lizlives
lizlives
Liz Lives
7K posts
💖My name is Elizabeth! I'm 23, and I love stories and storytelling in general.💖 she/her 
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lizlives ¡ 2 hours ago
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lizlives ¡ 2 hours ago
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I dreamt that there was a new meme that went, “If I dids it, I dids it. If I didsn’t, I didsn’t.” There was a third line, but I forgot what it was.
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lizlives ¡ 2 hours ago
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Saying that "Transmisogyny is Misandry" is an act of epistemic violence. Stop it.
The following is a section of my essay The Question Has An Answer, entitled "The Measure of a Misandrist"
This is, ultimately, where most critiques of radical feminism go wrong, even when supposedly made with trans women’s vilification in mind. It is a too-popular idea that radical feminism was too harsh, too critical and too antagonistic towards men. After all—goes the reasoning—is not the fixation on trans women, the denial of our womanhood, and the maligning of us as ontologically predatory a consequence of their gender-absolutism? Is not resorting to ‘misandry’ in response to society’s misogyny also wrong?
Such arguments fail to be compelling for two reasons, the first of which should be obvious: transmisogyny is not misandry. The transmisogynist does not treat trans women the way she treats men, even if she refers to a trans woman as a man in the process of degendering her. Even if a transmisogynist bears an authentic antipathy for men, there is a crucial difference in how she regards trans women: namely, as an acceptable target of misogynistic degradation. Trans women’s bodies are dissected and scrutinized, our behavior pathologized and sexualized, and our own testimony discarded as unreliable, insubstantial, and immaterial. We are dehumanized, third-sexed, and branded permissible targets for ritualistic, collective, and sexualized punishment. A fate that even queer men tend to be spared.
Secondly and perhaps more importantly: the ‘misandry’ of the average transmisogynistic feminist is greatly overstated.
Trivially, we can note how the modern Gender-Conservative movement is full of men and the women who gleefully encourage their violence against trans people, a modern incarnation that bears the most threadbare of claims to any feminist tradition. They are, more than anything, a project concerned with the obfuscation of the term ‘feminist’, so that staunchly patriarchal ideologues can claim the label simply for promulgating transmisogynistic rhetoric. The face of modern transphobia is a far-flung cry from the academic lesbian feminists of yore, and is these days definitively male. Men abound at transphobic rallies, threaten to follow trans women into bathrooms to beat them, and call for the abolition of transition care in publications the world over.
Is such an answer evasive, though? Surely conservative men’s transmisogyny is a mainstream discursive force now, but was not the second wave chock-full of misandrist lesbian feminists aiming their ire at trans women? Can we not draw a line from their extremism to modern antifeminist backlash?
To get to the heart of that matter, we have to recall a little history.
April, 1973. The West Coast Lesbian Conference was, at that point, the largest gathering of lesbian feminists to date. Beth Elliot, a trans lesbian folk singer and feminist activist had been on the organizing committee for the event and was also scheduled to perform on opening night. Her fellow LA organizers had, in fact, insisted upon it.
When she took the stage at 9 p.m., she was accosted by two women, one of whom snatched the mic away to scream that Beth was a “transsexual” and a “rapist”, and demanded that she be ejected. In the ensuing chaos, a few organizers took the initiative to hold a vote (or, two, by some accounts), allowing the assembled audience to decide on Beth’s inclusion. The vote passed—by a slim majority, in some accounts, or by an overwhelming two-thirds majority, in some others—and so a visibly shaken Beth Elliot, with the support of her sisters, gave a short performance before promptly leaving.
Robin Morgan, who was scheduled to give a keynote speech on the theme of ‘unity’ the following day, spent the night editing her address. Rather than speaking for forty-five minutes, Morgan spent twice that time on a meandering screed “attacking everything in sight”, per Pat Buchanan—the conference organizers, women who work with men, and of course, transsexuals, blaming the continuing ills of patriarchy on a lack of feminist consciousness. Her caustic rhetoric shifted the entire tone and mood of the conference, forefronting the issue of biodestined womanhood. The Black Women’s Caucus, who had prepared a position paper on Black feminist organizing and the relevance of race to their struggle, are often omitted entirely from accounts of the conference, in large part due to Morgan’s troonmadness sucking up all the oxygen.
While some of the facts surrounding this incident are disputed, we know that Morgan’s invective was circulated amongst lesbian feminists, drawing attention to the topic of transsexual inclusion. Her charges that Beth Elliot was an “infiltrator” and “rapist” accrued sufficient cachet to get Beth blacklisted from feminist publications and music scenes. Despite a measure of personal support, Beth withdrew from the public eye, and Morgan’s bilious language found itself echoed in 1979’s Transsexual Empire, this time levied at Sandy Stone.
In some sense, Robin Morgan, Sister Raymond, and their ilk set the discursive tone on translesbophobia. While 1960’s Psycho attests that the idea of the deceptive, cross-dressing predator already held some sway in the cultural psychosexual imaginary, Morgan and Raymond—clumsily and soporifically—elevated that hateful trope to the status of “feminist concern”. They provided a framework and legitimacy to complement the sexologists’ pathologization of the “homosexual transsexual”, transmuting the cultural idea of the tranny from a pitiable, somewhat tragic figure, to a rapacious and monstrous one. Although coercion through deceptive seduction had always been core to the mythology of transsexuality, Morgan and Raymond enabled eradicationist sentiment towards trans women as a whole to be imbued with a certain feminist authority, recasting it as almost righteous.
We were, in the truest sense of the term, constructed, remade as biotechnological horrors seeking to traverse, fresh and bloody, from the scalpel to the women’s bathroom.
