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Challenge:
How far can this post spread only through mentions, only those mentioned can reblog,
@nerdylittlebugcreature
@minun61real t
@0dividedby0haha
@nontheanon
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Dumbass Sskk sketch that happened while I did some homework
URGH I love them
#drawing#skeets blog#my style#sketches#fanart#bungo stray dogs fanart#bungo stray dogs manga#bsd sskk#sskk fanart#sskk#bsd akutagawa#bsd atsushi
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Ok but now I donât want to draw his hair bruhđ
#drawing#skeets blog#i suck at shading#sketches#fanart#bungo stray dogs dazai#bsd dazai#dazai osamu#bungo stray dogs fanart
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ShhhhâŚ. Theyâre busy recharging and being in love
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injury recoveryâŚ
*break an arm or two out there kids!*
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BSD timeline based on Dazaiâs age
I just binge-watched Bungou Stray Dogs and Iâm in love. Anyway, since I had some trouble figuring out the order of the flashbacks, I assumed maybe others had too. I made a timeline from what I could gather. Bear in mind that I only watched the anime, so some info might be slightly off.
1. At age 14, Dazai tries to commit suicide and ends up on Dr. Moriâs table. That same night, Mori kills the Port Mafiaâs boss, making Dazai his accomplice. Dazai doesnât join the Mafia yet, but he becomes Moriâs right-hand man all the same
2. Dazai meets Chuuya at age 15, when Chuuya was still head of the Sheep and Dazai is still Moriâs right-hand man. Together they try to investigate the reappearance of the Mafiaâs ex-boss, while at the same time uncovering Chuuyaâs past, ending in a fight against Randou. After the Sheep betray Chuuya, both of them end up officially joining the Mafia.
Keep reading
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Mutuals
I have s o many so I'm putting them in a list to try to be able to remember
@sciionide
@dignityofadog
@nugget-child
@someoneonpluto
@darlingminjin
@glitch-ink3
@r1-ka
@exymybeloved
@swaggestsillyfailure
@that-one-raccoon
@mio-san04
@fishii28
@sugurusasks
@ohhcinnybuns
@anastasiamarch-27
@papernstory
@ethanthespookymonth
@mypinterestgotbannedsoimherenow
@kaycstrikesagain
@4kitter
@official-d1ckmast3r
@lovslixx
@anticidic
@travisnumber1fanboy
@str4ng3r0nl1ne
@riveroxoxo
@soukoku13
@i-hyperfixtate-cartoons
@miztkiz
@kitsune-nana
@sky-high-too
@deadcxrpsegirl
@lemonycinnamon
@arisu-draws
Love yall sm <3
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"Mom, why did you give birth to me?" "To survive." how did this exchange come out of a shonen anime. The shonen genre is known for being sexist as Hell how does this one just Get It.
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I FINALLY finished them
Ugh I love them sm
Iâm so calm about this
#drawing#skeets blog#my style#sketches#skk fanart#skk#bsd skk#bungou stray dogs#bungou gay dogs#bungo stray dogs fanart#bungou sd#bungo stray dogs dazai#bungo stray dogs chuuya#bungo stray dogs manga#chuuya nakahara#bsd chuuya#dazai x chuuya#bungou stray dogs dazai#dazai osamu#bsd dazai#dazai fanart#chuuya fanart
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Hi.Do you know where I could read stormbringer ?
@Chibikko_Chuuya on Twitter has completed a fan translation of it. You can check out the pinned post on their Twitter.
If you would like to check out different versions of the translations, I think @buraihatranslations on Tumblr is translating it too :3
Edit: @DarkestJay868 on Twitter is also translating it. Thanks for the info @feralrookie !
Hope it helps.
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The Day I Picked Up Dazai - Side B (Final)
Links to Parts: Part 1 | Part 2 | Part 3 | Part 4 | Final
This is the translation of the last part (from page 48 to 63) of Side B of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
I HIGHLY recommend you to read Side A first before moving on to this one more context, better understanding, and easier comparison between the two sides. You can find the link to the tag with all Side A translations I have done in my pinned post.
