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#;; sharing memories of someone who had died but not understanding it
restrainedhungr · 7 months
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lowkey i really wanna do more with Briar's feral frenzy side
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lottieurl · 1 year
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won't share my passwords with anyone ever not even because of privacy and security concerns but because all my usual ones are so deeply embarrassing
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queer-ecopunk · 11 months
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So, I'm trans. And several years ago, I was at my great grandfather's funeral. 17, newly on T, barely out to anyone other than my close friends and family. And I'm standing there at the refreshment's table, surrounded by strangers and members of my family's church, when George walks up to me.
This man is ancient, bent like a finger and frail. Tufts of white hair surround his wrinkled face. Like always, he's wearing thick glasses, massive hearing aids, and his veteran's hat. George was my first introduction to the concept of war, when he told me as a child why he was missing two fingers on his hand. He's been a fixture at church since I can remember. I've only ever seen him at there or in uniform at parades, the rest of his time spent in a nursing home somewhere. He picks up a deviled egg and says, in his quiet voice,
"You know, before your grandfather died, he told me that now he had 3 grandsons."
I'm frozen in place. I don't know what to say to that, if I should say anything at all. This is not a conversation I expected to have, especially not with this man. But he continues.
"I didn't know what he meant! So he explained it to me."
And I can imagine it. My great grandfather, uninformed and opinionated but supportive, explaining to his friend the news he barely understood himself over after-service coffee and cookies. His eldest grandchild was now a boy.
"And, you know, I didn't know what to think."
Here, George looks me up and down. This 90-something year old war veteran, who knew me mostly as the little girl playing in the church kitchen with his wife, processing what my great grandfather had really meant. It feels like a long pause, even thought it probably passed in a second.
"But you look good. So, eh!"
And then he smiled, shrugged, and walked away without another word. If I was fine, if I was happier, then that's all that mattered.
George passed away this week, at the age of 99. This memory has been bouncing around in my head for a while, but I wasn't sure if or how I should share it. It was a conversation that meant very little, but also meant the world. It was scary, and funny, and the moment when I realized that sometimes the people you least expect will accept you. Sometimes, even if they don't fully understand, even if they barely know you, someone will choose to support you. And that will always matter.
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pigfacedbitch · 1 year
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Phobia
idea : your phobia relates to your boyfriend's gifted godly abilities.
word count : 0.8k
type : headcanons
pairing/s involved : Jason Grace / Percy Jackson / Leo Valdez / Frank Zhang / Nico Di Angelo x Reader
warning/s : phobia speaks for itself. personally, it's thalassophobia for me. 😓
here is my masterlist!
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Jason Grace | Acrophobia (Fear of Heights)
Due to having the same fear as his sister, Jason is completely aware of the dos and dont's when you're an acrophobic.
If you two are forced in situations where you need to be in high places, he always attempts to distract you with anything he can think of.
He prefers embarrassing stories over jokes. His delivery is too deadass and his 'i'm-trying-hard-here-it's-not-funny' look makes you laugh before the punchline.
Knowing that it can be associated with the fear of falling, Jason will reassure you every time that he's going to catch you.
If you did fall, during some battle for example, he will asks you to close your eyes and hold you tighter before slowly bringing you down.
He really lives up to that Superman nickname so much, the others started calling you Lois Lane.
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Percy Jackson | Thalassophobia (Fear of Deep Bodies of Water)
Percy would be bummed out. Being the son of Poseidon, he loves to be in the water.
Everything about him— from his favorite hobbies to his happiest of memories, revolves around it and he wants to share that with you.
He plans on taking you on trips underwater; introduce you to the majestic marine creatures nobody else has seen before, unravel mysteries the sea has to offer, and form a big bubble where you can do whatever you want without being interrupted (ehem👀).
But how can he make all of it possible when your fear is literally all of those?
Percy would want to help you get over it. He wouldn't force you but he will at least try convince you.
If you refuse, he will respect that.
But if you accept his help, he'll try to take it one step at a time. Probably by starting to show you how the sea, no matter terrifying it is, is also beautiful place.
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Leo Valdez | Pyrophobia (Fear of Fire)
Initially, Leo will laugh. I mean, who wouldn't?
You're a pyrophobic yet you're dating someone who is actually made out of fire?
After he notices that you're not joking, he will begin to be terrified for you. Expect that Leo will be extra careful when you are with him, especially when he is working on something.
His contraptions deemed too dangerous like explosives, will be kept somewhere far away.
As much as he thinks your presence will make Bunker 9 a lovelier workspace, he will understand if you don't want to go there. The essense of it is from the god of fire himself— I mean you need a blast of fire to enter.
He also will refrain himself from using his fire abilities in a fight, making do with his inventions instead.
While pyrophobia doesn't have specific causes, it may be possible that you had some traumatic experience relating to fire. Leo doesn't want to hurt you or make you feel worse.
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Frank Zhang | Zoophobia (Fear of Animals)
Frank is confused. He doesn't know that the fear of animals is a thing and would wonder why you agreed on dating him in the first place.
He will ask you tons of questions; what caused your phobia? Are you afraid of all animals, a few, or just one? What can I do? After your conversation, he's going to search more information.
If you're afraid of one animal only, Frank will forget it ever existed. He will never talk of that animal again even when you're not around.
The others will joke about it. Example, if you're scared of snakes—
"What is a snake, Frank?"
"What's that, Leo? I have no idea, so let's never speak of it again."
In the case that you're afraid of all animals (this is a rare condition), he will not use his abilities and will train harder in combat.
When he really doesn't have a choice but to shapeshift in a fight, you two will separate with your friends' assurance that they got your back.
Frank is a nice guy but if someone made an offensive comment about your phobia or hardcore pranks involving that animal? Expect the wrath and rage of Mars.
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Nico Di Angelo | Phasmophobia (Fear of Ghosts)
I'm sorry but Nico will slightly judge you. Really, a ghost? What are you, five?
Like Frank, he will ask you what caused your phobia.
He will feel terrible and comfort you if you have the same experience as Reina and Jason, who's loved ones turned into a mania. If it's because of horror movies, he will awkwardly pet your head.
You may think the subject is dropped but Nico will make sure that no ghost will ever come near you.
Having the infamous title 'Ghost King', he will not hesitate to torment and threaten the spirits who try to approach, scare, or talk to you.
He will take you on dates to McDonalds but he will not bring you to any 'ghost business'.
If you want to get rid of your phobia, Nico will summon ghosts who can entertain you; like singers, dancers, those that can do tricks, and stand up comedians.
He will also show you how easily he can bend any ghost to his will, proving to you that there's nothing to be afraid of.
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upsidedownwithsteve · 5 months
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A soulmate AU: Steve Harrington x fem!reader [3.7K]
THE TIMELINE
"There was something 'bout you that now I can't remember, It's the same damn thing that made my heart surrender. And I miss you on a train, I miss you in the morning, I never know what to think about. I think about you."
- About You By The 1975
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V. HAWKINS, INDIANA: 1988
Two years had passed since the last gate had closed and despite the aftermath of the “earthquakes,” Vecna had yet to make any sort of reappearance. 
Max’s bones healed, eventually, and she regained most of her sight, relying on thick lensed glasses when she grew tired or the words in her books turned blurry. Nancy went to college, Jonathan tried it for a year, Hopper took El on a month-long camping trip to see something other than the town repairing itself and Lucas went to therapy. 
Soon, each kid followed suit, attending sessions that eventually helped them sleep a little better because even though they couldn’t tell the person on the other side of the coffee table about monsters and the world under their feet, there had been enough death and suffering to fill the hour with regardless. 
Dustin told Steve he should go too and Robin agreed. After Eddie’s funeral, the one where they all stood with Wayne, a guy from the garage Eddie worked at on weekends and the remaining Hellfire members beside a small gravestone, they had another one. 
A second ceremony near the woods behind Eddie’s trailer, close to where he died, to where Dustin had found him bleeding and proud. The kids cried and Joyce held on tight to Will while Jonathan hugged Nancy and Dustin punched a tree trunk. It felt better than the first one, easier somehow, when they didn’t have to lie and hide the guilt they had at knowing each and every one of them felt a little shame in having a hand in someone’s else’s death. 
But it was closure. 
The town healed, roads were repaired, houses rebuilt, new flowers planted in the park in memory of those who had been lost in the accident - the natural disaster that made headlines, the one that no one could have predicted. 
Steve helped Dustin clean Eddie’s grave when the spray paint covered the dead boy’s name. Robin stopped crying when she looked in the mirror each morning. Jonathan left his room. 
The kids got better. They smiled more, went to the new arcade on opening day, shared slushies and rode their bikes around town again. Joyce visited Wayne when she could, took him pies and meatloaf and eventually got him out of his armchair and into a coffee shop for a full hour. Hopper got his job back, had a ceremony that preceded the funeral he had years before and Robin managed to get her and Steve a sweet gig at the record store that replaced Family Video. 
It felt fresh. New. Clean. 
So why was Steve still dreaming about gates?
For the third night in a row, he woke up gasping. A yell stuck in his throat that tasted like metal, like blood, and he was drenched. Shirtless, his sheets stuck to his chest, the weight of them tangled around his legs in a sickly familiar way, vines tugging at his ankles. His room was dark, the house empty, too quiet. Quiet enough that his breath ripped from his lungs in harsh pants, his head pounding from the exertion of running in his dream, back in a place that he hadn’t seen in almost twenty one months. 
At first, he dreamt of death. 
Of Eddie and how they found him lifeless and in Dustin’s arms. How Max was barely conscious in the attic of the Creel House, her body broken in ways that no doctor could understand. He dreamt of how he had pulled Lucas away from her, the boy sobbing and yelling, fighting with more strength than he knew he had as Steve tried to restrain him just enough for the paramedics to get Max into the ambulance. 
Then the dreams turned empty. He dreamt of losing everyone, Robin, Dustin, Hop. El was gone, Will too, Mike nowhere to be found. Nancy’s house was empty, Joyce and Jonathan didn’t exist and Steve sat alone in a town that turned grey, crumbling to dust until the vines came back and the clouds turned red. 
He ran miles every night, searching for his friends, his family. Woke up to shaking breaths and sore legs like he’d really sprinted across a town that was no longer home and each morning when the sun rose, he sat with a coffee and his bare legs dipped in the pool in his backyard. He stared at the water until the ripples blurred and wondered how long it would take for Barb to come haunt him too, if she’d reappear in his dreams despite the years that had gone by, if she’d come crawling back out of his pool like she used to, dripping wet and with no eyes. 
But Barb never came and he stopped dreaming of the kids, stopped hearing Lucas’ screams, stopped seeing Max in a hospital bed with blood coming from her eyes and eventually, one night, he dreamt of a gate that he’d never seen before. 
It didn’t even really look like a gate. 
Not the ones Steve knew. It wasn’t framed by dead vines, it didn’t pulsate, it didn’t have a red glow coming from its innards. This one didn’t look like rotting flesh, like a wound in the earth that couldn’t be healed. This one wasn’t at the bottom of a lake, lined with wet moss and cracked rocks, it wasn’t in the Munson trailer nor in the middle of the woods. 
This one opened on a blank wall in Steve’s bedroom, replacing the shelves where his old basketball trophies sat, where he usually left his pile of clothes before falling into bed. In the dream, it started as a crack, a crumbling of plaster and blue plaid wallpaper and Steve watched it open, a yawning thing that split the room and bathed it in light. It was too bright at first, like blinking into a summer sun. And once the white-hot of it cleared from Steve’s eyes, he saw blue skies and he could smell the ocean. 
