#//anyways! here's some lore stuff i've been meaning to put somewhere.

[humming-pokemon-helpers]

📝 - A private record ( Ex. Criminal, Medical, etc… ) - @studysnorlax

C:\Users\Colre\Documents\PRecords\PreCoro\ST\Prof\VReport2010.pdf

This document is for only the Sages' eyes.

NAME: V (Note: No legal name or identification on record in any known region.)

ID: 00013

AGE: 12 years, as of 10/4/2009.

SEX: F (Note: as confirmed by genetic testing. Unclear whether expression differs due to other genetic anomalies: see PHYSICAL DESCRIPTION.)

POSITION: Shadow Trainee, Rank 4 (Note: Under direct command of Shadow Triad.)

FIRST ENCOUNTERED: 12/15/2006, Nimbasa City, Entertainment District

PHYSICAL DESCRIPTION: When undisguised, stands at 5'3" head to toe, 5'7" including ears. Lightweight.

Subject bears pale skin, medium-length white hair with red ends (Note: regardless of where hair is cut, ends are red), and yellow eyes. Ears resemble those of an ancient Hisuian Zorua, and sit at top of head (Note: likely due to Hisuian Zorua genes. Incredibly sensitive to noise and touch). A tail exists at subject's tailbone, similar to aforementioned Hisuian Zorua (Note: Semi-corporeal. Tail end appears to be completely phasmatic). Legs resemble those of a Zoroark below the knees.

Several white, cut-shaped markings exist on subject's chin and ribcage (Note: these appear to be natural, rather than injury-related). Extensive burn scars also appear across subject's left forehead, back, and sides of stomach (Note: scars predate first encounter).

KNOWN POKÉMON: Subject has a singular partner: a non-battling male Hisuian Zorua they refer to as "W". "W" is highly protective of subject, assaulting anyone who threatens physical harm to them. (Note: W bears significant genetic similarities to subject, similar to that of a half-sibling or aunt/uncle.)

KNOWN ABILITIES: Subject bears notable ability to disguise themselves, similarly to a Zorua. Disguise can be broken with sustained physical or mental damage, or prolonged unconsciousness. This disguise does not change any physical properties of the subject, only the perception of others. (Note: this ability seems to also include voice mimicking. Requires further research.)

Subject appears able to understand and Pokémon, similar to N (ID: 00002). Unlike N, subject appears capable of conversing within Pokémon language.

Subject is capable of using moves typical of a Hisuian Zorua (Note: sourced from historical records. May be inaccurate). Displayed moves include Scratch, Hone Claws, Taunt, Knock Off, Spite, Agility, Thief, and an unknown move we have titled "Bitter Malice".

Statistics in battle appear to line up with a level 40 Zorua with a Hardy or similar neutral nature. Though unconfirmed, subject appears to bear high IVs in all skills other than speed.

Subject is skilled at weaponless self-defense & use of knives and other slashing weapons, and shows little hesitation in carrying out given tasks. Shows great skill in blending with crowds, finding and luring others without direct prompting, and eluding capture.

CURRENT DUTIES: Subject is regularly employed in disabling, dissuading, and discarding of potential threats to Plasma. Unlike others, subject seems amenable to this work, potentially due to a noted hatred of humanity. Subject also frequently accompanies Shadow Triad (IDs: 00010, 00011, 00012) on duties in which Ghetsis (ID: 00001) is not present.

EXTRA NOTES: Though subject is not accompanied on missions, subject is tracked via subcutaneous tracking chip implanted in right ear, and communicated with via in-ear earpiece.

It is imperative to keep subject physically separated from both Ghetsis and N for preservation of future goals. Subject must also be kept separate from Grunt #06049, due to subject recognition of 06049 from previous incident of arson (Note: see case file #45947).

If subject begins to show any signs of doubt in their cause, immediately contact their direct supervisors. Defection may prove disastrous.

[the-s1lly-corner]

OOO what about a Dark Fey reader like Maleficent? that was being hunted down by a dangerous group of cryptid hunters, and had a broken wing n wounded by iron bullets but kept running.

And the Creeps found them took em in. and since ferfolk cannot lie,.. caught them off guard with a question on how they felt about that creep 😉

I expect to see Slenderman!👁👁 and another ig👍plz

idk I rarely see Supernatural like readers, it's a little disappointing imo. I love powerful self-inserts ok?

Slenderman with a Fey!S/o

UWAAAA I'm sorry for taking so long to get to this !! I've kinda been sucked up in a bunch of irl stuff !! (Nothing serious, just me working on things)!!

Admittedly I have never watched maleficent; so I'll solely be going off the info given in this ask I hope that's alright ☝️😔 and I apologize in advance if it's no good 😭💔

As you specifically brought up slenderman, he's gonna be our star today!! I was originally going to do the full list of characters but my brain js

A raisin

Also also!! I totally get what you mean ab the shortage of supernatural readers!!! Not just in the creepypasta fandom; but really any fandom! Let the insert have powers, let them be super strong, ect ect !!