Please also carefully read the notes below before progressing. - This post contains spoilers. If you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I donât speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but donât take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
Iâm sorry if thatâs too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who donât want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
...
I killed that wealthy man, simply because it was a mission. I didnât know why I was killing him, nor what kind of person he was. I just aimed for his head and pulled the trigger. That was it.
It seemed that the client who ordered the assassination was targeting that painting. I did not find out about it until much later. My job was only to kill the man. Carrying the painting out and cleaning up the aftermath was another professionalâs job. They did their job. I did my job. And on my way back after the mission, I casually had my eye on a novel on the desk, so I took it and left the house.
It always starts with the little things.
That novel triggered a lot of things, and I eventually stopped killing. I have not killed a single person since then.
One day about two years after that day, I suddenly came up with an idea that I should go back and return that novel. There was no big reason for it. It was not out of sense of morality or guilt. It was simply because I thought if I did that, I would be able to face that novel directly. I already had another copy of the book that I bought by myself.
In the mansion that was once owed by the wealthy man lived a son of his. He was seventeen years old. I later heard that he was not his real son, but a boy who had lost his parents in an underworld conflict, that the man took in. An orphan.
I must have been out of my mind at that time. To think I would go and meet that son of his. I could have just sneaked into the house, put the book there and left, and it would have been as easy as bending a finger for me. But anyway, I ended up standing in front of the son and introducing myself. As âthe person who killed your father.â
There was no word that could describe how angry the son was. He had all the rights to be angry. His family was killed by the underworld, twice. He was hitting me, throwing stuff at me, and attacking me with all sorts of insults. I could easily dodge all of his attacks, but there was no way to avoid the insults.
When he became exhausted from all the rampage and finally sat down, I explained to him about the killing. After that, he demanded a compensation. For his fatherâs life, and for the rental fee of that book I took without permission.
Bring that painting back, he said.
There was no reason for me to accept that request. First, I didnât know where the painting was then. It must have been bought by yet another wealthy person far across the sea. I could find some clues if I looked, but that would mean a long, tedious and unprofitable job on top of that.
If it had not been for the book, I would not have accepted it.
As it turned out, my guess was correct. It was a long, tedious and unprofitable job. To add to that, it was a dangerous job. I had to get into a private military company (PMC) of nearly one hundred and fifty armed soldiers and carry the painting out under a rain of bullets, without killing anyone. If I were asked to do it again, I would absolutely refuse. Most of the troubles in my life were brought upon me by myself.
Standing in front of the painting that I brought back, the son of the wealthy man just looked at it in silence. After about thirty minutes, he started talking, little by little. About the reason he wanted the painting back. And how that painting was the object of a bet.
His father wanted his son to become a businessman that would surpass himself. So, he made a promise that if the son could make ten million yen by the time he turned eighteen, he would give him that painting.
âStupid parentsâ, he said. In the first place, it was a dirty painting that had been obtained through illegal means. Did he really think that the son would try that hard to get his hand on such a thing?
But the son did try very hard. He managed to earn almost 80% of that ten million by himself. He did not try that hard because he wanted the painting, he said.
There was one year left till the promised eighteen.
That young man asked me to keep that painting for him until then.
The painting had a setup. It had been written on, by a special type of paint that would become visible when exposed to ultraviolet rays. The text covered an aera of about a quarter of the painting. And it said,
âYou are my pride.â
If all the art lovers over the world saw that, they would just faint in anger. This kind of graffiti just blew away the whole five million yen worth of the painting. The man caused troubles even after his death. But perhaps, that wealthy man did it exactly because it was trouble.
He probably wanted to say that he wouldnât care even if the paintingâs value was to be reduced to zero, because his son was worth all that much. Or maybe that was why he went through the trouble of buying that painting illegally. Of course, the truth stayed unknown until now.
