#<- FOR REACH

[8auhaus]

In Defense of Calypso, an essay on Rick Riordan’s daughter of Atlas.

(Note: I will not be discussing the characterization of Calypso or the dynamic between Calypso and Leo Valdez within Trials of Apollo, as I believe they were unsuccessfully written to follow the bickering couple trope. I feel similarly towards the characterization of Nico di Angelo and Will Solace and their relationship in The Sun and the Star, and I feel it unfair to judge the dynamic that was written to mimic the popularity of Percabeth.)

“I'm coming back for you Calypso," he said to the night wind. "I swear on the river Styx. (House of Hades)

Ogygia exits in a pocket of time, similar to the Lotus Casino that trapped Nico di Angelo as eleven years old for decades. When reading a book, you have to remember the context in which it was written; It is unfair and frankly illiterate behavior to justify your hatred for innocent writing by warping the context of a children’s book. Rick Riordan, as senseless as his modern characterizations of the PJO cast are, would not write one of his few romantic relationships involving a main character to be predatory. Young adult fantasy has a target audience of people as young as 12 years old, who (in most cases) would not be able to derive insightful commentary with such extreme and complex dynamics. Instead, the characters and relationships presented should follow a storyline that focuses on relatable teenage experiences with a narration that reflects adolescent thought processes. A pedophilic character and a predatory relationship dynamic is a trope that is generally considered too graphic to successfully write within a series such as Percy Jackson and the Olympians. Instead, the relationship between Calypso and Leo is supposed to be an optimistic end to two characters who have dealt with longstanding heartache and loneliness. It can be considered an undermining of satisfactory character development, as having a character who struggles with loneliness find peace in being alone in a world that emphasizes the absolute necessity of alloromantic relationships would be a unique ending to the story and important messaging that romantic relationships do not “fix” a person. However, bashing Calypso for the profitable route that the author decided to follow (which is understandable, as the success of his previous novels within fandoms was partially because of the popularity of the romantic relationship between Percy Jackson and Annabeth Chase (or “Percabeth”)) is not intelligent media consumption.

Percy Jackson and the Olympians emphasizes an overarching message of disability, how a person may struggle with disability in a world that doesn’t accommodate them, and how disability limiting a person’s abilities does not limit their character. The series is fundamentally a commentary on disability and trauma, as it was written to engage and represent Rick Riordan’s son who struggled with ADHD and dyslexia. While our main cast similarly struggles with these same two disorders, characters like Tyson, Nico di Angelo, and Leo Valdez are written more intentionally to represent disabilities such as Down syndrome and Autism Spectrum Disorder respectively. As the series develops, we see themes of trauma and long-lasting consequences of psychological and emotional distress, as it is assumed that the audience ages with the series and can digest mature themes more successfully. Calypso, because of her centuries-long isolation and repeated heartbreak resulting from the only close relationships she manages to develop, struggles with abandonment issues. It is not a stretch to say she may also struggle with social cues, similar to how a neurodivergent person may struggle to understand what behaviors are appropriate or not. To call her “mean,” “toxic,” “abusive,” or anything along these lines undermines the trauma responses Rick has made the effort to represent. Instead, it stands to demonize people with mental illness, assuming that their struggles define who they are and the relationships they have. The treatment Calypso receives for her trauma-based behavior is not applied to the male cast of characters, assumedly because of the standards misogyny has created for all women, even fictional.

Referencing the aforementioned defense of her “bad” behavior, many have criticized Calypso because of the curse she unintentionally placed on Annabeth which is seen in the House of Hades.