You'd stumble into him after trying to hide and take shelter in his woods

Normally, he'd take down any trespassers after stalking them for a bit; but he was just too curious about you to make that the case

I dont know, I always think of slenderman to carry that kind of curiosity about the world and other creatures; I feel like that makes him more interesting than the fandoms standard "stern and oddly fatherly" take... also I just live the idea of curious cryptids!!

Moving on

He'd help patch you up with the resources in the forest; I've seen mixed opinions on whether or not slenderman has weird healing powers but personally; I think he has regen abilities that can only be applied to himself! Unrelated to the ask I know, but a quick little fun aside and little bonding point for him and s/o if they have the same deal going on

As for shelter? I'm personally still on the fence on if I wanna make the manor thing a part of my personal universe and hc that I write for these silly lads; but rn I've settled for a version of it! Not as grand or tidy as the old fandom hyped it up to be; it's a lil smaller and kinda... run down

Still livable, though, and you're more than welcome inside if you need somewhere to stay

Granted, I'm not entirely sure how the topic of romance would be brought up with him, but let's say he picks up on some behavior from you that makes him start putting together a picture

Bro has zero rizz I'm sorry

Regardless, he eventually asks the question; and as the rules go, you're kinda forced to tell him how you feel

I think regardless of if he reciprocates or expected your answer, he'd be surprised

I mean how many people are out here flirting with a forest monster, to their face

I think it could work, honestly! The relationship I mean!! I wish i had more hcs since this is such a fun idea, but I genuinely dont know much about fairy stuff and all the lore regarding them

But onto some more side hcs/little ideas to make up for the lack of stuff !!

If you need comfort, about the whole being hunted thing, slenderman is a good listener; and he understands what it's like, bro probably has to deal with people trying to get a look at him all the time. He gets it

Want revenge on them? Well if the hunters followed you into the woods they probably wont last long anyways; despite the whole curiosity thing he can be... rather territorial

Day to day life with slenderman is interesting as is, but with a fellow non-human companion? Shenanigans will likely ensue

What kind? Cant say, due to my lack of knowledge 😔☝️

Too injured to move around on your own? If you need to go somewhere slenderman will either fetch it for you, or just carry you to where you gotta go

Also he totally wont make it habit; even before the romantic relationship is fully formed

It just activates his neurons 😔

[rick-h-829]

Some sketches of young 50-R∆-35 and lore dump

Sketch on the right is after he fell and knocked himself out during pe lesson, just stupid mistake.

(that lore dump under the cut)

So

I've been thinking, and decided I'll make ma filthy Rick even more like me

He is more paranoid isolated as a kid, his mind is haunted by his own thoughts that make him feel more and more like a psycho.

That pushes him to study brains and their functions more.

He never met his Diane, tho he got visited by Rick Prime. Somewhere around that time that Rick Prime was killing Diane's. He haven't proposed him the technology of multi-dim travel, Prime was just curious to see how it worked in dimensions where Rick's haven't met Diane's.

After that visit he started his research on dimensional travel on his own.

Then some normal stuff - traveling, collecting information's, getting better technology and running from federation (he didn't join the rebellion, he was just a criminal, but he helped them sometimes so he met Squanchy and BP).

Then the stuff with Unity happened and he became something like hivemind, it helped him with getting more data about the mind.

And while playing with time +/dimensions he got send back in time (mistake of some kind). He was trying to get back and on the way he was stealing, destroying and killing.

While doing so he might have put some innocent Rick's in danger, cuz.. well... they all look kind of identical.

He visited Rick Prime, somewhere on the way to his time and dimension, not really sure why but I would love their interaction so I put it there

I'm sure he got to his own dimension when c-137 reseted the portal travelers, and by that he learned his real dim of origins (his mind somehow eroded any memories of it, not like he needed it anyway).

That's why he tells people he's from 50-R∆-35, he chose it for himself and stuck with it to the point that Rick's know who they're talking with when he introduces himself with that. It gets weird when somebody scan's him.

Well that was lore, now to characteristics, I'm not gonna write that much here

He ain't older than 50 (After that mashup with time travel he didn't realize that he went too far. When he meets with other Rick's he's shocked at first why they all are older, he got why is that but never corrected it).

He's somehow happy with his life, sometimes tho wishes he wasn't born so smart, it is a curse guys.

But most of the time he's just happy with the shit he does, most of the time doesn't mean he's happy all the time, it's sinusoidal.

He has a lot of implants, they're more like reinforced natural tissues and bones, not robotic part's, he doesn't trust electric things, and always checks before getting into portal.

If stuff can be hacked = he's more careful with it.

[insertsomthinawesome]

I love your Genshin lore takes, any interesting hcs/AUs/lore bits you'd like to share? Also, amazing art!

