#<- it… It has lots of baked goods!! Like

[alchemistc]

Everything's so damn dark when the blindfold slips off that for a second she can't see a thing.

Don't panic. Don't scream. Don't hurt the baby.

Something groans at her feet and she startles straight into the pipe behind her head.

"'lo?" A voice asks, familiar enough to give her pause, and she wonders for a moment if this is a joke, if this is a trick, if this - "s'there?"

His words are slurred. A concussion, maybe, then. Great. Biggest man she knows and he's gonna be a useless pile of puke to her.

Don't panic, Maddie reminds herself, and then she starts giggling.

"Tommy?"

He groans an affirmative.

"Oh good. I feel a lot better about getting overpowered, now."

A hand grabs for her ankle and Maddie bites back a scream. It's Tommy's hand, big and warm and - fully unbound, which feels a little unfair. "Cunt drugged me," he says, then pauses. Squeezes her ankle. "Sorry for the language."

"No, it's, uh - I think it's warranted this time."

Maddie can't remember exactly how it'd happened to her. Had she been hit? Is she injured? She does a mental tally. Her lip feels swollen. Nose and eyes feel fine, though, so maybe she bit it? Neck, shoulders, all good. She's been bending her elbows and wrists just fine, she just doesn't have the leverage to do anything about the zip ties keeping her affixed to the probably pipe behind her. Hips, legs, knees. She wiggles her toes and in the darkness Tommy chuckles. "Everything accounted for?"

He must have done his own check while she was working through hers. She can hear him rustling around. "I'm still incredibly mad at you, but it's nice to hear your voice," she says, and Tommy goes still. "Tommy? All good?"

"...why are you mad at me?"

"Like you don't know?" Oh. Actually maybe she is more mad than she is glad. "You broke my brother's heart, idiot. I don't have any more room in my entire house for the coping mechanism he's come up with." She kicks, a little. Tommy grunts and shifts. "I hope that hit something painful and non-essential to our escape."

"He's - he'll be fine."

"What exactly is your definition of fine? Because it's been a few months and he's still bringing me baked goods on a bi-weekly basis."

"Bi-weekly like -."

"Do not get pedantic on me, Kinard. Two times a week. What's your status? Moving parts all still moving?"

"I think my balls have taken a vacation, but that's more a reflection on how terrifying you are than on this current situation."

Flippant. Sarcasm in the face of Maddie trying to get a full picture. Buck had called him funny and charming. Maddie's second kick doesn't land, but only because he's got a hand wrapped around her foot. "Once we're out of here, I'm gonna punch you in the face."

He hums. "For the balls comment, or the cunt thing?"

Maddie shrugs. Remembers that he can't see it. "Which part of 'broke my brother's heart' are you not getting?"

He sounds like he's moving gingerly. She can hear heavy bulky fabric rustle and she wonders if he's in three layers like usual. She could use something warm. "I - figured he'd be over it by now."

Maddie snorts. If she had to make a guess, Tommy glowers at the noise. "Dumbass."

And then it hits her. "The cunt? Skinny, brunette, pretty? Kind of...angular face?"

Tommy hums and takes her weight as she tries to kick again. "Sounds like her."

"Oh, Buck's gonna be pissed and embarrassed. She's rebound attempt number two."

Tommy's silent long enough that Maddie has to check in. He hums, and goes back to silence. "Rebound attempt?"

"If you hadn't noticed, we've actually been kidnapped, so maybe I can save your relationship afterwards?"

"I think she was trying to kill me," Tommy admits. "Otherwise why am I unbound in this shitty Saw knockoff?"

Maddie feels some extra pieces dropping into place. Oh, Buck is never gonna live this down actually.

"Can you overpower her if she comes in?"

"If she's not quick to try to drug me again. If I can figure out where the fucking door is. If -."

"A yes or no is fine. Pretty sure she's the Bay Butcher, if that helps you answer."

His pause is long. "...maybe," he says, and accepts the kick this time without block or protest.

[luveline]

hi jade!! could we get some kbd!steve where r has had a long week at work or something like that and steve makes her favorite for dinner and she just gets all clingy and a little teary and all that mushy ushy stuff

KBD —mom!reader, 2k

The drive home feels longer, roads you’ve taken each week day for years metamorphosed into winding lanes and long stretches of tarmac. You stop at the small store just outside of your neighbourhood and attempt to pick out a treat for each girl and your sweet husband. 

It costs more than the tags say it will. Your bag breaks on the way to the car. You have to go back into the store to buy Steve another glass coke, but he deserves it. If you think about crying on the street that leads into yours, it’s your secret. 

The door opens before you’ve parked the car. Avery waits on the stoop, shifting from foot to foot in excitement. The second the car is off, she’s barrelling down the step of the house without shoes. 

“Ave! Babe!” you say, laughing as she pins you in place. “No, go back inside! It’s so cold out here!” 

“I couldn’t wait to see you!” she whines. 

Steve is there and down the steps immediately. He grabs her up and tosses her over his shoulder, laughing but clearly disapproving, “I didn’t even hear the door, just you yelling,” he says. “Shit, come on, come inside, it’s freezing!”

“Steve, you’re not wearing socks either.” 

“I had to save my girl. Where’d she go, did you see?” 

Avery giggles roaringly against his back. “Dad, put me down!” 

Steve gets Avery unharmed back inside of the house. He lets you pass and locks the front door, it’s creaking, stuck handle slammed up and key turned. He puts the chain on, like you’re being followed, checking the peephole before turning to you with this look, arms out and hands up, a sign of relief coursing through him. “My girl,” he says, cupping your face in both hands. 

You give a surprised smile. 

“I thought I was your girl!” Avery says.

“You are my girl,” Steve says, tipping your head to one side. He’s smiling like it’s his birthday, or like you just told him you found a hundred dollars in one of your pockets. “But mom’s my girl, I have a couple, you know?” He talks to Avery, stares at you. “I’m glad you’re home. I have a surprise for you and I hate waiting.”

“You do?” 

He squeezes your cheek and parts from you. “Ave, go get some socks. I’m gonna turn the heating up. Wait, let me feel those feet before you go.” 

“You are not touching my feet, you tickle.” 

“Then go get some socks on them! Gosh, you’d think I just left the front door unlocked or something, the way she ran out.” 

He shares a big smile. 

In the kitchen, the shutters are open. The lingering piles of yet to melt snow in the back yard make the whole room white, illuminating the family table, the fridge covered in magnet-pinned drawings and appointment cards, the sink and all the drying dishes. Poor Steve, he must do the dishes three times a day before you get home. 

