#<- if you want to consider this as one tbh

[mangled-by-disuse]

also like if I may weigh in as someone who did their third-year anatomy project on a fat cadaver

uh

it's fine?

like i'm not saying i loved the amount of adipose (i.e. fat) tissue I had to remove to access the chest cavity (especially since it took up a LOT of embalming fluid so it was quite liquid a lot of the time), and it definitely required more work to access than a thinner cadaver might have. But ultimately, the hardest part of that project wasn't "oh no the cadaver is fat", it was "oh no I've never had to remove ribs before and I somehow wasn't prepared for this to involve pliers".

also, honestly, the parts of that cadaver with the most fat (breasts and jaw - I was dissecting for the laryngeal nerve, which is in the neck, so I didn't go below the first two ribs) were actually the easiest parts to remove the adipose tissue from, because you could do it in lumps. The hard parts to deal with are the thinner or visceral fat patches, because those are more delicate work - but you also don't know those are there until you get to them, because they're not visible from the outside and are just as likely to be significant in a skinny person as a fat one. (also they tend to be around the delicate structures you're looking for, whereas the fat which is most affected by being fat is the large areas immediately under the skin, like the belly and breasts and butt, which is on top of the core structures so it's easier to remove without needing to be super delicate.)

meanwhile the other person who had the laryngeal nerve project was working with a cadaver which had almost no body fat at all and she did NOT seem to be finding it significantly easier.

Time-wise, I actually finished my project second out of a class of 12, by the way, and did extra work on it (the chest investigation wasn't in the original plan, I just hit a point where I'd fully dissected and recorded the neck and throat and I still had four lab sessions left). Almost like the weight of a cadaver doesn't correlate directly to how long it takes to dissect. go figure.

The reason fat cadavers are not accepted for medical programmes is that you need to cut through every layer of fat carefully. Which takes time, and lab sessions are inherentely limited in that. It's better for med students to spend that time looking at what organs actually look like in bodies. This isn't fatphobia, it's just .. the way dissecting bodies works? In the same way surgeries on fat people take longer because there's just physically more tissue. The alternative would be to force the med students who get fatter cadavers to do more lab sessions at weird times outside of the usual schedules. Or force them to stay over the holidays. Or not let them get enough time to do the lab work they need to. Which imo would be a bit fucked up especially when med school is already so difficult and time-consuming.

It’s fatphobia. Fat bodies absolutely need to be studied. To ignore an entire demographic of oppressed individuals in the medical field for the sake of convenience(?!) is violence. Did you even read the article? They called working on fat cadavers “unpleasant.” It’s fatphobia and it’s unacceptable.

[its-opheliasgarden]

umbra boulevard | download (belated simblreen treat)

welcome to umbra boulevard of forgotten hollow—a realm of charm shrouded in mystery. sip coffee at midnight brew, explore hemlock's books and antiques, or grab a bite to eat at winslow's. But tread carefully; whispers of locals vanishing into the night have cast a shadow over this once-bustling spot. as darkness descends, the dive bar, fledermaus bend buzzes with nervous laughter, while the abandoned hotel harbors forgotten tales. every corner holds a secret, and trust is a fleeting shadow.

type: cafe, lounge, library, bar, museum, etc. price: §412,388 size: 30x30 location: fledermaus bend, forgotten hollow play tested: ✅ (see notes below) download: ⬇️umbra boulevard.zip (10.6 mb)

notes: cc-lite and included. if you want to use as a multi-functional lot, i'd recommend spawn npc mods such as: spawn refresher (zerbu), "vendor" everywhere (kuttoe), auto employees lot trait (littemssam). i've resolved all major routing issues, but one minor routing issue is that the attic in abandoned hotel is not accessible unless you teleport your sim there.

it's finally here! thanks for being super patient considering this was suppose to be a simblreen gift...smh! tbh i did hit a creative wall for a bit but the new pack did help me get some much needed inspo especially for the vampire lounge. also i still hate the restaurant but i'm letting go of my crippling perfectionism...

if you run into any major issues, please let me know. enjoy and please tag me if you use it! <3

-d.

[janahanooo]

So, many of you liked my silly headcanons for the ramshackle gang, so have some more. And yes I do like to pretend that, these are all cannon. :) I swear I'm mentally ok

The Ramshackle gang is scary, quite literally. For starters, Rollo is a pyromaniac who is not afraid to burn down the whole world if it's about that. Fellow is a cunning, manipulative man who is already an adult, compared to everyone (except maybe Leona cus y'know, they are both over 20). Skully is literally from the past. He is if not, considered as a ghost by the students of the campus. Gidel, Gidel my boy is just cute.

Everyone thinks it's Rollo who takes care of everyone, because he's the mature one, while in reality... he is the most insane one in the group...

When in reality, it's still Yuu. The prefect, who already has enough on their plate. One can only pity them.

On the other side tho. Upset the Prefect of the Ramshackle dorm and you are gone for good. Not only you have a cat with a bad temper chasing you down the hall, no no. The whole Ramshakle gang is after you, and they dont care if you are a student or the headmaster.

Speaking of the headmaster, Crowley doesn't have any options other than smiling and letting them get away with things. Since, 1 he does not want to end up as the dinner, 2 now he can't say that the Ramshackle dorm does't have dorm members.

Yuu and Fellow take up on questionable part-time jobs around the campus all the time. One day they are helping out Sam in the Mystery Shop, the other day cleaning the courtyard and on another day running errands for the headmaster.

Skully just loves to scare the shit out of everyone. So does everyone tbh... but mainly Skully

Skully and the ghosts are inseparable. One might call them besties.

Gidel is the new face of the dorm. Well, him too, Grim is very irritated that he's not the only one now.

Also about Gidel, I do believe he has heavy sencory issues and dosnt like touching things with his bare hand. That is one of the many reasons why he wears oversized things.

Most of them (meaning everyone except Rollo) stays in the dorm in holliday season. Although, after some time and some treathening persuaiding, Rollo does eventually invite the gang to his home so they can stay there.

Huh... technically it's not a headcannon, but it is in a way... so, when Yuu goes home finally after who know long, the group collectively agreed to look after Grim and that they would still get together and never forget Yuu.

Another honorary mention(s): Ace and Deuce. They are considered dorm member even if they aren't. The sheer amount of time they spend there, makes them a true member (much to some peoples *cough* Rollo and Fellow *cough* saddness).

[turtle-steverogers]

i rlly like ur posts abt how steves rough time with his dad as a little kid affects him later in life. i was wondering do u think the other avengers notice? and if they do what do you think they think/do about it?

also tbh i rlly like ur posts in general lol. i hope you have a good day!

I think the other Avengers notice after some time, considering most of them have similar experiences. I imagine it's sort of an unspoken thing, but it's almost... more notable on Steve, because he's so goddamn young and because when he wakes up from the ice, he's so goddamn stretched thin, that the reserves he usually has to shove all those old habits into a box are low. He's jumpy, the others notice. A raised voice-- especially male-- makes him flinch before he smooths out his face. Making requests is hard for him, and mistakes-- even small ones-- are met with scrambling apologies and frantic attempts to fix the problems.

No one says anything, because they know what it's like, and they don't want him to feel cornered. But there's a hard mission, and he and Natasha are alone in a motel room, and Steve is so clearly low. Kids had been involved. And Natasha had seen the way Steve had shut down to see the marks and bruises on the little boy and girl they'd gotten out of a trafficking situation, and she understood. Albeit for different reasons, but at the core, the pain was the same. They'd both just been kids when they were hurt. Young and lost and wondering what they'd done to deserve the grown ups around them squashing them down and making them feel no better than the dirt.

He doesn't say anything, so she doesn't either. But that night, she can't sleep, and neither can he, and when she hears him shift, roll over. Curl onto his side as the silent tears start, she can't stand it anymore.

Her bed creaks as she slides out, ignoring the rough crunch of the carpet as she pads over to Steve's bed and climbs in behind him.

She crawls onto the bed behind him, stretching out. "Can I hold you?" she whispers. Steve shrugs. He doesn't care. He doesn't understand why she would want to be the big spoon to his hulking frame, but if she wants to, he won't stop her. He's too tired to. He feels her wiggle close and slides an arm over his chest, hugging him flush against her. Her palm rests over his heart and she rubs, soothing.

It eases some of the weight. Some of the ache. He breathes, shaky. She kisses the back of his neck. It's quiet for a long time.

Natasha's voice is soft and private when she speaks. "It hurts, what they did to us, doesn't it?"

Steve freezes, listening. Natasha holds on. He doesn't move her.

"Why would anyone treat children that way? Hurt them that way?"

Steve clenched his jaw, resignation in his gut. "How could you tell?"

Natasha sighs. "I put it together, more or less."

Steve nods and doesn't say anything. It's quiet here, outside the city. The world dark and lacking that telltale bustle. Steve hates it.

"It's alright that you're hurting still," Natasha continues, and Steve wants to beg her to stop, but he's too curious, too desperate for someone to see him that he doesn't. "It's okay that you're still scared. You're safe, darling... you don't have to believe that yet."

He starts to tremble.

"Shh, baby, hey," she soothes and her voice is easy to stomach. Easy to understand. "Breathe for me."

He sucks in a deep breath.

"Did they hit you in the Red Room?" he asks.

"Sometimes," Natasha says. "It was calculated, though. Discipline."

Discipline. Steve doesn't think his father meant for his hits to be discipline. They were just... correction. To get him to shut up. Or maybe so he could get his anger out.

"Breathe," Natasha reminds again. Steve takes another measured breath. "You don't have to tell me anything. But you can. I won't get it all, but I might understand."

Steve considers that. "How old were you? When it started?"

"I don't remember," Natasha said. "Very young. Four, maybe? You?"

"I don't remember either," Steve whispers, and he's furious. Suddenly, he wants to set the world on fire. For the little girl who just wanted a chance to see the sunshine, and for the little boy who just wanted to play. "Maybe the same."

