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Ayo fuck lila.

Aight, this is my mind palace

Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.

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That post about writing motorcycle scenes I've been meaning to write

Riding a bike is one of those things that’s a very physical experience, so if you haven’t ridden, then there’s a lot you will naturally not be aware of.  I love motorcycle scenes in stories, but over the years I’ve noticed that scenes written by non-riders almost always make the same mistakes.  They’re ubiquitous in fact, to the point that if you haven’t been there to learn the contrary yourself, it’s natural to assume that’s how it actually works.

The first thing to know about motorcycles is that when driving, the motorcycle performs as an extension of you.  It’s almost cybernetic, the way your mass and balance fuse with the machine’s, the way it transmutes your sense of your surroundings and the surface you’re driving on, and the sense of the bike itself and how it’s performing.

Most notably, the driver’s center of gravity becomes the central steering mechanism.  At speeds faster than around 10 mph, the driver steers primarily through shifting their center of balance.  If you want to turn left, you lean your body left.  You’re actually tilting yourself and the motorcycle to take curves and corners.

When carrying a passenger, then, the passenger needs to shift their center of gravity along with the driver’s.  It’s like taking the ‘follower’ position in partner dancing.  You lean WITH them; not less, because then your weight counters theirs and they end up not turning (which can be highly bad if, say, the road does not go that way), and not more, because then the bike could tip right over.

Being a good passenger on a bike is not a huge learning curve for most people, but there is a learning curve.  And some people have more of a knack for it than others.  Some people are natural back-seat drivers, for whatever reason overly pushy, eager, demanding, or determined that they know better than you, and have a habit of making it hard on the driver.  I’ve had people tell me they hate riding pillion even if they’re good at it, because they don’t like how out-of-control it feels.  I detest it myself, in fact; I’d far rather be driving, and it’s a constant struggle for me to just follow along and behave myself.

This means, though, that carrying a passenger who weighs significantly more than you can be a tricky business.  I weigh about 110, and when carrying a rider weighing significantly more than that, it’s awfully easy to crash if the passenger tries to back-seat steer.  (A way to mitigate this, especially for new passengers, is to simply take 15 minutes or so to bump around quiet local roads at low speeds so that the driver and passenger can familiarize themselves a bit with minimal risk to themselves.)

Now, undoubtedly the #1 most-committed mistake I see from almost everybody who writes about motorcycles (and for that matter, a lot of unsuspecting new passengers try it in real life) is the ‘wrapping arms around the driver’s waist’ business.  It’s so common that this line is practically required by law when somebody’s writing a motorcycle scene, but seriously:  DON’T DO THAT.  <–The all caps there is not for shaming; it’s for emphasizing the safety issues.  It’s not only uncomfortable for the driver, it’s potentially dangerous.  It makes it hard to steer, hard to breathe comfortably, and easy to get jerked off balance and into a crash.

In a similar vein, holding onto the driver via grabbing their clothing is ill-advised.  This can lead to getting jerked off balance, having seams dig in painfully, and being choked by fabric.

What to do instead:  The rider sitting pillion should brace their hands on either side of the driver’s waist.  

I know, if you’re in it for the sexual tension, this sounds less sexy, but I’m here to tell you that’s a filthy lie.  A passenger who’s sitting properly is basically molded onto the driver’s back.  Riding with/being a passenger on a bike is a startlingly intimate experience.  There’s a lot of trust and teamwork involved, which takes place at a kinesthetic level.  It feels a lot like dancing, as I said before, or maybe partnered sports, where the collaboration is happening at a physical, bone-deep level that often skips right past the conscious intellect.

Now, sometimes (you may’ve seen this on the road) you’ll have passengers who prefer to hang onto a part of the bike–bits of the frame, maybe, or a ‘sissy bar’/seat back sticking up from the back.  It’s not uncommon, but it’s a bad habit because the passenger is never quite as in-tune with the driver this way, and if something happens–a tire slips in a puddle, for example–their weight moving in the wrong direction can end up jerking the bike out of the driver’s control.

Another thing I see a lot of writers do in stories that doesn’t work in real life:  unfortunately, helmets are NOT easily swappable.  They’re designed to clasp the head; a well-fitted helmet should not move on your head at all, even if you shake your head hard (though it also shouldn’t be tight enough to exert uncomfortable pressure).  A helmet that fits loosely is useless at best and dangerous at worst.  One that’s too tight is either painful or doesn’t go on at all.  It doesn’t take much difference in the size of two people’s heads for one person’s helmet to not fit the other person properly.  (And even if they’re the same size, that doesn’t necessarily mean it’ll be comfortable for more than short-term wear, but hey.)

Also, the stupid things are ridiculously expensive–especially the full-face models–so most bikers aren’t lucky enough to have a bunch of extras just laying around.

