#<- Any writing i do and post here

[starinthegarden]

Intro post!!

hiya! Welcome to my blog that has no organisation whatsoever because it’s more chaotic than chaos <3

call me Garden or Star idrm!! my pronouns are She/her

and i’m a young-ish artist (who is still in school) and is basically the resident gremlin who lives in your walls. mutuals be warned :D

yes my pfp is a picrew

Asks

Asks are open for art requests, general chatting or literally anything

please do interact with me i do not mind what you put in my ask box (as long as it’s not NSFW ect.)

AU’S

Skylife AU (Sky: CoTL x Life series)

Different Games AU (an alternate reality of the usual shenanigans of the Life games)

UniverseAU (The Watchers are a group called the Universe and the Listeners are a group called the Stars, the Life Series is created because of their fighting)

MASTERPOSTS

none yet but i’ll do it eventually

TAGS WILL BE LISTED IN TAGS

[canonkiller]

but you can't keep holding on like this.

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[killlerfang1]

The Puerto Rican flag showing up when Rio snaps at Miles for getting a B in Spanish is such a fun little example of the incredible attention to detail in this movie

[gammija]

tiefling jon's first day at the Archives

[myokk]

clumsy

pairing: Sebastian Sallow x f!MC

word count: 9,1k

summary: sebastian is clumsy

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving)

a/n: or: two stubborn brats make things more difficult than they have to be. I've been working on this for a MONTH more or less, ever since I drew the sketch that inspired it🫶 (I'm the world's slowest writer)

The first time Sebastian Sallow interacted with her after the fateful events of their fifth year, he fell for her.

Quite literally.

Maybe fell on her is more aptly put - Sebastian Sallow is not one to mince his words or say what he doesn't mean, after all. But, in the years to come, he always insists that he fell in love in that moment.

It was inexplicable. One moment, he was walking around, perfectly content with his loveless, boring life, and the next, his every waking moment was painful. Nobody had ever told Sebastian that being in love would physically pain or consume him so.

It all started like this: one moment, he's walking (well, striding) to Crossed Wands. Fine, he's running. Running late already, for the first meet-up of his last year. But - he isn't to blame for being late. He needed to check on something in the library - during his Transfiguration lesson, he had a hunch about something Professor Weasley had said in passing, and of course he had to go and check to see if he was right before he could even think about besting Leander in the inaugural duel of the Crossed Wands season but now, with how late he is - how many minutes ago had it started? - oh, Merlin, it's already been ten whole minutes and what if they've started without him (not that he can blame them) and -

Sebastian is abruptly pulled out of his thoughts when he collides with a strange obstruction in his way. He was just checking his father's old pocket watch, had only looked away for a split second and he could have sworn that, unless he was mistaken (which he never is), there wasn't a statue in the middle of the suspension bridge. And yet, he has run headfirst into something or someone, and now they are both flying through the air, books whirling around them in a flurry of pages and Sebastian unconsciously puts his arms out to grab her before they hit the ground and now he's holding her tight against him and they land with a loud, ungraceful thud, but at least she's not hurt.

Sebastian shakes his head to clear it after the impact that - miraculously - doesn't seem to have been as bad as it could have been, all things considered, and -

He freezes.

What has he done?

He's pressed up against the most impossibly lovely person he has ever seen quite possibly in his life, holding her tightly in his arms as she glares up at him in indignation, a faint flush spreading across her cheeks, making her face glow. Is this what the muggles mean when they say that they were struck by Cupid's arrow? Her hands scrabble uselessly at his chest as she tries to extricate herself from his grip. It's useless. Sebastian is completely frozen in place as he stares down at her, and he can feel his own face heating up at his inability to get off her. What's wrong with him?

"Sebastian," she repeats, and this time her voice registers in his brain. He realizes she has been talking to him this whole time, and as he stares at her face without comprehending - he couldn't have a coherent thought right now even if he wanted to - he sees her eyes dart quickly down, looking at where their bodies meet before she brings them back to his face, a deeper blush coming over her. "You -"

Oh, Merlin. It's her. He blinks and it's like the fog has cleared from his mind - almost, but-not-quite - and he realizes who he has unceremoniously crashed to the ground with him. The spines of the textbooks they are lying on top of dig into the arm that's pinned under her body and his other hand...he realizes (to his almost-horror) that to any students or professors walking by, it would seem as if they were caught up in quite the scandalous extra-curricular activity because his other hand is actively caressing her breast. Well, that's how it would look to any passerby, anyways.

Because there is no way he would be caught dead in such a compromising position with her.

The two of them haven't spoken since the events of their fifth year - the Year-That-Shall-Not-Be-Remembered-or-Acknowledged - and he had been perfectly content with his plan to continue this strange sort of ignoring that they had played all last year. Both of them pretending that they hadn't become impossibly close after only knowing each other for a few months - a closeness that he had gone and ruined by not knowing when to quit. All he had known to do back then was push push push because why couldn't she see things the way he had? The betrayal he had felt when she had gone behind his back to find her own way to cure his sister, and that one stupid word uttered in the heat of the moment, had caused an irreparable rift in their relationship and he would not allow himself to think about how much he missed her. Still misses her.

Just like he will not think about the fact that she is pressed beneath him in a compromising position, her chest rising and falling rapidly as she glares up at him in indignation. He continues to stare at her. Maybe his mouth is agape. She's stopped trying to get out of his grip and is resting her hands on his chest, seemingly waiting for an opportunity to push him off of her.

"Sebastian. Your hand," she repeats. "You're -"

Finally his idiot brain decides to wake up and Sebastian realizes with horror just how aroused he is at the moment and how did he never see her like this before? He gets up in a flash, pushing her back against the pile of books they're lying on top of, wondering if he can subtly adjust his robes without her realizing and then he makes the very grave mistake of looking down at her and she's still very much red-faced, propping herself up by her elbows and she looks so disheveled and lovely lying on top of the pile of books.

His idiot brain has now woken up completely, and how is it possible for one hormonal, eighteen-year-old wizard to be so embarrassed? He knocked her to the ground, pushed her further back in the books in his desperate attempt to get away from her, and now all he can think about is how to hide his arousal. Shameful, really. Sebastian quickly crouches down to help her pick up all of the books but she shoves him away and glares at him with an annoyance that he's never seen before.

