poki-art-reblog
Poki's inspiration blog
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everything tagged. take this inspiration and have fun TAG LIST | main artblog | THEMES, RESOURCES, etc. | visit me at https://poki-art.carrd.co
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poki-art-reblog · 37 minutes ago
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poki-art-reblog · 20 hours ago
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heye every one.
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poki-art-reblog · 20 hours ago
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Controlled Decay
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poki-art-reblog · 2 days ago
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shut up
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poki-art-reblog · 2 days ago
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shuckle dance
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poki-art-reblog · 2 days ago
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poki-art-reblog · 3 days ago
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poki-art-reblog · 5 days ago
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i’ve been thinking about innocuous photos like the one on the left. because it is my job to neglect the sprouts of imperialism and racism that accompanied my upbringing, i've been attempting to find solidarity even in the innocuous. and how easily it comes: marah and i, both schoolgirls who like cute things, both compelled by the desire to photograph our supplies after arranging them to be just-so. the photo on the right is an old one of mine.
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if you were to ask yourself:
“how much do i have in common with a palestinian?”
i think the answer would be “everything.” maybe you’re united by the love you have for your pets, being fans of the same goth rock band, or the fact that, were something of severity to happen to your family, you’d also be online, asking for help in a way your elders might find it hard to wrap their heads around, and making sure people knew they could trust your campaign.
and if this were a message you were sending, i hope that your hope would remain in tact, because people like us, on the other end, would be doing everything they could to help you.
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poki-art-reblog · 7 days ago
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anyway
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poki-art-reblog · 7 days ago
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Transformers one fan art
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poki-art-reblog · 7 days ago
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your honour i understand that it is treason to release classified documents about military equipment but you saw what that guy on the forum said i couldn't just let someone be that wrong
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poki-art-reblog · 8 days ago
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can someone PLEASE explain what connects house of leaves book, persona ost, toby fox and what happened 9 months ago
im in the house¹.
¹ like carpet.
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poki-art-reblog · 8 days ago
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if you're feeling powerless right now—and god knows I am—here's a reminder you can donate to the National Network of Abortion Funds, the Trans Law Center, Gaza Soup Kitchen, the Palestine Children's Relief Fund, and hundreds of other charities that will work to mitigate the damage that has been and will continue to be inflicted
life continues. we still have the capacity to do good, important work. that matters
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poki-art-reblog · 8 days ago
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poki-art-reblog · 8 days ago
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poki-art-reblog · 9 days ago
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What happens when you let a film nerd make an anime?
Fuuga Yamashiro (山代風我) joined Science Saru in 2017 as an Assistant Production Manager during production of "Night Is Short, Walk on Girl." He was essentially Studio Co-founder Masaaki Yuasa's secretary, but he worked his way up to assistant director on "Keep Your Hands off Eizouken" and finally got to direct his own first full Anime series, Dandadan.
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Having worked so closely with one of the greatest living auteur directors, you might think he would share that overpowering individual creative influence, but as he has pointed out in interviews himself, it's much the opposite.
Instead of relying on his own creative voice, which he doesn't seem confident about in interviews, he literally collects techniques from his favorite movies, breaking them down into storyboards and adding them to his arsenal to re-contextualize later. And as you may be able to tell from watching Dandadan, his biggest influences aren't anime and manga, but live action film -- something he seems to have studied obsessively.
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And when you compare the anime to the original manga (which itself is already filled with references to old movies and TV) subtle adaptation choices make the deft application of techniques borrowed from other storytellers very clear. Every choice is made for a reason and furthers the story being told in some way; nothing is there for no reason. like the simple, controlled camera pans and tilts that make the serpoian spaceship feel cold and sterile, or the crazywackysilly, un-predictable wide-angle camera movements that intrude on that cold sterile world when turbo granny shows up.
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In one interview during the production of "Keep Your Hands off Eizouken" Yamashiro pulls out his notebook where he had collected all these techniques and gives an example:
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"There's a technique called 'Dolly Zoom', which is a technique that changes the perspective of the background while keeping the size of the subject." […] "In 'Cult of Chucky,' which I saw recently, there is a scene in which a long passageway is filmed in telephoto, while a wheelchair moves forward. The character is 'getting closer, but the viewer feels farther away'. This is the kind of thing I collect." […] "I'd like to combine these things in various ways and do it in animation." (I took some liberties with this, the translation was pretty rough)
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And sure enough, that exact same type of dolly zoom rears its head in Dandadan as Okarun sprints away from Turbo Granny and the mouth of the tunnel stretches impossibly into the distance.