Another tip, both for writing and riding: riding pillion on a sports bike (those sleek ones where the driver’s crouched and leaning forward like a race jockey) is a miserable freaking experience.  On a lot of models, you’re perched up there on something that barely counts as a seat and leaves you constantly feeling like you’re about to slide off the back; your legs are pushed up into a crouch; you’re hunched like a monkey over the driver; and possibly you’ve got a scalding-hot muffler pressed up against your calf.  

(Pro tip: if anybody ever invites you for a ride on their bike and you’re wearing shorts, pay attention to where the muffler’s located in relation to the foot pegs.)

Now, what is it about motorcycles that makes some of us bikers go into a lathered-up frenzy at the idea of riding?  It’s because it FEELS SO DAMN ALIVE.

Look.  It’s like…life these days is, well, canned.  We spend a lot of our time in pods–houses, cars, subway trains–breathing tinned air, walking around on pavement or carpet…  But when I’m on a bike, it’s me and a 360 degree panorama of the world, and there’s nothing between me and it.  Some people get off on the risk of that, but for me it’s a matter of immersion.  When I ride, I can feel the cool humid air rolling down from under a forested hillside.  I can smell the road dust, the oil, the exhaust, the herby scent of weeds and wildflowers on the roadside, the river I’m driving near, the shady scent of a forest, the roadside fruit stand…and I’m not talking in that wafty, broken-up way you get if you roll the car doors down.  It’s like driving into a wall of scent, crashing through one bubble after another of temperature changes and smells and sounds and sights, and I have this bike underneath me that’s rumbling and vibrating and moving like it’s part of me, and it’s just the most powerful sense I’ve ever had of being in charge of my own life and not hiding from the world.  I can see it, and it can see me, and yeah, that’s a bit dangerous, but it’s also real.

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Ayo this shit getting interesting. chapter one i gonna be real nice and fun lmao. im just writing a general outline of events an oooh, it’s neat :))))))

Aight, this is my mind palace

Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.

[now-for-writing]

Aight, this is my mind palace

Writing a fanfiction, got motorcycles, senior year of high school, tension, and sexy leather. writing chapter one now, we’ll see how it goes, then we go to editing and posting. Going Full no brain and pre writing chapters. It is my downfall.

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Hi ! So, my main character is almost always with 4 to 5 other people and that creates a struggle when it comes to : dialogues. I need to clarify who's talking but without writing "said xxx" every two sentences or adding their names everywhere. Any tips ?

Clarity in complex dialogue...

My main advice on this is to add a dialogue tag when the conversation’s main participants switch. For instance, there will be a few sentences shared between two characters, and then one will add something, and that’s where you tag. You can also specify in the description that while the characters are all together, two or three specific people are talking if that is the case.

Try to make the stage business in your scenes with a lot of characters more interesting. Give your characters things to do, and use those as a way to pivot focus from one character to another.

Here are some other resources you may find helpful:

Giving Characters Stage Business

Vocabulary & Description

Dialogue Punctuation

A Writer’s Thesaurus

How To Develop A Distinct Voice In Your Writing

Tips On Dialogue

Writing Arguments

General Dialogue Advice

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Masterlist | WIP Blog

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.

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HAPPY TWO YEARS OF SPIDER-MAN: INTO THE SPIDER-VERSE Released December 14, 2018

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wait is everyone forgetting that episode where Perry jumps in and sees Doof with Peter the panda, and the whole thing was set up as if Doof was cheating on Perry with another nemesis like... I thought they already were dating????

the dynamic between heinz doofenschmirtz and perry the platypus would probably come off as v romantic and gay if they were two people in a similar age range rather than a dude and a platypus. no i dont ship them but think about it. villainous monologues are already a very romantic and gay thing in itself (don’t question me on this you know im right). listening to somebody ramble excitedly about something they’re proud of is even more romantic and cute af. also doofensmirtz is already gay anyway. the only thing preventing this from becoming Peak Gay is the fact that perry is strictly professional and also a platypus. thanks for coming to my ted talk

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Limits of the Human Body

Body Heat = 107.6 F

Cold Water = 40 F

Hot Air = 300 F

High Altitude = 15,000 ft

Starvation = 45 days

Diving Depth = 282 ft

Lack of Oxygen = 11 minutes

Blood Loss = 40%

Dehydration = 7 days

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Elsa - Frozen II by serafleur

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HEY, Romance Writers!

A few followers have asked for tips on writing romance into their stories or as the basis of their stories. Here’s a masterlist of sources (below cut) that may help.

General Romance:

What Defines Romantic Love?

How to Build a Romance Thread in Your Story

How to Plot a Romance Novel

Slowburn Romance

When Friends Fall for Each Other (ask)

Tips for Writing a Character Who Has a Crush

Tips on Writing Unrequited Love 

Writing Healthy Couples in Fiction

An Antidote to “Love at First Sight”

How Attractive Should Your Characters Be?

