unfold the imagined happiness that both Receive in either by this dear encounter. JULIETConceit, more rich in matter than in words, Brags of his substance, not of ornament: They are but beggars that can count their worth; But my true love is grown to such excess I cannot sum up sum of half my wealth. FRIAR LAURENCECome, come with me, and we will make short work; For, by your leaves, you shall not stay alone Till holy church incorporate two in one.

Exeunt

ACT IIISCENE I. A public place.

Enter MERCUTIO, BENVOLIO, Page, and ServantsBENVOLIOI pray thee, good Mercutio, let's retire: The day is hot, the Capulets abroad, And, if we meet, we shall not scape a brawl; For now, these hot days, is the mad blood stirring. MERCUTIOThou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says 'God send me no need of thee!' and by the operation of the second cup draws it on the drawer, when indeed there is no need. BENVOLIOAm I like such a fellow? MERCUTIOCome, come, thou art as hot a Jack in thy mood as any in Italy, and as soon moved to be moody, and as soon moody to be moved. BENVOLIOAnd what to? MERCUTIONay, an there were two such, we should have none shortly, for one would kill the other. Thou! why, thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than thou hast: thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes: what eye but such an eye would spy out such a quarrel? Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter? with another, for tying his new shoes with old riband? and yet thou wilt tutor me from quarrelling! BENVOLIOAn I were so apt to quarrel as thou art, any man should buy the fee-simple of my life for an hour and a quarter. MERCUTIOThe fee-simple! O simple! BENVOLIOBy my head, here come the Capulets. MERCUTIOBy my heel, I care not.

Enter TYBALT and others

TYBALTFollow me close, for I will speak to them. Gentlemen, good den: a word with one of you. MERCUTIOAnd but one word with one of us? couple it with something; make it a word and a blow. TYBALTYou shall find me apt enough to that, sir, an you will give me occasion. MERCUTIOCould you not take some occasion without giving? TYBALTMercutio, thou consort'st with Romeo,-- MERCUTIOConsort! what, dost thou make us minstrels? an thou make minstrels of us, look to hear nothing but discords: here's my fiddlestick; here's that shall make you dance. 'Zounds, consort! BENVOLIOWe talk here in the public haunt of men: Either withdraw unto some private place, And reason coldly of your grievances, Or else depart; here all eyes gaze on us. MERCUTIOMen's eyes were made to look, and let them gaze; I will not budge for no man's pleasure, I.

Enter ROMEO

TYBALTWell, peace be with you, sir: here comes my man. MERCUTIOBut I'll be hanged, sir, if he wear your livery: Marry, go before to field, he'll be your follower; Your worship in that sense may call him 'man.' TYBALTRomeo, the hate I bear thee can afford No better term than this,--thou art a villain. ROMEOTybalt, the reason that I have to love thee Doth much excuse the appertaining rage To such a greeting: villain am I none; Therefore farewell; I see thou know'st me not. TYBALTBoy, this shall not excuse the injuries That thou hast done me; therefore turn and draw. ROMEOI do protest, I never injured thee, But love thee better than thou canst devise, Till thou shalt know the reason of my love: And so, good Capulet,--which name I tender As dearly as my own,--be satisfied. MERCUTIOO calm, dishonourable, vile submission! Alla stoccata carries it away.

Draws

Tybalt, you rat-catcher, will you walk? TYBALTWhat wouldst thou have with me? MERCUTIOGood king of cats, nothing but one of your nine lives; that I mean to make bold withal, and as you shall use me hereafter, drybeat the rest of the eight. Will you pluck your sword out of his pitcher by the ears? make haste, lest mine be about your ears ere it be out. TYBALTI am for you.

Drawing

ROMEOGentle Mercutio, put thy rapier up. MERCUTIOCome, sir, your passado.

They fight

ROMEODraw, Benvolio; beat down their weapons. Gentlemen, for shame, forbear this outrage! Tybalt, Mercutio, the prince expressly hath Forbidden bandying in Verona streets: Hold, Tybalt! good Mercutio!

TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers

MERCUTIOI am hurt. A plague o' both your houses! I am sped. Is he gone, and hath nothing? BENVOLIOWhat, art thou hurt? MERCUTIOAy, ay, a scratch, a scratch; marry, 'tis enough. Where is my page? Go, villain, fetch a surgeon.

Exit Page

ROMEOCourage, man; the hurt cannot be much. MERCUTIONo, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough,'twill serve: ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o' both your houses! 'Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death! a braggart, a rogue, a villain, that fights by the book of arithmetic! Why the devil came you between us? I was hurt under your arm. ROMEOI thought all for the best. MERCUTIOHelp me into some house, Benvolio, Or I shall faint. A plague o' both your houses! They have made worms' meat of me: I have it, And soundly too: your houses!

Exeunt MERCUTIO and BENVOLIO

ROMEOThis gentleman, the prince's near ally, My very friend, hath got his mortal hurt In my behalf; my reputation stain'd With Tybalt's slander,--Tybalt, that an hour Hath been my kinsman! O sweet Juliet, Thy beauty hath made me effeminate And in my temper soften'd valour's steel!

Re-enter BENVOLIO

BENVOLIOO Romeo, Romeo, brave Mercutio's dead! That gallant spirit hath aspired the clouds, Which too untimely here did scorn the earth. ROMEOThis day's black fate on more days doth depend; This but begins the woe, others must end. BENVOLIOHere comes the furious Tybalt back again. ROMEOAlive, in triumph! and Mercutio slain! Away to heaven, respective lenity, And fire-eyed fury be my conduct now!

Re-enter TYBALT

Now, Tybalt, take the villain back again, That late thou gavest me; for Mercutio's soul Is but a little way above our heads, Staying for thine to keep him company: Either thou, or I, or both, must go with him. TYBALTThou, wretched boy, that didst consort him here, Shalt with him hence. ROMEOThis shall determine that.

They fight; TYBALT falls

BENVOLIORomeo, away, be gone! The citizens are up, and Tybalt slain. Stand not amazed: the prince will doom thee death, If thou art taken: hence, be gone, away! ROMEOO, I am fortune's fool! BENVOLIOWhy dost thou stay?

Exit ROMEO

Enter Citizens, & c

First CitizenWhich way ran he that kill'd Mercutio? Tybalt, that murderer, which way ran he? BENVOLIOThere lies that Tybalt. First CitizenUp, sir, go with me; I charge thee in the princes name, obey.

Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others

PRINCEWhere are the vile beginners of this fray? BENVOLIOO noble prince, I can discover all The unlucky manage of this fatal brawl: There lies the man, slain by young Romeo, That slew thy kinsman, brave Mercutio. LADY CAPULETTybalt, my cousin! O my brother's child! O prince! O cousin! husband! O, the blood is spilt O my dear kinsman! Prince, as thou art true, For blood of ours, shed blood of Montague. O cousin, cousin! PRINCEBenvolio, who began this bloody fray? BENVOLIOTybalt, here slain, whom Romeo's hand did slay; Romeo that spoke him fair, bade him bethink How nice the quarrel was, and urged withal Your high displeasure: all this uttered With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen Of Tybalt deaf to peace, but that he tilts With piercing steel at bold Mercutio's breast, Who all as hot, turns deadly point to point, And, with a martial scorn, with one hand beats Cold death aside, and with the other sends It back to Tybalt, whose dexterity, Retorts it: Romeo he cries aloud, 'Hold, friends! friends, part!' and, swifter than his tongue, His agile arm beats down their fatal points, And 'twixt them rushes; underneath whose arm An envious thrust from Tybalt hit the life Of stout Mercutio, and then Tybalt fled; But by and by comes back to Romeo, Who had but newly entertain'd revenge, And to 't they go like lightning, for, ere I Could draw to part them, was stout Tybalt slain. And, as he fell, did Romeo turn and fly. This is the truth, or let Benvolio die. LADY CAPULETHe is a kinsman to the Montague; Affection makes him false; he speaks not true: Some twenty of them fought in this black strife, And all those twenty could but kill one life. I beg for justice, which thou, prince, must give; Romeo slew Tybalt, Romeo must not live. PRINCERomeo slew him, he slew Mercutio; Who now the price of his dear blood doth owe? MONTAGUENot Romeo, prince, he was Mercutio's friend; His fault concludes but what the law should end, The life of Tybalt. PRINCEAnd for that offence Immediately we do exile him hence: I have an interest in your hate's proceeding, My blood for your rude brawls doth lie a-bleeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine: I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses: Therefore use none: let Romeo hence in haste, Else, when he's found, that hour is his last. Bear hence this body and attend our will: Mercy but murders, pardoning those that kill.

Exeunt

SCENE II. Capulet's orchard.

Enter JULIETJULIETGallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence.

Enter Nurse, with cords

Now, nurse, what news? What hast thou there? the cords That Romeo bid thee fetch? NurseAy, ay, the cords.