There are things covered on the stove waiting to be reheated, and in the oven, you can see a large ceramic baking tray. 

“What are you making?” you ask. 

“That’s your surprise, honey. That and one more thing.” 

You shake your head, nonplussed. “What?” 

Steve opens the cabinet under the sink to unveil a bouquet of flowers. Which means he must’ve gotten four girls dressed to take to the store on a day where he hadn’t needed to. He must love you a whole lot to bother.

“What’s in the oven?” you ask. 

Steve puts the bouquet in its vase on the table for you to inspect. “Your favourite, duh. All the trimmings. Enough for you to have three helpings, if you want.” 

“What’s the occasion?”

“Since when do we need an occasion?” he asks, taking your wrist across the table. 

You give the flowers a good long analysis. Your favourite flowers too, with baby’s breath, carnations and peonies to bulk it out, all light pinks or whites, the odd light blue one tucked throughout. 

“I think I was having a bad day,” you say. 

“What?” he asks worriedly. “What’s wrong?” 

He should know not to ask you like that when you’re upset to begin with. He’s lucky you don’t burst into breathless sobs there and then, but your eyes go hot, your waterline fills, and he’s all to easy to collapse against for a hug. The bag at your elbow clinks against him. 

“Thank you,” you say. 

“Sure, honey, but what happened?” 

You sound squeezes as an orange for juice as you explain it, wobbly in his arms, “It’s just been such a long week, m’sorry, and I had a bad day, and I got you a glass coke from Ernie’s but the bag broke, so I had to go back in and tell them I smashed glass out there–”

“Maybe Ernie should get better bags,” he says. 

“Sorry. I shouldn’t cry over coke.” 

“No, you should never cry.” He encourages you back to kiss your nose, still smiling as he says, “Ever. They should make crying illegal, I don’t wanna see you doing it ever.” He taps you under the chin. “You’re home, cool? Nobody can bother you for the next two days, it’s just me, and your daughter, and your other daughter, and your other,” —he starts laughing as you do, infected— “daughter, and that baby. Also a daughter.” 

“Oh, yes. Who can forget my troop of girls,” you say, sniffling as he swipes under your eye with his thumb. 

“Okay?” he asks. 

You could tell him everything now, or you can save it up for tonight, tell his shoulder after dinner and a shower and a few hours of TV and chips. It’ll all feel less shitty then. And he’s drawn your attention where it should’ve been —where are your girls? 

“I’m okay. Thank you, handsome.” 

“Handsome.” He feels down your arm, pretty and warm among a cool-white kitchen. “Flirt. How about you go give your kisses and I’ll set the table?” 

“You sure?” 

He’s all smiles, it’s crazy. “The quicker I feed you the better, I’d wager. Kiss for luck?”

What luck? you think, but pout softly for a kiss that rocks your world regardless 

I’m a princess, you think, pushing the door that leads to the living room. Inside, Beth, the second eldest, is sitting with Wren, the baby. Wren is sitting on a playmat in a duckie covered onesie, smiling and giggling as Beth puts on a show. Beth’s holding an octopus toy and a Barbie, making them talk to one another in different voices. 

You don’t want to interrupt them, but Wren sees you over Beth’s head and starts doing the wiggly, nearly frantic things babies do when they’ve missed you. If you don’t grab her quickly she’ll burst into tears. 

“Beth!” you say, kneeling down beside her as you grab her sister. “Hi, bubby. What are you playing?” 

Beth reminds you that you’re beautiful, your smile on her lips as she says, “Mom! When did you come home?” 

“Just a few seconds ago.” You situate Wren on your chest for kissing, popping a few spares on Beth’s temple. “Okay? Good day?” 

“Great day!” 

“Good, I’m so glad.” 

Beth crawls to you to give you a hug from the side. Somewhere in the background, Avery calls, “Daddy! Dove is making a mess in my room AGAIN!” and Steve’s calling back, “Okay! I’ll be right there, Avery! Just gimme a minute!”

“DAD!” 

Wren gurgles at you. “Da?” she says. 

“Heard that, did you?” you ask her. 

Steve takes the long way, pushing into the living room and throwing a grin at the three of you on the floor. “Honey, I’ll be right back. The table’s set, okay? You can go sit down and I’ll start plating up.” He doubles back before he can leave, again staring at you with a smile. “Jesus, you’re perfect. I could just look at you forever.”

“Isn’t he charming?” you ask Beth. 

She gives an agreeable nod.  

The moment he’s gone you realise you actually don’t want him far away from you. It’s a strong feeling to understand it while bathed in love from two beautiful kids who missed you. Wren tries to kiss you, surely wanting one of her own, while Beth gets up and tries to persuade you too. 

“Come on, mommy. We can sit at the table.” 

So you go, mostly because she sounds adorable. You carry Wren to the table and find Steve’s already made her her soft food. You try to make baby food a few days worth at a time, but it’s nice to let her have little tastes of the same meal as everyone else. He’s blended some of the veggies into a bowl, sat cooled and waiting for her with a bib on the high chair. 

“Your daddy’s in great form today,” you mumble into her hair, sitting her down, and attempting to get the bib on her before she can grab her spoon. She’s enthusiastic, but not actually coordinated enough to use one yet. You sit down by the high chair to feed her. 

“Is it okay if I sit here?” Beth asks, taking your usual seat. 

“Yeah, of course. Want me to serve you now, or could you wait, bubby? Just until dad comes down.” 

Beth shakes her head. You forget sometimes that she’s not a baby, not a toddler, but a child big enough to grab her own knife and fork. “I’ll wait, just have some bread.” 

“Okay, bubby. Thank you. You gonna butter it yourself?” 

“Yeess,” she drags out. 

Steve brings Avery back, along with your last, grumpiest daughter, Dove. She isn’t necessarily miserable, just contrary. When she was Wren’s age she’d already mastered the word no, when she sees you, she glares at you, crying out in disbelief, “You’re in my seat!” 

“Come and sit on my lap, big girl, I gotta feed your sister.” 

“I don’t want to sit on your lap.” 

“That’s hurtful.” You pout at her with loving eyes. “Dove, didn’t you miss mommy? I missed you soooooo much.” 

Success. She climbs into your lap and lets you rub her arm while you can. Steve takes the seat on Beth’s other side, further away then you would’ve liked. He serves everybody their dinner, does it all beaming and fawning over his dinner guests. 

Your bad week fades away. By the time Steve’s stolen Wren-duty and you’ve finished your dinner, you’re feeling delightfully full and doubly loved. Like they know you need it, each of your daughters capable of doing so gives you a hug (or in Dove’s case, a kiss on the arm). 

Leaving you, and Steve, and baby Wren. 