They fall back into silence. Steve can feel his teeth chattering. Natasha starts humming a song, simple and soothing under her breath. He knows he doesn't have to say anything else; she understands. He lets his eyes fall shut again.

[shabbytigers]

clusterfuque: navigating name and gender change legal-regulatory processes as a dual citizen of Germany and the US, paying taxes in both countries, under the emergent political pressure of a swiftly approaching unchecked fascist regime in at least one of those countries

i didn’t even want to fucking do this! at least till such time in the misty, nebulous, and highly uncertain and theoretical future as i, you know, pass? at all? for starters? tbh i was intending to spin this out a couple more years, or at least secure another full-time job, before dropping this Schrödinger’s bomb on my employability

but like a lot of other people i played myself: getting it sorted on the US side may now be a question of immediately or not at all. and i’m not sure it isn’t too late

the us passport people here are willing to sort gender marker on request and handle a name change later. us name and gender change are state, not federal, and new york makes it relatively easy and can be trusted for a little while at least. so far so good. but i doubt i can get through the state piece (which isn’t hazard free) in time to fix my social security id before monsters take over the SSA. i think they have to give me a name change if i have a court order about it, ditto the possibly new and worse passport people, but like ?? !! omg

furthermore my father is nearly 86 so it is not an option to simply decide to refrain from traveling DE><US while all this shit shakes out, as the nice berlin embassy email urged me to consider! a half-changed passport may create major hazard points at airports and at the border; so may discordance between the two passports

and i need to decide about all of this like tomorrow

berlin embassy e: “we encourage you to speak with a lawyer experienced in name-change/gender issues” my good bitch there is no lawyer on earth experienced in my proprietary blend of fucking issues

[lamentationsofalonelypotato]

@zepskies

Girl, I am so excited to read what you thought of this chapter!

The aftermath of her trying to piece together her memories of her parents' death and her brother's betrayal is so heartbreaking. 😥 Like she's realizing that the narrative of her life was a lie, in a way. Hopefully she'll be able to reclaim the part of her past that was good and true with her parents, vs. the love and care she still has in her life through the people around her.

Exactly! It's almost like she has to start over and it's like nothing is the same. She is surrounded by people who love her, people who will ADMIT it and people who WON'T ADMIT it lol.

Lol GIRL. You KNOW WHY. You're just refusing to see it! But I could really see this moment in my head like a movie -- that look on Ben's face, watching her walk away. 💔

She does, she's just afraid to admit it to herself and afraid to have those feelings for someone who doesn't love her back. And it really makes you want to hit her over the head with a frying pan LOL. And thank you! That's how I intended it to be, which is even more heartbreaking 😭

That little creature she created is interesting though. You really get a sense that she tapped into something in her powers that was before yet unexplored -- like she broke through a barrier without realizing and unlocked new depths within herself.

That's what I was going for! The reader is really discovering new things about herself and I think that's why she's afraid of what comes next. She thought that she was in control of her abilities and knew everything about them, but now she's realizing that she's on the precipice of something that she's never considered about her powers. Plus, I really think that the creature is adorable, well, besides the murder tendencies. (I guess we could also say that about Ben LMAO)

Loll he's really not. But the thing about Ben is, when he does make those gestures, you know it's coming from a place of sincerity because he doesn't soften himself easily.

Yes! Ben is never like that for anyone. He's not doing it because he feels obligated to, it's because he genuinely cares about the reader, even if he won't admit it to himself. 😒

Aww I love her grandmother so much! At least someone in her family is in her corner. 😭

Honestly I love her too! I was so on the fence about introducing her into the story, but I'm glad I did. And yes, the reader needed at least ONE living relative that genuinely cares about her. 😅

I think we ALL know who you meant. 😂

The reader is killing me tbh. I know I've said this before, but writing slow burn is literally almost as bad as reading it. Don't get me wrong I LOVE slow burn, but oh my stars sometimes it's so frustrating for them to both be in so much denial lol. I shouldn't complain because I did this to myself and now it really is "oh look the consequences of my own actions" lol.

I also love how you describe the "creative chaos" of her grandmother's house. The imagery in those paragraphs are so descriptive and lovely to imagine. I love especially: "boxes upon boxes of cookies in different stages of being packaged all over the counter." It's so grandmotherly and yet feels unique at the same time.

Thank you so much!💗 For me there really is something wonderful about reading/seeing creative chaos in a home, and also looking at creative spaces that people have. I think that there is warmth and comfort in a home that looks lived in. It's why I don't love minimalism, because it looks cold if that makes sense lol.

Discovering more about her past as Soothsayer, as well as her friendship with Ben was so very interesting! I didn't see it coming and that's the best thing of all, but now it's a way her grandmother can relate to her even more -- as well as be in an even better position to give her advice when it comes to that man.

Again, I was so on the fence about Soothsayer, but what you said about her being in "an even better position to give her advice when it comes to that man" is exactly why I decided to include her. But I think that the reader needed some sage advice from someone who sees through Ben, understands him, and helps the reader come to the same conclusion, that there really is more to Ben that meets the eye and that the reader should "take a chance on him." (Pun intended 😂)

Heart...breaking... 😢 She's such a sweetheart. How can she not realize how much she cares about him (loves him)?

I know 😭 She is going to realize it soon and I am so excited about that reveal. Oh plus I do think that she does know deep down that she does love him and care about him, but she's afraid to admit it because she doesn't want to fall for someone who she believes doesn't value relationships like she does.

GRANDMA YESSSS, TELL HER!!! GET IT THROUGH HER HEAD! lolll Ben isn't incapable of fear (or love), no matter how much he'd like to pretend. The way it comes out of him might "look different," through snappish anger and denial and rigidity, but it's still fear.

Again, Grandma for the win lol.

And YES you said it! It's not that Ben is some emotionless lump who doesn't care about anyone and feels nothing, he feels everything, but he just refuses to show it in the healthy way that people should. He's been so conditioned to see expressing emotions in a healthy way as something to be "frowned upon" so instead he has all these explosions of unhealthy angst that really don't help anyone.

Come on now, Ben. You're over 100 years old! Surely you get what's happening to you by now! 🤣🤣 You're simping for a girl you care about!

He really should know better 😅😂

Oooh the plants are keeping her young, huh? 😏 Maybe enough to sync up her lifespan with Ben's???

Mayyyybbbbeeeee...😉

Honestly, as much as I love reading fics where the reader isn't a supe, there's always a little part of me that can't help but see the reader growing old and Ben staying the same, and it always breaks my heart. There really is something so intimate and romantic about being able to truly spend your life with someone else, not just your life and then they go on for another few centuries. It's why I don't write too many readers that aren't as indestructible as him. I always try to write in a contingency plan that kind of saves Ben that heartbreak. But that is not to say anything bad about the fics were the reader isn't a supe or able to live as long as him. There are so many of those that I absolutely love and are so well written!

Side note, I did like how you handled it in BMD, when I read that forever ago. It was a good way to save Ben that heartbreak.

LMFAOO. Again, I love her. Kick his ass, Di! Get him in gear! "Try harder" -- INDEED.

Di is really giving him the kick in the pants he needs and is saying the things to him that we've all been saying from the beginning.😂

I'm deeeeeadd! I loved this line so much. 🤣🤣🤣 Benjamin is testing my patience too, good Lord. I can see why he's scared. He's on the verge of admitting he loves her -- and finally doing something about it. After his experience with Countess, that'll put anyone off of trying again to delve into a proper relationship (not to say their relationship was a proper example of a loving one, because it wasn't, obviously). Especially for someone like Ben, who struggles with real intimacy and dealing with his feelings, it makes sense that he'd digging his heels in now -- no matter how frustrating it is. 🙃🙃

It's my favorite line too! That and the bundt cake 😂. But you're right, he's afraid of everything that he's feeling and after Countess, he's not sure if he should fall for someone again. In relationships you do have to be vulnerable, open, and be emotionally available and for him those two things seem pretty daunting. This whole thing really makes me feel worse for him, because Countess messed him up, and made him afraid to have those feelings for someone else.

But I'm so happy you liked it!! And thank you for all of your wonderful comments. It really is so nice to hear your feedback friend💗😊

Chapter 14: Don't Be A Bundt Cake

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)

Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope

Word Count: 13.1K

Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal monologue is in italics and is in first person.

Series Masterlist

Main Masterlist

A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.

Reader POV

You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.

The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.

But you didn't notice any of it.

The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.

The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.

For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?

Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?

The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.

You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.

You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.

You felt different, as if something had unlocked deep down that you couldn't shut up again.

You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.

You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.

And you desperately needed the comfort of her embrace.

The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.

It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.

The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.

It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.

The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.

A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.

It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.

"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."

The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.

The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.

Your thumb hovers over the answer button and you think about talking to him.

But what would I say?

You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.

He's really not the best at that.

You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.

Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.

What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.

Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-

You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.

Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.

For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.

The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.

The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.

When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.

The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.

The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.

The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.

Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.

It was self defense anyway. Maybe Jake would represent me in court.

The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.

Oh fuck, what if he sues me? He can't exactly sue Darren…

You hear someone call your name and you open your eyes.

Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.

You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.

"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."

Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.

You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.

Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.

Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.

Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop.  It was overwhelming.

And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.

The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.

You didn't know where to start and you were still trying to process everything yourself.

The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.

It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.

There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.

"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.

The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.

It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.

"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.

The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.

You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.

Damn it Darren.

"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."

The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…

Darren.

You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.

Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.

Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.

The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.

He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.

"Honey?" Your grandmother says in a soothing voice

You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.

"Yeah?" Your voice shakes slightly.

She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.

You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.

"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"

You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.

I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…

"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.

An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."

"No." Your grandmother hesitates. "I saw it."

"You saw it?" You repeat, confused.

What's going on?

"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."

