#// for people wanting a visual for what they look like!

[eddiethebrave]

secret admirer part twenty-two

759 words

one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one

Eddie do you ever think about what you’re gonna do after high school? like how am i expected to know what i want to do with my life? i mean, i have another year to think about it but not that much can change in a year you probably wanna do something with music, right? make it big with your band and have people screaming your songs i’d go to every show if i could be your own personal groupie who knows? maybe that’s my calling p.s. have a good time at hellfire tonight i hope you win !!!!! -H

You’d think the win last night would put him in high spirits, and it did. At first. He celebrated with the guys, passed on the get together someone suggested, and drove home feeling proud. It was when he was laying in bed, though, that he started thinking. When he graduates, how often will he be able to ride a high like that? From pure accomplishment?

Steve puts on a brave face for morning practice. He doesn’t wanna drag anyone down with him. He goes through the motions of accepting congratulations and pats on the back from his peers and teachers alike all morning long. 

It only makes him think, though. 

Seriously, what comes after this? More school? Does he accept that internship at his father’s soul sucking company? Does he get a gob and jump right into adulthood?

What it really comes down to is the fact that Steve had never thought he’d have a future. Honestly. He’s getting closer and closer everyday to the next stage in his life, though. The years snuck up on him and now he has to deal with it. 

On a lesser scale, Steve doesn’t like thinking about what life will be like once Eddie graduates this coming May. How is Steve meant to tolerate this hellhole without him? Sure, he’d gone years without really noticing him, but now that he knows what it’s like to have a taste of him in his life, he doesn’t think he could go back. 

The whole thing makes his pulse quicken and sweat begin to bead at his hairline. By the time he makes it to art class, there’s a tension forming at his temples and he’s not looking forward to the headache. He doesn’t think he has it in him to act like everything’s normal. 

For once, Carol doesn’t acknowledge his foul mood. She’s too busy staring at Robin. For the portrait, of course. 

The teacher had informed them today the class is basically a free period and they can choose what to work on or what to not work on. 

Steve sits slumped over the table with his head resting on his folded arms. He kind of wishes Eddie hadn’t put the divider up and also that he had his sunglasses so he could stare at him without feeling weird about it. 

Instead, he rests his eyes and tunes into the sounds of pencil on paper surrounding him. He dozes for a while and has nearly fallen asleep when he’s awoken with a poke to his cheek. 

Steve peels his eyes open, but no one seems to be wanting his attention. There is, however, a piece of paper placed next to his left arm. 

It’s a drawing. 

A stick figure with tall swoopy hair and eerily realistic eyes. 

Steve looks to his left, only to find the culprit still hard at work with his face tucked behind the divider. 

Steve visually fills in the blank and surmises Eddie’s smile probably matches his own. 

Steve doesn’t dare fold the paper. He tucks it into the notebook he has to keep it safe. Throughout the rest of the day, he opens the book just to look at it. When he takes it home, he tapes it to a wall in his bedroom, somewhere he can always see it. 

Eddie did i ever tell you how sweet it is that your club has matching tees? i haven’t seen anyone who doesn’t do sports or the school band have a uniform but it makes sense that other clubs would, too you look good in black, don’t get me wrong, but GOD i thought i was gonna die the first time i saw yours so thanks for that also, while we’re on the subject of how hot you are,  you should wear your hair up more often p.s. sorry about the existential crisis on friday i wasn’t doing too good but i got a pick-me-up eventually <3 -H

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[silverskye13]

Angst prompt courtesy of: @theunderscorwolph

[Part 1 of 2]

Helsknight waited... Probably too long to check in on Tanguish. In his defense, the last time he spoke to Tanguish, he was heading to Hermitcraft, and while Hermitcraft was far from safe, it was, in its own ways, safer than hels. There were fewer people, fewer hazards in general, and there was Tango. Tango wasn't a fighter. As far as Helsknight could tell, he was mostly just squirrelly, and a bit cowardly. But he was fiercely loyal. That went a long way. He had even, misguidedly, attempted to save Tanguish from Helsknight once. Helsknight, who recognized he was a big, scary, angry-looking, armed and armored knight, could respect that. And Tango and Tanguish were friends, and they got wrapped up in each other sometimes, and this was far from the first time Tanguish was gone all day talking to his other half about some project.

It was, however, the first time he'd been gone for two days in a row.

Helsknight didn't really consider himself to be a worrier. Tanguish was an adult. He could take care of himself. And even if he couldn't take care of himself, Helsknight could recognize that everyone had some level of pride. Butting in on someone else's business uninvited was a great way to be a nuisance at best, and a problem at worst. So, Tanguish didn't come back by the evening? If there was a problem, Helsknight would respectfully let him handle it. Tanguish knew to come get him for help. And while Helsknight would feel truly guilty if his dithering caused Tanguish to respawn, he could take some solace in knowing he would wreak holy vengeance on whoever did it.

[That was one of the perks of being a knight: when you pointed at someone and said something along the lines of "Through hels or high water I will smite thee" or some such dramatic nonsense, people tended to get out of your way and let you get to business.]

Day two of no Tanguish, and Helsknight went from being passively concerned, to something closer to open nervousness. He asked, as subtly as he could, around the Colosseum if anyone had seen him. No one had, though Martyn did make a joke about Tanguish finally getting wise and finding a real knight to squire to.

[EB really needed to stop getting between them when Martyn said things like that. The power of a bloody nose on shitty humor was astounding.]

Eventually, Helsknight had given up and decided the best thing to do was go to Hermitcraft and track the little pest down himself. He suited up for what he thought might be a mild amount of trouble -- it was always possible he would run into Wels when he was on Hermitcraft, and if he planned on searching for someone, he wanted to minimize the time he was fighting his double. He donned his chainmail, and the netherite gauntlets and grieves. He made sure the clasps on his boots were pulled tight. He cinched on his netherite sword, and made sure it pulled easily from the sheath.

He picked up his cloak last, and gave it a contemplative frown. In hels, the cloak was a distinctive and somewhat necessary piece of costuming. It was the visual shorthand he needed to inform everyone that he was a knight, and therefore probably knew his way around a sword [and wasn't worth mugging]. For those who knew knights, it told them what Order he was a part of. Useful. On Hermitcraft, however... Being able to tell at a glance that he was a red-themed knight in dark armor, who looked suspiciously like but not quite enough like one of the other server members...

While Helsknight weighed the pros and cons of stealth and subtly, two things he was famously very bad at, the shield hanging on his wall shuddered and kicked, and someone tumbled out of the reflection with a shriek. Helsknight sighed and rolled his eyes up towards the ceiling. He did a slow count to ten in his head, and tried not to be very, very annoyed he'd just spent twenty minutes putting on armor for no good gods-damned reason.

"Tanguish," Helsknight hummed, when he thought he could keep his voice relatively neutral, "for no reason in particular, I think we should make some ground rules about when you should check in with people--"

Helsknight turned, looked down, and anything else he was going to say vanished out of his head with such abruptness, it made his ears ring. Laying prone on the floor of Helsknight's cell, staring with wide, somewhat terrified eyes and the kind of grin that screamed about recently realized mistakes, was Tango. The Hermit blinked up at him. Helsknight blinked down at him. Somewhere down the hall, somebody laughed at something, which was their only indication that the whole world hadn't frozen with them when they made eye contact.

