#@Libertin

[tmc-consulting-club]

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Découvrez “Marseillan et Vous”: La Révolution des Rencontres d’Affaires et de Divertissement Dans l’univers en constante évolution des affaires, une nouvelle étoile brille de mille feux, captivant l’attention des entrepreneurs de France, de Belgique et bien au-delà. “Marseillan et Vous”, la page Facebook de Thibaut-Marc CAPLAIN et Marie HOURIEZ, n’est pas seulement une plateforme, mais une…

[deadthingposting]

"Goncharov this" and "zephota that " lets talk about the real mass hallucination/fake media the oldest one

Fucking

I, Libertine.

Aka the time a radio host got so angry about new York times best selling books list and the annoying people who claimed to read all of them he made up with his listeners a over the top ironic bullshit romance and told his listeners to just ask about it in libraries to confirm no one actually read the best selling books and it was just word of mouth and popularity that made those books famous and weeks after the bit started he got reports back from his listeners including a lady who said two women on her book club said they read the fake but and one didn't liked and a guy who made a fucking thesis about it and got a B

So tik tok sit the fuck down you are not the first nor the last not even the best

[marzipanandminutiae]

if you devalue dressmaking and other clothing-related trades in your historical narrative, you have to reread The Female Economy by Wendy Gamber and leave flowers on Elizabeth Keckley's grave

I don't make the rules

(this post brought to you by: too many damn websites saying that Jeanne Villepreux-Power started as a Mere Dressmaker and rose to become a Great And Mighty Marine Biologist. when she designed and fitted and may have hand-sewn a princess' wedding dress at the age of 22. like. that sounds like she was already pretty successful, knowledgeable, and talented to me- but I guess because it wasn't in a field that usually-male arbiters of history have decided was valuable, it doesn't count or something?)

[panelshowsource]

[thrawns-backrest]

gi ... girls

[aeolianblues]

‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014, ‘Indie sleaze’ is not 2014!

It’s not tumblr-core and it’s not Lana Del Ray or 2013 AM, it’s not #girl interrupted, it’s not Ethel Cain (she literally is an artist of our time, what are you on about.)

It was 2001 with the Strokes on the cover of the NME every 2 weeks, it was cabaret night and English poetry with the Libertines in 2002, it’s those red and blue military jackets, it was the fucking grease in Julian Casablancas’ hair, it’s ’cocaine was the banker’s drug’ quoth Alex Kapranos, it was Don't Go Back To Dalston and the heroin, it was red and black horizontal striped tops and tight black shirts as evening wear, it was Russell Lissak’s mop top and a full page interview with London hairdressers in the NME in 2005, it was Jack and Meg’s saturated red and white dresses, it was cut-and-paste glitter on the cover of Santigold’s first album, it was the sleaze and the sex of CSS’s music, it was ‘cold light, hot night’, it was the anti-Bush and anti-war stances of the bands at the time, it was America by Razorlight, it was Popworld on telly and Simon Amstel being a little shit to musicians, it was Karen O defying death on stage nightly, it was throwing up in shitty nightclubs on god knows what drugs, it was the fucking danger knowing this could all collapse any second—and rightly, it should. It was the godawful egos at DFA, it was knowing that while you were lucky to be seeing these bands live, you’d fucking hate them if you had to spend even a minute in their individual company. It was Amy Winehouse telling the world to get the fuck out of her business, it was Leslie Feist and Peaches sharing a dilapidated flat above a sex shop in Toronto.

It was horrible camera flash and red-eye editing softwares and putting your feet by the warm, spinning fans of your computer while it whirred away and downloaded your albums in *checks* 46 more minutes. It was horrible, it was dirty, it was gritty, we all hated it and thought the 90s were the last time music was good and that nothing good had happened since 1997. It was garishly bright clothes we were all embarrassed of by 2011, it was multiple layers and leggings and asking your mum to cut the itchy tag on the back of your low rise jeans only for her to snip your back. It was bell bottoms at the start of the decade. It being thankful that by 2017, no one would dream of wearing low rises anymore, please please, please let them never come back.

It was faux nostalgic of the past itself. It was ‘please make sure baby you’ve got some colours in there’ in your clothes. It was moral panic over emos. It was wanting to escape into a better past that you could see was visibly impoverished in the present. It was watching your favourite programmes become less and less relevant on air. It was watching MTV decisively die a horrible death. It was watching important venues and nightclubs get bulldozed. It was watching the last regular broadcast of Top Of The Pops in 2006. It was seeing how the 2009 financial crisis most definitely put a stop to independent music in the western world for a decade, it was watching the rise of bedroom DIY and electronic music. It was seeing the phrase ‘SoundCloud rapper’ being coined. It was the rise of Disney pop. It was counter-culture Justin Bieber hatred. It was the MS paint meme of those tumblr girls thoroughly unimpressed by the guy.

It was not using the words ‘indie sleaze’ at all, in fact. That’s a retconned word. It was garage rock revival. It was ‘post-grunge’. We didn’t care what it was called, we hated it all the same. It was a lead into a decade of despair and nihilism, it was the last hurrah for the music industry before it splintered into a thousand little online ecosystems, it was the last time we had physical community and any shared pop cultural moments. It was Live8 2005. It was the same as it is now, and it was a time that’ll never happen again, for better and for worse.

But one thing is for sure: it was decisively dead by 2014. Santi and Karen O’s 2012 collab was its last hurrah and it was dead by Comedown Machine by the Strokes (2013). It has nothing to do with 2014.

[2001hz]

Libertin Louison spring/summer 2001 couture

[fraisfraise]

kate & peter

[vertigoartgore]

Simon Pegg & Nick Frost (the stars of Spaced and The Cornetto Trilogy) doing their own version of the 2004 album of the rock band The Libertines (with Hot Fuzz tattoos on their arms so probably around 2007).

[libertinesquotes]

peter as "heavyhorse" on the old network54 forums (x)

[fatally-alive]

Gather round grandchildren, storytime .....

[artfilmaesthetics]

songs for july ‘24 🦢🎱🥀🎞️🧷

+ my moodboard

𖤓°⋆.ೃ࿔*:･

[marsabillions]

Literally so fucking funny that barty was canonically considered a “good kid”…top of his class, strong quidditch player….no one knows he gets a semi chub at the sight of mangled bones….but i do….

[tuuzi22]

waterloo💕💕😭😭🥺🥺

[missoneminute]

Screenshots by @suchasinistergame for those who cant access the Times article. @paulmccartneyswagdotcom here you go!

[cattrek]

time for the radio to play your last song