"What?"

Is she saying what I think she's saying?

Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.

Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.

You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.

When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.

"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."

The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.

Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.

Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.

But now you knew where she went, because she was standing directly in front of you.

She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.

"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"

She continues to measure the tea leaves. "I didn't tell anyone."

"Grandpa didn't know? But he was alive when you were a supe?"

Your grandfather had never spoken about a history with supes that you remember.

"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."

Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.

"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.

"I think I need something stronger." You answer honestly.

Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.

She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.

"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."

There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."

"You pretended to be a fortune teller?"

She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."

"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"

Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."

You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"

Please don't say dating, please don't say dating, please don't say…

"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."

You cringe at the thought of Ben coming on to a younger version of your grandmother.

She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."

"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"

Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."

It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.

I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.

"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."

"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.

Well. We're friends, but that's different.

The last thing you wanted to think about was Ben and your grandmother having sex.

I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.

"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”

Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.

Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.

You reach across the table to touch her hand and she takes it gratefully.

"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."

"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.

"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."

She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”

And here I thought I couldn't hate Countess any more than I did for what she did to Ben.

“You didn’t talk to him ever again?” You wonder out loud.

She left without telling him goodbye?

“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”

“But what about Nicaragua?"

A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”

“What? But why didn't you tell him what they were planning? Why didn't you-"

"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”

You could feel your heart breaking for her.

Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.

The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.

“Does Ben know?” You ask her to distract yourself.

You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.

She nods. “Yes. I told him everything.”

“When?”

“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."

“Was he mad?”

I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.

“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”

“Good. I can’t believe you didn’t tell me.”

The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.

“I didn’t want to until you were ready.”

“And when would that be?”

Your grandmother shrugs. “Maybe on my deathbed.”

You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.

 You snort. “And no one knew?”

“Your dad figured it out.”

“How? When?”

“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”

“I was never injected?”

“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."

“Darren thought I was.”

“I know.”

At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.

“Did you see everything that happened?” You ask in a small voice.

You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.

“Yes.”

“You heard everything Darren said?"

“Yes.”

You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”

“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.

“It’s not your fault.” You squeeze her hand.

“And it’s not yours either.” She squeezes your hand back.

The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.

“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”

“I don’t think you ever will.”

"Really?"

The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.

She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“

“Was it really that bad?"

“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."

“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.

As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.

Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."

Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.

You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.

“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”

“You’ve seen-“ Your eyes widen.

“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”

“That’s so weird.”

You hadn't meant to say it, but you really didn't want to know too much about your future.

Well, not all that much. Maybe just a little.

“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”

"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.

You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“

“There’s nothing wrong with not being in control.”

“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.

“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”

"I killed Darren, I killed Elijah-"

"Not because you lost control. You did it because you were protecting yourself and protecting your friends."

"But-"

"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."

Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.

Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."

"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.

She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"

You shake your head.

"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."

"I don't love him." You say it immediately.

"Why not?"

"What?" You sputter. "I don't know what you're-"

"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.

"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"

"So you've talked about it with Ben?" She raises an eyebrow.

"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.

"You don't?"

"Gran!"

"What? He's attractive."

"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"

"He has." She interrupts.

"What?"

"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"

"What does that have to do with anything?"

"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."

"Why does that matter?"

"Because he loved her."

The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."

That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.

"Have you thought that maybe Ben doesn't want to love you because he's scared?"

"He doesn't love me and Ben isn't afraid of anything."

"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."

What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.

"I already told you what I'm afraid of."

"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.

"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."

"Wait-"

"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"

You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.

"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.

"Okay."

And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.

Soldier Boy POV

There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.

His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.

He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.

Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.

You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.

Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.

But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."

But he wasn't sure.

Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.

His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.

His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.

Jake: I know that I'm not your favorite person, but thank you for what you did.

Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."

When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.

I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.

As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.

Ben didn't understand why he hated watching you cry.

Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.

The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.

Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.

It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.

But Ben was more upset that Darren had been able to land a few hits on you before you killed him.

Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.

Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.

He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.

When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.

And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.

Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.

He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.

Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.

But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.

No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."

Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.

He shakes off the feelings he has about it and his thoughts turn back inevitably to you.

Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.

Maybe I should call Diana. She might know where she is.

As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it. 

"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.

"What the hell do you think you're doing?" The voice on the other side of the line yells at him.

"Di?"

"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.

"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.

As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.

Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."

Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.

And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.

It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.

"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.

"About what?"

"My granddaughter."

Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"

"Yes." Her voice softens for a moment.

Ben relaxes and leans back onto the couch, sighing in relief. "Good.  That's good." Relief swelled in his chest when he thought about you staying with her, safe.

That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.

The thought that home wasn't with him.

Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.

"No, not good."

"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.

"No."

"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.

"Her entire life fucking fell apart and where are you? Not here!"

Oh. Ben relaxed a little bit.

"I don't need to be there." He says on an exhale of smoke.

"Yes you do!" Diana presses.

"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.

“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.

"What the fuck are you talking about doll? I am not-"

“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."

Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.

“I’m not fucking moping and stop spying on me!” He snaps back at Diana.

He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.

“I don’t have to use my powers to know what you’re doing. I know you Ben.”

"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“

“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.

She certainly hasn't changed.

“I am not avoiding-“

“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.

“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.

That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.

He didn’t want to and he wasn't sure why that was.

“Try harder.” Diana interrupts him again and frankly it was pissing him off.

Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”

“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”

“And what’s that?”

“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”

“She doesn’t care about me!” He spits.

“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”

"But-"

"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."

"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"

Wait what?

"If you know that, then why aren't you here?"

He hesitates.

Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.

Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.

Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.

It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.

Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.

Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.

"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.

Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.

"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."

"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.

She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.

"Yes she would. Because she cares about you." Diana sighs.

"She doesn't."

"Why don't you believe me?"

"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“

"Because she doesn't think that you want a relationship you nitwit!"

"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.

"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"

Ben chuckles. "I missed you too sweetheart."

She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”

His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“

“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”

“I-“

“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought.  “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”

“I’m not-“

“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”

“I-“

“Stop making excuses!”

“You didn’t even hear what I was going to say!” Ben shouts.

“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”

“Don’t go all fucking mystical on me doll.”

“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”

The line goes dead.

Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.

No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.

Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.

And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.

As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.

But why do I feel like-

His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.

"Di I-"

But it's not Diana.

"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.

"What the fuck do you want?" Ben snarls.

 "I thought it was time the two of us had a chat.”

A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!

As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊

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[rmbunnie]

It's most likely just Starlin trying to get to Jason dying faster because he did not like Robin, but the whole "Jason's spiraling because of his grief for his parents" thing they were trying to spin was honestly really weird, not supported by the rest of the run INCLUDING the parts Starlin wrote, and kinda reads like an unreliable narrator situation because all of the information supporting it is given through Bruce's narration, him speculating on Jason's thoughts and actions.

The plot thread of Jason's grief for his family affecting his behavior shows up like TWO issues after Jason first becomes Robin back when Collins was writing, and gets sorted out after one conversation where Jason gets to confront Bruce about hiding his father's death from him for 6 months. After that Jason is behaving normally until they encounter three predators in a row, and each time Bruce insists that they can't do anything because of The Rules and assorted red tape/diplomatic immunity plotlines. (The sister of a woman who got dismembered actually tricked the violent-misogynist killer who dismembered her sister (and then got his serial killings dismissed through a technicality) into attacking her, and ends up killing him in self-defense, and then Jason's like "seems fair" and Bruce is like "no. it's NOT. we need to follow laws and not take justice into our own hands. which like wtf Bruce! you are a vigilante who just used a custom tank to fight an evil televangelist! who then got ripped to shreds by his followers while you watched!)

Bruce kinda just decides with Alfred that it must be grief upsetting him and not the dozens of brutally killed women and their predatory killers who the law inexplicably protected, (all written by Starlin, so retconning it for DitF like five issues later would be an odd move) but the only text claiming that's why Jason was upset is from Bruce's POV and through Alfred's dialogue. Jason himself doesn't display any signs of grief in the story itself, or even act or speak in a way that alludes to Catherine and Willis beyond looking at a picture of them and smiling fondly while he sorts through their possessions. He kinda just happens upon the box with his mother's info by chance, and is like ok i guess we're doing mom searches now. He was only going for a walk through his old neighborhood, not actively searching out info on his family. When Jason is deciding whether or not to run off without telling Bruce, he considers telling him and then goes "no, all he cares about is being Batman, he wouldn't even understand why I want to see my mom." Which, I mean, "Bruce wouldn't get it" is a REALLY odd angle if the sole motivator for spiraling, then getting benched* and running away to search out his bio-mom, was because he was mourning his dead parents, a thing he notably has in common with Bruce. That statement only really makes sense if he's thinking about a different thing that was greatly upsetting to him that Bruce brushed past, like maybe a combo of hiding the murder of his dad for half a year and allowing several cases involving sexual violence to freely develop body counts in the name of the law.

Lots of people have written about how Jason's stay in the manor might have seemed dependent on being Robin with how he was kinda just scooped up, but (if we're including Detective Comics in our characterization,) Bruce had offered to let him resign from Robin and just live with him (a little late, but still. It's worth noting Batman proper shows Jason afraid and uncomfortable at the thought of Dick taking Robin back, which lends more merit to the housing-dependent-on-Robin-misunderstanding interpretation, but canon is pick and choose anyways.) The lack of trust involved in his choice to search out his mom kinda reads like it was bred by more than that alone, and Bruce's prioritization of the law over the protection of the people it ignores is notably upsetting to him in the prior issues. tbh I really do believe the outcomes of those cases could have informed Jason's stance that Bruce's method of justice is ineffective right alongside his own murder and his experiences in Lost Days.