“What do you think, milk?” he asks her. 

She seems to think it over. “Ba?” she asks. 

“Buppy? You want your buppy?” 

He pulls her out of her high chair, makes her a bottle of milk with her held to his chest, and then sits down in the chair next to you to cradle her and feed her a few ounces. 

“So,” he says, as though he isn’t exhibiting frankly audacious levels of dad-stamina and esteem, “about that long week, are you feeling okay?” 

You hold his wrist where he holds the baby. Wren’s getting so big, she takes up the length of his arm, a healthy chub around her neck and on her tummy. 

“Y/N?”

“I’m okay, yeah.” 

“Just got on top of you?” 

“Yeah, I guess so. Shit, I didn’t get you your coke or anything for dinner. I got the girls chips.” 

“It’s okay, we have time to spoil them. They ate tons.” 

“What was breakfast like after I left?” 

“Avery was so happy she didn’t have school I don’t think she noticed there were no fruit slices.” 

You fall into conversation. He leans against your shoulder as you rub the length of his arm, encouraging your clinging to the fullest extent. 

[mooshkat]

i haven't watched the episode. don't really care to. but apparently eddie is looking at houses in el paso?? and i've always related way too much to buck and the way people in his life leave so much so.

listening to 'please don't go' by abbey glover while writing this is devastating btw. highly recommend to add to the hurt.

tw for suicide attempt.

Buck drops Eddie off at the airport and then just...doesn't go home. He doesn't think as he drives, taking turns and just alert enough to be safe on the road, but honestly? He has no fucking idea how he ends up in the mountains, parking in the small dirt lot at the end of the hiking trail.

Everything feels numb. Static fills his brain and spreads down his neck, all the way to the tips of his fingers.

He turns off the Jeep and takes out the keys. Drops them carelessly into the cup holder.

He should've seen this coming, right? People leave; they always have, and always will. Everyone from his own sister to his ex-girlfriends, and his ex-boyfriend. Now his best friend.

There's just something buried deep into his very being, something built into the coding for Evan Buckley, that makes people leave him. No matter how much he clings and wants to fight for it, they'll walk away from him and his love.

It's him, it has to be.

Buck leaves behind his wallet, his keys, his work bag. Everything is left in the Jeep except for his phone, because no matter how much people leave him with barely a goodbye, it goes against everything that makes Buck, well, Buck to do it himself.

He knows this trail. Tommy and he have been on it before, once or twice after Buck dragged him along with him. They'd stopped at the top, where a small cliff overlooks the beautiful scenery with LA off in the far distance.

He remembers the way Tommy pushed him against a tree and sank to his knees, looking up at Buck with an adorable, bright grin with scrunches up his nose. Buck misses that grin fiercely.

The sun is just beginning to rise as Buck starts his walk. He doesn't go up the mountain with a specific plan in mind, didn't wake up to take Eddie to the airport at four in the morning, and think I'm going to kill myself today, but the higher he gets on the trail, the more he knows.

It's early enough that he has the trail to himself. That's good. It's not, he needs to turn around and go back to the Jeep, go home but his feet keep moving him up, up, up. There's nobody around who will have to see what he's about to do and be traumatized by it.

He's seen more than his share of deaths through work, he knows how badly it can fuck you up. He doesn't want to do that to someone else.

When he gets to the top, Buck stops and just breathes. The air is fresher up here, cleaner. It makes some of the buzzing in his head quiet down. He can feel his fingers again, feel the way his heart pounds from the cardio workout of climbing, and make his hands throb.

He walks to the edge of the cliff and sits down, his feet dangling over the edge. There's a boulder a few feet away from the edge that holds memories of him leaning back against it as Tommy kisses him, holding Buck's hips with hands hot enough to brand him.

His very soul feels branded by Tommy. His chest aches every day, making his stomach sink with a homesick feeling he hasn't had since before he moved to LA. His apartment is still full of the baked goods that he creates every time he has to try to not call or text him.

He doesn't stop himself from calling him today.

Buck almost thinks it's going to go to voicemail before it's picked up at the last second.

"...Go for Kinard?" Tommy answers, clearing his throat. His voice is sleep-rough and deep, and Buck hasn't heard it in so long that it's like applying balm to very shattered, torn edges of a wound. "Hello? Who is–Ev—Buck?"

"Did I ever tell you," Buck starts, and he sounds just as rough, but he's more awake than he ever has been, despite the bone deep tiredness that fills him, "about the fact that I was made to be a savior baby for a brother I never met? My parents made me in a science tube so that they could use my bone marrow to heal my brother, Daniel, but it didn't work. I thought for a little while after I found out that it was because I was defective, but I get it now."

Sheets rustle on the other line before Tommy sits up again. "What are you talking about, Evan? What's wrong?"

Buck continues talking, bowling over Tommy's questions like he didn't hear them. "I think there's something inside of me that's toxic. Toxins drive people away, it makes them sick, it's the only thing I can think of that makes sense for why everybody I love gets sick of me and leaves. It has to be me, right? Nobody stays, not forever. There's something wrong with me and I've finally figured it out."

"No, Evan," Tommy says, voice soft. He can hear the concern, though, the urgency hidden under his tone. There's the sound of jingling keys and a door opening and closing. Tommy's too far away to stop him.

"Sometimes, people leave. It's just what they do, it is nothing about you or what you've done. It's them. Their problems. My problems, that we should–we should sit down and talk about. Evan, where are you? I'm worried."

He almost doesn't want to tell him, but maybe it'd be better for someone to come out and collect his body so he doesn't ruin the trail. Leave it as you found it, or whatever. He gives Tommy his location and ignores the way it starts a mental countdown in the back of his mind. He doesn't have long now.

"It is me, Tommy. I want to believe you, but I can't. Not when hard evidence for almost my entire fucking life says otherwise. My parents emotionally left before I was even born. Maddie. Abby. Other girlfriends. I even lost the 118 at one point–thanks to that stupid mistake with the lawyer. Everybody leaves. And–and now with you, and Eddie. I'm tired, Tommy. I'm so goddamn tired."

Tears drip down Buck's cheeks. It's exhausting, viewing every relationship as a ticking time bomb waiting to go off, waiting for them to exit left out of his life. He thought things might be different with Tommy, it was one of his longest relationships, but he was wrong.

"You know, when you broke up with me that night, you said you'd be my first, but not my last. You were wrong. I-I love you so much, Tommy, even though you broke my heart. I hate you for leaving just like everyone else, but I also love you. You'll always be my first and last now. It's my turn to leave."