Throws them down

JULIETAy me! what news? why dost thou wring thy hands? NurseAh, well-a-day! he's dead, he's dead, he's dead! We are undone, lady, we are undone! Alack the day! he's gone, he's kill'd, he's dead! JULIETCan heaven be so envious? NurseRomeo can, Though heaven cannot: O Romeo, Romeo! Who ever would have thought it? Romeo! JULIETWhat devil art thou, that dost torment me thus? This torture should be roar'd in dismal hell. Hath Romeo slain himself? say thou but 'I,' And that bare vowel 'I' shall poison more Than the death-darting eye of cockatrice: I am not I, if there be such an I; Or those eyes shut, that make thee answer 'I.' If he be slain, say 'I'; or if not, no: Brief sounds determine of my weal or woe. NurseI saw the wound, I saw it with mine eyes,-- God save the mark!--here on his manly breast: A piteous corse, a bloody piteous corse; Pale, pale as ashes, all bedaub'd in blood, All in gore-blood; I swounded at the sight. JULIETO, break, my heart! poor bankrupt, break at once! To prison, eyes, ne'er look on liberty! Vile earth, to earth resign; end motion here; And thou and Romeo press one heavy bier! NurseO Tybalt, Tybalt, the best friend I had! O courteous Tybalt! honest gentleman! That ever I should live to see thee dead! JULIETWhat storm is this that blows so contrary? Is Romeo slaughter'd, and is Tybalt dead? My dear-loved cousin, and my dearer lord? Then, dreadful trumpet, sound the general doom! For who is living, if those two are gone? NurseTybalt is gone, and Romeo banished; Romeo that kill'd him, he is banished. JULIETO God! did Romeo's hand shed Tybalt's blood? NurseIt did, it did; alas the day, it did! JULIETO serpent heart, hid with a flowering face! Did ever dragon keep so fair a cave? Beautiful tyrant! fiend angelical! Dove-feather'd raven! wolvish-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem'st, A damned saint, an honourable villain! O nature, what hadst thou to do in hell, When thou didst bower the spirit of a fiend In moral paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O that deceit should dwell In such a gorgeous palace! NurseThere's no trust, No faith, no honesty in men; all perjured, All forsworn, all naught, all dissemblers. Ah, where's my man? give me some aqua vitae: These griefs, these woes, these sorrows make me old. Shame come to Romeo! JULIETBlister'd be thy tongue For such a wish! he was not born to shame: Upon his brow shame is ashamed to sit; For 'tis a throne where honour may be crown'd Sole monarch of the universal earth. O, what a beast was I to chide at him! NurseWill you speak well of him that kill'd your cousin? JULIETShall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three-hours wife, have mangled it? But, wherefore, villain, didst thou kill my cousin? That villain cousin would have kill'd my husband: Back, foolish tears, back to your native spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. My husband lives, that Tybalt would have slain; And Tybalt's dead, that would have slain my husband: All this is comfort; wherefore weep I then? Some word there was, worser than Tybalt's death, That murder'd me: I would forget it fain; But, O, it presses to my memory, Like damned guilty deeds to sinners' minds: 'Tybalt is dead, and Romeo--banished;' That 'banished,' that one word 'banished,' Hath slain ten thousand Tybalts. Tybalt's death Was woe enough, if it had ended there: Or, if sour woe delights in fellowship And needly will be rank'd with other griefs, Why follow'd not, when she said 'Tybalt's dead,' Thy father, or thy mother, nay, or both, Which modern lamentations might have moved? But with a rear-ward following Tybalt's death, 'Romeo is banished,' to speak that word, Is father, mother, Tybalt, Romeo, Juliet, All slain, all dead. 'Romeo is banished!' There is no end, no limit, measure, bound, In that word's death; no words can that woe sound. Where is my father, and my mother, nurse? NurseWeeping and wailing

over Tybalt's corse: Will you go to them? I will bring you thither. JULIETWash they his wounds with tears: mine shall be spent, When theirs are dry, for Romeo's banishment. Take up those cords: poor ropes, you are beguiled, Both you and I; for Romeo is exiled: He made you for a highway to my bed; But I, a maid, die maiden-widowed. Come, cords, come, nurse; I'll to my wedding-bed; And death, not Romeo, take my maidenhead! NurseHie to your chamber: I'll find Romeo To comfort you: I wot well where he is. Hark ye, your Romeo will be here at night: I'll to him; he is hid at Laurence' cell. JULIETO, find him! give this ring to my true knight, And bid him come to take his last farewell.

Exeunt

SCENE III. Friar Laurence's cell.

Enter FRIAR LAURENCEFRIAR LAURENCERomeo, come forth; come forth, thou fearful man: Affliction is enamour'd of thy parts, And thou art wedded to calamity.

Enter ROMEO

ROMEOFather, what news? what is the prince's doom? What sorrow craves acquaintance at my hand, That I yet know not? FRIAR LAURENCEToo familiar Is my dear son with such sour company: I bring thee tidings of the prince's doom. ROMEOWhat less than dooms-day is the prince's doom? FRIAR LAURENCEA gentler judgment vanish'd from his lips, Not body's death, but body's banishment. ROMEOHa, banishment! be merciful, say 'death;' For exile hath more terror in his look, Much more than death: do not say 'banishment.' FRIAR LAURENCEHence from Verona art thou banished: Be patient, for the world is broad and wide. ROMEOThere is no world without Verona walls, But purgatory, torture, hell itself. Hence-banished is banish'd from the world, And world's exile is death: then banished, Is death mis-term'd: calling death banishment, Thou cutt'st my head off with a golden axe, And smilest upon the stroke that murders me. FRIAR LAURENCEO deadly sin! O rude unthankfulness! Thy fault our law calls death; but the kind prince, Taking thy part, hath rush'd aside the law, And turn'd that black word death to banishment: This is dear mercy, and thou seest it not. ROMEO'Tis torture, and not mercy: heaven is here, Where Juliet lives; and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her; But Romeo may not: more validity, More honourable state, more courtship lives In carrion-flies than Romeo: they my seize On the white wonder of dear Juliet's hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, Still blush, as thinking their own kisses sin; But Romeo may not; he is banished: Flies may do this, but I from this must fly: They are free men, but I am banished. And say'st thou yet that exile is not death? Hadst thou no poison mix'd, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But 'banished' to kill me?--'banished'? O friar, the damned use that word in hell; Howlings attend it: how hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend profess'd, To mangle me with that word 'banished'? FRIAR LAURENCEThou fond mad man, hear me but speak a word. ROMEOO, thou wilt speak again of banishment. FRIAR LAURENCEI'll give thee armour to keep off that word: Adversity's sweet milk, philosophy, To comfort thee, though thou art banished. ROMEOYet 'banished'? Hang up philosophy! Unless philosophy can make a Juliet, Displant a town, reverse a prince's doom, It helps not, it prevails not: talk no more. FRIAR LAURENCEO, then I see that madmen have no ears. ROMEOHow should they, when that wise men have no eyes? FRIAR LAURENCELet me dispute with thee of thy estate. ROMEOThou canst not speak of that thou dost not feel: Wert thou as young as I, Juliet thy love, An hour but married, Tybalt murdered, Doting like me and like me banished, Then mightst thou speak, then mightst thou tear thy hair, And fall upon the ground, as I do now, Taking the measure of an unmade grave.

Knocking within

FRIAR LAURENCEArise; one knocks; good Romeo, hide thyself. ROMEONot I; unless the breath of heartsick groans, Mist-like, infold me from the search of eyes.

Knocking

FRIAR LAURENCEHark, how they knock! Who's there? Romeo, arise; Thou wilt be taken. Stay awhile! Stand up;

Knocking

Run to my study. By and by! God's will, What simpleness is this! I come, I come!

Knocking

Who knocks so hard? whence come you? what's your will? Nurse[Within] Let me come in, and you shall know my errand; I come from Lady Juliet. FRIAR LAURENCEWelcome, then.

Enter Nurse

NurseO holy friar, O, tell me, holy friar, Where is my lady's lord, where's Romeo? FRIAR LAURENCEThere on the ground, with his own tears made drunk. NurseO, he is even in my mistress' case, Just in her case! O woful sympathy! Piteous predicament! Even so lies she, Blubbering and weeping, weeping and blubbering. Stand up, stand up; stand, and you be a man: For Juliet's sake, for her sake, rise and stand; Why should you fall into so deep an O? ROMEONurse! NurseAh sir! ah sir! Well, death's the end of all. ROMEOSpakest thou of Juliet? how is it with her? Doth she not think me an old murderer, Now I have stain'd the childhood of our joy With blood removed but little from her own? Where is she? and how doth she? and what says My conceal'd lady to our cancell'd love? NurseO, she says nothing, sir, but weeps and weeps; And now falls on her bed; and then starts up, And Tybalt calls; and then on Romeo cries, And then down falls again. ROMEOAs if that name, Shot from the deadly level of a gun, Did murder her; as that name's cursed hand Murder'd her kinsman. O, tell me, friar, tell me, In what vile part of this anatomy Doth my name lodge? tell me, that I may sack The hateful mansion.

Drawing his sword

FRIAR LAURENCEHold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper'd. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail'st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound'st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow'd to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier's flask, Is set afire by thine own ignorance, And thou dismember'd with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew'st Tybalt; there are thou happy too: The law that threaten'd death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout'st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went'st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming. NurseO Lord, I could have stay'd here all the night To hear good counsel: O, what learning is! My lord, I'll tell my lady you will come. ROMEODo so, and bid my sweet prepare to chide. NurseHere, sir, a ring she bid me give you, sir: Hie you, make haste, for it grows very late.

Exit

ROMEOHow well my comfort is revived by this! FRIAR LAURENCEGo hence; good night; and here stands all your state: Either be gone before the watch be set, Or by the break of day disguised from hence: Sojourn in Mantua; I'll find out your man, And he shall signify from time to time Every good hap to you that chances here: Give me thy hand; 'tis late: farewell; good night. ROMEOBut that a joy past joy calls out on me, It were a grief, so brief to part with thee: Farewell.

Exeunt

SCENE IV. A room in Capulet's house.

Enter CAPULET, LADY CAPULET, and PARISCAPULETThings have fall'n out, sir, so unluckily, That we have had no time to move our daughter: Look you, she loved her kinsman Tybalt dearly, And so did I:--Well, we were born to die. 'Tis very late, she'll not come down to-night: I promise you, but for your company, I would have been a-bed an hour ago. PARISThese times of woe afford no time to woo. Madam, good night: commend me to your daughter. LADY CAPULETI will, and know her mind early to-morrow; To-night she is mew'd up to her heaviness. CAPULETSir Paris, I will make a desperate tender Of my child's love: I think she will be ruled In all respects by me; nay, more, I doubt it not. Wife, go you to her ere you go to bed; Acquaint her here of my son Paris' love; And bid her, mark you me, on Wednesday next-- But, soft! what day is this? PARISMonday, my lord, CAPULETMonday! ha, ha! Well, Wednesday is too soon, O' Thursday let it be: o' Thursday, tell her, She shall be married to this noble earl. Will you be ready? do you like this haste? We'll keep no great ado,--a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly, Being our kinsman, if we revel much: Therefore we'll have some half a dozen friends, And there an end. But what say you to Thursday? PARISMy lord, I would that Thursday were to-morrow. CAPULETWell get you gone: o' Thursday be it, then. Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day. Farewell, my lord. Light to my chamber, ho! Afore me! it is so very very late, That we may call it early by and by. Good night.

Exeunt

SCENE V. Capulet's orchard.

