#> starlight calls ⏤͟͟͞͞ ☆

[aubreysocs]

a big misunderstanding

redraw from an art piece from almost a year ago

original ver!

extra

[paszaaa]

[punkitt-is-here]

you gotta believe her

[bet-on-me-13]

Ellie wasn't born a Halfa

So! Jason just found something weird. Or rather. Someone.

A little girl, no more than 6 or 7, crying behind a dumpster in an alleyway. Now, as unfortunate as it is, this isn't that strange a sight in Gotham. Kids are always running away from home, getting lost, being left homeless after a mugging gone wrong, but this time was different.

Because the kid was glowing.

When he found her hiding behind the Dumpster, a medical gown being the only thing she had to protect herself from thr frigid Gotham Winter, he didn't hesitate to give her his Jacket and take her to his nearest safe house.

(Actually it took a little while to convince her to accept the Jacket, and even longer to get her to agree to being taken to his safe house, but they got there in the end.)

When he had finally gotten her set up in a side room of the Warehouse, with the most comfortable bed and thickest Blankets he could find, he tried asking what had happened.

"Daddy lied." She said. "He said he loved me, but then he made another kid and said he didn't care about me."

And, once again, it was unfortunately not that uncommon to see runaway kids from neglectful homes, but the way she said it raised some flags in his head.

"...and, how did you end up in Gotham?"

"I ran. He said I was a spare, and that scared me."

Well, that was even more horrible than he had anticipated. What kind of monster tells their kid that they're a spare?!

"And, I'm sorry if this is a touchy subject but why are you glowing?"

She just buried her face in the Blankets and shook her head.

"Alright then, that's fine. You can tell me when you're ready, or even not tell me at all, I'll accept either or".

For the next few weeks, Jason juggled running his newly created criminal empire and raking care of the kid. He still hadn't gotten a name out of her, but she said to call her "Dp" instead. 'It's the best I'm gonna get', he thought.

It was only after a few more weeks, right before he was about to begin his Plan of confronting Bruce about the Joker still being alive, that she approached him and agreed to tell him everything. He was actually really glad that she finally seemed to trust him enough to tell him.

"Okay Dp, you can start wherever you want."

"...well, I guess I should start with my name..." She started, "...or rather, my lack of one..."

"What?" Asked Jason in a soft voice.

"I, I don't have a name." She explained, "Daddy never gave me one. He just called me DP-2."

"...what do you mean by two?" Asked Jason.

"It-It's my Experiment Number." She said, stuttering a little, "I'm not a normal person, I'm a Clone. I was made to be daddy's perfect child, but I was just the test run. He said that I wasn't needed after he made DP-3, and that all I was good for was spare parts."

Jason felt his throat dry up. Dp was a Clone? Of who? Who made her? What right did that guy have to reject her?! Who in their right mind would make a Clone and then reject the Clone?! How dare he!

The Pits perked up

He felt the Pits rising a little, but managed to push them down. Dp needed support, not the Pits.

"It's Okay kid." He said, holding her had reassuringly. "It's perfectly okay to be different. I accept you as you are, and I'm sure as hell not gonna abandon you that easily. Or, ever really. You're stuck with me, whether you like it or not."

She giggled, and hugged him. A thoughtful look crossed her face, and she pulled away.

"There is one other thing...you know how I glow sometimes?" She asked.

The Pits felt a sense of dread

Jason felt like he wasn't going to like this. "Yeah?"

"Well, when I said I was meant to be a Clone, I never mentioned who of." She explained slowly. "He's a kid named Danny, and when he was 14, he had an accident where he died and came back as a Half Undead."

No...

Jason really wasn't liking where this was going.

"When Da-Vlad tried to make me, he realized that those powers couldn't be cloned..." She paused here, seemingly gathering the courage to continue. "...they needed to be added afterwards."

NO.

He didn't. He had better not have, for his own Fucking Sake, he had better not have done what Jason thinks he did.

"So one day, he took he down to the Lab, and he put me in a big machine." He voice broke a little. "He locked me in there, and then I think...that I died..."

...

For once, Jason felt completely in tune with the Pits. He was going to Kill that guy.

...

Sorry if this feels a little rushed, I kept going back to add or change parts of it.

Basically, Vlad realized that you can't Clone a Halfa. So, he made a workaround. He just stuck his first Viable Clone into a Portal, and let the machine Kill her. When he realized that it worked, he knew he had no use for Ellie anymore aside from spare parts.

