#//all of his memories: ah yes death follows sick

[longreads]

How Concerned Citizens Drove a Neo-Nazi Out of Rural Maine

Christopher Pohlhaus planned to build a fascist training compound in the woods of rural Maine. The local journalists, veterans, lumberjacks, and policymakers weren't having it.

Pohlhaus, 37, is a former U.S. marine, an itinerant tattoo artist, and a hardcore white-supremacist influencer. He is loud and hostile, and proud to be both. His voice is pitched surprisingly high, and he has a slight Southern drawl. He has a large body and small bald head; a blue-black tattoo crawls up the right side of his face, from his chin to his forehead. Over the years, Pohlhaus has collected thousands of social media followers, who know him by his nickname: Hammer.

Hammer had been living in Texas for a few years when, in March 2022, he bought the land in Maine. He told his followers that he was going to use it to build a haven, operational center, and training ground for white supremacists.

Check out our excerpt of The Atavist’s latest blockbuster story. 

[389]

PORTO ROCHA

[illsotrill]

@illsotrill

[nanaluvbug]

🧀🥪🌶️🥭 The Ravening War portraits  🧀🥪🌶️🥭

patreon * twitch * shop  

[ID: a series of digitally illustrated portraits showing - top left to bottom right - Bishop Raphaniel Charlock (an old radish man with a big red head and large white eyebrows & a scraggly beard. he wears green and gold robes with symbols of the bulb and he smirks at the viewer) Karna Solara (a skinny young chili pepper woman with wavy green hair, freckled light green skin with red blooms on her cheeks. she wears a chili pepper hood lined with small pepper seeds and stares cagily ahead) Thane Delissandro Katzon (a muscular young beef man with bright pinkish skin with small skin variations to resemble pastrami and dark burgundy hair. he wears a bread headress with a swirl of rye covering his ears and he looks ahead, optimistic and determined) Queen Amangeaux Epicée du Peche (a bright mango woman with orange skin, big red hair adorned with a green laurel, and sparkling green/gold makeup. she wears large gold hoop earrings and a high leafy collar) and Colin Provolone (a scraggly cheese man with waxy yellow skin and dark slicked back hair and patchy dark facial hair. he wears a muted, ratty blue bandana around his neck and raises a scarred brow at the viewer with a smirk) End ID.)

[70sscifiart]

One of my favorites by Paul Lehr, used as a 1971 cover to "Earth Abides," by George R. Stewart. It's also in my upcoming art book!

[taizooo]

もともとは10年ほど前にTumblrにすごくハマっていて。いろんな人をフォローしたらかっこいい写真や色が洪水のように出てきて、もう自分で絵を描かなくて良いじゃん、ってなったんです。それで何年も画像を集めていって、そこで集まった色のイメージやモチーフ、レンズの距離感など画面構成を抽象化して、いまの感覚にアウトプットしています。画像の持つ情報量というものが作品の影響になっていますね。

映画『きみの色』山田尚子監督×はくいきしろい対談。嫉妬し合うふたりが語る、色と光の表現｜Tokyo Art Beat

[underafullmoon3]

My type of girl -- I'm going to enjoy this

[layla-keating]

#thistension

XO, KITTY — 1.09 “SNAFU”

[nevver]

No one wants to be here and no one wants to leave, Dave Smith (because)

[foodffs]

Noodles with Lamb Sauce (Laghman, 新疆拌面) Xinjiang laghman features chewy noodles served with a bold and rich lamb and tomato sauce that is bursting with flavor.

Recipe: https://omnivorescookbook.com/recipes/uyghur-style-noodles-with-lamb-sauce

[lesserknownbots]

CJ from Hello World (MSPFA) by phasedsun?

