#//ooc: finally making my own posts in this timeline
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Murder Time Trio as a poly... or something else
NOTE: This was supposed to be a relationship chart, but I couldn't find any that I liked, and I got frustrated trying to make one, SO I decided to do it in the form of text and headcanons and is slighty ooc because i can’t write them realistic, its against my policy
Before I elaborate on my thoughts about Murder Time Trio poly, I will present to you a summary of the BACKGROUND that I will use for my upcoming discussions about this trio.
In this post I share a bit about that thought and there is this au created by @what-have-i-unleashed named Mermaid Bunny AU, you can find it on their pinned post (is focused on kist in some parts, read the warnings before reading!)
However, since that post I made was more focused on Killer, I will also comment on the other parts of this relationship below!!
NOTE²: To avoid confusion, the first Killer will be called Kei (as a way to start fresh, he chose to abandon the name given to him after his code was altered), while the second Killer will simply be called Killer, as he has neither the desire nor the order to change the title given to him – a title his best friend, his partner, gave him. That being said, let’s move on to their background
HORROR'S ARRIVAL
Horror was the second to arrive, dragged by the slimy tentacles against his will – Kei vaguely remembers hearing his screams calling for someone, spitting threats at Nightmare as if he had no fear for his own life. He didn’t even notice his soul subtly writhing when Nightmare did nothing but toss the skeleton at his feet. "Show him his new home." Those were the orders he heard, and not even a minute later, they were already walking through the abandoned place (whatever it was, the hallways were too long to be considered part of a house, and the rooms were dark enough to make Horror question the things he saw inside them).
It wasn't for lack of trying that their almost-friendship was created – as fragile as a thin twig. Kei had been ordered to teach Horror everything he knew: what Nightmare liked to hear when they returned from missions, how to act when spotted by any resident of the universe they were exploring, what not to do when the hallways of their home (Kei called that dreadful place home, even though it was worse than the hell Horror said Snowdin was) seemed to grow darker and darker, how to ignore the torn and moldy paintings when they appeared to move in the shadows… Everything Kei had learned, he passed on to Horror, but like a mule being whipped to carry its load, Horror would always stall at the most important moments.
Like the time he screamed to go back home, for Nightmare to throw him back into the deep hole that was his past problems. Kei never heard Horror mention his old home again after that night – at least, not while Horror was conscious; only on nights when he finally fell asleep, so light that even the faintest sound would bring that red orb back to life. Of course, Kei knew this – who else but him would keep an eye on his copy to make sure he didn’t try anything stupid? He had to check and act as the loyal right-hand man he was. It wasn’t as if Horror was the only somewhat safe company for him there, no – he couldn’t allow himself to get attached to someone that he would abandon at the first chance he gets.
But Kei could be a little selfish, couldn’t he? Horror was selfish too when he claimed the least uncomfortable bed would be his when they were traveling, or when he shrugged whenever Kei questioned the disappearance of some witnesses who had seen them lurking too close to AUs near the Omega Timeline. Or when Horror got too close to his body on freezing nights, trembling after hours of walking through the thick snow surrounding their home. “This thing is warm.” He pointed at the circle in front of Kei's chest, seeming to hesitate – or not wanting – to call it a soul.
Kei could be selfish if Horror was the one to blame for making it impossible for him to sleep in separate rooms after that.
MURDER'S ARRIVAL
Horror never thought that a third member would be added to the chaotic and dysfunctional duo that was him and Kei. From what he could hear through the poorly closed and fallen door of the room where Kei and Nightmare often argued about their performance, the boss (even though Horror would never call him that) never mentioned anything about adding another screw-up monster like them to the group.
But it wasn't as if Nightmare cared about their opinion on anything, or even cared about their existence - as long as they stayed alive, that was enough.
Murder's entrance was so different from his, so much more... silent. No sudden movements, no explosion of LV, nothing but incomprehensible murmurs beneath that dark hood. If Horror thought Kei was unpredictable and full of weird traits, Murder had just stolen his place. It wasn't as if Horror was a healthy or sane person either, but Murder was an extreme even for him: clothes covered in monster dust, eyes — when lit — always twitching, looking side to side as if others were in the room besides the three of them.
And it was agonizing to see someone so similar to his former self — when there was no danger around them, or when Murder seemed to finally relax those pale bones, those two little lights would glow in white, in a nostalgic way. Horror didn’t like that feeling. Kei was another one who seemed out of place with Murder’s addition to their little group.
“You’re real…” he murmured between laughs — an almost undistorted reflection of himself.
It was hard to adapt Murder into their already chaotic and unpredictable routine, almost like caging an euphoric animal alongside two others already in captivity — the rare calm of before was quickly torn apart by Murder's trembling and impatient presence. As sadistic as the last one, Kei once commented, referring to Horror, who just scoffed and mumbled something like "don’t compare me to that..." It wasn’t a good start between them, definitely.
And no matter how much Horror tried to deny it and even fight with himself, he wasn’t so different from the other two. Nightmare’s motivation in handpicking each of them was clear — it almost had a bitter kind of charm to it, if it weren’t so inconvenient. At least he and Murder seemed to want to be as far away as possible from there, but Kei? Why was he so loyal to that demon?
Horror never knew Kei’s deep desire to escape that hell, to crush Nightmare’s rotten soul underfoot like an insignificant insect. At least, Kei never confessed it to them specifically. No, no.
"As if I care who you talk to outside of work..." Horror once huffed, sounding strangely genuine. "If you want to chat with that rainbow skeleton, that's your problem, don't drag us into your issues, capiche?" And so Kei did.