"I can do it myself, thank you very much," she says with a huff, gathering everything they spilled up into her arms. She grabs the book Sebastian is holding out of his hands and he inhales sharply at the touch of her fingers grazing his.

Did someone - Garreth, maybe - spike his pumpkin juice with Amortentia during lunch? It's the only explanation he can think of as he stares blankly down at her. How else would he find her so beautiful, so breathtaking, when the last time they had interacted, Ominis and Anne had had to act as intermediaries for the two of them?

"Well," she says finally, slinging her school bag over her shoulder once all of her books have been unceremoniously shoved inside of it, "it's been...nice seeing you again, Sallow. I hope you had a good summer holiday."

And with that, she quickly turns and walks away in the direction she had been coming from, leaving a very confused Sebastian behind. He watches her as she walks away and her long, swishing braid is the last thing he sees before the door closes behind her at the far end of the bridge.

Eventually, he gathers his wits and wanders away.

He does not go to the first Crossed Wands meeting that afternoon after all.

She has not had a full-night's sleep since he somehow cursed her mind and her thoughts a week ago, and she can feel herself slowly slipping into insanity. A curse is the only answer that makes sense, the only thing that gives a conceivable answer to all the wicked dreams she has been having since that moment, dreams that cause her to wake up sweaty and breathless and needing him in the middle of the night in a way she has never felt before. She has been an absolute mess, a disastrous version of her normally quite put-together self, and she is not happy about it.

He's sitting next to her now - they were partnered up by the evil Professor Onai in their first NEWT Divination class of the year - and she's holding herself rigidly, arms tight across her chest, in an attempt to not accidentally touch him. Lately, every single time they make fleeting eye contact across the table during breakfast, or when they pass each other in the hallways, a shiver runs down her spine at the unfamiliar look in his eyes and she has to avert her eyes before it's too much.

Divination has never been a favorite subject of hers - too impermeable for her tastes. She is only taking it at the NEWT level because, during her career counseling with Professor Ronen at the end of her fifth year, he had said that if she wanted to be an Unspeakable she couldn't just work with logic (a preposterous thought, but as a sixteen-year-old she hadn't seen any recourse in arguing with the Ministry's requirements). She supposedly needs to get comfortable with the intangible as well. It doesn't mean she has to enjoy it, though: she doesn't, and never will. The Divination classroom is dark and stuffy, tucked away in one of the highest towers of the castle, and the nauseating smell of incense always coats her nasal cavities long after the class has finished. She finds her thoughts getting muddled in the haze of candle smoke and swirling orbs on the shelves around her - magic somehow always feels thicker up here - and the presence of a certain someone whose knees keep brushing hers under the tiny table they're sharing, a certain someone who has - improbably, inconceivably, impossibly - hit a growth spurt that summer and now towers over her and had encompassed her completely when he knocked her to the ground, isn't helping her concentration at -

"This week, we are going to review everything we learned together last year," Professor Onai says, after the class had rearranged itself based on her instructions. Sebastian shoots a look at her as she shakes her head in an attempt to clear it and sits up straighter. She hopes that Onai's lecture will help her concentrate and clear her mind a bit. If she has something to focus on, to try and think of and remember, it will be better than him. Anything would be better than Sebastian. Onai gives an appraising look to each table before continuing her speech. "As your NEWTs are at the end of the year, we need to make sure you are as prepared as possible. Open your books to page two-hundred and thirty. Today we're going to review the art of palmistry. I should hope that you do not need the aid of your textbook to help interpret the lines in your partner's palm but in the case that you do -"

She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn't. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?

Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she wasn't going to let that happen this year, no matter how much her body rebelled against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.

"Well," she says archly, opening her book. She will not look at him. "I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook."

He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.

(Divination is unfortunately not interesting.)

Oh, fine.

"Do you want to start, or should I?"

These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn't she be able to talk to him?

"Here," she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. "Show me how it's done."

Her breath catches in her throat at the small, mischievous smirk he shoots to her before he bends over her hand and gently starts tracing the lines on her palm with the fingers of the hand that's not holding hers in place. His touch is feather-light and somehow soft, despite the roughness of his fingers as they drag over her palm. Every nerve in her body seems to have moved to wherever he touches and all of the bravado and anger she had just felt is quickly melting away. When she finally finds her voice, she hates how soft and breathy it sounds. She can't look away from the sight of his larger hands caressing hers.

"Well? What do you see? Do you remember the different lines? Because I -"

She falters. The murmurs of their classmates blend together in the background and the dim lights of the candles...the hazy, thick atmosphere and his proximity and the barely there touches of his rough fingertips on her sensitive palm are altogether too overwhelming and she needs to get out of there. She's supposed to be angry with him. Furious, even. Holding this grudge has been the only way she has been able to have any sort of power over him this past year, and yet...all she can think about at the moment are the sinful dreams she's been having lately where he presses her against a wall, desperately kissing her lips, her neck - even she knows that there has to be more to it - but what?

Sebastian blinks as she snatches her hand away like it's been burned and - oh, Merlin - she shoves the textbook back into her schoolbag and almost knocks the candle on the table over and wouldn't it be awful if she had started a fire? But she can't think about any of that now in her haste to just get out of the claustrophobic Divination tower.

Vaguely, she can hear Professor Onai asking her if everything is fine and she's not sure but she thinks she mumbles something about needing to go to the Hospital Wing - that's a good enough excuse to leave, isn't it? - but then she hears his voice, deep and cutting through the fog in her mind -

"Don't worry, I'll take her and make sure she gets there fine." A muffled response from their professor and then his voice, just as clear as before. "No, I don't know what happened..."

She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.

"Let go of me," she whispers, but there's no conviction in her voice as she gazes into his deep, brown eyes. He can tell she doesn't mean it and doesn't make any move to listen to her. Why can't she hold on to the rage? A muggle quote about anger floats through her mind: Holding on to anger is like drinking poison and expecting the other person to die. What a sweet poison her anger at Sebastian had been, while it lasted. She tries telling herself that he must still feel the same as the evening he had called her ignorant (ignoring the small voice in her head that reminded her of the letters of apology he had sent (that she had burned without reading), the times he had tried to get Anne or Ominis involved and apologize for him) - because why couldn't he just tell her himself? Maybe she had shut down any and all attempts he had made to repair the rift that he had caused in the first place, but she had been right to be so angry with him.

But oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.