Because I killed the father.
I kept the painting as requested. I put it in a storage box and stored it in a dark, cool and windy place.
It is under the floor of my house, near the foot of my bed.
It is a painting that no longer has any artistic value. There is no point in preserving it with care.However, it has value to that young man. The son whose father was killed. That painting is the memento of his father, the will of his father, and in a sense, his father himself.
I am still protecting it now.
It is not to atone for my sin. I am not that kind of an admirable person. It is just because a lot of things piled up, that I decided to do so.
âAnd once I have made up my mind, I am not going to change it, no matter who asks me to.â I say as I walk toward the cop. âGot it? Bandaged man?â
âWhat?â
Before the cop can react, I quickly snatch the gun from his hand. The cop, whose arms have been injured and cannot even stand up, do not have the strength to steal it back. I bring the gun close to my face and say.
âThis is not a gun.â I say. âThis is a listening device. You are listening to us over there, right? You have anticipated this and created a situation for me to tell where the painting is, and tried to eavesdrop through this gun.â
âThis gun ⌠listening device?â The cop was stunned. So he did not know either.
âI found it odd from the beginning. That this was an automatic gun.â I say as I observe the gun. âWhen they stormed into my house, they were carrying the revolvers used by the city police. This is a different kind. Perhaps, this automatic pistol was the one you used when you threatened this guy? One more thing, if you want to threaten me, basically, you will have to come to me directly. But all I can see here are injured people. So, this is what I came up with: you, in order to find out where the painting is without showing up here, have created a situation for this cop to threaten me. If that is the case, then there must be a listening device somewhere.â
Of course, the gun does not answer me. It is just there, cold, heavy and quiet. But just by being there, that gun is radiating its unique presence to the surroundings. I continue to talk to the gun.
âThis is loaded. But I guess it is just a blank, right?â I point the gun at the ceiling and fire a single shot. It makes an explosive sound and a flash of light cut through the darkness. But that is it. There is no bullet hole on the ceiling.
âThat was quite a performance. Did you calculate everything up to this point, and collapse in front of my house on purpose? If so, that was impressive. Now, I have told you everything about the painting. Break the siege as you promised. Or you can let everyone in here and we can have a fun killing party. I am fine either way.â
As I am speaking, I check the gun more closely. Originally, it is my tool of trade. I know the balance of the weight like I know my fingers. The grip is a little heavy. I press the button to release the magazine, it drops into my hand. In the area near the grip screw, the polymer plastic material on the side of the magazine has been removed and a black rectangle part was embedded in it. That is the listening device.
I hold up the magazine like a microphone, and talk into the device. âWithin ten seconds, you will make three blasts. After that, you will disappear immediately. If you donât, I will consider that our negotiation has failed and I will come get you from here.â
I throw away the device and count to ten inside my head. Between eight and nine, a series of shocks shake up the underground basement. Exactly three times. The blasts sound like thunders from afar, and then the sound suddenly stops as if it has been chopped off. All that is left is silence. A silence that makes my ears ache.
âIt is over.â I take a breath and walk away. âI will call the cops once I get out. The real ones, you know. All of you will be arrested, but at least you will be treated a little better. Compared to the Mafia.â
âWa⌠wait a minute.â The cop says with a hard voice. âYouâŚ. Why? You said yourself that you alone could get away with this. You even knew that the gun I pointed at you couldnât be used? Could it be that⌠you⌠you saved me? For what?â
The answer to that question is simple. But I donât want to answer him. What is the point of answering anyway? I feel empty. I am tired, wounded, betrayed by people, and betraying people.â
âI am thirsty.â I say to myself. âIâm going home.â
The guy says something but I donât hear it. I keep walking out of that place.
***
The light from the gas lamp illuminates the profiles of people walking through the ticket gate.
The blue stars of the city, of which there are only a few, are scattered in the night sky like a film.