"Evan!" Tommy shouts into the phone and Buck cringes. "Evan, please, don't do anything. I'm on my way, okay, baby? Please just sit still and wait for me and we can talk–about everything. Please."

It'd be so easy to lean forward and let gravity do the work to drag him off the edge. The side of the cliff digs into the bottom of his thighs and he kicks his feet, knocking against some of the dirt and watching it tumble down.

His phone starts buzzing insistently in his hand with texts. Tommy must have sent out a message. He doesn't look at any of them as he pulls his phone to set it on Do Not Disturb before putting it to his ear again.

He doesn't know what to do. He wants the hurt to stop, he just wants it all to stop, but he's afraid. What if he's too weak to commit? Just like he's too weak to not let people back into his life, even if he knows they'll just leave again.

Weak and toxic.

He drops his phone onto his lap and hunches down, elbows pressing into his knees as he covers his face. He can hear sirens in the distance getting closer.

A strangled sob rips its way from his throat and he makes his decision.

"Okay. I'll wait for you."

There's an audible sigh of relief from Tommy. "Thank you, Evan. I'll be right there, okay? Keep talking to me, baby."

He doesn't know what to say anymore and tells Tommy as much.

"That's okay, Evan. I-I heard from Howie that you were baking lately? What have you been baking?"

Buck knows what's Tommy's doing. He's stalling so that Buck doesn't kill himself before Tommy and the first responders can get to him. He's done it dozens of times before to people on the edge while he's rescuing them.

"A lot of bread, really. Pumpkin bread, banana bread, butternut squash. I even, uh, have a sourdough starter that I've been feeding for a couple of weeks now. I named it Billy because it looks sometimes just like the, uh, boils I got from the curse when it expands."

Tommy lets out a watery laugh. "Of course, you'd name your sourdough starter." He clears his throat and the sirens are suddenly much louder in Buck's ears before they cut off abruptly. Quiet, rushed talking that Buck doesn't understand before Tommy starts running. "What else?"

"I made baked Alaska pretty soon after we broke up. It took me hours to make, and the entire time it was setting in the freezer, I had to bake other things to stop myself from calling you. I-I don't know if Chim told you that's why I started baking, but it is."

When Tommy responds, it's not through the phone. He comes to a stop beside him. "It sounds like your coping mechanism was more productive than mine, at least. Want to get away from the edge for me, Evan?"

He holds out his hand and Buck takes it with a shaky laugh. "Oh, yeah? What was yours?" The knowledge that Tommy was moping just as bad as Buck makes him feel...something.

"Eating entire pints of ice cream by myself on the couch while watching rom-coms." Tommy pulls Buck to his feet and wraps his arms tight around him. Buck can feel how badly Tommy is shaking. "Thank god you're okay. Thank you so much for calling me, Evan. Fuck."

Buck hugs him back and ignores the paramedics lingering behind him. He knows he's going to be taken away in the ambulance and put under a 72-hour hold because of this. He doesn't think about that, or what it means for his job when he's let out.

He focuses on Tommy and the way he clings to him. He came back. Sure, maybe he'll leave again when the initial scare of everything fades away, but it's more than most people have done in the past.

Tommy pulls away first and holds Buck's face gently in his hands. There are tear tracks on his cheeks and more spill over as he looks Buck over. "I love you too. I didn't say it earlier and didn't say it then, but I am now. I love you so much, Evan Buckley.

It doesn't fix everything, doesn't even scratch the surface, but it raises something dangerous in Buck's chest.

Hope.

[yan-lorkai]

Heyyy! I hope you are doing well! (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

I would like to request something!

Yan!Crowley with a darling who is his secretary! I hope you're comfortable with writing romantic stuff with the staff. If not then please ignore this request. ಥ⁠‿⁠ಥ

Stay safe and don't forget to stay hydrated! Byeee ♪⁠～⁠(⁠´⁠ε⁠｀⁠ ⁠)

.⁠｡⁠*⁠♡ a/n: This is my first Crowley request so I hope I wrote him right. Enjoy ~

Working as Dire Crowley’s secretary is a whirlwind of chaos, exasperation, and somehow endearment. On the surface, he’s an eccentric, bumbling headmaster who constantly piles his endless workload onto you while waxing poetic about how invaluable you are to him.

He often forgets appointments, dodges responsibilities, and somehow manages to create more paperwork for you with every half-baked plan he devises - it's like you are the headmaster and he is your secretary.

And yet, despite the frustration, you stay. Maybe it’s because you’ve grown used to the rhythm of his antics, or maybe it’s because he always finds a way to charm you into sticking around. He praises you endlessly, often with overly dramatic flair, declaring that no one could ever replace you. At first, you thought it was just his usual theatrics, but as time went on, you began to notice the subtle possessiveness behind his words.

Crowley has a way of making you feel both indispensable and trapped. If you so much as hint at being overwhelmed or mention needing time off, he panics. He flutters around you, begging for forgiveness and insisting he couldn’t possibly survive a day without you.

"What would this school do without my brilliant secretary?" He laments, clutching his chest like you’ve just stabbed him thirty times. "No, no, no! You must stay! For the sake of the academy and my sanity as well!"

His behavior grows more suffocating the closer you get to him. He begins to rely on you not just professionally but personally, pulling you into his orbit with every request and manufactured crisis. It’s not uncommon for him to call you into his office for “urgent matters” that turn out to be little more than an excuse to chat or keep you near him.

Despite his shortcomings, Crowley is remarkably attentive when it comes to you. He knows your favorite tea, the way you like your workspace organized, and even small details like how you tap your pen when you’re frustrated. He uses this knowledge to ingratiate himself further, always appearing with a solution or a grand gesture at just the right time.

The turning point comes when he starts making subtle comments about your interactions with others. If you spend too long talking to a student or a staff member, his demeanor shifts. The usually jovial headmaster becomes uncharacteristically quiet, his golden eyes watching you intently. Later, he’ll casually bring up the encounter, his tone light but his words carefully chosen to sow doubt or guilt.

"Ah, I see you’ve been spending a lot of time with Professor Trein lately," he’ll say, his smile not quite reaching his eyes. "I do hope you’re not neglecting your duties with me, dear secretary. After all, no one understands you like I do."

Over time, his antics escalate. He begins orchestrating situations to isolate you, ensuring you spend more time with him and less with others. The line between professional and personal blurs further as he starts calling you by affectionate nicknames, brushing off your protests with a laugh.

"My dear, you work far too hard," he coos one evening, handing you a cup of tea he made himself. "Allow me to take care of you. After all, you take such good care of me."