Helsknight could say, with honesty, he never expected to be put in a situation where a Hermit stumbled into hels, much less into his cell in the Colosseum, surrounded by all the biggest, scariest, most dangerous people in hels. At a complete loss on what to do, he fell back on what he thought was safest: namely, making sure no one got killed over it. Helsknight leaped over Tango -- who screeched ingloriously -- crossed to the door of his cell and slammed it shut. There was no lock -- he'd never needed one until now -- so he settled on turning his back to the door and bracing against it, content in the knowledge that, should someone come inside, he would be the first one to know.

It did not hearten him to see that Tango was still on his floor. He had apparently, when Helsknight stepped over him, curled up as small as he could, anticipating some kind of attack. He'd thrown his arms up over his face, and now peered at Helsknight through his fingers, humming tuneless, horrified syllables.

"Tangotek," Helsknight said, concentrating on keeping his voice very calm and very quiet, "you aren't welcome in my home."

"I didn't know I was going to end up here," Tango whispered back, his voice high and tense as a violin string.

"Go home."

Something flickered in Tango's eyes, something like determination. Helsknight hated that look.

"Uhm. N-no can do. Sorry."

"Can't." Helsknight said, barring his teeth at the Hermit. "Or won't."

Tango made a face at him, tight-lipped and tense. He propped himself up on his elbows. "Uhm. If. If I say won't, will you kill me?"

"Possibly."

"Then I can't. Definitely, definitely, physically can't." Tango looked around, scrambled to his feet, and dashed to Helsknight's bed. He, admirably, only winced a little when he set his spawn -- probably worried hels worked like the nether, and the bed would manage to explode somehow. With a bit more confidence this time, Tango stated again: "Can't."

"I can break that." Helsknight seethed quietly, and tried very hard not to grind his teeth. "It would piss me off. I like being able to sleep here. But I can break that, and send you back to Hermitcraft."

"But you don't want to do that," Tango said nervously. "Because-- uh-- you'd have to kill me, and Tanguish would be really, really upset about that."

"Tanguish isn't here. So either run home, or I will... escort you there." Helsknight put on his most wicked grin, and placed his hand on his sword meaningfully.

Tango staggered a step back away from Helsknight, somehow managing to go paler than he already was. The redstone freckles adorning his face sparked, and the flame of his hair took on a slightly green cast. The idiot Hermit was apparently made of very stern stuff, though, because he didn't flee for the nearest reflection. He took a few seconds to breathe. He had his own sword, a fact that Helsknight only noticed because his hand twitched towards the hilt uncertainly. Helsknight wasn't alarmed. Tango didn't move like someone who knew how to use a sword well, and he was fairly sure the Hermit's hands were shaking so much he would drop it if he tried to draw it.

Tango swallowed hard, darted a tongue across his lips, and asked with only a minimal tremor in his voice, "Uh, T-Tanguish isn't here? Like, not here here, or like... Not in hels, here?"

Helsknight narrowed his eyes. "Is he supposed to be?"

"He left my place yesterday, and said he would be back in a few hours," Tango explained quickly. "I thought-- like, you know, maybe he decided to wait until morning? But. He didn't come back. And I got worried. He. You know. He tells me if he can't make it. It's-- all it takes is a reflection to talk. You know? And I did look in my reflection, but I couldn't see anything, which normally means he's not by one. It was just dark."

Tango crossed his arms. It was a gesture that somehow made him look smaller.

"I thought-- I hoped-- you know. Hopping through the reflection. I could just check on him. Make sure he was okay. I think. I think maybe it just took me to his spawn point."

Tango thought that statement over, then flashed Helsknight an incredulous, almost horrified look, "Why is his spawn point your bed?"

"Tanguish was supposed to be with you," Helsknight frowned.

"You haven't seen him?"

"No." Helsknight rested his hand on his sword hilt, mostly just so he wouldn't fidget. "Could he have gone back to Hermitcraft and you just missed each other?"

"I checked," Tango said, shaking his head. "I have... X gave a few of us console access. I did a few scans... Is there. Anyone you know with that kind of access for hels?"

"Hels and Hermitcraft are different places." Helsknight wrinkled his nose. "Maybe Evil X?"

"Cool! We'll talk to him then!"

"Oh sure," Helsknight spat derisively, "I'll just go knock on the front door to Evil X's tower and ask politely for admin access, will I?"

Tango grimaced. "Will he not... Like that kind of thing?"

"Oh he'd just love it. One more thing to hold over my head." Helsknight snorted. "It wouldn't work anyway. I have a pact that says I can't directly oppose him. If he, for the gods know what reason, has Tanguish, and I knew--" Helsknight made a parrying motion with his hand. "It's better if I don't know. Keeps my hands from being tied."

"Huh," Tango leaned back against the wall, slightly more at ease. Helsknight wasn't sure if he liked the fact that the Hermit was getting comfortable. "I kind of figured you and X-- uh, Evil X, would be friends."

"Why in hels would we be friends?"

"Well, I'm friends with Wels. And. You know. X. I just kind of figured..."

Helsknight decided the best thing to do with this statement was ignore it.

"I will check the house," Helsknight said. "You go back to your server. When I find him, I'll tell you."

Tango shook his head vehemently. "No! Nuh-uh. This is my rescue mission."

"While I appreciate your tenacity," Helsknight bared his teeth at the Hermit, causing him to shrink back a step, "hels is for helsmets. You wouldn't last ten minutes here. And I'm not wasting time keeping you safe."

"You protect Tanguish just fine."

"Tanguish can outrun everything that chases, and out-clever anything else."

"And he came from me," Tango said, crossing his arms petulantly. "I'm plenty smart! And I can be speedy in a pinch!" He sniffed. "We'll just give your house a look-around, easy-peasy."

Helsknight made to argue, and then a thought occurred to him.

"This isn't my house."

Tango blinked. His eyes shifted around the small, relatively bare room. The single desk, shield mounted on the wall, and bed.

"Is it... An outpost or something? You put this up while you were exploring?"

"This is my Colosseum cell," Helsknight said. When Tango only stared at him blankly, "Surely Tanguish has told you about the Colosseum."

"I mean... He did."

"I have a room here. For when I don't want to walk across hels to sleep."

"There's a bunch of fighters out there."

"There is."

"Fighters who... Dislike... Hermits."

Helsknight snorted.

"W-well!!" Tango sputtered, noticeably more nervous, but doing his best to ignore it. "I'm! Still not leaving! So! We'll just have to be quick. And once we get outside--"

"We'll have to walk across hels. Hels, the city, is very big, and has a lot of people in it."

Tango put his face in his hands and let out a keening whine of dismay through his fingers. It was the kind of noise that suggested he didn't know how to growl in exasperation, so he howled instead. Helsknight, begrudgingly, admitted to himself he was being [a little] harsh. He decided, against his better judgement, to have a little mercy.

"You really want to find Tanguish."

"Yes! Yes I do!" Tango snapped, looking up at him beseechingly. "I mean, is it really that hard to believe you're not the only one who wants him to be safe?"