The station is surrounded by the night sky, the night scenery, and a group of people walking home in silence. There is no explosion, no gun shot, no bargaining for your life here. It is the plain scene of the closing of a day like every day, which starts mechanically and ends mechanically.
Dazai Osamu and Oda Sakunosuke are there at that same station. In different places.
Oda is exhausted. Covering his aching back, he walks among the crowd rushing out of that station.
Dazai stands in the darkness, away from the street lights of the station front, watching Oda as he becomes one with the night.
Oda walks along the station platform, out of the ticket gate, and stesp into the night of the city. After getting out of the underground bunker, he crossed the mountain and walked over to a nearby village. He negotiated with the farmers there for them to give him a ride. He then got on buses and trains one after another, back to the nearest station to his home. When he arrives, it has become completely dark.
Oda rubs his own shoulders, and walks home with an exhausted face as he cracks his neck. His clothes are wrinkled and covered in mud. Sometimes, people passing by Oda look at him as if they are looking at a strange, foreign creature. But no one calls out to him. People in the city just donât do that.
Oda gets through the ticket gate and walks under the street lights, as he takes out a cigarette and puts it in his mouth. Then he starts searching for something in his jacket. He is looking for a fire.
âHere you go.â
Suddenly, a voice comes from behind him. Oda turns around. In front of his eyes, there is a light from a match. And a hand holding it.
Oda is caught by surprise for a second, but he immediately places the cigarette in his mouth on that. He closes his eyes, breathes in the smoke, and breathes it out into the dark night. Then he looks at the person.
âHi. What a look youâve got there. Are you okay?â
That is Dazai.
Dazai, who has half melted into the dark, is standing there silently, smiling a smile that does not look like one.
âNothing.â Oda says so as he looks at the other person through the smoke. âI just tripped.â
âThis matchbox is yours, isnât? I saw you drop it at the ticket gate.â
Oda looks at the matchbox Dazai is holding. It is black on the sides, white on top, and has a logo of a bar in front. It is clearly the one that Oda always carry with him.
âYes.â Oda says, looking at the matchbox.
Then he observes the man. He stays silent for a few seconds before asking with a blank expression.
âHave I met you anywhere?â
Dazai smiles a smile of no personality. âNo. This is the first time we met.â
The bandages that have covered most of Dazaiâs face the whole time are no longer there. He is wearing a flat cap to cover his eyes, and a black inverness coat to hide his shape and his wounds. As for the voice, Oda has not heard Dazai speak even once.
âIs that so?â Oda says as he takes the matchbox from Dazai and turns his back on him. âThanks for the match. Good night then.â
Oda is just taking a few steps when Dazai calls out to him from behind.
âLooks like you got into quite a bit of trouble.â
Oda stops and slowly turns around. âWhat?â
âJust⌠You seem so worn out. Your face looks so bad⌠Also, that thing on your hand and clothes, I canât see very well in the dark, but itâs not just dirt. There is blood too, right?â
Oda looks at his own hands. It is true that there is still some blood from when he tried to help the injured cop on his wrists.
âWell, there was a bit of a situation.â Oda says, checking the smell on his hands. âIt is not my blood. But itâs true that I got into some trouble. I got something important taken from me. Something I have always protected.â
âIf it has been takenâ, Dazai smiles helplessly, âthen at least you donât have to worry about it being taken anymore.â
Oda looks at the other for a while. As if he is trying to look for an answer there.
âProbably.â Oda says. âI canât forgive the guy who took it, though.â
Dazai slowly nods. Trying to hide his expression.
Oda watches his expression for a moment but he finally turns away. âThanks for the match. That was a big help. Bye then.â
Dazai looks at the back walking away from him and speaks quickly. âIf you ever get into trouble in the futureâŚâ
Oda turns around, âHuh?â
âYou can turn to The Armed Detective Agency in Yokohama for help. They will take on even the troublesome stuff. And they will get the job done without fail. I was helped by them in the past, too.â
âI see.â Oda says after he gives it a moment of thought. âIâll do so then. That is very kind of you. You are a good guy.â
Dazaiâs expression becomes distorted.
