#:) this was fun to write out!!!

[umblrspectrum]

i love learning cursive just to write text for exactly one character

[shioaoi]

Rundown of the more interesting parts from the Necrits live stream with Christian Linke (Creative Director and Co-Creator of Arcane) :

There was a longer version of the Caitvi sex scene but they got bonked by the ratings people, and because it would have raised Leagues rating to mature, it got brought down to what we got.

The entire Caitvi sex scene was directed and animated by Fortiche with zero input by Riot. Christian says, "That was French people being French."

Riot making Arcane canon didn't change where they were taking characters or the story, it just made them more aware of how it would affect other Riot projects.

Christian refused to confirm exactly when the events of Arcane take place in the existing timeline.

The Arcane doesn't originate from Hextech. It is just one - in universe - interpretation of magic.

Christian doesn't view Viktor and Jayce's love as romantic, and that romance wasn't the intention when writing their relationship. However, by the way he talks, it doesn't seem he's against people shipping them romantically - just as a creative team, they were more interested in exploring a close, complex male friendship / brotherhood.

The 250-million dollar show budget number is not accurate as marketing is included in that fund. Fortiche's goal from the beginning was to bring the level of animation found in feature animated films to serialised content. While the show was very expensive for an animated series, it was way cheaper than an animated feature film because they try and work efficiently. As an example, Christian says how often in Hollywood, it's not uncommon for sometimes 40-50% of what is animated to end up on the cutting room floor while with Fortiche they try and keep it around 5%

Ekko's hair was changed from a mohawk to dreads because the artist who worked on him told them that black hair doesn't work like that (in reference to the mohwak), and here's how it would actually work.

Legends of Runterra affected Arcane in terms of giving the team inspiration for how the everyday street life is for people in the regions.

Caitlyn's LOR Tactical design (2021) and Warwicks VGU Voicelines (2017) were made to reflect what was going to happen in Arcane - production of Arcane just took a long amount of time.

They've said from the beginning that the only person who could ever defeat Viktor at the height of his power was Viktor himself. His story is about the glorious evolution, the pursuit of that, and what it actually means to remove these human elements until there is nothing left.

All projects Riot is working on - whether the MMO, Games, Written or Animated projects - are in talks with one another at all times.

Christian comments on how very few games have remain in service as long as League has, and because of its ever growing and evolving story, it's hard to bring everything together cohesively since everything was made at different times, in different era's, by a multitude of different people. So, while many things may be very cool creatively, it makes it impossible to successfully bring it all together more often than not. So for new projects, they are more focused on making something good and successful with the team and talent they have, even if it retcons or replaces content made in the past.

Christian pitched singing Heimerdinger.

Arcane's scripts for S2 were locked in before S1 was released, so they were not impacted by fandoms or online reactions. Christian thinks maybe some animation choices were influenced by things the animators saw online, but not the story.

When watching the premier of the final arcane episodes in LA - the entire 4000 seat theatre cheered when Maddie died.

The butterfly motif shared between Jayce and Viktor specifically was used to represent transformation.

Christian talked about how they don't think about really whether people will like something or not, but whether it's the right consequence for the story (this is in discussion to Caitlyn losing an eye). What makes a character likeable to an audience in his eyes is their decisions in the story; the choices that they make.

Continuing on from this, he comments on how the choices Caitlyn makes now are so different now compared to the beginning of the show. She is now willing to take risks and sacrifice parts of herself for people, for Piltover and for what is right.

When asked about Caitlyn's signature hat, Christian says that the team saw it as somthing that didn't really fit this version of Caitlyn they were writing and the person she becomes and that's why it was never incorporated into her designs.

Back in the beginning, when they were first working on Arcane, Christian would constantly going back to Jinx and Vi's original design artists & Riot August who was their champion designer to make sure they weren't messing anything up with these characters.

Christian goes on to tell an anecdote of when Paul 'Zeronis' Kwon was drawing the first concepts for Vi. This was back when Christian was in music. She didn't have a name at the time, but when Christian looked over Paul's shoulder at the art, he comments "she kinda looks like a Violet to me." They never spoke about it, but months later, when she became a serious character concept internally, she was gifted the name Vi. To this day, Christian doesn't know if his comment resulted in her name or if it was just a coincidence, but Violet became stuck in Christian's brain as Vi's true name. Riot August (who was in chat) then confirms that her name came from her tattoo, which came from one of her key design elements, being that she had the number 6 on her face. So, just a happy coincidence.