Helsknight's skepticism must've shown on his face, because Tango let out another of his exasperated, half-syllable noises and ran his hands back through his hair.

"Look, I promise I won't get in your way. And I'll go home the second we find him. I just... I'm worried."

Helsknight sighed and tried his best not to roll his eyes. He crossed the room to where he'd left his cloak, and motioned for Tango to join him. Hesitantly, nervously, Tango stood and waited as Helsknight flung the cloak over his shoulders. It would have been far too long, but he gathered some of the length to turn into a makeshift hood, bunching it awkwardly around Tango's shoulders. It took some folding and some pinning, but after a few minutes, Helsknight stepped back and nodded. It was passable anyway.

"Keep this on while we're in the Colosseum," Helsknight informed him, pulling the hood down low over Tango's face. "With any luck, people will assume you're Tanguish. Or at least that you're supposed to be with me."

"And, uh, if that doesn't work?" Tango asked, his voice pitching the barest bit higher in nervousness.

"We'll burn that bridge when we cross it," Helsknight snorted. He checked one last time to make sure his gear was all in place, and, squaring his shoulders, led the way out and into the cells.

Nobody noticed them leave the cells. Or, at the very least, nobody noticed who Tango was. A few people stopped Helsknight to try and talk, but when he made it clear he had places to be, they let him pass. Helsknight's patience was not a thing anyone wanted to shorten, even those few dangerous people who could probably weather the aftermath.

Soon enough they were walking down the streets of hels, Tango hovering so close to Helsknight's side they occasionally walked into each other. Helsknight wanted to be annoyed. He wanted to be even more annoyed by all of Tango's jabbering. The Hermit would make observations as they walked, pointing at buildings and asking questions that Helsknight rarely deigned to answer.

They weren't here to sight-see. They were here to find Tanguish. So when Tango asked him his twentieth question of the morning [You guys have a working water fountain? How do you have water in hels? Is it an update suppression thing, or does hels have different rules than a standard nether hub?] Helsknight scowled and started walking so quickly, Tango had to jog to keep up with his long strides. Panting, and focused on putting one foot in front of the other without tripping over cobblestones, he couldn't ask any more questions.

[Praise every god and saint in hels.]

Eventually they turned onto the street Helsknight's house was on, and immediately he knew something was wrong. Even from the end of the street, Helsknight could see the front door was open. A cold fist of dread clenched itself in his stomach, and Helsknight ran up the street, Tango protesting as he tried to keep pace.

The house had been ransacked. The door wasn't just open, it had been halfway knocked off its hinges, and the window at the front of the building had been smashed. He hadn't yet stepped inside, but from the red light streaming into the open doorway, Helsknight could see his little dining table and chairs had been knocked over. There was broken glass on the floor, and the pale gleam of metal -- Tanguish's dagger, dropped in a scuffle. There was no blood that Helsknight could see, but that was cold comfort.

"Oh... Shoot." Tango panted, standing beside him. "This is your house?"

Helsknight found himself swallowing past a growing lump in his throat. "Yes."

"Did you... Not go home yesterday?"

"No."

"Shoot." Tango said again, tugging on the edges of Helsknight's cloak nervously. "He left Hermitcraft in the afternoon. Would he-- would he have gone straight to the Colosseum if--"

"Probably."

"So. So this probably happened when he got here," Tango glanced up at Helsknight, gauging the knight's hesitation, and then picked his way cautiously to the door. "Does your house get broken into often?"

"If it did, there would be a lot fewer thieves in this city."

"I'll uh... Take that as a no." Tango stepped gingerly inside, the broken glass crunching beneath his boots. His tail, a liquid, fiery thing like his hair, swept around the floor, glinting off the glass shards like a field of sparks. He picked up Tanguish's knife and flipped it over in his hands, studying it before slipping it onto his belt. "No blood. Obvious signs of a struggle. I mean, he had to have been ambushed right? Otherwise he would've run for it. And they took him alive because, well, I mean, he would've just respawned right?"

The lump in Helsknight's throat got tighter. It was suddenly very hard to breathe.

"Right?" Tango prompted again.

"How much do you know about helsmets? How our respawns work?" Helsknight asked quietly.

"I know respawn is rough for you guys." Tango raised an eyebrow at him. "Or, I assume, I guess. Tanguish seems pretty scared of dying, anyway. And I know you take deaths in the Colosseum very seriously. A lot of warrior culture weirdness stuff."

Helsknight swallowed. The fear of speaking his thoughts out loud grabbed him by the throat and pinned him still. Adrenaline, cold and sourceless, sent ice through his veins. His fist clenched around the hilt of his sword, his instincts as a knight searching for a source for his alarm to fight and dispatch, even when his logical mind knew there was none.

[He didn't want to say it out loud.]

"Sometimes."

Helsknight cleared his throat uncomfortably. He didn't look at Tango. His eyes wandered around the broken glass at the Hermit's feet, watching the flame of his tail glint off the brittle, jagged edges.

"Sometimes."

He swallowed again. He adjusted the buckle on his gauntlet. It suddenly felt too loose around his wrist. He was too vulnerable to talk about this. He needed plate mail, or a helmet. Hels, he needed castle walls and a full garrison.

"Sometimes we... When the universe... We are. Uhm. We're different than--"

He could feel Tango's gaze heavy on him. His skin prickled with the weight of his stare and his own growing, frigid alarm. Something like panic, a rare and terrible beast, was crawling awake in Helsknight's stomach. It gnashed its teeth against his insides, and he felt the desire to laugh, or shout, or throw something, or maybe just throw up in general.

[Don't say it out loud.]

"Tango, sometimes we dont--"

"Well it's about gods-damned time!"

The amount of relief Helsknight felt at the sound of that hostile voice was profound and dissonant, and incredibly welcome. Mostly though, it was an excuse to focus all his pent up fear on something physical he could kill, and he praised every god and saint in hels as he turned to face the newcomers.

A group of four vaguely thug-like helsmets stood in the street less than twenty paces away from him. Helsknight's gaze swept across them, noting their mix-match of leather and gold armor. Two had swords -- gold and iron. One was twirling an axe in her hand in a flourish that was probably supposed to be threatening, but mostly just told Helsknight she'd been practicing axe-flourishes instead of axe-throws. The person who'd spoken, a rather weasely looking thug with a knife on his belt, grinned with glad maliciousness.

"We've been waiting for you to show up, tin can."

Helsknight didn't rise to the [insult?]. It wasn't worth his time. He cast a quick glance in Tango's direction, catching the fading flicker as the Hermit hid somewhere in the house. Good. Helsknight would prefer he not be under foot.

"Who are you?" Helsknight asked coolly, not really expecting a response. He flexed the fingers of his sword hand restlessly, itching to draw his blade. "And what have you done with Tanguish?"

"Come quietly and maybe we'll tell you," the ringleader said, motioning broadly with one hand for his thugs to fan out around him.

The three fighters moved to circle Helsknight, one stopping just in front of the ringleader, while the other two began stalking further up the street. Helsknight did the mental math of four against one, while he was surrounded, and decided he didn't like the odds.