He opens his mouth, and closes it again, as if he can no longer breathe.
If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.
âOdasaâŚâ
Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is.
The darkness and the light alternatively hit the road, and the roar of the steel blows away the silence of the whole surrounding. Oda narrows his eyes.
The train is long, and the sound it makes sounds like an extended sorrow. Dazai looks down so that no one can see him, his face twisted in grief. It is as if that long roar is promising him six long years of heartlessness to come.
The train finally passes through.
Oda looks around, trying to get what the other was saying again.
There is nobody there anymore.
Oda blinks his eyes, feeling confused. He looks around. Then he shakes his head as if to shake off all the thoughts, and walks away with a resigned expression.
Only the cold and quiet night breeze is left blowing through the space where no one remains, trying to fill up the emptiness.
Nobody says a word. The painting is kept by the Port Mafia for a year, before it is returned to its owner, the son of the wealthy man.
The son keeps it for a few years, and later donates it to a museum anonymously.
That way, Dazai has achieved his goal. Getting Oda to tell him where the painting is without facing him, nor having his face remembered. And by doing that, Oda will never be targeted by a criminal organization again. That is Dazaiâs goal.
He has another goal.
To make Oda despise the Port Mafia. So that he will not join the Port Mafia, thus avoiding his coming death.
That goal is accomplished. Oda becomes involved with not the Port Mafia but the Armed Detective Agency, and joins the Agency two years later.
And then two years after that, Oda meets Dazai again one more time.
At the bar counter, in the sad melody of a parting song.
That is where Oda points his gun at Dazai, and Dazai says the last goodbye.
The last goodbye of his life.
The Day I Picked Up Dazai â Side Beast <The END>
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The Day I Picked Up Dazai - Side A (Final)
Read Previous Parts Here: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
This is the translation for the last 15 pages of Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. If you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I donât speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but donât take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
Iâm sorry if thatâs too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who donât want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
SPOILERS AHEAD
No king can reign at the top of the world forever.
When we get outside, it is already the evening, when the sun that stands at the top of our world is setting and losing its glow. The sky is dyed in a color that looks like a spill of purple broth and the warm orange color is receding into the distance. The early stars color the sky with their silver twinkles, while the moon is hovering low in the sky like a scratch mark.
We walk through the town. A warm and worn-out atmosphere is slowly flowing through the gaps between the buildings. All the elegant people cautiously turn their heads to check on us as they pass us. After all, we are covered in wounds and mud from the basement, and on top of it we look worn-out like a straw. For those who just had a long day like us, we donât have time to worry about the eyes of the passers-by.
âHow tired.â I say.
âYeah, so tired.â Dazai replies. âWhere are we going now?â
I do not say anything. I take out a pack of cigarettes from my pocket. I havenât smoked for a while, but too much has happened today.
As I am about to light the cigarette, I suddenly remember that Dazai is here. He is underage.
I change my mind and put the match back in.
âDonât worry about it. Just smoke.â Dazai says.
I hold the cigarette between my lips and give it a little thought. My thoughts waver as the cigarette wavers. But in the end, I decide to do just as Dazai said.
I light the cigarette, inhale the smoke and blow it out. The smoke rising from the tip of the cigarette swings as it is caught in the twilight.
I get off the main street and step into a narrow alley. Dazai follows me.
That is a place where the setting sun cannot reach, and the sign of the night is crouching in a little earlier. A white light cuts through the alley. It is a store sign. I stop there and open the door in front of me.
âHere?â
Dazai asks. I silently urge him to go on.
It is quiet inside the store. As I am going down the narrow and steep staircases that remind me of those secret passages, I first hear music. A rusty jazz number. A very old song about the sorrow of parting with family. Thanks to the song, I feel like going back in time with each step down. Or perhaps, compared to world out there, this store actually exists a little bit in the past.