AA!!!!

That makes me so happy to hear actually??? THank you???? I love getting to ramble about genshin or stuff I'm into i'm just often too shy asldfkaslfalsgsdgdsdgsg so thank you!!!!! ;;v;; AND THANKS I'M GLAD YOU LIKE MY ART TOO!!!!!! ;;v;; <3 <3 <3 OOOoooh HMMM, I've been more into TWST and Trigun Recently so let me dig up my braincells to think about it dfLSJFLSDJGLSDGD Throwing stuff below the cut cause this could get LONG

Well on the subject of Itto, I headcanon him being 6'6 ft tall... Why??? Because it makes his voiceline about everybody shorter than him being a child really funny. 🤣 Also because he beeg and you can't convince me otherwise SDLFJSDLJGSLDGSD OOOOH Okay this one is very much a headcanon i have for pure self indulgence: So my two genshin blorbos of main focus are Zhongli and Diluc right? I like to headcanon that, at some point after Diluc was nearly killed by the harbingers, he collapsed somewhere near Liyue harbor (His injuries probably weren't directly related to the Harbinger ones, tho it depends on the amount of time it's taken between That incident and him being in Liyue, I think I came up with this idea LONG before i really understood a lot of what Diluc actually did away from home xD) he's found and carried to Liyue, where he's tended to, probably by Baizhu cause I love Baizhu, and recovers. Its here he's visited by Zhongli. Zhongli knew Crepus. Not super well! They weren't besties or nothin, but Crepus would be in Liyue, and Zhongli would be in Liyue, both of them having some level of prestige, Zhongli through his job and Crepus through his Titles, ended up meeting. They would talk and of course that means Zhongli heard about Diluc. Beyond that even, Zhongli was probably vaguely aware of Diluc's existence just from the fact that Crepus is a Ragnvindr, which means gossip/news on his family spreads potentially across the globe. (And maybe Zhongli checked in once in a while out of honor to a dear friend he hadn't seen in five hundred years...) ANYWAYS. Zhongli introduces himself and mentions he knew Crepus. A grieving Diluc probably asks for more information without really knowing if he wants more info or not. Its through this that Zhongli learns of Crepus's passing, and Diluc being less well put together from his injuries, ends up confessing to having hurt Kaeya. He despairs of ever being able to make up for it, to which Zhongli is surprisingly quiet and attentive before finally speaking up: "...Life is short, like the flower, it blooms for a season, blossoms in all its color and beauty, and then it shrivels away on the winds, nothing left of it but the Sweetness of memory." He pauses. "If you care about your brother, than return to him, confess your wrong doings, and don't let the burden of you mistakes carry until such a time as the ability to do something about them is force-ably taken away from your hands." The mans smile is soft, but sad. Not in a pitying way, and not in a way that is even directed at Diluc, if anything, he seems thousands of miles away. "There are fewer burdens, and fewer regrets, that can weigh heavier." This of course creates a fun dynamic to play around with if Lumine or other events drag Diluc to Liyue later >:D As for AU's I can give you two I've dwelled on!: Number one is an Inazuma rewrite, but I bring in a party of my chosing. I started this one before I played the game, so I didn't exaclty understand what went down in the INazuma plot, but Man I was having fun so xD THe party of choice in this case was Zhongli, Diluc, Thoma, and of course Lumine. I had fun with this idea because it allowed Zhongli and Diluc to function in the plot, and Thoma would be WAAAAY more involved as well. I didn't iron out Loads of details, but I wanted there to be a big confrontation between Lumine and Zhongli based off the fact that Azhdaha's quest happened before Inazuma, and before that was uh. THe reveal of Khaenri'ah. Needless to say Lumine's not exactly feeling the greatest about Zhongli. But she considers him a friend, or at least wants too. Zhongli is dealing with the sting of a pre-inazuma plot confrontation from Lumine, where she confessed that she'd have a hard time trusting him if he kept keeping secrets and he couldn't explain himself.

