#//God is watching everyone all the time

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[ingoodjesst]

have you put the pieces together yet, detective

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[demadogs]

stranger things season one 2016 was so fucking incredible. it exists as an entirely different entity to me than the rest of the show. you literally just had to be there. to this day nothing has ever come close to the amount of universal love for a fictional story that stranger things first received. ive been chasing this high for eight years.

[backpackingspace]

Okay so I've been thinking about @nonbinarylocalcryptid Astyanax lived/daddy odysseus au. Which is some good shit in general. Yall should check it out. But specifically I'm think about what it would be like for this child to grow up on calypso's island. He would have been what ? 3-10 there??

[skitskatdacat63]

2009 Malaysian Grand Prix - Red Flag - Mark Webber(ft. Fernando Alonso)

[spiritofpassionfruit]

A–Aventio TGCF idea?? Wherein Civil God Veritas Ratio meets the infamous Ghost King Aventurine during his first mission cuz cuz like— The "live for me" paralels?!? The one who has all the luck partner as well?!? The villain who was actually not the Villain this whole time!?!? The loving humanity a little too much it causes their downfall !?!?!?

Rant AU in the tags proceed with caution

[sabotourist]

Some thoughts on season 19

This is probably going to be one of the most personal things I ever post on social media. But I have some thoughts.

Sarge and Doc died. Doc wasn't even killed on-screen. Was barely even mentioned until the end. He died having only saved two people in his entire career as a medic. Sarge died, and Donut wasn't even there to see it happen.

Was he off grieving Doc? Was he just doing other stuff? I don't know. But he was gone.

Why was he actually gone? Probably for budget reasons. Time constraints. Studio trouble and issues with the engine or model or whatever else. Writing constraints that forced Donut and Doc into such secondary roles. Into dying off screen. Into not even being there when two people you care so much about die.

But like, how much of that was actually in the narrative's control? They had these limitations to write around, and it put these characters in situations where they couldn't be in narratively satisfying roles.

In some ways, it's the most brutal depiction of what life is like.

When I was 14, I lost touch with my best friend. I just didn't keep my phone on me often at the time. He died. I think, if he had lived, he would have gone on to do some absolutely amazing things. He didn't get to. He called me a couple days before it happened. I didn't see it.

Death isn't fair. But it's not the end.

I think, if the story had had more time, these characters could have had better roles. But life isn't always so kind. Death isn't always so kind. We lose people when we're not looking. We blink and people are gone.

Doc, Sarge, Church, and Tex are dead. Wash was in an institution again. Tucker just went through all that. Grif went back to earth.

That's... that's brutal. Why don't I hate it? On paper, I'd hate it.

I think it might be because it doesn't feel like a goodbye, or even the end. There are loose ends. A lot of them. There's so much pain there, so much healing and moving on to be done. Just because Grif went back to earth doesn't mean he and Simmons don't call all the time. Just because Donut wasn't here to maybe save Sarge doesn't mean he won't be there eventually.

Just because Doc only saved two people doesn't mean it didn't matter.

Life is brutal. Death is brutal. Shit happens. Shit that isn't fair. Whether it's people we love dying, or just studio drama fucking a show.

But... that doesn't mean it's the end.

Doesn't mean Simmons is going to be alone, doesn't mean Doc died for nothing, doesn't mean Sarge's sacrifice meant nothing, doesn't mean Wash or Tucker's lives are ruined, or that Caboose can't have a new best friend.

I like to imagine Donut taking up medical studies after this. Doc saved him. He's going to make damn sure that matters. Maybe Blood Gulch becomes something of a boot camp for some future loser rejects in need of a home that Simmons can guide.

Church, in all his forms, may be gone. But that doesn't mean they're going to be so quick to forget. Leave the past in the past. But still look back from time-to-time. It got you where you were.

Sometimes we pass memories down through stories. Sometimes, just in the choices we make throughout our lives.

But just... unfair things happened. To the show, and to the characters in it. To the people running it. My best friend died when he was 14. Monty Oum died in his prime. Life is tragic. But hey, it's not the end. It's just the start of something new.