And he told her as much, Vlad is a fucking asshole.

Ellie, of course, got scared and ran away. She ended up in Gotham, and was adopted by Jason right at the start of his Criminal Career.

When Jason finally hears about the rest of his kids' Backstory, he decides that Batman can wait his turn. He needs to go Kill that Vlad Bastard.

[etchif]

Woahh animals👍👍

[starlightvld]

Allowances

For @baohanhanesel - happy holidays! Have a little hurt/comfort, MacTavish family Christmas vibes, and Simon beginning to find his place among them (and a bit of sappy romance at the end).

(Also on AO3!)

---

"Dinnae fash, Simon. They're gonna love ye."

Ghost stands perfectly still beside the car as Johnny rounds the boot to step up beside him. They make a pair, with Johnny in a new bright red cable-knit sweater, jeans, and a navy blue knit cap that brings out the blue in his eyes, while Ghost is dressed down in his usual black shirt, black hoodie, and a black medical mask. His faded blue jeans are the only spark of color, as old and worn as Johnny's are crisp and new.

If he were a better person—a better partner—he would've worn something nicer. As it is, he's a split second away from turning around and disappearing into the Scottish twilight. The only thing keeping him rooted in place is—

A warm hand slips into his hoodie pocket and curls around his balled up fist. Ghost sucks in a deep, slow breath, and as he exhales, he releases the fist to clasp Johnny's hand palm to palm.

It terrifies him, the comfort a single touch can give. He knows how easily comfort can turn into soul-wrecking pain. Yet he clings to Johnny's hand with the kind of desperation Price would no doubt find concerning for a whole host of reasons.

"We dinnae have tae go inside," Johnny murmurs. "I can call mam from here and—"

"'M not gonna melt, Johnny. Just... gimme a minute."

He's already ruined Johnny's Christmas enough by bowing out of the actual holiday. But the aching despair of the anniversary always winnows him down to his basest self. Even three days later, he feels hollowed out and cold, his sole point of warmth the callused palm and strong fingers clinging to his as they huddle closer against the chill winter air.

Johnny doesn't know the sordid details, but he knows enough about special ops life to fill in the blanks. Every operator has their demons. Simon Riley's are just a little more harrowing than most.

At least the MacTavishes like to celebrate the winter season all the way through New Year's. Or so Johnny says. Ghost suspects the post-holiday get-together might be an allowance made specially for him, but he's certainly not going to ask about it. So here they are, standing in front of Johnny's childhood home outside of Glasgow, store-bought biscuits in hand, while a multi-colored glow spills through the frost-edged glass into the rapidly darkening outside world. It beckons them inside with the promise of warmth and joy and all the other things those trite holiday cards claim for the winter season.

Ghost doesn't move.

The blinking Christmas lights taunt him through the front window. Memories loom from the dark corners of his mind and threaten to upend the one thing he desperately wants to give Johnny—time with his family.

He takes another deep breath, taking care not to let the exhale shudder on the way out.

He's only met Emma and Grant MacTavish twice in passing at Johnny's medal ceremonies for Las Almas and then for the Chunnel op. The latter medal, a Victoria Cross, was officially for exceptional heroism in the line of duty and unofficially for assisting in the dismantling of a major bomb threat and taking down Makarov with a well-aimed stab. He and Johnny weren't in a relationship then, and even if they had been, it would've been inappropriate to mention it on base. Even so, he remembers the overflow of unearned gratitude in Emma's blue eyes—exactly like Johnny's—as she wrapped both of her warm hands around his and thanked him for keeping her boy alive.

The words still ring hollow as he thinks about Johnny collapsing on the cold concrete after clipping that final wire with Price.

He almost died in Ghost's arms that day, and Ghost hasn't been the same since. For one, he kissed his subordinate in the hospital the instant he thought Johnny was coherent enough to remember it and hasn't stopped kissing him since.

Completely unprofessional.

And utterly worth it.

With a final deep inhale and slow exhale, he straightens his shoulders. He can do this. Even if it makes his stomach cramp and his palms sweat with anxiety and the Christmas decorations seem to taunt him with memories of a family forever lost to him.

For Johnny, he can do this.

"Alright," Ghost murmurs—more to himself than to Johnny—as he slides their clasped hands from his hoodie pocket and pulls him toward the door.

