#//im much much better at drawing face and arm anatomy

[jils-things]

you are pretty, dearest!

[phoenix-art-official]

Ah— ("natural way of spacing", anon, here) i meant that it *looks* very natural! Very pleasing to the eye etc etc ... I'd be even more astonished if you managed to do it effortlessly ... I've been trying to get better at it, personally. And you're right. It does take a lot of work !!

OHHHH OK well then in that case TYSM AAAAA IM GLAD MY ENDLESS NITPICKING PAID OFF!

i actually found the best way for me to conceptualize combined poses was to take some inspiration from comic making! in comics, every page starts as a thumbnail, and the goal of a thumbnail is to be small, non detailed, but easy to read. it helps you "zoom out" and get a better read on the full composition of a page/panel. its how i start all of my sketches at this point. no guiding lines, no focus on anatomy or perspective or accuracy- just form, volume, and readability! theyre also meant to be done quickly- within a minute or two.

heres an example from my latest sketch. this was what i started with. its vague, but it helps me visualize clearly how the lines flow together and lead the eye. you naturally focus first on fords face, then follow his arm to stan.

after that is my proper sketch, paying mind to anatomy, volume, and perspective

notice how i keep it messy! this leaves me room to change things as much as i want, moving or posing things differently depending on what works in the space. thankfully this one didnt need much tweaking!

i generally draw a lot faster than most artists, from what i can tell- i spend maybe 2 or 3 hours on a sketch like this, and then im like, "okay, im done, looks good."

this is just my own process after, like, a decade of teaching myself, so it may not work for everyone, but i find its better to have an ill-fitting guide than none at all. adapt to your own needs!

[moonlit-dreamers]

*sighs loudly* so i Was going to draw them but turns out my own design is too difficult for me to draw. but i'll be making this post anyway bc this au has been cooking for so long i might as well!

Featherless Flight AU

aka dca avian au where these fucks r BIRDS

(disclaimer this is a sun x moon au. it also deals with heavy themes such as child abuse, death, violence, and. ya know. wutever tws come with the apocalypse (also these will not be talked about in detail in this post))

nothing robotic in them. just feathers, blood, and bones. a lot of that stuff may be lost or break throughout their story! but lemme at least tell u wut they look like (without having my own drawings OTL (i only have a ref for their faces (which im not confident of)))

a quick note for both of their designs, they r both Fully Covered in feathers, including their arms and faces (yes they have arms And wings). the only places that dont have feathers is their lower legs and hands. they have anthropomorphic legs. and their face shape is also similar to a barn owl, as shown here (ignore the lack of mouths, idk wut to give them)

suns design! he has the coloring and general design of a sun conure. hes full of bright reds and yellows, tho the green is replaced with a bit of blue. he has multiple crests around his head that fluff up similar to a cockatiel but theyre in a way that make it look like rays. in the drawing above is wut they look like without their crests raised; that is their default. suns feet r grasping feet which r 2 toes in the front and 2 in the back. sun has high speed wings so aes a lot faster. (if u dont know wut any of this means i recommend u look it up, im a bird nerd) sun is also specifically an omnivore (them having different diets is actually plot relevant)

moons design next. moon is the color of a hyacinth macaw tho his anatomy is closer to an owl. he has one large crest on his head like a cockatoo. its also colorblind! since its anatomy is based mainly off of owls, for moons ability to see at night means he can see less colors. and bc hes more sensitive at night his eyes r always half closed in light, making it look sleepy despite being fully awake. moon has raptor feet with 3 toes in the front and 1 in the back. xis claws r also much larger than suns. moon has passive soaring wings which is better for longer flights. and moon is a carnivore :)

theres also an eclipse but their design is an enigma to me even in my own mind

but back to sun and moon! if anyone is curious moon uses he/it/xe pronouns while sun uses he/it/ae pronouns. they r both aroace and love each other deeply (qpr babyyyyy). sun is genderfluid while moon doesnt give a shit (agender).

sun is more bubbly and energetic. very much high energy bouncing off the walls. hes the kind of optimist where u cant tell if their "bright side"s r trying to help or be condescending. its a master at back handed compliments. heavily a perfectionist and will reach the point of screaming fits if wut he doesnt isnt perfect. ae has a lot of self image issues. ae hides a lot of aers lack of self confidence and doubt behind a wall of "im the best", tho that wall can crash very easily. a bit of a flirt, but mainly bc he just enjoys seeing how ppl react. he takes compliments from everyone but moons compliments r always the best

moon is lower energy and calmer. at least, he acts like it. hes more reserved and if it wasnt for sun he wouldnt have any friends or talk to ppl at all. he fears abandonment and sun is the only person who has stayed with him this whole time and is the only person he truly trusts. is very aggressive towards anyone it doesnt know. despite being shorter than sun (hes 6ft while sun is 7ft) it definitely does a good job at intimidating ppl. over time when xe becomes comfortable with someone xe will eventually calm down and show a bit of a softer side to them. when xes actually calm and likes someone xe can be a bit... chaotic :)

im honestly not sure where ill start their story since ive already thought about their childhood but i also wanna write about their adulthood as well. the story of their childhood mainly deals with the abuse they went through, then with adulthood theyre shoved into an apocalypse bc... y not :) (btw the apocalypse is mainly just bc ive been enjoying apocalypse aus a Lot lately and wanna write one. the child abuse is for their development and to show y they act the way they do. while it will be fun to write their development, i am by no means saying abuse is okay and this topic will be treated carefully and seriously.)

oh theyre also nd as Fuck

but yeah. these r my babies! i hope to at some point start writing the fic so i can show it to u all, but im already in the process of writing another fic, which will be coming out soon!

[slightly-gay-pogohammer]

I don't know if you've ever been asked this question, but I was wondering:

Did you learn to draw somewhere, or were you self-taught? Maybe you have some tips or hints for beginners? What was your favourite thing about drawing?