Maybe it isn't perfect. Maybe it isn't ideal. Maybe it hurts. Maybe it'll never stop hurting. But it can still be beautiful. it still has meaning.

It may just be a silly show about Halo dudes, but it matters.

Tl;dr: Raven is stupidly sentimental right now

[carefulfears]

how many of you would get mad at me if i said that mulder fucking another woman while wearing scully’s crucifix necklace is one of the most romantic things to ever happen….like, gothically and punitively so….it’s like….well, it’s like…it’s like “aw boohoo he has to get laid because he’s so sad his partner is gone” but like for a person who never allows themself any indulgence or respite or attention, who therefore only has sex as penance. only in blood. and it’s like…yes, it’s self-harm, in many ways, but in many ways it is also confession. crucifixion, as a laying down of sin. bless me father, for i can’t save them, and i miss them anyway. crucifixion as being watched over…when he asked maggie, “why did she wear this?” and maggie answered, “because i gave it to her.”

[feroluce]

So I adore time loops and I think Sampo would be very fun in a time loop AU. Because despite having so many onscreen interactions with so many characters, he almost always seems to hold people at a certain careful distance, so it's fun to imagine what or who he's willing to use a time loop for, how far he's willing to go, how much he actually does care.

At the end of the Masquerade Duet companion quest, Sparkle mentions a catastrophe soon to befall Jarilo-VI. And some players have interpreted this as a past event (the catastrophe being the story quests we took part in there), but other players have speculated this as an upcoming disaster that Sampo is trying to mitigate.

And so, Gepard finds Sampo in Belobog, right after he was supposed to return from Penacony...or whatever it was called, Gepard had almost been too relieved to remember the name after Natasha assured him that Sampo was fine and not missing or dead, just on a trip since the planet was finally open for travel.

He had assumed this was some kind of vacation, or some shady business endeavor (valid), but when he sees him, Sampo looks. Exhausted.

His usual smirk is there, but there's something horribly off about it that Gepard can't put into words. His voice doesn't have the usual bounce in it. His gait slightly off. There are bags under his eyes, his hair is just the slightest bit out of place. Sampo looks exhausted.

His feet move without him really thinking, he goes up to Sampo to say...something. Maybe just ask him if he's ok. But he can't leave this alone and not do anything, because Gepard can feel it, something is wrong.

And that feeling sticks with him, like the persistent cold, like frostbite, all day. Gepard can't seem to shake it. There is a collective unease seeping through Belobog, sinking deep, tangling around their bones. And the only one who seems to be reacting truly different to it is Sampo.

Gepard tries to tail the guy a few times, anything he can do to learn about what's going on and ease this devouring dread, but Sampo seems to know where he's hiding and calls him out every single time.

He dodges every question (normal), slips out of every grab and grasp (normal), barely even looks at Gepard (decidedly NOT normal).

And maybe it's the darkness that seems to hover over them. The way the air feels like it is pressing down and smothering the breath out of his lungs. But Gepard's patience finally snaps, much sooner than he ever would have thought it would, and he finally grabs Sampo by the collar, hauls him up and forces his back against the brick wall of the alleyway. Because maybe Sampo makes his living double crossing and stabbing backs and he wouldn't understand this, but Gepard has a family, he has people he wants to protect, and so he needs to know what the fuck is going on.

And he knows he's crossed a line the moment he says it. He knows it's not true. Gepard has seen the way Sampo and Caelus sneak around in the Fragmentum or meander down the alleys, snickering with their arms slung around each other. He's seen the way Sampo lets Hook climb up his back onto his shoulders while he takes the moles on little adventures. He's seen the way he and Serval rib each other like it was natural, easy, and the way he goes out of his way for Natasha like he wouldn't any other client, had even trusted her with the knowledge that he was leaving off-planet.

Sampo has people he wants to protect, too, and Gepard shouldn't have accused him otherwise.