Given the centrality of that hastily-rewritten keynote speech to modern transmisogynistic propaganda, Morgan’s awareness of its discursive relevance is fascinating to witness. As Finn Enke notes in Collective Memory and the Transfeminist 1970s, when Morgan published her own account in 1977, her comments from the 1973 speech condemning the organizers for “inviting” Beth Elliot are omitted entirely. Morgan deliberately edited the speech to extend her critique of transsexuals and Beth Elliot specifically, dubbing them “gatecrashers” who sought to undermine and destroy the feminist movement from within. She consciously chose to erase Beth’s involvement in organizing the event, in addition to eliding that the majority of second-wave lesbian feminists present chose to defend and protect her.
Perhaps the most telling omission in subsequent accounts of this speech is an interesting detail about Morgan herself. Once she was done berating “women who work with men”, Morgan launched an impassioned defense of her husband. Before she derided Beth Elliot as a “male gatecrasher” with no place in lesbian feminism, Morgan advocated for her male husband’s place in lesbian feminism, on the grounds that he was a “feminist”, a “feminine man”, and—I still cannot help but marvel at this term whenever I encounter it—an “effeminist faggot”.
Seriously.
It is impossible to overstate just how utterly pathetic this pantomime of radicalism is. Morgan sublimated her own sexual and gendered anxieties into unrestrained transmisogyny, as many people often do, seeking to secure her own place as a lesbian by defining her legitimacy against the seeming illegitimacy of an “outsider”. Her arguments for doing so hinged on staining transsexual womanhood with the original sin of reproducing manhood, even as she pleaded the case that her husband, through his proximity to the feminine, had successfully absolved his own! Morgan’s audacity and insecurity drips off the page, revealing her charade to be nothing more than a performative, incoherent, inconsistent, bigoted farce.
Additionally, this revelation demonstrates how even here, in the holy of holies, at the epicenter of lesbian-feminist transmisogyny, misandry could hardly be claimed as a motivation. Beth Elliot was condemned for her transsexuality. Her putative ‘manhood’ was invoked only to degender and dehumanize her, while the avowed transmisogynist slurring her asked for the inclusion of men in the same breath!
Nor should we discount those who stood by Beth Elliot and Sandy Stone, even if their efforts were ignored, silenced, and erased. Enke’s paper meditates on a photograph of Beth on stage, framed to depict her alone, isolated, besieged. The woman holding Beth’s hand is left just out of the picture.
Meanwhile, for all their condemnation of trans lesbians’ “male energy”, the transmisogynists who so revile trans women’s “manhood” had no compunctions when it came to allying with the “male institutions” that have surveilled us, vilified us, marginalized us, and tried to erase our very stories, our connections, our sisterhood from history. Even the scraps that remain cannot escape reframing, rewriting, revisionism that insists: you were always unwanted, and stood apart.
Except when we weren’t, and didn’t.
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lizlives ¡ 1 day ago
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future archaeologists will know you were (not) a boy
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lizlives ¡ 1 day ago
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Once again I’ve become overly conscious over the fact that I’m really just a brain with tendrils controlling a meat mecha😔
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lizlives ¡ 1 day ago
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Panel redraw (kinda).
Sonic Universe: The Tails Adventure
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lizlives ¡ 1 day ago
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Why did they give him the wettest dewiest eyes known to man
(Ref n shit under the cut)
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Early archie shadow is an abomination and I fell in love the second i saw him
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lizlives ¡ 2 days ago
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The desexualization of disabled people is Bad obviously but also can I be so honest. It gets really funny after a certain point when you like, know disabled people. We will be posting like "tips for making some sort of contraption so I can fuck like a mountain rat without dislocating every bone in my body?" "I keep hurting my arm from cranking my hog too much, does anyone have hog cranker recs?" The human spirit is unstoppable. We will fuck ourselves to death given the opportunity
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lizlives ¡ 2 days ago
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hi everyone hello my name is @estrogenesis-eeveeangelion and i am brand new to tumblr can you reblog this post in case anybody randomly wants to follow me just because i seem niceys? thanks 😇😇
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lizlives ¡ 2 days ago
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“DOGE is not about efficiency. It is about erasure. Democracy is being deleted in slow motion, replaced by proprietary technology and AI models. It is a coup, executed not with guns, but with backend migrations and database wipes.”
— The Plot Against America - by Mike Brock (via wilwheaton)
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lizlives ¡ 2 days ago
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parallel play (liking and reblogging your mutual's posts but not talking to them)
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lizlives ¡ 2 days ago
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I might know a thing or two about this feeling
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lizlives ¡ 2 days ago
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🍋🍋🍋
THE FALL OF THE HOUSE OF USHER 1x03 - Murder in the Rue Morgue
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lizlives ¡ 2 days ago
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I'm just gonna say it. If y'all actually cared about Luigi Mangione, you wouldn't be doing the cops work for them and automatically deeming him guilty. If you actually cared, you would be fighting for his innocence.
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lizlives ¡ 2 days ago
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Daily fucking reminder that Luigi Mangione is innocent, completely and fully. He has been convicted of no crime. He has had no fair trial. He is a SUSPECT. Luigi Mangione is entirely innocent and everyone needs to stop parroting this insidious propaganda that he “committed” the crime he is only SUSPECTED of. He is not a murderer. He is not a criminal. He is an innocent man.
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lizlives ¡ 2 days ago
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lizlives ¡ 2 days ago
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In 1987, when Spider-Man finally tied the knot and married Mary Jane, Stan Lee held a real-life wedding at Shea Stadium as a publicity stunt.
Stan Lee performed the ceremony and had other Marvel heroes in the audience cheering on.
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