Though his behavior is overwhelming, there’s a strange comfort in his constant attention. He’s unpredictable and demanding, but he’s also fiercely protective and utterly devoted. And as much as you might want to escape the suffocating hold he has on you, a part of you wonders if anyone else could ever match the intensity of his obsession.

[jitterbugjive]

Okay... I'll Accept Holiday Letters...

So, anyone who has followed me long enough knows by now how I get around the holidays. Seasonal depression kicks in, and bad memories of old toxic Thanksgivings and Christmases flood my brain any time I see or hear reminders of them. Plus there's some trauma from living in poverty and having very little around the holidays and the only people willing to exploit my mentally ill mother for work was the Salvation Army who basically pay pennies. And there's a whole lot more I don't like, like the cold, Christmas Carols, etc.

However.

The last couple of years I finally got to have proper family holiday get togethers since the toxic people in the family are gone now, and it was very healing for me. I still despise the holidays, don't get me wrong, they are mostly miserable for me. I generally tell people to not address the holidays with me.

But... I've been going through a LOT this year. Especially the last 6 months with my mother being manic and getting her whole life messed up. I've also been dealing with another family member experiencing psychosis on and off as well that I haven't felt comfortable talking about. The results of the election and things Oregon was voting on are not helping me feel any better, and I fear that winter depression is going to be hitting me like a truck. I can feel it creeping in already now that the weather is getting under 40F. On top of that, my family isn't in a state right now where anyone can feasibly host Thanksgiving or Christmas, so it's a bit of a lonely one this year. Sure, I have friends I can spend time with, but I was just getting used to the family dinners. Overall, this is just going to be a very hard winter for me.

And for once, I'm going to ask people to lend a bit of the Holiday Spirit (tm) my way, because I really need some pick-me ups to get through the rest of the year. Basically all I'm asking for is for people to send me letters of encouragement through my PO Box. Gifts and fan art are welcome too, I keep all my fan art safe. I'd prefer not to get flat-out christmas cards unless the cards are really nice or creative and have a lot of thought put into what's written in them. I could just really use some kind words and there's something that feels a lot more personal about physical letters that I can store away and pull out on a rainy day.

Please note I have a pea brain that can't read cursive very well, so if possible I'd prefer it be in plain print or typed out.

If you send treats they need to be shelf stable and properly sealed, no home baked goods.

My P.O. Box: (Can be addressed to Jitterbug or Jack)

16055 SW Walker Rd #274Beaverton, OR, 97006

And if anyone's feeling generous I do have an amazon wishlist that people should be able to buy and send stuff from without needing to be the middleman. I don't update it much and a lot of stuff is outdated but you should be able to organize it by priority to get a better idea of what things I'm most interested in. You can even add other stuff to the order that isn't on the list and it will still be shipped to my P.O. Box!

AMAZON WISHLIST

[bisexualbellamyblake]

a quiet undoing

buddie - post-808 coda - read on ao3

“Eddie’s moving to Texas.”

Maddie blinks at Buck, processing his words. It’s barely a second before her head tilts, and her eyebrows draw in, and she’s looking at him like he’s six again, like he’s fallen from his bike and all she wants to do is patch him up.

Protect him from the world.

“Oh, Buck,” she says, soft like she’s worried he’s fragile, like he might break, and maybe he will, because he doesn’t even remember it, driving to her house.

It’s all a blur.

Going to Eddie’s with a basket of baked goods.

Using his key and feeling that quiet thrill in his chest at the click of the front door unlocking.

Teasing Eddie about whatever he was looking at.

And then, being hit with something that Buck never imagined he would be. The prospect of Eddie leaving LA.

Of leaving him.

“I don’t — I’m not sure why I’m here,” Buck says, voice feeling tight with a fresh wave of tears. The first lot came when he was sitting on Eddie’s couch, when Eddie was no longer watching him and he allowed himself a moment not to pretend. They’re harder to swallow down this time. “I just got in my car and somehow ended up here.”

“That’s okay,” Maddie says, reaching out to put a hand on his arm, coaxing him inside. “I’m glad you came.”

She leads them to her couch, and Buck sits down, trying not to think about Eddie’s couch.

How many times has he sat there with Eddie? With Chris?

How many times has he slept there?

How many of Buck’s memories have been born on Eddie’s couch?

And now, he’s just spent an hour there on a call with a real estate agent, trying not to be anything but supportive as Eddie asked about different properties in fucking Texas.

Because how could he be?

Eddie misses Chris more than anything in the world.

He needs to be with him.

Buck understands, even if it feels like his own heart has been carved out of his chest.

“He wants to be with Chris,” Buck says, he’s not sure how long later. Time doesn’t feel like it’s moving quite like normal. “He’s looking at houses. I don’t understand why he doesn’t just fly there and bring him home. This is his home, Maddie, not Texas.”

“Buck…”

“I know, I’m not — I would never say this to him, don’t worry. I’ll let him go, even if it kills me. Even if I…”

The words get caught in his throat, and god, it’s love that’s strangling him right now, he knows it.

Another thing he can always associate with Eddie’s couch.

His eyes burn, and his chest feels cracked open, and it’s as Maddie’s pulling him in for a hug that he finally breaks. Tears hot on his cheeks, half-formed breaths shuddering out of him, his entire being — body and soul — aching with grief.

He’s always been an easy crier, always felt things too hard, too much, but he can’t recall the last time it felt this overwhelming.

Not when Tommy broke up with him.

Not when he was coming to terms with his own death — three minutes and seventeen seconds.

Not even when Maddie left, as much as it killed him.

It was probably when Eddie was shot. When Buck broke down in front of Chris.

Now, it’s Maddie who holds onto him as he sobs, murmuring soft words he can’t quite process as his body shakes with sorrow, as he tries to come to terms with the reality of yet another person he loves leaving him.

It’s minutes, or maybe hours, until he’s wrung dry, until the tears have stopped and his face feels tight and sticky and his heart continues its confused, worried beat within his chest: how will we go on?

Buck doesn’t know.

But he wipes at his eyes, and takes a slow breath, and this is what he does know:

He’s in love with Eddie.

And it’s because of that love, that he’ll let him go.

[2amriize]

.ᐟ RIIZE scenario: babysitting ༉‧₊˚.

req: can u do babysitting with riize members? like babysitting a little cousin or something along the lines of that i guess? anton and eunseok with those kids makes me ☹️ it’s so cute!!!!!

pairing: bf!riize x reader —masterlist

⭑.ᐟ shotaro

Shotaro had never taken care of such a small child before. At first, he wouldn’t really know what to do and would get a little (okay, very) nervous, letting out constant nervous laughs while asking every five seconds: “What should we do now?” After watching you struggle for a while trying to get the child to stop crying, he’d step in to help. He’d start making funny faces, quickly getting the child to laugh. You were surprised by how fast he managed it and how well they seemed to get along.