Helsknight attacked before the first swordsman, the one with the golden sword, could pass him. He turned and drew his sword in the same motion, and the strength behind his cleaving overhead strike shattered the softer metal of their blade neatly. His second swing, lightning quick, took them in the throat. He pointed his bloodied sword at the second swordsman, who froze in shock, blade up in a shaking guard position, as they watched their ally fade into twitching death throws.

"Will you make me ask twice?" Helsknight hummed, his voice as level as the point of his sword.

The swordsman's eyes darted over his shoulder. Helsknight frowned, felt more than he heard the approach of something. He ducked and spun, sword arching over his head to catch a weapon strike that instinct told him was coming. There was the loud clash of metal on metal, and when Helsknight straightened, he found two more thugs had joined from... Somewhere. The roof perhaps. Helsknight backed up several steps, trying to keep the entire group in his sight line, and his back to his home. At least with his back to a wall, no one could get behind him. The four with weapons drawn advanced on him slowly, wary of his speed, and the efficiency of his strikes.

"Throw down your weapon, gladiator," the ringleader called to him. "If all you want is to see your friend again, we'll take you right to him." He flashed a wicked grin. "Though we might rough you up a little first."

At that, the axe-weilder leaped forward -- some uncanny sense of Helsknight's, honed for danger, demanded he duck as a whisper of noise hissed by his ear -- and she fell back shrieking, a bloody hole punched in her shoulder. It was only when the arrow cracked against a far wall that Helsknight realized she'd been shot at close range with a very high power bow. Tango leaned through the broken window, a terrified grin on his face, another arrow already knocked.

"Fight fair why don't ya!" He crowed and loosed his second shaft. This one grazed the thug closest to Helsknight, and he used the distraction to ram his sword through their chest.

What followed was a frenzy of breath and movement, seconds that ticked by as ages that he measured in the studied arc of his blade. One thug, then two, then three, scythed down like wheat in a field, crude skill and cruder weaponry breaking against his fortress of an onslaught. It was only when the last one fell that he realized the ringleader was making a run for it. Silent as a breath, Helsknight yanked his knife from his belt, aimed and threw. It hilted itself in the back of the ringleader's left knee, and he fell to the cobblestones howling.

"Holy-- nice shot!" Tango laughed, the high piping sound of the traumatized and terrified. "What are you--? Wait! Helsknight! Wait a tick--!"

Helsknight wasn't listening. He was angry, and the implication that Tanguish was captured somewhere goaded him on like a burning brand between his shoulder blades. There was a very mean little animal of panic in his chest again, warring with the adrenaline of the fight, and he thought, if he had the mind to, he might tear the ringleader in half with his bare hands.

[It would be easy. One hand on the back of the neck, one at the base of the spine. His boots were heavy, and if he planted a few strong kicks at the knuckles of a vertebrae he was pretty sure he could--]

It was a mountain of restraint that made him stoop instead to pick the ringleader up by the collar and slam him into the nearest wall. His head bounced against the bricks behind him and his breath whooshed out of his lungs, leaving him dazed and gasping while Helsknight leaned his full weight into him to pin him still. Not that he was going anywhere fast with a bad knee anyway.

"Talk," Helsknight growled, nearly nose to nose with the thug. "My friend. Where is he."

The thug whined, eyes screwed shut and teeth gritted in pain. "I'm not-- I'm not telling you anything. Y-you're not that scary."

For a very brief moment, Helsknight was so angry he actually did see red. He pulled his gauntleted fist back, fully intent on putting a dent between the thugs eyes -- when Tango leaped up and grabbed his forearm in both hands, dragging it down again.

"Hey! Hermitcraft to Punchy McMurderface!" Tango shouted frantically, clinging to Helsknight's arm for dear life. "Don't do that!"

"Why shouldn't I?" Helsknight snarled, grinding his teeth.

"Because if he's concussed unconscious he can't answer your questions, skippy!" Tango snapped fearfully, flinching back as though he expected Helsknight to punch him instead.

Helsknight, who had been expecting a much more stupid excuse [Something like, "Oh no Helsknight, don't punch the bandit that's mean and icky!" maybe] was momentarily caught off guard by the logical answer. He stood there, glaring down at Tango, panting as the red tinge the world had taken on faded back a bit.

"I'm st-still not answering your stupid questions," the thug sputtered bravely. "If you th-think I'm going to betray my guild--"

Helsknight hissed a breath out through his teeth. He reached for his dagger at his hip-- and remembered he'd already thrown it.

"Besides!" The thug gasped fearfully, realizing, probably, what Helsknight was looking for. "Y-you're a knight right? You've gotta be! No run-of-the-mill gladiator swings a sword like that! Knights don't torture people! It's against your religion or some shit."

Helsknight, whose anger was boiling up his throat again, considered the implications of renouncing his knighthood for one afternoon. Less than an afternoon. Surely it wouldn't take more than an hour to break a few bones. His Saint could only damn him to a lesser ring of hell. Maybe if he explained it was for something very important when he went to confession--

Tango spoke first. "Yeah but, knights are the law, too, aren't they?"

The thug briefly stopped breathing.

"I mean, they're deputized, technically." Tango continued, shoving his hands in his pockets. Helsknight suspected it was so no one could see them shaking. "At least, that's how knights in my world work. And I haven't seen any cops around. So. He's the law right now. And I don't know a lot about hels law, but I know you cut people's hands off around here for stealing things."

Tango looked up at Helsknight. "What do you think, Killer? I mean, technically they stole a person, right?"

Helsknight, despite his current fury and desperation, and despite his fearsome reputation, and despite, even, his ugly thoughts of a few moments ago, was not a torturer. He had inflicted some terrible wounds on people before, some to the point of what he would call cruelty, but never had he drawn a weapon with the explicit aim of causing pain and suffering. It was a line he had never really dared to cross, barring a few very harrowing fights with Wels, when he had flirted with the idea of that danger and eventually stayed his hand. There were some things a man could not do without carving out pieces of his soul in the process, where the gap between thought and action was a chasm, and to cross it was to never return to safety again.

Helsknight searched the darkest parts of himself for the will to remove someone's hand to get information. He searched the darkest parts of himself for the will to torture someone to find out where Tanguish was. A very sick, cold, empty feeling opened up in the pit of Helsknight's stomach. When he looked to the thug again, he had scrubbed himself of anger, and adrenaline, and, he hoped, fear. His expression must have been truly grim, because he watched the thug's face pale fearfully, his pupils pinpricks in too-wide eyes.

Helsknight threw the thug to the ground, forcing Tango to stumble back a few steps to get out of the way. His boot came down on the thug's shoulder, pinning him against the cobblestones. Panicked hands scrabbled at his ankle, nails sliding off the metal of his grieve. Helsknight was reminded of a rat trying desperately to climb out of a well, drowning.

"Hold your arm out, and hold it still," Helsknight said, his voice deathly calm. He leaned more weight into his heel, eliciting a long whine of pain from his captive. "I would hate to miss your wrist, and take your arm off at the elbow instead."