3 Great Ways to Show That Your Character Is In Love

6 Ways to Get Your Readers Shipping Like Crazy

Six Steps to Stronger Character Arcs in Romances

Seven Great Sources of Conflict for Romances

9 Romance Writing Mistakes to Avoid

20 Tips for Writing Lovable Romance Novel Heroes 

How to Write a Kissing Scene in a Romance Novel

Types of Kisses and Kissing + This Post Is All About Kisses

List of Ideas to Keep Romantic Tension High

100 Questions for Character Couples

How Do I Make the Relationship Development Realistic?

How Do I Know If Two People Are Compatible?

Healthy Relationships Can Include Teasing

How to Write a YA Romance Without Cliché   

Intercultural Romance:

How do I write an interracial couple accurately? (ask)

15 Common Stereotypes About Intercultural Relationships

Cross Cultural Relationships

[Ideas for] Your [Fictional] Cross-Cultural Relationship

Things to Avoid When Writing Interracial Romance

writingwithcolor: Interracial Relationships (w/ links)

Bad Romance:

Removing the Creeps From Romance

Why The Surprise Kiss Must Go

Possessiveness 101

10 Signs You May Be in an Emotionally Abusive Relationship

Edward & Bella Are In An Abusive Relationship

Red Flags, Verbal Abuse, Stalking… | Script Shrink

5 Huge Mistakes Ruining the Romantic Relationships in Your Book

How do you write a [bad] relationship without romanticising it? (ask)

General Tips for Writing Characters Love Interests:

How to Write from a Guy’s POV

Writing Awesome Male Characters: What You’re Doing Wrong

7 Point-of-View Basics Every Writer Should Know

How Do You Describe a Character?

4 Ways to Make Readers Instantly Loathe Your Character Descriptions

3 Signs Your Story’s Characters Are Too Perfect

Is a Quirk Just What Your Character Needs?

Six Types of Character Flaws

Is Your Character Optimistic Or Pessimistic?

5 Ways to Keep Characters Consistent

9 Simple and Powerful Ways to Write Body Language

10 Body Language Tricks for Deeper Characterization

Describing People Part Three: Gestures, Expressions, and Mannerisms

33 Ways To Write Stronger Characters

Conveying Character Emotion

Distinguishing Characters in Dialogue

How to Make Readers Love an Unlikable Character…  

Characters: Likability Is Overrated

Relationships in General:

How to Create Powerful Character Combos

8 Secrets To Writing Strong Character Relationships

Character Relationships: 6 Tips for Crafting Real Connections

Writing Relationships: Hate to Love

Stereotypes, Archetypes, & Tropes:

Five Signs Your Story Is Sexist: Part 1, Part 2

Five Signs Your Story Is Sexist – Against Men

Always Female vs Always Male

Born Sexy Yesterday & Manic Pixie Dream Girl

7 (Overused) Female Love Interests

Other Resource Lists

Resources For Romance Writers

Pinterest Board “Writing: Romance Arcs and Plots”  

thewritershelpers FAQ (romance, kissing, sexuality, etc)

+ Follow HEY, Writers! on Ko-Fi // Wattpad // AO3 // Goodreads // Pinterest

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Whats your point??

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@howtodrawyourdragon it’s smaller and all red so yeah.

Look at this man’s scar.

Look at it!

I just love that it’s ugly. That the skin is clearly warped and shaped wrongly, that his eye can’t even open all the way. I love that you can tell the scar tissue goes deep. Heck, it looks like it would hurt him most days, and sometimes even give him difficulty with his eye and his facial expression. I bet he even has some difficulties hearing out of his left ear because of the build up of scar tissue.

Just look at this beautiful, realistic ugliness. What a strong, gorgeous man.

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I think, its cause of the word tend. tend meaning to tend to a wound or tend to something that needs attention. “I’ve got some customers to tend to.” soft is in the touch gently. you don't soft a wound. you tend to it. you see a broken wall and tend to the crack. softness is being soft to the touch when there are no cracks. tenderness is knowing where to be soft because you see the cracks

for me tender is a very loaded word like it’s quite different from softness…softness is clean and light like cotton…tenderness is softness in the face of pain and shame it’s like that one quote “ I don’t want your love unless you know i am repulsive,and love me even as you know it”… softness is a form of innocence and tenderness is a form of grace…a lightness that can only be present as a result of time/experience and requires memory as a binding force

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Youre art is so beautiful <3<3<3

WOOT

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Short hair. by AndyWaiKit

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THIS IS SO BEAUTIFUL IM IN LOVEEEEEEEEE

had to make PJO fanart for the disney+ series announcement