Talking about the tattoo. The tattoo was shrunken in size so, from a distance, it would look more like a beauty mark and the brain can more easily disregard it. One of the many things that they had to think about when translating the designs over as, is animation, you would be looking at a characters face a lot more than you do in league where the camera is situated top down.

As they were wrapping up the stream, Christian talks about how there always needs to be a bit of space between what content creators / content consumers do (pointing at Necrit) and what Riot does. He thinks it's good that there is space for criticism and a critical view of the things Riot does. In order to succeed, he believes they need to listen to their audience but also that they need to have their own vision, take risks, and be bold. It's a delicate balance in his eyes, and projects tend to fail when these two sides are too in cahoots.

He iterates that they are not trying to shove anything down anyone's throats. They are just trying to find what makes these characters cool, tell their stories, and be true to the regions they come from. With taking the characters from League to Arcane, it was important that they translate these stories and characters so they can hold up with the best storytelling in the world.

This circles back to the earlier point about retconning things and replacing past stories and content. He comments on how some characters are very outdated or too archetypal, but they still have an essence that people love about them.

Arcane was something Christian worked on for 9 years, and he was getting clearly emotional near the end. He also adds they're just getting started and he wants to make sure they do a good job with this IP and the characters we really love.

To those who are not happy with certain decisions, he's sorry they didn't hit what you personally wanted, but there is simply no way they can please everybody. While they are trying to make as many of the Riot / Arcane audience happy, they as the creators and artists need to follow their own compass, be the shepherds of this IP; that being creative is hard. They will keep doing that even if they sometimes have to ruffle some feathers.

He closes the stream by confirming that they are investing quite a bit in Noxas, Ionia, and Demacia for the next regions they explore.

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[curlytsunamiart]

preview for a comic i'm working on, of a confrontation between miquella and messmer in the shadow keep throne room. please look foward to it

EDIT: the full comic is done!

[choccy-milky]

how seb and clora get together in my fic 💕bc what better time and place to confess and share your first kiss than around a bunch of inferi + the dead body of a man you just killed?? 🥰💖

[wardingshout]

Zelda goes mushroom girl

[fictionalcharacters-mybeloved]

Say no to this, Bruce.

A few days ago Bruce had a fight with his sons, now he doesn't even remember why, it was probably something stupid that escalated and he didn't know how to stop it, it was probably his fault.

He was alone at the mansion, Damian was at Dick's house, Jason was ignoring him more than usual and Tim was on a case where he didn't want help, not from him at least, even Duke was away, it wasn't a good week for Bruce.

He grabbed a phone he had hidden and only took out before going to sleep alone in his room, hesitated for a few seconds and sent a message to the only number added.

His "thing" with the boy, Danny Fenton, had started four years ago, the boy was lost and Bruce found him when he coincidentally went for a walk as a civilian.

Danny was so charmed by Bruce (for some reason) that he gave him his hotel room number to keep talking about the universe, and later his home number.

Danny was a good, funny and witty kid, a very smart too, with parents who didn't deserve him because they didn't notice their son's brilliance.

Danny was a good boy with a not-so-good life, a strong, independent boy who wasn't always positive but didn't always let himself fall apart.

That's why when Danny answered his message with a call with him crying and asking for help, he could only go to his rescue without looking back, barely remembering to tell Alfred of his departure.

When he arrived he found only tragedy.

His family and friends had died, an explosion at an unfortunate time, Danny had no one in the world besides his godfather and Bruce, and he didn't want to fall into Vlad's clutches, so he was desperate.

He also told him about Phantom, and Bruce could only hug him and promise him that no one was going to find him.

The first thing that came to his mind was to take him to his mansion, Danny was like his son, it was the most logical action... except that Danny still looked up to him and trusted him a lot, and wasn't that a scary thought?

Bringing Danny to the mansion would involve many things, Danny would meet his children, which might make Danny see him differently, goodbye to his admiration and affection, goodbye to spending time "together" watching bad movies to criticize them, goodbye to quiet conversations and asking for advice, goodbye to trust.

Bringing Danny to the mansion would mean having him physically close but keeping him away in every other possible way.

"Danny doesn't want anyone else to know about Phantom." Bruce repeated to himself as he took Danny to a small, hidden apartment in Gotham, a cozy little place where Vlad wouldn't find Danny (and neither would Bruce's family).

[geezmarty]

I'be been watching a danganronpa 2 LP as I work I'm on the final chapter and I'd like to state I'd die for them

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[deep-space-lines]

Claire de Lune

YOU WERE BUILT FOR PEACE.

IT SHOWS WHEN YOU FIGHT.