But before he can even apologize, Sampo does something stranger still.

Instead of telling him off, or taking a swing at him- both things Gepard would admit he deserved- Sampo just. Lifts one hand, lays it over Gepard's fists still balled in his jacket. Like he's keeping him there. Even through his gloves, his hand is warm.

And Sampo doesn't even really look at him, he leaves his head hung low as he quietly tells Gepard to just go home. Stay in with his family. Don't come out. Please. Please.

But eventually, the catastrophe strikes.

And Gepard can't. He can't stay safe inside his home while this is happening. He can't ignore this. He tells Serval and Lynx to stay in. Don't come out. And he dons his armor and marches out to protect as many people as he can.

When it's all said and done, all Gepard can see is rubble piled around him and a blackened sky. He can hear fire crackling. He can hear a voice he recognizes as Serval's wailing and screaming his name, and he knows she's not going to find him in time. She shouldn't even be out here.

A bloodied face swims into view, bright green eyes looking hollowed and haunted, posture weary and defeated. Gepard reaches out a shaking arm, trying to grab at Sampo's pantleg, trying to make any sound other than gurgling the blood filling his throat, because he knows it for certain now, he knew, Sampo knew.

"Not this time either, huh...?" The sigh he heaves isn't theatrical, for once. Somewhere, rubble groans and loudly collapses. Sampo doesn't even startle or turn to look at it. "I'll figure it out soon, I promise. There has to be a way to pull you through this alive. There has to be."

Something materializes in his hand, something red. Gepard's vision dims at the edges as he watches Sampo hold the mask over his face, as it seemingly attaches itself directly to his skin.

"See you on the next go around, Captain."

[adventure-showdown]

What is your favourite Doctor Who story?

TOURNAMENT MASTERPOST

synopses and propaganda under the cut

Blink

Synopsis

In an abandoned house, the Weeping Angels wait. The only hope to stop them is a young woman named Sally Sparrow and her friend Larry Nightingale. The only catch: the Weeping Angels can move in the blink of an eye. To defeat the ruthless enemy — with only a half of a conversation from the Tenth Doctor as help — the one rule is this: don't turn your back, don't look away and don't blink!

Propaganda no propaganda submitted

City of Death

Synopsis

While taking in the sights of Paris in 1979, the Fourth Doctor and Romana sense that someone is tampering with time. Who is the mysterious Count Scarlioni? Why does he seem to have counterparts scattered through time? And just how many copies of the Mona Lisa did Leonardo da Vinci paint?

Propaganda

even if your not a classic who fan, you have seen moments from this, “wonderful butler, he’s so violent”, “youre a beautiful woman, probably”, “if you wanted an omelette I’d expect to find a pile of broken crockery, a cooker in flames, and an unconscious chef”. The location shooting, iconic, the music, iconic, the plot, so iconic I was once watching something (non doctor who) that referenced it as a fake historical event. Dare I say duggan is the greatest side character of all time. Romana’s outfit, the design of scaroth, the implication time lords can fly. it’s not my favourite overall, but its damn near close, it deserves AT LEAST the semi finals, AT LEAST. If you’ve not seen it or any classic who, go watch it, its so good, one of the best of the era. Also, how could I forget, the most watched episode on broadcast out of all of doctor who, including new who. (yes it was because itv was off the air due to strikes, but im glad its this episode that holds the record) (anonymous)

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[stil-lindigo]

emily carroll has once again permanently changed my brain chemistry

[thedukeside]

I'm not here to stir up shit. I've got no skin in this game anymore, but I think it's important to remind the community about just how long these communication issues have been prevalent amongst Thomas productions. For example, I was at my peak-obsession with Sander Sides at 14. The signs started cropping up of a sinking ship while I was in my first year of high school. Disgruntled artists, lackadaisical deadlines, and silenced staff members were the norm. Now I'm about to turn 21.

[ozonecologne]

.

[bogkeep]

oh god i just realised that i sometimes struggle to watch reality tv if i worry whether the participants are having a bad time. this explains a lot