Sorry if this ask is too personal, but I really like your drawing style and wanted to ask some advice :D Have a good day! 🌸

it's a mix of both, really! i grew up loving art from the very beginning, like. im talking about making teletubbies fanarts and asking my dad to make me learn to draw characters from w.i.t.c.h. and tomb raider fandsndfs, according to my parents i had a pencil in my hands before i even started talking -- and that's what led me to actually learn to draw "properly", first in a art-centered high school (that. did less than good to me tbf but it was a matter of 90% of the art-related teachers being garbage) and the comics academy in torino where i think i started to truly "understand" what i wanted from my art style

if i may give some advices other than the good ol' "keep practicing and try to at least doodle something once a day", i could go with:

don't compare yourself to other artists negatively, especially those younger than you. it's probably the hardest part, but you need to "force yourself" to be positive. if you find yourself thinking "this 14 years old draws better eyes than me", go with "i love how they draw eyes, let's see if i can learn from it"

copy copy copy copyyyyy!!!!! copy from references, copy from photos, copy from comics, copy from movies. of course don't plagiarize people and then present that stuff as your own, but try to make a pose yours and learn to take pictures of your own hands, feet, face or ask people to pose if you can't find the right position

your art will look like shit to you, a LOT of times, but know that at one point you're going to quit. if you don't like what you're drawing, either quit there or restart, don't try to "fix" it because you'll just end up noticing more and more issues with it - issues that, most of the times, aren't even issues to begin with. letting go of perfectionism is very difficult, but at some point you'll have to do that--

and about perfectionism, a VERY good exercise we did in comics school was being forced to "draw fast". this isn't me telling you you NEED to draw as quick as possible, but it's an exercise that forces you to learn quickly where certain body parts go, to prioritize specific details rather than others. we had a model, and at first we had to sit there for an hour drawing her, then the hour became 30 minutes, then 10, then 5, and at the end 1. it took us a few lessons to do that, but at the end the super sketchy 1 minute copy went from ???? to a stylized human figure!!!

learn to draw realistic anatomy, and then make it your own style.

for the love of god learn prespective it's a bore it's a chore but as soon as you learn that everything becomes SO much easier

for shading, just. put a point in the canvas where the light source is and go from there!! if the light is on the right, the shades will be on the left

if you're coloring, play with the shades' colors. a good idea is to use the opposite color you use for the lights - if the light is yellow, the shades look great in purples, for example just don't use pure black unless you wanna go for a more dark/noir aesthetic oh my god

professional comic artists retrace a lot of their backgrounds. i'm js. use this as you wish :)

learn to draw different body shapes!!!! like getting out of the anime phase of "fat people are just like thin people but with a huge belly" can be difficult, but it's very satisfying

go out of your comfort zone. if you have problems drawing horses, spend a few days learning to draw horses. take some pics and try to understand them.

body proportions are so fun once you realize how so many things are the same. generally speaking, your spread hand is as long as your face, your feet and half the size of your arm; the outer corner of your eye is at the same level of your ear, and the inner corner is perpendicular to your nose and the corner of your mouth; if you leave your arm on your side, your elbow is at the same level of your bellybutton, and your fingers reach halfway your thighs. it's so fun

and yea, i can't stress it enough. it'll take time. art is painful, art is stressful, art can be discouraging. take a step at the time, accept some failures and celebrate any good thing - even the smaller ones. you learned to draw hands today, and you should be proud. i tried to draw a cat for the first time and it looks wonky, but the cat you will draw tomorrow will look better. i believe in you

[fearmeeeee]

TUMBLR ATE THE ASK WHEN I SAVED IT AS A DRAFT SO IM SORRY IT WONT NOTIFY Sorry for taking so long to reply! If there is ONE thing I need to stay with you from this, it's study your own body. Its the fastest, most accurate, most easily available way to study anatomy. Crouch, touch your shoulders, hug your legs, raise your arms above your head and try to notice the differences in size between limbs. Put your hand on your face. Look at your reflection in a mirror/window. Especially since we are talking about proportions, those are about the same in all bodytypes and need just minor tweaking to get the feel of a different build. And if you dont draw your bodytype, who will? Disclaimer: I'm very honoured you asked me for tips, but I usually dont think abt proportions, since I internalize the things I learn by observing, so its a bit hard to put into diagrams. I will do my best!

Since the ask is pretty general, I just tried to give the first advice that comes to mind.

When drawing the body standing up, the top of the hip is the middle of the entire height. Also when standing, the elbows would align with the waist and the wists with the crotch.

Try touching your shoulder with the hand of the same side. The forearm is shorter than the upper arm, but combined with the hand it exceeds the length. Same for legs (thighs are the longest part) when the foot is pointed down. When you measure from the base of the foot though, the knee is around the middle. When the arm is held above the head, it can bend at the elbow around 90 degrees and then it will touch the top of the head with the forearm. A hand will take up the face of a person, from chin to eyebrow tips, but hand sizes can be pretty varied.

The bodies can have different muscle and fat masses and be exagerated, but the ratios above will still be about the same.

Also when drawing sitting down and hollding the legs , I've found its easy to kinda align the collarbone with the top of the knees (this works because the spine is bent so the torso has less length than when standing). The tips of the limbs (hands and feet) can be exagerated a bit bigger if you are unsure (or just want to) and they still look correct, whereass being drawn smaller makes them feel off.

Personally I draw hands MUCH bigger than I should because I like the way it looks, it is very much not the right proportion. I also tend to stretch the bodies much more, but it is very important you understand how bodies work and what the proportions are before you start stretching and exagerating the limbs. This is already my interpretation so studying real life is better still. I hope this makes sense, I'm bad at explaining Thank you for the ask, and have fun creating💚

[ninjapaste]

dude your art is so GOOD!!! Do you take any classes or have any tips to share? that resource post you reblogged the other day was helpful but i've felt so stuck in my art. I don't know if you have anything u learned that just made something click for u or anything like that?

Tysm anon!!!👍

In terms of your questions, I apologise i advance for the long answer im about to give and possibly things you already know haha:

I guess in terms of what classes i take, Ive gone from GCSE to A level Art and design (Fine art), and both courses have helped me to learn the importance of observation studies.

However, its moreso all the art i practice in my own time that has played the biggest part in my art improvement journey. I adopted art as a big hobby around 2018, and really ever since then I tend to draw/create for myself every day, however big or small it may be.

I guess my first tip would be to indulge in a 'sketchbook' or space to work in freely, it could be any form but the importance is that its personal and can be picked up whenever. I find that having a sketchbook to draw in has really helped with productivity and creating new ideas. I think you can go into a sketchbook space with any mindset and it can work wonders, like for example if you wanted to focus purely on challenging yourself, you can do that! If you just, want to doodle without thinking, go ahead! After all, its a sketchbook for you and nobody else, so go wild!

My next tip would definitely be, when you are feeling stuck in art, to take inspiration from a wide range of different things be it in real life or on the internet, a building or a really cool tree, since I find it defintiely fuels the creation of new ideas/concepts that can provide a path out of that creative rut. I guess to an extent there may always be periods where you have that 'I have no idea what to draw!' Feeling, and thats okay! Sometimes its refreshing that helps the most. But I often see that the solution to being in a rut is usually REFERENCING, wether it be trying to accurately draw the anatomy of an arm or if I just saw a cool design/pose/style on Pinterest and i drew a bunch of wacky characters from it. In fact, I find that places like Pinterest or Resplash are such good resources to hone imagination and generally most art skills by looking at and drawinf from all the cool images (and get some of that inspo!). And if im not using Pinterest, im usually using an art book as reference! (The itsv and splatoon art book helped me so so much lol)

On the topic of REFERENCING, its mega important! Depending on imagination/memory feels pretty good at times but its always beneficial to have image references in your process when you find its good to have them. I woudl always recommend having a reference when drawing poses/expressions/anatomy because the more you use them, the more you learn about how an object like a face muscle, a torso or even light behaves and looks and the easier it is to draw/depict them.