"I," she hears him say, his voice so, so low, "haven't been able to think since last week."

That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.

She knows she's behaving wantonly, snogging Sebastian Sallow in the middle of the hallway where anyone could come across them, but third period has only just started and besides, she has had a week of restless nights being tortured by thoughts of him. A week of a few hours of sleep found here and there. Just one kiss should be enough to help her get over these strange feelings, right? She only feels like this because having him lie on top of her after he crashed into her - that satisfying weight of him - the friction of his thumb brushing against her nipple - had made her realize just how stupid she had been, holding this grudge against him for -

She whimpers in protest but it quickly turns into a moan as his mouth moves away from hers and down to her neck. He pulls at her tight collar desperately - she hears some seams ripping - to give him better access to it, and she finds herself arching her back and pushing her body closer to his as he nuzzles her neck with his nose before giving it open, sloppy kisses. When he hears her, he moves back to kissing her, greedily capturing every breathy moan that comes out of her mouth, but the noises coming from him are matching hers, and at the sound she feels an unfamiliar clenching deep in her stomach. Her fingers come up to his hair, going through the silky curls over and over - how are they as soft as his lips? - and he slowly pushes her back until she's sandwiched between his warm body and the cold stone of the wall behind her.

He lets out a low, frantic growl as a hand goes to grip the back of her head, holding her in place as he slants his mouth over hers. He tastes like cinnamon and...like something forbidden. What has gotten into her? She hates him, and yet...

They have abandoned any pretense of propriety - had they ever even been trying? - by this point. His tongue swipes across her lips and then she is completely lost to him, to every sensation of his mouth, and tongue, on hers. His large hands - the wicked hands that had been caressing her palm and had caused this whole mess in the first place - have moved to her waist and are pulling her even closer to him. When he pulls away briefly, she whines in protest, opening her eyes to glare at him. The sight of him, flushed and breathless, his eyes wide and pupils dilated - must match her own appearance because she sees the same hunger she feels in his eyes. She has never seen Sebastian Sallow so disheveled, but she finds she quite likes it and tugs on his curls with a whine. He obliges eagerly, bringing his mouth back to hers.

She's pressed as tightly against him as she can possibly be, and yet it still isn't enough. Her back arches once again, trying to find something, and then he slots one of his knees between her legs. She moans at the friction caused by his movements, can feel an unfamiliar slickness forming at the juncture between her legs, and this seems to spur him on further as his kisses get more desperate and sloppy. She moves against his leg, trying to relieve some of her discomfort, gasping into his mouth, when -

They freeze. Even if they are fully, completely, absorbed by...whatever this is, they can't ignore the strange, metallic clanking sound coming from their left. Sebastian pulls his head back from her slowly, reluctantly, breathing heavily, and looks over to see what the noise is. She wants to, but all of a sudden the horrifying reality of what they've been doing sinks in and oh god what if the noise is a person? Someone who has now seen her in what might possibly be the most mortifying moment of her life - desperately snogging Sebastian Sallow - and she finds she can't look over. She tucks her head into his neck to hide her face as she listens.

"I demand that you get away from her at once, you knave! Cease your attack!"

The voice sounds vaguely familiar, but she's certain that it doesn't belong to any of her classmates. He almost sounds...medieval, but -

"I made haste when I heard sounds of distress coming from down the hallway," the voice continues, "and it appears I have arrived not a moment too soon!"

She brings her head away from Sebastian's shoulder but still refuses to look over at whoever is speaking, instead choosing to stare at Sebastian's face. He's still deliciously flushed from their snogging, still breathing heavily, but now he looks terribly confused. His brows are furrowed, mouth opening and closing as he tries to come up with a response to the outrage currently being directed at him.

The unknown man is continuing his diatribe, almost not even stopping to breathe as he gets more and more worked up, and she hears some more clanking as he reaches a particularly exciting moment in his rant. Sebastian looks increasingly confused, but still shields her with his body, not moving away from her at all despite the accusations.

Her curiosity gets the better of her and she peeks over to see who it is.

The man who has been reprimanding Sebastian so boldly is none other than Sir Cadogan. Although she's never interacted with him directly, she often hears him yelling at his pony as she passes his portrait on her way to Divination. The knight is standing between two witches having tea, who are glaring at him quite angrily as he gesticulates wildly - every movement of his sword comes dangerously close to their display of cakes and sandwiches and it looks like he has already broken some plates. His armor is ill-fitting and loose on him, which explains the terrible noise.

"You rascally knave! I assure you that you do not want to find out what will happen to you if you do not unhand the fair maiden."

He brandishes his sword again, and the woman closest to him quickly snatches her tea cup away to save it from being broken as well. "Come now, Sir Cadogan," she says, exasperated. "Can't you see that these two are in love?"

The other woman joins her protests, nodding vigorously. "Yes, exactly that. Leave them be!"

"Nonsense," he exclaims. "I too have succumbed to my baser instincts on occasion and I can assure you that this is decidedly not what is occurring."

As Sir Cadogan continues to alternate between lecturing her and Sebastian, and directing his two attention to the ladies who are defending them, she looks back to the boy in question. Sebastian is looking down at her, a bemused smile on his lips and she feels a twinge in her chest. His face is still so close to hers that if she wants to, they could be snogging again with barely any effort and her eyes briefly flicker down to his tempting mouth before going back to his eyes, but...

What had gotten into her? What is she doing?

He had somehow managed to manipulate her again, because there is no way that this situation could have happened otherwise. All of a sudden, the anger she's been feeling for the past year and a half - that had left for a brief, blissful moment - surges again, and she pushes Sebastian away from her with as much force as she can muster. She almost feels bad as the happiness in his face turns to confusion, then frustration as he realizes she's getting away from him.

"Stay away from me," she hisses, picking up her discarded schoolbag from its spot on the ground. As she stalks down the hall, she can hear Sir Cadogan cheering on her bravery over the ringing in her ears.

She has a lot of thinking to do.

Sebastian Sallow's List of Priorities (in no particular order):

Figure out what the hell I'm going to do when I graduate;

Figure out how the hell I'm going to finish this bloody Charms essay before tomorrow; and

Figure out what the hell is going on between us

Sebastian sits in an undisturbed corner of the library - nobody ever comes to this table because it's tucked away between shelves of incredibly dense magical theory books - and is twirling his quill in his fingers, watching the ink splatter on the list he spent his precious time writing instead of the Charms essay he should be working on. He's far away from the first-years who like to congregate by the windows and watch the leaves fall softly to the ground rather than study for their classes. He's made especially sure that he is far, far away from her.