It would make sense for Bruce to not consider his own actions while he's thinking through things that would upset Jason, because from his point of view the things there that were bothering Jason were the criminals alone, not the way that the methods with which they were approaching their crimes continually led to the perpetrators evading actual justice. During the point in DitF where he's thinking through motivations for Jason's running away because something isn't adding up for HIM, the idea doesn't so much as cross his mind. It would also add another layer to Jason's sulkiness upon Bruce's arrival if he held the belief that Bruce is ignoring the consequences his brand of justice has on victims (and the way it's affecting him to helplessly watch it play out), starts to hope that Bruce actually can understand his thought processes/relate to him when he shows up, only to be told to his face that Bruce is prioritizing his style of justice over Jason again. With the way everything that led Jason to his bio-mom was comically circumstantial and the context of the previous issues, it's kind of the ONLY way Death in the Family makes sense to me. Tldr: I feel like the grief claimed as reasoning for Jason's actions leading up to his death is mainly speculation from Bruce and Alfred and the more textually-supported reason for his erratic behavior and lack of trust in Bruce is the lack of intervention in several sensitive cases that led them to worsen unobstructed and eventually permitted them to escalate into casualties in 2 out of 3 cases.

*Also, side note, but the idea that Jason got benched for the Filipe situation, while perfectly reasonable, is not quite spot on. The Filipe situation escalated into the fight in the junkyard where his dad is crushed by a car and Bruce is all "everything you do has consequences" which is kinda big words for a guy whose lack of action indirectly lead to a girls death earlier in the storyline, but true. Jason actally gets benched because he jumps directly into gunfire while fighting the third set of predators and Bruce starts to worry he's getting a little suicidal with it. He baits a guy into shooting at him on purpose again trying to protect mom prospect number 1 later on in DitF, so Bruce might have had a point with that one.

[zhuoyichenpretty]

ep 24 commentary (brain fried edition)

my head is a little empty after ep 24 tbh!! brain is not braining after all the zyc hurt no comfort (-:

some scattered thoughts here and there, painstakingly corralled like cats out of my vacuous brain and into a list (spoilers):

ZYZ is really emo this episode poor dude like he is having a hard time keeping it together it seems. Every other word out of his mouth is depressing as shit, which is saying a lot considering how depressing he usually is already (': I kind of wanted this episode to pick his brain more, give him room to emote in the aftermath of all that. But it almost feels like the character refuses to be alone, like he might spiral if he has too much time to get in his own head. I'm still so curious to know, though, what he thinks about the state of their promise in light of how far ZYC went trying to save him. “He has us,” ZYZ said to WX. When the time comes, I wonder how he'll reconcile that with what he’s asked of ZYC.

PSJ and Ying Lei bonding! shenanigans! I did laugh thank you guys. Also, not that the team didn't operate separately before, but I really get a sense of how much ZYC held things together with how apparent his absence is. It's obvs heartwarming seeing how hard everyone is working to save him (PSJ especially for me bc I love their mutual tacit trust and respect and all the ways they're alike and different), but ultimately it's still so angsty (':

Kind of love the couple instances where ZYC has been referred to as fragile/weak/of delicate constitution (depending on how you wanna translate it) like that's a very interesting quality to assign to basically the tank of your team. Even if the comments are made facetiously, it just reminds me of how often we witness his mortality, and of course how everything about the styling, aesthetics, and content of the flashbacks to his childhood reinforce a characterization of vulnerability at the very heart of him. I saw someone mention how the Cloud Light Sword responded to ZYC's tears and to that vulnerability rather than brute strength, and I totally agree. I love how this "fragile" characterization plays into the whole fate weapon deal. ZYC's strength is (imo) unconventional, and it is his sensitivity, his compassion, and his deep capacity to feel that the sword acknowledges, resonates with, and empowers. Almost like it protects his tender heart rather than making it something he needs to overcome to get stronger.

One thing I will never get over is how incredibly they styled TJR as baby!Yichen, adult ZYC, and Bingyi. What do you mean this is all from one drama and not three separate productions. Insane. I'm out of my mind with how gorgeous every change in costuming is.

A tangential note is I've seen people mention (paraphrasing very much here) ZYZ's demon form being nicely subtle in its eerie inhumanity and tbh I have a similar feeling even just about human adult ZYC imo. Especially when his hair is down and he's got that thick eyeliner on and we get a close up of his contacts, if you told me from the start that he's half-demon half-human or something I'd believe it. Along the same vein, baby!Yichen reads completely human to me, and Bingyi of course completely demon. Something something the Cloud Light Sword bridges the gap something. This point is unintelligible and not narratively based but I had to make it because I've been thinking "wow ZYC elven" for days now.

Saw a tag about yuanyi getting us through some dark times but man they are PUTTING me through some dark times rn help?/

Been trying to put off talking about the baby Yichen scenes because wow I cried immediately. Well, no, I was like "yay! I love seeing baby Yichen!" and then they crushed me into demon dust lol. And then WX had to tell that absolutely precious story about when she got sick and ZYZ had to go like "actually ZYC was probably lonely as fuck" and yeah that's fine I didn't need my heart anyway.

Ending on this point so I can put a pretty screencap here: There is so much gravity to just the short scene of Bingyi removing his mask and dropping to his knees with that anguished and fatigued expression. TJR's acting is the gift that keeps on giving (me angst).

so sorry if anything here didn't make sense, i currently have the same thousand-mile-stare as Bingyi the more i think about how this all might end and how long I'm gonna have to wait to find out.

[delta-lethonomia]

ok depresso week is over, back to deliberate hyperfixation on bg3:

It is absolutely wild to me that people take Astarion to the foursome with the drow twins (romanced, spawn, post-cazador) and are shocked, shocked I tell you, that he has a bad time. But it leads me to think that there's an interesting conversation to be had here about morality applied to video games. I'm going to be using what's a bit of a strawman tbh, what I would consider an archetypical, "good person" gamer for this niche example.

(3k essay under the cut about irl morals vs video game behavior, my take on why Astarion agrees to the orgy, beating the dead horse of Astarion discourse now that the fandom has cooled off enough I might not get flogged for it, and all my election stress being translated into an increasingly bitchy narrative voice that I hope is at least mildly amusing.)

"Good Person Gamer" romances Astarion. They're probably female, which I am mentioning exclusively so I can turn that into "Good Girl Gamer" 😏, or G3. G3 picks nice dialogue options. G3 tries to support their companions, and finds diplomatic and moral solutions to problems. G3 saved the tieflings. G3 still romances Astarion because he's hot, and vulnerable, and it's not like he forces you to be evil - he just complains a bit when you save kittens stuck in trees, but you get that approval back anyway just by being nice to him. Talk him out of Ascension and you've proven to yourself he's got a good soul under all that attitude anyway. He'd healed! You banged on his grave! It's all good now!

The brothel is fun. The drow twins are hot. It's always fun when games lets you do spicy things like have threesomes and orgies! We're sex-positive! Look, the drow twins said they love their job! It's totally fine! G3, as most people, probably does not do these things in real life, but that's the fun in video games: you get to be someone you're not.

And then Astarion noticeably dissociates. He throws himself in the center and lavishes everyone with attention; he's a professional, you know. Even an unromanced Tav/Durge notices something's off, and Astarion replies something along the lines of "you don't have the right to look at me like that," presumably with worry, distress, or sympathy.

G3 is upset. They did everything right - they didn't want to hurt him, and Astarion himself said he wanted this. Why couldn't they stop midway through and remind him that he doesn't have to hurt himself? Why couldn't they talk about it afterwards, and clear the air? LARIAN WHY DO YOU HURT ME

Now, to all the G3's out there: if you were dating a person with extensive sexual trauma, having been raped literally thousands of times, would you suggest having a threesome/orgy? With prostitutes, if that's better or worse? Putting them on the spot before your mutual friends? Would you wait a few years to mention the idea, or would you do so only weeks/months into a relationship? Your first "I love you" might have only been yesterday.

And most people, I think, would say "No." Writing that scenario outside of the lens of a video game makes it sound insane - of course you wouldn't! I'm not saying that they should never have group sex or that it can't be done, but I think most people instinctively get how that would be a shitty thing to do in that context, especially without discussing it in depth beforehand and making sure you're both on the same page.

And this is the meat of the issue. Most gamers play good-aligned characters: there's a strong culture of wanting to play the hero and saving the day. But tied into that cultural monomyth, in society itself, is the idea that sex is a reward at the end. You get sex at the end of the romance arc. The date where you have sex is one of many milestones, and you're not really dating if you haven't done it yet. Some people don't have sex until their wedding night. Threesome scenes especially are a video game classic: old-school God of War, for instance, had a hidden room in every game with scantily-clad women just waiting for you to button-mash away, a little treat for the player's keen puzzle-solving abilities.

Not all romances in BG3 have sex or end with sex, (some even start with sex), but that is because BG3's character writing tries to ground itself in reality despite being a medium people utilize for fantasy. Role-playing a "good" character is mostly easy: you typically know which dialogue choice is the ethical choice, can chide Astarion for being racist, can save the numerous children with moral ease - and BG3 rewards this: a good playthrough is more fleshed out, because you haven't killed off half the cast. You get better gear. You have more allies, better allies. You know what to do.

Or, well, mostly. BG3 is kind of special imo because even the good choices have a lot of nuance, where two people can make different choices but still feel like they both picked the most ethical one. Take Shadowheart's parents, for example: they beg for her to let them go so they can die and save their daughter. Saving them leaves Shadowheart in Shar's clutches - she will experience pain for the rest of her life, but regains her parents, and with luck, Selûne will claim her soul when she dies. Kill them, and Shadowheart is free - truly free, to live her life on her own terms, free from Shar and Selûne both. Both can be the ethical choice, depending on your morals.

"But if Astarion didn't want to have the threesome, the game should have let me stop midway through/made it clearer that this would happen. He said no before Cazador - why couldn't he say no again? Why would Larian put me in this position and make me feel bad when I thought everything was alright? I wanted to be good and have fun, not feel like I pressured my boyfriend." - Strawman G3.