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It may seem counterintuitive to ascribe too much importance to the creative vision of one person who specifically talks about his own lack of strong creative vision, (and to be clear, he's far from the only person playing a major role) but I think it's precisely that encyclopedic knowledge of film techniques and that pragmatic, meticulous attitude that may have acted as a stabilizing force for Yuasa, and that also provides some needed structure to a ball of pure energy like Dandadan, while still preserving its essence and the eclectic influences that it wears on its sleeve.
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Also, mad respect for using the seventh installment of the Child's Play franchise as your example of a dolly zoom instead of, like, Vertigo, Jaws, or Goodfellas.
This is just a sliver of what I talk about in this full video! A minuscule piece of the pie! Some tiny little crumbs for the peasants! So if you consider yourself worthy, go watch the whole video. I think it's good.
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Uhh also reblog! I spent way too long on that intro animation, so I need it. Bad.
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poki-art-reblog · 9 days ago
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answering a couple questions i got on this post since i realized ppl genuinely wanna know:
tl;dr:
israel lets very, very little aid get into gaza. even the UN can't get in as much as they want to. funding individual families, gazan led initiatives, and mutual aid collectives operating out of gaza ensures gazans can provide for themselves and pay for the extremely expensive aid that is available.
with all the civil infrastructure destroyed by israel, the situation on the ground has devolved into unrestricted capitalism, driving up the price of aid (that should be free!). this makes it more urgent for people to have funding for daily survival.
the post linked above has examples of how donating to individual families can help a lot. if you want to help more than one family at a time, there are many gazan-led initiatives focusing on rebuilding their infrastructure and distributing aid fairly that are worth donating to instead of large charities that already get the majority of donations.
as i mentioned in the last post: @/careforgaza on twitter is a nonprofit started by gazans, it's been endorsed by multiple palestinian journalists.
the sameer project is a collective organized by diaspora palestinians offering emergency shelter to gazans.
ele elna elak is a project aiming to bring water, food, shelter, etc. to gazans and has been promoted by bisan owda.
and the municipality of gaza itself is fundraising to rebuild water infrastructure.
all of these organizations are active inside gaza right now and are being run by gazans. if anyone knows of other gazan-led mutual aid projects, nonprofits or charities feel free to link them in the notes! hope this helped!
long answers under the cut!
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if you wanna donate to a charity that's absolutely fine, but the thing is most charities (and even the UN!) are unable to make it into gaza in the first place, leaving aid rotting at the egyptian side of the border or subject to israeli settler attacks
not to mention, charities and nonprofits also maintain a paternalistic colonial relationship with the indigenous people they are trying to help, determining what aid they need for them instead of returning power to them and letting them make their own choices
i'm not here to say that one option is better than the other, just that they achieve different things and are equally legitimate. there's an attitude among people who question the legitimacy of these gofundme campaigns that somehow the people promoting them are telling them not to donate to charities. nobody is stopping you from donating to charities. we are just asking that you do not dehumanize the very real gazans in your inbox just because their method of asking for aid is more direct and risky.
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unfortunately that's exactly what has happened. because israel destroyed all of gaza's more formalized infrastructure, it seems that organized crime and rampant inflation has taken its place. aid is supposed to be free, but in order to save for evacuation or the cost of living, people have started selling them at an inflated price. and aid that is truly free attracts intense, large crowds that are dangerous to navigate.
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this was posted on abc a few days ago
it's pure, unrestrained capitalism. i've had multiple palestinians describe this situation to me confidence. that's why everything's so expensive now. why people have to rent out tiny plots of land for their tents to sit on, why my friend @siraj2024 still has to buy tarps to cover the broken windows of the overpriced bombed out apartment he rented, and why a bag of flour can cost a thousand bucks in the north.
even before israel closed and then bombed the rafah crossing, the egyptian hala travel agency was only allowing people to cross the border if they paid a hefty $5000 USD per adult / $2500 USD per child bribe. it denies doing this, but the hundreds of stories from palestinians say otherwise.
with regard to the economy, here in america we saw something similar happen in the wake of hurricane helene and milton. the podcaster margaret killjoy describes how she saw dual economies rise after asheville was fully cut off from the rest of the country - some people offered each other supplies for free in a sort of mutual aid honor system, and some people required payment when they lent supplies because they themselves needed to buy stuff for their families. these dual economies exist in gaza too. and this means they all still need money to survive.
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