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TOUS LES N°1 DES ANNÉES 80

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"I like that library books have secret lives. All those hands that have held them. All those eyes that have read them."

―Same Sun Here by Neela Vaswani

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State Of Mind - Take Control (M&S Epic Klub Mix)

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The making of S.S.Daley SS25 Womenswear beaded skirts. Spry floral arrangements are abstracted by hand painted and applied wooden beads. Aligned in a 1 by 1 grid, the image motif appears pixelated.

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Looks 19- 24 of the first S.S.DALEY Womenswear collection “No suffix, prefix or quotes” inspired by the life, lovers, work and uniform of the British artist Gluck.

Styling by Harry Lambert.

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Constance Spry wraps a bouquet in her flower shop, June 1947. Photograph: George Konig/Hulton

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S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

A draped dress, originally constructed on the stand using Daley’s oversized shirts, has large florals, and modernist pleats that come horizontal across the chest, before angling straight down the body.

The print design was inspired by one of Gluck's paintings,The Pine Cone, 1919.

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Looks 7-12 of the first S.S.DALEY Womenswear collection “No suffix, prefix or quotes” inspired by the life, lovers, work and uniform of the British artist Gluck.

Hand painted wooden beads are assembled to form pixelated florals like that of the arrangements Constance Spry would make for Gluck to paint. The show took place in the Royal Academy of Arts in Mayfair, London.

Styling by Harry Lambert.

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Gluck, The Pine Cone, 1919, oil on canvas laid on board, 26 x 21 cm, private collection

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S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

Knee-length shorts are covered with a crochet that echoes the Lyon’s tea rooms, the Gluck family business from which they ostracised themselves.

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Looks 13-18 of the first S.S.DALEY Womenswear collection “No suffix, prefix or quotes” inspired by the life, lovers, work and uniform of the British artist Gluck.

Styling by Harry Lambert.

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Friends, family and guests attending the S.S.DALEY SS25 Womenswear show in the Royal Academy of Arts.

Harry Styles wears a textured broadcloth chore jacket set with a crochet strawberry pin.

Emma Corrin wears a custom SS25 hand painted beaded floral vest dress.

Sebastian Croft wears the AW24 Cyril lamb cardigan.

Golda Rosheuvel wears SS24 marigold set.

Laura Mvula wears AW23 'You and I are Earth' silk kaftan.

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S.S.Daley SS25 Womenswear collection "No suffix, prefix or quotes" was inspired by the life, lovers, work and uniform of the British artist Gluck.

Gluck’s own tailored uniform is echoed in a black wool day coat, worn over a high collar shirt and Daley’s signature roomy pants. A silk twill scarf print of a cross-stitched dalmatian appears on a shirt and matching pleat skirt, slit at the front. Meanwhile, florals on a ripstop trench appear blurred, due to the weaving process: it’s trimmed in ecru leather.

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Thursday, September 19.

S.S. Daley & Gluck.

Sublime meets sublime. S.S. Daley (@ssdaley) meets the iconic British artist Gluck for the 2225 Womenswear collection—their first full collection, which debuted with a show at the London Fashion Week.

It's a meeting of two aesthetic icons: tailored and utilitarian, femme and elegance. As with all of Daley’s work, it’s about queering traditions, charm, individuality, detail, and the pleasure of wearing clothes. The results are, well, sublime. 

You can find the S.S.DALEY SS25 Womenswear playlist right here. These are songs that reflect the mood of the show, the mood of the studio working towards the show, team favorites, and songs that feel somehow connected to the research narrative. Enjoy.