The thug was clearly panicked. Helsknight honestly couldn't blame him. He was very close to panicking himself. He kept shoving his feelings down into that cold empty place in his stomach, and replacing them with the mask he wore when he played the villain in the Colosseum. He quietly, forcefully, informed himself that this was a role he was playing, and like every role, he would play it very well. And then the performance would be over, and he could feel feelings about it then. After the screaming had stopped, and the blood had dried.

Tango had turned his back to him, his hands clasped over his ears. He did not run away. He did not leave. It was a show of solidarity Helsknight neither wanted nor expected, but found himself grateful for anyway.

"Last chance," Helsknight said. He lifted his sword, ready to plunge it down into the outstretched arm. He thought, in the detached way of the horrified, that if he could catch the tip of his sword between the bones of the wrist, that might be the fastest way to... To...

The thug closed his eyes and turned his face away.

Helsknight let out a long, slow breath. He drove the sword down. The thug screamed. The blade cracked against the cobblestones.

There was no blood. There was no dismemberment. The thug had pulled his arm away at the last moment, and clung to Helsknight's boot with both hands, shrieking. Helsknight's ears were buzzing. He couldn't hear what the thug was saying. His heart was racing, and his mind was so terribly, terribly empty. He felt... Numb. It was very hard to keep his sword in his hands.

A hand tapped gently on his arm. Helsknight blinked down at Tango, feeling vaguely like someone was waking him from a nightmare.

"Let me go!" The thug was yelling, scrabbling with renewed vigor against Helsknight's boot. "I told you what you wanted! Let me go!"

"Did you... Catch all that?" Helsknight asked, trying desperately to pluck coherent thoughts from the droning emptiness in his head.

"Sure thing."

[Ah... Good.]

Tango kicked his boot against the thug's side, more a nudge than anything. "Alright. We're going to let you go. Tell your guild boss or whatever that we'll be outside his place tomorrow at noon. Be ready to negotiate or -- uh -- be ready to get dead, I guess."

It was not a threat that would go down in the annuls of history as a great villain monologue, but the thug, shaking and terrified and in pain, took it deadly serious. Helsknight released him, and he hobbled away down the road as fast as he could on a bad leg. They watched him in silence until he disappeared down a side alley, leaving them in an empty street scattered in left over items from the other fallen thugs.

"Tomorrow?" Helsknight asked, his voice sounding very far away in his own ears.

"Today," Tango answered. "Telling them tomorrow makes them think they have time to prepare, and if they're preparing, they're not, you know, hurting Tanguish."

"Ah."

"You alright?" Tango squinted up at him. "You look like you're in shock."

"Mh." Helsknight dropped his gaze to the ground. His dagger had been left behind. He took a step forward... and sank to the ground.

"Woah! Hey, hey! Easy big guy--"

Helsknight found himself on his hands and knees, shaking, smothering under the weight of guilt and his own potential for horror. His head was buzzing again, a nauseating sound like the static of the void. His eyes found his dagger again, and he lunged for it. Moving on something between impulse and habit, driven by guilt and self-disgust, he ripped the blade across his wrist, spilling blood across the ground. With shaking hands he grabbed up his sword and set the tip against the cobblestones, his forehead pressed against the hilt, eyes screwed shut.

"Saint of Blood and Steel," Helsknight breathed, with all the desperation of a sinner crawling to an altar, "forgive me for what I would have done." He pressed his forehead so hard against the cold netherite of the hilt, it hurt. "Please, please, forgive me for what I would have done."

His nose stung with the smell of blood and metal and salt and sealing wax. His mouth tasted like bile, and he could feel every fluttering heartbeat in the cut on his wrist. The buzzing in his head, slowly, slowly, alongside the speed of his racing heart, ebbed. The animal panic curled up in his chest and grumbled as it started to ease itself to sleep. He realized someone was rubbing circles into his back, and whispering at him, and tugging at his hands.

Tango was not trying to be reassuring. At least, he wasn't trying to be reassuring so that Helsknight would be calm. He muttered things under his breath like, "Okay, easy now, no big deal, it's fine," and "Let it go. Nice and easy. Good knight. Scary knight..." The circles he rubbed into Helsknight's back were shaky and awkward, and very clearly a distraction for his other hand, which worked on uncurling Helsknight's fingers from the knife. Helsknight, his exhausted wits finally returning, had mercy on him and released it. Tango snatched up the knife like it were a snake he feared would bite someone. He grimaced at the blood on the blade, and, not knowing what else to do, wiped it off on Helsknight's cloak, before shoving the knife beside Tanguish's in his belt.

"So, just for establishing the rest of this afternoon," Tango said, when he realized Helsknight had come crawling out of his stupor. "Should I be worried about you hurting yourself randomly? Like, does this happen on a regular basis? Do you have triggers I should be making safe words for or--?"

"No." Helsknight said, trying not to feel ridiculous.

"Right. So that was just a one time thing? Because if it's not a one time thing, I'm not judging or anything. But, like, I might recommend seeing a hels therapist or something."

"No I--" Helsknight had no desire to explain that he had a Saint, and that Saint had tenets he'd sworn to, and he had been preparing to go smashing through them like a sledgehammer, mostly because she didn't want to admit it to himself either. He didn't want to admit that he had been on the verge of turning his back on everything that made him himself, because he was desperate and scared, and he didn't want to admit that if he wasn't a knight, he had no idea what he even was at all. Instead he fell back on what the thug had said, because it wasn't wholly true, but it also wasn't a lie. "Knight. Torture. Against my religion. Or. Whatever."

Helsknight leaned on his sword like it was his last hope of salvation.

"Very, very against my religion."

"R-right." Tango put on a complicated expression. The kind of expression one gives when they're realize they're walking on a minefield. "But. You know. You didn't actually torture anyone. Right? So. God can't be mad. So you don't have to slash your wrists for god, right?"

"I would have." Helsknight's eyes found a chipped cobblestone. "If he hadn't moved... I... Would have."

That feeling of frigid dread spidered it's way down his ribs again to pool in his stomach.

"Well. But. But. You didn't." Tango swallowed audibly. "You didn't. And that's what god cares about, right? And, even if god does care, you were following the letter of the law. And if god cares about that too. Uh. God. God can. Take it up? With me."

Helsknight barked a half-hearted laugh. "You going to defend my honor from god, Hermit?"

"Yes," Tango said uncomfortably. "Because I was the one who told you to do it. So. Double damn both of us, right?"

They looked at each other. They looked away from each other.

"Tanguish is going to kill us when he finds out what we did to find him," Helsknight said.

"I won't tell if you don't."

They looked at each other. Tango offered a hand to help Helsknight stand. When Helsknight took it, they grabbed each other's forearms, and it felt uncannily like a pact, or a promise.

"I won't tell if you don't," Helsknight murmured.

Helsknight sheathed his sword, and ran a hand through his hair, trying, with some success, to pull himself back together.

"We should... Get moving." Tango observed, looking up the street.

"I didn't hear a word he said."

"I've got it all up here buddy," Tango said, tapping the side of his head and offering a half-smile that didn't quite make it to his eyes. "So uh... You know anything about a Thief Guild?"