The two of them were planned to get into a huge fight that ALMOST gets physical. But Diluc stops them (Something something he knows making the mistake of attacking someone you love out of fear and broken trust 🙃) This ends up splitting the party for a while, Diluc going off with Zhongli, and Thoma staying with Lumine. Ultimately I wanted this to end with Zhongli getting to have a bit Showdown with Raiden Shogun, essentially kinda getting to brute force his way into her grief. I always loved the idea of the woman who can't move on from grief talking with the man who has suffered so much grief but still lives, this would kinda allow that, it would also allow for Zhongli to be a little bit of a father figure to Ei in her frustrations and grief. Also it would be hilarious if Inazuma kinda knew Rex Lapis was alive... but he kinda saved all their butts, so nobody's going to out him xD This would essentially spiral into a lot of canon divergence plots and development for the cast of characters that's just, not in canon? But man I still think it'd be so fun :D Also Diluc and Ei eventually become friends through this adsflJSFLSJDLGJSLDGJSDGSDG. I think they could help each other :) The SECOND AU is one where, Diluc, on his journey, ends up getting stuck in Inazuma before he can get home. So diluc is visionless, Has the Delusion, and is not in good health. Itto ends up finding him passed out on a beach, drags him back to Granny Oni's, and his gang nurse him back to health all while assuming Diluc was a victim of the Vision hunt decree (i think the vision hunt decree is pretty recent in canon?? This would be an AU where the timeline got bumped up, probably Raiden starts off a lot slower with the vision hunts, only taking a few of them once in a great while to further "eternity" Until she spirals bad enough to start taking them all.... IDK its rough but workable maybe xD) THis AU is mostly for letting Itto bully Diluc into loving himself among other things xD and the angst of it taking even longer for Diluc and Kaeya to reunite...... WHich i would defo make them reunite when Lumine comes over to finally end the Vision hunt decree soooooooooo >:3 Diluc ends up getting adopted by the Arataki gang, by EVERY member, and he's not happy about it (He is, he's just a freaking tsundere)

[changeling-rin]

It's fairly easy to tell with most of the guys, but I've been wondering: what kinds of things are Lore afraid of? How does he react when he's forced to face those things?

Oh!  @ask-the-dimensional-links did a thing on this!  Give me a minute, I’ll go and dig up that post- 

Click Here To Read It

Also, I went back through my message history and found the original thoughts I sent them regarding that Ask in the first place.  However, it is long, and I have recently figured out how to stop spamming people with novel-length posts, so!  The LONG answer shall be under the cut ;)

(But if you don’t want to read the whole thing I’ll put Lore’s in bold so you can just skip to it)

((For greatest fears… well, honestly I’ve only addressed this a couple times, because most of my interpretation of being the Holder of Courage means that said Holder isn’t afraid of a ton of stuff. That said, I have tried to give each Link something that they ARE afraid of, if only because Courage also means overcoming your fear and doing the thing anyway. I probably haven’t mentioned them all in-story because not all of them came up through natural events or dialogue, but hey, now I can!  Gen is afraid of spiders. I did this because, in his game, they’re freaking enormous and have a nasty habit of dropping out of absolutely flipping nowhere, landing on his head, and proceeding to try and eat him then and there. Granted, the spiders in Twilight Princess can be equally large, but you can usually see them coming. Plus, Dusk has very sharp teeth and that quick-time event thing with Midna and her magic, so he’s much better equipped to take them out swiftly whereas Gen has to stab the thing and usually get spider guts on himself too.Speck worries about getting stepped on. One of the very first things he learned about being small is that almost nobody pays attention to you, and they certainly don’t pay attention to where they’re walking. Most of the time he uses this to his advantage, like his fighting style. But he always makes sure to keep to corners and to walk in places where he can’t easily be spotted, because getting crushed to death by an unobservant human sounds absolutely terrifying.The Four don’t like being alone. It’s something that’s developed more in relation to the more time they spend together; there’s something really intimate about sharing thoughts the way they do, and they’re a little bit worried about how they’re going to handle it all when they have to put the Four Sword back. To them, noise means people and people mean life and warmth and laughter and a bunch of other good stuff. Their hive-mind means that they’ve always got each other, but especially now that they’ve gotten used to having ten-plus siblings around, being alone just sounds so… lonely.Ocarina is scared that he can’t measure up. It’s a lot of pressure, to take a nine-year-old boy and tell him, “Hey, you gotta save the world.” Now, though, he’s in a body that he’s still getting used to (he never had the opportunity to grow into it, after all), and there’s a future version of himself hanging around who’s confident and cocky and everything Ocarina’s not. He’s afraid that Mask might look at him one day and say, ‘You’ll never be me. You’re not enough.’ Common sense, of course, tells him that this is obviously never going to happen, because otherwise that would be a massive paradox and plus Mask just isn’t that kind of person, but fear isn’t exactly rational.Mask got over that whole inferiority thing a looooong time ago, but now he’s got a new issue: he can’t stand being left behind. Not in the kind of ‘You’re too slow’ way, but in the 'people move on without him’ way. It started when Princess Zelda sent him back to his child years (without actually consulting him on it, might I add), and suddenly here he is with all these memories surrounded by all these people who have no idea what he’s been through. Mask would have much rather continued as he was, with the people who shared the experience with him. Then Navi left, for reasons he’s still trying to figure out, and he literally left the country and went to a new one searching for her. This is part of the reason why he resonates with the Skull Kid; they’ve both got the same fear.Neither of them are very fond of Dead Hands, though.  Dusk doesn’t like losing people - at all. He’s so protective that the idea of one of the people he values getting hurt terrifies him. After all, what did he do when his adoptive brother got kidnapped? (That’s Colin, by the way.) And what did he do when Colin nearly got tossed off a bridge by King Bulblin? He went nuts on the guy. Same thing when Speck almost got crushed. He’s a wolf, and the pack means everything to him. He’s going to fight until he literally can’t anymore to keep anything from happening to his family.Vio, Blue, Red, and Green each have a diluted version of Link’s original fear, because they’re one personality split across four bodies. Basically, Link hates being the person who screwed up. The reason that Vaati is free in the first place was because he drew the Four Sword, breaking the seal and letting the sorcerer loose. (If you’d like, the Blue in him outweighed the Vio and instead of thinking of other ways to rescue the Princess, he went for the immediate option.) In a roundabout way, the whole mess is his fault (or at least he thinks it’s his fault), and he’ll do anything to make sure it doesn’t happen again. For his four split selves, this manifests into a general desire to not be the person in the group to botch the timing on a combat plan and to have their teamwork, at least, be smoothly-running.Lore, for a while, didn’t think he had a fear. Then he met the group and he abruptly realized, that, yes, he actually does. Lore’s afraid of rejection, that one day these people that he’d come to regard as family will say 'That’s it, we’re done, you’re too weird and we can’t cope with it.’ He actually reigned himself in, at first, just a little bit, because he liked these people and he wanted to stick around and for some reason, the idea of them looking at him in apprehension and confusion the way most other people did bothered him. He’s let loose by now, obviously, because he knows that none of them are going anywhere and neither is he, but it’s just one of those things that comes up in a bad dream every once in a while and always ends with him spending the rest of the night awake.Sketch has a straight-up phobia of water. I’ve covered this one fairly in-depth in the story, I believe, so I won’t reiterate it too much. But Sketch is always going to look at the ocean differently than the rest of the group will, because The Rain Incident is never too far in his mind.Realm is secretly afraid that one day, he’s going to get lost on his way to save somebody and by the time he finally gets there it’ll be too late. Or, that he’ll lose his sword and be unable to fend off an attack, or lose his shield and be unable to defend someone. This is why he never stops trying to find whichever item he misplaced or whichever location he lost track of this time. He’s going to get there whether it takes him two weeks or not, because the alternative isn’t an option. He’s better nowadays, because somehow hanging with the group cuts his travel time by about eighty percent and he still can’t believe that it’s normal for people to get where they’re going in less than a week, but it’s awesome and he’s not complaining one bit.Wind is afraid to lose. Not exactly in the traditional sense, but more like he’s terrified of what will happen if he fails. What would have happened to Aryll if he’d failed to save her after she’d gotten kidnapped? What would have happened to Tetra if he’d failed to get her out of Ganondorf’s hands? What would happen to her now if he fails to find Bellum? And, the current one, what will happen to existence if they fail to stop Demise? (I guess he’s afraid of the Game Over scenario, heh.)Steam never says anything about it, but he sometimes sees things that nobody else does and they freak the living daylights out of him. He’s started suspecting that there’s some form of spirit world sharing the space with their physical one. He’s learned to ignore it, for the most part, although being able to see it did come in really handy when Zelda lost her body. Unfortunately, that led him to think that he’s seeing the afterlife, and that was just uncomfortable.

