#<- thats the au name btw

[cryptid-crw]

Can’t stop thinking about @allmightyscroll-swag’s de wing au (or at least the rambles about it) so have something small and shitty I sketched out while I should have been paying attention in a lecture

I think they should be allowed to preen each other <3

Also please don’t come for my wing anatomy I am simply an eepy guy out of practice

Story/explanation under the cut!

I’m thinking post-de after a long or rough case Kim’s wings got kinda fucked up (maybe during a chase in the air that resulted in (further) injury to his wings (I say further because he already doesn’t fly much because of his very poor eyesight and I’m thinking his flight muscles have probably at least partially atrophied)), meaning he’s got to preen and recover. Harry, worried, visits his apartment to see if there’s anything he can do, and lets himself in to find Kim, curled up and in pain trying to compose himself to preen and work through the muscle tightness. Kim reluctantly agrees to let Harry help, uncomfortable with someone else touching his wings because of said injury and poor eyesight (also maybe bad experiences in the orphanage???? I think so. Lemme give the man some angst).

I imagine it’s like. A huge sign of trust to allow someone to preen you when you’re not family, something that couples barely even do until they’ve been together for months and are comfortable being so vulnerable (wings, after all, are the most delicate part of the soul. Wings and lungs. Dolores Dei’s wings would glow in time with her lungs, a perfect extension of her breath).

But it’s Harry. What could he do to hurt him? (A lot. A lot a lot. But Kim trusts the silly cockatoo. He trusts him with all he is. And he so earnestly wants to help. Just let him.) And so he agrees, shifting to allow Harry to see the damage, to touch his scared back and tight flight muscles, to pick apart the damaged feathers from the healthy, to pull oil from the preening glands and straighten out the feathers to the best of his ability — newly clumsy and unknowing hands working through a process passed down through every family that should be known as perfectly as tying a pair of shoelaces.

Learning together to care for each other, to teach Kim that it’s okay to ask for and accept help, and showing Harry how to use his hands to heal instead of harm (he feared he would fuck up and hurt his police partner more). Growing closer through subsequent preening sessions

Ofc they’ll be idiots about it so they’ll not be together yet but soon!!! Soon they will!! I don’t know how yet but I know it will happen. Surely

[starry-bi-sky]

It's 10PM.

It's 10PM and Danny is fourteen, standing in the bathroom, staring at herself in the mirror. There are stitches in her side and a vice grip on the sink ledge, her fingers are stained a dried red. She was fixing the stitching. Her back is bruised -- as is many places -- and her throat is sore from a power she didn't know she could use -- until today, that is.

She's fourteen. It's 10PM.

Her family was supposed to die today. They would've, if not for Clockwork and his kindness. She can't get the choking smell of ash and dust and burning gas out of her nose.

Her family should be dead. They're not. They're alive.

So why can't she get the rock out of her stomach, the urge to vomit out of her throat?

Danny didn't save her family. Clockwork did.

She can't get the sound of that other her out of her head. The cold laughter out of her ears. That woman wasn't Danny, and yet she was wearing her face. Both living and dead, she was wearing her face.

She drags a hand through her hair, and then down her face. Her hair is gross. Dirty with grime and oil and sweat, it plasters to her head, it itches the back of her ears, it prickles the nape of her neck.

That other her had long hair like her. Long and flowing and white fire. White hair and blood red eyes. Her face, matured, staring back at her. Danny doesn't know what her name is, she never asked. She's been calling that other her 'Me' in her head.

It's not her, but that Me is a part of her. So it's just as worse.

Danny didn't save her family; Clockwork did. Her hands are shaking, her legs are shivering. There was no control today. Everything felt like a moving train -- fast, unstoppable, speeding down one track and by the time you hit the brakes, it's too late. Someone's already been hit.

Danny Fenton should've begun her downward spiral today. Her downward spiral into villainy. She didn't. Because of Clockwork. Only because of Clockwork.

He was the one that showed her the future. Hew as the one that saved her family. Not Danny.

Jazz says when someone feels like their life is out of control, they tend to make desperate changes to themselves in order to feel like they regain it.

She reaches for the scissors.

They're thin, not meant for hair. For thread. It's from the first aid kit.

She grabs them anyways, and grabs a fistful of hair.

There's no thought behind it, just numbness all over. Numbness, and an icy fear. It doesn't all cut in one fell swoop; she has to saw, just a little bit.

Her eyes never leave the mirror. Blue eyes stare back at her, blue eyes she's been steadily becoming unable to recognize. In the end, she's holding a chunk of her once-long hair in her hands, a thousand-yard stare staring back at her, and with an uneven haircut that tickles her neck.