It's not his choice, mind you, but he needs to be a gentleman about these things. If she needs some time and space to figure out that she's as crazy for him as he is her, fine. But even Sebastian Sallow's patience runs thin, and he's not sure how much longer he can give her to come to her senses before he snaps and takes matters into his own hands. If things were up to him, the two of them would be sitting far too close together now in this secluded corner, and maybe he would need to put a hand over her mouth to ensure her complete silence as he runs a hand up her thigh.

Now that he knows what delicious sounds can come out of her mouth - sounds that he caused - he's been having a hard time concentrating on, well, anything. Sebastian surreptitiously glances across the library to where she's sitting and studying with his sister and Imelda. Ever since the events after their Divination class, Sir Cadogan has taken it upon himself to follow Sebastian around the halls of the castle, tripping through frames and disrupting their inhabitants as he lectures Sebastian on love. The tea party women had managed to convince the knight that he had disrupted an amorous exchange, and Sebastian fervently wishes they hadn't.

The whole school is abuzz with rumors about who it could be. Nobody has even come close so far with their guesses, but Anne and Imelda are having too much fun teasing him about it. Somehow, she has managed to avoid suspicion - he wonders how this is even possible, since she's never been able to hide what she's thinking. He makes eye contact with her - has she been staring at him this whole time? - and she flushes before looking over to Imelda, who's laughing too loudly at something Anne's just said. Sebastian can't tear his eyes away from her profile, his eyes following the curve of her eyebrow, the slight upturn of her lips as she smiles at her friends, her eyes as they dart back to him, her cheeks as she turns an even darker shade of red as she realizes he's still watching her. She tucks a lock of hair behind her ear, and rests her chin on her hand as she tries to look absorbed in what Anne is saying to her.

Sebastian wonders if she's thought about him as much as he's thought about her. Judging by how she had snogged him back, he's positive that she feels the same way, but then he remembers how she had looked at him before she fled, and he's not so sure. He sighs as he looks back to his list, bringing his quill back to the third item and ripping the paper as he crosses it out again. His mind has been going in circles since that moment and he doesn't know what to think. He slowly puts everything into his schoolbag before heading out of the library for yet another freezing cold shower that hopefully tempers his now-permanent state of arousal whenever she's around.

He doesn't notice her eyes following him as he walks out of the library.

He doesn't hear her hurried excuse to Anne and Imelda as she shoves her things into her bag and rushes to follow him.

He doesn't hear her light footsteps as she gets closer to him.

When she puts a hand out to touch his arm as he waits for the moving staircase to stop, with a soft, "Sebastian" accompanying it, he nearly jumps out of his skin. He was so absorbed with thoughts of her, that to see her standing at his side, closer than she had been since they kissed was almost his snapping point.

"Can we talk?" she asks, looking almost embarrassed as she avoids his eyes. She instead looks determinedly at his collar. He thinks she probably notices that he swallows nervously before acquiescing, but she says nothing as she turns and starts hurrying away from him without waiting to see if he follows her.

She must know that he would follow her anywhere at this point.

They weave through hallways - Sebastian vaguely wonders where exactly they're going - before reaching a little alcove, hidden by a suit of armor. She looks around before pulling him into it. It's almost curfew and the halls are never that busy when the weather is as beautiful as it has been these days - the end of September seems to be clinging on to the summer for as long as possible.

Her lips are on his before he can even ask her what she needed to talk with him about, hungry and desperate. Sebastian is too stunned to pull away - not that he would actually want to. Her arms wrap around his neck, keeping Sebastian close, slender fingers sliding through his hair.

"What," she says breathlessly between kisses - almost not even moving her mouth away from his enough to be able to enunciate properly, "are you doing to me? I haven't been able to think for the last month."

Sebastian smiles into her mouth, wondering if she knows that she's repeating the very thing he told her two weeks ago. Maybe she has been thinking of him all this time - he almost hopes that she's been suffering as much as he has. Instead of responding, he moves a hand to cup her jaw, deepening the kiss. His other hand moves to her waist, gripping it tightly, pulling her flush against his body and she gasps into his mouth. He slowly moves her closer to the window alcove behind them, snogging her senseless the whole time. She moans into his mouth which just spurs him on further - her skirt rides up to her hips as Sebastian trails a hand up her stockinged thigh and they both gasp when his hand reaches skin. Her skin is so, so soft and her breathing gets faster as he continues to caress her inner thigh, closer to the bend between her thigh and her center. Sebastian wonders if she's ever been touched there before by someone else and jealousy flares up inside of him at the thought.

In one swift move, he scoops her up and places her so that she's sitting on the window-ledge, the dusky light of the sunset illuminating her from behind and making her wispy flyaway hairs a golden halo around her. Sebastian's breath catches in his throat - has he ever seen anything so beautiful as her in that moment? - she's staring up at him, her fingers playing with the hair at the nape of his neck, her breathing shallow and anticipation in her eyes. "You're," he starts saying and his throat goes dry. He brings a hand up to tuck the errant lock of hair - the one she had tucked earlier in the library - behind her ear and she leans her head into his touch, closing her eyes briefly before looking up at him again with wide eyes. "You're perfect."

She smiles faintly and pulls his head back down towards hers and now she's brushing her lips against his, teasing him, before it's too much and he grips the back of her head, holding her in place as he crushes his mouth against hers in a bruising kiss. Her knees are on either side of his waist, and she desperately grinds her core against his throbbing erection and they both groan at the friction. Sebastian moves his hands down to her thighs again as he kisses her, slowly caressing his way up and pushing her skirt up further until it's completely bunched around her waist. She gasps into his mouth at his first tentative touch after he pushes aside her undergarments. Sebastian swipes a finger up her slit, through the slick that coats it, and then he starts circling her clit with slow, even strokes. She shivers against him - at his touch - clinging tightly to his shoulders and gasping into his mouth as he continues.

