#& saying it's ok to just be.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[dishwasherfish]

I think we should bring back that thing everyone did in 2014 where you badly photoshop two characters from entirely different media together to look like they’re in love. This is my proposal for doc ock x glados please consider

[queer-is-future]

so when straight people ask me why I say I’m “queer” or “gay” instead of sharing my actual identity as a panromantic demisexual non-binary sapphic queer I just tell them “ok look, when you’re talking to someone who isn’t local and they ask you where you’re from and you either say the name of the largest city nearby or ‘town name, suburb of large nearby city’ so they can get some geographical context of where you’re located right, bc they’re probably not going to know the name of the little town you actually live in.”

but if you’re talking to a local you can say the name of your actual town bc they have a greater chance of knowing where/what that is.

ok well when I’m talking to a straight person I start with queer bc chances are they aren’t as familiar with the context of all the little towns in that big queer city and need gps (gay positioning system) to find me.

if I’m talking to another queer person and I say I live in a suburb of gay city in a town called panromantic on the demisexual side of the tracks which is in the county of queer and I live off the intersection of non-binary and sapphic, they’d probably be able to find me with little to no problems, make sense?

[adriles]

they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes

[miss-jaye]

cw: slightly suggestive when nanami kento saw his wife about to leave the house in a stunning, tight sundress, he swore his whole world stopped for a moment.

“honey?”

“hm?” you glanced at him, then looked back at the mirror, trying not to stab yourself with your earring. nanami cleared his throat. “where are you going?” he asked as he walked over, standing behind you and sliding his hands around your waist.

“i’m having lunch with my friends, sweetie. i told you that this morning, remember?” you raised a brow, confused. your husband nodded dazedly, his eyes glued to your figure.

“right.” he swallowed, his throat suddenly dry. “where are you going to have lunch?” he asked, his hands gently roaming over your body, feeling the fabric of the dress he so badly wanted to tear off you.

“that cafe we always go to…” you trailed off, finally securing your earring. “are you okay?” you met his gaze through the mirror. “i do this once a month—same place, same people.”

he nodded, humming in acknowledgment. you stayed silent for a moment, trying to figure out what had him so distracted. now that your earring was in place, you became hyper-aware of his hands, their slow, deliberate movements over your hips, squeezing in that familiar way that told you he was restraining himself from acting on his desires.

oh.

a blush crept up your cheeks as you realized nanami hadn’t seen this dress on you yet. you’d just bought it last week and forgot to show him. “kento?”

you called out to him, but he seemed too entranced by the way the dress clung to your curves. he leaned in closer, burying his nose in your neck, his hands trailing down to squeeze your thighs.

you let out a startled moan, hastily covering your mouth. he inhaled deeply, the scent of your perfume overwhelming his senses.

“your friends won’t mind if you’re a few minutes late, right?”

[roninkairi]

You can only reblog this today.*

*PLEASE READ THE TAGS

[glow-in-the-dark-death]

Ghosts Tell Me

~

Ghosts gather near the place where something bad is going to happen,

Danny with his ghost sense tends to notice before anyone else and tends to react outwardly before the danger even happens, gaining a reputation of seeing the future,

Ghosts also tell Danny things, causing Danny to know more about situations and the people around him, it comes of as suspicious.

~

Danny pulling away a snack from his coworker: "Careful your allergic to these ingredients!"

Coworker: "How the hell...I've never mentioned that to anyone."

~

Danny on a phone call with his friends while doing his nightly walks in Gotham: "Yeah so apparently the second Robin who is now Red Hood has very personal beef with the clown here cuz he got killed by him after being sold out by his bio mom, which really sucks for the poor guy."

Oracle who has been keeping an Eye on Danny cuz he's very suspicious from an outsiders pov: "Hey B, I think we have a problem."

~

Danny notices that the ghost in Gotham tends to gather where something bad is going to happen, the more they are the worse the situation will be: *glowing smoke leaves from his mouth* "Yikes! Very bad vibes here, nope!"

Gothamites who at this point recognize him and know the drill and quickly pack up their things to leave:

~

Just an Idea

[oars]

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[lilislegacy]

it seems that the entire percy jackson fandom is in agreement

out of all pjo/HoO characters…

who’s the most powerful: percy

who’s the most brutal: percy

who’s the most unhinged: percy

who has the greatest capacity for evil: percy

who’s the scariest: annabeth

[chaoticfvckingdisaster]

Something I think about a lot is how Rick Riordan very rarely uses "girlfriend/boyfriend" to refer to Percy and Annabeth within their perspectives. They're so intertwined, even Annabeth says in hoh that the word boyfriend isn't strong enough, because Percy was a part of her. They are a singular soul, too wrapped around each others' fates that regular labels are far too weak for them. But, Rick Riordan uses "boyfriend" a lot in Nico and Wills perspectives, not because they love each other less than percabeth, but to show how much the word means to them. Nico uses it any chance he gets- "his boyfriend," "he actually had a boyfriend," because Nico has never been able to say that before. Their struggle with their queer identities mixed with Nico's catholic guilt and chronic everyone-hates-me disease makes the fact that he has someone to call his actual boyfriend so much more important to his character development.

[homefryboy]

finally, I have them all

[hinamie]

yuuji smiling and sukuna making a face like That did u really think i wouldn't do a panel redraw

[chloesimaginationthings]

FNAF movie Mike thinks Michael is dumb as hell

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[shkspr]

some of yall will be like “i dont care about your dreams, i dont care about your spotify wrapped, i dont want to hear about your interests, dont you dare talk to me about your trauma,” and its like. what do you even have friends for. bc it sounds to me like you dont give a shit about anything that makes them a person. what do you talk about.

important addendum: if you cant read and you leave a dumbass comment on my post im just going to block you 💛