There were trees he’d never seen before in real life, something out of a movie, tall and green and narrow as they swayed in a breeze he couldn’t really feel from his spot on his bedroom carpet. The buildings were a pinky-peach colour, like clay, with orange slate tiles and there were foundations and statues carved into the walls, water trickling from the mouths of gods and vases that stone faced women held in their marble arms. 
It was like looking at a painting, a canvas between his bed and his old desk, framed with olive branches and large, red fruits that protruded from the gates mouth. 
Pomegranates. 
Steve could smell them, a sweetness that mixed with the ocean air, a kind of freshness that you couldn’t find between the fields and farms that surrounded Hawkins. In the dream, he wanted to move closer but found that he couldn’t, his eyes wide and his bare feet rooted to the spot as he stared at the scene. It felt like a memory the more he looked, the buildings becoming familiar, a baby blue door that looked like somewhere he’d once owned the keys to and the cobbled streets became a well walked way home. 
Then, as if he weren’t supposed to really see it, he spotted something move in an upstairs window. Two houses from the front of the gate, with rusted shutters and white linen curtains, he saw a girl stand between them. 
A pretty girl, with eyes he knew he’d seen before, in a white dress that he was sure he remembered the feeling of. 
The sight of her made Steve’s heart hammer, the dream making him dizzy, the realisation that he knew that girl making the line between unconsciousness and reality a little blurry. He didn’t know her name, or where he knew her from. He didn’t even know where he was looking or why the gate was there. 
But he stared and stared until the girls eyes met his and before he could lift his hand, or even try to speak, there was a crack that seemingly came from the sky - the one above Hawkins or the one inside the gate, he didn’t know - but something flashed, the gate went dark and the rip in his bedroom wall stitched itself back up. 
He woke up feeling like he’d remembered and forgotten something all at once. Like a book he’d read back in middle school, a photo he’d once misplaced, a song he hadn’t heard in years but still remebered some of the words too. 
He knew her. He knew her. 
Steve thought about the girl so much, so often, that it didn’t take him long to think of her, to refer to her, as you. You were someone he’d once known, from a memory or another dream, he wasn't sure. It was the same feeling as watching a movie and seeing a pretty actress on screen, in a different outfit with different hair but knowing her face and wondering what show he’d seen her in before. 
Except with this, there was an aching want that buried itself in his chest at the sight of you, an awful feeling that grew larger each night. And every time his wall cracked open again, it seemed like his ribs did too. A crushing feeling, a yawning expanse inside his body that made room for the way his heart seemed to grow and grow at the sight of you. 
Yearning, that’s what he thought it was. A slow, burning build of it. 
The second night, he dreamt of you in a garden. A sprawling, green lawn with a pond so green-blue it made his eyes hurt. There was an awning beside it, a pergola of sorts made of white stone and it had ivy growing between the pillars, covering the roof and reaching down to trail its flowers in the water below. You were closer than before, than you were in the window, and Steve could see the way your lashes hit your cheeks as you looked down, stitching something that you held in your lap. 
There was a wicker basket beside you, a loaf of fresh bread wrapped in a cloth and he could still smell pomegranates, sweet and tart. There was a space beside you on the blanket, enough room for two but no one else came. 
You were always alone. 
Steve tried to talk to you, to reach out and see if this gate worked like the others, if he could walk through into this other world, this other dimension, but it didn’t work. 
Not yet, anyway. 
You seemed to notice him more on the fifth night, as he watched you walk along the edge of a lake. Your hair was shorter now and your clothes had changed. They look more modern, more like his, the cabins behind you reminiscent of a summer camp, a holiday lodge or something. He could hear music, a song he swore he heard on the radio not too long ago and that night, you watched him back. 
It seemed like you were waiting for someone. And when Steve saw your face light up with a smile, his heart stumbled. You raised your arm, reaching out a hand to the edge of the gate, off to the side as if someone else was in Steve’s walls. He saw another hand reach for yours, larger, definitely male, with a freckle where the thumb joined the palm. 
The jealousy he felt was unmatched, a burning thing that scorched his chest and his throat, hot needles at the back of his mouth. Before the man came into view, the crack in his wall trembled and the gate stitched itself closed once more, leaving plaster dust and flakes of paint on his carpet. 
Apart from the small mess, no one would have ever guessed another world opened up inside of Steve Harrington’s bedroom each night. 
It took him a week and half to notice his hand had a freckle in the same spot. A small beauty mark he’d never really paid attention to before, painted in the space that joined his thumb to his hand. He tried not to read too much into it, tried not to hold onto the hope that maybe it meant something - because none of this made sense, not really. 
They were just dreams. Strange things, brain scrambling things. But it was a welcome reprieve from death and darkness and vines that held onto him too tight. He no longer woke up in a cold sweat, he no longer wished for morning to come, no matter how tired he felt when he opened his eyes. 
Steve wondered if anyone else was experiencing these kinds of dreams. If the rest of the party were getting glimpses of other worlds, other timelines. He wasn’t sure what they were, too scared to ask, too afraid to make everyone else worry. The thought that these dreams could be a trick crossed his mind more than once, a new tactic from Vecna, an infiltration of his sleep that was meant to lull him into some kind of false sense of security. 
Safety - an unknown feeling. 
But everyone else spent their days talking about school and their new bosses, the fair that was coming to town to celebrate the town hall finally being rebuilt. No one mentioned Vecna or dreams or gates or girls they knew from somewhere they couldn’t place. 
So Steve accepted the fact that whatever these dreams were - whatever they meant - they were just for him. Which meant that you were his too. 
Weeks went by with Steve viewing you from the split in his wall, sometimes hearing music, sometimes hearing your muffled voice. Never real words, never loud enough to hear and it didn’t seem like you could hear him either. But Steve watched, enraptured, following you around different parts of the world, new countries and scenes that he could never really place but, oh my god, each one felt like home with you in it. 
Then one night, he saw himself. 
He felt the surge of panic flood him even in his sleep, his body jolting against his bed as he saw the familiar face, staring back at him, nonplussed. He looked a little different, maybe older. His hair was shorter at the back, cropped closer to the nape of his neck but the biggest difference was how happy he looked. 
This Steve, the one in his dream, inside this gate - this Steve from another time, another life - he looked lighter. He didn’t have purple smudges under his eyes, no deep lines settling across his forehead from frowning so much. His clothes were different too, looser, less fitting, the colours more muted. He wore a pair of jeans that looked much more comfortable than his tight Levi’s, a soft burgundy sweater that had the sleeves rolled up. 
Steve didn’t recognise where this dream took place, but he knew it wasn’t Hawkins. America, yeah, the street signs and licence plates on the cars in the street giving that detail away, but he wasn’t too sure where. The buildings were bigger, shinier, more glass than brick but the skies were still blue and it looked peaceful, warm. 
Safe. 
Dream Steve strolled down the sidewalk with his hands in his pockets, looking back over his shoulder every now and then as if to make sure the real Steve was following him. He walked past storefronts and stopped to pet a dog, a golden retriever who was waiting for his owner outside of a bakery. When he came to a bookstore, Steve could see a large building in the distance, a huge billboard atop it that looked like it was advertising a new movie, or a show maybe. It didn’t have much details on it, no actors nor dates to tell what year this was supposed to be. 
Certainly not 1988. 
It only had lettering across it, big and bold and red against a pristine white background: “ANOTHER LIFE.”
The bell to the bookstore jingled and then Steve saw you. As pretty as you had been in every other gate, every other world, every other lifetime. Like a figurine inside a snow globe, like something from a fairytale. Steve had never seen you this close before. 
He watched your smile, the way it widened at the sight of his counterpart, this other version of him. You were so pretty that his breath got caught in his lungs, his sleeping body kicking out in shock when you lunged at the dream version of him, throwing your arms around his shoulders in greeting. 
Steve watched the two figures embrace on the street, he watched how this luckier man got to bring his hand to your cheek and hold to there to kiss, how his lips - Steve’s own lips - met your own and parted them, mouths melting together in something that was so much more than a quick hello. 
Steve didn’t have it in him to feel jealous then. He wasn’t sure if he was supposed to. He watched the hand that held your jaw, the thumb that caressed your cheekbone as you grinned into him, your own hands clutching his waist now. There was a freckle, the same as the one he had on his own hand, in the matching spot on yours. This Steve took that hand and kissed that very mark, smacking kisses across your palm and up your wrist until you were laughing, head thrown back, eyes bright. 
Steve hadn’t seen anything so happy. 
He woke up before the dream finished, before the gate closed. Steve woke up with tears stinging at the corners of his eyes, his vision blurry in the navy gloom of his bedroom. It wasn’t yet morning. There was no gate on his bedroom fall, no new city between the plaid striped wallpaper. 
He thought it could’ve been Chicago, maybe New York. Perhaps Philadelphia. 
He wondered if he left and went looking for that bookstore, that street, that billboard, he’d find you too. If he was supposed to, if you were real, if this life was all he was supposed to get. 
Something told him otherwise, that open crack inside his chest that made him ache for hours after he awoke. He never forgot about you during the day, each life he’d watched you live, how you had grown your hair out and then cut it, how you seemed to change your clothing depending on where you were, from old petticoats to jeans and shirts with logos on them he’d never seen before. 
Steve felt like he’d lived a thousand lives with you. 
He wasn’t sure what he had to do to get you in this one. 
After two weeks of dreaming of this life with you, one that he was so sure would happen, he spoke to Joyce. He waited until the kids dragged Hopper out into the yard to help them with some sort of rocket they wanted to make and he found her in the kitchen. It was the closest kind of feeling he had to home - bar from the sight of you, but he wasn’t really sure if that counted when he was asleep. 
So he tried to sound casual when he leaned over the Byers kitchen counter, elbows avoiding the jelly stains that Mike had left after making a sandwich, and asked, “hey, uh, do you believe in soulmates?”
Joyce blinked at him, flour and butter between her fingers as she tried to turn the page in her recipe book back to the instructions for apple pie. The book flopped shut when she let go, her hands reaching for a rag instead. Her eyes never left Steve’s. 
“Uh, well. I guess so,” she paused, head tilted to the side as she watched the younger man, how his cheeks turned pink and his gaze fell to the floor. “I haven’t thought about it all that much. Why’d you ask?”
Steve didn’t know what to say then. So he floundered, flushed in the face and nose scrunched as he ran his fingers through his hair too harshly, hoping that no one else walked in. What was he supposed to say? That he was dreaming of gates in his bedroom walls? But it was okay? ‘Cause these ones didn’t have monsters or creatures set out to kill him, no, these gates held something that he thought he’d once had, that they held something he was so sure he was supposed ot have again?
Maybe, just not in this life.
Maybe, this time, something was broken. Wires were crossed, cut, unravelled. Maybe the upside down messed up a timeline, maybe it ripped apart whatever plan it had originally laid out for Steve Harrington. 
He didn’t know. But he knew it sounded crazy, even in his head.
So he shrugged and said, “no reason.”
And then that night, after Joyce gave him funny looks over the dinner she served him and the rest of his friends, the kitchen table full, he went home and lay on his bed, hardly bothering to pull the sheets over his bare chest.
He counted his breaths, hoped for sleep and wished for you.
Like always, his room grew darker, his lids heavier and the crack in his bedroom wall crumbled and split until the dust settled and he saw your face. You were alone this time, pretty as ever and in the same looking city he’d last seen himself in. The skies were blue behind you, the buildings still tall and shiny looking, all glass window panes and metal framework. If he concentrated enough, he could smell summer.
Hot tarmac and sunscreen, fresh fruit from one of the stores behind you, tart lemons and freshly ground coffee. 
You were looking right at him and even in his sleep, Steve smiled. Your eyes were pretty, too pretty, the colour bright and your gaze excited as you gazed at him. Like you’d been waiting. You held out a hand, coaxing, kind, soft, patient. And for the first time, when Steve reached out too, his hand slipped through the gate. 