[shitakeo33]

よく「発明は1人でできる。製品化には10人かかる。量産化には100人かかる」とも言われますが、実際に、私はネオジム磁石を1人で発明しました。製品化、量産化については住友特殊金属の仲間たちと一緒に、短期間のうちに成功させました。82年に発明し、83年から生産が始まったのですから、非常に早いです。そしてネオジム磁石は、ハードディスクのＶＣＭ(ボイスコイルモーター)の部品などの電子機器を主な用途として大歓迎を受け、生産量も年々倍増して、2000年には世界で1万トンを超えました。

世界最強「ネオジム磁石はこうして見つけた」（佐川眞人 氏 ／ インターメタリックス株式会社 代表取締役社長） | Science Portal - 科学技術の最新情報サイト「サイエンスポータル」

[skurtberry-shortcake]

Omg, I love it!

Theory: Greg’s “Like A Comet” lyrics were intended to end on a darker note.

Greg Universe’s song “Like A Comet”, as seen in S2′s “Story for Steven”, paints the picture of a young, ambitious Greg who both saw himself as out of place in his mundane life and believing that he was made for much more extraordinary things. I really love this song, as a pastiche of retro glamrock with its over-use of space symbolism and its earnest honesty from Greg, as well as its blend of splendour and melancholy. But what if that melancholy was meant to run deeper, and it was a last minute decision to cut it back from the song, from a production standpoint? Consider: There is both a very regular rhyme and rhythm to “Like A Comet”, both within and across verses: “Some say I have no direction That I’m a light speed distraction but that’s a knee-jerk reaction“ These lines are all 8 syllables long and end on a ‘shin’ sound. Even as the line length expands for the bridge, the AA rhyme style persists: “This life in the stars is all I’ve ever known Stars and stardust and infinite space is my only home“ Later the rhyme shifts to AABCCB, still very regular: “At the moment that I hit the stage I hear the universe calling my name And I know deep down in my heart I have nothing to fear And as the solar wind blows through my hair Knowing I have so much more left to share A wandering spirit who’s tearing its way through the cold atmosphere”

But the coda is where it gets weird, and where the style breaks down and makes me suspicious:

“I fly like a comet Soar like a comet Crash like a comet I’m just a comet”

The entire song relies on repetition of sounds and metaphors, and this final verse follows the metaphor of what comets do. Ie, Greg compares his own pending life as mirroring that of a comet.  It is a logical progression of ideas: He flies like a comet = takes off from his boring life soars like a comet = reaches his apex of success and enjoys it crashes like a comet = predictably, after peaking, Greg knows that there is an inevitable crash – not a gentle landing for someone who has flown so high and burned so brightly, figuratively flown so close to the sun that the solar winds caught his hair… “I’m just a comet”? It’s clear that this line breaks the progression of the metaphor, as though stepping back from the idea entirely and sighing: ‘Yeah, anyway, so this was a song about me and comets’. It’s an anti-climax for a song which intended to go out in a blaze of glory. So what’s missing? What is the final thing that a comet – at least in the song’s narrative - does? It dies. After the crash, it lies simmering, its energy escaping back into space. It has burnt as bright as it can, blown minds, and gone out in the aforementioned blaze of glory. Now try singing: “I fly like a comet Soar like a comet Crash like a comet Die like a comet.” Doesn’t that make more rhythmic and stylistic sense? The song’s lyrics show such rich grasp of imagery, it makes no sense to me that the song would end on a throwaway line like “I’m just a comet”. That sort of resignation is more something older, low-self-esteemed Season 1 Greg would say. But young Greg Universe? He would want to fly, soar, crash and die. So why is it not that way in the episode? My guess is that perhaps the talk of death was a bit too nihilistic for a show where the main cast can’t truly ‘die’ in the human sense, but do get treated with similar symbolism. But Greg isn’t a Gem, and Greg could truly die. And for a song for Steven? Who’s already lost his mother? Maybe the show staff edited it out. Or maybe Greg edited it out for Steven. Or maybe I’m totally wrong. But please consider: “Live like a comet, die like a comet!”

[389]

PORTO ROCHA

[theroyalweekly]

HRH The Princess of Wales in Southport today, on her first engagement since completing chemotherapy. It’s so good to see her!❤️ --

[kithtaehyung]

AGUST D : DAECHWITA (大吹打) & HAEGEUM (解禁)  ⤷ movie posters | ig ; twt (click for hi-res)