Every little noise coming out of her mouth, feeling how wet she is, how the slickness keeps growing growing growing makes Sebastian hungry for more - it isn't enough -

Slowly - so slowly - he wants to savor this moment - he lowers himself until he's kneeling between her legs and he looks up at her. Her face is deliciously flushed, all swollen lips and hair in a wild cloud around her face and all she can do is stare down at him. Her chest is heaving and she tries to close her legs - hide what is exposed to him - but he holds her thighs firmly in place on either side of his head. He turns his head and kisses her inner thigh, maintaining eye contact as he swipes his tongue across where he's just kissed, moving closer towards her slick center.

"Oh," she breathes, not-quite-a-word, not-quite-a-gasp, when his mouth reaches her center and hovers over it, lips slowly teasing her the way she had just teased him. Sebastian tentatively runs his tongue up her slit; the loud moan she lets out when he reaches her clit makes him stay there, applying light and not-so-light pressure in equal measure.

Her hands are scrabbling at his hair, digging into his scalp, ruining his earlier attempts to make it look presentable, hopefully attractive, for her these days. She's pushing his head deeper into the space between her legs, starting to rock herself slightly on his mouth, and Sebastian is happy to oblige. He eagerly laps up her slit, and the obscene wet noises as he continues combined with her whimpers and barely-spoken profanities "oh-yes-fuck-yes-there-please-" are making him hard beyond belief. He's straining against his trousers, begging to be let free. Without moving his face from her, he unbuttons his trousers and starts palming himself, using the slickness weeping out of the tip as lubrication.

She's abandoned all control at this point, grinding herself into his face as he laps her up, and it's driving him wild - knowing that he's doing this to her - causing her to be so undone. Normally she's so poised and aloof, never letting any real emotion flicker across her face, so to see her so desperate and needy and wanting him so -

Sebastian's gasping into her, tongue deep inside of her, "ohmygod" he hears her whisper, her hips driving into his face when she shudders and goes still, pulsing around the tongue that's deep inside of it. He slows down, smiling as he continues to run his tongue up her slit until she's responsive again. He kisses her inner thigh and hears her moan before getting up, caressing a finger down her love-struck face and leaning his head down to kiss her deeply. With his other hand he's still touching himself - the thought that she can taste herself on his tongue driving him crazy - and he starts rubbing its blunt head against her swollen clit. She takes it out of his hand- he groans at the feeling of her soft hands (the hands he had held a week ago in Divination and pictured doing this exact thing) tentatively caressing his length before she begins to slide it up and down her slit, coating it in her wetness.

Sebastian has surrendered all control to her - resting his hands on either side of her hips on the windowsill, tucking his head into the crook of her neck and thrusting with her movements as he loses himself in the sensation of sliding through her slick folds. He can feel his release building building building, and when he finally comes, all over her perfect, pink center, it feels like a finally.

Sebastian feels so, so heavy as he pulls his head away from her shoulder, as if he could fall into a blissful sleep right there, in the little window alcove where they've hidden themselves away. The sun has now set completely and they're in shadow as they stare at each other, the sound of their ragged breathing filling the tiny space.

"Sebastian, I..."

She's staring at him with an unfathomable expression on her face, still holding him in her hand, her other hand playing with the hair at the nape of his neck. They look down and he feels his face heat up even more at the mess he's made - he quickly pulls out his wand and cleans her up, before looking back at her, giving her a wry smile as he buttons up his pants and helps her off the ledge. "What did you want to talk to me about, again?"

She gives a slight shake of her head and looks away, but she can't hide the small smile that's growing on her face just like she can't help her eyes that keep wandering over to his. He knows the growing smile on his face matches hers - did that really just happen? She reaches over to lace her fingers through his as they walk around the suit of armor. "I - it's not important."

"Come on," he says, not being able to resist the opportunity to tease her - he's somehow managed to break through the barriers she's set up around her, and he's not about to let the opportunity slide. "Surely that's not what you had in mind when you..."

Sebastian trails off as he sees the expression in her face turn to one of horror - he didn't think his teasing was that bad, was it? - but she's also pulling her hand out of his like she's been burned and -

He follows her gaze, to where it's fixed at the end of the hallway and he knows that once again his face mimics hers. He will never live this down.

Standing at the end of the hallway and looking like two cats who've just found a huge dish of milk, are his sister and Imelda.

Misery.

Complete and utter misery are what she's feeling, if she has to put it into words, which she does. Writing things down always helps her out, helps her organize her thoughts into some sort of order. Except...this time around, it's not really helping. She can't seem to make any sense of her feelings for Sebastian.

She looks over the muddled mess of words she's written down - stream of consciousness, incomprehensible babble - and sighs. She's been dreaming of falling in love since she was a young girl - Jane Austen will do that to you - and can't believe that now that she's had her opportunity, it has to go and be with Sebastian Sallow. Because it has to be love, hasn't it?

There can be no other explanation for the painful way her stomach twists itself up whenever she catches a glimpse of him these days, the way he's consuming her every thought - even when she's dreaming she can't escape him. She can't get the sight of his tousled curls between her legs, his mischievous, warm brown eyes looking up at her as she had the most mind-numbing, toe-curling orgasm of her life - none of the times she's touched herself have ever come close to the sensations he managed to evoke.

Every time she's walking through the hallways between classes and hears his loud voice as he jokes with Garreth, or Ominis, about quidditch or Merlin-knows-what her eyes snap to his face as if he were the sun, and she a sunflower searching for its warmth. And he is most decidedly not the sun. He has the tendency to snort when he laughs, and he laughs too much, especially at his own jokes. Sometimes he talks while he eats. He always twirls his quill between his long fingers in the most annoying way, splattering ink onto any parchment unfortunate to be caught underneath. But he also...

He also always goes out of his way to prepare Ominis's Potions ingredients (why Ominis decided to take and was accepted into NEWT level is a mystery to everyone), occasionally stops to play a round of gobstones with Zenobia when he has the time. Sebastian can often be found in his favorite armchair in the Slytherin common room, resting his face on his hand as he idly flips through the pages of some book, looking altogether too handsome as he does so. And when he stretches and yawns at the end of every Arithmancy lesson - like he is now - his shirt lifts up a bit and she can see a tan sliver of his stomach and -

Snapping in front of her: she blinks and looks over: when she sees it's Imelda her face immediately turns beet red and she grabs the paper she's been doodling on and rips it to shreds as fast as she can.