He was right, about the season, about it being summer. The air inside this world was warm on his skin, like the sun was on him despite being sprawled out in the blue gloom of his dark bedroom. It felt like a July morning, right before the heat hit. 
He was almost touching your fingers when he woke up alone again.
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virgoilluminati · 2 months
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Jude and Y/N going to a wedding - maybe Jude is her plus one and they're all over them because he's famous and he's just so in love with Y/N that he doesn't notice 🤭❣️
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Numero uno
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Inspo: Set in the World Class series, y/n's older brother Rowan decides to finally tie the knot with his girlfriend Rosemary. In turn, Y/N invites Jude as her plus one. Little did she know that inviting her boyfriend who almost won the euro's would cause such a stir.
You hated weddings. You hated the formality, the expectations, the grand declarations of love. How could anyone promise to love someone forever when life was so unpredictable, so fragile? People fell out of love, people changed, and worst of all, people died. You had seen it firsthand and the pain it caused.
The memory of Noah, your eldest brother, loomed large in your mind. He had been the glue that held their family together, his laughter and warmth filling every room he entered. But in 2020, a tragic accident had taken him from them, leaving a gaping hole that time could never fully heal. Rowan had been especially close to Noah, and you knew that today, more than ever, he would be feeling that absence acutely.
Yet, this wedding was different. Your older brother Rowan, who had been with his girlfriend Rosemary for as long as you could remember, had finally proposed. Rowan and Rosemary’s relationship had weathered many storms, and their love had only grown stronger. It was a day of joy and celebration, something you couldn’t deny them, despite your own reservations.
You stood in front of the mirror in your hotel room, your hands trembling slightly as you tried to zip up your dress. The gown was a stunning mix of red and black satin, elegant and bold, but the zipper seemed to have a mind of its own. You struggled with it for a moment, your thoughts drifting back to all the times Noah had teased you about your dramatic views on love and marriage. He would have laughed at you today, seeing you all dressed up and ready to support Rowan.
A soft knock on the door pulled you from her reverie. “Y/N, are you okay in there?” Jude’s voice, warm and concerned, came through the door.
“Yeah, I’m fine,” you called back, though your voice wavered slightly. “Just having a bit of trouble with this zipper.”
Jude entered the room, his presence instantly calming you. He looked impeccable in his tailored suit, every bit the professional athlete who had just come off an incredible performance at the 2024 Men’s Euros. But here, in this moment, he was just Jude, the man who had captured your heart.
“Let me help,” he offered, moving behind you. His fingers brushed lightly against your bare back as he took hold of the zipper, sending a shiver down your spine. He slowly pulled the zipper upwards, your eyes meeting in the mirror.
“You look beautiful,” he whispered, his voice husky with admiration.
Your breath hitched, a blush creeping up your neck. “Thank you,” you replied softly.
As his fingers lingered on your back, you thought again of Noah. The thought of him brought a pang of sadness that you couldn’t shake.
“Y/N,” Jude’s voice pulled her back to the present. “You okay?”
You nodded, forcing a smile. “Yeah, just… thinking about Noah. He should be here.”
Jude’s eyes softened with understanding. “I know. He would have loved this.” He leaned in, pressing a soft kiss to your temple. “But you’re here, and that’s what matters to Rowan."
You nodded, drawing strength from Jude’s presence. “You’re right. Thank you.”
He smiled, his eyes filled with love. “Always.”
You turned to face him fully, your hands resting on his chest. “You look pretty good yourself,” you teased, your voice trembling slightly.
Jude grinned, his eyes darkening with desire. “Well, I have to look my best if I’m going to keep up with you.”
You shared a brief, passionate kiss, the intensity of your love wrapping around you. When you finally pulled apart, breathless and flushed, you felt a thrill of excitement. Despite the sadness, despite your doubts, this day held a promise of happiness and love.
“We should get downstairs,” you said, though your voice lacked conviction.
Jude stole one more quick kiss. “Yeah, we should,” he agreed, but his eyes told her he was in no rush. You steal one last kiss, before Jude gestures an arm for you to take and you slowly make their way down the stairs.
You and Jude arrived at the wedding reception, a beautifully decorated hall filled with flowers and twinkling lights. The soft murmur of conversations and the clinking of glasses created a warm, celebratory atmosphere. You found a quiet corner near the entrance, waiting for the rest of your family to arrive.
You fidgeted with the strap of your bra, trying to adjust it discreetly. Jude noticed your discomfort and stepped in front of you, shielding you from view.
"Need some help?" he asked softly, his voice filled with concern.
"Just trying to fix this strap," you whispered back, your fingers fumbling with the fabric.
Jude placed his hands gently on your shoulders, his body acting as a shield while you adjusted your strap. He kept glancing down at you, his eyes filled with a mixture of amusement and admiration.
"Is something wrong?" You asked, noticing his intense gaze.
Jude's lips curled into a small smile. "No, nothing's wrong. It's just... you look really hot right now."
Your cheeks flushed with a mix of embarrassment and pleasure. "Thanks," you said, your voice barely above a whisper.
Jude's hand slid from your shoulder to your waist, pulling you closer. "Seriously, you’re making it very hard to focus on anything else," he murmured, his breath warm against your ear. His other hand rested briefly on your ass, giving a gentle squeeze before moving away as he heard footsteps approaching.
Your heart raced, the heat between you two intensifying. "Who says you have to?" You whispered back, your fingers curling into his shirt, pulling him even closer.
Jude's eyes darkened, his other hand drifting down to your hip, fingers lightly grazing the fabric of your dress. His lips found your neck, planting soft, teasing kisses along your skin. Your eyes fluttered shut, a soft gasp escaping your lips. His touch was intoxicating, and for a moment, you were lost in your own world.
"You're driving me crazy," Jude whispered against your skin, his voice husky.
Your breath hitched as his hand trailed up your back, lingering at the nape of your neck. "Good," she managed to say, your voice shaking with desire.
Jude pulled back slightly, his eyes locked onto yours, filled with a mix of lust and affection. "If we weren't at your brother's wedding..."
You smiled, your heart pounding in your chest. "I know."
Your moment was intense, the world around you fading as you both focused solely on each other. Jude's thumb brushed against your jawline, his touch sending shivers down your spine. Before you could get further lost in each other, the sound of approaching footsteps and voices broke their intimate bubble. You reluctantly pulled apart, your connection still palpable, and turned to face the incoming relatives.
As you and Jude were still adjusting from your intimate moment, Aunt Karen approached with her warm smile, her eyes flickering with a hint of curiosity. "Y/N, darling! It’s so good to see you!" she exclaimed, pulling you into a hug. Then she turned to Jude, her eyes twinkling with familiarity. "And Jude, always a pleasure. How’s everything going?"
Jude smiled, his gaze locking onto yours, a silent message passing between you two. "Good to see you, Aunt Karen," he replied smoothly, but there was a heat in his eyes that made Your breath catch.
You gave a distracted smile, your attention drifting back to the way Jude’s tuxedo fit him perfectly, accentuating the strong lines of his body. Your heart skipped a beat, the memory of their earlier closeness still tingling on your skin. You could feel the warmth of his touch lingering, and despite the ongoing conversation, all you could think about was how impossibly handsome he looked tonight.
Your Grandma appeared next, her eyes sharp yet affectionate as she took in the sight of you two. "Well, if it isn’t my favorite couple," she said with a teasing lilt in her voice, her gaze lingering on the space between you. "I must say, Jude, you’re looking dashing tonight."
Jude's smile widened, but his hand subtly brushed against You, sending a thrill up her spine. "Thank you. It’s great to see you," he responded, though his attention never fully left you.
Your gaze lingered on Jude, your thoughts clouded with admiration and something deeper, something that made your heart race. Your Grandma’s words barely registered as she continued, “And how was the Euro final? We were all glued to the TV, cheering for you!”
Your Uncle Michael joined the conversation, his face lit up with excitement. "We were screaming the house down! Me and the lads from the pub couldn’t believe it when you scored that winning goal. Everyone was talking about it!”
You shifted uncomfortably. The praise directed at Jude felt overwhelming, especially as your own achievements were being overshadowed. They each forgot the Women’s World Cup again, with the conversation seemingly revolved solely around Jude’s Euro final. You bit your lip, focusing on Jude’s sleek, tailored tux instead of voicing your frustration, but the intensity of your feelings were hard to ignore.
Another relative, Cousin Lisa, chimed in enthusiastically, “Honestly, Jude, you were phenomenal. The whole neighborhood was talking about it. I think they’re still raving about it!”
Jude’s eyes shifted to you, noticing your distant expression. He could sense your discomfort, the subtle tension between you growing as he decided to address it with a hint of humor. “Well, I don’t know. What do you think, Y/N?” he asked, his voice low and teasing as he glanced at you with a playful smirk.
Uncle Michael raised an eyebrow, puzzled. “What would she know? She’s not the one who made it to the final.”
Jude chuckled, his gaze never leaving you. “Actually, I think Y/N has a pretty good perspective. She didn’t just make it to the final—she won the whole Women’s World Cup,” he said, his voice carrying a mix of pride and admiration.
The room fell silent for a moment, and you felt a surge of pride and attraction. The way Jude acknowledged your achievements made your heart race, adding to the growing warmth between you. You glanced up at him, your eyes meeting his with a newfound intensity, the air between you tao crackling with unspoken desire.
"Well, congratulations to both of you," Aunt Karen said, her voice sincere. "You both have so much to be proud of."
You managed a smile, though your attention remained focused on Jude. His presence, the way he spoke up for you, and the genuine admiration in his eyes made your heart swell with affection, and something more—a hunger that you couldn’t quite quell.
As the relatives continued to chat and praise Jude, you found it difficult to pull your gaze away from him. His tuxedo, his confident demeanor, and his unwavering support for you in front of everyone only amplified your attraction to him. It was a reminder of why you were so drawn to him, beyond the accolades and the excitement of the evening.
Amid the chatter, you reached out and took Jude’s hand under the table, your fingers lacing with his. You squeezed it gently, your touch lingering. "Thanks for standing up for me," you whispered, your voice thick with emotion.
Jude’s eyes softened as he looked at you, his thumb brushing against your hand in a slow, deliberate caress. "Anytime," he replied, his voice low and reassuring, filled with a promise of more.
As you continued to mingle, the focus gradually shifted back to the others, but your thoughts were miles away, lost in the way Jude’s touch made you feel. There was a contentment in knowing that despite the overshadowing praise, you had Jude by your side.
As you and Jude settled into your seats in the church, the soft murmur of guests filled the air, blending with the gentle strains of the prelude music. Your attention was immediately drawn to Isabella, your six-year-old niece, who stood near the front with the other bridesmaids. Isabella, or Bella as the family fondly called her, looked absolutely adorable in her tiny ivory dress, a crown of flowers delicately perched atop her bouncy curls.
Your face lit up as she leaned forward, unable to contain her excitement. “Bella, you look like an absolute princess!” You gushed, your eyes twinkling with pride.
Bella smiled brightly, her cheeks flushing with happiness. She gave a little twirl, letting the layers of her dress float around her. “Thank you, Aunty Y/N! Do you really like it?” she asked, her voice full of hope.
“I love it,” You replied warmly, your smile wide and genuine. “You’re the most beautiful bridesmaid here.”
Jude sat beside you, his eyes soft as he watched the exchange. There was something incredibly heartwarming about the way you interacted with Bella—how you made the little girl feel so special and loved. He could see the natural ease with which you connected with your niece, and it stirred something deep within him.
As Bella giggled and skipped off to join the other bridesmaids, your gaze lingered on her, still glowing with affection. You turned back to Jude, your expression full of warmth. “She’s such a sweetheart, isn’t she?” You said, your voice tinged with pride.