There is no guest inside, probably because it has just opened. Illuminated under a dim light, everything in the store seems to be submerged in the yellowish-brown color at the bottom of the sea. The bartender who is wiping the glass behind the counter looks and nods at me with his eyes.
âIs this, by any chance, the place you should go before you dieâ? Dazai asks, his voice sounds disappointed. âIsnât it just a normal bar? I thought it would be a nicer place...â
âRight. There is nothing special here. Just a bar.â I honestly admit. âThere is no secret. You have been tricked.â
Dazai stands still with a blank expression on his face, as if his heart has flown somewhere else. A long moment passes by before Dazai finally opens his mouth and let out a dumb voice.
âWhat?â
âJust think about it. How can a little guy like me know something that even the high and mighty Port Mafia does not know of? And didnât you say you were thirsty? Master, I will have the usual.â
I sit down on a bar stool. The bartender quietly puts a glass of distilled liquor in front of me.
The liquid inside the glass reflects the light and glitters smoothly. The ices clink like some kind of signal.
âWhy donât you sit down?â
I say, looking at Dazai.
Dazai still stands inside the bar with a discontent face. But after looking at the seat, the bartender then me, he slowly sits down.
Dazai orders something, his drink is brought in front of him.
No-one says anything for a while.
âHow should I put it, so in other wordsâŚâ Dazai says, his eyes fixing on his glass. âDid you lie to stop the⌠suicidal me⌠from dying?â
âNo. I am not that kind of an admirable person.â I take a sip and return the glass to the table. âThere is someone who is younger than me yet he seems to know everything about life, so I teased him a little bit. Just that.â
Those words of mine sound true and deceptive at the same time. I am just as clueless about my heart as I am with other peopleâs.
Dazai spends some time looking at me, trying to see through the meaning of my words, before he eventually gives up and shakes his head. âI canât really believe you but letâs leave it that way for now.â
âThere is no need to be upset. There is still something in this world that you can believe for sure. And there are two.â I take out the deck of trump from my pocket. âOne, you havenât beaten me at poker yet. And two, a dead person will forever lose the chance to play poker with the living.â
Dazai stares at me for a moment, but eventually his face loosens up and he laughs, âI will get rid of that leeway soon enough.â
And then we start drinking and talking about trivial things as we play poker. Our current jobs. Our favorite stores. Our hobbies. The recently published books. There are the clinkings of the glasses and the bodies that lean over to tell secret stories. There is no end to the content of our conversation. For example, like this.
âBy the way, why is someone as good as you doing such a safe and boring job like a postman?â
âBecause there is not really anything else that I can do. It has been four years since I started doing this job. It is indeed boring, but since the other guys usually retire or die on duty after a month or two, I cannot quit because we are always short of staff.â
âWha..?â Dazai rolls his eyes. âDid you just say die on duty?â
âLast week, our warehouse was bombed.â I say as I take a sip of my drink. âThere was a bomb that targeted our company in one of the packages. I threw it outside just before it exploded. If I were one second late, all the packages would have been blown up, together with all the staff.
âEh? What the hell is that?â Dazaiâs voice is a mixture of shock and confusion. âDo postmen these days work in battlefields or what?â
âIt might be pretty close to that. We are a courier that specializes in transporting dangerous packages in the dangerous areas of Yokohama. Yokohama concession, the water infested by pirates, special security zones for military research facilities. We deliver packages on time, to places that other ordinary mailing companies cannot access for various reasons. There were times we had to deliver some development parts while avoiding the attack of industrial spies, or delivered a real gun to a billionaire who has been abducted. My boss is really good at what he does, so together we are able to deliver almost anything. But we do not earn that much despite all the danger. I have not received my salary for four months now.â
âHey, wait a minute! Why didnât you tell me these stories when I was injured and bored and sleeping all the time?â
Dazaiâs expression changes. That is the face of an angry kid.
