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Hi 👋, My name is Mohammad, and I’m reaching out in a moment of desperate need. I’m a father of three young children living in Gaza, and we are caught in the midst of a catastrophic war. Our home is no longer a safe haven, and the future here seems increasingly uncertain. 💔

I’ve launched a fundraising campaign with the goal of raising $40,000 to relocate my family to a safer place where my children can grow up in peace and have a chance at a brighter future.

Unfortunately, my previous fundraising efforts were abruptly halted when my account was terminated without explanation. However, I remain determined to keep fighting for my family’s safety and well-being. 🫶

If you could take a moment to read our story, consider donating, or simply share our campaign with others, it would make an incredible difference. Every act of kindness, no matter how small, brings us one step closer to safety and a new beginning. 🙏

Thank you for your time, compassion, and support. ❤️‍🩹

https://gofund.me/fd1faea2 🔗

From the river to the sea, Palestine will be free.

[poor-dumb-snek]

“we need more toxic yaoi” yall couldn’t even handle them

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“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”

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“Oh, Frankenstein! Generous and self-devoted being! What does it avail that I now ask thee to pardon me? I, who irretrievably destroyed thee by destroying all thou lovedst. Alas! he is cold, he cannot answer me.”

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Quiet moments 💀🧼

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Pov: you survived the upside down and snagged the neighborhood hottie along the way

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do you ever hear people talking about something and you’re like. fuck. let me be real for a second. i’m too much of a commie to have this conversation

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tfw you’ve been tasked to murder the prince of the northern water tribe but he’s really majestic

(they make a compromise)

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I miss this curly-haired guy

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He is half of my soul, as the poets say✨🌿

Im sharing a few more pieces of art I haven’t shared here from earlier this year, but if you wanna see more of my stuff you can find me on

IG: @lilustrate

And twitter @lilustrate_

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Reblog to kill it faster

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Not all Second-Language Speakers are Made Equal.

@waltzshouldbewriting asked:

Hello! I’m writing a story that features a character who’s first language is not English. He’s East African, specifically from Nairobi, Kenya, and is pretty fluent in English but it’s not his primary language, and he grew up speaking Swahili first. I’m struggling to figure out if it’s appropriate or in character to show him forgetting English words or grammar. From what I’ve researched, English is commonly spoken in Nairobi, but it wouldn’t be what was most spoken in his home. For context, this is an action/superhero type story, so he (and other characters) are often getting tired, stressed, and emotional. He also speaks more than two languages, so it makes sense to me that it would be easier to get confused, especially in a language that wasn’t his first. But I’m worried about ending up into stereotypes or tropes. For additional context: I’m monolingual, I’ve tried to learn a second language and it’s hard. A lot of how I’m approaching this comes from my own challenges correctly speaking my own, first and only language.

Diversity in Second-Language English

You seem to have an underlying assumption that second language acquisition happens the same for everyone. 

The way your character speaks English depends on so many unknown factors: 

Where does your story take place? You mention other characters; are they also Kenyan, or are they all from different countries?

Assuming the setting is not Kenya, is English the dominant language of your setting? 

How long has your character lived in Kenya vs. where he is now? 

What are his parents’ occupations? 

What level of schooling did he reach in Nairobi before emigrating? 

What type of school(s) did he go to, public or private? Private is more likely than you think. 

Did his schooling follow the national curriculum structure or a British one? Depends on school type and time period. 

Does he have familiarity with Kenyan English, or only the British English taught in school? 

Is this a contemporary setting with internet and social media?

I bring up this list not with the expectation that you should have had all of this in your ask, but to show you that second language acquisition of English, postcolonial global English acquisition in particular, is complex. 

My wording is also intentional: the way your character speaks English. To me, exploring how his background affects what his English specifically looks like is far more culturally interesting to me than deciding whether it makes him Good or Bad at the language. 

L2 Acquisition and Fluency

But let’s talk about fluency anyway: how expressive the individual is in this language, and adherence to fundamental structural rules of the language.

Fun fact: Japanese is my first language. The language I’m more fluent in today? English. Don’t assume that an ESL individual will be less fluent in English compared to their L1 counterparts on the basis that 1) it’s their second language, or 2) they don’t speak English at home. 

There’s even a word for this—circumstantial bilingualism, where a second language is acquired by necessity due to an individual’s environment. The mechanisms of learning and outcomes are completely different. 

You said you tried learning a second language and it was hard. You cannot compare circumstantial bilingualism to a monolingual speaker’s attempts to electively learn a second language. 

Motivations?

I understand that your motivation for giving this character difficulties with English is your own personal experience. However, there are completely different social factors at play.

The judgments made towards a native speaker forgetting words or using grammar differently are rooted in ableism and classism (that the speaker must be poor, uneducated, or unintelligent). That alone is a hefty subject to cover. And I trust you to be able to cover that!

But on top of that, for a second language speaker, it’s racism and xenophobia, which often lend themselves to their own ableist or classist assumptions (that those of the speaker’s race/ethnicity must be collectively unintelligent, that they are uneducated or low class due to the occupations where they could find work, or conversely that they are snobby and isolationist and can't be bothered to learn a new language). Intersections, intersections.

If you want to explore your experiences in your writing, give a monolingual English speaker in your cast a learning disability or some other difficulty learning language, whatever you most relate with. And sure, multilingual folks can occasionally forget words like anyone else does, or think of a word in one language and take a second to come up with it in the other language. But do not assume that multilinguals, immigrants, or multiethnic individuals inherently struggle with English or with multiple languages just because you do.

~ Rina

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HELLOOO steddie nation we are so fucking back

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Absolutely stunning, I love the reference to Lucifer and the Creature's fascination with Paradise Lost

"Remember, that I am thy creature: I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed"

Frankenstein's Creature based on The Fallen Angel by Alexandre Cabanel

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The thing about so many people being mad at Izzy's death is that they have no fucking media literacy.

Did it make you sad? Does it feel unfair?

YEAH! THAT'S THE FUCKING POINT!

It is sad. It's unfair, even.

But what it's NOT is bad writing or "bury your gays" or cruel to the viewers.

You dumb shits.

"But Izzy is disabled!" So are Lucius and Ed.

"But Izzy was suicidal!" So was Ed.

"But Izzy was an elder queer who came out later in life!" (Debatable but) So was Stede.

"But Izzy was abused!" So was literally everyone.

Y'all just don't want death to happen to your favorite characters. Which is FINE and a very NORMAL response but you're doing way too fucking much.

It's like when Noah died in The Raven King and people were sending the author abuse about it. Like SOMETIMES SAD THINGS HAPPEN! If everyone got off scot free and no one suffered consequences you'd get the end of Breaking Dawn. Which NO ONE can argue was 'good writing'.

I don't know man, it's like you're allowed to be sad your fave died but this witch hunt, this crusade of virtue signaling trying to assign your bad feelings to some Great Bigoted Crime of Problematacy is just fucking ponderous