Jude nodded, his eyes never leaving your face. “She really is,” he agreed, but his mind was elsewhere.
Watching you with Bella made Jude think about your future together. He could so clearly imagine you as a mother, holding your own children with the same tenderness you showed Bella. The thought filled him with a deep sense of warmth and anticipation, a quiet longing that he kept to himself. He knew how much you cared for your niece, but he also knew that the idea of starting a family someday made you nervous. It was something you hadn’t really discussed, and Jude didn’t want to push it, especially not now.
Instead, he simply admired you, letting the image of your possible future settle in his heart. You had a way of making people feel cherished, and he knew you would be an incredible mother someday—but that was a conversation for another time.
You noticed the thoughtful look on Jude’s face and gave him a gentle nudge. “What are you thinking about?” You asked, you tone light and curious.
Jude shook off his thoughts, offering her a soft smile. “Just how good you are with Bella,” he said, keeping his voice casual.
Your cheeks flushed slightly, and you laughed softly. “She’s been my little Bella since the day she was born,” you replied, your voice filled with affection.
Jude squeezed your hand gently, his smile lingering as you turned your attention back to the front of the church, where the ceremony was about to begin. He didn’t need to say anything more. For now, he was content to simply be by your side, holding onto the quiet knowledge of what he hoped your future would hold—dreaming of a day when you would be ready to take that next step together.
The ceremony soon began, and You watched as your sister Eden took her place as a bridesmaid, while your brother Elliot stood proudly as Rowan’s best man. The anticipation grew as everyone waited for the bride.
As the music swelled, the doors at the end of the aisle opened, and Rosemary appeared, radiant in her wedding gown. You felt a lump form in your throat as you saw Rowan at the altar, his eyes brimming with tears as he watched his bride walk towards him. The emotion in the room was palpable, and you felt yourself getting choked up.
You couldn’t contain your excitement, smiling and gushing as you watched your brother. You had never seen Rowan so happy, and the joy in his eyes was contagious. Although you wished Noah could be there to witness this moment, your heart swelled with happiness for Rowan.
Little Isabella, the flower girl, walked ahead of Rosemary, carrying a basket of petals. Every few steps, she would delicately sprinkle the flowers along the aisle, her concentration adorable. You couldn’t help but admire Isabella’s dedication to her role, smiling each time the little girl looked up with pride.
Jude noticed the way your eyes lit up, how you seemed to be the embodiment of joy and love in that moment. He was completely besotted with you, watching you as you took in every detail of the ceremony. He knew, without a doubt, that you were the one he wanted to spend his life with.
The officiant began the ceremony, and soon it was time for Rowan and Rosemary to exchange vows. Rosemary took a deep breath and smiled at Rowan.
“Rowan, from the moment Noah introduced us, I knew you were special. I promise to always laugh at your jokes, even the terrible ones. I vow to support you in your dreams and to love you fiercely, no matter what.”
Rowan chuckled, wiping away a tear. “Rosemary, I promise to always let you have the last slice of pizza. I vow to support your dreams and to love you through every adventure, every challenge, and every joy.”
Jude felt his throat tighten, his emotions mirroring the couple’s. As Rowan and Rosemary exchanged their vows, he couldn’t help but imagine standing up there with you one day, saying those same words, making those same promises. The thought made his heart swell with a mixture of hope and longing.
The mention of Noah made your tears spill over, and you rested your head on Jude’s shoulder, finding comfort in his presence. Jude’s eyes were misty too, and he wiped away a tear discreetly, his emotions matching yours. He tightened his grip on you, feeling a surge of protectiveness and love.
As Rowan and Rosemary shared their first kiss as a married couple, the guests erupted into applause. You joined in, your heart full despite the bittersweet memories. You looked up at Jude, who smiled down at you with so much love and understanding that it made you feel incredibly grateful to have him by yiur side.
“It was beautiful, wasn’t it?” Jude whispered, his voice slightly choked with emotion.
You nodded, wiping your tears. “Yeah, it really was.”
You sat there for a moment, soaking in the love and joy that filled the room. Jude’s thoughts wandered to the future, to the possibility of a life with you, filled with moments like this. He couldn’t help but dream of standing at an altar, looking into your eyes, and making vows of his own.
Later that evening, the reception is in full swing. The dance floor is alive with energy, guests mingling and celebrating Rowan and Rosemary’s union. The lights are dimmed, casting a warm, intimate glow over the scene.
You find yourself in the middle of the dance floor, smiling as Jude lifts little Isabella onto his shoulders. Her giggles are infectious as she waves her arms, trying to keep up with the rhythm. You dance alongside your sister Eden, the two of you moving in sync, laughing and twirling.
Isabella’s laughter rings out, her tiny hands clapping in delight. "More, more!" she shouts, and Jude obliges, spinning around and making her squeal with joy. Your heart swells with love as you watch Jude interact with your family. He fits in so perfectly, and it makes you think about what the future might hold for both of you.
You glance around the room, taking in the sight of your loved ones celebrating together. Rowan and Rosemary are glowing with happiness, sharing a private moment at their table. Your parents are dancing nearby, looking as in love as ever. The warmth and joy of the occasion fill you with a sense of peace. God, Noah would've loved this.
The DJ’s voice echoes through the speakers, “Can all couples please make their way to the floor for a slow dance?”
Isabella is gently lifted off Jude’s shoulders and handed over to Eden, who continues to twirl and dance with her. Jude turns to you, extending his hand with a playful bow. "May I have this dance?" he asks, his eyes twinkling with affection.
You giggle and take his hand, allowing him to lead you to the center of the floor. The music slows, and the soft, romantic melody fills the room. Jude’s hands find their way to your waist, pulling you close. You wrap your arms around his neck, and together you sway gently to the rhythm.
As you move together, everything else seems to fade away. The chatter of the guests, the clinking of glasses, and even the music itself become a distant hum. It’s as if time has stopped, leaving just the two of you in your own little world.
You look up at Jude, taking in his appearance. He’s wearing a tailored black tuxedo that fits him perfectly, accentuating his broad shoulders and athletic build. His dark hair is styled neatly, and his deep brown eyes are filled with love and adoration as he gazes down at you. The way the dim light catches his features makes him look even more handsome, if that’s possible.
Jude’s forehead rests against yours, his eyes locking onto yours with a gaze that speaks volumes. His hands move gently up and down your back, sending shivers down your spine. You feel so safe, so cherished in his embrace.
“You know,” Jude murmurs, his voice barely above a whisper, “I could get used to this. Dancing with you, being with you. Forever.”
Your heart flutters at his words, your breath catching in your throat. You smile up at him, your eyes misty with emotion. “Me too,” you reply softly. “Me too.”
You lose yourself in his eyes, feeling the world around you blur into insignificance. His touch is gentle yet firm, grounding you in the moment. The way he looks at you makes you feel like the only person in the room, and you know without a doubt that this is where you’re meant to be.
The music envelops you both, the melody weaving a cocoon of intimacy around you. You rest your head on Jude’s shoulder, closing your eyes and savoring the feeling of being held by him. His scent, a mix of cologne and something uniquely him, fills your senses, making you feel even closer to him.
You’re wearing a stunning dress that’s a mix of red and black, the fabric clinging to your curves in all the right places. The intricate lace details add an air of elegance, while the deep red color highlights your features, making your eyes sparkle. Your hair is styled in loose waves, cascading down your back, and your makeup is done to perfection, highlighting your natural beauty.
As the song progresses, you feel Jude’s hand slip down to rest on the small of your back, his fingers tracing light patterns that send a thrill through you. You can feel his heartbeat against your chest, steady and strong, and it matches the rhythm of your own.
You tilt your head up slightly, your lips brushing against his ear. “I love you" you whisper, the words coming straight from your heart.
Jude tightens his hold on you, his lips grazing your temple. “Me too, your my numero uno.” he replies, his voice filled with emotion.
The world around you ceases to exist as you sway together, completely lost in each other. You feel a warmth spread through your chest, a sense of peace and happiness you’ve never known before. Being with Jude feels like home.
As the song comes to an end, Jude leans down, capturing your lips in a tender kiss. It’s a promise, a silent vow of the future you both dream of. When you pull apart, the room comes back into focus, but the magic of the moment lingers.
You glance over to see Rowan and Rosemary sharing a similar moment, their love shining brightly. Your parents are still dancing, your mom resting her head on your dad’s shoulder with a contented smile. Even little Isabella is now nestled in Eden’s arms, looking sleepy but happy.
You feel an overwhelming sense of gratitude for the love and support surrounding you. And as you look back at Jude, you see the same emotion mirrored in his eyes. He gently brushes a strand of hair from your face, his touch lingering on your cheek.
“Ready for another dance?” he asks, his smile soft and inviting.
You nod, unable to tear your eyes away from him. “Always,” you say, your voice filled with love.
The next song begins, and you lose yourself in Jude’s embrace once more. As you move together, you notice Jude’s expression shifts slightly, a familiar look of deep contemplation crossing his face.
“What is it?” you ask softly, curiosity piqued.
Jude looks slightly startled. “What do you mean?”
“You did that face earlier,” you insist. “What is it you’re not telling me?”
Jude hesitates, a small smile playing at the corners of his mouth. “It’s nothing, really.”
“Jude, tell me!” you press, your eyes searching his.
He sighs softly, pulling you a little closer. “It’s just... when you were with Bella earlier, I couldn’t help but imagine what you’d be like with our kids. And when you were looking at Rosemary during the ceremony, all I could think about was how beautiful you’ll be when we get married.”
You’re taken aback by his honesty, your heart skipping a beat. “Jude...”
He quickly continues, sensing your apprehension. “I know, not now. But I also know that I want it with you. Whenever that is.”
You look into his eyes, seeing the sincerity and love there. It’s a lot to take in, but there’s a comforting certainty in his words. He isn’t pushing, just sharing his dreams, dreams that now feel a little less frightening and a lot more wonderful.
“I... I want that too,” you admit softly, your voice trembling slightly. “Someday.”
Jude smiles, a look of pure adoration on his face. “Then someday it is,” he whispers, leaning down to kiss you again, sealing the promise with a tender touch.
As the music plays on and you continue to dance, the future seems a little clearer, a little brighter. And with Jude by your side, you know that whatever comes, you’ll face it together.
380 notes · View notes
syrena-del-mar · 3 months
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Navigating the Conflict in My Stand In: Surrender and Softening in Love
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(Disclaimer: Ming/Joe is an incredibly toxic relationship; I fully realize and acknowledge that, but Poom makes a critical distinction in Joe's reasoning, and I think it's interesting to dissect. Also, this is fiction.)
It's been some time since I've written any meta, but I can't stop thinking about the video @poomphuripan shared of Poom making the distinction that Joe isn't giving in to Ming, but rather, his heart is melting for him.
It makes so much sense that Joe would melt at the littlest semblance of 'love.' He was so alone for so long. His parents have been dead for longer than he had them, he has no siblings, and his extended relatives don't care about him. I forget if it's mentioned in the show, but in the novel, Joe had a pretty big crush on Sol, and Sol rejected him quite brutally. Even without meaning to be, Joe is always alone at the end of the day.
Yes, Joe has friends, and yes, Joe made his own found family. But at the end of the day, Joe would return to an unlit, empty home. Everyone else would return to their wives or families, while Joe could only return to the pictures of his parents. Meanwhile, for all of Ming's bs and frightening behavior, he was the only one that made his dream come true.
For the first time, with Ming around, Joe would come home and be greeted by the warmth of another living, breathing person. Joe craved to have a human bond, and Ming was the one who was willing (albeit for his own interest) to give it to him. And he cooked for him. He took up space in his home! He remembered the very things Joe had told him he longed for. They had a lot of good times, a lot of good memories, and a pretty set routine that really integrated Ming into Joe's life. But then they fight, his blissful reality breaks, and Joe dies.