âSorry.â
âI donât need your apology! Master, another!â Dazai slams the glass on to the table. âNow that it has come to this, I will have you tell me everything. About what you have delivered so far in that job. Everything! Because I am not leaving this bar until you tell me. We will start with the story of that billionaire who you brought a real gun to!â
âIt canât be helped then.â
I finish off my drink, moisten my throat with it and begin to talk. That is the signal for the night.
The music flows. The time flows. Down our throats, the drink from the glasses flows. Our words too, quietly come out, and flow away into nowhere.
âAhhhhhahahhaha! There were two billionaires that were abducted? How could it be? Which one was the real one?â
The music flows. The time flows. It is getting deeper into the night, and the guests come and go like silver waves.
âDazai, is that for real? That guy who went against the Port Mafia turned into a monster? He shot destructive rays of light from his mouth and tried to destroy Yokohama? Which part of this story is a lie?â
There is no end to the things we want to say. They keep coming out of our mouths, as if they have been stored somewhere at the back of our throats, waiting for their turns all this time. We talk to each other, listen to each other, and share with each other. The poker cards are dealt and so many games have been decided, but neither of us seems to pay much attention to poker game.
I recall the first time I met him, when Dazai was lying in front of my house, covered in blood. Everything happened just a few days ago. I recall a few days ago when we were so far apart. If I had left Dazai there and closed my door, what would have become of us?
âOkay, I have decided. You are Odasaku.â At one point, Dazai leans overs as if he has made up his mind. âYou are too strange for a short name like Oda. And Oda Sakunosuke is just too long to call. You are Odasaku. From now on, whenever someone asks for your name, you have to say so.â
âOdasaku? That is a strange name. Sounds like a farmer. Do I have the right to change my name?â
âNo.â
âNoâŚ?â
I take a sip then say, âItâs no help then.â
Dazai orders a can of crab. I ask for a Gimlet. I havenât ordered one in a while, but for some reasons, I suddenly want to drink it.
And then we continue with our endless conversation.
About that time when I found a baby with a rattle after opening a âno shakingâ box.
That time when I had to bet my life in a duel of âAcchi Muite Hoiâ with a Middle East billionaire to get access to a smuggled jewelry distribution network. (TN: Acchi Muite Hoi is a children game in Japan. Two people are needed to play the game. After saying âAchchi Muite Hoiâ, one person will look to one of the directions (up, down, right, left) randomly, and the other person will also point their finger randomly to one of the directions. If the 2nd person can point to the same direction that the first person turns their face to, they will win the game)
The time I ran from a troop of five hundred soldiers of an armed religious organization, to protect a glass of milk that I had to deliver.
The story of how he met his partner boy who is a gravity user.
Our words eventually lose their connection and become a bunch of disjointed words drifting between the two of us. Just like the way music sometimes has meaning in every single note, rather than a series of notes, every single one of our words seems to take on a meaning of its own⌠If I am to put it in a poetic way, we have turned into instruments, instruments that play words.
âWow, it has been a long time since I last talked this much.â Dazai says as he is relaxing after speaking for a long while, as if he is tired.
âGood to know.â I say as I deal the card, for what time I donât remember. âBut we have been here a little too long. Itâs almost closing time. You are going home after this, right?â
Dazaiâs wounds have already crossed the most critical time. Just leave them like that and they will heal on their owns. My role here is over. So is our relationship.
Dazai nods and takes the cards from me. Then in a casual tone, he says those words.
âWhen are we meeting next?â
I stop what I am doing and look at Dazai.
Dazai must have known that it is not a normal thing to ask. That should be some sort of a magic word, more special than any line I have ever heard. But Dazai is just waiting for my answer with his light and innocent smile. As if it is just like inhaling and exhaling for him.
âI wonder.â I let my gaze wander while I search for the right words to say. âI donât know. You seem to be very busy. But if you want toâŚâ
âHahaha, interesting. It is surprising to see you make that kind of face. Okay! Showdown!â
He says so, then turns all the cards over.
