sasskarian

[sasskarian]

My vibe about ships since forever tbh

[sasskarian]

Iron Man 1 really said "the actual bad guy is the white capitalist who is selling arms under the table to both sides in order to extend the war and make as much money from it as possible," and Iron Man 2 really said "the white capitalist who gives a platform to people with bad intentions in order to make a buck is the reason the bad intentions have the opportunity to prosper and cause untold damage," and Iron Man 3 really said "the real terrorist is the white capitalist who will create and use fear to manipulate governments and the public in order to sell a product," and I really don't think enough people recognise this.

[sasskarian]

"never trust how you feel abt ur life after 9pm" is a spring & summer & fall rule. for winter it's never trust how u feel abt ur life after 4pm

[sasskarian]

why are british people always so mad when people make jokes about their accents. sorry you say yewchube. it’s funny though innit

[sasskarian]

Unfortunately, this is called a wedge interview, and from everything I can find, it is legal as long as it doesn't violate EEO laws

[sasskarian]

You know, I genuinely thought Lucanis would be my first Veilguard romance.

But Davrin. The crooked little smile, the tough exterior hiding a soft heart. The core of sheer determination.

I dunno, guys. It's looking like Ki might fall for yet another kinda grumpy elf

[sasskarian]

open a new window somewhere in the world. 

[sasskarian]

It's all fun and games and laughing at BookTok until you can't get on AO3 anymore, as someone who likes both romance and fanfic.

[sasskarian]

I’m sad that I haven’t seen the Butterball Hotline scene from The West Wing on my dash yet, but here it is, for all of you to enjoy. 

If I cook it inside the turkey, is there a chance I could kill my guests? I’m not saying that’s necessarily a deal-breaker.

[sasskarian]

Readers, make sure you have all your favourite Ao3 fics downloaded.

Writers, make sure you have copies of all the fics you have posted on Ao3.

I don’t want to be alarming, but things could get really bad really fast. OTW shared this today on Twitter, and I'm a bit worried about it 😅

Ao3 is a non-profit organisation. If they have to start paying taxes, I have no idea what will happen.

[sasskarian]

I see the radfems out there saying that every man who's ever been born is a psychopath who's constantly looking for an opportunity to commit a felony and then I remember this one time I was really struggling to get a shopping cart out of another shopping cart and a dude came over to help me, but he couldn't do it, and then another dude came over to help him, and then another came over because it was a challenge he wanted in on, and then I had 3 guys all tearing at a stuck shopping cart, and literally none of them even needed a cart.

And when they got it out, they fist pumped and I said thanks so much and one of them said "easy." And then they left.

And it's like.

I don't think radfems go outside.

[sasskarian]

Poll: if your mom remarries when you’re 26 years old is that guy still your stepdad or is he just your mom’s husband.

[sasskarian]

crossing the rockies in november

[sasskarian]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resources scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[sasskarian]

You should be starting a recipe book. I don't give a shit if you're only 20-years-old. The modern web is rotting away bit by bit before our very eyes. You have no idea when that indie mom blog is going down or when Pinterest will remove that recipe. Copy it down in a notebook, physically or digitally. Save it somewhere only you can remove it. Trust me, looking for a recipe only to find out it's been wiped off the internet is so fucking sad. I've learned my lesson one too many times.

[sasskarian]

the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible

because theyd rather someone stay terrible or just straight up die than become a better person 

from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating

it’s fucked up. 

[sasskarian]

Happy birthday Mass Effect 1!