[writingquestionsanswered]

Hi! Could you talk more about "character development exercises", please?:]

Character Development Exercises

Character development exercises are writing exercises you can do to help you explore and develop your characters. This isn't a required part of writing or character development, but many writers find it helpful. Here are some that I like to do when I'm struggling to get to know a character:

Character Interview - imagine that you’ve pulled your character out of a story into the room and now have the opportunity to interview them. What questions would you ask them? What do you want to know about them that you don’t already know? What do you think the reader would want to know? What might be pertinent to the story that you haven’t thought about yet?

TV Crew follow around - Imagine you’ve dropped an invisible TV crew into your story’s world to follow your character around through an average day (even if it's anachronistic). Follow them from the moment they wake up until the moment they go to bed that night. What are they like when they wake up? What is their morning routine? What do they eat for breakfast? How do they get ready? What do they do throughout the day? Who do they interact with? What else do they eat and drink? What do they do for fun or relaxation? How to they make money or meet their basic needs? What is their bedtime routine like?

Letters or Journal Entries - Look at your character's back story, off-screen events, etc. and find something for your character to write about in a journal entry or a letter to another character. What would they say about this event? How does it make them feel? What do they think about it?

Use Your Character in a Writing Prompt - Look at some writing prompts and do one using your character as the main character. You can keep it within your story's world or plop them into a whole different world. Whatever works for you and your story. This is about getting to know this character in a different context than the events of your story provides.

Create a Character Mood Board/Aesthetic - Mood boards go a long way in mentally fleshing out a character for me. Being able to have a visual representation of their style, their vibe, things that are important to them, etc. really turns them into real people in my mind.

Create a Playlist for Your Character - I think playlists can also be a really great way to mentally flesh out a character in your mind. Sometimes, just having a particular song or a playlist of songs that makes you think of them gives them some dimension they wouldn't otherwise have.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[stormgardenscurse]

pillow stacks

Summary: Sleeping over with them! Ace’s is longer in honour of his birthday!

Characters: Ace, Vil, Azul, Charming Stranger (that new Gojo-guy in the next halloween event)

Ace

The idea begins when Ace realises how quiet Ramshackle Dorm is at night. Sure, you say that you’re used to it and it’s not a big deal, but a part of Ace feels bad for not realising that no matter how he and Deuce may try to liven up your daily life, you still are, first and foremost, a student displaced in another world.

And with that comes a certain sense of loneliness that Ace can’t stop thinking about. At this point, it’s less pity that he feels for you and more of a desire to hang out with you after your usual hours. He wants you to feel like you have a home in Twisted Wonderland, too. And, well… He’d like to include you in his, by letting you into his personal world, if he has the chance.

…Which is why you’re here now! Doing typical things like a movie marathon, nail painting, and snacking on cup noodles. Ace claims that everyone just needs some TLC once in a while (including him, though you can’t imagine what’s stressing him out), so he’ll even let you do his nails (if you do a bad job Ace will have his revenge by doing your makeup after).

But Ace has always been a best friend who involves you in everything, so the activities up until now haven’t really struck either of you with a sense of ‘something more’ yet. That is, until you guys were fighting over the makeup palette and it stains your shirt - you didn’t bring a spare, so it was left to Ace to give you one of his instead.

That was the moment Ace realised that not only was he dressing you up, but he was doing so in his clothes; just what kind of crazy scenario is that?!

Suffice to say, he couldn’t help but stare as he saw the way one of his baggier shirts looked on your frame. It had to be one of his sleepwears too, which most people wouldn’t see him in - which only makes his thoughts race even further, knowing that this was a side of you that only he would be privy to. And he’d very much keep it like that. 

(The next day, Ace just borrows you one of his uniform’s dress-shirts so that you can escape the dorm without looking too suspicious. You get caught regardless because he’d forgotten to retrieve one of his hair pins from you, in the design of a bright red cherry.)

Vil

It’s not often that you get to spend a quiet evening with Vil (or simply a quiet, extended amount of time at all, considering how busy the both of you are). So to summarise the sleepover as therapeutic wouldn’t be too far off.

Vil wastes no time in beginning an elaborate skincare routine, and the two of you watch movies while waiting for your face masks to dry. 

You even manage to convince Vil to try one of your favourite games. If it’s for two-players, you’ll quickly get engrossed and experience a bit of drama (just typical, childish arguments about how one of you keep falling off the platforms). If it’s a visual novel or otome type of thing, you finally have the chance to witness what Vil Schoenheit, real-life celebrity and crush of thousands, has to say about romancing a 2D fictional man who is pretty, by the game’s standards, and critique how the storyline goes. 

Spoiler: he thinks you just decided to torture him for your entertainment, specifically because you chose an otome where the male leads were all pigeons. 

In the case where you played a normal two-player game, Vil will ultimately try and fail to forget about it so that he doesn’t get addicted/distracted by the game in the next few days, but of course, you soon get asked when you’ll next be free to play. He needs to get the ending over with so that he can move on with his life.

Your main souvenir from the sleepover is a new phone wallpaper — which Vil swapped for you when you were still setting up the game on your laptop. It’s a selfie with the two of you together, a far-cry from the usual celebrity and prefect personas you wear in everyday life.

Azul

No one can fathom how you managed to convince Azul to do this. Even with the pretence of this being a study-sleepover, he was generally much too self conscious about how he’s presented to let people witness him unguarded — let alone sleepwear.

Azul’s stuck; he can’t wear anything too tight fitting or hugging his silhouette because he knows he’ll just be too busy stealing glances, checking to see your reaction and overthinking about whether it’s a good one or not. So, instead, Azul wears something baggier (very unlike him), which also covers all his skin.

His plan works pretty well, up until the point where you almost roll off the bed by accident, and while catching you, Azul realises - ears red and face following - that you were leaning your entire weight on him. And your hands are right on his abs.

It’s almost phantom-like how fast the two of you dart away, trying to salvage your dignities. You’re left flustered because his muscles felt unexpectedly defined, while Azul is considering if he should make a contract with you and try to confiscate your memories of the past minute.

The paper that you both were working on is submitted successfully the next day, but Professor Trein notices an embarrassing spelling error on your names.

Just what could’ve caused this kind of mistake anyways? Well… it may have to do with your innocent question of how your names would be written together if you had the same surname instead. 

Just yours ‘and Azul Ashengrotto’ together in one line, or separately as you ‘Ashengrotto and Azul Ashengrotto’? Wouldn’t that sound redundant?

Azul had quite enough of your questions after that, scribbling your names and shutting the folder like his life depended on it. He’d forgotten to include your surname, making it look like the former hypothetical above.

Charming Stranger (Pumpkin King, Gojo twst, etc)

For a second, you thought you’d woken up in yet another coffin like the one that brought you to Twisted Wonderland. But you were soon proven wrong as someone cleared their throat next to you, causing you to jump and hit your head against the coffin door in your alarm.

It’s more spacious than you realise, accommodating a man beside you without it feeling too crushed. But judging by the lack of panic on your part about how claustrophobic it is, you assume that this was some sort of odd dream.

An odd dream with a charming-looking stranger. Perhaps you wouldn’t want to wake up just yet.

The stranger welcomes you to his humble abode, mentioning that it’s the first time that anyone has entered here other than himself. That ought to make you quite special, seeing as he doesn’t even feel irritated by the lack of space. Are you perhaps a ghost seeking some warmth? He regrets to inform you that his vessel is equally as cold as the ‘bed’ around you.