But Joe wakes up from what feels like a day's nap when, in actuality, two years have passed. And what does he find? Ming has cared for his apartment since his death and is unwilling to change anything just in case Joe returns. Ming continues to fulfill Joe's dream of returning to a warm home. So he turns on the lights, and he cooks the same dinner that they used to share for two years. And even in his rightful anger of wanting Ming to leave him alone, he's still seeing that. In the two years since his disappearance, someone still thought about him and hadn't fully grieved him. Ming's brother only confirms that.
Giving in would mean that Joe wanted to end the fight with Ming, when no feelings had changed. It'd be him emotionally surrendering himself, compromising his feelings of being just a double for Tong, and fully conceding himself when he still thought that Ming only saw him as a replacement. While Joe might have given Ming access to his body to pay his new mom's debts, he was still blocking Ming out as much as he could. But that's not why Joe forgives Ming; it's not for a superficial reason to stop the feud. There's a visible shift in how he perceives Ming, the guy who waited two years for him, who protected and filled his home with warmth, just in case he wasn't really gone. His motivation was rooted in the slivers of positive feelings he had for Ming, which allowed him to move past the anger that he held for him.
A quote that I've seen floating around the internet for years comes to mind. "And when nobody wakes you up in the morning and when nobody waits for you at night and when you do whatever you want. What do you call it? Freedom or loneliness?" Joe has had that freedom for the majority of his whole life. It's no longer freedom for him. But even his found family isn't fully aware of the loneliness that would wash over him when he would return to an empty home.
After all is said and done, he sees that only one person knows him intimately enough to understand and learn even the most mundane of his desires. Ming, even with all the toxic shit he has pulled, stood by his word of not letting Joe return to an empty home. For Joe, that was enough. It changes how he sees and understands Ming.
It's also why Sol and Joe would have never worked out.
As Poom said, ultimately, it's not that he gives in to Ming but rather he lets his heart melt when he sees exactly what Ming has done for him in his absence.
Even after everything, Joe still loves him.
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zapreportsblog · 1 year
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Baby Come Back
➥ summary: miles misses his girl even though he won’t admit to to himself or anyone else, but when he sees her starting to move on without him, naw that settles it. It’s time to win his baby girl back
➥ a/n: this was inspired by @laaailuh fic “I Miss You”
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The tension in the air was palpable as Miles Morales, also known as the Prowler, and his girlfriend (y/n) stood face to face in his small apartment. Their voices were raised, and emotions ran high, as they found themselves entangled in a heated argument.
"I can't do this anymore, Miles!" (y/n) exclaimed, her eyes filled with frustration and hurt. "You've been distant, shutting me out, and taking your anger out on me. It's not fair!"
Miles clenched his fists, trying to find the right words to express the turmoil inside him. "I know I've been a mess since my dad died," he admitted, his voice tinged with sorrow. "But I'm trying to deal with it in my own way."
(y/n) took a step back, her heart heavy with the weight of his words. "I understand that you're going through a lot, but you can't just push me away and expect me to stick around," she said, her voice trembling with emotion. "I need to be with someone who can share their pain with me, not shut me out."
Miles felt a surge of guilt wash over him, knowing that he had been unfair to (y/n). He loved her deeply, but the darkness of his grief had consumed him, making it difficult for him to see beyond his own pain.
"I don't want to lose you," he whispered, his voice cracking with emotion. "I need you, (y/n). Please, don't leave."
(y/n)'s eyes welled up with tears, torn between her love for Miles and the toll his emotional distance was taking on her. "I love you too, Miles, but I can't keep being hurt like this," she said, her voice choked with sadness. "You need to confront your grief and find a way to heal, for both of us."
As the words hung in the air, the weight of their unresolved issues seemed to crush them both. (y/n) turned away, unable to bear the pain in Miles' eyes, while he struggled to find the strength to let her go.
In the following days, the silence between them grew heavy and suffocating. They tried to carry on with their lives separately, but their hearts longed for the comfort and love they once shared.
One evening, as the sun set over the city, (y/n) made her decision. She couldn't keep waiting for Miles to heal on his own. She knew that it was time to face the truth and let go, even if it broke her heart.
She went to Miles' apartment, her footsteps echoing with each heavy step. The door opened, and Miles stood before her, his eyes red and swollen, a reflection of the pain he carried.
"I can't keep pretending that everything is okay," (y/n) said softly, her voice wavering. "I need to put myself first, and that means letting go."
Tears streamed down Miles' cheeks as he nodded, his heart aching with the weight of their decision. "I don't want to lose you, but I know I've been pushing you away," he said, his voice choked with regret. "I'm so sorry for hurting you."
They stood there, facing each other, knowing that their love wasn't enough to mend the broken pieces of their hearts. Their bond had been strong, but the weight of grief had shattered it.
With one last embrace, (y/n) turned away, her heart breaking as she walked away from the man she loved. The tears flowed freely as she left behind the life they once shared, but she knew that it was the right decision for both of them.
In the days that followed, the void left by their breakup was a constant reminder of the love they had lost. Miles faced his grief head-on, seeking counseling and support from friends and family, determined to find a way to heal.
And though they had parted ways, the memories of their love lingered in the corners of their hearts. The road ahead was uncertain, but they both knew that their journey towards healing had only just begun.
•••
In the days that followed the breakup, Miles Morales, also known as the Prowler, became even more withdrawn and closed off. The pain of losing (y/n) weighed heavily on his heart, and he found solace in isolating himself from his friends and emotions. He had always been good at hiding his feelings behind the mask of the prowler, but now it seemed like he was hiding from himself too.
At school, Miles tried to maintain a façade of indifference, a mask that he wore to shield himself from the questions and concerns of his friends. As he walked through the halls, he could feel the worried glances of his classmates, but he pretended not to notice.
During lunchtime, others approached him cautiously, their concern evident in their expressions. "Hey, Miles, are you doing okay?" Stu asked, his voice soft and caring.
He shrugged nonchalantly, trying to deflect their worries. "Yeah, I'm good," he replied with a forced smile. "It just didn't work out with (y/n), you know? It's whatever."
Stu exchanged a concerned glance with Anthony, realizing that Miles was trying to hide his pain. "You sure, man? We're here for you if you need to talk," he said gently.
Miles nodded, but he couldn't bring himself to share the turmoil inside him. "I appreciate it, but I'm fine," he insisted, avoiding eye contact with his friends. "I've got other stuff to focus on."
Just then the bell rang signaling that it was time for class.
As Miles sat in his classroom, his mind preoccupied with his own thoughts and emotions, he couldn't help but notice that (y/n) was just a few seats ahead of him. His heart clenched as he saw someone pass her a note discreetly.
Curiosity got the better of him, and he strained his eyes to catch a glimpse of the exchange. He could feel a pang of jealousy stirring within him, a reminder of the connection they once shared.
Trying to focus on the lesson, he fought the urge to look again. But as the minutes ticked by, his mind kept wandering back to the note. He couldn't shake the feeling of being left out, of no longer being a part of her life.
When the class finally ended, Miles gathered his belongings, but his feet felt heavy as he made his way towards the exit. He knew he should be moving on, but seeing (y/n) with someone else reminded him of what he had lost.
As he walked past her, he couldn't help but glance in her direction. Their eyes met briefly, and a mix of emotions washed over him. He wanted to say something, to reach out to her, but his pride held him back.
In the bustling school hallway, Miles mustered the courage to call out to (y/n) as she was making her way to her next class. "Hey, (y/n)!" he said, his voice a mix of nervousness and hope.
She turned around, surprised to see him, but she managed a polite smile. "Hey, Miles. What's up?" she asked, her guard up, unsure of what he wanted to talk about.
"I was wondering if we could meet up after school," he said, his eyes earnest. "There's something I really need to talk to you about."
(y/n) hesitated, her heart still guarded, but she knew that avoiding the conversation wouldn't resolve anything. "Miles, I don't think there's a need for us to talk," she replied, her voice measured. "It's all been said, hasn't it?"
Miles took a deep breath, feeling the weight of the words he wanted to say. "Please, cariño" he implored, "I just need a chance to explain and apologize. There's so much I want to say, and I can't keep pretending like everything's okay."
Her resolve softened as she saw the sincerity in his eyes. With a small sigh, she relented. "Okay, fine," she said, "but just this once, and only because I think we both deserve some closure."
•••
After school, they met at a nearby park, finding a quiet bench to sit on. The air between them was tense, but there was an unspoken understanding that they needed to have this conversation.
Miles began, his words slow and heartfelt. "I'm sorry,cariño, for shutting you out and being distant," he said, his voice tinged with remorse. "I've been dealing with so much since my dad's passing, and I didn't know how to handle it. But that's not an excuse for treating you the way I did."
She listened attentively, the wall around her heart slowly starting to crumble. "I know it was hard for you," she said softly, "but it was hard for me too. I felt like you pushed me away, and it hurt."
"I know, and I'm sorry," Miles replied, his gaze downcast. "I never meant to hurt you, (y/n). I just... I didn't know how to handle my emotions, and I thought if I pushed you away, it would protect you from my pain."
Her heart softened as she saw the vulnerability in his eyes. "You don't have to protect me, Miles," she said gently. "I wanted to be there for you, to help you through your grief."
He reached out and took her hand, his grip gentle yet pleading. "I wish I had let you in," he said, his voice filled with regret. "I wish I had talked to you about everything, instead of shutting you out."
Silence settled between them, the weight of their emotions palpable. (y/n) finally spoke, her voice tinged with sadness. "I miss you too, mi amor," she admitted, her eyes welling up with tears. "I miss us, but I don't know if we can go back to how things were."
Miles nodded, understanding the complexity of their situation. "I don't expect things to go back to normal right away," he said. "I just hope that we can find a way to move forward, even if it's not together."
Her heart ached, torn between the love she still felt for him and the uncertainty of their future. "I need time to heal too," she said softly. "But I'm willing to listen if you want to talk."
And so, beneath the setting sun, they started to open up to each other, their words filled with both pain and hope. As they talked, they realized that they needed to be honest about their feelings, even if it meant facing the difficult truths they had been avoiding.
Their conversation was raw and emotional, but it was a start. A start towards healing, towards understanding, and towards finding closure. Whether their paths would converge again or lead in different directions, they both knew that they had grown from their experiences and that they would always cherish the love they once shared.
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rosabell14 · 2 months
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An analysis of Bianca di Angelo's role in the narrative and why bad writing can screw over a character.
For someone with such a limited time in the narrative, Bianca is one of the most divisive characters in the fandom. I've been in the fandom long enough to see how much nuance the fandom lacks when discussing certain characters and Bianca is no difference. But it's more than just viewing the characters' actions in a vacuum. It's ignoring the larger narrative problems. At the end of the day Bianca suffers from one simple problem: she's barely a character outside of her role in Nico's narrative. Like it or not, her entire character exists to die and give Nico issues down the road but Riordan's writing decisions didn't do her any favours either.
I feel like this is a huge issue when it comes to the pjo fandom they often try to come up with Watsonian solutions to problems that are Doylist in nature and Bianca is one example of that.
Case in point: Riordan's shit math when it comes to the Di Angelo siblings and how it messes up with bianca's character.
So when we meet them they're 10 and 12. We learn that their memories of their past is kinda hazy and that they don't remember their parents but that they were in a boarding school, then they moved to the lotus hotel, then they were taken out of the hotel and put into Westover's. And at the end we learn that they're Hades's children born before the oath of the big 3.
Said oath happened after WW2 btw. So 1945 probably since Bianca remembers FDR's presidency.