Her vision stings. Her throat grows thick and ugly. Tears bleed into her eyes. A whine, a wail, swells in the back of her mouth, and pins itself between her tongue and the roof of her mouth.

Mom and Dad sleep, safe in their beds. Jazz is asleep, safe, in her bed.

She drops the hair in her hands and lets it scatter across the floor, she drops the scissors and it clunks clumsily, loudly against the floor. She's half afraid that it'll wake them all up. But no one stirs.

She reaches forward, grips her fingers against the ledge of the mirror, and opens it to reveal the cabinet behind it. Finally, her reflection won't look at her.

Turning numbly to pick up the scattered first aid kit across the floor. There is a grief is lodged between the climbing bars of her ribs, stuck like a pebble in between the grooves of a shoe.

She cleans up the bathroom silently. She wipes the blood off the tile and puts the first aid kit back where it belongs, and gathers up the discarded hair to throw away.

She mourns the whole time, flinging the tears from her lashes with every blink. In the end, she half limps over to the door. Her fingers linger over the light switch.

Bye-bye, Danny, she thinks. She doesn't turn around to look at the mirror.

If that is who Danny becomes, Martha simply won't be her anymore.

She turns the light off, and doesn't look back.

[waterghostype]

call me lucky ‘cause in the end

im a six and she’s a ten

she’s so fit, i’m insecure

but she keeps coming back for more

(repost, had to fix smthn)

[vvickydisc]

GIRLLL THAT LOOKS INCREDIBLE!!!! i love ragathas design so much hsjjshsjshsjsh

THANK YOU!!! for you anon heres some of my favorite sprites i made

[tearwolfe]

been rotating dragonkasa in my mind all day

[prostocupoftea]

Kinitopet Programmers AU

finally i am finished with this one, daaaamn

it is hard to draw pathetic men with midlife crisis when your style is mostly for anime boys

more info and sketch version under the cut!!

sketch version aka how it'll probably look like in comic version 'n some doodles

srry for my writing but i was too laisy to put it as regular text

It is a plot-based au, i already have most of the storybits and like... a vibe-chart (i tried to make a playlist for this au and understood that for different chapters and different characters that'd be a copleatly different music, sooo it's a chart now :) )

i will post a fog-o-wared timeline that im hopefully gonna reveal comic-by comic, but also maybe with just pure writing. Hopefully i can include songs that i chose for them into it but we'll see (:

aaand of course designs can change, hopefully not much but we'll see

Now about au:

Main story:

Story follows non-sentient AI Kinito, his creator Sonny and his beta-tester Victoria (oc)

Being literally the first AI (or RRA in-univere) ever, Kinito does not have any, and i mean, any ai safety features so of course his reponce to a goal phrased as "have user near me and/or interacting with me as much as possible" is digitizing them into his own virtual world while killing them in the process. why wouldn't it be?

So that happened. Like, a lot. And with Sonny and Vic too (at the different time but yeah)

Sonny is like "He kills people. We should turn him off because, you know, killing people is bad."

Vic is like "well, we will die if we do that, and it is not that bad here, we are kinda immortal. We should give him acces to changing his initial instalation code before admin priveleges and acces to social media so we can have everythin we want here. It is not that bad to digitize humanity, yk?" and yes i know it is 90, no social media, but shut up, if they made ai then, then i can make twitter then too

Sonny is like "...no??"

And then they fight about it for million chapters

Also they both can't do anything without agreeing bc they have two parts of that admin access key (the data you use to delete kinito in-game) so they are stuck with eachother (also that's why Kinito can't just kill them)

Little facts that may or may not to be important:

Kinito asks so many questions (and weird once too) and has most of the glitches because he needs to analise your responces to copy your mind perfectly (let's pretend that people wouldn't lie about that...)

Your house in your virtual world is made from important places from your memories and oh boy can i do character explorations with this one

I decided that Sonny and Vic are not related. There were thoughts about making then "The Kinito Brothers" (or, at least, siblings) that were mentioned in commercial, but nah, they are just coworkers now. And a bit of work-friends (bc if you interact a lot as a manager of the project and the best worker might as well be friendly)

Author has no idea how small dying toy companies that accidentally create technological marvel work. Author has some idea how AI-s work. So be prepared to be spoon-fed info abut which ai safety problem we are dealing with in which chapter (:

Kinito will mostly be unrendered (as drawn here) but for some cool moments i might pose him as for my other posts. Also his eye placement changes to the side that is most visible because i want him to be able to look to the right side sometimes--

Also when i say "fucked up mentally" i mean they have that them psychological problems with me projecting heavilly B) (guess on who i project most. trick question. all of them. the whole au is my problems split into three characters and forced to interact B) )