The next tip is uh YOUTUBE, or any account/person who's art inspires you in particular. I found that certain channels like Ethan Becker, Marc Brunet, Marco Bucci and more have helped me the most to gain confidence in drawing and learning how to practice it better. Of course, theres a lot to learn from a plethora of other channels too, even ones that dont specifically promote themselves as teachers! Also, if theres a certain style/art approach or an artist that appeals to you, study it in any way you like! Analyse an artist's work or ask/find out about their personal process (or even watch a speedpaint/art stream)! Sometimes it can be a big inspiration booster and skill boost to do just that (plus the 'artist' could be any piece of media/thing too!! Like a game or something).

Ok ok last paragraph haha, on the topic of your last question. Thinking back, its hard for me to define any specific moment or thing that gave me a 'click' moment. Its more like a process of growth that starts with learning and understanding a new thing, then familiarizing myself with using it successfully/'correctly' by studying and practicing, so that eventually its like muscle memory or easier to use in my work.

Hope this helps!!! If theres anything else you want to ask, dont be afraid to dm or send another ask!!

[catwyk]

for the art ask game... 3, 30, and 35!

3: favourite art piece(s)?

the first one that springs to mind is this nana glass portrait!!! look at the wrinkled skin on her arm and her hair - i was SO PROUD of the detail i managed here :]] i also drew her hand without a reference which i was very happy with

30: something im proud of about my artstyle?

ohhh boy good question. probably the anatomy? ive said it before but making bodies accurate is reeeeaaaalllllyyyy important to me, and i think on the whole i so a pretty good job :] although i DEFINITELY need to work on drawing bodies w more fat. another thing to work on lol

35: a piece of advice i'd give to my younger self?

DONT JUST DRAW FACES. DRAW FULL BODIES AND DRAW BACKGROUNDS TOO. id be so much better developed if id kept up practice of those argh!!!

[iscreamkitty]

Hello! I was wondering if I could see how you do faces or just anatomy in general. I’m not that good at art but I’m trying my best to get better!

-🪲

AAAAAAA IM SO SORRY THAT IT TOOK ME SO LONG TO ANSWER!!!

I hope this video can kind of help show how I go about drawing faces, but I’ll try to explain a little bit as well.

First of all, I draw best when I have a reference to go off of, and I learned to draw faces (even tho I’m still not the best at it lol) by doing a lot of little semi-realistic drawings based on people I just find on Pinterest. My reference for the above drawing:

My first step in drawing a person is usually just to try and get the shape of their face out along with any other important parts of their silhouette (like hair, ears, hats, etc). After that I pretty much just have to feel out the shapes and positioning of the rest of their facial features. As you can see it took a LOT of sketching and erasing before I was happy with her eyes/lips.

For bodies, a lot of that is just trial and error for me as well. But doing action lines or weight lines (like a line going from head to the foot or area that’s holding the person up) is something I’ve found to be really helpful. It can help to work out a person’s proportions as well as making them look more naturally posed.

Thinking of the arms as chains is another good method for starting to understand how to draw arms (see below).

Overall, though, my art style/method of drawing is very inconsistent, so my advice might not be the most trustworthy 😭

Either way I wish you nothing but the best in your drawing escapades! Anything you create will be amazing, and practice will only make that amazingness more easy to accomplish!!

[matcheadz]

THIS IS NOT A TUTORIAL

So I like to draw. That much is clear. In fact, I went to school for it! For an exorbadent amount of money, actually. Well, not drawing. Animation specifically but thats not the point.

I like to draw, but for a long time I felt like I couldn't because my 'process' was rather ridiculous. Or at least, I felt like it. I still sort of feel like it. I want to remind people here that your process doesn't have to look clean or pretty or whatever, because nobody (unless you go to an art college in that case just get in the habit of saving custom layouts for projects, trust me) is going to see it.

I call my sketchbook my 'shitbook' because its full of stuff that will never see the light of day. Blind contour drawings. Random mixtures of shapes. Observational drawings with little notes to myself. Don't worry about those 'aesthetic journals.' Fuck 'em, I say. Life is messy as shit, let your sketchbook show that.

So today I wanna show you the absolute mess that is my process. I like to take screenshots during a painting or sketch that I feel is pivotal in my learning process so I can see if I took the right direction or not. As a result, I have a ton of these .pngs lying around. Lets look at one:

What the fuck is that? EW! THATS UGLY! Hold on, what about this one:

Hmm, well what about this- wait what the fuck is this

These are all thumbnails/sketches from IT projects I did maybe two or three yearrs ago. These never saw the light of day, save for maybe a joke post or to a partner involved in a project. These were for me to look at, to carve out. These don't have good anatomy. They're not the final composition. Sometimes they're in a completely different style. Point is,

These are my versions of thumbnails. It's how I plan my shots, my layout, my composition, my expressions. Is some of it pretty? Maybe? Is most of it absolutely vile? YES. And I love it that way. The dirtier the better, as I like to think. Its a thought process. I want my thumbnails to look like I'm thinking so I can combine those thoughts. For example, I'll show you the last Vergil painting I just did and all the steps I did with that. Look at this ugly little motherfucker:

This is a strange sketch considering the final product. What I did here was look at the 'jinx pose' from Arcane and be like "hmm. Vergil?" and tried to use the perspective and anatomy. it did NOT work out in this sketch because as you'll see in a second, the rough colors did not work for me. But in this specifically, I focused on the musculatory anatomy of his shoulders, because I knew that was going to be something super defined and important to understand with how odd his vest is. So here are my flats. Sorta:

So at this point I'm clearly focused on the face and my file is still named Vergil Thirst Trap Lol and something clearly isnt working with my perspective. His head and arms are huge, and Vergil might have a grabable waist for some of you but this isn't it. So At this point I'm done with my first sit down and I step away. I come back the next day (during work hehehe) and I get to this at the end.

Alright! Color is looking a little better. Arms are more sculpted and while I'm aligning myself to my sketch more than anything, I'm also very closely looking at my pose reference, thinking about anatomy and my color palette. I step away (I clock out) and I take a minute to look at it. Its... looking better? But theres something off still about that perspective. At this point I'm a little frustrated with this vest and its weird rules. So I bare my teeth and gnash at it:

WHOA WHY THE FUCK HE LOOK SO WEIRD HERE?? Cause I flipped the canvas after painting and didn't realize how odd it looked oops. We'll do some fixing but that face looks nice for now and I think im better understanding the contrast I need through some actual photo editing. So let me tell you the story of Vergil's hair. Its a sad one. It will enrage you. This man had four different itterations. Most of which I can't show you because I painted over them so many times. But heres a screencap of the one I thought was gonna work.