"Are you fantasizing about a certain annoying someone?" Imelda asks with a wicked grin, dramatically looking over her shoulder at the certain someone in question. He's still stretching, blinking sleepily; when he notices the two girls watching him he flushes deeply. Her stomach twinges again at the sight of him noticing her - has he thought about her since that moment as much as she has? What would she do if he had? Or...if he hadn't? - and she focuses instead on the paper she is currently destroying.

"Imelda," she hisses, glaring at her best friend, "stop."

Imelda does not stop.

Imelda doesn't stop during their walk to Herbology, and she does not stop as they set up their planting stations, and she most certainly does not stop as they mutter charms over their plants.

Ever since she experienced the most wonderful moment in her whole life, followed by the most mortifying, Anne and Imelda have not stopped pestering her about it. They've finally solved the 'Sir Cadogan Puzzle' - I knew it was you all along, claims Anne - but if they truly knew what had happened between her and Sebastian, she's afraid the two of them would simply combust. She loves them dearly, but they never know when to stop, and they've been pushing and poking and prodding her for more information the whole week. She has managed to remain tight-lipped and, she hopes, mysterious about the whole thing, but she's getting tired of the teasing.

"Really," Anne says, wiping her forehead and leaving a trail of dirt behind, "if you would only talk to him, I would stop bothering you. Promise."

"Yes," chimes in Imelda, on her other side, wrestling the leaves of her own plant into submission. "You know, after we saw the two of you holding hands and looking at each other with stars in your eyes, I'm really starting to doubt that you hate him as much as you claim."

"Were the two of you snogging in secret all of last year too? Because, I'm starting to get annoyed thinking of all the times I had to talk to my brother for you because of your stubborn pride."

Does she still hate him? She certainly thinks she should, but then her thoughts get terribly confusing as she continues to think about him, and she realizes all of her old hatred has long since faded. Anne has forgiven her brother, Ominis has forgiven him, and all that remains is her.

They should talk, but she doesn't know what to say.

She's afraid that maybe the man she's been inventing in her mind this past month is simply a figment of her imagination - a fictitious being created by an accumulation of stolen glances when he doesn't know she's watching, someone who all of their classmates seem to like, someone who is very different from the fifteen-year-old boy she had that terrible argument with all that time ago. Maybe he doesn't actually exist.

She would be crushed if he's hiding the fact that he still holds on to that desperate darkness that had driven him to save Anne by any means necessary.

And so she keeps her space. She watches him from afar, feeling the hatred slowly melt off of her, falling more in love every day, but too cowardly to make the next move.

Anne and Imelda continue bantering on either side of her, not noticing - or, more likely, not caring - that she isn't participating.

Sebastian's hands are sweating. He wipes them on the inside of his robes as he glances at the girl next to him. She's holding herself rigidly, but she did this to herself, sitting next to him at dinner as she had.

Well, sitting next to him hadn't been completely her idea if he's being honest. He'd been having dinner with Anne, and the two of them were dying of laughter as she recounted seeing Duncan Hobhouse get tormented by Peeves earlier that day. One moment, Anne had been demonstrating what she had seen using her potatoes and green beans as props, and the next, a particularly evil grin had lit up her face as she pushed her plate away with gusto and jumped to her feet, calling her over.

"It would be such a shame for these potatoes to go to waste, seeing as I have a very important meeting to attend," Anne had said, after pushing her friend into the very tight space at Sebastian's side. "Never mind the mess, I can assure you I didn't actually eat the food..."

And with that, Anne had flounced away, Imelda on her arm, the two girls cackling to each other as they snuck wicked glances over their shoulders at the couple.

A couple who is now steadfastly avoiding each other and trying their hardest not to even brush elbows. Sebastian is altogether too aware of her presence, has been for the better part of a month, and his patience is dangerously close to snapping. He keeps getting maddeningly close to finally getting her to open up to him - had actually achieved it for a few blissful moments - just to have it be taken away again. It's almost embarrassing how many times he's thought about their encounter. She had been everything he'd been dreaming about and more - soft, responsive, just as desperate as him - so why has she been avoiding him so thoroughly?

Yes, he's caught her staring at him more times than he can count, with that same unfathomable expression she had before, almost dreamy - wistful - could it be love? But he knows that it's preposterous, wishful thinking on his part. If it were love - if she felt the same crazy, tumultuous emotions that he was feeling constantly - she wouldn't be so cold towards him. Even if she was staring at him more than ever before.

He doesn't notice as she slips a folded paper into the book sitting next to his plate, but he does notice that she sits next to him for barely five minutes, not even touching the food that Anne has so graciously left her, before she gets up and slips away without so much as speaking a single word to him, or even looking in his direction at all.

Sebastian's sitting in a nearly empty common room after curfew, flipping through his book as he normally does this time of day, when she sees him pause.

Although she's been waiting for this moment, watching him from the corner she's tucked herself away in, she feels ready to pass out from nerves. Her heart's ready to burst out of her chest as she watches him curiously pick up the letter she slipped in his book earlier, brow furrowed. She wrings her hands nervously as she watches him read the letter and flip over the page to see if there's more, and then he goes back to read it again from the beginning.

She wasn't expecting him to read it a second time, let alone a third time, still with an inscrutable expression on his face. Maybe she should have positioned herself closer so she could see every emotion flickering through his face as he reads - she's too far away to see anything and she curses her lack of foresight. If she moves now, he'll see her, and she doesn't even know what she was thinking when she wrote the letter, when she managed to convince Anne to help her get close to Sebastian earlier that night during supper, when she moved herself to sit in this corner just so she could watch him find and read the -

"Hello."

She nearly jumps out of her skin with a muffled shriek at the sound of his voice so close to her. Why does she feel almost guilty when she looks up at him? She's so, so afraid.

Emotions have never come easily to her. Showing them is something she's not sure will ever come naturally - Anne and Imelda can laugh and shout without a care in the world, but she always holds herself back. Hides a small part of herself away, that only she knows about. Baring herself completely to Sebastian in the letter she feverishly wrote the day before was like ripping out a part of her soul and giving it to him to keep. Once the words were written down, there was no way to take them back, not that she wants to.

But what if he rejects her?

Her eyes get hot and tears cloud her vision as she stares up at him, still wringing her hands together over and over, feeling like she's positively going to burst with the force of the emotions roiling around inside of her. Why did she think this would be a good idea?

Now he's kneeling in front of her, holding her hands in his bigger, rougher ones - reminiscent of that fateful day so long ago in Divination when he had flustered her so - and a thumb is gently wiping away the big, fat tears she didn't even realize were rolling down her cheeks and she lifts her face from watching their intertwined hands and gazes tremulously into his eyes.

