olgadealexandria
OlgadeAlexandría
64 posts
Hekate, Isis and Hermes devotee. Just a girl who likes art and fashion history 🔮🎴📜 ESP/ENG
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olgadealexandria · 14 days ago
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Idea from @caylachildofhades
I'm a Hermes devotee, if course I have to try not to nervous smile/laugh when something bad happens
I'm a Hermes devotee, of course I love writing letters
I'm a Hermes devotee, of course I'm reading 40 different books at once
I'm a Hermes devotee, of course I'm learning multiple languages
I'm a Hermes devotee, of course I can run in heels
I'm a Hermes devotee, of course everyone gossips to me
I'm a Hermes devotee, of course I'm always the mediator
I'm a Hermes devotee, of course I love to travel
I'm a Hermes devotee, of course I love academia aesthetics
I'm a Hermes devotee, of course my ideal dates are picnics and museums
I'm a Hermes devotee, of course I love telling people good news
I'm a Hermes devotee, of course people always make me deliver the bad news too
I'm a Hermes devotee, of course I'm always full of energy
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olgadealexandria · 14 days ago
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I LIVE for art. Like really. Do I breathe and eat art? Almost. What should I do in this economy? 😭😭
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olgadealexandria · 14 days ago
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Terracotta vase decorated with a beautiful painting. Colors are incredibly preserved. From Sicily, 2nd Century
Metropolitan Museum of Art
Photo: © Ozymandias (Flickr)
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olgadealexandria · 14 days ago
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ALSO we've been robbed how is not the new live action snow white just a brunette jean harlow?
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olgadealexandria · 14 days ago
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how I can see Snowing White absolutely wearing this is how I know it's from the 30s
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Evening dresses, 1930s-40s.
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olgadealexandria · 15 days ago
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Alice White, 1930s
In 1958, White said about Marilyn Monroe's wiggle-walk, "I did it first."
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olgadealexandria · 15 days ago
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STATUE REPRESENTING THE GODDESS ISIS-APHRODITE. 
She is naked, standing with arms along the body, wrists adorned with bracelets, arm and ankle, and ribbons on his chest. Her hairstyle, made of long strands, is topped by a large crown topped with a vegetable basket with the disc between the horns. 
Polychrome terracotta. 
Egypt, Roman Period
I-III centuries. 
H. 34 cm
via >  pba-auctions.com
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olgadealexandria · 15 days ago
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Tarot reading is such a free form art that sometimes it can get a little confusing.
I've been reading tarot for exactly one year and this helped to see things clearer!!!
Smaller tarot spreads aren't necessarily easier or more beginner friendly. They can actually be more difficult, IMO
Drawing large spreads as soon as you begin learning tarot has a lot of advantage. Studying individual cards and working slowly with 1 or 3-card draws may work for some people, but this isn't the only or even the best way to learn tarot.
Reading fewer cards isn't always easier!
To me, the "magic" of tarot is linking cards and seeing patterns of information across a spread.
The job of a tarot reader is not memorizing cards. Memorizing card meanings is not required to be an effective reader.
IMO, the job of a tarot reader is to find patterns and narratives within a spread.
This can be easier to do with larger spreads, and harder with small spreads.
The purpose of a 3 card draw is not to individually interpret 3 cards.
The purpose is to discover a pattern within the cards. If it's a beginning/middle/end spread, do the cards seem to start off in a dreary way, and develop into a good/positive outcome? Is the middle card a road bump, while the beginning and end cards are smooth sailing?
Once you find patterns within a spread, the narrative can make itself readily apparent.
In a beginning/middle/end spread, if the general portent of the cards appears to be poor/better/best, then we might say that the general shape of the reading is an upwards trajectory.
So, what meanings of the cards fit the shape of an upward trajectory?
Almost all tarot cards have contradictory, mutually exclusive, or unrelated sets of meaning.
If a card's meanings include responsibility/drudgery/burden/mistake/success after work, then which meaning applies?
If that card is at the beginning of the upwards trajectory, the specific meanings that fit in might be meanings of burden or mistake.
If that card is at the end of the upwards trajectory, then it is more likely that the meaning of success after work applies.
But it would not be possible to use the pattern of the spread to shape the narrative in a 1 card draw. There are not enough cards to form a pattern.
The purpose of a spread is to facilitate linking the cards in such a way that patterns of information rise to the surface like cream.
This makes discovering the meanings of each card easier, not more difficult.
This can also mean that for beginners, larger spreads can be easier to read because patterns can be more apparent and easier to rely on when choosing narrative themes.
I have a particular favorite spread which I have been using for almost 17 years; my elemental quarters spread.
This spread has a few variations, one of which is the 12 card variation.
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12 cards may seem like a heck of a lot for a spread, but it actually gets really simple when you start using tarot to read patterns instead of trying to recall memorized definitions.
In this colorful elemental spread, there are four cards that represent fire, and one quartet that represents fire.
Suppose that you believe fire represents things like passion and drive.