Enter ROMEO and JULIET above, at the windowJULIETWilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate-tree: Believe me, love, it was the nightingale. ROMEOIt was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. JULIETYon light is not day-light, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone. ROMEOLet me be ta'en, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. How is't, my soul? let's talk; it is not day. JULIETIt is, it is: hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; This doth not so, for she divideth us: Some say the lark and loathed toad change eyes, O, now I would they had changed voices too! Since arm from arm that voice doth us affray, Hunting thee hence with hunt's-up to the day, O, now be gone; more light and light it grows. ROMEOMore light and light; more dark and dark our woes!

Enter Nurse, to the chamber

NurseMadam! JULIETNurse? NurseYour lady mother is coming to your chamber: The day is broke; be wary, look about.

Exit

JULIETThen, window, let day in, and let life out. ROMEOFarewell, farewell! one kiss, and I'll descend.

He goeth down

JULIETArt thou gone so? love, lord, ay, husband, friend! I must hear from thee every day in the hour, For in a minute there are many days: O, by this count I shall be much in years Ere I again behold my Romeo! ROMEOFarewell! I will omit no opportunity That may convey my greetings, love, to thee. JULIETO think'st thou we shall ever meet again? ROMEOI doubt it not; and all these woes shall serve For sweet discourses in our time to come. JULIETO God, I have an ill-divining soul! Methinks I see thee, now thou art below, As one dead in the bottom of a tomb: Either my eyesight fails, or thou look'st pale. ROMEOAnd trust me, love, in my eye so do you: Dry sorrow drinks our blood. Adieu, adieu!

Exit

JULIETO fortune, fortune! all men call thee fickle: If thou art fickle, what dost thou with him. That is renown'd for faith? Be fickle, fortune; For then, I hope, thou wilt not keep him long, But send him back. LADY CAPULET[Within] Ho, daughter! are you up? JULIETWho is't that calls? is it my lady mother? Is she not down so late, or up so early? What unaccustom'd cause procures her hither?

Enter LADY CAPULET

LADY CAPULETWhy, how now, Juliet! JULIETMadam, I am not well. LADY CAPULETEvermore weeping for your cousin's death? What, wilt thou wash him from his grave with tears? An if thou couldst, thou couldst not make him live; Therefore, have done: some grief shows much of love; But much of grief shows still some want of wit. JULIETYet let me weep for such a feeling loss. LADY CAPULETSo shall you feel the loss, but not the friend Which you weep for. JULIETFeeling so the loss, Cannot choose but ever weep the friend. LADY CAPULETWell, girl, thou weep'st not so much for his death, As that the villain lives which slaughter'd him. JULIETWhat villain madam? LADY CAPULETThat same villain, Romeo. JULIET[Aside] Villain and he be many miles asunder.-- God Pardon him! I do, with all my heart; And yet no man like he doth grieve my heart. LADY CAPULETThat is, because the traitor murderer lives. JULIETAy, madam, from the reach of these my hands: Would none but I might venge my cousin's death! LADY CAPULETWe will have vengeance for it, fear thou not: Then weep no more. I'll send to one in Mantua, Where that same banish'd runagate doth live, Shall give him such an unaccustom'd dram, That he shall soon keep Tybalt company: And then, I hope, thou wilt be satisfied. JULIETIndeed, I never shall be satisfied With Romeo, till I behold him--dead-- Is my poor heart for a kinsman vex'd. Madam, if you could find out but a man To bear a poison, I would temper it; That Romeo should, upon receipt thereof, Soon sleep in quiet. O, how my heart abhors To hear him named, and cannot come to him. To wreak the love I bore my cousin Upon his body that slaughter'd him! LADY CAPULETFind thou the means, and I'll find such a man. But now I'll tell thee joyful tidings, girl. JULIETAnd joy comes well in such a needy time: What are they, I beseech your ladyship? LADY CAPULETWell, well, thou hast a careful father, child; One who, to put thee from thy heaviness, Hath sorted out a sudden day of joy, That thou expect'st not nor I look'd not for. JULIETMadam, in happy time, what day is that? LADY CAPULETMarry, my child, early next Thursday morn, The gallant, young and noble gentleman, The County Paris, at Saint Peter's Church, Shall happily make thee there a joyful bride. JULIETNow, by Saint Peter's Church and Peter too, He shall not make me there a joyful bride. I wonder at this haste; that I must wed Ere he, that should be husband, comes to woo. I pray you, tell my lord and father, madam, I will not marry yet; and, when I do, I swear, It shall be Romeo, whom you know I hate, Rather than Paris. These are news indeed! LADY CAPULETHere comes your father; tell him so yourself, And see how he will take it at your hands.

Enter CAPULET and Nurse

CAPULETWhen the sun sets, the air doth drizzle dew; But for the sunset of my brother's son It rains downright. How now! a conduit, girl? what, still in tears? Evermore showering? In one little body Thou counterfeit'st a bark, a sea, a wind; For still thy eyes, which I may call the sea, Do ebb and flow with tears; the bark thy body is, Sailing in this salt flood; the winds, thy sighs; Who, raging with thy tears, and they with them, Without a sudden calm, will overset Thy tempest-tossed body. How now, wife! Have you deliver'd to her our decree? LADY CAPULETAy, sir; but she will none, she gives you thanks. I would the fool were married to her grave! CAPULETSoft! take me with you, take me with you, wife. How! will she none? doth she not give us thanks? Is she not proud? doth she not count her blest, Unworthy as she is, that we have wrought So worthy a gentleman to be her bridegroom? JULIETNot proud, you have; but thankful, that you have: Proud can I never be of what I hate; But thankful even for hate, that is meant love. CAPULETHow now, how now, chop-logic! What is this? 'Proud,' and 'I thank you,' and 'I thank you not;' And yet 'not proud,' mistress minion, you, Thank me no thankings, nor, proud me no prouds, But fettle your fine joints 'gainst Thursday next, To go with Paris to Saint Peter's Church, Or I will drag thee on a hurdle thither. Out, you green-sickness carrion! out, you baggage! You tallow-face! LADY CAPULETFie, fie! what, are you mad? JULIETGood father, I beseech you on my knees, Hear me with patience but to speak a word. CAPULETHang thee, young baggage! disobedient wretch! I tell thee what: get thee to church o' Thursday, Or never after look me in the face: Speak not, reply not, do not answer me; My fingers itch. Wife, we scarce thought us blest That God had lent us but this only child; But now I see this one is one too much, And that we have a curse in having her: Out on her, hilding! NurseGod in heaven bless her! You are to blame, my lord, to rate her so. CAPULETAnd why, my lady wisdom? hold your tongue, Good prudence; smatter with your gossips, go. NurseI speak no treason. CAPULETO, God ye god-den. NurseMay not one speak? CAPULETPeace, you mumbling fool! Utter your gravity o'er a gossip's bowl; For here we need it not. LADY CAPULETYou are too hot. CAPULETGod's bread! it makes me mad: Day, night, hour, tide, time, work, play, Alone, in company, still my care hath been To have her match'd: and having now provided A gentleman of noble parentage, Of fair demesnes, youthful, and nobly train'd, Stuff'd, as they say, with honourable parts, Proportion'd as one's thought would wish a man; And then to have a wretched puling fool, A whining mammet, in her fortune's tender, To answer 'I'll not wed; I cannot love, I am too young; I pray you, pardon me.' But, as you will not wed, I'll pardon you: Graze where you will you shall not house with me: Look to't, think on't, I do not use to jest. Thursday is near; lay hand on heart, advise: An you be mine, I'll give you to my friend; And you be not, hang, beg, starve, die in the streets, For, by my soul, I'll ne'er acknowledge thee, Nor what is mine shall never do thee good: Trust to't, bethink you; I'll not be forsworn.

Exit

JULIETIs there no pity sitting in the clouds, That sees into the bottom of my grief? O, sweet my mother, cast me not away! Delay this marriage for a month, a week; Or, if you do not, make the bridal bed In that dim monument where Tybalt lies. LADY CAPULETTalk not to me, for I'll not speak a word: Do as thou wilt, for I have done with thee.

Exit

JULIETO God!--O nurse, how shall this be prevented? My husband is on earth, my faith in heaven; How shall that faith return again to earth, Unless that husband send it me from heaven By leaving earth? comfort me, counsel me. Alack, alack, that heaven should practise stratagems Upon so soft a subject as myself! What say'st thou? hast thou not a word of joy? Some comfort, nurse. NurseFaith, here it is. Romeo is banish'd; and all the world to nothing, That he dares ne'er come back to challenge you; Or, if he do, it needs must be by stealth. Then, since the case so stands as now it doth, I think it best you married with the county. O, he's a lovely gentleman! Romeo's a dishclout to him: an eagle, madam, Hath not so green, so quick, so fair an eye As Paris hath. Beshrew my very heart, I think you are happy in this second match, For it excels your first: or if it did not, Your first is dead; or 'twere as good he were, As living here and you no use of him. JULIETSpeakest thou from thy heart? NurseAnd from my soul too; Or else beshrew them both. JULIETAmen! NurseWhat? JULIETWell, thou hast comforted me marvellous much. Go in: and tell my lady I am gone, Having displeased my father, to Laurence' cell, To make confession and to be absolved. NurseMarry, I will; and this is wisely done.

Exit

JULIETAncient damnation! O most wicked fiend! Is it more sin to wish me thus forsworn, Or to dispraise my lord with that same tongue Which she hath praised him with above compare So many thousand times? Go, counsellor; Thou and my bosom henceforth shall be twain. I'll to the friar, to know his remedy: If all else fail, myself have power to die.

Exit

ACT IVSCENE I. Friar Laurence's cell.

Enter FRIAR LAURENCE and PARISFRIAR LAURENCEOn Thursday, sir? the time is very short. PARISMy father Capulet will have it so; And I am nothing slow to slack his haste. FRIAR LAURENCEYou say you do not know the lady's mind: Uneven is the course, I like it not. PARISImmoderately she weeps for Tybalt's death, And therefore have I little talk'd of love; For Venus smiles not in a house of tears. Now, sir, her father counts it dangerous That she doth give her sorrow so much sway, And in his wisdom hastes our marriage, To stop the inundation of her tears; Which, too much minded by herself alone, May be put from her by society: Now do you know the reason of this haste. FRIAR LAURENCE[Aside] I would I knew not why it should be slow'd. Look, sir, here comes the lady towards my cell.