“We did nothing, the demons said. Your beloved has unleashed a special curse—a bitter thought from someone you abandoned. You punished an innocent soul by leaving her in solitude. Now her most hateful wish has come to pass: Annabeth feels her despair. She, too, will perish alone and abandoned.” (House of Hades, pg. 235)

However, it should be considered that, before Annabeth and Percy Jackson (and Nico di Angelo), no demigod had traveled to Tartarus, never mind surviving it. The demon encountered by the duo was not a common enemy, but a monster that could only be encountered within such a deep part of the underworld. Calypso, rightful in her bitterness though not in who she blamed for it, could not have assumed that Annabeth would encounter the Arai and suffer at their hands. (Note: this is assuming that Calypso had intentionally placed this curse, as it is equally likely that it was an unintentional manifestation of negative emotions)

According to a poll conducted by the Tumblr blog riordanverse-ship-polls, 93.9% of 346 voters feel, neutral or positively towards the ship between Leo Valdez and Jason Grace. 49.4% of these voters state Valgrace as their OTP or one true pairing. Additionally, the Valgrace tag on Tumblr has 2.1 thousand followers, and the tag that marks a romantic relationship between the two on Archive of Our Own has 1,651 fanfictions written (as of February 17, 2025). It is not unfair to assume that this pairing is popular within the fandom. This begs the question— how many people express hatred towards Calypso and her relationship with Leo Valdez because they would prefer a relationship between Leo and Jason? When scrolling through the Caleo tag on Tumblr, the Valgrace tag makes an impressive number of appearances. It is a common experience to see female characters hated in a movie, television show, book series, etc. because they “get in the way of” a ship between two men. It is a result of deeply rooted misogyny within fandom culture, which believes that male characters and relationships between men are inherently more complex than female characters and female relationships. This is not intended to be an absolute opinion, but instead a question that I ask every Valgrace shipper— are you holding female characters, specifically Calypso, to the same degree of morality that you hold the male characters? (Note: I do not intend to bash Valgrace or Valgrace shippers, but seeing the loud minority of them post Valgrace and anti-Calypso/anti-Caleo content under the Caleo tags is beyond frustrating. Ship and let ship!)

I believe I have addressed the reoccurring arguments in opposition to the ship between Calypso and Leo Valdez from Rick Riordan’s “Hero of Olympus” series, and those who incorrectly label Calypso as a mean, toxic, or abusive character. Greek Mythology does not allow for characters to be strictly “good” or “bad,” but instead allows readers to see the complexity of each action and its consequence. Though written for a younger audience, the same level of understanding must be given to the characters of the Riordanverse series.

(Please note, I am a 17 year old with limited experience with academic writing. Any constructive criticisms are welcomed, but I ask that you be considerate when disagreeing.)

[everythingwasnormalhere]

pls rb if you think cuddling doesn't have to be s3xual

im tryna prove a point to my bf's mother help me out

[starmonsterrr]

[ * GUESS WHO GOT A PHONE STYLUS............... so anyway I drew my beloved on ibis paint. tehe ]

[voidzphere]

horrorfresh blast

[teh-inggris]

no way youre telling the parkour civilization guy that 'parkour is not your thing anymore'. everyone point and laugh

And flat color just bc

[yeloenk]

BIRTHDAY ART FOR @shynetyme06 !!!! 😆😆🎉

drew their pj au hehehe

[b3nt-exe]

flippa?

[funtime29nm]

Posting some old human art (expect more soon)

Meow fuck out the way

[beclight]

hello.

@woofledog enjoys drawings of children and animals getting raped. they don't seem to find anything wrong with it either when confronted about it.

(update: link to doc https://www.tumblr.com/beclight/768522311032799232/here-is-a-full-beware-on-the-woofledog-situation?source=share )

it probably was already known before? i don't know. i had never seen a beware on their name on tumblr and was still following them on here, yet had them blocked on Twitter for quite some time already and forgot up until now when new info showed up.

anyways do what you please with that information. please be aware they are in the SparkleCare Hospital fandom and plan on being wayyy more active on tumblr and bluesky now since their cancellation on Twitter. we shall not let them come back. seek therapy or end it.

stay safe moots. dog and child fuckers k¥s.