Shadow likes to pretend that he doesn’t have a fear and he gets away with it too, because what he’s actually afraid of never actually occurred to anybody else. Which is funny, because he’s actually really obvious about it. He doesn’t like sunlight. Kinda like Sketch and his water phobia, Shadow’s afraid of sunlight because it hurts. He’s never tempted fate to see what would happen, but judging by the smoke that starts coming off his hair he doesn’t think he wants to find out. Hence the cloak he wears, and why he’s always under a shady tree somewhere.Oni dislikes the idea of losing his legacy. He’s the very first Hero, after all, he’s gotta protect his kids. Plus, if they’re gone, who’s gonna beat up the evil that pops up all the time? He’s like the formal older brother/father who’s actually an enraged momma bear if you manage to trigger his fear.))

[scifinal]

DW s12e10: It's Quite Unfortunate That This Child Keeps On Regenerating

It's only fitting that the first post on a blog called "SciFinal" should be about a season finale.

Not that fitting is the fact that in said post I'm going to begin where it all started for me.

Part One: How I Even Got into This Mess of a Show in the First Place

While I call myself a huge Doctor Who fan, even a – *gasp* – Whovian, I must admit I am not as familiar with the franchise as I would like to be; I've seen the new show, I've seen Torchwood (though, admittedly, I had to force myself to finish the fourth season – but that's a story for another day), I've listened to a handful of audio dramas (including Kaldor City, which I consider to be canon for both DW and Blake's 7) – mostly Torchwood audio dramas, but who cares, – I've read a couple of comics, I've got a novel or two somewhere on my bookshelf, I've seen the first couple of seasons of the classic show, but that's about it. I can't say I grew up with it – it wasn't on TV when I was a kid, there isn't an official Ukrainian dub, et cetera, et cetera. I first heard about it when I was about thirteen, when my classmate did a project about something they liked – and was pretty dismissive of my peers' hobbies at the time, believing myself to be somewhat above them, so I didn't pay much attention.