Its NICE. I liked it alot. But the I realized this was not the way things were heading. Hair too swaggy. IMO anyway. I was slowly editing the name from Vergil Thirst Trap lol to Vergil to Vergil has mommy issues. and this hair? It matches the lightning well, but this was more Vergil Fucks. so what was the end result of the body?

more or less this (Those buttons didnt look like that I just realized this screenshot is fucked but you get the idea.) I did some composition editing, some contrast play and more effects, but this was pretty much done. So, like, shit gets messy. Thats not even counting the layer of overlapping reference photos I used because I don't use art boards like a normal person. shit gets messy! Let it get messy. Just clean up when you're done and hopefully you get something you're proud of >:)

[sillygirlfun]

I have never seen welcome home or disco elysium or whatever game that Leon kennedy guy comes from but I'm LOVING your art sm <33 do you have any tips on inporvong at art or is it just a thing I have to wing through

THANK YOU SO SO MUCH FOR THIS LOVELY ASK!!! it warms my heart so much knowing my art is loved and admired even..

im still learning art every day and in fact ive only been doing digital art for barely 2 years now, with it only being a year since i got my screen tablet! however, digital or traditional my biggest tip (and its probably what your expect) is just practice! trial and error is how I've learned. but also - dont be afraid to experiment, branch out, try something new or something that may feel "out there".

and dont be afraid to draw inspiration! a lot of my art has culminated into a big pot full of other artists ive admired! id see how one artist draws noses and try to draw that similarly, how another draws eyes, face shapes, and just mash up all those features into my own art style. because when you take inspiration from how other artists do certain things, you in turn make them into your own as youre interpreting them! for me personally i also take a lot of inspiration from styles of 1950s-1970s ads with some of my art and that plays a big part in how i stylize people sometimes and my usage of texture and shapes! I LOVE TAKING INSPIRATION!!

additionally, dont be afraid to trace real life photos of people (think: stock photos! not other peoples art, please!). using real photos as almost a backbone to your art and building off of it can help a lot! i dont recommend tracing a full body straight on, because you do want to try and learn anatomy, but in the beginning it can help. sometimes if im REALLY struggling on the angle of an arm or a hand i will trace it, and then go over that hand again to make it closer to how id draw it and not as 1-to-1 realism. i will also alter the anatomy sometimes to fit my more cartoony style because it just looks better for what im doing.

those are some things that i do that help me a lot but in my eyes im still a beginner and am learning with each piece I post!!! one big area im still trying to figure out is color..... 😭

(ALSO! if you like video games.. i highly recommend disco elysium 110% best game ive played.)

[oohbuggypie]

the simplest shapes u can use i think r circles for the head, a cylinder OR thinner sqaure for the neck, a rectangle for the torso, i honestly can't describe what shape the waist is im srry ill give a visual rep but continuing ,, circle for the hips, elongated ovals for the thighs down to the knees, circles for the knees, more elongated ovals for below the knees down to the ankles , and then little triangles for the feet ! at both corners of the rectangle should go little circles for the shoulders that will connect down to the arms, then at the halfway point from the arms should go a circle to differentiate the inner elbow from the rest of the arm, then continue and define where the hand will be so that the end of the fingertips will end at about the halfway point of the thigh :3 EXTREMELY ROUGH visual rep, i apologize srsly im made for trad art not digital lol

some basic anatomical advice:

-the legs are about half the length of the body; meaning that if u were to measure where the thigh begins to where the feet end and stack them up from where the hips end, the line should meet the head (displayed with the red lines to the left, mine is slightly off though im srry) !!

-the elbows bend at the waist

-the knees are at the halfway point of the entire leg length

-the neck's width is very similar to the width of your face ! thicker than you'd think !

-mentioned previously, the fingertips typically end at the mid point of the thigh

-the waist is the smallest point of the torso; usually not wider than the shoulders or hips

PLEASE NOTE ! everybody's body is different ! sooo so different ! that typical blueprint is perfect for beginning and throughout ur entire art journey but remember that the features on everyone's bodies are vastly different!

let's use PO!! Wii characters as examples:

Von Kaiser has wide thighs and a fairly wide waist, however it still has a cinch to it ! he also has a chest that protrudes, as well as broad shoulders. Tiger, on the other hand, has an inverted triangle shape to him with shoulders wider than his hips and a particularly small waist. in this case however, his chest doesn't come out as much as Kaiser's and, generally speaking, has a smaller frame entirely opposed to Kaiser.

then u have other body shapes like Macho and Piston !

Macho has broad shoulders, a small waist, wide hips and VERY long legs; he has a full frame and a very long one as well. Piston is similar in height, but he has relatively shorter legs and he has a very rectangular waist with hips similar in width ! all of this can vary the proportions on a character and how they'll look when u draw them ! my biggest tip is just observe the characters and break down their figures the way i just did - or more detailed for better results - and then draw them using references ! essentially every full body piece of art ive created uses this method and i find it so so helpful 🥹

examples below !

and im sure u can look at mine and recognize many anatomically inaccuracies ! it's apart of learning ! and pls remember, idk if u need to hear it or not .. but making good art does NOT need to revolve around correct anatomy . anatomy has been a struggle for every artist for millions of years ,, and it shouldn't define how much u enjoy ur own art 🩷 as long as u truly love / enjoy what ur doing and look at it with - if not love- at least admiration for your try and understand what u can improve on , then u have nothing to worry about ! THIS WAS GONNA B SO MUCH LONGERR BUT IM AT THE PICTURE LIMIT ,, this probably isn't that helpful honestly i know little to nothing about anatomy either so if ud like, ask some more experienced artists and artists whose strongsuit is anatomy ! if u wanna talk abt art generally more in reblogs or dms don't b afraid to hit me up ill get 2 it when i can 🩷 mwuah hope this helps even a teeeeny bit strawbs xx

ok so uhh sorry if this sounds dumb but can someone help me use simple shapes more in art? like its so difficult for me to push proportions since im a little shit at anatomy 💔💔 if u have any videos or guides about this topic pls share :(

[carpisuns]

anatomy tips for anon

(someone asked me for this but tumblr ate the ask lol so I’ll just answer it here)

hi anon, I actually really struggle with anatomy so i was kinda surprised to get this ask hdjsksjs but i hope my answer is at least somewhat helpful!

first of all, there are a million methods for drawing a full body. some people like sketching out a skeleton first and building on top of it, some people start with a super loose/flowy general shape of the pose, some people use ovals or 3D boxes or cylinders—i'd recommend looking at various tutorials and trying them out to see what works for you!