He’s also quite enamoured by your nickname for him. ‘It makes it sound like we’re in a romantic tale~ If you do not mind dancing in a graveyard of wilted flowers, then I would be more than happy to share a never-ending waltz with you.’

You bat off his comments, saying you probably won’t meet again after this - only to be taken aback by his smile.

Confident, knowing, and stretched as wide as a jack-o-lantern’s mouth. For a second it finally hits you that he is a type of powerful being, and that if he wanted to, may gain a permanent hold on your soul.

Then, the alarm flees your veins as his expression relaxes, taking your hand to place a parting kiss on your knuckles. Until you meet again…

Like how most dreams evade memory, you’ve already forgotten about this encounter the next time you see this man. His eyes land on you within he crowd of students at the college, and seems delighted that you’re there.

A wink, a finger to his lips. Just wait a little longer, and you can share that waltz he promised you atop his bed.

[respectthepetty]

Elyes is rich, toxic, and egotistical. He also crosses the line every chance he gets.

He is the title character of Bad Guy My Boss, but he isn't even bad. He just has one brain cell, and it's in the wrong head. *wink* PENDEJO!

He is a Black Brooder who wants his Happy Human secretary.

But he has no idea how to actually get a guy since most men just throw themselves at him, so all he really knows how to do is boss Pat around.

And now he is going into extreme boss mode by demanding the most outrageous stuff (because he is a pendejo!).

But he is failing to realize that his behavior is simply making Pat darker.

Although I fully believe Pat is wearing black here because he does love Elyes, the barrier between them is thick and heavily on Pat's side!

Even when Elyes tries to bring them closer in his little frame,

Pat pushes him away and the barrier comes back up on Pat's side.

Not only is Pat placing boundaries with Elyes, he is also reflecting on his position because even though Pat loves his boss, does he want to be another name on the roster like all these other men he is buying gifts for and scheduling appointments for booty calls with Elyes?

And even more, Elyes is in a relationship with his company, so does Elyes even really care about Pat or does he only care that Pat is good for the company?

Elyes is the bright light of Pat's life.

Pat's entire life revolves around him because Elyes is the center of his universe.

But it doesn't mean he wants to be in that world with him anymore.

So as much I love the shoe shots of Elyes stepping up,

The visuals are making it clear that Elyes is crossing Pat's boundaries in his attempt to get closer.

So even though the episode ended with what looked like Pat and his barrier dissolving under Elyes's kiss,

I don't think he was moving his hand on Elyes's arm because he was falling into the kiss, but so he could get a better grasp to push him away since the barrier quickly reappeared.

Because the director is Term, who also directed Chains of Heart, and that show, if anything, was a visual buffet of barriers, boundaries, and bars, so I feel confident that the barriers are intentional in this show as well.

So I'm here for the visuals.

And people crossing the line.

In more than one way.

[lokiinmediasideblog]

So for those that are planning to watch Twilight of the Gods and haven't yet. My review is the following:

It's very much a Zack Snyder plot but without the bad Snyder tropes of past movies (thinking especially of 300 here). It's edgy, has beautiful visuals (Snyder projects often do), and has plenty of equal opportunity sex scenes. Plenty of bi characters. Do they look like they'll kiss? They will and much more...

There are very interesting designs. I loved the voice acting and I'm glad Thor sounds much better than in the trailer (I think they edited what he actually says to avoid spoilers).

My main disappointment is the cliffhanger ending. I hope there's a S2 with some non-cliffhanger ending. I fear for the possibility of Netflix not renewing it and think all Netflix series seasons should never on cliffhangers.

It was definitely made with a lot of research. It takes its liberties, as there's some major differences, but I love how they adapted and altered things from the myths for the story's purposes. A lesser "not-like-Marvel" adaptation would have made Loki a Fire Giant/God a la Wagner. But they had the spider association instead!!

Something I really liked is that they made Loki sympathetic without turning him into an actual child. It's something I've seen a lot, and I'm just like "Cowards, there's plenty to work with without turning him into a child!" Loki feels very much like myth!Loki. He's very sympathetic, but you'll never forget that if he's helping, it's because the goals currently align. You'll be crying at the club for Loki, then go like "Oh shit! WTF Loki!?"

GOW has done antagonist Thor the best so far. For people whose Thor is their blorbo-from-myths (because some follow me), I must warn he's currently very much like Homelander (murderous, physically abusive, predatory) but without a fully developed reason to why he's like that YET. They implied interesting things, such as a fear of eternity and wants to die. If there's a second season, I hope it develops that further to make Thor more interesting. I didn't understand his weird fucked up relationship with Jormungandr, and don't think it was necessary to turn Jormungandr into a sexy snake lady to make Loki and his family sympathetic.

I thought his powers were very cool though and you're like "No wonder this guy is so hard to defeat." Like do you ever go like "How the fuck can this guy with a hammer defeat so many people? The plot armor is ridiculous." Here you won't. Actual storm good powers. And there's some very cool shit like he can do. Fight scenes are great.

[edgy-ella]

Idk if this is a hot take but I’m glad Palworld is getting sued by Nintendo. This is one of the only lawsuits I feel Nintendo is totally in the right about. Not only do the “Pals” in Palworld look like AI generated Pokémon, there’s also evidence that several models in Palworld are straight up plagiarized from existing Pokémon models. No matter how big Nintendo is, plagiarism is still plagiarism. Even most high-effort Pokémon fangames/ROM hacks go out of their way to do original sprite art from the ground up. Palworld couldn’t even do that. It’s really ironic that defenders of the game see this as a “wake up call” for Game Freak and the Pokémon Company that should inspire them to “innovate,” because Palworld is one of the most derivative games of the 2020s on art direction alone.

Also, and this is totally a personal thing, but I really don’t like the precedent that Palworld potentially sets. I really don’t want “Nintendo knockoff with realistic guns” to be the next Thing™ in gaming. It gives me the same vibe as those slasher films of child friendly public domain characters. The entire premise and appeal is “hey, what if this thing you liked as a kid was MATURE and KILLED PEOPLE.” At least something like Blood and Honey uses stuff that’s public domain and didn’t steal assets for a commercially released product.

It’s really not that hard to make a “mon” game with its own visual identity. Digimon has been doing that for years, and at this point, so has Yokai Watch. Atlus games like SMT and Persona have some similar mechanics to Pokémon but vastly different character design and art direction. I can name a bunch of Pokémon fangames that have their own Fakemon designs, none of which feel copied from any existing Pokémon, and one of them is the fucking 4chan game where the grass starter is named Grasshole. A fucking 4chan themed Pokémon game did what Palworld was evidently too lazy to do.

There is absolutely no reason that Palworld shouldn’t get sued by Nintendo and the Pokémon Company. They’ve sued for less. And honestly? Good riddance.