Because BG3 treats it's characters like people. Multiple companions make choices outside of what the player character decides for them - Shadowheart's decision to save or kill her parents, kill or save the Nightsong, or Gale, to go for the crown or not depend on what events they are there to witness personally, or can be informed by conversations you have in camp about unrelated issues. You can fully let them make their own decisions and be surprised each time as they develop into different people with each successive playthrough. A lot of people are surprised when Gale goes for the Crown of Karsus without their input. In my last multiplayer playthrough, we could not prevent Shadowheart from wanting to kill the Nightsong, and so we were forced to kill her.

Astarion is not like that. The way he talks about Ascension changes depending on your relationship. If you're merely friends, he acknowledges it's probably a bad idea, even, in direct contrast to the somewhat obsessive and frightening way he pursues it in a romantic relationship. But Astarion can't decide what to do at the end: he has no hidden point system, no hidden flags - he will always pursue Ascension even if he knows it's a bad idea, because Astarion does not trust himself, has no experience trusting himself, and needs help. As counter-intuitive as it may sound, he needs support to make his own decisions, because in that moment, he cannot be objective.

(If Astarion is ever objective is another story....)

So much of Astarion's reactions and opinions are instinctive and unthinking. "Don't let the pixie out of the lantern, are you an idiot?" -> "A pixie! And honest-to-goodness pixie! *giggles*"

"We don't need a urchin hanging around." -> Astarion approves if you help Yenna

etc. etc. etc. There's so many times he says one thing, the cruel thing, the "fuck everyone else, I've got mine"-thing, and then approves when you do the good thing. Astarion does not live in line with his values (besides pursuing a growing need for freedom) and he frankly does not really know what his values even are.

Astarion doesn't react with glee to finding all the people he seduced - who inadvertently raped him, though they didn't know, some lowlifes and scoundrels and people having a bad day and even some sweet, naive virgins like Sebastian, who took that smoking hot Elf on his word and followed him home, probably in disbelief someone so gorgeous would pay them any attention at all - tortured and locked in a dungeon underground. He's crushed by guilt. He's in pain. Astarion delights in you causing others pain (the torture scene) because it aligns with his worldview, the joy of seeing someone else suffer for once. But he's not a cold-hearted murderer. (And yes, I am differentiating between "adventurer kills a bandit" murder and "deliberately killing someone you know for reasons/no reason" murder.) He doesn't hurt anyone in camp - Shadowheart and Lae'zel are far more dangerous than him. You never have to stop him from drinking anyone else to death. Even if you never feed him again, never use his bite attack, he never bites anyone in camp. Despite being a vampire, Astarion is, effectively, harmless. (Bite night was about checking whether or not Cazador's old command's still worked. It's his first real attempt at freedom, proving to himself that he's free from compulsion. Hence why the roll to get him to stop is a 5, giving you a 75% likelihood of succeeding. He doesn't actually want to kill you. And you get two chances!!!)

Astarion doesn't enjoy death for the sake of death. He's terrified if you side with the goblins and kill the tieflings despite goading you into doing it. I don't doubt that he could hurt others (god knows he's got enough feelings to work out that way), but there's a significant difference between a little knife play and condemning thousands of people to be tortured in the Hells for all eternity. Sacrificing his siblings is different, because they, like him, are guilty, and deserve their deaths. He agrees to sacrifice his fellow spawn as an act of self hatred, of self harm. But all those other people stupid enough to want to sleep with him? Given a day to think about it, I think Astarion would agree that that's not right - and that's why he thanks you for preventing his Ascension. That much murder isn't him. He can be thoughtless, cruel, and unkind, but Astarion isn't a psychopath.

Take him to the brothel, and slipping back into that role, the seductive rake, it as easy as breathing. I don't think Astarion has ever thought about if he's the type of person to enjoy group sex, or even if he wants it. I don't doubt that Astarion enjoys sex, that he wants to have sex (he is, after all that, still shockingly horny), but he's just discovered the idea of having sex with someone he loves. He's riding that high. Of course he says yes: not only is he a different man now (he's free!), it's something he's done a thousand times already - maybe it'll be different this time, maybe something has changed - or maybe, an orgy was on offer, so of course Astarion is there. It's his purpose. He's been doing it for 200 years. Where else would he be?

What I'm saying is that Astarion didn't think about what sleeping with the drow twins meant for your relationship, or how he would feel about it at all. He just went for it. He had a bad time. You then don't discuss it because that would mean admitting that he finally made a choice by himself and it backfired. He didn't think, or maybe he did, and it turns out he just doesn't know himself. Why discuss it? A relationship with G3 apparently means group sex. They probably asked twice. They backtracked all the way to Wyrm's Crossing post-Cazador. Will they ask again? How many times can he say no?

In reality, in the real world, the act of asking can be the problem in and of itself. If your significant other/spouse/lover asks you to do something you don't want to do, be it a threesome, anal, opening the relationship etc, these actions have consequences. The act of asking doesn't happen in a vacuum like it does in video games: there is a cost associated with it, a gamble, and while it may pay off, it may not. Some people get worn down and agree to things they don't want to do. Sometimes you break up because the act of asking is so inherently disrespectful you can't reconcile your differing wants and needs. If you're dating someone who has experienced the gut-wrenching pain of being cheated on, you don't ask 2 months into a new relationship if you can fuck other people. This should not come as a surprise to you, to G3, to anyone. It's common sense.

BG3 giving you the opportunity for a foursome with Astarion not only to give the player their hot'n'spicy sex scene (then playfully bops you on the nose by making it a fade-to-black, you naughty little perverts, you), but also to continue its theme of treating the player like a mature adult, who is dealing with other mature adults, and who can and should live with the consequences of their own actions. Subsequent patches have watered this down, I admit, but I do believe that that was the ethos guiding their work from the beginning. BG3 wants you to interact with the characters like people. If you roll over and tell them what they want to hear, you will Ascend Astarion, and he'll enslave you in turn. If you agree with Gale on everything, he will kill himself and you - or, he'll become a god, becoming the exact sort of god he used to rail against. Agree with Karlach, and she will rather die than go back to the Hells. You get my point.

"But Larian could have let me check in on Astarion midway through. Maybe it was a mistake to ask, but they should have let me check on him and stop it all if he wanted. I was trying to trust him to make his own decisions." - Strawman G3

Ok. We add a dialogue option. "Astarion, love, are you alright? We can stop at any time if you want."

Astarion disapproves (-5)

He's not backing out. Thank you for asking, darling, but fuck off. (I don't think he'd actually say fuck off but the implicit message would be there. I can't see Astarion stopping midway through, nor appreciating you doubting him. Nothing changes.)

"But I still feel bad." - Strawman G3

And I completely understand that. It's a video game. Don't worry! Of course you should get your sex scene - it's a reward! You got their approval high enough! You have enough charisma points! In DA:O, you can also have an orgy, unlocked by giving your companions enough gifts! It's a game! You have enough points, you get the thing!!! You killed Cazador - you win! Have your cake and eat it too! Congrats, you unlocked your hot slutty vampire elf who's basically a trained courtesan, who needs you to be his moral compass, who will never leave you so long as you don't actively rape him - enjoy all the fun orgies in your future!

Your actual choice - the choice the game gives you - is to realize that taking what's essentially a human trafficking victim to a brothel is a dumb idea, but they didn't want to punish you for it.

"Well, Astarion should have said something then. He said no before, he can say no again." - Strawman G3

If you go through life pushing peoples boundaries and expect them to verbally tell you what you're doing wrong, you're gonna be friendless and have a bad time. This ties back to both Astarion having difficulty knowing and defending his own values, BG3 trying to let you make your own decisions without setting out a clear "good or bad" path on occasion, and the hope that you'd use your own morals to make decisions. G3 would never behave in this way irl, and that's where the shock comes from, the guilt from committing an action they thought was without consequence in a risk-free fantasy scenario, and then feeling unpleasantly surprised when called out.

But it's a video game, and you didn't get the little zap, the little sting of an Astarion disapproves in the corner that told you you made the wrong choice. In fact, because he doesn't disapprove, it's not actually the wrong choice!

It really was mean how the Narrator made G3 feel bad, wasn't it. They didn't mean to hurt him. Astarion doesn't mention it, so it's probably fine.

... have you talked to Halsin yet? Surely he had a good time. Right?

CONCLUSION

People think they're good and moral and will typically behave "heroically" in video games. Games support this and reward players for doing so. The "good path" is expected to be clear. However, video games are not real life no matter how much they play at immersion, and multiple games have trained players in a linear "do x, receive y" type fashion. Sex is a reward in games, and is treated that way in real life as well, so players expect the Sharess' orgy scene to be a reward, and are then shocked when Astarion/Gale/Halsin etc reveal during or afterwards that they had a bad time. This is because Larian wants you to treat BG3 like a role playing game and interact with it seriously, and isn't afraid to boop you for your actions in ways that mimic real life relationships. This ethical dissonance makes people uncomfortable especially when they play games to role-play as someone better than themselves, and are surprised when they aren't herded down predetermined "good" paths via instantaneous approval/disapproval mechanics or unlockable "ideal" dialogue.

It is absolutely possible that someday Astarion might be into meaningless group sex with prostitutes for fun and pleasure. However, that is the sort of thing you'd probably either wait for him to bring up by himself organically, or discuss in a long-term trusting relationship after he's had potentially years to process the idea of not immediately hopping into bed with someone, as well as disentangling his instinctive "beaten-in" sexually available behavior from his actual desires. People much more emotionally mature and undamaged than Astarion have destroyed their own relationships by inadvertently pushing a partner (or themselves) into various forms of group sex or other sexual acts. It's not something you do on a random Tuesday on a whim.