It opens before they can knock, flinging brilliant light, excited conversation, and upbeat music into the night air. Emma MacTavish greets her son with a wordless exclamation of joy as she throws her arms around him in a tight hug. Somehow, Johnny manages to return the hug and answer rapid-fire questions about their journey all without letting go of Ghost's hand. Cold air pricks at the exposed skin around his medical mask, but Ghost is too focused on processing and cataloging every detail to acknowledge the physical discomfort.

Johnny looks more like Emma than he does Grant, sharing those bright blue eyes, dark hair, and a brilliant smile that could melt a glacier. Peas in a pod and, according to Soap, often partners in pranking crimes. All Ghost can see is warmth and light—pouring from her, from Johnny, from the home that was never riddled with suffering and people whose lives were never cut short by an evil too insidious to anticipate.

When Emma pulls back from Johnny, she keeps her hand curled around his bicep as she turns the full power of her warm gaze on Ghost.

"And Simon—may I call ye Simon?" Emma asks.

"Yeah," Ghost replies before clearing his throat and adding, "Hello, Mrs. MacTavish."

The smile she gives him sends a shock of pain through his chest even as a flood of comfort flows in behind to sooth the ache.

It's kind. Compassionate.

Motherly.

And it's directed at him.

It gets worse—or better?—when she reaches out to gently clasp his bicep too, connecting the three of them in a circle of touch. As if he's somehow a part of this world. As if he deserves a second chance at family despite dooming his own. The connection is both suffocating and freeing, as if he's taking his first breath of fresh air in years all while a boulder crushes his chest.

She squeezes his arm, and her smile widens into something familiar. Maybe a bit teasing, too.

"Call me Emma, love. I'm so glad yer here. Both of ye. Now, come in out of the cold, will ye? My bones are already aching."

Ghost flounders as the onslaught of pain and comfort slices straight through the layers of armor he's built up through the years, exposing his soft insides.

He wants to fall into the touch.

He wants to run away.

He meets Johnny's gaze, and the softness and understanding he finds there is a balm to his spiraling emotions. Despite everything inside screaming at him to shut down, to not let anyone else into that secret part of him that Johnny breached with the ease of a demolitions expert, Ghost is helpless to do anything but follow Emma inside.

For the first time since he lost his family, he dares to let himself hope.

-

Hours later, Johnny pulls Ghost into bed with a gentle hum, guiding his head to rest on his chest. The heavy thud under Ghost's ear is like scissors to a puppet's strings, snipping the tension away and leaving him boneless and overwhelmed.

"Alright?" Johnny murmurs in his ear before pressing a gentle kiss to the side of his head.

"Not made of glass," Ghost grumbles.

Johnny knows him too well to take him seriously, even now. "Nae, yer made of sterner stuff. Gunpowder, madness, and pure spite."

"Spite can be motivatin'. Just ask any of the rookies who've had me for drills."

Johnny hums a laugh, and Ghost presses his ear harder into Johnny's chest to catch every vibration. Fingers trail through his hair, and he sighs.

"How shite was that, scale of one to ten?"

"What?" Johnny mumbles, his lips once again pressed to the side of Ghost's head.

"How bad an impression did I make?"

A hand grasps his hair to gently tip his head up. Their eyes meet, and the genuine confusion in Johnny's expression gives Ghost hope.

That he didn't fuck everything up. That Johnny's family won't try to convince him to stay away from Ghost.

"Mam was absolutely charmed, Ghost. I think she'd adopt ye on the spot if she could."

Ghost blinks. He replays the evening in his head—from the homemade dinner to the impromptu after-dinner sing-along between Johnny and his niblings to the softer conversation between the adults once the children had crashed. He can't think of anything he did to warrant such a reaction. In fact he barely talked at all, content to let Johnny answer questions for both of them and only interjecting when someone spoke to him directly, which happened rarely enough that Ghost was positive Johnny had asked them to make allowances for him. He both hated and loved it—hated that it made him feel weak, like he couldn't handle himself or his emotions, but loved that Johnny was clearly thinking about him and ensuring he would be as comfortable as possible.

He doesn't deserve it. Doesn't deserve Johnny at all if he's being honest with himself. The man is too good—all righteous fire and burning passion. But with that honesty comes the acknowledgment that he's far too selfish to ever give Johnny up.