Now in TLO we get an update on this backstory. Hades is speaking to Maria about moving his children to the underworld or the lotus hotel since Maria doesn't like the former option because the war has put Hades in a bad situation with his brothers and also the prophecy is out, the oath has been taken and they're running out of time to hide the kids. So logic says that it's 1945. And then Zeus immediately kills Maria and Hades tells Alecto to erase the children's memories and put them in the lotus hotel, and honestly? I like this version much better? Because why in the world would Hades Put his children in a boarding school for a few years and THEN hide them in the hotel after they were nearly assassinated? Why not immediately put them in the hotel?
And so we get to our main dilemma. Bianca having to raise Nico. This was already strange to me because it's not as if this is a Jason and Thalia situation where Jason was a toddler and Thalia had to take care of him. Nico is not a baby they have a two year age difference. But of course these kinds of things might matter more if you're young. Even then, in what situation would Bianca be Nico's main caretaker? They were put into a magic hotel that mind you, makes time go faster so for them it was a month or two at best and they would have been given whatever they needed by the staff? Same type of issue with Westover's and the boarding school if you want consider that canon. They would have been taken care of by the facility. They probably wouldn't even have shared classes or dorms? Or am I misunderstanding American boarding schools?
And then, Riordan's bad math strikes again and this time with the characters' ages. Because Nico's age in HoO becomes 14 which would have made him 11/almost 12 in TTC but that's not the big problem, no no no. The problem comes from his official birthday which is 1932.
1932... Which would have made him 13 and Bianca 15 by the time Maria dies. Which is hilarious because with the way the kids are written during her death scene as absolute non players with nary a reaction, you would think they were written to be toddlers who didn't understand anything that was going on.
That royally screws over Bianca as a character (and me as someone who's trying to write a story centered around her). Because her main thing. The one time she's allowed to have complexity is the moment where she talks about how she wants to be more than Nico's caretaker, and she's barely Nico's caretaker at all. The best in universe explanation I can come up for this is that this is how Bianca perceives things because that's all that she literally remembers. Those months in the hotel and Westovers.
Another time the plot kinda messes her up is at the beginning of TTC. One complaint that I often see in regards to her Is how quickly she makes her decision. She does not even hesitate. She does not even wait to see the camp. You know the place that would have taken care of her and Nico which would have meant she wasn't going to be his supposed primary caretaker anymore? She doesn't even wait to see if it was an actual good place for her brother? Spoiler alert: it's not camp half-blood at the time was not a good place for either of them really. Nico did not have a cabin at camp and people were not accepting of him. Hell, people not being accepting of hades and his children was something established since the first book.
But once again, this is a Doylist problem at its core. We need to turn Bianca into a hunter but we also need Artemis to leave so that she can be kidnapped for the main conflict, so she leaves before the hunters even reach camp. Half-blood. So Bianca as a character doesn't even get to make a proper choice between the camp and the hunters. To people who only look at characters on an in universe level, it comes off as very rash and not well thought out.
To be fair, on an in universe level, she's a kid so it's okay if she's stupid, but Riordan wasn't trying to make her come off as that way? He treats Bianca's decision as a legit serious choice and not the rash decision of a desperate child.
And once again, Bianca is here for Nico's sake more than anything. She needs to die. So she takes the statue for Nico. Which is so ironic and tragic if you decide to play it that way. That Bianca wanted to be more than Nico's sister, but her literal death revolves around being his sister. Normally I'd enjoy this level of angsty irony but unfortunately that's how the very narrative treats her as well. Even her post mortem decisions are there to maximize Nico's angst more than that they're there to say anything about Bianca herself. We need Bianca to only appear at the end of Botl so that Nico and Percy can have a conflict but it once again comes at the cost of Bianca herself coming off as callous. What's the in universe reason for this behavior? It's so stupid because in universe, Nico doesn't even take that much convincing? One conversation. One conversation and Nico was convinced to stop his efforts in reviving her. Does she just not know her brother enough? Maybe since they technically know each other for a year max. Does she genuinely think she's that easy to give up on? Is she that conflict avoidant? I actually like this interpretation and plan to use it. There's much to be done with a character who's rash and bold but an absolute emotional coward who'd try to avoid an emotionally charged conversation until they absolutely can't.
Hell even after Botl, it's the same song and dance. Hades makes an absolute vile remark at Nico's expense. TSATS makes it into a joke moment and has you believe that Hades simple said that Bianca would have been a better demigod. No ladies and gentlemen. Hades literally tells Nico that he wished Bianca had survived instead.(The fact that I still think that hades is the best godly parent just shows you how low the bar is more than anything.)
I swear to God I spent so much time racking my brain trying to understand what this could mean for Bianca's character.
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This is how I basically look like trying to milk every scene where Bianca is there as a character or is mentioned for every drop of characterization.
At the end of the day, I can't blame most of the fandom for being ambivalent towards her at best. The story by design is about Nico. It's designed for you to sympathize with him and yeah if I'm to look at it from Nico's perspective. He DID get abandoned, regardless of Bianca's intentions. From his Perspective , which is the one most people would take, his sister took the very first chance she could to ditch him for people she barely knew hoping people either of them barely knew would take care of him even though they haven't even seen the place yet, and then ignored him for months while he was desperate for a single conversation with her. Honestly had Nico outright resented his sister for leaving, I think the reaction towards her would have even been worse.
(Another sidenote, my very hot tea Is that I like to believe that had Bianca lived her and Nico's relationship would have become worse as time went on and as the camp's anti hades sentiments really started taking their toll on Nico. But I'm just an angst lover)
Worse is that this story is told from Percy's perspective and these two only have like 3 actual conversations together. One of them is her dying, one is about her making her first main decision and that's at the expense of Nico who's probably the fandom favorite behind Percy and Annabeth and the other is her trying to explain her aforementioned decision to Percy and even then, she talks about it in such broad strokes. "I want to be more than X" tells us about who you one day wish to be not about who you are at the current moment. And even when we have Nico as a POV character, Bianca is only there for "dead family member" trope. There's barely any moment where Nico remembers anything important about her to give her any depth. The cards are just stacked against her. Even the people who are at the "Bianca did nothing wrong camp" are barely interested in her. I swear to god whenever an AU comes up where she's alive, the focus is STILL on Nico. Oh Nico would have been such a happy person had she lived! And Bianca? Uhhhhh she would have fucked off with the hunters I guess?
Can we talk about the hunters while we're here?
If we WERE to talk about in universe scapegoats, I'd honestly choose the hunters. Honestly I could make a separate post about how much I hate how Riordan handled them. But oh dear God the way they're presented just comes off as creepy. The way they initially (up until TOA) only go for young girls because apparently older girls aren't useful once they hit puberty and start developing feelings for people and lose themselves(TTC and Percy Jackson's Greek gods oh dear lord are they terrible in Percy Jackson's Greek gods). How they're basically the heroine dumping ground for when Riordan doesn't know what to do with a female character. How ultimately in universe, Zoe more than anyone is to blame to for Bianca's death by taking an untrained girl to a mission where she KNOWS two people would die at the very least. And she doesn't even watch her properly during the mission. Honestly I could barely feel anything about Zoe's death upon rereads as an adult for this very reason. Or how stupid it is to basically put a child in front of a candy store and expect them to make a responsible decision. Who in their right mind would have young girls as young as nine take a celibacy vow? Oh but you'll be safe with us (never mind that we're not just normal hunters here like the actual myths but actual monster hunters) and you'll totally be able to see your brother when you want (actually we barely visit camp half-blood) oh but you'll be a FAMILY with us! Except you know if you catch feelings or get assaulted(holy hell how Riordan depicts the myth of Callisto makes me want to tear my hair out of my scalp)
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wroteclassicaly · 4 months
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A/N: I’ve missed this man. I hope you like? Next part will have some saucy little smut. Just trying this out first, also for self-indulgence.
Warnings: Tooth rotting fluff, language, mentions of injuries, self-esteem issues, mentions depression and body image.
Pairings: Eddie Munson x Plus size!Reader
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Eddie Munson loves his new band of misfit friends, an extended family that has welcomed him and Wayne in with open arms. Hell, he’s even getting along with Harrington, Wheeler is tutoring him, and everyone else just understands. And then, well… Then there is you. He’s never seen someone so in tune with the needs of others without ever considering herself. Someone who purposely pushes herself on the world’s hottest back burner to avoid opening up and letting anyone truly see what’s going on… Behind incredibly beautiful eyes, if Eddie does say so himself.
It’s been over a year since shit unfolded with Vecna. They lost, he died for a little while, the apocalypse reigned down on the town and then he wasn’t dead anymore. Memories are vague, but most things he does remember. And when he wakes up tangled in his bedsheets, scars aching with prickles of phantom pains - you are the only person that he calls. A lot of times he ends up singing you to sleep, but it’s not without you always making sure he’s calmed and okay first.
It was a bond that grew since you began caring for him when he came back with memories. He’s lost track of days spent together, lunches shared, a graduation a long time coming, complete with a party he never expected to have. He isn’t sure when it became a deeper feeling than he’s ever known, one that scared him so damn bad he avoided you for days and began physically ill because of it. If Eddie Munson has to pick one moment, it was probably that day you walked into his Uncle’s living room, (a cookout happening in his yard with Steve and Wayne at the grill outside) your beautiful curves on display, a cherry sundress hitting you in all the right places, and some strappy red sandals adorning your feet. You wore a glowing smile beneath your bright red lipstick, energy matching with Henderson’s as you entertained his enthusiasm for Hellfire’s next campaign.
You didn’t have a clue of what you were talking about, but it didn’t deter you in the slightest. You were passionate about writing, you enjoyed Sci-Fi and fantasy, which meant you had to be the one who helped Dustin create new characters. He knew the game, you had some extra creativity to lend. You’d high fived Dustin, stealing his pen to jot down your scribbled suggestions on his spiral sheet. Eddie was a goner.
And now… Here you are, at his house, on a Friday night. You didn’t have plans, you didn’t make a date - nothing. You did what you normally do and called him up, accepting his invite to hang out all evening. He’d made sure to be off work by a steady time, picking up your favorite bakery cookies at the store on the way home, lingering over flowers that he was sure he should get, but knew it would probably cross a line if he did so. Eddie doesn’t want you to feel spooked, or even anything remotely close to uncomfortable around him.
You’re sitting above him, cross-legged on his bed as he rests with bent knees at the foot, your overalls bagging out at the sides to show your crop top with little lemons and daisies printed all over it, and the most delicious, overflowing curves Edward Munson has ever had the pleasure of laying eyes on. He’s got a pair of your maroon sweats tied down, extremely loose on his narrow hips, and one of your decorative character shirts with a picture of Eeyore plastered front and center, hanging across his torso. You might not be able to wear his clothes, but he can wear yours, and Eddie would be stupid to say he doesn’t notice your eyes crossing a little whenever he steps into some of your ensembles. You’ve been chattering away at the TV, giving your input on Friday the 13th part 2, whilst being blissfully unaware of sending Eddie to heaven with your pink brush running through his freshly washed curls, your neon yellow painted nails scratching at his scalp. He’s like a mother fucking purring cat in your grasp.
“So, anyways… I can’t figure out if Muffin survived or if that was her in the woods. And did Paul really make it out too, or was Jenny imagining shit?”
Eddie smirks, tilting his head back to look at the curvature of your physique, the contours of your face - upside down (no pun intended). “Haven’t you seen this movie, like, a thousand times before?”
You have a mock look of offense. “Hmph.” He doesn’t like what it brings, because you can tease, but please - for the love of all things unholy - don’t stop brushing his hair.
“Hey, hey. Why’d you quit?” He’s pouting, it’s rather cute. One tattooed arm, decorated with scars - elongates, ring clad hand seeking out your wrist. Anything to get you into motion again.
