#<cause of the images

[lilliancdoodles]

No fit streams this week but he did give us some QSMP meet up photos.

(fit's alt text below the cut)

Quackity stole my glasses

Jaiden taking my phone in Brazil

The icons

Foolish 🦈

[just-spacetrash]

the 'what if you played it a little risky' post literally Changed my life but i cant fujkign find it in my blog because its. a tiktok screenshot

[falseficus]

everybody’s always on writing prompts like “what if there was a world where everyone had a timer ticking down to their death… but you met someone whose timer said infinity!” or “what if everyone had their cause of death tattooed across their forehead… but you met someone whose forehead said THE CREATURE!” Enough -

enough. stop with the shock value. there is no need to insert THE CREATURE; the benign concept of such a world is horrifying enough. not even in urgency, but just in banal, everyday interaction. imagine you meet someone and their timer says two years. not tomorrow, not urgently soon, but two years. enough to do quite a lot. they could fall in love in that time - could they get engaged? have a baby? you might otherwise get to know them, befriend them, but perhaps you opt not to, make a conscious choice not to invest in your own grief. what balancing act would every individual person have to participate in - I have ten years, is that long enough to be a good mother to children? is that long enough to secure a caretaker for my own mother? my wife will die a few months before me. my newborn’s timer reads nineteen years.

and cause of death. you interview for a job and emblazoned across the healthy, smiling face of the HR lady is MALNUTRITION. your country is prospering, safe, but every person you meet on the street from the babies to the old women read BOMB. BOMB. what kind of havoc would fate wreak on the world? what about the loss of privacy? how would that shape our notions of hope? idk man I think a lot of those ancient poems were right, and the fates are monsters. I’m interested by the framing of these ideas as trite horror tales when the premises themselves are so much more disturbing if simply taken to their logical ends

[spinejackel]

What are dead man walking tornadoes? :O

it’s a multi-vortex tornado. i dont remember the tribe it originates from (i think it was cherokee), but there’s a native american legend…? saying? that goes “if you see a man in a tornado, you are about to die.”

the most infamous shot of a dead man walking tornado hit jarrell, texas in 1997

it did so much damage to the town it caused the scale that tornados are measured by, the fijita scale, undergo revisions, and it made anchoring buildings in the tornado alley region pretty much mandatory. (it took the entire town off the map. only those who had taken shelter outside of the town or in underground bunkers survived.)

two more examples of dead man walking tornadoes looking like a person are a tornado from 2011 that hit cullman, alabama

and a tornado from 1975 that hit xenia, ohio

edit: it has been brought to my attention that the native american “legend” part of this post was a rumor spread by a documentary.

i have been asked to remove it, but i believe in letting my errors stand because i’m not perfect. i make mistakes

[kazodus]

came to me in a dream

[rwsdarw]

this was fun

[eldritch-ace]

I present some nerdy prudes (oh and Max)

(I really wanted to take a shot at giving them all more than 1-3ish outfits that I think fit their styles)

[time-woods]

so i finally watched good omens after years of putting it off. . .

this is how i cope with most things

[k-emii]

Fashion disaster icon fleki

[heartorbit]

find another role, carry on the show

[vurelly]

Do whatever you have in your mind

-The Devil

not sure this is what anyone had in mind

[stagbel]

Sorry, I can’t talk rn, I’m going crazy over how fucking beautiful the frames in apology tour are

(Btw I was fighting the urge to just put the whole All 2 U here lmao)

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[socksandbuttons]

Heyyy Solar Flare buddy pal how you doin- After idk months its DONE. Solar Flare's introduction to the plot (even tho everyone already knew he was in this au) But basically how Eclipse finds out our buddy's been in there the whole time and he's Handling It. Oh boy does he handle it. To Bloodmoon tho it looks like he's mumbling to his reflection. Normal sibling behavior. Dont worry.

But also a look into the mindscape here! Thru very... long comic post.

[actual-haise]

That new Machinist skill looks familiar

[samglyph]

So that last 25 minutes huh.