Or maybe it is, and I'm just chronically boring and surrounded by boring people lmao

TO THE POSTER THAT INSPIRED THIS: I'm so so sorry if you ever see this, not trying to call you out at all hence no linking, I just wanted to pick apart why I think you felt that way. The thoughts just finally bubbled over after a year+ lol

[pomefioredove]

Hi, I saw that the requests were closed, but I wanted to share with you one of my thoughts, maybe even an idea. This looks more like an AU, but let's imagine that Maleanor is alive and her son brings his partner to meet her. How do you think she would react to the fact that her son's partner is a human? Considering that she hates humans, it would hardly be a happy meeting, but for the sake of her son, I think she would try to find a compromise. Of course, on my part, this would be a romanticization of the character, but I would like to think that after some time, she will treat her son's partner like her own child.

I think more about the logistics of malleyuu than I'd care to admit. even without Maleanor in the picture, there are many influential nobles and senators(?) in Briar Valley who would surely be opposed to Malleus choosing a human

while fae/human relationships aren't "forbidden" or even that uncommon at this point in history from what we know about Sebek, this is the future king of Briar Valley we're talking about. I can't imagine that having a human queen/king/monarch etc after thousands of years of a pure fae lineage wouldn't be a problem. at least for some. it would cause considerable unrest amongst the older fae, and most of the senate would object to it. but Malleus is... Malleus. it's an unstoppable force meets an unmovable object, and would cause political unrest no matter what. even if Yuu is perfect, even if Lilia takes their side, even if Malleus throws a temper tantrum that kicks off overblot 2.0...

tradition in a place like Briar Valley is... kind of important. in canon it's stated over and over again that Briar Valley is extremely old-fashioned and traditional, to the point where basic technology isn't available to most of the population (can I assume that most don't have electricity or running water, too?). I wouldn't be surprised if there's some ancient laws preventing humans marrying into the royal bloodline that would have to be overturned just so malleyuu could happen

I'm sure not everyone would have a problem with it, like I said, fae/human marriages aren't a taboo (thank god), but there will be a lot of fae who would. not only is Yuu non-royal, a commoner, but also a human, and a human who can't perform magic. not only will Yuu die long, long before Malleus does, but there's a chance their children, if they're able to have them, won't inherit any magic (is this a problem? well, not to me, and not to malleyuu, but to the senate and people of Briar Valley, I cannot doubt it would be)

but like I said, Malleus is Malleus. he's like a toddler, stubborn and selfish, he loves his toys and doesn't want to share them. if he truly falls in love with Yuu, and they love him back, there's surely nothing anyone could do to prevent him from marrying them. I dare say he'd sooner step down as heir to the throne than to give them up. he'd at least threaten to

this is like, period-drama type civil unrest. marie antoinette type civil unrest. the political and social ramifications of malleyuu are the most interesting part of their dynamic to me tbh!

as for Maleanor? I love her. and she would 100% be against malleyuu for the listed reasons. unstoppable force vs immovable object, again. but she also loves her son, and I do think she would warm up to Yuu eventually, just... with that lingering sense of dread

[hollowed-theory-hall]

Did you ever write a meta about the First Wizarding War?

I am just so curious about it, although we know almost nothing of it. I know in fanfictions, people tend to make the war something very open, very active, with the Order fighting the Death Eaters in the streets but it feels... off to me?

Like, first of all, how would they know when the DE attack? By the time they would learn about the attack, it's most likely the DE would already have left. And overall, when you read about the 2nd Wizarding War, they never attack place like Diallon Alley or Hogsmeade, but rather kidnap people like Ollivander and Fortescue. Which make me wonder how Voldemort was able to ask teens James and Lily to join him (like said in JK's interview).

When you read what Arthur said about this war:

"You-Know-Who and his followers sent the Dark Mark into the air whenever they killed. The terror it inspired… you have no idea, you're too young. Just picture coming home and finding the Dark Mark hovering over your house, and knowing what you're about to find inside… Everyone's worst fear… the very worst."

Well, it sounds more like they would attack people at their home, so the DE are more likely to target people when they attack, while they would cause havrock in the Muggle world. Something that made sense since they don't want to destroy the Wizarding World and the wizards.

Although to be fair, it's not like they have much place to attack in the Wizarding world: the only place we know are Hogwarts, Hogsmeade, Diagon Alley and the Ministry.

I just have a hard time imagining how the war would be like, considering the Ministry was not taken by Voldemort. It's like this world is too small for a war of that kind.

Also, it makes me wonder what was really the role of the Order? Like what did they do? What kind of mission would they do? How would they know when to intervene? I know Remus had missions with werewolf during the 2nd war, but we don't know if he had the same during the 1st. Sirius was away busy with a mission during Harry's first birthday, but I wonder what he was doing. Was it a last minute battle?

"No, but believe me, they thought Voldemort had the right idea, they were all for the purification of the Wizarding race, getting rid of Muggle-borns and having purebloods in charge. They weren’t alone either, there were quite a few people, before Voldemort showed his true colors, who thought he had the right idea about things… They got cold feet when they saw what he was prepared to do to get power, though. But I bet my parents thought Regulus was a right little hero for joining up at first.”

It's implied people actually thought Voldemort had the right ideas, which makes me wonder if back then, the muggleborns were less accepted. What was the climate that made it happen? Was it that a bit like with jews, which is how Hitler got to powers?

Also the line in bold always interested me because it didn't feel like the Blacks knew about the Horcruxes, so I wonder what else would give them cold feet.

Sorry for the long text, I just never found someone to talk about it. Nobody seems to get me when I try to think too much about how it was like lol

Hello 👋

Honestly, this is really interesting and I have written about the first war as part of my Voldemort analysis here and here and also here and here. And I'm honestly really curious about the timeline of the first war and what exactly the Order and the DE actually did.

I would say you're right about it not being a war. I mean, for a war, you need armies and countries, and there wasn't a single army involved in this war.

The DE are somewhere between a cult and a terrorist organization. In the first war (and in the second one while Voldemort manages them, tbh) their operations are limited to more targeted killings and in general spreading fear and chaos while keeping a not-super-high death tool (in the first war) and avoiding hurting muggles when possible. Like, up until 1979, basically no one died. We have less than 10 unnamed and named characters that might've died before that and the rest died afterwards. Like, almost all deaths happened in the final 3 years of the war.

Then you have the ministry, which doesn't have an army, it has law enforcement. The aurors and DMLE are not an army and don't really function as one. They are trained to catch criminals, not to fight large-scale battles (not that there were any battles in the first war).

The Order, which if we're generous we can call a paramilitary group (but realistically it's a vigilante armed civilian group).

So, it's hardly a war when it's small-scale attacks and skirmishes fought between a cult/terrorist organization, the police, and an armed civilian group. Its timeline and death tool and how it operates as a whole really doesn't fit a war. Well, it's a terror guerilla sort of war, but not your traditional kind of war. The second Voldemort war was more of a real war than the first one, and even that wasn't a traditional war in any sense and I would hardly call it one. But at least it had battles. Like 2.5 of them.

I outlined more of the timeline here with the evidence for it, but in general:

1967ish - Voldemort returns to the UK and has his interview with Dumbledore. At this point, he already has somewhat of a following. Unclear if these were his "friends" from school or their children, but they are likely the older "friends" from school:

“Then if I were to go to the Hog’s Head tonight, I would not find a group of them — Nott, Rosier, Mulciber, Dolohov — awaiting your return? Devoted friends indeed, to travel this far with you on a snowy night, merely to wish you luck as you attempted to secure a teaching post.”

(HBP)

1970 - the war starts.

“You can’t blame them,” said Dumbledore gently. “We’ve had precious little to celebrate for eleven years.”

(PS)

Since Dumbledore says this on November 1981, it means the DE started operating in late 1970. Arthur tells us Death Eaters outnumbered the Order 20 to 1, but I think the Order only started operating later in the decade.

I believe that in the early 70s, they weren't too violent yet. There were some attacks, some chaos similar to what we see in the World Cup perhaps:

I suppose they had a few drinks tonight and couldn’t resist reminding us all that lots of them are still at large. A nice little reunion for them,” he finished disgustedly.

(GoF)

Attacks that strawn fear and unrest and stretched the ministry and the DMLE thin with how many obliviations had to be done — but no one died, not yet. At least, no one important. We know all of the Order members that died were only killed after the infamous photo was taken much later, so it seems in these early days of the war, they didn't really kill anyone perhaps a few muggles here and there (but not as many as the fandom sometimes like to think!) but no wizards died, at least not at first.

I assume this period is mostly marked by small-ish riots and growing normalization of anti-muggle and anti-muggleborn propaganda.

This is the point where Voldemort amassed his followers and purebloods like Walburga and Orion Black thought he had the right idea. Even during the time in the books, muggles are seen as beneath wizards, and muggleborns like Hermione are quietly pressured into not talking about their muggle families because no one cares. Muggleborns like Hermione and Ted Tonks clearly leave their muggle families behind and don't look back and that's accepted as the norm in the wizarding world.

Even in the 90s we see Slughorn is surprised Hermione, the muggleborn, is so talented. Bigotry is still very much present and as I calculated here, muggleborns are only around 5% of the population, with the majority being purebloods (or wizard-raised half-bloods). The blood purity agenda was always there, Voldemort didn't even believe in it himself, he just used it because it was an easily accessible platform that was just there. It was an easy way to gain followers and create unrest, so he took it. It was opportunistic.

So, in that way, yes, it is similar to Nazi Germany. Antisemitism was already there and prevalent in the culture for centuries, Hitler made use of the ideology already present and normalized it, and even made it righteous to believe in his horrid and bigoted ideology. He pushed the culture to more extremes, but the ideas and philosophies were already there, he didn't invent antisemitism in Germany. It was opportunistic. It didn't come out of nowhere and it wasn't just recent either. Antisemitism has a long history in Europe which I'm not going to go into in this post.