“You know that you can brush your own hair, Eddie.” You’re melting at those fluttering lashes draped over an enriching, smooth chocolate pair of irises. And his mouth… Fuck.
“But it’s so much better when you do it, sweetheart. Pleaseeeee? Forgive me for questioning your brilliant questions!?”
You make a good show of it, tossing the brush out of your hand, it landing a pile of Eddie’s clothes in an unpacked hamper. They’re clean, but he’d rather wear yours. He gasps, shifting positions so quick that you think Steve must’ve Ninja-fied him. He’s got you by your wrists, the cool of his rings tracking across your arms as they follow warm palms, and dip under your pits to gain leverage - easing you forward into a heap onto the carpeting with him. “Freak attack!” He’s gleeful, tickling your denim clad sides (well, at least where he pretends he can’t see the overspilling flesh more closely now).
He smells good, like that familiar Old Spice wash and whatever shampoo he’s lathered his curls with. He’s hovering, he’s incredibly warm, he’s safe, he’s Eddie. Someone you didn’t know you needed until he appeared and retrieved his piece of your heart, snapping it into the place where all the people you love have their own shards. Hmm, not entirely though. If you could describe it, it’s as if they make up the outside lining, keeping the inside of your heart reserved for a more… Different, private type of love, that only Eddie Munson seems to have found.
“Should spank your ass with that thing for stoppin’,” he starts, interrupting your reverie, moving to shut his mouth when he realizes he crossed a line. Maybe? It’s there, your eyes flicker over his lips, your hidden reaction dancing behind your pretty little temple - he sees, giving him a fraction of hope. He isn’t used to this…
You jolt, blurting out the first thing that comes to mind, “Like that would be a punishment,” you finish, effectively crossing that line for him.
Both of you remain silent, your sweet perfume making him lose focus. What he thinks he should do and what he wants to do, those are two very different battles raging inside.
// Eat me paragraph //
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torchwood-99 · 4 months
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Deeds Not Words
The myth going around that in Eloise and Penelope's friendship, Eloise was all give and no take, falls apart completely when you look at their respective actions.
Eloise talks a lot more than Penelope, she shares her feelings and her frustrations a lot more than with Penelope, but at the same time, when stuff is going on, she puts in so much more than Penelope.
Penelope doesn't talk as much as Eloise, and keeps her thoughts and problems hidden, allowing Eloise to have more room to rant and talk.
And yet, in actions, Eloise is the one who is all give, no take, and Penelope is all take, no give.
When Penelope's father died, Eloise was right there with her, drawing on her own memories of her father's loss to support her.
When Penelope comes sobbing to Eloise in the middle of the night, during a time when they're not talking to each other, Eloise doesn't hesitate to welcome Penelope into her arms and comfort her.
When Eloise thinks she has convinced LW to retract what she said about Penelope's family, then discovers the Queen plans to unmask her before she has a chance, she risks angering the Queen herself by directly foiling that plan, actually saving Penelope's skin in a way she didn't expect, but was trying to do.
Season 3, Eloise has kept Penelope's betrayal quiet for a year, not even telling her family and loved ones, denying herself their comfort and understanding and isolating herself in her misery, for Penelope's sake.
When Cressida is unkind to Penelope, Eloise makes it clear that behaviour won't fly, and Cressida, to please El, stops.
When Eloise accidentally leaks info about Penelope (doing to Pen what Pen has been doing intentionally to others for three seasons) she feels awful and apologises, truly apologises. No "I'm sorry, but-" No, "I'm sorry" then continues going on as she has done before.
Even after Penelope has gotten engaged to Colin, without telling him about LW, Eloise is trying to get Penelope to admit it, so she can be the one to tell Colin, despite having every right to tell Colin, her brother, herself. And she doesn't plan for one moment to do to Penelope what Penelope did to Marina when she needed to "save" Colin from a lying fiance.
Meanwhile Penelope simpers and smiles and talks a good game, but every choice she makes, she is looking out for herself first.
She doesn't want Colin and Marina to marry, and she doesn't want Colin to be tricked. Does she give Colin the relevant info so he can make an informed choice? No, instead she exposes both to scandal, and throws a vulnerable pregnant teenager to the wolves.
The Queen is out for blood because Penelope has been baiting her for two seasons, and Eloise gets caught in the crossfire trying to learn about feminism and classism. Does Penelope tell Eloise so she can work out a plan? Does she reveal herself to the Queen and face the consequences for what she has been writing? No, she claims that the Queen wouldn't believe her, despite having witnesses and accomplices and money and proof enough to her identity (let's face it, she won't reveal she's LW to either because she wants to cover her own back), so instead she takes information given to her in confidence and throws it out before the ton.
And when Eloise confronts her, she tries to lie, then she tries to play the victim, then she hurls insults at Eloise, then when it's clear that Eloise isn't going to come running back, she makes insincere apologies about how "sorry" she is, "but she had!", the continues making the exact same choices as before, this time going after Eloise's brother, out of nothing but spite and pettiness.
Penelope puts up the front of a put-upon, loyal and self-sacrificing friend, but she hasn't made a single choice that wasn't for her own benefit. Eloise is loud and brusque and demands attention, and when someone she loves is hurting, she comes flying in, determined to help them.
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You know I had seen some headcanons about ghostflower as parents, and here is a bit of my take on that.
Miles is the responsible dad, Gwen is the fun mom.
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And that assumption has entirely to do with this.
Yep, I think the roles would be reversed for them, hear me out.
Miles was raised by loving and present parents, they have room for improvement but I don't doubt that Jeff and Rio knew how to establish healthy boundaries, knew when to be strict and when to be more permissive, and are all overall supportive, amazing parents.
Now, the thing about Gwen's parents-
Mom we know nothing, Gwen's mom is never mentioned in the spider-verse movies and again, I haven't read all of her comics, but if that woman was mentioned I don't remember. I normally assume she died when Gwen was very young so she doesn't have too many memories of her.
This leaves us with George.
So, I don't think George is the worst, I have my issues and I would scream at him until he goes deaf- but you can see at the end that he loves Gwen, and while he doesn't know what he is doing, he is trying.
We haven't seen much of him, but what did I notice?
He is not good with emotional intelligence; he doesn't realize that telling Gwen how the case is doing will not make her feel better (and it has to be a while since Peter died, he should know this by now.) Clearly doesn't know what to say to cheer her up. Tries to talk about his job and his duty when he doesn't know how to proceed.
And then he leaves because there was an emergency with the police; and is obvious this is not a rare occurrence. As someone who was basically raised by a single parent doing a lot of hours at work, I can tell you by this interaction that Gwen probably spend hours or entire nights alone.
So, how does translate to their parent styles?
Miles would feel a lot more confident in his role as a parent, he would definitely read a lot of books and would have his parents on speed dial; but Miles he is also a natural. He would thinking back on how his parents raise him, looking back in their decisions and understanding where they are coming from, and overall end up finding a middle point between how he grew up, and what he thinks is right for him and his family.
I will share what he does when the kids are older while sharing Gwen's approach.
Gwen on the other hand? Extremely anxious, Miles needed to reassure her a lot specially at the beginning. She can barely remember her mom, and her dad wasn't the most present. While I think by this point the relationship between her and Miles's parents would be better, I think part of her would also be afraid looking incompetent in comparison to Rio.
Later when the kids are older, Gwen defaults more to let the kids play and do things that they probably shouldn't "Is just one day/night," "Oh when I was their age I was trying to imitate the gymnasts on the TV, at least they are a lot more resistant that I was!" and "Hmmm, maybe this is something we should ask your father too."
Gwen's laxer approach was thanks to not being heavily supervised and not realizing when is too much at times, or thinking these is one of those things kids should learn and it would be fine.
Thanks to this, Miles is normally the one who needs to more strict and reasonable. "No, we can't have popcorn and ice cream for dinner, it doesn't matter if is Friday and summer is starting"; "I DON'T CARE IF YOU CAN HANDLE FALLING 6 FEET TO THE GROUND, YOU ARE NOT PRACTISING TIGHT ROPE!" and "I told you no, and don't go asking your mother just so she can say yes, I will find out."
Miles is still, the one parent to go when the kids are sad, upset or need to be hear out. While he may be stricter of the two and tries to stop anything that he deems too far; he knows the best how to de-escalate a situation and see reason.
Gwen while a lot of times doesn't know what to do, their kids always go to her when they just need a hug and be comforted. While Gwen a lot of times doesn't know what to say to make things better, or what advice to give; she never shy's away from telling her kids that sometimes they will make mistakes, and she would do too, but that never means they deserve any less love or compassion; no matter how hard the world is or the mistakes they make, Gwen promises to be there at any point, and that Miles and her would never stop loving them.
There is a lot of adjustments and discussions, but they balance it out.
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purpleskiesupwards · 8 days
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CHARACTER POVs - DISTINCT DESCRIPTION VOICE THROUGH ACTIONS
Okay, so I am a growing writer. I am not perfect. But I felt like sharing something because I had a discussion about it with my younger cousin who was into journaling and now wants to venture into writing fiction. (It is my way of understanding things for myself, you can find it useless or useful, depending on if you see things in a similar way as me or not ...therefore, your opinion can differ)
So...when I started writing 12 years ago, at the age of twelve, I struggled with many things...especially how to make my multiple characters' POV sound distinct. Because everyone started to sound very similar in my work, I hated it!
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Took me years of writing and reading to improve myself, but if one thing I can clearly remember...it is this:
Characters NEED a sketch/mental map/flowchart - whatever you call it. I know some people can do a good job by winging it, but it is essential, in my humble opinion.
When I didn't do this, all my characters sounded the same, except on the parts where I was doing their monologues or introspection narration. Like, my characters didn't have their distinct action to back them, making them sound or appear different. Because even I was unaware of how they'd act or stand or move etc.
What do I mean by this?
Write your character's name and simply write whatever their traits would be around them (whatever form, formally structured or not, doesn't matter) And not just traits, just random Q/As for the characters too like would my characters like blue color or orange color, love to eat sweets or spicy, be a fan of Jimin or Jungkook, lol.
With these traits, how do I make my POVs sound distinct?
Well...Let's say one of the characters is Adam and the other is Ella.
Adam's character is calmer, sensible, pacifist etc. Ella's character is chaotic, impulsive, angry etc.
Now, if the scenario is 'someone has died', their reactions would be completely different and you can make them sound distinct easily. However, the struggle usually occurs in random settings/scenarios.
The scenario is, 'My character is watching a sunrise'. All you need here is a simple introspection of character.
Adam is standing by the window, staring outside at the fluttering beams of sunlight peaking through the dark drape. Adam is a calmer person, sensible and generally peaceful with no extreme reactions, so would he just keep on staring with no reaction or would he lean his head to the window frame and take a deep breath while squeezing his eyes shut to meet the sun in its full glory. Which one sounds in-character for Adam? I think he'd try to relish in the awakening of nature by calming himself down, taking his time with the view, thinking about the memories he shared with let's say his friends one time during the hike witnessing an astonishing sunrise emerging above the peak of mountains while BEING IN THE SCENE OF WATCHING A SUNRISE.
Ella is standing by the window, staring outside at the sunrise. Ella is a chaotic person, impulsive and angry at times, overall a person with a shorter attention span, but wouldn't mind having her coffee while staring outside the window. So...would she just stare outside and admire the popping colours in the sky or scroll through her phone while sipping her coffee and occasionally looking outside to see the warm light bathing the horizon. She'd groan at the low-charge indicator and slam the coffee mug on the window sill in irritation. Which one sounds in-character for her, I think she'd not be actively attentive to the sunrise, she'd be grunting about the low charge or her coffee being too sweet while BEING IN THE SCENE OF WATCHING A SUNRISE.
