och brinn i din tro / på frihetens dag som kommer🌸 elliot caeneus | 25 | it/its | gendervoid | sweden
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Did you check the weather? - Jeremy Miranda , 2024.
American , b. 1980 -
Acrylic on board , 7 x 8 in.
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Unknown Constellation - Artem Chebokha
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kristian punturere
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I was yours once, ‘til death if you’d cared to keep me. But I’m someone else’s now, and he’s mine in a way that shocks you. But why don’t you stop being shocked, and attend to your own happiness?
— Maurice (1987) dir. James Ivory
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maybe not the absolute best thing about les miserables the novel (it’s a long book) but the one that stood out the most to me and has remained with me most strongly is that when the book is explaining to us the plight of fantine, who basically like finds herself poor and knocked up bc iirc she hooked up with some fuckboy who was never gonna stick around, victor hugo really takes pains to be clear that fantine did a lot of really dumb shit. she made stupid ass choices. she was naive and impulsive and unwise and myopic. it’s not a story where a tragic heroine did everything right and still got screwed. but the moral argument put forth by, i mean, to some degree the entire novel but particularly (to my recollection) by this section is essentially like, isn’t it so fucked up that we live in a society where someone can be functionally condemned to a life of suffering for the crime of being a fallible human being in their youth? isn’t being young and stupid and getting to move on from that a human right that we are denying people? shouldn’t you be allowed to be kind of an idiot without ruining your entire life? it’s such a clearly and expansively empathetic view and it’s an idea that people obviously continue to struggle with based on Any Time Anything Happens Ever and also one that i feel like continues to be rare in narrative art or media, at least expressed this fully or strongly.
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Willy Messerschmitt, Reading in the Forest by Carl von Marr (American, 1858--1936)
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Simon Bisley Rough Sketch of the Martyrdom of Saint Sebastian - the finished Drawing was published in “Simon Bisley’s Illustrations From the Bible: A Work in Progress”
pencil on paper, 20th century
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Jelly cycle, gamblin ink on kitakata paper, hand pressed
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You are my sweetest downfall I loved you first, I loved you first…
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The entire, original handwritten manuscript of Anne of Green Gables is now available to page through online - thanks to a scholar from Duluth, Minnesota. Read all about it in the News Tribune.
Photo: Jean-Sébastien Duchesne
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maybe if I keep telling the story, it will never have to end. that way I can keep you alive. If the story lasts forever, so will you. yes, you die in the end. yes I am the only one who remembers. yes I am the only one who knows. But if I never say it aloud, maybe you won't die. maybe this time orpheus won't turn around. maybe peter won't deny him. maybe when I reach the end, you will have had time to come up with a clever solution and escape. maybe this time we survive it together. and the next time, you can tell this story with me. maybe everyone survives and we don't have to tell the story at all. maybe they don't. if I never finish, I'll never have to know. let me speak for a little bit longer. let me live in a world that you are also in for just a moment more. sometimes your memory feels like a noose. I'm sorry. I'm not ready for you to die
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“I don’t know what my goals are, no. Thanks for asking.”
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Portrait of Arctic explorer Adolf Erik Nordenskiöld (1886) by Georg von Rosen. Nationalmuseum, Stockholm.
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Powerlines
Middle Picture ~ @wormkats ~ Filtered by @canadiandogteeth
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