1975 - the war gets more violent and wizards are actually killed. We know from Pottermore that:

Eugenia Jenkins 1968 - 1975 Jenkins dealt competently with pure-blood riots during Squib Rights marches in the late sixties, but was soon confronted with the first rise of Lord Voldemort. Jenkins was soon ousted from office as inadequate to the challenge.

(From Pottermore)

It's said Jenkins was ousted from office "soon" after the rise of Voldemort, which again, suggests the more violent attacks only started mid-70s, around 1974 and 1975. From the list of deaths in the post I already linked throughout this post I posed the deaths that ousted her from office were Mr. and Mrs. Bones who we don't have a death date for and were likely important enough in the magical community to send the shockwaves of war that would get the minister kicked out of office. After all, you need something big to rock the wizarding community, a few muggle deaths aren't going to cut it.

(Also the mention of pure-blood riots earlier in the 60s show blood purity was nothing new, just something Voldemort took advantage of that was already there)

This is the point where Walburga and Orion probably got the cold feet Sirius mentioned. Because it's not just muggles and muggleborns anymore. Two pureblood wizards were killed — and that scared the shit out of purebloods who were a little smarter. The realization Voldemort would kill them too if he thought it necessary. It's not that they grew to care about muggleborns or blood traitors, it was self-interest. They realized that Voldemort didn't have any limits and that they weren't safe just because their blood was pure. That's at least, my take on it.

1976 - The Order of the Pheonix is founded

The Order of the Phoenix was likely founded around 1976-1977 after Voldemort and the DE got more violent and a few people actually died and it became clear to Dumbledore the ministry couldn't handle it on their own.

I believe the Order was kinda late to the party (considering how late Dumbledore was when dealing with Grindlewald). I think he advised the ministry on what to do and really hoped the ministry and the DMLE could resolve it at first. When it appeared they couldn't, that's when he founded the Order.

Now, you're right, the first war doesn't seem to have had any actual battles, my guess is that is was as I mentioned above — targeted attacks and skirmishes.

During the first war, Voldemort holds a pretty tight leash on his Death Eaters and who they kill. That's why they kill at homes and kill only specific ministry personnel and Order members for the most part. It's very targeted and specific. They aren't rounding up muggleborns as Lupin says these laws were new in the second war:

“People won’t let this happen,” said Ron. “It is happening, Ron,’; said Lupin. “Muggle-borns are being rounded up as we speak.”

(DH)

This is only in the second war. In the first one, there was no muggleborn registry or compulsive attendance at Hogwarts. The first war was all targeted terror attacks. The DE didn't have the ministry the way they did in the second one. Yes, they had quite a few members in the ministry who probably tried to pass various laws, but it wasn't the complete control they had in 1997-1998.

I assume, what the Order did in these years, was try to gain intelligence about where and when these attacks would happen so they could wait for the Death Eaters there. Again, sort of skirmish warfare and not quite open battles. Very few combatants were probably present for each of these fights.

Most of the Order missions would've been along the lines of:

Protecting expected DE targets

Recon missions and gaining intelligence through various means

Blocking DE in the ministry from getting the intel they are after or passing their laws.

Stuff that is more targeted and doesn't require a full-scale army.

1980 - The Prophecy and Potters going into hiding

(Edit: More notes regarding the timing of the photo and corrections to this section here. James and Lily went into hiding in the winter of 1980, but the Order's photo was taken while James and Lily were in hiding in July 1981, meaning all the Order members died in the 4 months between Harry's birthday and the end of the war)

The prophecy was made about two months before Harry was born:

He stepped forward. Not as tall as Ron, he had to crane his neck to read the yellowish label affixed to the shelf right beneath the dusty glass ball. In spidery writing was written a date of some sixteen years previously, and below that: S. P. T. to A. P. W. B. D. Dark Lord and (?) Harry Potter

(OotP)

We also know from Harry's birthdate that Lily would've gotten pregnant with him around late October 1979. Due to how the Fidelius Charm works I believe the Potters went into hiding before Harry was born, right after the Prophecy was made, so around May 1980. All this means the photo Moody shows Harry was taken at some point in 1979 or early 1980 before Lily's stomach was showing with the pregnancy, but I'm leaning towards late 1979.

This means that almost all deaths in the war (and all the deaths of the Order) happened after 1979. This was probably caused by two things:

Voldemort escalating for some reason (after 1980 the prophecy might've had a hand in the escalation of violence for various reasons I discussed in the linked posts)

Wormtail started spying mid-1980:

“DON’T LIE!” bellowed Black. “YOU’D BEEN PASSING INFORMATION TO HIM FOR A YEAR BEFORE LILY AND JAMES DIED! YOU WERE HIS SPY!”

(PoA)

So it's possible Wormtail revealed exactly where and when the Order was waiting for the DE and the DE could get the jump on them with more wizards than the Order thought there would be.

These two combined factors practically wiped out most of the first Order.

But we're still talking about skirmishes, just larger ones with a higher death tool, but still no large-scale battles like the Battle of Hogwarts. Enlisting the giants wasn't really because Voldemort used them in the war, there were no battles to use them in. They were a threat, kinda like nukes. It was something you have so your enemies won't attack you. Werewolves were similar, although they were probably employed in some of the skirmishes.

This time period since 1979 is probably when this quote from Sirius becomes the case:

“Imagine that Voldemort’s powerful now. You don’t know who his supporters are, you don’t know who’s working for him and who isn’t; you know he can control people so that they do terrible things without being able to stop themselves. You’re scared for yourself, and your family, and your friends. Every week, news comes of more deaths, more disappearances, more torturing . . . the Ministry of Magic’s in disarray, they don’t know what to do, they’re trying to keep everything hidden from the Muggles, but meanwhile, Muggles are dying too. Terror everywhere . . . panic . . . confusion . . . that’s how it used to be.

(GoF)

More wizards are now being killed/targeted. Most of them probably get tortured/imprisoned rather than killed. Like Neville says about the Carrows:

“Doesn’t matter. They don’t want to spill too much pure blood, so they’ll torture us a bit if we’re mouthy but they won’t actually kill us.”

(DH)

These are terror attacks meant to create compliance. So most are tortured, kidnapped as ransom and assurance of loyalty, or imperious rather than killed. Those that are killed would only be those that really have no hope to turn them onside — like the Order, hence why Voldemort allowed them to be killed.

1980 - The added deaths and skirmishes caused another minister to be kicked out of office:

Harold Minchum 1975 - 1980 Seen as a hard-liner, he placed even more Dementors around Azkaban, but was unable to contain what looked like Voldemort’s unstoppable rise to power.

(From Pottermore)

As I mentioned, in the final years of the war, shit got way worse with more deaths happening in the span of these 3 years than all the 8 years of "war" before combined. So another minister who doesn't know how to crack down on the terror organization is kicked out.

October 1981 - Voldemort goes after the Potters and the war ends.

And we know what happens from here.

These are my thoughts about the timeline of the first war and how it went. We don't know as much about it as I would've liked to know, but this is my impression of how it went down more or less.

[cal-writes]

OooOo the boys birthday! Loved the Hachi Zoro-damn, hitting us with all these rad Zoro pairings.

So I was thinking bday prompt wise, Train AU. Like the subsequent bday has gotta be better than a text from Law during their trying time of will they won’t they reconcile during his last one? 🤣 but then ya know… Law does everything in the weirdest way possible right.

teehee :3c thank you i'm glad you liked it. i'm surprised there isn't more hachi/zoro around tbh so I had to do my part

hope you enjoy this!

-

Law has been hesitant to think about The Big L in the past few months but he has to consider that, if nothing else, this is as close to a confession as he's gotten thus far.

He blows out a deep breath, looking at Nami in anticipation.

She squints at him suspiciously from across the diner table. Her long nails drum a threatening rythm into the sticky plastic top, her index and middle finger tapping the glass foot of her glass.

"You're asking me?" She asks, challenging before she lifts her chin.

Law laces his fingers together and restrains his inner urge to be a bitch about it. "Just to make sure." He tells her. Her squint intensifies. "I have plans already." Law adds.

Nami lifts an eyebrow and looks at him in (unwarranted) surprise, just to piss him off. Patience, he tells himself. She leans back into the upholstery of the booth and her fingers drag her glass with her over the table, leaving a smear of condensation (who ordered a milkshake in November, seriously?).

She takes a hold of her straw delicately before putting it between her lips and slurping the rest of her shake as loudly as humanly possible.

Law endures it with - well, not with grace, with grit teeth - but endure it he does.

"Alright." She says finally. "I assume you already know he likes booze-"

"And that he drinks to much of it, yes, so he's not getting any as a gift." He replies immediately and Nami seems pleased with his answer.

"Luffy is throwing a party already anyway. He'll get drunk enough as it is." She says, waving her hand around.

"I know." Law tells her. He's been preparing for it all week, building up his tolerance to Zoro's - frankly exhausting - gaggle of friends. (Zoro has also invited Bepo and Law is like 60% sure it was only for Law's benefit although Bepo and Zoro do also get along swimmingly). "I just-" He runs a hand through his hair. "I just want this year to be better than last year. So, like. Is there any way I could fuck it up without realizing it?" He clarifies.

Nami's look changes, becoming more considering than judging.

Eventually she huffs softly. "Law." She says, putting her glass to the side so she can lean on the table and close to him. "The bar is on the floor." She tells him plainly. "One year Sanji and Zoro emptied a crate of wine together and were passed out most of the day. It was the most amount of time they ever spend together without arguring about something and Zoro said that was one of the best birthday's he's ever had." Nami says with a withering glance. "As long as you aren't actively being an asshole, you'll be fine."

Law exhales, nodding. "I can do that."

"He's not super big on birthdays in general. Luffy started that really." Nami tells him, shrugging with one shoulder. "You're probably overthinking it."

Law is fond of doing that. He taps his knuckles in tune with his jittering leg. "I know. I just want to show him. That I mean it, you know." He mumbles, eyes locked to his hands.