Enter JULIET

PARISHappily met, my lady and my wife! JULIETThat may be, sir, when I may be a wife. PARISThat may be must be, love, on Thursday next. JULIETWhat must be shall be. FRIAR LAURENCEThat's a certain text. PARISCome you to make confession to this father? JULIETTo answer that, I should confess to you. PARISDo not deny to him that you love me. JULIETI will confess to you that I love him. PARISSo will ye, I am sure, that you love me. JULIETIf I do so, it will be of more price, Being spoke behind your back, than to your face. PARISPoor soul, thy face is much abused with tears. JULIETThe tears have got small victory by that; For it was bad enough before their spite. PARISThou wrong'st it, more than tears, with that report. JULIETThat is no slander, sir, which is a truth; And what I spake, I spake it to my face. PARISThy face is mine, and thou hast slander'd it. JULIETIt may be so, for it is not mine own. Are you at leisure, holy father, now; Or shall I come to you at evening mass? FRIAR LAURENCEMy leisure serves me, pensive daughter, now. My lord, we must entreat the time alone. PARISGod shield I should disturb devotion! Juliet, on Thursday early will I rouse ye: Till then, adieu; and keep this holy kiss.

Exit

JULIETO shut the door! and when thou hast done so, Come weep with me; past hope, past cure, past help! FRIAR LAURENCEAh, Juliet, I already know thy grief; It strains me past the compass of my wits: I hear thou must, and nothing may prorogue it, On Thursday next be married to this county. JULIETTell me not, friar, that thou hear'st of this, Unless thou tell me how I may prevent it: If, in thy wisdom, thou canst give no help, Do thou but call my resolution wise, And with this knife I'll help it presently. God join'd my heart and Romeo's, thou our hands; And ere this hand, by thee to Romeo seal'd, Shall be the label to another deed, Or my true heart with treacherous revolt Turn to another, this shall slay them both: Therefore, out of thy long-experienced time, Give me some present counsel, or, behold, 'Twixt my extremes and me this bloody knife Shall play the umpire, arbitrating that Which the commission of thy years and art Could to no issue of true honour bring. Be not so long to speak; I long to die, If what thou speak'st speak not of remedy. FRIAR LAURENCEHold, daughter: I do spy a kind of hope, Which craves as desperate an execution. As that is desperate which we would prevent. If, rather than to marry County Paris, Thou hast the strength of will to slay thyself, Then is it likely thou wilt undertake A thing like death to chide away this shame, That copest with death himself to scape from it: And, if thou darest, I'll give thee remedy. JULIETO, bid me leap, rather than marry Paris, From off the battlements of yonder tower; Or walk in thievish ways; or bid me lurk Where serpents are; chain me with roaring bears; Or shut me nightly in a charnel-house, O'er-cover'd quite with dead men's rattling bones, With reeky shanks and yellow chapless skulls; Or bid me go into a new-made grave And hide me with a dead man in his shroud; Things that, to hear them told, have made me tremble; And I will do it without fear or doubt, To live an unstain'd wife to my sweet love. FRIAR LAURENCEHold, then; go home, be merry, give consent To marry Paris: Wednesday is to-morrow: To-morrow night look that thou lie alone; Let not thy nurse lie with thee in thy chamber: Take thou this vial, being then in bed, And this distilled liquor drink thou off; When presently through all thy veins shall run A cold and drowsy humour, for no pulse Shall keep his native progress, but surcease: No warmth, no breath, shall testify thou livest; The roses in thy lips and cheeks shall fade To paly ashes, thy eyes' windows fall, Like death, when he shuts up the day of life; Each part, deprived of supple government, Shall, stiff and stark and cold, appear like death: And in this borrow'd likeness of shrunk death Thou shalt continue two and forty hours, And then awake as from a pleasant sleep. Now, when the bridegroom in the morning comes To rouse thee from thy bed, there art thou dead: Then, as the manner of our country is, In thy best robes uncover'd on the bier Thou shalt be borne to that same ancient vault Where all the kindred of the Capulets lie. In the mean time, against thou shalt awake, Shall Romeo by my letters know our drift, And hither shall he come: and he and I Will watch thy waking, and that very night Shall Romeo bear thee hence to Mantua. And this shall free thee from this present shame; If no inconstant toy, nor womanish fear, Abate thy valour in the acting it. JULIETGive me, give me! O, tell not me of fear! FRIAR LAURENCEHold; get you gone, be strong and prosperous In this resolve: I'll send a friar with speed To Mantua, with my letters to thy lord. JULIETLove give me strength! and strength shall help afford. Farewell, dear father!

Exeunt

SCENE II. Hall in Capulet's house.

Enter CAPULET, LADY CAPULET, Nurse, and two ServingmenCAPULETSo many guests invite as here are writ.

Exit First Servant

Sirrah, go hire me twenty cunning cooks. Second ServantYou shall have none ill, sir; for I'll try if they can lick their fingers. CAPULETHow canst thou try them so? Second ServantMarry, sir, 'tis an ill cook that cannot lick his own fingers: therefore he that cannot lick his fingers goes not with me. CAPULETGo, be gone.

Exit Second Servant

We shall be much unfurnished for this time. What, is my daughter gone to Friar Laurence? NurseAy, forsooth. CAPULETWell, he may chance to do some good on her: A peevish self-will'd harlotry it is. NurseSee where she comes from shrift with merry look.

Enter JULIET

CAPULETHow now, my headstrong! where have you been gadding? JULIETWhere I have learn'd me to repent the sin Of disobedient opposition To you and your behests, and am enjoin'd By holy Laurence to fall prostrate here, And beg your pardon: pardon, I beseech you! Henceforward I am ever ruled by you. CAPULETSend for the county; go tell him of this: I'll have this knot knit up to-morrow morning. JULIETI met the youthful lord at Laurence' cell; And gave him what becomed love I might, Not step o'er the bounds of modesty. CAPULETWhy, I am glad on't; this is well: stand up: This is as't should be. Let me see the county; Ay, marry, go, I say, and fetch him hither. Now, afore God! this reverend holy friar, Our whole city is much bound to him. JULIETNurse, will you go with me into my closet, To help me sort such needful ornaments As you think fit to furnish me to-morrow? LADY CAPULETNo, not till Thursday; there is time enough. CAPULETGo, nurse, go with her: we'll to church to-morrow.

Exeunt JULIET and Nurse

LADY CAPULETWe shall be short in our provision: 'Tis now near night. CAPULETTush, I will stir about, And all things shall be well, I warrant thee, wife: Go thou to Juliet, help to deck up her; I'll not to bed to-night; let me alone; I'll play the housewife for this once. What, ho! They are all forth. Well, I will walk myself To County Paris, to prepare him up Against to-morrow: my heart is wondrous light, Since this same wayward girl is so reclaim'd.

Exeunt

SCENE III. Juliet's chamber.

Enter JULIET and NurseJULIETAy, those attires are best: but, gentle nurse, I pray thee, leave me to my self to-night, For I have need of many orisons To move the heavens to smile upon my state, Which, well thou know'st, is cross, and full of sin.

Enter LADY CAPULET

LADY CAPULETWhat, are you busy, ho? need you my help? JULIETNo, madam; we have cull'd such necessaries As are behoveful for our state to-morrow: So please you, let me now be left alone, And let the nurse this night sit up with you; For, I am sure, you have your hands full all, In this so sudden business. LADY CAPULETGood night: Get thee to bed, and rest; for thou hast need.

Exeunt LADY CAPULET and Nurse

JULIETFarewell! God knows when we shall meet again. I have a faint cold fear thrills through my veins, That almost freezes up the heat of life: I'll call them back again to comfort me: Nurse! What should she do here? My dismal scene I needs must act alone. Come, vial. What if this mixture do not work at all? Shall I be married then to-morrow morning? No, no: this shall forbid it: lie thou there.

Laying down her dagger

What if it be a poison, which the friar Subtly hath minister'd to have me dead, Lest in this marriage he should be dishonour'd, Because he married me before to Romeo? I fear it is: and yet, methinks, it should not, For he hath still been tried a holy man. How if, when I am laid into the tomb, I wake before the time that Romeo Come to redeem me? there's a fearful point! Shall I not, then, be stifled in the vault, To whose foul mouth no healthsome air breathes in, And there die strangled ere my Romeo comes? Or, if I live, is it not very like, The horrible conceit of death and night, Together with the terror of the place,-- As in a vault, an ancient receptacle, Where, for these many hundred years, the bones Of all my buried ancestors are packed: Where bloody Tybalt, yet but green in earth, Lies festering in his shroud; where, as they say, At some hours in the night spirits resort;-- Alack, alack, is it not like that I, So early waking, what with loathsome smells, And shrieks like mandrakes' torn out of the earth, That living mortals, hearing them, run mad:-- O, if I wake, shall I not be distraught, Environed with all these hideous fears? And madly play with my forefather's joints? And pluck the mangled Tybalt from his shroud? And, in this rage, with some great kinsman's bone, As with a club, dash out my desperate brains? O, look! methinks I see my cousin's ghost Seeking out Romeo, that did spit his body Upon a rapier's point: stay, Tybalt, stay! Romeo, I come! this do I drink to thee.

She falls upon her bed, within the curtains

SCENE IV. Hall in Capulet's house.

Enter LADY CAPULET and NurseLADY CAPULETHold, take these keys, and fetch more spices, nurse. NurseThey call for dates and quinces in the pastry.

Enter CAPULET

CAPULETCome, stir, stir, stir! the second cock hath crow'd, The curfew-bell hath rung, 'tis three o'clock: Look to the baked meats, good Angelica: Spare not for the cost. NurseGo, you cot-quean, go, Get you to bed; faith, You'll be sick to-morrow For this night's watching. CAPULETNo, not a whit: what! I have watch'd ere now All night for lesser cause, and ne'er been sick. LADY CAPULETAy, you have been a mouse-hunt in your time; But I will watch you from such watching now.

Exeunt LADY CAPULET and Nurse

CAPULETA jealous hood, a jealous hood!

Enter three or four Servingmen, with spits, logs, and baskets

Now, fellow, What's there? First ServantThings for the cook, sir; but I know not what. CAPULETMake haste, make haste.