Part two is on their way~
#i feel that i talk more about horror and killer in this?#idk why but i feel they would get along more?#this was the most long yapping that i write woah#it would be longer if i wrote everything i wanted#i already know what to write for part two#DONT TAKE MY MTT CITIZIEN ON THE TRASH#mtt poly#mtt#utmv#sansshipping#sans ships#dust sans#murder sans#horror sans#killer sans
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How Concerned Citizens Drove a Neo-Nazi Out of Rural Maine
Christopher Pohlhaus planned to build a fascist training compound in the woods of rural Maine. The local journalists, veterans, lumberjacks, and policymakers weren't having it.
Pohlhaus, 37, is a former U.S. marine, an itinerant tattoo artist, and a hardcore white-supremacist influencer. He is loud and hostile, and proud to be both. His voice is pitched surprisingly high, and he has a slight Southern drawl. He has a large body and small bald head; a blue-black tattoo crawls up the right side of his face, from his chin to his forehead. Over the years, Pohlhaus has collected thousands of social media followers, who know him by his nickname: Hammer.
Hammer had been living in Texas for a few years when, in March 2022, he bought the land in Maine. He told his followers that he was going to use it to build a haven, operational center, and training ground for white supremacists.
Check out our excerpt of The Atavist’s latest blockbuster story.
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PORTO ROCHA
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🧀🥪🌶️🥭 The Ravening War portraits 🧀🥪🌶️🥭
patreon * twitch * shop
[ID: a series of digitally illustrated portraits showing - top left to bottom right - Bishop Raphaniel Charlock (an old radish man with a big red head and large white eyebrows & a scraggly beard. he wears green and gold robes with symbols of the bulb and he smirks at the viewer) Karna Solara (a skinny young chili pepper woman with wavy green hair, freckled light green skin with red blooms on her cheeks. she wears a chili pepper hood lined with small pepper seeds and stares cagily ahead) Thane Delissandro Katzon (a muscular young beef man with bright pinkish skin with small skin variations to resemble pastrami and dark burgundy hair. he wears a bread headress with a swirl of rye covering his ears and he looks ahead, optimistic and determined) Queen Amangeaux Epicée du Peche (a bright mango woman with orange skin, big red hair adorned with a green laurel, and sparkling green/gold makeup. she wears large gold hoop earrings and a high leafy collar) and Colin Provolone (a scraggly cheese man with waxy yellow skin and dark slicked back hair and patchy dark facial hair. he wears a muted, ratty blue bandana around his neck and raises a scarred brow at the viewer with a smirk) End ID.)
#trw#the ravening war#dimension 20#acoc#trw fanart#ttrpg#dnd#bishop raphaniel charlock#karna solara#thane delissandro katzon#queen amangeaux epicee du peche#colin provolone
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One of my favorites by Paul Lehr, used as a 1971 cover to "Earth Abides," by George R. Stewart. It's also in my upcoming art book!
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もともとは10年ほど前にTumblrにすごくハマっていて。いろんな人をフォローしたらかっこいい写真や色が洪水のように出てきて、もう自分で絵を描かなくて良いじゃん、ってなったんです。それで何年も画像を集めていって、そこで集まった色のイメージやモチーフ、レンズの距離感など画面構成を抽象化して、いまの感覚にアウトプットしています。画像の持つ情報量というものが作品の影響になっていますね。
映画『きみの色』山田尚子監督×はくいきしろい対談。嫉妬し合うふたりが語る、色と光の表現|Tokyo Art Beat
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#thistension
XO, KITTY — 1.09 “SNAFU”
#xokittyedit#tatbilbedit#kdramaedit#netflixedit#wlwedit#xokittydaily#asiancentral#cinemapix#cinematv#filmtvcentral#pocfiction#smallscreensource#teendramaedit#wlwgif#kitty song covey#yuri han#xo kitty#anna cathcart#gia kim#~#inspiration: romantic.#dynamic: ff.
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No one wants to be here and no one wants to leave, Dave Smith (because)
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Anybody know what the name of that "system of a down Zelda song" is?
It gets stuck in my head some times.
LimeWire wrapped (x)
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Noodles with Lamb Sauce (Laghman, 新疆拌面) Xinjiang laghman features chewy noodles served with a bold and rich lamb and tomato sauce that is bursting with flavor.
Recipe: https://omnivorescookbook.com/recipes/uyghur-style-noodles-with-lamb-sauce
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CJ from Hello World (MSPFA) by phasedsun?
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よく「発明は1人でできる。製品化には10人かかる。量産化には100人かかる」とも言われますが、実際に、私はネオジム磁石を1人で発明しました。製品化、量産化については住友特殊金属の仲間たちと一緒に、短期間のうちに成功させました。82年に発明し、83年から生産が始まったのですから、非常に早いです。そしてネオジム磁石は、ハードディスクのVCM(ボイスコイルモーター)の部品などの電子機器を主な用途として大歓迎を受け、生産量も年々倍増して、2000年には世界で1万トンを超えました。
世界最強「ネオジム磁石はこうして見つけた」(佐川眞人 氏 / インターメタリックス株式会社 代表取締役社長) | Science Portal - 科学技術の最新情報サイト「サイエンスポータル」
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PORTO ROCHA
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HRH The Princess of Wales in Southport today, on her first engagement since completing chemotherapy. It’s so good to see her!❤️ --
#catherine elizabeth#princess catherine#princess of wales#princess catherine of wales#catherine the princess of wales#william arthur philip louis#prince william#prince of wales#prince william of wales#william the prince of wales#prince and princess of wales#william and catherine#kensington palace
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