⭑.ᐟ eunseok

Even though you didn’t expect it from him, Eunseok is actually really good at babysitting. It’s probably because he has a younger sibling and a lot of experience with them. You couldn’t stop staring at him every time he played with the child, carried them, or soothed them—which, for some reason, he was particularly good at.

"I thought you already knew I’m good at everything."

⭑.ᐟ sungchan

He wouldn’t stop smiling and watching the child. Every little thing the kid did would make him grin. To keep everyone entertained, you decided to bake cookies together, but Sungchan got distracted for a moment and spilled the entire mixture on the floor. You didn’t expect that, seconds later, after a brief silence, the three of you would be starting a food fight, laughing uncontrollably.

"Just so you know, you’re cleaning this up, babe," you’d whisper in Sungchan’s ear once the chaos was over.

⭑.ᐟ wonbin

It would be pure chaos. Even though Wonbin finds little kids adorable, he has no idea how to interact with them. He wouldn’t know what to talk about or how to keep them entertained, but he’d keep trying new things to grab their attention, even attempting to teach them how to dance. That said, if the child started crying, you wouldn’t find him anywhere near.

"That’s all you," he’d say, pointing at you.

⭑.ᐟ seunghan

Things would start off pretty smoothly, but you knew it wouldn’t be a good idea to leave them alone. You’d only be gone for three minutes to use the bathroom, but when you returned, Seunghan and the child would have completely turned the living room upside down. Cushions and blankets would be scattered everywhere. According to Seunghan, he’d built an obstacle course to see who could complete it faster (and of course, he’d let the kid win).

⭑.ᐟ sohee

You’d spent the entire afternoon playing with the child, and it had been challenging for both of you since it was your first time babysitting. When bedtime rolled around, the child refused to go to bed no matter how much you insisted. That’s when Sohee came up with the idea to tell them a story and sing a lullaby. You were amazed at how quickly Sohee invented a tale about a princess named “y/n,” who needed to be rescued by the great knight “Sohee.”

⭑.ᐟ anton

He loves kids. In fact, he adores them, and he knows exactly how to take care of them. You, on the other hand, would feel completely lost. Even though you wanted to help out or spend some time playing with the child, they always ended up gravitating toward Anton. It wasn’t intentional, and you found it sweet to watch the two of them together, but deep down, you felt a little bad that the child kept choosing him over you. Anton noticed and told the child to go hug you and plant a kiss on your cheek while you were sitting on the couch, which completely made your night.

masterlist // taglist: @regularsuh @gacktsa @totheseok @kkumistars @taroddori @enhacolor @ladylilith @electric-hearts @astrobymarwa @layluv123 @sunflowers1610 @nctrawberries @synkjellies @ramyeonzprincess

[thelamentknight]

Fleur Mela Rossa 

18/Male 

French Italian

Gay

Pisces

Hometown is Fairest City

Twisted from Apple White

Pomefiore

3rd Year

Best Subject is Poison Making and Magical Potions

He’s in the Fashion Club

His Favorite Food is Cinnamon Apple Pie

His Least Favorite Food is Nasty-tasting Poisons

Dislikes Sloppy Lazy people

Hobbies include Drinking poisons, Shopping, Baking, Ballet, Watching Chick Flicks, Sketching, and scrolling through Shopping Websites for 5 hours

Talent: Posion Immunity

UM “Fairest in the Land”

Fleur’s UM is very similar to Jamil’s. When Fleur uses his UM, he can make others do his bidding. However, he can only use it on the same person 3 times, and the chances of the spell succeeding lowers with each time. Like, say he used it on Azul. After the first time, there’s only a 66% chance it’ll work again. And when it does work again, Fleur now only has a 33% chance of using it on Azul again and succeeding. And using it too much can cause Fleur to Overblot.

Fleur presents himself as delicate, gentle, and harmless, with a sugary sweet smile always on his face. This is all a facade though. In actuality, Fleur is cunning, calculating, and ruthless to those who cross him. He’s very intelligent, always two steps ahead in getting what he wants. He tends to use his seemingly innocent charm as a weapon to achieve his goals. He is very good at hiding how he truly feels.

Fleur is the son of very, VERY wealthy parents from Fairest City. His Mother is a controversial luxury fashion designer while his Father is an extremely busy lawyer. His parents went through a messy divorce, and Fleur was left in the care of his Mother. His Mother was an extremely harsh and strict helicopter parent, having high expectations on Fleur, wanted nothing but perfection, and almost always had something to nitpick. After the divorce, Fleur’s Father basically ghosted him and hasn’t bother contacting him.

Fun Facts:

+ Based on both regular Apple White and Evil Apple White (from the Spring Unsprung movie)

+ With how feminine Fleur is, he’s been mistaken for a woman several times

+ Perfectionist. Takes into account the littlest of details

+ Does not want something unless it looks cute

+ Has bumped into Vil and Neige several times at fancy social events and parties

+ Never late for things

+ Due to his very controversial Mother, he has been poisoned many times. It’s gotten to a point where he’s immune to them.

+ Likes experimenting with beauty related potions

+ Wears contacts

+ Has lots of Apple scented stuff (what can he say? He really likes Apples)

+ Has feelings for a certain RSA student (who I have not named yet)

+ Was in the Film Analysis Club before the Fashion Club was made

+ Has a poison k!nk 

+ VERY good at baking pastries

+ The mean girls in Chick Flicks are usually his favorite characters

+ Has a very long morning routine. Fleur and Cleophus give each other self care and beauty tips (they’re also Gossip Buddies)

+ Has very high As. Like, none of them are below 98

+ Casually has a case with little bottles of poison in his room

+ His closet is so big, the room next to his is filled with his clothes, shoes, accessories, and purses. Not even Vil has that big of a closet (at his Dorm room). Yes, he did pay Crowley to be able to do that. And the room is locked, with Fleur being the only one who can open it.

+ Deep down, he just really likes being a pretty princess

[dallasgallant]

Thanksgiving headcanons-

Like what I did with my 1960s Halloween post, I did a time period post first and I’ll do some headcanons now! I think I’ll do this for all holidays cause it’s pretty fun. Anyway,

thanksgiving

On the years they could afford a good big dinner the Curtis’s would always make a little bit extra in case one of the other boys (or anyone in the neighborhood) needed a good meal or just stopped by

Curtis’s would dress nice for thanksgiving dinner, as was common at the time and Pony would always be absolutely DROWNING in his Sunday clothes. (He received no mercy from the gang for this)

Two-bit is from a “tree up on thanksgiving house” and Steve is a “tree up day before Christmas Eve” family and it is a near constant debate -> two’s house never takes down the Christmas lights outside they’re on the roof year round but never on.