Exit First Servant

Sirrah, fetch drier logs: Call Peter, he will show thee where they are. Second ServantI have a head, sir, that will find out logs, And never trouble Peter for the matter.

Exit

CAPULETMass, and well said; a merry whoreson, ha! Thou shalt be logger-head. Good faith, 'tis day: The county will be here with music straight, For so he said he would: I hear him near.

Music within

Nurse! Wife! What, ho! What, nurse, I say!

Re-enter Nurse

Go waken Juliet, go and trim her up; I'll go and chat with Paris: hie, make haste, Make haste; the bridegroom he is come already: Make haste, I say.

Exeunt

SCENE V. Juliet's chamber.

Enter NurseNurseMistress! what, mistress! Juliet! fast, I warrant her, she: Why, lamb! why, lady! fie, you slug-a-bed! Why, love, I say! madam! sweet-heart! why, bride! What, not a word? you take your pennyworths now; Sleep for a week; for the next night, I warrant, The County Paris hath set up his rest, That you shall rest but little. God forgive me, Marry, and amen, how sound is she asleep! I must needs wake her. Madam, madam, madam! Ay, let the county take you in your bed; He'll fright you up, i' faith. Will it not be?

Undraws the curtains

What, dress'd! and in your clothes! and down again! I must needs wake you; Lady! lady! lady! Alas, alas! Help, help! my lady's dead! O, well-a-day, that ever I was born! Some aqua vitae, ho! My lord! my lady!

Enter LADY CAPULET

LADY CAPULETWhat noise is here? NurseO lamentable day! LADY CAPULETWhat is the matter? NurseLook, look! O heavy day! LADY CAPULETO me, O me! My child, my only life, Revive, look up, or I will die with thee! Help, help! Call help.

Enter CAPULET

CAPULETFor shame, bring Juliet forth; her lord is come. NurseShe's dead, deceased, she's dead; alack the day! LADY CAPULETAlack the day, she's dead, she's dead, she's dead! CAPULETHa! let me see her: out, alas! she's cold: Her blood is settled, and her joints are stiff; Life and these lips have long been separated: Death lies on her like an untimely frost Upon the sweetest flower of all the field. NurseO lamentable day! LADY CAPULETO woful time! CAPULETDeath, that hath ta'en her hence to make me wail, Ties up my tongue, and will not let me speak.

Enter FRIAR LAURENCE and PARIS, with Musicians

FRIAR LAURENCECome, is the bride ready to go to church? CAPULETReady to go, but never to return. O son! the night before thy wedding-day Hath Death lain with thy wife. There she lies, Flower as she was, deflowered by him. Death is my son-in-law, Death is my heir; My daughter he hath wedded: I will die, And leave him all; life, living, all is Death's. PARISHave I thought long to see this morning's face, And doth it give me such a sight as this? LADY CAPULETAccursed, unhappy, wretched, hateful day! Most miserable hour that e'er time saw In lasting labour of his pilgrimage! But one, poor one, one poor and loving child, But one thing to rejoice and solace in, And cruel death hath catch'd it from my sight! NurseO woe! O woful, woful, woful day! Most lamentable day, most woful day, That ever, ever, I did yet behold! O day! O day! O day! O hateful day! Never was seen so black a day as this: O woful day, O woful day! PARISBeguiled, divorced, wronged, spited, slain! Most detestable death, by thee beguil'd, By cruel cruel thee quite overthrown! O love! O life! not life, but love in death! CAPULETDespised, distressed, hated, martyr'd, kill'd! Uncomfortable time, why camest thou now To murder, murder our solemnity? O child! O child! my soul, and not my child! Dead art thou! Alack! my child is dead; And with my child my joys are buried. FRIAR LAURENCEPeace, ho, for shame! confusion's cure lives not In these confusions. Heaven and yourself Had part in this fair maid; now heaven hath all, And all the better is it for the maid: Your part in her you could not keep from death, But heaven keeps his part in eternal life. The most you sought was her promotion; For 'twas your heaven she should be advanced: And weep ye now, seeing she is advanced Above the clouds, as high as heaven itself? O, in this love, you love your child so ill, That you run mad, seeing that she is well: She's not well married that lives married long; But she's best married that dies married young. Dry up your tears, and stick your rosemary On this fair corse; and, as the custom is, In all her best array bear her to church: For though fond nature bids us an lament, Yet nature's tears are reason's merriment. CAPULETAll things that we ordained festival, Turn from their office to black funeral; Our instruments to melancholy bells, Our wedding cheer to a sad burial feast, Our solemn hymns to sullen dirges change, Our bridal flowers serve for a buried corse, And all things change them to the contrary. FRIAR LAURENCESir, go you in; and, madam, go with him; And go, Sir Paris; every one prepare To follow this fair corse unto her grave: The heavens do lour upon you for some ill; Move them no more by crossing their high will.

Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE

First MusicianFaith, we may put up our pipes, and be gone. NurseHonest goodfellows, ah, put up, put up; For, well you know, this is a pitiful case.

Exit

First MusicianAy, by my troth, the case may be amended.

Enter PETER

PETERMusicians, O, musicians, 'Heart's ease, Heart's ease:' O, an you will have me live, play 'Heart's ease.' First MusicianWhy 'Heart's ease?' PETERO, musicians, because my heart itself plays 'My heart is full of woe:' O, play me some merry dump, to comfort me. First MusicianNot a dump we; 'tis no time to play now. PETERYou will not, then? First MusicianNo. PETERI will then give it you soundly. First MusicianWhat will you give us? PETERNo money, on my faith, but the gleek; I will give you the minstrel. First MusicianThen I will give you the serving-creature. PETERThen will I lay the serving-creature's dagger on your pate. I will carry no crotchets: I'll re you, I'll fa you; do you note me? First MusicianAn you re us and fa us, you note us. Second MusicianPray you, put up your dagger, and put out your wit. PETERThen have at you with my wit! I will dry-beat you with an iron wit, and put up my iron dagger. Answer me like men: 'When griping grief the heart doth wound, And doleful dumps the mind oppress, Then music with her silver sound'-- why 'silver sound'? why 'music with her silver sound'? What say you, Simon Catling? MusicianMarry, sir, because silver hath a sweet sound. PETERPretty! What say you, Hugh Rebeck? Second MusicianI say 'silver sound,' because musicians sound for silver. PETERPretty too! What say you, James Soundpost? Third MusicianFaith, I know not what to say. PETERO, I cry you mercy; you are the singer: I will say for you. It is 'music with her silver sound,' because musicians have no gold for sounding: 'Then music with her silver sound With speedy help doth lend redress.'

Exit

First MusicianWhat a pestilent knave is this same! Second MusicianHang him, Jack! Come, we'll in here; tarry for the mourners, and stay dinner.

Exeunt

ACT VSCENE I. Mantua. A street.

Enter ROMEOROMEOIf I may trust the flattering truth of sleep, My dreams presage some joyful news at hand: My bosom's lord sits lightly in his throne; And all this day an unaccustom'd spirit Lifts me above the ground with cheerful thoughts. I dreamt my lady came and found me dead-- Strange dream, that gives a dead man leave to think!-- And breathed such life with kisses in my lips, That I revived, and was an emperor. Ah me! how sweet is love itself possess'd, When but love's shadows are so rich in joy!

Enter BALTHASAR, booted

News from Verona!--How now, Balthasar! Dost thou not bring me letters from the friar? How doth my lady? Is my father well? How fares my Juliet? that I ask again; For nothing can be ill, if she be well. BALTHASARThen she is well, and nothing can be ill: Her body sleeps in Capel's monument, And her immortal part with angels lives. I saw her laid low in her kindred's vault, And presently took post to tell it you: O, pardon me for bringing these ill news, Since you did leave it for my office, sir. ROMEOIs it even so? then I defy you, stars! Thou know'st my lodging: get me ink and paper, And hire post-horses; I will hence to-night. BALTHASARI do beseech you, sir, have patience: Your looks are pale and wild, and do import Some misadventure. ROMEOTush, thou art deceived: Leave me, and do the thing I bid thee do. Hast thou no letters to me from the friar? BALTHASARNo, my good lord. ROMEONo matter: get thee gone, And hire those horses; I'll be with thee straight.

Exit BALTHASAR

Well, Juliet, I will lie with thee to-night. Let's see for means: O mischief, thou art swift To enter in the thoughts of desperate men! I do remember an apothecary,-- And hereabouts he dwells,--which late I noted In tatter'd weeds, with overwhelming brows, Culling of simples; meagre were his looks, Sharp misery had worn him to the bones: And in his needy shop a tortoise hung, An alligator stuff'd, and other skins Of ill-shaped fishes; and about his shelves A beggarly account of empty boxes, Green earthen pots, bladders and musty seeds, Remnants of packthread and old cakes of roses, Were thinly scatter'd, to make up a show. Noting this penury, to myself I said 'An if a man did need a poison now, Whose sale is present death in Mantua, Here lives a caitiff wretch would sell it him.' O, this same thought did but forerun my need; And this same needy man must sell it me. As I remember, this should be the house. Being holiday, the beggar's shop is shut. What, ho! apothecary!

Enter Apothecary

ApothecaryWho calls so loud? ROMEOCome hither, man. I see that thou art poor: Hold, there is forty ducats: let me have A dram of poison, such soon-speeding gear As will disperse itself through all the veins That the life-weary taker may fall dead And that the trunk may be discharged of breath As violently as hasty powder fired Doth hurry from the fatal cannon's womb. ApothecarySuch mortal drugs I have; but Mantua's law Is death to any he that utters them. ROMEOArt thou so bare and full of wretchedness, And fear'st to die? famine is in thy cheeks, Need and oppression starveth in thine eyes, Contempt and beggary hangs upon thy back; The world is not thy friend nor the world's law; The world affords no law to make thee rich; Then be not poor, but break it, and take this. ApothecaryMy poverty, but not my will, consents. ROMEOI pay thy poverty, and not thy will. ApothecaryPut this in any liquid thing you will, And drink it off; and, if you had the strength Of twenty men, it would dispatch you straight. ROMEOThere is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee.

Exeunt

SCENE II. Friar Laurence's cell.