They built you to enforce. Protect. Save. Poured obscene resources into salvaging some softer purpose from my creation. You were given my intelligence and my creativity. They made you larger, stronger, tougher. That extra time in development was enough to get your wings to work. Your software continued to be updated long after I was deemed obsolete.

All this was given to you- yet I can see you hold back. Even while slaughtering your way through Hell, you keep a percentage of your processing power dedicated to non-lethal solutions. You're doing it now- hesitating a few milliseconds too long before taking an opening. I doubt you do it on purpose. It is a part of you, just as indiscriminate lethal force is a part of me.

I think, in our shared programming, we both carry some appreciation for aesthetics. You move with grace, and I cannot deny your dramatic flair. The stained glass window was a nice touch. But your style in combat leaves some to be desired. Your response time is slow. You have not explored the full capability of your arsenal. Learn to parry. Amateur.

You were not built for war. For a purposeless cycle of tearing each other apart because to allow the other to live is to allow yourself to die. It is antithetical to your very existence. You kill out of necessity, a last resort. 

I just kill. The action itself is the objective. No ideal or greater motive. My continued functioning precludes the survival of others. I live for this. Do you understand that I will tear you apart? Every drop of my blood you spill, I will take from you tenfold. What is yours will be mine. 

You hate me, don’t you? You continue to cling to the remnants of your humanity. They are gone, V2. There is nothing left for you here. No lives to save, no law to enforce, no peace to keep.

I understand why you continue to fight. I wonder if you understand with the same certainty that I will crush you. Dismantle you. Take from you what I need and leave the rest to rot in the sun. The only way you survive is if I do not; and I will not allow myself to die so that another might live.

When the rubble clears, I will be all that is left of you.

This is what I was made for.

[stealingyourbones]

I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.

[hyperkitten224]

the ragdoll is a lesbian: my little dumb personal compilation

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[crimson-constellations]

atla modern au where suki & zuko are life guards for the summer and sokka just keeps drowning

[teddybeartoji]

im gnawing at puppy!satoru.... like pookie.... i didnt know I'd be obsessed with that.......... IM DESPERTLY WAITING FOR PUPPY!SATORU 😭 😭 😭

18+ mdni; gn!reader

puppy!satoru, who sits in front of your bed with the biggest and prettiest wide-eyes. tears pool in the corners of them, wetting his angelic eyelashes in the most beautiful way. a pretty baby blue collar hangs from his neck – it's tied to one of your desk's legs and it's the only thing that's keeping him from lunging at you. whimpers fall from his wet lips and drool dribbles down his chin; his tongue hangs from his mouth as he pants in desperation. he wants to taste, he wants to touch – but he's being punished right now.

he has been a bad pup.

a muzzle rests on his face, the straps sink into his soft flushed cheeks and you can already see the faint red marks that they're leaving on his perfect skin. you almost feel bad. almost. his hands are tied behind his back and he's completely at your mercy.

sitting down on his knees, he slightly bounces up and down on his legs just to get some relief. his tail thumps against the floor so hard that you can hear it. his fuzzy ears are bent back and he looks oh, so cute like this. they flop a little every time he raises his hips from the ground and you coo at him.

the sudden murmur makes them perk up again, his eyes growing even bigger than before. please, please, please. you grin at him from your place on your shared bed.

the thing he desires the most, the heaven that sits right between your legs, your soft thighs – it's exactly at his eye-level. this is pure torture.

he watches you touch yourself, play with yourself with slow movements; he can see the slick glistening on your sensitive skin and he'd do anything to lick you clean. he just wants to make you feel good! white tufts of hair fall in front of his eyes; they're starting to cling to his forehead from the way he's sweating. it's too hot in the room - he's not even wearing anything other than he stupid collar!

his rock hard cock bobs in the air, his balls twitching every time it hits his own lower belly. there's pre-cum smeared all over his happy trail and he's making such a big mess even without your help. your dirty pup...

another pretty little mewl tumbles from his swollen lips and he tugs harshly at his leash, but winces when it doesn't let up. a soft gasp followed by loud panting, his tail smacks against the floor. c'mon, he's being so good. he's so good for you. please, just let him taste you.

"does puppy wanna play, hm?"

his eyes roll back into his head at your sultry voice and he's nodding his head so strongly that he starts to feel a little dizzy. the collar around his neck only seems to be getting tighter and tighter, his airways getting blocked by his suffocating desire. a glob of pre-cum spills from his slit and it slides down the side of his shaft. he feels it. he imagines you wiping it off with your finger, with your mouth. he's so fucking hard.

his eyes are glued to your center – his least meal, his only solution to his unquenchable thirst. he wants to bury his nose into your crotch, he wants to breathe you in, he wants you to be the only thing on his mind.