They are so, so gentle and warm and full of love, but the emotions are still too much for her and she can't stop crying for some unfathomable reason, so the kiss they share is wet and lovely and full of incredulous laughter.

"I love you too," he whispers between kisses, over and over again, until the words almost lose meaning - but these words could never lose their meaning when they come from him.

  In the years to come, they always bicker about who was the first to say it. Sebastian says that writing doesn't count - that his words are the ones that decide who is the victor in this small argument - but she always just smiles at his insistence, knowing that he's kept her letter tucked inside whatever book he's reading since it first fell onto his lap.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[mattodore]

birthday boy 🎂

[hoshiina]

SOUSHIROU. 01  “i wouldn’t marry myself either” hoshina soushirou

Perhaps he had misheard you.

"What did you say?" he asked, wanting to hear what you said again.

"I'd marry you with paper rings," you said, absolutely certain.

It was definitely not the response he expected when he expressed his worries— his understanding of how you may feel.

"But," he started to say when you cut him off.

"But I would," you said. "Perhaps you think of my love as something so... grand? Something you don't seem to deserve?"

Hoshina stayed silent. While he had never thought it through, that was exactly how he felt. He could have everything in the world and he'd still feel too little for your love.

"I don't know. I'd love to know what you see in me, Soushirou. But I love you. My love is for you and you alone," you said. "I fear that's all there is to it. It's probably not as valuable as you expect... but it's all yours."

Oh, how wrong you were. That was precisely why it was so valuable. It was your love. Love from you. And here you were, telling him it was all for him. He didn't know how to react— he didn't know how to express such a grand happiness that washed over him.

"I'd do anything for you," he said, avoiding eye contact, and you gasped a little, but it surprised him too. He wasn't one to say such a line.

"But you wouldn't have to," you said. "Just tell me you love me every once in a while and I'm yours forever."

He turned to look up at you, eyes wide in slight disbelief almost, but the look on your face washed his worries away. Finally, a chuckle.

"I love you so much, you don't even know."

i was thinking about it and this is most likely inspo this fic by @/kazumist. been on the back of my head since yesterday absolutely gorgeous fic.

[beanghostprincess]

I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But.

But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.

Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.

Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But sometimes it does.

[ar-mage-ddon]

keykid dump

[multi-lefaiye]

not sure who might need to hear this or if it's just me that needs to, but i've had this thought for a bit and i wanna write it out

you are not a machine that exists to make art. you are a human being, and human beings need rest and breaks.

creative block happens. it's natural, and embracing it as part of the process is far better in the long run than stressing out over it.

we live in a world that emphasizes productivity above all else and needing to Make Something, but truly it is not the end of the world if you're not productive 24/7.

[godspeedmajortom]

I’m fascinated by how variations of Sea Power's “Want to Be Free (Remix)” provide a musical theme for death and endings that follows Harry and his foils throughout Disco Elysium.

The first place you hear it is as “The Field Autopsy” while inspecting the Hanged Man’s body. It's barely recognizable as the original song, though. It's sluggish and muddy and bilious. The piano melody has been lowered and sustained to an ominous funereal organ and combined with deep strings. A lilting viola line in the lush layers of the original "Want to Be Free" is isolated here and contrasts with the low organ, rising like the stench off a corpse. If you do the autopsy first thing as Kim suggests, Harry – freshly, grotesquely awakened from his apocalyptic bender – is not in a much better state than a corpse himself.

The music underscores a visceral scene of death and decay, our introduction to the Hanged Man, the first of Harry's foils. Both Harry and Lely are agents of state-sponsored violence as a cop and mercenary, respectively. They bear similar physical scars from the neglect of the systems they grew up in. They both desperately want to escape the horrorshow of their lives, using drugs and dark fantasies to cope with the terrible things they see and do but finding little more than self-destruction in the nihilism. The Bloated Corpse of a Drunk taking the Hanged Man's place in Harry's first night dream makes their connection explicit: you should be dead, Harry. This may as well have been you.

The next place you hear a variant of "Want to Be Free" is in the washerwoman's shack in the fishing village. “Live With Me” is wistful and melancholic. The gentle piano and cooing vocals evoke the wind and waves on the bay, an escape calling outside the salt-rimed shack. But this is a place of death, or at least its potential, as the return of the high viola from "The Field Autopsy" reminds us. This is where Ruby hid when Harry's arrival made her fear for her life, where she contemplated killing herself if things got even worse. This is where Harry can end up if no one vouches for him at the RCM tribunal finale, where his wounds will grow infected without medical care, where there is little left to do but return to drinking and wait to die.

But true to the song title, the shack also offers Harry the possibility of learning to with himself as he emerges from his bender. Here is a mirror free from the damage and trauma of attempting to destroy himself where he can reflect on who he was and who he wants to become. He can choose to keep or let go of his past coping/defense mechanisms like his facial hair and The Expression. He can choose to embrace or reject the self-defeating fantasy of fascism. The shack marks a midpoint of the game, when the hangover has worn off but before the case is closed. So "Live With Me" scores the balance between potential endings: abandonment or acceptance, relapse or recovery, death or life. Harry breathes in the sea air, breathes it back out, and takes another step.

I didn’t realize this until a recent replay, but “Live With Me” also plays when you visit the Working Class Woman to notify her of her husband’s death. Since this is an optional sidequest, I understand why they didn't create original music for it. But they didn't reuse "Rue de Saint-Gislaine", the song for the rest of the Capeside Apartments (including the Smoker on the Balcony's apartment when you talk to the Sunday Friend). The Working Class Husband is another mirror for Harry who has met his end, and "Live With Me" plays to mourn him.

Victor Méjean died from an accident while inebriated, a fate that also could have befallen Harry on a previous drinking binge. The striking thing about Victor's death is how easily he could have been overlooked and forgotten. He died at the end of a pier in a fenced off, abandoned part of town. His wife wasn't concerned about his days-long absence. It's only by virtue of Can Opening and Jamrock Shuffling that Harry will know about or find him. Victor literally and figuratively died slipping through the cracks – of the rotted boardwalk, yes, but also of any sort of social safety net. This is what happens to alcoholics in Revachol. This is what will happen to Harry if he continues drinking and hasn't built his own personal safety net with Kim or Cuno to prevent the RCM from abandoning him. As Harry informs Billie of her husband's death, it's only natural for him to think of his own possible endings, and the soundtrack reflects that.