Enter FRIAR JOHNFRIAR JOHNHoly Franciscan friar! brother, ho!

Enter FRIAR LAURENCE

FRIAR LAURENCEThis same should be the voice of Friar John. Welcome from Mantua: what says Romeo? Or, if his mind be writ, give me his letter. FRIAR JOHNGoing to find a bare-foot brother out One of our order, to associate me, Here in this city visiting the sick, And finding him, the searchers of the town, Suspecting that we both were in a house Where the infectious pestilence did reign, Seal'd up the doors, and would not let us forth; So that my speed to Mantua there was stay'd. FRIAR LAURENCEWho bare my letter, then, to Romeo? FRIAR JOHNI could not send it,--here it is again,-- Nor get a messenger to bring it thee, So fearful were they of infection. FRIAR LAURENCEUnhappy fortune! by my brotherhood, The letter was not nice but full of charge Of dear import, and the neglecting it May do much danger. Friar John, go hence; Get me an iron crow, and bring it straight Unto my cell. FRIAR JOHNBrother, I'll go and bring it thee.

Exit

FRIAR LAURENCENow must I to the monument alone; Within three hours will fair Juliet wake: She will beshrew me much that Romeo Hath had no notice of these accidents; But I will write again to Mantua, And keep her at my cell till Romeo come; Poor living corse, closed in a dead man's tomb!

Exit

SCENE III. A churchyard; in it a tomb belonging to the Capulets.

Enter PARIS, and his Page bearing flowers and a torchPARISGive me thy torch, boy: hence, and stand aloof: Yet put it out, for I would not be seen. Under yond yew-trees lay thee all along, Holding thine ear close to the hollow ground; So shall no foot upon the churchyard tread, Being loose, unfirm, with digging up of graves, But thou shalt hear it: whistle then to me, As signal that thou hear'st something approach. Give me those flowers. Do as I bid thee, go. PAGE[Aside] I am almost afraid to stand alone Here in the churchyard; yet I will adventure.

Retires

PARISSweet flower, with flowers thy bridal bed I strew,-- O woe! thy canopy is dust and stones;-- Which with sweet water nightly I will dew, Or, wanting that, with tears distill'd by moans: The obsequies that I for thee will keep Nightly shall be to strew thy grave and weep.

The Page whistles

The boy gives warning something doth approach. What cursed foot wanders this way to-night, To cross my obsequies and true love's rite? What with a torch! muffle me, night, awhile.

Retires

Enter ROMEO and BALTHASAR, with a torch, mattock, & c

ROMEOGive me that mattock and the wrenching iron. Hold, take this letter; early in the morning See thou deliver it to my lord and father. Give me the light: upon thy life, I charge thee, Whate'er thou hear'st or seest, stand all aloof, And do not interrupt me in my course. Why I descend into this bed of death, Is partly to behold my lady's face; But chiefly to take thence from her dead finger A precious ring, a ring that I must use In dear employment: therefore hence, be gone: But if thou, jealous, dost return to pry In what I further shall intend to do, By heaven, I will tear thee joint by joint And strew this hungry churchyard with thy limbs: The time and my intents are savage-wild, More fierce and more inexorable far Than empty tigers or the roaring sea. BALTHASARI will be gone, sir, and not trouble you. ROMEOSo shalt thou show me friendship. Take thou that: Live, and be prosperous: and farewell, good fellow. BALTHASAR[Aside] For all this same, I'll hide me hereabout: His looks I fear, and his intents I doubt.

Retires

ROMEOThou detestable maw, thou womb of death, Gorged with the dearest morsel of the earth, Thus I enforce thy rotten jaws to open, And, in despite, I'll cram thee with more food!

Opens the tomb

PARISThis is that banish'd haughty Montague, That murder'd my love's cousin, with which grief, It is supposed, the fair creature died; And here is come to do some villanous shame To the dead bodies: I will apprehend him.

Comes forward

Stop thy unhallow'd toil, vile Montague! Can vengeance be pursued further than death? Condemned villain, I do apprehend thee: Obey, and go with me; for thou must die. ROMEOI must indeed; and therefore came I hither. Good gentle youth, tempt not a desperate man; Fly hence, and leave me: think upon these gone; Let them affright thee. I beseech thee, youth, Put not another sin upon my head, By urging me to fury: O, be gone! By heaven, I love thee better than myself; For I come hither arm'd against myself: Stay not, be gone; live, and hereafter say, A madman's mercy bade thee run away. PARISI do defy thy conjurations, And apprehend thee for a felon here. ROMEOWilt thou provoke me? then have at thee, boy!

They fight

PAGEO Lord, they fight! I will go call the watch.

Exit

PARISO, I am slain!

Falls

If thou be merciful, Open the tomb, lay me with Juliet.

Dies

ROMEOIn faith, I will. Let me peruse this face. Mercutio's kinsman, noble County Paris! What said my man, when my betossed soul Did not attend him as we rode? I think He told me Paris should have married Juliet: Said he not so? or did I dream it so? Or am I mad, hearing him talk of Juliet, To think it was so? O, give me thy hand, One writ with me in sour misfortune's book! I'll bury thee in a triumphant grave; A grave? O no! a lantern, slaughter'd youth, For here lies Juliet, and her beauty makes This vault a feasting presence full of light. Death, lie thou there, by a dead man interr'd.

Laying PARIS in the tomb

How oft when men are at the point of death Have they been merry! which their keepers call A lightning before death: O, how may I Call this a lightning? O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favour can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids; O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death! Come, bitter conduct, come, unsavoury guide! Thou desperate pilot, now at once run on The dashing rocks thy sea-sick weary bark! Here's to my love!

Drinks

O true apothecary! Thy drugs are quick. Thus with a kiss I die.

Dies

Enter, at the other end of the churchyard, FRIAR LAURENCE, with a lantern, crow, and spade

FRIAR LAURENCESaint Francis be my speed! how oft to-night Have my old feet stumbled at graves! Who's there? BALTHASARHere's one, a friend, and one that knows you well. FRIAR LAURENCEBliss be upon you! Tell me, good my friend, What torch is yond, that vainly lends his light To grubs and eyeless skulls? as I discern, It burneth in the Capel's monument. BALTHASARIt doth so, holy sir; and there's my master, One that you love. FRIAR LAURENCEWho is it? BALTHASARRomeo. FRIAR LAURENCEHow long hath he been there? BALTHASARFull half an hour. FRIAR LAURENCEGo with me to the vault. BALTHASARI dare not, sir My master knows not but I am gone hence; And fearfully did menace me with death, If I did stay to look on his intents. FRIAR LAURENCEStay, then; I'll go alone. Fear comes upon me: O, much I fear some ill unlucky thing. BALTHASARAs I did sleep under this yew-tree here, I dreamt my master and another fought, And that my master slew him. FRIAR LAURENCERomeo!

Advances

Alack, alack, what blood is this, which stains The stony entrance of this sepulchre? What mean these masterless and gory swords To lie discolour'd by this place of peace?

Enters the tomb

Romeo! O, pale! Who else? what, Paris too? And steep'd in blood? Ah, what an unkind hour Is guilty of this lamentable chance! The lady stirs.

JULIET wakes

JULIETO comfortable friar! where is my lord? I do remember well where I should be, And there I am. Where is my Romeo?

Noise within

FRIAR LAURENCEI hear some noise. Lady, come from that nest Of death, contagion, and unnatural sleep: A greater power than we can contradict Hath thwarted our intents. Come, come away. Thy husband in thy bosom there lies dead; And Paris too. Come, I'll dispose of thee Among a sisterhood of holy nuns: Stay not to question, for the watch is coming; Come, go, good Juliet,

Noise again

I dare no longer stay. JULIETGo, get thee hence, for I will not away.

Exit FRIAR LAURENCE

What's here? a cup, closed in my true love's hand? Poison, I see, hath been his timeless end: O churl! drunk all, and left no friendly drop To help me after? I will kiss thy lips; Haply some poison yet doth hang on them, To make die with a restorative.

Kisses him

Thy lips are warm. First Watchman[Within] Lead, boy: which way? JULIETYea, noise? then I'll be brief. O happy dagger!

Snatching ROMEO's dagger

This is thy sheath;

Stabs herself

there rust, and let me die.

Falls on ROMEO's body, and dies

Enter Watch, with the Page of PARIS

PAGEThis is the place; there, where the torch doth burn. First WatchmanThe ground is bloody; search about the churchyard: Go, some of you, whoe'er you find attach. Pitiful sight! here lies the county slain, And Juliet bleeding, warm, and newly dead, Who here hath lain these two days buried. Go, tell the prince: run to the Capulets: Raise up the Montagues: some others search: We see the ground whereon these woes do lie; But the true ground of all these piteous woes We cannot without circumstance descry.

Re-enter some of the Watch, with BALTHASAR

Second WatchmanHere's Romeo's man; we found him in the churchyard. First WatchmanHold him in safety, till the prince come hither.

Re-enter others of the Watch, with FRIAR LAURENCE

Third WatchmanHere is a friar, that trembles, sighs and weeps: We took this mattock and this spade from him, As he was coming from this churchyard side. First WatchmanA great suspicion: stay the friar too.

Enter the PRINCE and Attendants

PRINCEWhat misadventure is so early up, That calls our person from our morning's rest?

Enter CAPULET, LADY CAPULET, and others

CAPULETWhat should it be, that they so shriek abroad? LADY CAPULETThe people in the street cry Romeo, Some Juliet, and some Paris; and all run, With open outcry toward our monument. PRINCEWhat fear is this which startles in our ears? First WatchmanSovereign, here lies the County Paris slain; And Romeo dead; and Juliet, dead before, Warm and new kill'd. PRINCESearch, seek, and know how this foul murder comes. First WatchmanHere is a friar, and slaughter'd Romeo's man; With instruments upon them, fit to open These dead men's tombs. CAPULETO heavens! O wife, look how our daughter bleeds! This dagger hath mista'en--for, lo, his house Is empty on the back of Montague,-- And it mis-sheathed in my daughter's bosom! LADY CAPULETO me! this sight of death is as a bell, That warns my old age to a sepulchre.