At this thought, a faint memory surfaces of Emma's soft look when Ghost wrapped his arm around Johnny's shoulders as they settled on the couch. It's how they always sit when on leave because they can't risk it on base. Ghost loves the feeling of their bodies melding together, a line of heat at his side and Johnny close enough for Ghost to mumble inappropriate comments, bad jokes, and blush-inducing innuendo into Johnny's ear.

Apparently Emma MacTavish thinks it's a good thing, too.

"Well. Good then?"

Johnny hums another laugh, making Ghost's cheek buzz. "It is good, love. Very good." He tightens his arm around Ghost's shoulders. "Thank ye for coming with me."

Ghost swallows. Despite their solid relationship status, they haven't exchanged more than joking admissions of their mutual attraction. He feels the lack all the more as the worst of his holiday malaise falls away in the face of so much care and affection. Something wiggles loose in his chest, a sensation of free falling as his lips form words he hasn't said since before Roba took his family from him.

"Thought you woulda figured out by now that you've got me wrapped around that trigger finger of yours." He swallows. Takes a shaking breath. "You're the only thing alive in this world that I love."

Johnny stills under him. Even his chest is unmoving, breaths locked up with a quick inhale.

And then it all comes out in a rush.

"Simon... d'ye mean tha'?"

And though it means losing the comforting thud of Johnny's heart in his ear, Ghost answers by leaning up, gripping Johnny's chin with his fingers, and pressing a soft kiss to slack lips. When he pulls back, Johnny is staring at him, tears welling in his blue eyes and a wide grin replacing his shocked expression.

"Love ye, too, ye big bastart," Johnny whispers before diving in for another kiss.

And maybe it's not perfect in an objective sense. Maybe he still misses his family and what could have been. But in this moment—with this man and his gracious family who went out of their way to make him feel welcome—it's the closest to perfection he's ever been.

[shiemihazas]

The Curtain Call

[doofazoid]

human Starlight Trio!!

[genericpuff]

All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (The Twist)

Alright y'all, I've been waiting a hot minute to talk about this because I wanted to see how it fully panned out before saying anything about it. And it's not even specifically about LO, but I do think it's very adjacent to it in a way that I'm sure you'll be shocked to hear. Much of it speaks to how we prop up white writers even at the expense of POC.

This is 'the twist' attached to my first post that I made just a couple hours ago that concerns an entirely other topic but I feel ties into this subject very well.

If you haven't heard, there's this author who recently fucked around in the Del Rey publishing scene.

Her name is Cait Corrain.

In the original tweet calling this person out, names were not dropped, but it was made very clear that what Cait did was unacceptable behavior.

You can read the entire thread that started it all from Xiran here:

There's also a GREAT recap thread from one of the affected authors, Bethany Baptiste:

I want to make it clear that Cait Corrain isn't just a debut author.

Cait Corrain is - or now, was (foreshadowing is a literary device that-) - a debut author who had an agent, a publishing deal with Del Rey (an imprint of Random House which is a MAJOR publisher) and even an upcoming Illumicrate deal - meaning, her book was going to be packaged in a monthly loot crate subscription shipped directly to people's doors, quite possibly one of the best marketing deals a debut author could ever get, usually unheard of in this industry. All the pre-reviews were strong and positive.

Cait's book was literally set up for success. All she had to do was sit back, relax, and watch the fruits of her labors roll in. She had written the book. It was ready for release. The hard part was technically over.

But I guess the racism brainrot got to her because as it turns out, since April - for EIGHT MONTHS - she's been making alternate accounts on GoodReads to review bomb the indie and debut works of her friends and peers, most of whom were POC and did not have the same opportunities set up for them as she did. There are loads of receipts to back this up that you can find in those above threads ^^^

To say that this is appalling is an understatement. This was an intentional and deliberate act of racism by a white queer writer who claimed to be "jealous" - of what, I can't imagine - so much so that she deliberately sabotaged her peers, people who had supported her and her book.

And then when she got caught? She doubled down on it and claimed it was a "friend", also an alternate account she made up.

The exchange between her and this made-up person is actually the funniest shit out of this entire thing, it's so poorly written and as soon as people noticed the time stamps were out of order, that was when it truly cemented her newfound clown status.

"oooooh he's standing right behind me, isn't he?" energy right here LMAO

yes keep expositing cait, that's really selling the "this is a genuine conversation that really happened with a real person" bit 🤡

Anyways, it became abundantly clear that Cait was just going to continue to dig her heels in over something she caused.