unfortunately none of those methods worked very well for me,, i found them kinda cumbersome and counterintuitive so I usually end up just like. going for it lol. I don’t really have a System cause my method is honestly just “try your best, hold back the tears, fix it until it looks as passable as you can get it” DHJSKS but idk maybe it will help you to see my "process" lol

(ok i've never done a speed drawing thing before so i'm about to Expose Myself but im doing this for you anon haha)

(putting the rest under a cut bc it's long, sorry lol)

as u can see, it's a lot of trial and error for me. you may have noticed how i redrew every single thing like 50 times, how i initially made her arm ridiculously long and had to shorten it, how i general just Abused the lasso and warp tools....the list goes on haha. the point is, i make a lot of mistakes and my final products are still very flawed, but that's okay because i know i'm getting better the more i practice! if you scroll back through my art tag you will see some anatomical horrors that would make picasso cry, but at the time i was really proud of them LKJDFSKJLF

ok let me break it down a bit

i usually start with the head, neck, and like a vague indication of the shoulders lol. then i add these slightly angled lines to build the torso from and leave a little gap so i can come back for the arms

then I add the legs!

i used to be so allergic to legs lol but i've been drawing them more lately and i decided i actually kind of love them?? who'd have thought. (but not feet. dni)

here are some basic examples of how i draw legs. keep in mind that i am still learning and these are not like the best examples ever! i don't tend to put a lot of detail in my anatomy and mainly stick to very simple lines and curves, partially because i prefer a simpler style and partially bc i currently lack the skill to be fancier about it lol

i usually start with basically two lines slanted slightly inward for the upper leg and then for the lower leg i do a straighter line and a line with a bump for the calf. pay attention to what direction the knee is facing because that will determine where your bumps go

once i've got the legs, i have the basis of the pose in place, so i add the arms

shoulders are a weird struggle for me lol but i usually add like a little circle or triangle to indicate the joint so i can attach the arms. and then i build the arms kinda similar to how i do the legs—like with two slanted lines and then the bump for the lower arm

once I’ve got the whole body down, there is usually a fair amount of adjustment haha. I gotta ask, does the pose actually work? like, where is the character putting their weight, and does the pose make sense that way? are the legs and arms and torso the proper length and width? and then at some point after a lot of fiddling i give up and voila, done :)

as far as proportions goes, my advice is to pay attention but not sweat too much about it. I used to try to like Vitruvian Man it lol and count how many heads tall the character was and try to be super precise about the proportions according to one of those proportion chart things. and ofc that stuff helpful and important to know! but in the end, worrying that much about it was a hindrance for me and I ended up with really stiff and unnatural-looking poses. so I mostly just follow a couple rules of thumb:

1. The elbow should hit around the waist/mid-torso

2. The arm, fully extended, usually hits the upper thigh. like, wrist at crotch level I guess?

3. The length of the legs is like roughly equalish to the length of the the whole upper body (head to bottom of hips)

these are just basics and not very Scientific haha but that’s vaguely what I go for. also remember that proportions can be pretty stylistic too! for example, a real human body is normally like 8 heads tall, but I probably do like 6ish heads normally. that’s pretty common for more cartoony styles, and the bigger heads also make the character look younger bc kid proportions are different than adult proportions. just kinda play around with it and go with what feels natural and good for the character you’re drawing

if you feel like your pose is stiff and weird rather than natural/dynamic, it often helps to make sure the shoulders and hips are tilted slightly at opposite angles. that's a tip i picked up from this tumblr tutorial a long time ago and i always come back to it, haha

ok that's about all i have for specifics but i have just 2 general tips to end with:

1. Use!!! References!!! seriously. i use references every time i draw. i look at photos of real people and screenshots from the show and i even sometimes take pictures of myself for reference. often i'm using multiple references for one drawing, like piecing together elements of various refs to create the pose i want, but sometimes i work from a single reference. i also study my favorite artists' work pretty frequently to see how they do things. getting familiar with what good art and real life looks like will help you get better at mimicking it and noticing when things are off.

2. Be patient with yourself. You’re gonna mess up a lot. Sometimes you may even post something and realize months later that you made chat noir’s upper arm literally twice as long as it should be :/

but fear not! you don’t have to live forever in the shadow of Long Arm Chat! lol. you will get better just by trying, I promise.

Part of the process of making art you like is making a lot of art that you don't like, or art that you like at first but hate later. Your skills and your eye are developing simultaneously, and sometimes your eye passes up your skills, so that you're better at noticing your mistakes even if you struggle to fix them. that's okay! that gap can be really frustrating and discouraging, but it's still a sign of growth and your skill will catch up. just keep studying, keep drawing, and keep having fun! it gets better, seriously. when i first started drawing like two years ago, i thought i'd never be able to do a passable full-body pose. it was SO hard. and it's still hard for me! but i can do it much better now than i could then, and when i get bummed out about my limitations, it helps me to remember that even though i still have a long way to go to get where i want to be, i've also come a long way. and you will too! if your current self could see what your future self can do, you'd be so impressed 😌

P.S. just to reiterate, I am Not an expert At All and these are just some methods/tips that are working pretty well for me right now. i hope they help you out too, but my methods may not be the best fit for you, and if that's the case, don't sweat. try out a lot of stuff and see what clicks and makes sense. art is a learning process and it's so individual so i encourage you to experiment!

Good luck, and have fun!

[spotsupstuff]

I need to know how you got your art to be so expressive and flowy. It's so beautiful and I always love seeing your work.

JKDSMGK,,,,,,

THANK YOU SM THATS SO SWEET OF YOU

IM,,, GON TRY TO EXPLAIN MY ART THOUGHTS,,,

For the expressive part, it’s either about paying close attention to cartoons with good expressions OR checkin your own face out in the mirror!! For more realistic elements in my drawn expressions (even if they are supposed to be cartoon-y/anime-y, addin in some realism logic will enhance ‘em) I have either taken inspo from my own mug, my partner’s or my sister’s since we are all very facially animated. Checkin how your own face moves with Certain feeling is a varified way to get a nice expression on the paper. The movement of the facial muscles is very important to get somewhat a hang of, after all BUT!!! Important part to expressions is that you don’t focus Only on the face, the whole body moves along with a person. Hunched shoulders or a bit lowered head can do a lot for communication of an expression Especially in cartoons, there’s a rule that you should push an expression to it’s fullest potential. I also think about some ideas from stuff like traditional chinese threatre. They put on make up and elaborate costumes to enhance their features, so their expressions and character can pop out better

For the flowy part,,, bbrppbrrpbbb I have no idea how and when I started to do stuff more fluid

My art used to be quite stiff and for the longest time I defualted to thin and sharp lines

