#<- This is about Tuvok

[bumblingbabooshka]

Is she a fierce mean femdom queen who loves pegging her man or is she just non-white? Answer Quickly.

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[smileyobrien]

COUNTDOWN TO LOWER DECKS SEASON 5 4 WEEKS – Cameos

[star-trekster]

🌟SPARKLE ON ITS WEDNESDAY (tuvok edition!)🌟

[isagrimorie]

Star Trek Voyager 4x09 - Year of Hell, part 1

Janeway: We're going through their space whether they like it or not.

[aenslem]

STAR TREK: VOYAGER (1995–2001) ⤷ Prototype

[grissomesque]

You're lucky to be standing here right now. I would have destroyed your shuttle if necessary.

STAR TREK: VOYAGER 5.09. Thirty Days

[reginaldqueribundus]

[catgirljaneway]

Tuvok and Kathryn + Touch

Unknown, found on Pinterest // While You Were Sleeping - Heath // Voyager - Season 2, Episode 6 // Voyager - Season 7, Episode 25 // I Had a Dream About You - Richard Siken // Dreams of Clytemnestra - Dacia Marani // After Bombardment, Sonya - Ilya Kaminsky // A Pocket Full of Lies - Kirsten Beyer // City of Bones - Cassandra Clare // Voyager - Season 7, Episode 10 // Richard Siken //

[spocks-husband]

Seven and Tuvok's friendship is literally the sweetest thing ever. Two people, both so far from home, trying to navigate themselves in an environment of people who, by nature, are completely different from who they are.

Seven reminds Tuvok of his daughter. He tries not to think about it, but she does. Whenever they walk through the halls together, when they have a conversation, when she stands at his side, his chest aches just slightly and he fights the urge to consider how much he misses Asil.

Tuvok reminds Seven of... Someone. She's not sure who. She doesn't remember. It's someone she can't really recall, but she trusts him innately. Part of her wants to figure out the answer to that question, uncover the answer as to why she trusts this... Vulcan. But she can't. She can't remember.

Not that either of them have ever said any of that out loud. They prefer the silence anyways.

[bumblingbabooshka]

I think Vulcans should nuzzle their faces together when they like each other but it's like, not something you do in front of other people. That's something to do in private or if you're a little kid. Babies don't really know how to do this properly and are prone to just headbutting their parents/siblings instinctually. They want to 'get closer' to what they feel telepathically emanating from the people around them. This nuzzling is a form of telepathic communication but it's very unskilled (a baby can and will do it) and you only get broad feelings/thoughts from it. But that's alright bc typically the only feeling/thought you're hoping to get from or communicate with such an action is 'I like you'.

[jone-slugger]

One thing that really surprised me about Star Trek is just how funny it is!

People had told me about great philosophical questions, horrible episodes that are so bad they are good, etc.

But nobody had told me of all the comedy there is!

[tea-earl-grey]

Star Trek Voyager – Home

spent a week working on this! it's not perfect but it's my first fanvid so i'm pretty pleased. i simply cannot stop thinking about them.

[lostyesterday]

It’s interesting to me that Voyager has so many episodes where Tuvok becomes disabled and then stops being disabled by the end of the episode. The obvious examples are Year of Hell where he becomes blind before the timeline is restored, and Riddles where he experiences a major brain injury whose symptoms are cured at the end of the episode. But then there’s also Endgame, where alternate timeline Tuvok is in the later stages of a degenerative illness, and Meld, where what happens to Tuvok when he mind melds with Lon Suder could arguably be considered a disability (especially from a Vulcan perspective). Arguably Flashback counts too. These types of plots aren’t uncommon in Star Trek, but I think it’s interesting that such a large proportion of these storylines in Voyager happen to Tuvok in particular.

So, why Tuvok? I think it partially comes down to the fact that many people find it narratively interesting to see the most in-control, stoic, and independent characters stripped of their skills or strengths in some way. In other words, disabling them. How does a character who is defined by their self-control and discipline deal with a sudden loss of ability to control themselves? How does a character who deeply values their independence deal with a sudden necessary dependence on others? Tuvok is arguably the Voyager character who most represents competence, ability, and control. If being disabled is to be unable in some way to measure up to the standards of what a person “should” be able to do in society, then Tuvok in his typical state represents or possibly strives to represent the opposite of that. So, from this perspective, making Tuvok disabled affects him as a character more fundamentally than it would other characters, which is theoretically more narratively interesting.

From an able-bodied perspective, it could be argued that such a storyline represents a deep-rooted fear of becoming disabled. Able-bodied people fear disability because it represents the weakness and dependence that anyone can find themselves embodying under the right circumstances. Accidents and illness and old age can happen to anyone, and happen to almost everyone in time. Disability is a fact of life, but for many people, it is a looming cloud on the horizon – something they might ordinarily choose to ignore. To explore such a theme in fiction is to thus look at a subject tinged with discomfort. To give such a storyline to a character that represents the peak of control and ability could serve either to heighten that discomfort by showing even the “strongest” person being vulnerable to disability, or to lessen it by displacing that fear from an “ordinary” and thus more relatable character to one who is unusually skilled or strong (in this case, Tuvok being Vulcan on a ship of mostly humans). Either way, though, if the character is cured in the end and their disability is gone by the next episode, that discomfort is narratively relieved. Disability affects able-bodied characters only temporarily. There’s nothing to fear – they’ll be returned to “normal” next episode.

This might make it sound as if I entirely dislike the disability storylines centered on Tuvok, but that isn’t true. To a certain extent, the cures or time resets that bring Tuvok back to his able-bodied state after every episode are an inevitable part of a mostly episodic show like Voyager. Beyond able-bodied fears and miracle cures, I do think there can be something compelling about telling a disabled story centered on a character like Tuvok. I like that Year of Hell shows Tuvok skillfully using a tactile console and navigating the ship while blind, while at the same time having much more difficulty with certain tasks than he did before, because that’s realistic – that’s how it often actually feels to become disabled. Some tasks that were easy before become impossible. Some tasks seem at first to be impossible, but over time become possible as you adapt and learn new strategies. A skilled and resourceful character can be skilled and resourceful in adapting to disability, but they are still disabled. I also like that Riddles asks the question of what it means for a person to feel less valuable when they become unable to perform the tasks they did before. That kind of question can become more profoundly unsettling when applied to a character who defines himself fundamentally by the abilities he has lost. I do think it would have been interesting if Tuvok had been disabled for longer – if disability had been a more defining element of his character rather than merely a frequent theme. But I also think that what is there in the text has interesting elements as well.

[isagrimorie]

Star Trek Voyager, 4x08 - Year of Hell, Part 1

Captain Kathryn Janeway as a Brilliant Tactician, part 1, 2, 3 (version 1) (version 2)

[peachviz]

a small character study for seven of nine