You are reading this spread for someone, and every single fire card is reversed.
Despite the clutter of so many cards, an immediate pattern jumps forth: this person has a serious blockage in the passion and drive in their life, that is permeating every area of their life.
Now that we know this, we can start looking at the meanings for each fire card relating to blockage, delay, or obstacles.
Because of the size of the spread, patterns can be much easier to see, and each card can be more quickly refined.
As a reader, a large spread gives you the ability to say, "I may not know what this card in particular means, but based on the pattern I am seeing in your emotion/relationships section, there is a lot of hope on the horizon."
Larger spreads reduce the need to perform an in-depth reading on each card.
If you have a 3 card draw and one card isn't speaking to you, then you are only interpreting 2/3 of a reading. And that's not a lot.
If you have a 7 card spread and one card isn't speaking to you, then you don't need to beat your head against a wall trying to unlock the secrets of that one guy. You can just say, "I don't know for sure, but based on the pattern, it seems like something bad vibes will happen before you get to the good events coming up."
There is no minimum amount of information you are supposed to get from each card.
You can draw 1 card and write a paragraph on it. Or, you can draw 10 cards and choose one key word from each, representative of the pattern(s) that you see.
The second reading may provide more information using fewer words, and be more accurate too - because the interplay of cards influences what key words best fit, instead of grappling with many meanings of a single card without direction.
You can get less than 1 key word from a card.
You can draw 3 cards, find the pattern in them, and choose 1 key word for all three.
You can draw 12 cards and get a 4 word reading.
And I stand by my belief that this 4 word reading may well ring more true than a paragraph of generic definitions pulled from a single card (shaped, if the reader is lucky, by context clues the querent has provided when they submitted their question).
I've been reading tarot for almost 2 decades (err... going on 17 years) and only in recent years have I been able to successfully read 3 card draws.
In my opinion, smaller spreads and draws can be significantly more challenging.
If you are getting stuck with your tarot practice, try moving on from "card meanings" and into "pattern-shaped narratives".
(Which is the term I made up for it)
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olgadealexandria · 15 days ago
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Bessie Downing, 1900s. Mary Everhard Collection
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olgadealexandria · 15 days ago
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Vibrant silk brocade dress, c. 1850. © Philadelphia Museum of Art
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olgadealexandria · 17 days ago
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Ceiling Painting: Apollo and Artemis or Helios and Selene & the coat of arms of Cardinal Giulio de’ Medici
1523
Giulio Romano (c. 1499–1546)
Fresco
Roma
** My Other Blogs & Facebook Pages
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olgadealexandria · 17 days ago
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long hair>>>>
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olgadealexandria · 18 days ago
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Roman polytheism resource post
if you would like to add any resources to this post, please feel free to send me an ask/dm me and i will add it along with credit to you!
Nova Roma. A non-profit which posts information about the restoration of classical Roman religion, culture and virtues
Roman Pagan. General Roman polytheism resource and a good starting place.
Deo Mecurio. Information on the Gods.
Introduction to Roman Polytheism. What’s in the title, quite long but a good read. 
Roman Calendar. A list of Ancient Roman religions festivals and rituals.
The Basic Structure of Roman Ritual. About public and private ritual structure
Magic, Witchcraft, and Ghosts in the Greek and Roman World (book, courtesy of the Archives Discord server)
On Auguries. Auguries are signs from nature to determine the will of the Gods, this has some information about it and interpretations. 
Do You Believe in Magic? by The Endless Knot. An informative podcast on Greco-Roman magic. 
Ancient History Fangirl. Podcast that covers Greek and Roman history, culture, and religion. 
Roman Gods of the Month: February. This is about how the Romans viewed the month of February and the celebrations that happen within that month. 
Lectio Divina. How to listen deeply and feel the Gods. 
Prayers to Jupiter
Religion of the Greeks and Romans. A paper on the links between Greek (Hellenism) and Roman (Cultus Deorum) religions
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olgadealexandria · 18 days ago
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Roman amethyst intaglio depicting Fortuna-goddess of prosperity and good luck-made early 1st century AD.
Hermitage Museum, Saint Petersburg, Russia. 
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olgadealexandria · 18 days ago
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I just want to frolic around wearing dresses like this
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Town dress with chemisette owned by Empress Josephine, First Empire
From the Chateau de Malmaision Costume Collection app:
“This high-waisted dress with its square, low-cut neckline and decorated with white embroidered flowers and leaves is typical of the fashion at the start of the First Empire. To conceal the low neckline, it could be worn with a chemisette which was slipped inside the dress. This one is in white muslin, embroidered with a sprinkling of flowers and embellished with a ruché trim. This outfit comes from the family of Madame Poyard who looked after the Empress’s wardrobe after 1809.”
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olgadealexandria · 18 days ago
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Mariano Fortuny, "Delphos", 1920
Courtesy Alain Truong
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olgadealexandria · 20 days ago
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Mona Maris, c. 1930
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