This was mostly because going Sharp and eliminating more rounder parts made sense in my head and helped me somewhat learn anatomy better. At least, in some cases it gave me a lesson about the torso to arms proportions n also kinda the legs. It’s why I recommend just kinda entering a stage where you just try and make sense of things, whether it be geometry, perfect straight lines or the more spherical ball things Ever. Going with the “basic shapes” like a circle for the head, triangle for the torso n so on might not be smth that will click in your brain

I was KINDA obsessed with learning anatomy as soon as possible even tho you don’t really have to go after that. One time I saw a pyramid of needs but like for artistic learnin and anatomy/realism were somewhere far on the top. Just go after what sparks the most joy, basically, but I didn’t know that back then so after every shower I would check out how my own body looks like from different angles. Yknow, thumbing where the rib cage ends, how does a shoulder connect to the torso, what the fuck is an armpit and how in the complete shittery does the neck connect to the head from the front

Cut like two years later, I think I’m enterin the Flowy arc

For the flowy, you KINDA disregard everything u’ve learned about anatomy Except the general idea of the proportions. I like to think about my drawings as part of an animation. From the picture that I’m making, there has to follow another and before it were also a few hypothetical drawings and together they gotta make up a movement. If I can’t see my drawing moving in my head, I’m not gon be too happy bout it

The main thing you want is a line of action:

And then you just,,, kinda build the body around it

Finding a brush that feels good and lets you develop a sketch style that makes u happy and lets you figure out where what goes cleanly also helps out. For me it was Luv and the the more faint sketch lines that u see up there ☝ give me enough space to be KIIIIIINDA messy about it but not overbearingly so to the point that I don’t know what’s goin on anymore

Practice, practice, take inspiration, study other people’s styles, disrespect anatomy, practice some more, don’t put too much expectations on yourself, don’t take every art “advice” too much to heart, let go of perfectionism, practice and you’ll get it!

[everyhowlmarksthedead]

seeing someone else.

BISHOP LOSA. MAYANS MC ┃ USEFUL LINKS

❝ request by @encounterthepast: Hello lovely Aurora, can I request angst prompt number 7 with Bishop please, thank you, 💕

❝ prompt: “Don’t you dare to lie to me again”.

❝ request by @arveeee: Hello my dear, so I was thinking, and there is one sentence to that can't go out of my head. So it is: "let me in" with Bishop (I know I'm boring). Well I believe in you, I love you , and I love your writing. Say hello to Arya.

❝ request by anon: Hi, Aurora. I love your writing sm 🥺 I was wondering if I could request an imagine with my man Bishop? I was thinking of something like the reader and him being in kinda like a friends with benefits situation, but she decides to break it offf because she’s really upset. And maybe Bishop doesn’t understand so she eventually explains to him that she wants more out of their relationship and he reassures her they are more and they always have been? Maybe leads to like soft/romantic smut? Thanks so much!

❝ request by @meteora-fc: hello hello! so, that new trailer huh?😵 would absolutely love if you could write me something for a stressed out bishop with the prompts "Stop ignoring me, it’s driving me crazy!" and "Let me help you make it better." Thank you tons!!💖

❝ words: about 1.4k.

❝ a / n: as always, don’t forget to comment and reblog if you liked it!

Another tequila shot goes down your throat, ripping it off as you almost smash the small glass on the table. Tossing your head back as you rest your back against the sofa, sitting on the floor, you take a look around you. The gloomy has taken over your house as the night has fallen a couple of hours ago. It's the fourth night you are trying to forget about Bishop and whatever you two had. But you can't dismiss from your mind his caresses —his fingers drawing patterns on your back, his lips touring your neck with delicate kisses as if he was afraid of breaking your skin, his mustache tickling your inner thighs, his raspy voice articulating your name in moans. It's the fourth night miserably failing, remembering the last time you spent together, the way he was holding his back pretending he wasn't sad because you were leaving him.

“Obispo, it's over. Don't make a big deal. We're just friends who occasionally fucks”. You scoffed somewhat annoyed because of him and his interrogation, but how could you tell him you were falling in love with him?

“I ain't making any deal, (Y/N). I just want to know what made you change your mind and keep a wide berth”.

“I'm seeing someone else”.

"Don't you dare to lie to me”. He growled, taking a step closer towards you with the intention of stopping you from picking up and packing the less stuff you had in his house.

“Think what you want”. You replied, rolling your eyes.

The first tear flows in the left corner of your mouth not appreciably at first, but then, some more until finding yourself crying. You miss him so much. You miss watching him sleep peacefully in the small hours, drifting slightly when you caress his cheek using your fingertips. Flexing your knees to your chest, you wrap your arms around trying to contain the loud sobs, hiding your face between them. How have you been so stupid to fall for him like that? The two of you made it clear from the very first moment. Friends with benefits. But after a couple of weeks, you started to notice that he used to push away any other woman that it wasn't you, he didn't spend much time in the clubhouse preferring to do it in your house —cuddling, watching movies, playing poker; kissing every single inch of flesh covering your anatomy.

Reality hit you the moment he murmured something like you're a miracle, thinking you were calmly sleeping between his strong arms and your back stuck to his chest, no distance among your bodies. You knew it was a thing produced by the alcohol running through your veins and it wasn't fair for you to fantasize about the idea he was catching feelings for you. So you just ran away, like a coward.

Some clumsy knocks on the front door of your house bring you back to reality. At first, you try to ignore them. It's not like you're in the mood for visits, knowing that probably it's Leti at the other side of the place, worried because you haven't replied to her text all day. But she insists and insists. And you know how stubborn she can be sometimes. Serving yourself another shot and drinking it in just one gulp, because you're too sober to endure another of her Ted talks about positivism and what he has lost, you stand up on your bare feet. Everything around you spins dizzyingly for a second until you can react, feeling every knock like a hammer hitting your brain.

“I've heard you the fi—”.

Opening the door to receive her, your vocals get frozen as you face Bishop in a deplorable drunk state. Just like you are.

“Let me in”. He barks, not being able to look at your eyes, trying to pass you away to the inside, but you stop him.

“Go home, Obis—”.

“I'm home, shut the fuck up”. He frowns taking a sip from a bottle of whisky you haven't noticed till now. “You think you can kick my fuckin' ass outta your life by saying you're seeing someone else? You think I'm fuckin' stupid, queri— Were you crying…?”

From anger, his tone of voice falls to one lower and lower, as the concern and the worry cover his annoyance completely. Throwing away his drink to somewhere over the grass of your yard, he holds your face onto his palms. His touch causes you to tremble. His warm touch causes you to break into aching sobs, panting as you can't breathe properly. All this time you've been thinking you have missed him, but you didn't have a real idea of how it feels until his fingers have been laid on your wetted skin.