This has been a hot topic in the UnpopularLO Discord, not just because of how crazy of a situation it is that we had to talk about it - and we have people within the community who work in the literature and media sector - but because we noticed one very telling thing in the list of series that she had review bombed in her very own personal act of wrath.

You see, Cait made one fundamental mistake that led to her undoing - she didn't just review bomb the works of her peers, she positively reviewed her own book and others.

What's her book about though?

It's an Ariadne x Dionysus retelling set in space.

It's literally another "modern retelling" of Greek myth.

And wouldn't you know it, guess who else created a modern retelling of Greek myth that she included in her positive review raiding while she was sabotaging the work of her actual peers?

Now, I think it goes without saying that what I'm about to say should be taken with MOUNTAINS of salt, I'm sure a lot of you are reading the headline and going, "Ugh, really? You're gonna make this about LO? Could you give it a rest already???"

I need you to understand, with the current state of Rachel's fanbase and 'modern' Greek myth literature as a whole, at this point Lore Olympus - and the works that are literally inspired by it such as A Touch of Darkness - has basically become the shopping cart litmus test of basic decency. It's like when someone says they like Harry Potter - you can't take it automatically at good faith anymore, because there isn't a whole lot separating someone who simply liked Harry Potter as a kid and still rewatches the movies from time to time from someone who fully supports the politics and agenda of J.K. Rowling. No, not everyone who still watches the movies or reads the books fondly is a TERF by default, but it's justifiably a reason for suspicion when the consequences are often too dire to risk.

There's this thing that's been happening in the LO fanbase that I frankly saw coming, but has really recently started to hit its peak. It's what I call the "Kanye Effect", where the comic has become so absurd and backwards in its misogyny and white feminism that the only people who seem to be left supporting LO are the people who are legitimate white feminists and misogynists - because all the normal level-headed people fell off the comic ages ago (or transitioned into the critical side of the community).

I mentioned it in my last post, but it bears repeating - Rachel's fanbase has literally been shipping Hera, a victim of abuse, with her abuser, Kronos. I'm really hoping a lot of them realize how fucked up that is now that Hera herself has called it what it is - abuse - within the comic, but I also can't count on the LO fanbase picking up on that or even noticing it with how quickly people swipe through it each week, it's very apparent at this point that most of LO's readers don't know how to chew their food and don't pay attention when Persephone and Hades aren't onscreen.

But I'm digressing. Or am I? We're talking about Crown of Starlight after all. The debut Dionysus x Ariadne sci-fi/fantasy romance that was quite literally advertised using Lore Olympus as its baseline-

This. This is what the ongoing cultural erasure and white feminist uwu-fication of Greek myth is doing to the literary zeitgeist surrounding Greek myth as a whole. This is why we criticize Lore Olympus and works like it that are created by disingenuous people who only seek to use the assets of Greek myth material as a way to shoot themselves up into fame and stardom. This is why we demand better standards in the literature and webcomic industry, so that people like Rachel and Cait can't use their privileges to quite literally erase the source material that they used to make themselves famous in the first place.

If anything, Cait's actions didn't just affect the people she negatively review bombed, or the people she was affiliated with, but also the people she positively reviewed. While I don't support what Rachel creates, she wasn't the only one who Cait went out of her way to review positively from her alt accounts, there were many others as evident in the Google Doc - but all this really does is tarnish the legitimacy of these books and their ratings by artificially jacking up their numbers that are advertised to others.

Making Greek myth fanfiction or fun creative retellings was never the problem, but it's now being sabotaged alongside so many other genres and mediums by toxic white individuals who can't even keep themselves from committing hate crimes, let alone create something purely for entertainment that's transparent in its illegitimacy, lest it destroy the illusion that these people are qualified to speak over those whose voices are being stifled, often by these very same people. Many of these writers get caught and are still allowed to continue what they're doing - that was certainly what we feared with Cait.

Until today.

It was revealed today that Cait's book will no longer be featured in the Illumicrate May 2024 box.

Del Rey has dropped Crown of Starlight from their publishing schedule.

Daphne Press will be hopefully following suit.

And, most telling of all, Cait's own agent has severed ties with her.

For anyone not familiar with the inner workings of the publishing industry, Cait has essentially been blacklisted. Without an agent or a publishing house, she'll have to entirely rely on her own resources through self-publishing. Unless she manages to sneak her way back in under an alias (which I wouldn't put it past her to try) she no longer has access to the mainstream publishing industry that was already guaranteed for her before she let her 'jealousy' get the better of her.