[bbbutterfingers]

hi. in light of the recent news i want you to know that your art is half the reason i stayed the ame fan i was through the years. in this age of virtual celebrity and fan culture, and especially for vtubers whose visual presence lives off the work of fan artists like you, your constant output and wonderful portrayals added such a huge part to her legacy. thank you deeply for all your hard work, i'm looking forward to being a continued fan of yours.

what a lovely thing to say! thank you so much for following me up until now. ame said recently that her favorite thing about her fans was how we could all get along, and i've found that to be very true-- that she's crafted a community of kind people who support each other. i'm glad that i could be a part of that legacy!

i hope to still draw for you, but i don't know what it'll look like.

between you and i, away from twitter where i feel like i could be sighted by the actual talents, i've cried every day since the announcement LOL. i'm sad and nervous and a little scared of the future! but it'll be ok one day.

[callsthefaithful]

b4 death B) - angel w a little hat below cut <3

tried to stick to their death dates a bit but. idk i only googled for like 5 mins. also i wanted those old news print colours 😌

[beloved-child-of-the-house]

i stand with you in the face of a defensive misunderstanding of what critique is.

i think understanding what a critique actually is is a skill that increasingly is not taught. i remember going through freshman art courses feeling the frustration that all negative, nasty, unhelpful, and missed-the-point-entirely feedback is so commonly conflated with critique, and then critique gets a bad name because everyone remembers the time someone said their painting looked like an asshole (true story, altho now i think i would take it as a compliment) instead of the time a teacher or friend or classmate helped them uncover a hurtful bias or think of new ways to explore the same idea or how to connect it to related ideas or how to look up and understand other people's ideas on the same topic.

anyway i think you're great.

ahhh you're so kind to me!! i appreciate your support, and i think you are great also.

i have experience with giving and receiving critique as a student myself, and i think it was the best part of my degree! i majored in creative writing in college, and critique was just a generally accepted part of learning to become a writer. i don't even remember people being especially worried about receiving critique on their work. we had guidance on what kind of feedback was useful, but we were still at liberty to give it as we saw fit as like messy 19 year olds. the standard was that we gave it both written on printed copies of the work AND aloud in front of the whole class, and the writer receiving it was not permitted to speak during the critique. understanding how people are perceiving your work is important!

i don't have any particularly negative recollections of the critique process, although once in a high school writing class, the boys in the class told me that my male characters touched each other too gently and real boys are more rough with each other. in particular, they took issue with me writing that one boy nudged another. nudging is too soft. nudging is for girls. that was more than 20 years ago, and i still think about it sometimes because it was such an interesting perspective! i did not take their advice, though.

i should dig up that piece and see if it reads queer in any other ways. i think that's what they were getting at. (actually i once had a non-fiction class tell me i was in love with my roommate after reading an essay i wrote about her)(i did not listen to that advice either, but having 12 acquaintances tell you that you're gay in 2006 before you realize it yourself is Truly Something!)

i think people have conflated criticism and critique and think that being more openly analytical is the same thing as being negative. but analysis is so fun to me! analysis is why i joined fandom in the first place, and it's why i write fic! can we trust each other to be respectful and to speak in good faith even when we're not singing each other's praises? for me fandom would be better if we could.

oh i also want to clarify that i don't think it's impossible to demonstrate that you've thought deeply about a piece of fanwork while remaining completely positive. people do it all the time and do it very well!

i know i sometimes have tunnel vision wrt my own perspective. in a lot of situations, i wish it were more acceptable to be more direct, and i know people sometimes find the way i express myself to be kind of shocking. i know a lot of people like to be spoken to more indirectly than comes natural to me, and i don't mean to imply that my perspective is the only correct one or that there's no good reason to err on the side of gentleness/politeness in our responses to amateur art and writing. i just think that at a certain level of circumspection, it feels like we're all holding each other at arm's length.

i think for people who can't bear to feel exposed, making and sharing art is always going to be painful and difficult, and maybe too painful and difficult to enjoy the process unless they're sure of a soft landing. but like. the rewards of being loved only come after the mortifying ordeal of being known, right?

[avale-reves]

sometimes you do have to remember that kh is a videogame designed to be played first and foremost. so many 'odd' seeming decisions make a lot more sense when you take this into consideration. that and just the realities of game dev and having a budget and resource constraints lol

like do people know that the biggest reasons for worlds to be included or excluded from a game has nothing to do with its story or disney or popularity and often just has to do with the game environment/setting being different enough from the other worlds they've chosen lol.

like this is why jungle book keeps getting cut, because they pick other (better) worlds with jungle environments over it every time for the final roster, as an example.

[wall-e-gorl]

Free day! Anyone else remember the car bit they did in the ep 0s of arc 5 and 9? I do! i didnt remember it well enough to make the car a limo but heres the dm-mobile for the free day!

[idiosyncraticrednebula]

People who say that Beauty and the Beast (1991) endorses Stockholm Syndrome and domestic abuse have very grossly missed the entire point of the story.

[magnusbae]

Hello my dears, New day, new horrendous Chrome UI update. 🎉🎉🎉

Fear not, even while they removed the flags from the settings which permitted to disable it in previous waves, and really want you to use their new UI, and really do act like a bully who just doesn't accept the word 'no'— there's still a way to disable it :)

thanks reddit user diegounion 🤍

Basically you right click the icon of the chrome wherever you usually use it, this guide will be for taskbar, under the cut other locations if you need :)

1.CLOSE ALL CHROME WINDOWS!! 2.Right click the chrome icon on the taskbar:

2.right click the chrome line again and click "properties"

3.inside the tab "shortcut" on the target/destination line, you must add the disabling of the new update in the following manner:

You will see this written: "C:\Program Files\Google\Chrome\Application\chrome.exe" you will need to add, with a space, this: --disable-features=CustomizeChromeSidePanel It'll end up like this: "C:\Program Files\Google\Chrome\Application\chrome.exe" --disable-features=CustomizeChromeSidePanel 4.Apply and it's fixed, cheers :)

copy pasted from reddit for the other chrome shortcut locations:

If you have Chrome pinned to the start menu, open Windows Explorer and navigate here: C:\ProgramData\Microsoft\Windows\Start Menu\Programs When you find the Chrome icon, repeat the six steps. If you have Chrome on your desktop, you do the same, repeat the six steps.

[creed-of-cats]

The amount of doomerism I've heard from fellow usamericn zoomers/millennials around me is starting to drive me fucking insane.

"We're all gonna die, it's hopeless, it's not worth doing anything. This is our penance as human beings/[insert other guilty identity]"

You know who you guys fucking sound like? Fucking Evangelicals.

Yeah it's fucking scary and big, I'm not trying to say it isn't. But what the fuck is your plan??? Sitting down and dying?? Are you really telling me that this world is not worth you even fucking trying?? That you're just gonna party it out until your miscellaneous end game apocalypse arrives?

This isn't the rapture. The apocalypse is a false concept. People have been living through "apocalypses" every day of their fucking lives for all of human history, especially during the past 400 years. Get up and stop the suicidal idealization of your own tragic death. Our lives in the first world are built off suffering. To lay down and say we don't have any power is to reject the duty we have as beneficiaries of that suffering.

If you are so convinced you're going to die young then die trying instead of baring your fucking throat.

[theres-whump-in-that-nebula]

If watching true crime has taught me anything; it’s that the criminal justice system very often does jack shit about obvious cases of child abuse, and only takes it seriously after the parents kill the child.