After dinner the gang would all meet in the lot for a game of football, more bundled and taken a bit more seriously than one of their normal games. Sometimes Mr.Curtis would ref so they wouldn’t tear each other apart

Johnny likes going to the Curtis house to watch the parade since they got a Color Television (Mr. Curtis had a bonus 1964 that let them get it)

Soda gorges himself and is always out of the football game early due to a stomach ache

Darry is his mom’s kitchen guard. He keeps everyone’s fingers out of dishes and out of her way, helping occasionally with the actual cooking

Post leaving his dad— dally will spend thanksgiving at a restaurant or the Curtis house if he can spring it. Treats it like any other day though.

Cherry’s family has hire’s cooks but her and her grandmother always cover deserts. She enjoys baking but always stresses herself out trying to make these elaborate things she sees in magazines or on the backs of boxes.

[alexanderwales]

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[alchemistc]

Buck's halfway through his third cup of startlingly bad coffee when Josh pushes the door to the breakroom open, looking mildly concerned in the half second before someone else looms over his shoulder.

He's too numb to do much more than take another sip of coffee as he watches Josh usher Tommy in.

The door clicks shut behind him. Buck wonders for a moment if Tommy's ever actually been to the new dispatch headquarters before. If he ever went to the old one, charming grin on his face while he waited for Abby to finish up so he could take her out, drive her home while her car was in the shop - but no, Tommy would have worked on it himself, maybe.

Had Josh recognized him, that first time, with half of his soot on Buck's face, and just never said anything?

The silence is tense. They're in a fishbowl, no room to lash out even if either of them wanted to because more than half the people working in this place can see them if they just tip their head to the side.

"How can I help?"

It's - his voice is strained, scared, worried. Buck doesn't have a single guess as to how he knows. Maybe Bobby. It's the only person he can think of who would have -.

Buck snorts. "I rebounded with a serial killer who just kidnapped my sister and my baby niece or nephew. I don't - I'm not sure what you want."

He glances up just in time to see the end of Tommy's grimace. Good. He's not sure how much more disastrous of a choice he could have made to try to get Tommy out of his system, but at least it hurts him to know. At least...

"Do you want me to go?"

Buck can't remember anyone asking, before. Usually they just... leave. Get up, walk out, disappear. Tommy bubbled Buck five times in three months. Buck went through seven bags of flour before he drove Eddie to the airport.

His voice shakes on his "No," and Tommy is there, all of the sudden, his hand hovering just over Buck's shoulder, like he realized halfway there it might not be welcome. "Do you still think I need to keep looking for someone better than you?"

It'd been seeing Tommy out with a guy that'd prompted him to stop fucking baking and make an effort to just...get over it But with Eddie away, and the rest of the 118 so wrapped up in their lives, there weren't a whole lot of outlets for that. And it's been easy to willfully misinterpret Tommy's breakup speech. Or - interpret it in the most hurtful way possible.

"Is this what you want to do right now?" Tommy asks, even and measured. "Will this help?"

"I want my sister back!"

Tommy takes a step back. His hands shift to his pockets, and Buck just wants -

"Why are you here?"

He tips his head up. Holds Tommy's gaze. Tommy flounders in a way Buck's never seen before.

He looks - tired. Good. White Henley under a flannel Buck had always told him brought out his eyes. The jeans Buck had stolen once or twice because they made his ass look good. His hair's grown in at the sides, and the sprinkling of greys are more obvious than the last time he'd seen it this length.

"I just... didn't want you to be alone."

Tears threaten at the corners of his eyes. He wants to laugh, but he's terrified if he starts he won't be able to hold in the fear. "When did that change?"

Tommy gnaws on his cheek. "You have so many people, Buck. You have -."

"I don't want emotional repression Tommy here, so if you're just here to keep me distracted until someone else can be here you should just... go."

Something flashes in his gaze. Anger, maybe. Terror.

"Please let me stay."

It hurts, to hear it. It hurts to hear the trepidation in his voice as he says it. Buck just wants to pull him in, tuck his face into the curve of his neck, soak in the warmth of his arms.

Buck spends too long staring at his knees. Long enough for Tommy to shift, to sigh, to nod his head decisively out of the corner of Buck's eye.

The word is stuck in his throat. Has been for months, since Tommy looked at him with teary eyes and walked away.

"I won't be able to let you go again."

He's already half turned away. Buck can only see half his expression as his eyes dip closed. He swallows. Nods, again.

Buck can't watch him push back through that door, so he stares at the toes of his boots until his vision starts to blur.

A second pair of toes swim into his eyeline. A hand shifts through his curls, snagging on knots, digging towards his scalp, and he can't quite bite back the sob. The arms that reach for him are warm, big and familiar, and Buck gives himself over to the panic and the fear that have been clawing at his chest for hours now. Tommy says something - whispers it into the air above Buck's head over and over, but Buck can't - he just -

He presses his face into Tommy's stomach, digs his fingers into the back of his shirt, sucks in horrible, gasping breaths. It's not enough. Nothing will be until he's got Maddie in his arms.

But it's more than he had an hour ago.

"Stay," he manages, and Tommy's fingers curl around Buck's neck and hold.

[i-cant-believe-its-not-gay]

Headcanon time!

We all saw the Rescue Bots in their protoform… forms before scanning their vehicles, yes? Well, from my understanding, protoforms are basically underdeveloped Cybertronians. My headcanons for them come from that.

- All the bots have stunted heights because of that. As in, shorter than Arcee. It makes it easier to save the humans.

- Their voice boxes aren’t as clear as normal human noises due to being underdeveloped, they all kinda sound like UTAUs but in different resamplers

- Before they went to the academy, they get hurt easily since protoforms have thinner armour. But they eventually made modifications to their bodies to make them more durable

Miscellaneous headcanons below the cut!

- They initially fought a lot when they first got teamed together in the academy, but eventually got closer

- Heatwave was basically the heartthrob of the academy

- The reason why Boulder doesn’t have the regular visor is because one time in the academy, he was just passing by (wearing his visor) the quadrangle when a cube (the one they use for the cube sport) suddenly crashed into the side of his visor like a meteor, sending it flying. He couldn’t find it after that incident so he just opted for the ones that stuck close to his optics.