The final version of the song you hear is “Burn, Baby, Burn” blasting from Sad FM on the boat ride to the Sea Fortress to find the Hanged Man's killer and Harry's last dark reflection: Dros, The Deserter. Dros shares Harry's penchant for clinging to political ideology to give meaning to his life and obsessing over women he can't be with. He lives in bitter isolation, refusing to move beyond the failures of the past, his personal shortcomings and the evils of the world alike. He's emblematic of yet another possible outcome for Harry: not literal death, but despair-induced stagnation that leaves one living like a ghost in the mortal realm.

By the time Harry gets in the boat to the island, his fate at the end of the game is set. The RCM (specifically Jean) has all they need to decide whether to accept or abandon their prodigal lieutenant-yefreitor. Should his former partners leave him, Harry can return to the shack and the circle of drunks who have also given up on life. Or he can return to the island, where he would take Dros' place as the creepy old man haunting the fortress, scaring children, and staring at the mainland with longing and resentment. But even if Harry returns with his unit to Jamrock, simply resuming his old life will not keep him from returning to the depths of despair. The RCM broke him; the RCM will not save him. Neither outcome helps Harry become a person he truly wants to live with.

"Want to be free/It will last forever/Eternally," croons the boombox on the boat. The lyrics echo the self destruction that Harry sought before the game's events: freedom forever from pain, the ultimate release of death. At least that's what the Ancient Reptilian Brain would see in those words. But there's tension in the lyrics as the desire for freedom and exhortations to "burn, baby, burn" repeat. The bridge offers an alternative vision of verdure not consumed by the disco inferno: "And the trees are green and overhanging/Feather-light, free, and everlasting." Perhaps a less moribund future exists for Harry, even if only in the next world, as a new person.

[ghostly-cabbage]

We need to talk about the worst thing about making AUs....

The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?

Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that

[kiyomitakada]

okay fuck it i went to a leonardo da vinci exhibit today and now i have a leonardo da vinci death note AU in my head because i am a parody of myself so you can fucking have it i guess what do i even do with this

light yagami: young genius polymath who is good at literally everything

unfortunately for him he is a foreigner in italia (his family immigrated) so the government is not letting him anywhere near their weaponry projects. instead he does art. yes light yagami painted the mona lisa no i do not take criticism i’m in too deep

his portraits are predictably amazing. smash hit. soon aristocracy from all over italy is contacting him to draw them and their mother. this means he doesnt even have time in the day to draw giant fuckoff warship designs anymore. what point is there to life, he sulks.

eventually he accepts a commission from one kyosuke higuchi! we’re italianizing him because i really don’t think this AU works otherwise but let’s call him higuchi anyway. higuchi is a fifty-something duke of something or other who has recently married one misa amane who is twenty-something (the same age as light). misa is the subject of the portrait because higuchi just loves his darling wife so much (read: they had a shotgun wedding and higuchi needs to keep up appearances)

light is like wow someone who isn’t white it’s been like five years. i kind of feel bad for her, this situation is very suspicious. hello miss amane if you’ll just sit down over there while i get my brushes

misa (seeing the first person who has been even remotely sympathetic to her absolutely horrific life, noticing he hasn’t tried to make any advances on her at all [this is a good thing]): I AM DRASTICALLY IN LOVE WITH YOU.

light: what

misa’s plan of seducing light predictably fails because he’s light, so she explains she has to get the fuck away from higuchi somehow

light is like okay well i am sorry to hear that but what does this have to do with me.

misa, tearing up: im a damsel in distress! also i can get you information about his court

light: whats his job

misa: financial advisor

light: oh fuck yes okay

so light’s plan is now to worm into the yotsuba court to get funding and hopefully sway them enough to let him pitch his cool weaponry ideas so he can Change The World. he does need income in general too (both for himself and his family; expected lifespan was way shorter then obviously).

misa’s plan is to kill higuchi somehow which will be much easier with light as backup she thinks

so. light packs up and moves to the yotsuba court which is thrilled to have THE light yagami portrait artist (i do more than portraits…) in their employ

oh yeah, misa mentions, the prince of the yotsuba court is kind of… weird

light: you could have told me this before

misa: ehe. dont worry about it!! it’s just um. he had a weird personality shift a few years ago? and now he refuses to wear royal attire. he always dresses like a peasant.

light: well it’s not like i’m going to be there to judge him on fashion am i.

THAT’S RIGHT. SIKE THIS IS AN ISEKAI NOW. yes L does remember light killing him <3 he (L) woke up in fifteenth century renaissance italy in a twenty-something-year-old body immediately after the heart attack. by some miracle he already knew italian.

so everything is going swell until one day light walks into his workshop to find the prince flipping through his notebook

light, sleep deprived: hey what the fu—i mean. uh. good morning your highness

there’s no need for that formality. call me L.

(…but your name doesn’t start with an L?) thank you, your highness L. um. sorry i know my handwriting’s messy.

on the contrary i find it completely readable, as long as one reads backwards and caesar shifts it three letters forward.

(oh SHIT he’s onto me) haha what are you talking about?

in fact i think this mechanical dragonfly contraption is rather ingenious.

oh aha that’s not important, just a passing fancy honestly

[ignoring him] if only you had some better way of providing torque, because as it stands the spring engine is extremely poorly designed.

what the fuck did you just say to me

[they end up physically fighting over the notebook because of course they do. meet cute!]

some more details:

ryuk is the patron light eventually gets after being in higuchi’s court for a bit

rem is higuchi’s personal assistant, who was disowned by her own royal-blooded family because her family sucks. she hates her job. if it weren’t for misa she’d probably be on the other side of the country by now

i don’t know where the wammy kids are. they’re definitely competing to be the heir to L’s throne but also they’re not related because there is no way that all the wammy kids (the whole orphanage of wammy kids) could have come from the same person. maybe some kind of insufferably high collar royal boarding school? did they even have those? help me

kiyomi and teru are both advisors in other courts (which are extremely corrupt, light seethes, in his perfect world there wont be any of those anymore) (you work for a court light) (thats different)

okay i’m done for today. you never know about tomorrow though. /threat.

[ @deathnotetober day 12: isekai ]