Then somebody finally pressured me into watching it (I believe I was fifteen or something back then) and I loved it. The first two episodes of the first season, I mean. I watched those, texted my friend something like "consider me a Whovian now!" and abandoned the show completely only to return to it maybe several years later.

I loved it. This time, for real.

Doctor Who has been with me ever since that time, it has a big soft spot reserved for each and every Doctor ever in my heart, and for each and every companion. I know full well it's cheesy, and it's stupid, and it's technobabble-y, and it's glorious in all of its cheesy technobabble-y stupidity.

And I hate this finale.

Part Two: Doctor, Why

I hate this finale – because I hate Chris Chibnall. Mind you, not the gentleman himself (I don't even know what he looks like, and I can't be bothered to Google), I hate what he did to Doctor Who.

Now, when it was revealed that the would replace Steven Moffat I felt... nothing. What did you expect? I had no idea who the man was. I know now he's made Broadchurch, and I know he wrote a bunch of stuff for Torchwood back in the day, including Cyberwoman. I had to drop Broadchurch because of how well-handled the depressing atmosphere was, and I love the flawed, dumb, sexy-cyber-bikinied, almost-fifteen-minutes-of-Ianto's-whining-including (I know because some time ago I literally cut almost every single moment of Gareth David-Lloyd whimpering, moaning, groaning, screaming, and mugging at the camera out of the episode and made those bits and pieces into a beautiful clip show called "I HATE THIS" to explain exactly why his face was and still is so punchable) mindless fun that is Cyberwoman (this is also one of the two episodes in which they actually do something fun with the pterodactyl living inside Torchwood's underground base). The latter also led to the creation of one amazing in how it develops Ianto's character audio drama entitled "Broken". I love Broken. I am now forcing you to look at its cover because of how much I love it.

Here we go. Now, back to the point of me rambling pointlessly

In his video "Sherlock Is Garbage, and Here's Why", a well-known YouTuber hbomberguy pointed out how Steven Moffat's problem is that he is more than capable of writing a good one-off episodes, but ultimately fails at managing multiple complex, overarching stories, as visible when you look at the difference between Moffat's individual episodes and his run on the show.

Now, I believe that Chris Chibnall suffers from the same affliction: he's a good screenwriter but a terrible, terrible showrunner. Sure, he's made Broadchurch, but Broadchurch, in its essence, was a complete singular story with a beginning, a middle, and an end. There were no bigger, incomplete arcs expanding at the expense of other episodes, and the show did exactly what it was originally designed to do: it told an uninterrupted story.

Here comes Chris Chibnall's run on Doctor Who.

Now, while Steven Moffat was ultimately not very good at managing overarching stories, he tried to do so nonetheless, and the fans seemed to like his attempts. And while I can't be sure as to whether it was Chris' original vision for the show or he and his co-writers were merely trying to emulate Moffat, he attempted the same. A friend of mine has even pointed out how, to her, it was painfully obvious how the writers of the finale were desperately trying to copy Moffat's style (to give you some context, she grasped it from a 30-second clip of the CyberMasters' reveal, and that clip basically consisted of me filming my laptop's screen and laughing at their design, making the video wobbly and the audio distorted). At the time of writing this post this friend hasn't seen a single episode of Chibnall's era and, as far as I know, has no wish to do so – mainly because of two reasons that both have something to do with the finale:

Somebody's already spoiled it for her, so who cares;

I ranted to her about how shit this finale is and now she hates everything about Chibnall era.

I am very sorry for the latter, since I genuinely believe there are some nice episodes in these seasons, and I especially like the "historical" ones, they really are quite a lot of fun, I like Nikola Tesla and Thomas Edison fighting badly CG-ed alien scorpions, I love Lord Byron and Mary Shelley running around a haunted house trying to escape from a Cyberman (even though it's all too similar to the Agatha Christie episode from Russel T Davies' run), I adore that episode about Rosa P–– oh, wait, no, that one was crap and ripped off Blake's 7... Anyway, I love Jodie Whittaker's Doctor, I am a big fan of Graham, I like Ryan just fine, and I can put up with Yaz, even though it's been two seasons and I've still got no idea what's her personality supposed to be, and I absolutely love the new Master (he reminds me of a cute little pug with a big Tommy gun). There is plenty of good stuff in these two seasons, they are lots of fun to watch, but this finale... Oh god, this finale.

Part Three: We Had All of Time and Space at Our Fingertips and We Ended Up with This

We are getting to the point of this whole thing. I would love to begin with the obvious, the twist, but there's so much wrong with this who-cares-how-many-parter than this one big thing.