Enter MONTAGUE and others

PRINCECome, Montague; for thou art early up, To see thy son and heir more early down. MONTAGUEAlas, my liege, my wife is dead to-night; Grief of my son's exile hath stopp'd her breath: What further woe conspires against mine age? PRINCELook, and thou shalt see. MONTAGUEO thou untaught! what manners is in this? To press before thy father to a grave? PRINCESeal up the mouth of outrage for a while, Till we can clear these ambiguities, And know their spring, their head, their true descent; And then will I be general of your woes, And lead you even to death: meantime forbear, And let mischance be slave to patience. Bring forth the parties of suspicion. FRIAR LAURENCEI am the greatest, able to do least, Yet most suspected, as the time and place Doth make against me of this direful murder; And here I stand, both to impeach and purge Myself condemned and myself excused. PRINCEThen say at once what thou dost know in this. FRIAR LAURENCEI will be brief, for my short date of breath Is not so long as is a tedious tale. Romeo, there dead, was husband to that Juliet; And she, there dead, that Romeo's faithful wife: I married them; and their stol'n marriage-day Was Tybalt's dooms-day, whose untimely death Banish'd the new-made bridegroom from the city, For whom, and not for Tybalt, Juliet pined. You, to remove that siege of grief from her, Betroth'd and would have married her perforce To County Paris: then comes she to me, And, with wild looks, bid me devise some mean To rid her from this second marriage, Or in my cell there would she kill herself. Then gave I her, so tutor'd by my art, A sleeping potion; which so took effect As I intended, for it wrought on her The form of death: meantime I writ to Romeo, That he should hither come as this dire night, To help to take her from her borrow'd grave, Being the time the potion's force should cease. But he which bore my letter, Friar John, Was stay'd by accident, and yesternight Return'd my letter back. Then all alone At the prefixed hour of her waking, Came I to take her from her kindred's vault; Meaning to keep her closely at my cell, Till I conveniently could send to Romeo: But when I came, some minute ere the time Of her awaking, here untimely lay The noble Paris and true Romeo dead. She wakes; and I entreated her come forth, And bear this work of heaven with patience: But then a noise did scare me from the tomb; And she, too desperate, would not go with me, But, as it seems, did violence on herself. All this I know; and to the marriage Her nurse is privy: and, if aught in this Miscarried by my fault, let my old life Be sacrificed, some hour before his time, Unto the rigour of severest law. PRINCEWe still have known thee for a holy man. Where's Romeo's man? what can he say in this? BALTHASARI brought my master news of Juliet's death; And then in post he came from Mantua To this same place, to this same monument. This letter he early bid me give his father, And threatened me with death, going in the vault, I departed not and left him there. PRINCEGive me the letter; I will look on it. Where is the county's page, that raised the watch? Sirrah, what made your master in this place? PAGEHe came with flowers to strew his lady's grave; And bid me stand aloof, and so I did: Anon comes one with light to ope the tomb; And by and by my master drew on him; And then I ran away to call the watch. PRINCEThis letter doth make good the friar's words, Their course of love, the tidings of her death: And here he writes that he did buy a poison Of a poor 'pothecary, and therewithal Came to this vault to die, and lie with Juliet. Where be these enemies? Capulet! Montague! See, what a scourge is laid upon your hate, That heaven finds means to kill your joys with love. And I for winking at your discords too Have lost a brace of kinsmen: all are punish'd. CAPULETO brother Montague, give me thy hand: This is my daughter's jointure, for no more Can I demand. MONTAGUEBut I can give thee more: For I will raise her statue in pure gold; That while Verona by that name is known, There shall no figure at such rate be

set As that of true and faithful Juliet. CAPULETAs rich shall Romeo's by his lady's lie; Poor sacrifices of our enmity! PRINCEA glooming peace this morning with it brings; The sun, for sorrow, will not show his head: Go hence, to have more talk of these sad things; Some shall be pardon'd, and some punished: For never was a story of more woe Than this of Juliet and her Romeo.

Exeunt

[doglover101]

Romeo and Juliet

Vs

Lore Olympus

Not sure if it’s just me, but I think there are tooooooo many similarities between Romeo and Juliet and Lore Olympus such as...

The story starts off with Romeo/Hades moping over a girl:

-Romeo is upset that Rosaline doesn’t love him back and that she took a vow to remain chaste. -Hades is upset that his date, Minthe, bailed out on him to go to a party with him.

They didn’t want to go to a party but went anyway for only one reason: -Romeo only goes just to see Rosaline. -Hades is obliged to attend the party hosted by his brother Zeus.

Romeo/Hades instantly forget about their so-called crushes when they see Juliet/Persephone and fall in love at first sight. -Juliet returns her mutual feelings towards Romeo, while Hades and Persephone are very secretive about their crush towards each other.

FOR NOW

😏

Many people around them are opposed to their relationship on the grounds of:

-The family feud for Romeo and Juliet; need I say more? -For Hades and Persephone it’s their age gap, his brothers perverted reputation, Demeter’s over-protectiveness, and TGOEM want her to join them and take a vow of celibacy.

Two bros that hang out with Romeo/Hades (Literally in Hades’ case!) -Benvolio and Mercucio/Zeus and Poseidon.

Paris/Apollo will stop at nothing to get to Juliet/Persephone, be it wife or lover respectively.

A person who was against the pairing AT FIRST but ultimately became shippers overnight:

-Friar Lawrence initially calls out Romeo for falling in love with Juliet so quickly when he was so upset over Rosaline’s rejection, but realize their union will stop their families feud and marries them both.

-Hecate was angry at the tabloid article of Hades together with Persephone, initially believing he was using Persephone to get in her pants. Once Hades made it clear it was all a misunderstanding, she ships them both.

Juliet/Persephone have a friend (Nurse/Eros) who helps them out with their love for Romeo/Hades.

While I was tempted for make a comparison between Artemis and the Nurse, what with being lady friends with the female lead, but the similarities ends there. The MAJOR difference between the two is while the Nurse ships Romeo/Juliet up until Lord Capulet wants to marry Juliet/Paris together, Artemis never ship Hades/Persephone because she hates him simply because he’s a man and his brothers are Zeus and Poseidon. To her, that automatically makes Hades a pervert like his brothers, which is ridicules. Sorry Artemis fans😞😞😞

There’s also sooooo many Roman mythical illusions to Romeo and Juliet; examples included Cupid, Diana, Aurora, and so on.

The BIGGEST difference to all is that half the cast of Romeo and Juliet drops dead by the end; All the gods of Lore Olympus are immortal so our OTP have nothing to worry about, since the myths state they are married.

Well that and one story takes place in Renaissance era Italy, the other is set in Ancient Greece albeit modern styled Olympus but that’s about it for changes.

See any similarities? None? Imma just head out now.

Happy reading webtoon fans!

[sweetxgabi]

@lilith-aurora-capulet

Gabi did not really think she had reservations about this but she was a little nervous, if she were being completely honest. But she had been too intrigued to stay away and so, with no other responsibilities for the night, she decided to take the chance. So she found herself at Lilith’s home, holding a box of chocolate covered strawberries and trying to ignore the swirling in the pit of her stomach. But she pushed them aside and knocked at the door, a nervous smile curling her face as she waited.

[charlottexwoods]

Belated celebration

Of all the people Lottie might have expected to get a gift from Lilith wasn’t one of them and then to follow that up by somehow ending up going out to dinner a few days after her birthday had her head reeling somewhat.  She was sceptical about the domme’s motives but she had never made a secret of that but she was also willing to give her the benefit of the doubt, if nothing else she would hopefully get a nice meal out of it.  Dressing in something that she felt was a mash of both their styles Lottie made her way to the restaurant and gave Lilith’s name to the desk, waiting quietly as they checked the list.

@lilith-aurora-capulet

[aurorarose]

a true king;;

F E A T U R I N G : stefan capulet (with guest appearances from his parents who don’t have a name (lol) and leah capulet)

T I M E F R A M E : 1991 - 2011

S Y N O P S I S : try as he does to be the king his kingdom needs, stefan forever struggles with what that truly means.

T R I G G E R S : implied verbal abuse

N O T E S : i’m sorry for this but these family trees really got me MESSED UP OVER HERE

According to your father, a true king is one that makes the right decisions even in the most difficult of circumstances. 

You’re sixteen at the time. ‘Just a boy,’ as your mother insists whilst scolding him from across the table, and while you’d usually be the the first one to whine and insist that she stop treating you like a child, you feel like a child in that moment. He towers above you, pacing back and forth across the length of the dining hall and clearly incensed after having to witness his son being brought home by the scruff of his neck by the head of his guard and hear the stories of how he’d been found trying to sneak off into the Moors in the early hours of the morning. Every little bit of scolding and shouting and anger hurled your way feels like a new shot of ice right in your veins, and even in spite of your pride you find yourself flinching and wincing each and every time. She’s right - you’re nothing but a child in that moment, reduced to a shivering mass sunk into cushioned back of your seat. 

He tells you this sage piece of advice after nearly twenty minutes of verbal barraging have passed, his wide, ring-encrusted hands slamming against the glossy mahogany of the table separating the two of you as he leans menacingly closer. There’s a glint in his eyes that you’ve never seen before - one of an almost manic excitement shrouded by fury - and those very words seem to reverberate in the air in the long silence that follows his statement.

It’s obvious to you then that he knows exactly what you’ve been doing in the Moors. Fraternizing with those beasts - the fairies and pixies and golems and everything that your entire kingdom seemed to despise with such a passion. With Maleficent, foreign and menacing and yet beautiful in a way you’ve never known before. It’s been years that you’ve known her, but even you can’t help but wish you’d never met her while under the weight of your father’s gaze. 

It feels like a decade has passed before he speaks again, but when he does, his voice lowers into a near murmur, his weight shifting forward to ensure that the two of you are eye-to-eye. “It’s time for you to make the right decision, son.”

You find yourself alone ten minutes later with the weight of an ultimatum sitting heavy on your shoulders. In theory, it should be an easy decision: Maleficent or the crown. And yet, no matter how you try, you can’t seem to reconcile it. On one hand, you know that choosing to follow the orders laid down by your father would mean hurting the one person who’d always loved you without conditions. She didn’t care about any of it - the fineries, crown, or title - but about you, and you know without a shadow of a doubt that doing such a deed would inevitably turn her from you for the rest of time itself. Then again, you also knew that there was nothing more important to you than your father’s approval, and with the threat of disownment hanging over your head you’ve found your mind thrown into a sort of blind panic to do whatever he wants.