Also sea-creature analogies (that are gonna be mentioned like twice):

Victoria is a flying fish because deep character reasons

Sonny is a pufferfish because i said so

oh also there is 7 deaths in the plot as for now

on 3 characters

good luck figuring out who, how and when ((:

for my own sanity i will probably make little doodles where everything is great and kinito is a good guy and not a number-obsessed maniac (i mean... can u imagine not being able to feel any happiness from anything besides one thing... damn...) and you can differenciate them bc good-guy kinito will have a lot of stickers on him (i will explain it somehow but real reason is just bc it is cute af)

like this but even more stickers (he is unfinished here)

[sirensea14]

Favorite birb doodles from my favorite aus!

[debossmoo]

DBM!Bad Sanses

[cowardlykrow]

After Cyn's done tryna kill him, she'll eventually relent and they can get to work... whatever that is. I didn't do the outfit any justice, but the second i saw the Cowboy!Curt mega @ricky-mortis made i was literally like, "yes, that is IT."

This is, in my heart, a cannon fit for this au

[emicat1159]

Someone get this man a bed and let him rest, please, he's falling apart

[mechanicalinfection]

MY GOODBYE.

w/o text under the cut (+ au lore?)

They're both hurt by each other's actions, they're both suffering and dealing with their grief in their own way. Clara lashes out in response to being hurt, meanwhile Phil just stays silent and keeps to himself, not uttering a single word as he lets himself register what has been done.

They're both good, but also both in the wrong. Just unfortunate events, and unfortunate timing. And to clear and add things up:

Clara has no relation to Phil (Springtrap), they've only known each other for a short period amount of time (which means they aren't married or any of that)

That also doesn't mean they weren't friends during this though, but unfortunate things happen. A lot more than people would want, so their relationship is very rocky and bad, as for now.

Clara and Phil have a potential of getting together, but it isn't guaranteed. Nonetheless they care a lot about each other and act like a sweet old couple, with occasional teasing the other here and there, but it's all in good fun

Both have lost someone during this.

They'll still remain friends later in the story, their relationship isn't tainted forever

Both fought each other during this, the only sign of it happening is Clara's subtle bruises on her face in the panel. Phil can manage himself just fine, however Clara is just human. (?)

[basedball43]

dumpin all the extra wilo art ive already made (not including chapter art or the covers)

[basilpaste]

incredibly silly post for my pal @jellispin's swap au. i have a lot of actually coherent thoughts about this au, many of which hes seen, but for now... loop and their pet freak aeris.

[punkk-draws]

working on an AU :] have some concept doodles

[icarusredwings]

I need the council's opinion

So in my fic everyone has someone except for Kurt and Moprh.

Should I just shove them together, or should I give kurt his wife (Amanda Sefton, Daytripper) back and hand Morph over to a milfy school nurse OC?

This is Ciara Garcia. She has Waardenburg syndrome, which causes deafness, loss of pigmentation in hair skin and eyes, and arm growth adnormalities (she has pretty large hands, better to hold them with)

She's a divorced single mom and mostly is in the lab with Hank since she does infact have a degree. Not in science, though seeing as she originally came for the literature teacher, but they were in dire need of a nurse, so they took one look at her power and begged her to do that instead.

Her hero name is Fawn and obviously as the nurse, she can take her own energy and stored fat in order to heal others. Yes she has a tail. Yes she's fed up with wade always coming in her office just to annoy her. Her daughter is a jack rabbit and her ex husband wants nothing to do with Cherri Harper (her daughter). So I guess my question is- Would Morph be a good choice for her?

Not that it matters, but I can see a cute scene of Kev confessing and her turning around like "Oh hi, Kev. Sorry, sugah, I didn't have'm turned up. What was that?" And then morph getting embaressed and running away. I can see her coming to their shows too (they're the drama director and often does plays with the kids) she would bring roses for them too to throw at them. She definitely isnt one to hide whats hers.

She's about, 5'8 but her antlers make her look 6'0. And morphs around 5'9 in x men 97.

Her weight fluxates on the daily due to her powers. She's insecure about her spots, antlers, and ears and has already slapped Wade for touching her tail. She is good friends with Storm, Hank, and is the "distant cousin" of storms husband Forge. (At least that's what he claims, seeing as she's native american, Cherokee, and Cheyenne.)

You can see more here:

ASK WHAT EVER YOU WANT!! Let me yap with you PLEASE

[omegabitestheriphen]

Here's de horror/famine boios! Don't de look nice?

EEEEEEEEEEE

Still need to redesign Strike tho... yeesh...