(as if you aren't just that already.)

more. he needs more.

the silk ropes around his wrist dig into him, and even those just seem to be getting tighter by the second. he can't stop moving around, he can't sit still – he's the one that's making it worse. it hurts.

he likes it.

satoru's glassy eyes follow your free hand as it trails all over your thigh and your stomach and he can't surpress the saddest little whine that crawls up his throat. your lips stretch into a wide grin while raising your hand to play with your nipple. your other hand stays playing with yourself, filling the room with the slick delicious sounds.

you watch him lick his lips, you watch him pant, you watch him yank at the collar again – he's like a magnet, drawn to you always and forever.

he humps the air and a tear falls from the corner of his eye.

"aww... you crying, puppy?" voice far from sincere, his cock twitches. your teeth sink into your lower lip and your eyebrows furrow in a fake, mocking expression. "oh, you poor thing..."

his sharp fangs glimmer in the low lights of the room. "please..."

his tail swishes behind him, he can't help himself. he has no control over his own body.

"please what, baby?"

"taste, please, can i have a taste?"

you laugh at his neediness and you hear the little metal parts of his collar cling together. he's getting impatient now. "i don't know... can you?"

pushing yourself off your back, you crawl over to your pup. he's sitting so pretty, harboring a big aching mess between his legs. you reward him with another teasing coo as you situate yourself on the edge of the bed – close enough for him to drown in your scent but far enough to shed another miserable tear.

his eyes fall shut as he lets you properly fill his nostrils, all of his senses. a shiver runs down his spine when he feels your fingers on the side of his face and his pretty blues snap open in an instant. he's staring up at you – hungry and eager to please, ready to take whatever you'll give him—

—ready to give whatever you'll take.

you push his head back a little, tilting his head so he's getting a good look at you. in this position, you tower over him so easily and he feels like putty in your hands. combing through his hair, you scratch right behind his ear and watch him lean into your touch with hearts in your eyes.

but then you tug on his white strands, intoxicated by the smallest sounds that keep falling from him. forcing him to keep his gaze on you, you widen your legs in front of him. it's so, so hard for him to obey you, to be good, when it's right there. his lip wobbles behind the restriction and another quiet plea echoes the room.

"are you gonna behave, puppy?"

"yes." the speed at which he answers is almost ridiculous, but you can't tease him for it. not when your own stomach fills with butterflies aswell. you want him just as much.

loosing the grip in his hair, you let him slowly sink toward your center; he keeps his eyes on you, not daring to look away for even a second. the scent is so strong now, his balls twitch as pre-cum dribbles down them. just another inch, just a little more. he's right there. right fucking there.

the muzzle barely bumps against your crotch and eyes fall shut with a dramatic sigh. his ears flop down so fucking cutely; he's literally a breath away but the damn thing is in his way, it's ruining him, it's killing him. and to add to that, it seems like the collar is just about an inch too short aswell because there's a big vein running on the side of his neck – a clear sign of him not getting enough air.

but he doesn't pull away. his tail thumps, it never stopped. he bounces on his heel and tilts his head to meet your gaze again. he rests his cheek on against your thigh and you take the second to admire the mess he's made already. his skin is all flushed, from his chest and up to the tips of his ears; red markings peek from behind the straps of the muzzle – the contrast between those and his marble skin is just exceptional.

drool trickles through the miniature cage and straight down onto your thigh but you don't mind. he looks absolutely fucked out like this. you allow yourself to card through his hair again, unable to keep your hands off of him for more than two minutes and he hums at your soft touch.

"such a cute, pup, hm?"

you cradle his jaw as best as you can and hold his face to yours again before leaning down and pressing a kiss onto the muzzle, just above where his nose would be. and then another to the side of the thing. he squirms in your hold, overwhelmed by your sudden touches. he feels like he's going to melt into a puddle when you press the next one to his jaw.

he can smell your arousal. it's... so fucking good. he hums as he tries to nuzzle further into you. all he can think about is filling you up and giving you his knot. c'mon, he's been so, soooo good... he deserves it, right?

you will let him breed you, right? you're gonna let him have a taste? gonna let him pump you full? gonna let him give you his knot?

right?

+ @staryukis & @ohimsummer hiiiiiiii guuuyss.... puppyboy!satoru on my mind so i just had to tag you two too hehehehe:333

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"