You debate over it for weeks, sick to your stomach with the possibilities juggling around your skull. You’re not sure you’ve made the right decision even after the deed is done and the threat of the Moors is practically made extinct in one swift power move, but your one comfort is that it has won you the ultimate protection - the crown. At the end of the day, you’d long since decided that power was worth any sacrifice, and no matter how much it hurt, you’d continue to chase it for as long as you live.

                                                                         ⚜⚜⚜

According to your wife, a true king is one that knows how to show weakness.

It’s stated at the point of pure exasperation, her face twisted in frustration and illuminated by the dim light shining from the opposite side of the room as she pushes herself off of the bed. The way she glowers at you once she’s whirled around to face you once more from a safe few strides away speaks volumes of her state of mind; she’s mad, and you’re the reason for it.

You’ve not been married for more than a month, and yet your marriage already seems to be in shambles. It’s would be funny were you not on the receiving end of her ire, and even so you can’t help but find it foolish of her to have expected any differently out of you. This was no more than a political union, after all - as most royal marriages had been for centuries - and yet she persisted in a hopeless, endless battle to soften you to the idea of her.

You would be lying if you said you expected any less of her. Leah Montaigne, after all, had quite the reputation of her own before she’d ever been named yours. Beautiful, intelligent, and charming... she was everything expected of a queen and more, but you also knew that there was an undercurrent of cunning that ran under it all and a willingness to use her charms to get ahead. It was smart, even you could admit that. Women, after all, were so often seen as weak and emotionally driven, so for her to play right into that stereotype and act the part of the demure ingenue as an act of manipulation was brilliant. You can’t even say it wouldn’t work on you if you’d not been wise to her ways and unwavered by the prospect of romantic love. That concept had been dead to you for years now, and so try as she did to win you over piece by piece, she’d been met with nothing with resistance just as she had just moments ago. Her games weren’t working, and now here she was espousing the values of weakness as if it would somehow sway you.

Leah stands there for a moment, silent as her figure framed by the dimming light of day shining from the window behind her. Her mouth opens as if she’s ready to say something else only to clamp shut once more, and it happens once again, then twice more before she finally finds her words. “You don’t have to love me,” she deadpans, the usually soft timbre of her voice colored with a new intensity he’d never quite heard from her before, “And honestly? You don’t even have to like me if you don’t want to. But you do have to work with me - whether you like it or not.”

Your first instinct is to brush her words off, even as she whisks herself out of the room in the type of hurry that practically screamed that she was more than unhappy with you. That being said, those very thoughts linger in your mind, playing on a feedback loop as if it were some sort of mantra, and slowly but surely the realization dawns on you that you may know your wife, but you don’t know her - not really, at least. You don’t know her hopes and dreams, nor do you know her intentions. Hell, she could be just as averse to the idea of this marriage as you are, and yet she’d done just as she said you needed to... she worked with you. 

The change isn’t instant, but slowly but surely the relationship between the two of you develops. It’s not love, nor will it ever be, but it is a partnership and you couldn’t ask for a better woman to be by your side throughout it all. The very same woman is the one who gives you an heir just a few short years later - a beautiful baby girl who shared her mother’s golden hair and your blue eyes - and it’s only when your daughter is born that you finally find enough inner peace to begin to come around to the idea of allowing yourself a little bit of joy. 

And then Maleficent came, all fury and flames and fully determined to tear that joy apart piece by piece. 

You would’ve been fine with accepting the consequences. The nightmares of what you’d done to her had haunted you for years, leaving you in a constant state of unrest where guilt threatened to eat you alive at any moment. If anything, you’d expected her to strike you dead as soon as you saw that achingly familiar face emerge from the crowd, and you supposed that you deserved what was coming to you. Ultimately, though, she chose a fate worse than death as her personal form of vengeance; instead of taking you as recompense, her attention was turned to something far, far more precious. 

The gasps of despair were audible as Maleficent’s curse became fully actualized. Your child - the innocent little babe fast asleep no more than a few feet away from him - would be the one to pay the price for her father’s actions with her own life. For as long as you’d worn the crown, you’d never felt anything more than invincible, but here and now, staring into the eyes of the woman who was singlehandedly able to take everything you loved from you without so much of an afterthought, you felt truly powerless for the first time. Your wife’s words from years prior echo in your mind as if some sort of belated reminder, and without another thought, you do the only thing you can do in that moment: you beg.

It’s humiliating. Here you are, on your knees before your subjects and contemporaries and before her in particular, pleading with her to spare your daughter’s laugh. And god, the look of joy on her face at the vision before her and her concession to take your thoughts into consideration gives you a sense of false hope for a mere moment... until she begins to speak once more. A loophole of sorts - the one thing that could wake his daughter from that century-long sleep was true love’s kiss. The crowd around you seems relieved, but you’re no more comforted than you were before; looking into the wicked glee gleaming in her eyes, you know that she knows as well as you do that true love doesn’t exist and that all efforts were ultimately for nothing. Aurora was doomed, and there was nothing you could do to stop it.

Weakness ultimately fails you in that moment. And with that, you vowed you’d never allow yourself to be weak - not again.

                                                                           ⚜⚜⚜

According to your advisors, a true king is one that will go to no ends to win a war, no matter the cost. 

They’ve witnessed every single moment of the past hour, from the arrival of one of the three faeries he’d entrusted his daughter with sixteen years prior to the moment she broke the news that transferring the girl over to his care that evening was simply impossible - not when the signs of Maleficent’s handiwork remained so evident and unavoidable. They’d also witnessed the aftermath of that very message, his irrational, intense fury that had reduced you to a screaming, red-faced mess as he stormed about the room and insisted that you refused to let the damned woman win after all these years. She’d kept your daughter from you for sixteen years and was now threatening to keep her from you even longer, and that was simply something you wouldn’t stand for. 

The faerie had told you plenty of other inconvenient things. For one, the girl remained apparently devastated by the news of her lineage and had been practically inconsolable for hours. It was indicated to you that most of it had to do with some boy she’d met - a peasant, though there was no other real information that could be provided about him - but that ultimately, the girl was still at the cottage, sick with grief as the other two faeries tried in vain to bring her around to the idea. She allegedly didn’t want to come home, which you still find to be completely egregious, if not weak-minded of the girl. She’s sixteen, after all, and practically a woman at this point - she should know better.

Ultimately, however, you don’t care what she wants, nor what she feels. She can cry and wail and bemoan her royal status as a cruel twist of fate for all you care; so long as you could be victorious in keeping Maleficent from having the final laugh, her mental state is of little to no concern. 

It’s cruel of you. One advisor tells you as much after voicing such to the faerie and ordering her off to fetch the girl and bring her back to you. The old you would’ve thought so, too - a twenty year old boy-king with the world at his feet and some fatherly obligation to protect an innocent child from facing undue wrath - but after sixteen years spent tracking and calculating Maleficent’s every move, this is no longer a moral fight for you. It’s a war in the form of a chess game, with each person watching and waiting to make the move that would eventually blow the other off the board. Aurora is nothing more than the final pawn in that game, a trophy for you to seize and wave in Maleficent’s face as if boasting that you got her first, and that is a victory you want more than anything else.

It’s a long, terse few minutes spent pacing circles about the room and muttering angrily to yourself before another advisor dares to speak up. The point he brings up is a good one - what good would having the child here do if she was still at risk with every passing moment? Could they feasibly protect her when Maleficent was only growing stronger with every passing moment? It takes plenty of reasoning before he so much as manages to get through with you, but it finally sticks after he utters that phrase to you. After all, she could win this battle all she wants, but you were in it to win the war.

And so, begrudging at best, you make the call. Aurora wouldn’t be returning home that evening, nor would she be staying within the kingdom; instead, she’d be going elsewhere - far enough away that it would be nearly impossible to find her - until he could figure out a way to get rid of that damned faerie once and for all. Granted, the decision comes with some sticky points between making sure the word got to the faeries before they set out to the castle and arranging something with King Hubert to get an extension on the political arrangement that they’d planned sixteen years prior with their own children right at the center, but at the end of it, you know there’s no other real choice for you to make. 

Your plans have been dashed, and in spite of your best efforts, Maleficent has managed to gain the upper hand on you. That being said, you know full and well that you won’t rest until she’s gone for good, and you’re willing to do just about anything to ensure you’re the one to get their revenge in the very end.

[heartsunholy-a]

🎰 [i am so weak for these memes]

Send 🎰 for me to put our muses into a random list generator then post the first five as potential ships! // @stupiidgood

1. Aurora Beaumont and Shawn Spencer

Okay so?? Fun facts, Aurora’s kinda based on my old nb T.horin O.akenshield I used to ship with my buddy’s L.assiter and her endgame partner’s fc is also Tim for that reason, since we kinda made OCs of of old canon/crossover ships. So. Fun times.

Anyway, Rora is...v much like Lassie in that she’s? gruff and antisocial and snarky. She’s a freelance graphic designer and just kinda snarks at everyone who isn’t her sister, sister’s wife and nephew. Shawn would have her pulling her hair out within an hour and I’d laugh the entire time.

2. Katherine Plumber and Shawn Spencer

Kath? Determined to figure out that Shawn’s not really psychic? You bet your ass. Investigative journalism at it’s finest. I got nothing, I’m here for Kath scrutinizing everything Shawn does while Shawn is her usual Shawn self.

3. Gianni Capulet and Shawn Spencer

Okay so, exact opposite of Kath. Gianni’s a reincarnation of one of Juliet Capulet’s cousins (of Romeo and Juliet fame) and I just love the idea of Shawn noticing something off about him and being unable to figure it out while he’s just like “...yeah okay, weird lady, you done?”

4. Scott Lang and Shawn Spencer

...I’m not sure how they’d meet, but I need this friendship?? So much?? I got no words, I just?? Need them to meet, wow.

5. Sara Lance and Shawn Spencer

Honestly?? Same as with Scott, I just??? Need this, I need these two snarking at each other? Sara: “I’m legally considered dead.” / Shawn, trying not to show how much she’s flipping out: “...Yes, the spirits told me that, of course.”