Bishop comes closer to you, touching the tip of your nose with his. You can smell the mixed scent of cigarettes and whisky emanating from his cracked lips, it doesn't bother you, tho. “Don't kiss me, please”.

Until this precise moment, he has loved your begs and pleads to his bones, but now he hates them more than anything he could ever hate in his life. It breaks his heart. He can't deal with your rejection one night more.

“Why…? Why can't I kiss you?” He asks desperately at the edge of his tears. “Please, stop ignoring me, it's driving me crazy. I can't even take care of my own shit without you by my side”.

Your knees feel weak at his words, still believing he only says that because you're just a good lover, the best in the sheets, as he told you once.

“I… I…” You babble nervously, trying to not place your hands on the laps of his leather kutte to finally push him into the needed kiss you've been craving for the last four days. “I love you”.

And why the confession doesn't take him by surprise? Why doesn't he look confused? Why does it seem like he already knew it? Bishop can't help but draw a fleeting grin across his face.

“Do you think I came here, falling into pieces, just because it feels like being in Heaven when I'm deep inside you?” He whispers, clicking his tongue slightly. “I didn't believe you when you told me you were seeing someone else. But the minimal thought I could have about it made me lose the less sanity I have”.

You blink stupefied at his own confession about his feelings. Your fingers tour his abdomen up in slow motion, starting to have some faith in his words.

“Mi amor…” Bishop mumbles in soft giggles shaking his head. “I adore you, mi amor. I don't want anything else than to share my life with you, and only with you”.

He doesn't wait for a signal from you to kiss your lips, he just takes what it's his. And you can't hold back a painful gasp, expelling in it all the sorrow you've been carrying for the last four days being separated from him. Your hands grip his shirt in two fists, pushing him as much closer as the two of you can be, about to melt in the same figure. All this time you have been trying to not love him, to forget him; and you were just delaying the inevitable. You are made for each other, that's a fact. Your lips fit to perfection —your bodies, your hearts.

“Tell me you love me”. You whimper against his mouth, causing him to smile because of your need of making it real by these simple three words.

“Love isn't enough to express what you make me feel”.

Bishop bends down without prior notice to wrap his huge hands on the back of your thighs, urging you to jump onto him and surround his waist with your legs. You haven't forgotten how good his warmth takes over you when he holds you like that, walking inside your house and kicking the door close. Guiding his steps across your place and its hallways, he reaches your dark dorm barely illuminated by a post light outdoors. He lies you down on your bed —a bed that has welcomed you for the last eight months in every kind of state. Drunk, tired, happy.

Now, you're a mix of them. Drunk in tequila, tired of crying, but happy for having him back for the rest of your life.

GENERAL TAG LIST: @mayans-sauce @peoniarose @destynelseclipsa @band-psycho @myakai13 @petlaufeyson @-im-fantastic- @horsesandwolvesaremyanimals @rocketqueen @rosieposie0624 @ellyseveronica @Jessprins13 @diaryofkali @ravenmoore14 @starrynite7114 @kenbechillin @miahelen @monkeyluver4546 @sheeshgivemeabreak @jadesamhart @rawrlittlepanda-95 @megapeacelovemusic-blog @katsav17 @skits90s @wildsould1221 @littlekittymeow @tenderclio @badame1240 @regalbanshee @greeneyedblondie44 @phoenixhalliwell @codenamewife

MAYANS MC: @multiyfandomgirl40 @countryash345 @skyofficialxx @lovebishoplosamiguelgalindo @bellisperennis0 @chibsytelford @trulysuccubus @purrrrfect @witching-hour @leathercladmenfics @behindmyeyes-insidemyhead @queenbeered @sesamepancakes @gemini0410 @pinguinstudiert @oscars-wifeyyy @meteora-fc @lozaa94 @arveee @joupym @hanster1998 @missswritings @arana-alpha

[staboteur]

redraw june 21st 2017 - june 8th 2019

at least i improved in the last 2 years lol (the last year or so is questionable but last two years? absolutely)

DRAW RENE AS A FUCKING YANDERE.

Draw your OC…..

“You got blood on my suit.”

//i feel like i use that phrase a little too much lmao

[wagner-fell]

I am still very new to this website and I don’t know how link a post but this fic is based on a post by @sandersgrey

(If someone reading this knows how to link a post please either explain it to me or link it in the comments because that post is *amazing*)

“Hmmm,” said Tessa, depositing Mina into Kit’s waiting arms and examining her buzzing phone critically. She shot a quizzical look in his direction.

Jem looked up from his novel. “What is ‘hmmm’, my love?”

Kit mimed vomiting but stopped dead in his tracks when she replied, “it’s Astrid’s mother. You remember her from parent teacher night, don’t you, my darling?” Kit swears they were being extra insufferable just to mess with him but he didn’t have the time to be annoyed when Astrid’s. Mom. Was. Calling. Tessa.

To understand why Kit was panicking as much as he was, you must know that Astrid’s mom was incredibly chill. She never got mad. The worst punishment she’d ever given her daughter was taking away her iPod for a week so she couldn’t listen to Mitski.

Was she calling about last night when Astrid, Mari and Kit threw eggs at the Shadowhunter’s that were giving Mari’s pack a hard time for no reason? No, that couldn’t be it. She’d given them the eggs.

Could the call be about the day before yesterday when Kit and Astrid got distracted doing homework and ended up snapping the coffee table clean in half while battling gladiator style with pool noodles? No, that wasn’t it. She’d just handed Astrid a twenty and told them to go to Kevin’s parents' shop and get a new one. Was she pissed because they ended up spending the money on ice cream instead? No, they ended up finding a table for free in the rubbing bin outside a fancy hotel.

Kit clutched his sister to his chest and prepared for the worst.

“Seo-yoon! What can I do for- Oh, hello Astrid!” Tessa paused briefly, presumably to listen to Astrid speak, and Kit sighed in relief.

“Kit is occupied at the moment but I can relay the message.” Another pause. “Oh don’t be frightened of me. I’m a tots rad mom. Your secret is safe with me.” Kit felt his face flush red as he heard his best friend’s laughter echo across the living room. “Okay! I’ll let him know. He has to get Mina to sleep before he can leave though. Lord knows he’s the only one who can these days.” Tessa chuckled at something Astrid said before wishing her good luck in her endeavour and ending the call.

She turned her attention back to Kit. “Astrid needs your help breaking into your teacher’s home to retrieve her cell phone.”

Kit blinked at her, dumbfounded. “You aren’t mad I’m going to go break the law?”

Because of course he was doing it. Astrid’s dad had bought it for her and he was extremely cautious about money. That was one of three things Kit knew about her dad. He was cheap, he lived in America and he loved the movie Fight Club.

Tessa ruffled Kit’s hair affectionately. “Please. I’ve raised two other Herondales. At least I know about this particular adventure beforehand.”