Her career was already made for her. She had a red carpet laid out for her debut. Her book was getting good pre-reviews and she had quite literally nothing keeping her from her success. The best thing she could have done was nothing. Somewhere in her head, she made up a threat that didn't exist, and sealed her fate in acting on it, a self-fulfilling prophecy.

I think in these situations such as with Cait Corrain, Rachel Smythe, and - also recently and relevant - James Somerton, we need to become increasingly aware of how white voices are still overpowering POC voices, not just in their actions, but in the opportunities they're given over others which they then use to further stifle the voices of those they feel "threatened" by or feel entitled to speak over. While neither James nor Rachel have used sock puppet accounts to "take out the competition" (at least as far as we know lmao) James did quite literally steal the words and voices of queer writers who were deserving of their time in the spotlight, and Rachel's work is being quoted as "rewriting Greek myth" as if its blatant gentrification and appropriation should be marketed as some sort of positive.

It's all too common for these deeply-rooted prejudices to rear their ugly heads and for the people who carry them to act out in this way while justifying it as "jealousy" or "a mistake". This isn't jealousy. This isn't a mistake. This isn't someone "starting drama". This is genuine, targeted hate, with the intention of snuffing out the voices of others who should be empowered, not silenced.

All that time and effort, and for what? Racism and petty jealousy? It just goes to show, it doesn't matter how many opportunities you're given, how high up on the ladder you already are - it won't fix the deeply-rooted insecurity and racial pettiness that spurs people on to do such horrible things.

I've spent enough of my time and words today talking about Cait, and James, and Rachel. So to end this off, I want to join in with all the others who have highlighted the books that were review-bombed by Cait, and help in uplifting them so they can have successful debuts. I'll be pre-ordering a few of them, so I'll be happy to make dedicated posts for them in the future after they release. Please consider purchasing them for yourself if you want some new reading material <3

The Poisons We Drink by Bethany Baptiste:

So Let Them Burn by Kamilah Cole:

To Gaze Upon Wicked Gods by Molly X Chang:

Mistress of Lies by K.M. Enright

Voyage of the Damned by Frances White:

(I'm sure there are plenty others so if I missed any here, please let me know so I can add them here and check out their books!)

If there's any silver lining to this, I hope that it makes people aware of the media they consume and who it's being created by. I hope it makes people more willing to seek out the books that aren't getting the same opportunities as Cait Corrain and Rachel Smythe. I hope it's a wake-up call to the industry that matters like this need to be taken seriously and that POC writers are still being silenced under their own noses. And most of all, I hope it's a reminder that we shouldn't even need at this point that this behavior is not okay, no matter what level a person climbs to - that just because someone is part of one minority doesn't mean they're not capable of sabotaging another. It sucks that that has to be said, it sucks that despite these groups being so intersectional there are still people within them who submit to their deeply-rooted insecurities and find ways to feel threatened that they use to justify hateful behavior.

Having a platform is a privilege. It should never be weaponized against your own peers or those who you simply feel "threatened" by for no reason beyond your own imposter syndrome or doubts or internal struggles. Because as much as you may feel like you've earned where you are, that never gives you the right to weaponize your opportunities against others who were never given those same opportunities in the first place. "Feminism" is not using your power to crush "other women". "Progressiveness" is not exclusive to the progress that only benefits you.

I wish only the best to those who were affected by the actions of Cait Corrain. You deserve to be heard and seen and appreciated for the work you do and the abuse you've had to tolerate. I look forward to your debuts in 2024 <3

[chaosghoulx]

The ship has sailed y'all

[orangesand-lemons-234]

hydra knows british sign language and taught slick and the other freight the basics of it after her crash send tweet

[moopiter]

Nahhh starlight is better than me because in the “let’s light this candle” scene when he says “do it…..no~?” I would’ve smashed my lips into his before he said “then you have no leverage” I-

Could you possibly be referring to this scene perchance:

[vhalesa]

Once again it was time to turn my friend's conversation into a silly mayakuro comic

[toothpaste-for-the-skin]

Realizing I never posted this older doodle of Starlight I did

[lesbian-sunshim]

support me on patreon or leave a tip!

rare pairs for your consideration - trixie x tempest shadow

[mewguca]

doodle dump of various things from recent times

first image is just doodles for fun

in the second image, SLS is wearing the formal outfit seen in NMMST's ref yay

and third is uhhhhhhhhh proof-of-concept