- When they were in the academy, the mods they had installed to their body made them stronger, faster, and durable, but also made them very bulky (and they still are after scanning their Earth modes)

- The flashlight optic things are actually a modification from the academy

- The desks they had in the academy were like the armchairs in the Philippines, (iykyk) but they kept sitting on each other’s desks to the point it’s still a habit they do even after training

- O.A, they’re all O.A but they mostly keep it under wraps (except for Blades)

- The four all had land based vehicle modes back on Cybertron, and they love to race with each other after classes

- They LOVE gossiping, they hate to be involved but love hearing it (afterschool gossiping 😍)

- They rarely go to clubs and bars because they’re always busy in Cybertron (and partly because they’re lightweights)

- Boulder picks up the nearest bot next to him when hearing good news (like how he did in Chase’s run for mayor)

- Chase can’t cook to save his life, even if it’s Cybertronian cuisine, Boulder knows how to chop things but doesn’t really know much about how to actually cook, Heatwave can cook a decent bit, but keeps burning things (how ironic), and Blades is the only one who knows how to cook and bake since he was a servant when he was young

- The moment Blades got his first paycheck as a Rescue Bot, he bought all the sweets he wanted alongside some for his team (and made the cashier laugh with the amount of candy he got)

- Boulder, Chase, and Blades got a little bit more violent after being teamed up with Heatwave

- The rescue crew all have outlier abilities

- They all have masks (like Optimus’s) but they rarely use it on Earth since the incidents aren’t as dire

- Blades is very, very familiar with tropa time

- Heatwave gets embarrassed when showing affection to his team when it isn’t small gestures like a hand to the shoulder or nudges but tries to get out of his comfort zone from time to time

- Boulder had the most ankle injuries out of them all when they first landed on Earth (like how do you even walk on those shovels???)

- The team occasionally sings happy birthday (or the Cybertronian equivalent) when trying to wake up a member because it’s funny

- Chase got teased a lot because of his shiny, smooth helm

- A few members of Team Prime visit Griffin Rock for reports under Optimus’s command (and that’s how Smokescreen met Blades). They all understand what Optimus is trying to do for them and respects his decision to not throw them into war

- And the Rescue Crew loves it, they keep asking for stories of war (mostly Heatwave though)

- Optic colour headcanons: Heatwave has red-orange, Boulder has yellow, Chase has bluish-gray, and Blades has green

Got to the end? Congrats! Thank you for listening to me yap :DDD

[unforgivablenope]

(╯✧∇✧)╯ THE TIME HAS COME!!

Let's check out Volume 2 of Obey Me!!

⬑ (Cover)

⬑ (Opening Page)

⬑ (Content Page)

⬑ (Pages 4-5)

⬑ (Pages 16-17)

⬑ (Pages 26-27)

⬑ (Pages 36-37)

⬑ (Pages 42-43)

⬑ (Pages 44-45)

⬑ (Pages 48-49)

⬑ (Pages 54-55)

⬑ (Pages 66-67)

⬑ (Pages 70-71)

⬑ (Pages 84-85)

⬑ (Pages 116-117)

⬑ (Pages 118-119)

⬑ (Pages 156-157)

⬑ (Pages 158-159)

⬑ (Pages 164-165)

⬑ (Pages 168-169)

⬑ (Pages 180-181)

⬑ (Pages 182-183)

⬑ (Pages 184-185)

⬑ (Pages 210-211)

⬑ (Pages 236-237)

⬑ (Pages 240-241)

⬑ (Pages 248-349)

⬑ (Pages 250-251)

⬑ (Pages 264-265)

⬑ (Pages 294-295)

Unlike Volume 1, there's no character profiles. This one started with Key Visuals and CD covers? There's only 3 pages of Key Visuals while the CD covers had 10. Cool to see but questionable. Again, like the previous book, I wish there was sketches to see the process instead of the final result..

Now, for the card illustrations. To my excitement, this is where Diavolo, Barbatos, Luke, and Simeon comes in! (´▽`ʃƪ)♡

(╯✧∇✧)╯ ALONG WITH A BIT OF STEAMY ILLUSTRATIONS!!

I had trouble picking which ones to post due to the limit and decided to stick with my most favorites such as the Wedding Vows and Devil on the Beach. There are a total of 300 pages. And the quality is perfection~

The cost for this art book is $52.79 from nin-nin-game.

Volume 2 is good. I wouldn't say it's "perfect" but I find it weird that this started out with Key Visuals and CD covers instead of finishing off the rest of the characters from the game. The illustrations are beautiful as always and this volume is quite delicious as you see in the samples. (/∇＼*)｡o○♡

And of course, I'm still sad there's no artists for me to check out and follow. One of the reasons why I bought these books was to see who made these illustrations so I can follow and buy their art stuff in the future. I'm not sure if I mention this before but I'm a huge collector of art books. I always try to get my favorite series/movies, games, and artists because they are a big inspiration for me and it's fun to look at their process and artwork time to time. ( ´ ▽ ` ) ｡♡

Oh, and if you guys have any questions on the books. Feel free to ask and I'll do my best to answer! I'll be posting Volume 3 after Thanksgiving. Got a lot of baking to do this week. Hope you like this volume sneak peek!

[thedeadthree]

𝐃𝐑𝐀𝐆𝐎𝐍 𝐀𝐆𝐄: 𝐓𝐇𝐄 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 ➸ irulanne . the rook .

𝐌𝐎𝐔𝐑𝐍 𝐖𝐀𝐓𝐂𝐇𝐄𝐑𝐒 . 𝐄𝐋𝐅 . 𝐃𝐄𝐀𝐓𝐇 𝐂𝐀𝐋𝐋𝐄𝐑 𝐌𝐀𝐆𝐄 .

-`. template by @kanos . coloring . icons .

✧ ― 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (ask to be added or removed or interact 𝐡𝐞𝐫𝐞!!):

@pavus, @wlwaerith, @shadowsofrose, @grapecaseschoices, @nokstella

@queennymeria, @risingsh0t, @carrionsflower, @leviiackrman, @griffin-wood

@confidentandgood, @aceghosts, @tommyarashikage, @shadowglens, @yharnams

@anoras, @theelderhazelnut, @florbelles, @celticwoman, @pinkfey

@kyberinfinitygems, @cloudofbutterflies92, @carlosoliveiraa, @shellibisshe, @adelaidedrubman

@lavampira, @capelizabeth, @socially-awkward-skeleton, @statichvm, @unholymilf

@aezyrraeshh, @imogenkol, @aceghosts, @full---ofstarlight, @ellierenae

[simgerale]

me after attempting to get back into sims and realizing i had a lot more to do than play the game

[subbykittyboythoughts]

hm. usually when im horny im horny for like a specific kink/group of kinks but right now idk. i also just might not be. my torso is warm