It is inept. It is impotent. It is incompetent. It is bad at almost everything except its okay camera work, somewhat good (for a British TV show, I mean) effects, and its really solid performances.

Its editing is tone-deaf to the extreme. There is a moment in the final episode where Ko Sharmas asks who will be the first to cross the Boundary and step into the unknown, and immediately it cuts to Yaz walking towards it, all fast and silent. I would love to show you a clip of it, but I don't have one and I can't force myself to download the episode and sit through this shitshow again just to present you with a ten-second clip. Nonetheless, that part is not edited like a dramatic moment. You edit comedies this way. Bad comedies. Bad editors edit bad comedies this way.

Its plot is incoherent. There are several plot threads in this finale, and they're managed in a way that doesn't make the viewer care about all of them at the same time, rather the viewer goes "oh, I've completely forgotten this was happening" and then, before they can even begin to care, the show cuts to something else. It's all over the place and oh so annoying.

The plot armour is painfully obvious despite every attempt to disguise it. There wasn't a single, solitary second when I believed the Doctor was really going to sacrifice herself and, lo and behold, here comes the old guy ex machina to do it for her. The only questions I was asking at that moment were "How are the writers going to prevent the Doctor's death now that they've seemingly created themselves a way to go on forever?" and "How can Whittaker care so much about her performance in this scene she's literally almost crying?". I wholeheartedly related to the Master asking "So why are we still here?" and shout–– hiss–– mumbl–– whatever-ing "Come on, come on, come on!" – at that point I've suffered through at least forty-five minutes of utter nonsense, people going preachy, religious Cybermen with Dalek motivations, that absolutely ludicrous scene in the previous episode when the show was trying its worst to make me perceive autonomous flying Cyber-heads with laser eyes as a serious threat, a shit twist and... Oh.

I've got to finally touch on the shit twist, haven't I?

It doesn't make sense. No, I mean it. I guess it makes sense from the show's writers' standpoint to retcon everything in a way that would allow them to go on forever without having to come up with a way to circumvent limited regenerations, yes. And I won't be touching upon all the lore people say this twist has ruined. No. It doesn't make sense as it is.

The twist is revealed to us by a madman that claims to have hacked into a database, claims to possess control over the Doctor's mind, and gives the Doctor and the audience no actual solid proof that the Timeless Child is, indeed, the Doctor. We have Ruth, sure, and she's nice enough (damn, I want that vest), and she's a Timelord that happens to own a TARDIS that looks like a blue police telephone box, and she calls herself the Doctor. Here's Ruth:

I really like Ruth. She also makes no sense from the show's timeline standpoint, since the Doctor's Type 40 TARDIS only got stuck looking like a police box in 1963, so there's no reason for the Doctor to not remember being her.

We also know that the Judoon have identified Ruth as "the Fugitive"... except in one of their previous appearances in the show they weren't able to identify their targets exactly and thus were seeking out non-humans. There is a possibility that they were only looking for a Time Lord on Earth.

You know what? It's possible that Ruth is actually the Master messing with the Doctor. I have just as much proof of this as I have of the fact that the Doctor is some kind of an endlessly regenerating superbeing.

But this is not the most maddening thing here. I loathe it, but I don't loathe the twist itself: I loathe its lifelessness, I loathe how empty, how unemotional, almost robotic it feels. When somebody'd spoiled the finale for me, I got angry, and I started asking questions, and when later I saw the actual thing...

This gif. I can't even explain how accurate it is. I stood there, in the middle of my kitchen, episode paused, holding a cup of cold tea and desperately looking around as if in my surroundings I could somehow find that emotional reaction that this show failed to evoke. I was ready to burst into tears of how empty it felt, and how empty I felt, and how the same show that has Christopher Eccleston go from literally foaming at the mouth with pure hatred to shocked silence in a matter of second because of one sentence that you, a viewer, can't help but be astonished by failed to make me feel the tiniest speck of literally any emotion. And slowly, I felt that vast void in my chest fill with sheer, pure, flaming hatred for the person who made me feel nothing, for the story that left me not bored – but empty.

And the next moment, in its own unique way of being absolutely tone-deaf, the show introduces the CyberMasters, looking ridiculous, being asinine in concept, making me burst into laughter with their dumb design. Wow.

So.

Chris Chibnall's Doctor Who is no longer a show. Chris Chibnall's Doctor Who isn't even, as somebody on Stardust said, a fan fiction. It's a rollercoaster. A lackluster rollercoaster that lifts you from the vast caverns of frozen hell, devoid of any life whatsoever, soulless and abandoned, to the heavenly torture of being so bad, so utterly awful and ridiculous, that you can't help but laugh as you watch something you used to love be distorted and deformed to the point where you can't recognise it anymore nor really care. This is what Chris Chibnall's Doctor Who has become. And I'm going to continue my ride on that grotesque rollercoaster. I'm going to pirate that ride and get on it again. Because I'm a masochist. Because I want to feel something, even if it's hatred towards those that make me feel nothing.

