I exist only because inside of me and above all else I am only and above all a Neapolitan. Naples exists inside of me, and always will. Fortunately for me there is this treasure that I have inside of me and, when I need it, then I pull it out. – Sofia Loren south italy/naples rp blog, assoc. with OBN
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Grecanico
I wasn't very familiar with the dialects of the Griko community, the Greek minority of Italy, residing mostly in Calabria and Apulia. Once in a travel show I had seen a grandpa speaking in one of them but it was so fast and idiomatic that I could only catch one word or two and I consequently thought the Griko dialects had grown really distant from Greece's or Eastern Greek dialects.
Recently I watched this Griko song performance in Italy and it moved me deeply. First of all, it impressed me how it could seamlessly pass as a Modern Greek music style. Of course, Italy and Greece do share a lot of similar sounds, so it perhaps was to be expected. Even the la-la-le-o-la-la pattern, I have heard it in many familiar Greek urban songs (as in, not folk).
I just read that there are in fact two Italiot Greek dialects, Griko (spoken by ~ 45,000 people) and the smaller one, Grecanico (severely endangered and spoken only by ~ 2,000 people). The latter is believed to have incorporated more Italian influences. According to Wikipedia, there are many similarities with Standard Modern Greek, although linguists assert they evolved independently from either Ancient or Koine Greek. If you ask me, judging from the song, there is no way they evolved independently from Ancient Greek. Not only that but if the linguists did not only examine the Ancient and Koine theories, I would have thought they evolved independently from early Modern or super late Koine at most. This could be explained by an influx of Greeks to Italy as a consequence of the Crusader conquests or the Fall of the Eastern Roman (Byzantine) Empire to the Ottoman Turks because - fun fact - the type of Greek spoken during both those periods was Modern Greek. Very early Modern Greek at the times of the Fourth Crusade (1202 - 1204), yet modern nonetheless. So the Greeks that might have fled the Latin and the Ottoman blows to the East Roman Empire may have perhaps influenced the language of the ancient and medieval Greek communities of Italy. Then, this late koine - early modern Greek dialect also got influenced by Latin / Italian, especially in the pronunciation and some of the vocabulary. That’s my theory that’s just on me. Perhaps they indeed developed independently from Koine Greek because the Greek language is pretty conservative after all. But Ancient, as in prior to 200 BC, no fricking the frick way.
The song is in Grecanico of Apulia. The video of this performance had the lyrics in Grecanico (they use the Latin alphabet) and a translation in Standard Modern Greek. I was shocked by how much more I could understand in the slower way they were singing compared to the mumbling grandpa. It was deeply touching so I decided to share the video and I even decided to offer the Standard Modern Greek equivalent version in a Latin transliteration, in case any of you is interested in the study of the evolution between Standard Modern Demotic Greek and the Grecanico of Italy.
youtube
Lyrics in Grecanico and Standard Modern Greek (with Latin characters) below the cut:
G: KALINITTA SMG: KALINICHTA
G: Ti en glicea tusi nifta, ti en ória SMG: Ti glikiá in' túti i níchta, ti oréa íne
G: cíevó plonno penséonta 'ss' esena SMG: ki eghó xaplóno skeftómenos eséna
G: C'ettú mpἰ's ti ffenéstra ssu agápi mu SMG: Ke káto ap'to paráthiro su agápi mu
G: tis kardia mmu su nifto ti ppena SMG: tis karðiás mu su ðíchno ton póno
G: Evó pánta ss' esena penseo SMG: Eghó pánta eséna skéftome
G: jati 'sena, fsichi mmu 'gapó SMG: jatí eséna psichí mu agapó
G: ce pu pao, pu sirno, pu steo SMG: ke ópu páo, ópu sérno, ópu stéko
G: sti kkardía panta sena vastó. SMG: stin karðiá pánta eséna vastó.
G: T' asteracia pu panu me vlepune SMG: T' asterákia pu páno me vlépune
G: ca mo féngo friffizun nomena SMG: ke me to fengári psithirízun omú (?)
G: ce jelú ce mu leone ¨ston anemo SMG: ke jelún ke mu léne ¨ston ánemo
G: ta traudia pelis, i chamena" SMG: ta traghúðia petás, íne chaména¨
G: Kalí nifta! Se finno ce féo SMG: Kalí níchta! Se afíno ke févgho
G: Plaja 'su ti 'vó pirta prikó SMG: Plájase jatí eghó févgho (?) pikrá
G: ce pu pao, pu sirno, pu steo SMG: ke ópu páo, ópu sérno, ópu stéko
G: sti kkardía panta sena vastó. SMG: stin karðiá pánta eséna vastó.
Hopefully, the Greeks of Italy and the Greek state will aid in rescuing Grecanico from fading forever. 🙏
Oh and here’s an English translation of the song to not leave it entirely obscure:
What a sweet night it is, how beautiful
and I lay down thinking of you
and under your window, my love
I show you the pain of my heart.
I always think about you
because it’s you, my soul, that I love
and wherever I go, I set to, I stand
I always keep you in my heart.
The little stars look at me from above
and they chat together with the moon
and they laugh and tell me “In the wind
you throw your songs, they go wasted”.
Good night! I am leaving you and I am going away.
Go to bed for I am leaving in bitterness
and wherever I go, I set to, I stand
I always keep you in my heart.
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happy ferragosto (i am so busy at work but :p <3)
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I’ve done something and I’m proud of it
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Who had 'Russia scares Italy by cornering him against a urinal while he was peeing and whispers in his ear by using his deep, Yandere voice' on their Hetalia Canon 2024 Bingo Chart?
#ROMANO CONFIRMED NEAPOLITAN LETS GOOOOOO LETS GOOOOOOOO#LETS GOOOOOOOOOOOOOOOO#THIS IS ALL I CARE ABOUT#i know i’m not a canon hetalia blog but#LEFS FUCKING GOOOOO!!!#hetalia
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Tony Ward in Hustler White (1996, dir. Bruce LaBruce, Rick Castro)
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fatima aamer bilal, excerpt from moony moonless sky’s ‘i am an observer, but not by choice.’
[text id: my fist has always been clenched around the handle of an invisible suitcase. / i am always ready to leave. / there is not a single room in this world where i belong.]
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Antonio needs to let Ludwig have his fun, when’s he ever gonna get another chance to bottom out for Rome??
THATS ONE OF ANTONIO’S main inner turmoils in this isekai adventure… Like he should probably keep Ludwig as far away from Rome as possible… but also Ludwig can’t contain his excitement it’s kind of sick and twisted
#i am actually going to pee myself#he is absolutely chomping at the bit#gnawing through the bit actually#HE ATE IT WHOLE
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THE SOPRANOS | 1x05 "College"
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I was 19 when I started writing fanfiction.
Feel free to mention your first fandom you wrote for and what inspired you to start writing in the replies!
PLEASE REBLOG!
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a server for all your portspa needs! ⟡── .✦
hi everyone! it's been a while since i've made updates on my hetalia discord servers and i'm finally pleased to announce that i'm launching ˙ olivos y vino 🫒 ̟ ⋆˙, the portspa counterpart to my spamano server (˙ pasta y tomates 🍅 ̟ ⋆˙)!!
everyone's allowed to join and share their art, fics, head canons, etc. no dni except anti shippers ♡
the invite link that's attached will only work for the first week or so, so please dm me once it stops working or add me on discord (user nyospain) and ask for access. hope to see you there! ( ˊ ᗜ ˋ ) ❤️ (.◜◡◝ )
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maybe my name could also be known—that i helped return good to the people and restored greatness to Rome.
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