Mina began snoring softly and Kit handed her back to her mother. He grabbed his bag and started his journey to the door when Tessa added, “she also told me to say hi to a ‘daddy Kit’. Are you ‘daddy Kit?’”

‘Daddy Kit’ closed his eyes and wished for the sweet release of death.

“Why is Kit a daddy,” Jem asked, genuinely confused. “Aren’t I the daddy?”

Kit swung the door open so fast not even a speed rune could have aided him. But not before I heard Tessa reply, “Lily Chen certainly thinks so.”

Mrs. MacNamara clapped her hands together. “Why don’t we all go around and say a few things about ourselves?”

Kit buried his face into his hands. He’d been relieved when no other teacher had fulfilled the Disney channel stereotype of making every student introduce themselves to the new kid. But Mrs. MacNamara didn’t even seem to realize what she was doing.

All Kit’s fellow classmates groan. Expect one. Her hand shot up immediately. She was short, like smaller than Clary short. She wore a baggy pink shirt with the words ‘Queen Glimmer of Etheria’ sewed on with purple sequins and tight black jeans. Her colourful, choppy hair was in a low ponytail and she flew a few strands out of her eyes as her hand wiggled in the hair.

Mrs. MacNamara pointed at her. She stood up and smiled at Kit. “Hi. My name is Astrid. My hobbies include making my little cousin’s girl Barbies kiss, as it should be, and watching television shows where everyone is a terrible person so you can love all of them!”

“And what shows might that be?” asked Kit, already in the process of pulling out his phone and opening the Notes app.

“Grey’s Anatomy, Glee, Grey’s Anatomy again because it’s seventeen seasons as of right now. And to be fair it practically became a different show when they killed off Mark Sloan.”

“That’s enough, Miss Yang,” said Mrs. MacNamara. Astrid sat down and winked at Kit. Then she took out her phone and airdropped him a complete list of all her favorite shows, along with her number.

After Blessica’s pre-birthday birthday party, they went to Cirenworth and stayed up till four A.M. binging them.

They met outside a queer dry bar called Aries Not Welcome, the unspoken gathering place of the Merry Hoes. It was run by a poly lesbian couple in their mid-thirties. Quinn, Sydney and Aliyah may not have served alcohol but at least they were open 24/7.

“Did you bring the shit?”

Kit gave her a look. “The shit? How conclusive.”

“Shut up. You know, the shadowhunter thing.”

“The shadowhunter thing?”

“The, the, the glow stick that you draw with.”

“The glow stick that I draw wi-“ Kit closed his eyes briefly. “Do you mean a stele?”

Astrid snapped her fingers. “That’s it!” Kit shook his head in exasperation, smiling fondly. “I borrowed a torch from Quinn, let’s move.”

“Should I be worried that you know where Mr. Smith lives?” questioned Kit as he followed Astrid’s lead through the park.

“Should I be worried that your mom was fine with us breaking and entering?” she shot back playfully. Kit pushed Astrid and she fell off the path, laughing all the way.

“You called me ‘daddy’ to my mom’s face.”

She just laughed harder, slinging her arm around Kit’s shoulder. “It was over the phone, Christopher. And as I should.”

“Pffffttt. Why did you get your phone taken anyway?” She put her hands into her jumper pocket and looked at the ground. “Astrid.” She remained silent. “Astrid?”

She mumbled something under her breath. “What?” asked Kit.

“I WAS READING NINEJ FANFICTION!” she shouted.

Kit gasped. “I thought you were a die hard Kanej shipper,” he whispered.

“I’m a multishipper, okay?!” she replied, equally quiet.

“Does Blessica know?”

She shook her head. “And she will never find out.”

Kit saw the opportunity and he seized it. “She’ll never find out as long as you never call me daddy in front of either of my parents.”

She removed her arm from his shoulder and guided them out of the park, in the direction of the many apartments that lined this side of town. “I hate you.”

“Well, so does Mari. You're not special, Ast.”

She rolled her eyes. “You know Mari doesn’t actually hate you, right?! They’re just still in the enemy phase of your enemies-to-lovers romance. She only dislikes you because they feel something for you but they don’t know what so she interrupts it as loathing. In reality, her inner soul knows you’re hot and shmexie.”

Kit didn’t know how to process this so he just nodded and follow Astrid in silence to Mr. Smith’s house. (Plus, he was kinda glad that, according to his best friend, he had a little more time for Mari to ‘discover their true feelings’. If Kit screwed this up, he was out of countries to run off to.)

“Oh you have got to be fucking kidding me.”

“What,” asked Kit, turning around to face Astrid and closing the drawer he was rifling through. “Did you find your phone?”

“Yeah. But I also found Blessica’s. She was Snapping Kevin. Platonic my ass. But he took the fucking trans flag out of her phone!”

Kit snatched Blessica’s phone out of her hand to examine it for herself. She was telling the truth. Where the glitter pride flag usually rested was just a clear purple case. Kit couldn’t believe his eyes.

“It’s one thing to misgender her every day.” Blessica had forced all four of the other Merry Hoes to sign a contract saying they wouldn’t do anything to harm him because of it. “But this is the last straw. You know what we have to do.” Oops.

“Yeah, but we don’t have any spray paint.”

Kit eyed Mr. Smith’s pink sofa, blue bar stool covers and white picture frames. “I think I have something better in mind.”

It would have been easier for both parties to just zip off the sofa cushions and tape them to the wall but by ripping them off in strips, they ensured he would have to buy new ones. And judging by the car he drove and the fiji water in his fridge, Mr. Smith could definitely afford it.

That reminded him, “I’ll finish up with this. Go put all his fiji water into my bag.” Astrid saluted him and ran off. “Wait.” She stopped and looked at him. “Steal all the remotes you can find.”

“How is he not awake?,” asked Astrid as they ripped the fabric of his seating from the stool.

He shrugged. “Don’t question it.” He shoved the bundle of cloth into her arms. “Glue this above the pink. I’ll handle the frames.”

“Say the magic word,” she sang.

“Please?”

“No. Lesbian. Come on, I thought you knew me better than that.”

Kit laughed quietly. “Can you lesbian glue this above the pink?”

She grinned at Kit. “It would be my pleasure.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hello! Sorry I haven’t written anything in so long. School just restarted and it has been…a lot.

@adoravel-fenomeno @thechangeling @the-blackdale @the-wckd-powers @thomas-gaypanic-lightwood @im-not-ruined-im-ruination @ithurielkeepsgettingkidnapped @noah-herondale-lightwood @arangiajoan @shelvesofgold @maxboythedog @book-dragon-not-worm @hardlymatters

Very sorry if I forgot anyone. Lmk if you want to be addEd/removEd from the tag list.