"fictional characters doing something i don't like" and then it's child porn

[hem0mancy]

Thank you for defending shadowvanilla out there, I just stare at people who say that wild stuff in bewilderment (the comment you replied to under the post asking if the ships are problematic or not)

THANK YOU ANON 🫡

Shadowvanilla is such a fun ship and seeing people immediately shitting on it is so crazy to me

Like

1. All their points are bullshit and Shadow Milk was lying abt watching Vanilla as a kid (bc that's his whole shtick. Fucking idiots)

2. They're cookies who gives a shit

Basically do whatever you want forever because there's people dying ❤️ god bless America and our cookie porn

[viimsical]

what if I. . .. maud. maud gaunt? what a silly name

maud<3

[voidzphere]

mm2 screenshot unselfishly donated by @mewobrute go thank her now

[novella-november]

Here's a WIP list of my ideas for a full year of monthly writing events!

If you have any suggestions *please* feel free to send them in :D

Not everyone has free time to do a full 30k in November in particular, and the key of learning to write consistently...... is consistency!

Writing in earnest for just one month out of the year doesn't give you much practice, does it?

But 30k every single month can be exhausting an daunting!

So, here's my WIP proposal....

------

January [15k total / 500 each day]-- Public Domain-Day Dash -- On January 1st, pick a brand-new Public Domain work, read/study it for a week while brain storming, then spend the next three weeks writing 5k words to make by the end of the month a 15k word short story, adapting that PD Work into another genre / time period / etc. February [20k total / ~714 Each day ] -- Freedom February -- Black History Month. Each week, write 5,000 words each week celebrating freedom from tyranny in all its forms. March [9,300 total / 300 each day] -- Spring Equinox -- Each day, write 300 words based on the concepts of warmth, renewal, rebirth, changing of the guard, etc. April [8k total / ~285 per day] -- April Fools -- Each week, write 2k words of a comedy short story, to end the month with 8k words of comedy. May [6,200k total / 200 each day] -- International Workers Celebration -- Each day, write 200 words about a character in your line of work (or a nonfiction diary/article) and what you enjoy about it and how it keeps the world turning, or saving the world in some emergency, then take some time to relax, you've earned it! June [15k total / 500 each day] -- Pride Month -- write 500 words each day, either fictional or nonfictional, about queer history, pride, solidarity, or intersectionality. July [15.5k words total / 500 each day] -- Disability Pride Month -- Each day, write 500 words about your favorite genre, from the perspective of a disabled character (or a character with your own disabilities), and what kind of accommodations they use in their daily lives, without magically erasing their disability. August [15.5k words total / 500 each day]-- Alien August -- Aliens have invaded! Pick your favorite genre, and each day, write 500 words of that genre, with a plot that gets interrupted by an alien visitation! September [60-100 Pages / 2-3 each day] -- Scripting September -- Each day, write 2-3 script pages for an audio-drama, stage-play, or movie/tv show, to end the month with a 60 to 100 page script. October [20k total / 714 each day] -- Ominous October -- A choice of themes will be decided on before October, two options for each week, and everyone will write a 5k word short horror/spooky story each week, that all get posted on October 31st / Halloween

November -- Novella November [30k total / 1k each day]-- Write 1k words a day to reach 30k words by the end of the month. You can write a 30k word novella, use it as the start of a larger novel, write a series of short stories (such as writing a 7.5k word short story per week), etc. [30k total / 1k each day] December -- Don't Touch It December [6,200k total / 200 each day] -- this is your month of relaxation! Write just 200 words per day about anything you enjoyed / are proud of from the past year, and what you are looking forward to in the future! [6,200k total / 200 each day]

If you prefer to focus on just the longer challenges and spend the other months editing, we can also have mirror events each month for different ways of editing with community support!

Things like Beta reader swaps, doing cover mockups, localization help for those not writing in their first language, etc!

[tma-art-exchange]

HII!!!!!! HELLLO!!!!! DO YOU LIKE THE MAGNUS ARCHIVES AND MAKING ART/FANFICS??? WELL BOY OH BOY DO I HAVE THE THING FOR YOU

I am hosting a tma art exchange, the art being fanart or fanfics! (nothing else because this is my first time hosting an event and I want to keep it easy)

sign ups are from november 13-25 and will close at 10 pm cst! release week is january 12-18!

SIGN UPS

if you have any questions, shoot an ask either here or to @gregwithagh if it's super urgent