When no scathing comment follows he looks up wearily, expecting Nami's judgement. Instead he almost startles. If he didn't know better he'd think she looked... moved? Touched? Fond? Probably not. Maybe the milkshake had given her brainfreeze.

She swallows, flicking her hair over her shoulder. "You better." She says hastily and stands. "Your treat."

"Sure." Law says with a sigh. "Not that your help earned it."

Nami rolls her eyes as she shuffles out of the booth and rounds the table. She puts her elbow on his shoulder to lean down close and Law tenses. "If you don't know already, he's a huge pillow princess, loves getting pampered and has a praise kink a mile wide. Use at your own risk."

Law feels himself flush all the way up to the roots of his hair as Nami straightens up. "Wait, why do you know that?" He asks, his voice a highpitched squeal.

Nami shudders before reaching for her coat and pulling it on. "You don't wanna know." She says before leaving him sitting in their booth.

Law stares at her glass, watching a drop of condensation run down the smooth surface and buries his face in his hands to cool the burning underneath his skin.

Well. That doesn't conflict with his original plans, so. Maybe he can fit that in somewhere too.

[clone-wars-retteyo-au]

One things I think I forgot to mention in my other reblog that I thought about more and want to comment on/clarify. As you mentioned, there is a likelihood that some clones will HATE the assumption that they are all close. I thought about this more, and I realized there was something I didn't think about/touch on in relationship to that. While my interpretation of the clones presents them as all considering each other family (both by blood and as an overall relationship), there are many different family dynamics and relationships.

Overall, the vibe between clones as a whole is "giant extended family where there is a general expectation/sense of loyalty to the broader family, but also you only know half these people." Loosely based on my dad's side of the family, tbh. But individuals within that family will have different relationships with different family members and different feelings about the broader family as a whole.

When it comes to clones they've never met, clones will typically see that clone as a sibling, but emotionally feel more like distant cousins who you just met at the family reunion and it's kind of awkward since your parents/grandparents expect you to hug or whatever and you're both just like "who is this guy?" Sometimes they will end up getting along great, but it will always start out a bit distant.

~~~

Clones like Cut Lawquane who left the GAR (or in this AU, never really joined Retteyo and went off to do their own thing) are like the family member who had to go no contact with their parents and as a result lost contact with the rest of their extended family and nobody but the parents knows what happened or where they went. So when clones like Rex find them, it's like one of their cousins accidentally finding them on Facebook and messaging them. And the one that left doesn't hate most of their extended family. They still see them as family, but not particularly close family, so they still kind of want to keep their distance.

They also have an awkward relationship with family in general because they were raised in an environment where family is everything. And even though they don't regret going NC, they still have a hard time breaking that mindset and feel at least a little bit of obligation to help out extended family members in need, even if it's just in little ways like giving them a little extra money one time and then never talking to them again.

~~~

Clones who hate each other are just family members who hate each other. They see each other as siblings, but not in a good way. Like "oh yeah, he's definitely my brother, but I'm still getting that restraining order." Still family, but in a bad way. And while there is a "family is everything mindset," that doesn't mean "therefore you must get along with every family member or stay in contact." If someone does something crappy and someone else chooses to go NC, everyone will understand and support the decision even if they stay in contact with both.

~~~

The "family is everything" part is more about a loyalty to clones as a whole. Similar to loyalty to one's country, but with a familial twist. As I said before, it's like seeing a cousin in need of help, and even though you don't know that cousin, you still help them because they're your cousin.

Even clones who don't feel that strongly about other clones will have this mindset a little, they just aren't super intense about it. Like, as I said, they won't get into a fight on your behalf, but they will give you $50 to help you out of a tough spot.

It's honestly the craziest part to me. They are all family, but the dynamics are complicated and not always close or good.

~~~

As you mentioned, they are still capable of forming extremely close bonds with natborns, some of which are closer than with certain other clones or clones as a whole. Some clones even prefer not being around other clones as much. It's just that they were created to almost need other clones in some way. Kind of like how ants will die if they don't have other ants around. I think this might not fully apply to all clones, but as you said with Rex and the Ghost crew, most clones will get antsy after a certain point if they haven't seen other clones after a certain amount of time.

For many clones, not being without other clones is like being a hermit. Some can handle it really well, especially by forming bonds with Natborns (similar to some hermits finding inner peace that allows them to handle isolation well). But most will get to a point where they will start to lose it a little. Like, they are fine for a while, but after 6 years or so, they're like "alright but I need to see another clone at some point or I will die."

At least, this is the case in my AU since I find the idea of clone basically being pack animals in the most extreme way to be interesting.

I've decided that Rex is the one who paints Kanan's eye mask with his bird of prey design.

Kanan's feeling pretty low still just after Malachor, he's still distancing himself from everybody, and Rex decides to go try to talk to him at one point and the first thing he comes up with to say is to point out that his new mask is pretty plain. It's awkward, he regrets it immediately, but then Kanan says that it gets the job done and Rex is abruptly reminded of himself so so long ago back at the beginning of the war.

He sits Kanan down and tells him a story about how, at the beginning of the war, only a few of the clones had paint on their armor, to designate things like rank and battalion in order to make it easier for officers to find them in the middle of a busy battlefield. The paint was practical and it was limited to a very select few. But the Jedi almost immediately started trying to encourage the clones to utilize the paint less sparingly, suggesting that maybe everybody could wear at least a LITTLE paint and use more individualized designs so that it was still easy to tell the commanders and captains apart from the others when needed.

Some of the clones had taken to it with gusto, but others had been more hesitant, and Rex remembers having been one of them. He remembers telling Obi-Wan that there was no real REASON to paint everyone's armor and especially not to come up with personal designs. The armor was practical and it served its purpose with or without the paint and special designs. But the Jedi had insisted on at least TRYING to come up with his own design and if he didn't like it, he could always take it off, so Rex had given in and chosen something to paint on the armor. And, somehow, it felt a little lighter the next time he put it on. It didn't erase the horrors of war or the pain of loss or anything like that, but it helped.

He tells Kanan that the mask right now is just a reminder of the pain of the injury and whatever other feelings he's still got all caught up in the Malachor mission (guilt over what happened with Ezra, grief over Ahsoka's loss). But if he puts his own design on it, it might turn the mask into something other than a constant reminder of something bad. Instead, it's a reminder of who he is, the combination of the person he once was and who he's become. He is more than just his injury or this mission and he can use the mask to declare that if he wants to.

Kanan says he never realized Rex and the other clones had cared so deeply about their armor and Rex says that the armor itself was meaningless. It's better than what's being handed out to stormtroopers, but not but a LOT. It was the design on it that had meant something and, more than that, it was what the design REPRESENTED: having a choice about how you were perceived by others.

Kanan asks why Rex had chosen his particular designs, the bird of prey eyes on his helmet in particular. Rex explains that he chose it because he liked birds and thought it looked cool, but he's kept the helmet for as long as he has because it's come to mean something ELSE now. It's not just a cool-looking design, it's a reminder of a better time in his life. It's a reminder of when he'd been a part of something greater than himself, with the other clones and the Jedi. It's a reminder of a time when he'd had hope that he and his people could one day come out the other side of this war towards a brighter future.

Kanan looks at the mask he'd grabbed from storage somewhere or something just to keep light from hurting his eyes as they recovered and to cover up the injury from other people's stares (even if he couldn't see them staring), then hands it to Rex and asks if Rex minds sharing that symbol because he'd like a reminder of that, too. Rex remembers the 332nd and their helmets that they'd painted to look like their chosen Jedi, almost blindly giving away their individuality in favor of that loyalty that had been stripped from them anyway. And then he looks at Kanan, choosing to make himself look LIKE REX, someone who had shared his face with millions once, because he wants to honor both the connections he'd lost as well as this new connection the two of them have built together now. And Rex says he'd be happy to share.

[verquilla]

SPOILERS BELOW IF YOU'RE PLANNING TO WATCH THE YOUTUBE VERSION OF MC 12!

dude you can tell when deimos was rushing to area where sanford was still stuck to the ground in state of fear and adrenaline!!!!! the way he also dropped the tablet while urgently tried to activate the system (?) to save his best friend, his amigo, his wife. Like what a beautiful friendship they have! im FUCKING CRYING OVER THIS BECAUSE THE SCENE ENDS AND WE HAVE TO WAIT FOR 7 YEARS FOR 12.5 OR SOMETHING (/J!! I'M GLAD KRINKELS BLESSED US WITH ANOTHER BEAUTIFUL AND MESMERISING ANIMATION!!!)

[sualne]

your body isn't your own

[cheekinpermission]

TWST Ask Game!!

General

1. Who's hand did you first grab? Why? Would you choose someone else if you could do it over again?

2. Who is on your homescreen?

3. What does your guest room look like?

4. Who is on your main team?

5. If you could have any unique magic / signature spell in the game, which would you choose and why?

6. First SSR? Most recent SSR?

7. Is there an SSR you really wanted but never got?

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9. What changes would you like to see implemented in the game?

Favorites and Least Favorites

10. Top five favorite characters?

11. Favorite character from each dorm?

12. Least favorite character from each dorm? 13. Favorite NRC staff member? 14. Favorite non-NRC character? 15. Favorite dorm?

16. Favorite character design?

17. Favorite overblot design?

18. Favorite dorm uniform?

19. Favorite event?

20. Favorite book from the main story?

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22. Favorite relationships? (Romantic or platonic!!)

Personal

23. Which dorm would you be sorted into? 24. Which character(s) would you get along with the most? 25. Which character(s) would you actively avoid? 26. When did you start playing TWST? 27. What drew you into TWST? What made you stay? 28. What is the TWST related content that you've produced that you are most proud of?

Wild Card

29. What is your opinion on [any character you like!] 30. Make up your own question!