You see, we can't write distinct-sounding descriptions or character monologues or transitioning scenes or opening scenes or whatever, WITHOUT KNOWING "WHO" YOUR CHARACTER IS.
If we didn't know how Adam and Ella are, the scene could have turned out simply with Adam watching the sky and admiring it or being sentimental with his internal monologue and Ella watching the same sun and monologuing about how pissed she is at something.
On the surface level, you can say that one of them is being sentimental and the other is angry — they will sound different. They will, but there will be no 'action' making them seem distinct, highlighting their personality in more than just a 'telling' manner. The good old rule of 'show don't tell' applies here.
─ ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ── ♡ ─ ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ──
In short, it is simply about KYC - Know your characters, because otherwise, you are writing every person as Adam or Ella or XYZ.
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yuurei20 · 4 months
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Hello! I wanted to ask, but do we have any visual descriptions of the blot monster that killed Ortho? Like even just if it was big or if it had claws anything like that lol
Also this is a bit of a darker question do feel free to not answer this part but is the it ever implied or said how exactly Ortho was killed? Like did the blot monster like.. bite or maybe squash him? (Ngl I'd normally ask it in a more graphic way but I don't wanna make you uncomfortable)
Anyways I hope you have a good night/day whenever you read this <3
Hello hello! ^^ Thank you for this question!
I do not believe we have any detailed description of exactly what it is that happened to human-Ortho and, interestingly, we do not really know what happened to Idia, either!
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There is a loud sound of something striking against something else and Idia says, "Everything after that is a blank for me. By the time I woke up, Ortho was gone."
What was that sound we hear after the monster lunges for Ortho? Metal against metal? Someone or something hitting a wall, or floor? How did Idia fall unconscious, and what happened in between Ortho being attacked and Idia being knocked out?
"Everything after that is a blank" may be insinuating that something happened during that "everything after," but he either can't or does not want to remember what it was. Very curious!
And there may be more to this scene than meets the eye 👀
When Ortho reacts to the creature coming down the hall, he doesn't call it a phantom: he calls it a monster.
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"Monster" is one of the various ways that the cast refer to Grim (re: Animal vs. Monster vs. Cat vs. Dire Beast vs. Tanuki (pt1) / Animal vs. Monster vs. Cat vs. Dire Beast vs. Tanuki (pt2) ).
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STYX labels him a dire beast in Book 6, but at the same time we learn that Grim is under a powerful spell that STYX's supercomputer can't actually analyze!
Grim might not be a direbeast at all, and we have already heard of creatures that will blend in with direbeasts in order to hide: phantoms 👀
I first came across this theory via Vtuber Toro-san (shared with permission) who points out some interesting things we know about the creature:
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1. It was subject ROS-3367A, which possibly means that the phantom originally came from the Queendom of Roses, and Grim is theorized to have been at least partially based on Dinah from Alice in Wonderland.
(In Book 6 we also hear about a SUS-332OB, theorized to be from Sunset Savanna.)
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2. While the weaker phantoms frozen on the higher levels of Tartarus in Book 6 mostly growl, the stronger phantoms frozen deeper inside would sometimes speak, saying, "I'm hungry, feed me flesh," "Don't go, stay with me" and "I want to be friends, too."
This is not impossible to tie back to Grim, who recalls waking up "hungry and alone," saying "it was real cold."
He follows with, "What happened after that again? It's all so foggy..."
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Grim is mysterious enough on his own, not knowing where NRC is located (which begs the question: how did he get there?) and having significant gaps in his memory, in addition to being so unfamiliar with basic information of what is (presumably?) his own world that other characters often express surprise. (re: Grim's Memory / Grim's Experiences)
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3. The chimera in the prologue has long been theorized to be some form of overblotted Grim. Is that his true form as a potentially flesh-eating, unfrozen phantom under a curse and/or blessing that no one understands?
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We do not know! :> To the original question: it is difficult to pinpoint how exactly it was that Ortho died, as we do not know exactly what it was that killed him. (If it was the chimera in the opening, though, we have an idea of what it is he may have looked like at the time!)
We know Ortho was killed by a monster who had just escaped from a place built expressly for the purpose of housing lonely, violent, and hungry creatures--but that is all!
Perhaps a mystery to be solved as the plot thickens 👀
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pigfacedbitch · 1 year
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HIIII I'm a big fan of your work and I really love it your writing is amazing , this may be a weird request and if your uncomfortable you don't have to do it , it's fine I completely understand, so it's like merlin and Arthur and the reader and they are all soulmates and it's there first time meeting each other . Thank you in advance
Modern! Reader Gets Transported to Albion
idea : modern world! reader gets transported to Albion and meets Arthur and Merlin. unbeknownst to you and the prince of Camelot, the three of you are soulmates.
type : imagines
word count : 0.7k
pairing/s involved : Arthur x Reader, Merlin x Reader
warning/s : almost drowning, panicking
here is my masterlist!
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Note : MY FIRST REQUEST! Whoever you are, thank you for reading my works and I might've changed a little bit in your request. Also, I apologize that it took so long, school has been keeping me busy. I hope you like it! 😊
You've always been a fan of BBC Merlin so when you had the chance to take a trip to Europe, you did.
You went to all the locations where they filmed the series like Château de Pierrefonds and Chislehurst Caves. The last destination is where the Lake of Avalon is; Forest of Dean.
Luckily you are alone, giving you the chance to fully enjoy the beautiful sceneries and serene atmosphere.
It made you feel a deeper sense of nostalgia and melancholy— how the precious characters you loved dearly died and were 'buried' there.
With one last selfie, you were about to walk back to you car when you hear it. A faint voice, filled with sorrow and longing.
"(Y/N)... Save us."
It's coming from the lake.
Something glimmers on it's shore, a sapphire drop necklace with golden chain. When you attempt to pick it up, the world begins to spin.
Suddenly, you were underwater.
Panic builds in your chest not because you can't swim, but an unseen force seems to harshly pull you down no matter how hard you try to stay afloat.
"Help me! Please, someone—"
Air runs out from your lungs when a pair of bulky arms grabs your body and begins to swim you to safety.
"Don't worry, I got you."
I heard that voice before.
The stranger easily carries you to ground, draping a large cloak on your shivering body. Rubbing your eyes for better sight, you look up...
Bradley James?
"Are you alright?"
No. You're certain that Bradley doesn't look that young anymore, keeping up with his latest activities online.
"I told you to be careful, Arthur!"
Turning your head, you see Colin Morgan run towards the two of you with a worried expression on his face.
He looks younger too.
"Ah, Merlin. Fetch the horses, she might need medical attention. May I ask for you name, my lady?"
Arthur? Merlin? Wait... Oh my God.
Realization hits you hard when both men stare at you expectantly, waiting for your answer.
The way they speak, their clothes, their appearances... it's exactly the same in the show you binge-watch every Christmas season.
Am I in the show? That's not possible...right?
"W-Where are we?"
"Camelot."
Shit.
You expect someone to go 'You just got punked!'; that would've been better than two men (who you have a huge crush on) staring at you, confused.
You waited for a moment but nothing happens.
This is real. I'm actually in Albion.
Fear and anxiety creeps into your system, as many questions form in your head. Did I die? What's going on? What season is this? How can I ever get back?
Due to the overwhelming emotions, your breath shortens and keeled over.
Bradley, or Arthur (You have no idea anymore), quickly catches you and gently carries you to his horse.
"We must make haste!" was the last thing you heard before you blacked out.
Merlin, on the hand, knew this would happen. In fact, he dreams of you.
He sees you in vague images, like old memories— happily kissing his cheek, witnessing him use magic, encouraging him to do another trick, etc.
He already etched in his mind your pretty face, your melodious voice, your playful grin— everything about you.
Then Arthur shares the same experience, dreaming about a woman who's description mirrors yours.
Kilgharrah told him that the woman of their dreams will arrive soon from faraway land and will play significant role in the prophecy.
However, the dragon didn't specify how. He only said—
"(Y/N) is your soulmate, Emrys. She sees you and Arthur in a light no one else ever will."
Soulmates are uncommon, even for druids. Only a few were blessed, to have something so wholesome and pure.
So when he heard your cry for help, he is ecstatic. You have finally arrived. His soulmate... and Arthur's.
He wryly smiles at this. Funny how he shares, not only his destiny with the prat, but also you.
The trip to the castle was faster than they anticipated. Arthur told him to call Gaius and meet them in his bedroom.
It caught the attention of everyone. The prince carrying an unconscious woman in his private chambers will surely stir gossip.
But Arthur didn't care, and Merlin didn't know if he should be proud or worried.
The court physician said you are healthy, they only have to wait for you to wake up. He left to attend other matters; leaving the three of you alone.
"This is her." The prince laughs in disbelief, incognizant of what Merlin knows. "The girl in my dreams, I can't believe it!"
Merlin tries to hide his smirk, Arthur can be so adorable when he's clueless.
"Nor can I, sire."
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thewertsearch · 3 months
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Cal, get the fuck out of the frame. You're obliterating the vibe.
GG: ummmmmm hey guys i hope im not interrupting!!! TA: well, yeah, y0u kind 0f were […] AA: sollux try to be polite […] AA: jade is very nice and she did nothing wrong AA: none of them did so when you wake up maybe you should try to reconcile with them [...] TA: did Y0U? AA: did i what TA: be nice t0 them 0r whatever bef0re y0u expl0ded. AA: well no […] [Robo]AA: what actually happened after i died it sounds complicated
Not significantly moreso than your life was.
Although, this is additional evidence that Aradia had no idea she was going to resurrect on Derse. Even our most knowledgeable Player is less clued-in than she thinks.
GG: i have just been enjoying these little naps more and more lately! GG: each time i go to sleep i meet more new people and learn so much GG: but i still cant get karkat to take a nap, boy talk about a guy who is anti nap! TA: ahahahah, yeah, what a d0uche! GG: seeeeeriously!
A more pissed-off Jade meets a less pissed-off Sollux, and they're meeting in the middle for some Mage/Witch solidarity.
The guy's been free of his Voices for about two minutes, and he's already bonding with the humans he used to hate. Here for it!
GG: […] i should really thank feferi again for setting it up so we could meet like this! TA: wait, ff is here? […] TA: 0h g0d, why didn't that 0ccur t0 me, where is she?? GG: ummm probably in another bubble GG: but youll find her! maybe during your next nap… TA: well shit, why can't i just g0 glub ar0und 0ut there in the ring and find her n0w? […] AA: navigating between bubbles is difficult here AA: its better to drift between them naturally as they intersect AA: not spatially but through common points in memory
I'm starting to understand the mechanics here. You start out in a bubble simulating one of your memories, but you can move to adjacent bubbles if they're simulating the same scene, regardless of who is remembering it.
So, initially, you can only visit people that you share memories with - but after that, you can visit someone they share memories with, and so on. Eventually, you can visit anyone in the Ring, provided you're linked by some chain of memories.
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It's easy to imagine how Jade arrived here. She wasn't originally present for this memory, but she has spoken to Aradia before, and probably joined her bubble while it was simulating one of their Pesterchum conversations. You don't get kicked out of a bubble when it changes, so Jade was able to stay after it morphed into Alternia. If she wanted to find someone she'd never met, such as Dad Egbert, she'd have to visit John's bubble as an intermediate.
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Aradia's a special case, since she can circumvent normal bubble navigation by flying out of bounds - presumably because, unlike all her companions, she's here in the flesh.
AA: to navigate the furthest ring you need to have mastered the flow of time! AA: that is why i am here AA: i am alive again so i may assist the dead in this way
It's poetic, I think, that the ex-ghost is the one managing the affairs of the dead. I guess she knows how disorienting it is to be suddenly disembodied.
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