Because some time ago my fifteen-year-old self watched the first season and learned a lesson that I hold dear after all these years – that I can't abandon hope, and that someday, somehow, things are going to get better. That the future is being written right now. That the future can change.

[call-me-schmidt]

I've been listening to isweeden reading out fialleril's Double Agent Vader fics, and I've just been reminded about how much I love the way it fleshes out both Tatooine and Alderaanian culture. I mean, there's so much attention to detail and care that's gone into it; that's gone into the Tatooine Slave Culture tags as a whole. I've pulled all-nighters before by getting submersed in that part of the Star Wars fandom.

So, I suppose because of that and because of fialleril's bit on the Tuskens - and, also, I've basically just remembered that one of the first encounters I'd had with the fanfiction side of the fandom was that one where Luke was raised by the Tusken Raiders - that I put down some bullet points that I thought were interesting. So, uh? Here?

Okay, so the Tuskens in the movies basically function as faceless bandits and that's why I liked that one fic a lot - and it's why I like fialleril's headcanons on them that relate them to their Amavikka culture. I don't remember what the Tuskens were under their wrappings in that fic, but Luke blended in with them, so I think in both cases they were another strand of Star Wars Humans? Most of the human population of Tatooine who were born on planet - and more particularly among the enslaved population or those with slavery in their ancestry - are pretty certain to have Tusken ancestry. Names like "Skywalker", "Darklighter" and "Whitesun" are translated from Tusken roots; tribe names or appellations. I know a lot of this is actually treading quite close to other people's headcanons, but it's very good: in that it makes what happens between Shmi and Anakin that much more tragic, and in the way it fleshes out a good bit of Tatooine further.

Related to that: the Tuskens and the Jawas are the native sapient species of Tatooine and there are mythic events present in both of their general cultural storytelling. One of these is collectively known as the Green Time or the Rainy Time: which seems to remember a period of Tatooine's history when the planet could support more/lusher life. Tusken storytelling treats the Rainy Time as both an Age of Heroes type of thing and a promise of a future time of plenty. The Jawa lore says that when the first Jawas saw Tatooine from orbit, the planet was green and appeared to be covered in swirling clouds, but when they landed they found only the desert. The other very significant event that both species remember is the coming of the first slavers and the slave trade as is seen in canon to Tatooine. For the Tuskens, there are many versions of the tale that describes this event as the end of the Rainy Time.

Stemming from the arrival of the slavers, there is a group that becomes prominent in Tusken lore: the Tuskens that were taken onto slavery, who have become the Lost. This is a term that is in contemporary use for those who are enslaved, often applying to the wider population of slaves on Tatooine regardless of personal origin or species. The escaped or the freed are known as Found.

You know, related to that, I’m saying that there would be a debate as to whether or not these terms ought to apply in between cases: should it be reserved for those Tuskens that were taken only, or even those who are traceable descended from the tribes? Should it apply to all slaves regardless of origin? Can one only be Found if they make their way back to a tribe, or is being free enough to be Found?

Tatooine is a very hostile place to have tried to settle, and there are huge swathes of the planet that have been left untouched but for the nomads that go through. I think in Heart of Kyber by esama, they pinned it down to just around the poles as the coolest places on the planet and I think that I quite like that? It's a very good sci-fi concept, and it leaves - in my head, anyway - a huge kind of Point Nemo somewhere on the planet.

At the centre of this, the remotest possible point from any other settlement, is a city. There's odd ruins all throughout the desert on Tatooine - just because it's not settled doesn't mean it hasn't been tried, after all. Moisture farms that fell either the tribes, the slavers; the animals, or even the desert itself. Camps that have been left standing, but the people have been taken away; the sandstorms have not got to them yet. Jawa sandcrawlers left only to the shells of droids. Palaces whose masters have been routed. Even things from the Rainy Time, even things from before. I'm kind of imagining something that's a cross between Eris' desert realm from that Sinbad animated movies and Vaes Dothrak from Game of Thrones for this city. 

At the centre of this city, the reason that the Tuskens keep returning to maintain and protect it, is a well like this one: Chand Baori; and the Tusken word for it translates directly to Stepwell. Among the nomadic people of Tatooine, making the journey to Stepwell is often held as a coming-of-age marker. There is different significance attached to making the journey with company and journeying there alone, but I've not quite found the right words yet.

And I'm running out of stuff in my notes so I'll add more on later when I think of it, but there is this one point I've put down about a subculture of Tuskens that live in caves. Their traditions and way of life differs significantly from the Tuskens who live in the open desert or in within the sphere of influence of the cities. They tend to be less nomadic, as there is readier access to shade, storm shelter and sometimes water; and they make decorations and beads out of their home rock. I haven't thought much more about them yet, though. And I’ve ran of of notes there.

Hey, I just got a bit fascinated.