âFour Kings. I won.â
I look at the cards in my hand and in Dazaiâs hand. It is indeed his win.
âAll the games up till this point have been to figure out how your skill works.â Dazai smiles happily. âGenerally, the future you can see is only within five to six seconds, so if I wait for seven seconds or more after the last bet to open and switch my cards at the same time, you will not be able to see that future.â
Dazai holds up the King of Clubs in his hand and shows it to me. With a flip of his hand, he turns the card and the moment he turns it back, it has become an Eight of Hearts. He flips his hand again and the card turns back to the King of Clubs. I canât tell where the cards are coming from even when looking at it up close.
âOf course, you would be wary of the switch. So, I had to distract you by conversation.â
âSo, the games and the flow of conversation till now, were both according to your plan, you mean?â
âHehe. Saying important things as a camouflage to get what you want. That is the basis of the negotiation technique.â
I ask as I organize the cards, âWhich is camouflage of which?â
Dazai expression turns blank for a second, as if he has been caught off guard. But it is only for a moment. He turns his head to the side to hide his expression and smiles. If I am not wrong, there is an embarrassed expression on his face. It is under the dark lighting of the bar, so I might have mistaken though.
ââIt is foolish to die without coming hereâ⌠you really told me some nice thing.â Dazai says, keeping his expression hidden.
I sort out the card one by one and say, âSometimes, I say the right thing, too.â
It is time for the bar to close and the guests are starting to rush out. It is time to leave. The night has fallen outside. Silence is absorbing everything.
I look at the deck of cards.
Poker is my forte, but it doesnât mean I will never lose. There is nothing absolute in this world. It is inherently impossible to control anything in this world. All we can do is to accept it and at the very least, enjoy it as we resist it.
In a corner of a bar, somewhere in the past, in a whirlpool of future uncertainty.
âEven if you flip a card a thousand times, and a thousand times it come out as you expected, there is no guarantee that it will come out right the 1001th time.â I say.
âYeah. Iâve learned that this time too.â (TN: Dazai switches his pronoun from âbokuâ to âwatashiâ for the first time here. âBokuâ is usually used by younger boys while âwatashiâ is more formal and neutral. It can be considered a sign of growth.)
âWatashi?â
âDoes it sound strange?â
Dazai smiles, a smile that seems somewhat more mature from what it was just a moment ago.
I shake my head. So many things happened today.
âAs to your question,â I say as I am standing up. âI canât be sure if I can meet up next time. I am a pretty moody guy, you know it too. And I still have my own problems to deal with.â
Dazai nods, âYou mean those ex-cops?â
âThose guys wonât give up. Even if they do, I donât think they are gonna be the last. We should assume that the information about the âpaintingâ has been leaked to others also. Even if I flee to the other side of the world, the information will eventually catch up to me.â
People in the underworld always have horizontal connections somewhere. I donât know how the guys of â48â found out about my past, but they probably bought the information from another criminal organization. Even if they didnât, there is still a chance that â48â will sell my information to another criminal organization. If that is the case, then I will have more than just them to take care of. There might come a day when it becomes too much for me to handle.
âCome on. You are still worried about that?â Dazai folds his arm. âIsnât there already a simple solution for that?â
âThere is?â
âIf the other side of the world doesnât work, you can run to a deeper place.â Dazai speaks in a light tone and shrugs. âA place so deep that no criminal organizations can reach. And it is not that far away from here. The place is right here in Yokohama.â
After saying so, he smiles, âIf you die without going there, you are a fool.â
I ponder for a while and come up with one place.
It is true that if I go there, no criminal organization will be able to meddle with me anymore.
That is the darkest place of Yokohama. Covered in a black storm of violence, a shrine of the night. The people in there are tied by an iron rule. If one of their members is attacked by an outsider, they will turn into a row of fangs and bite the enemies.
âNo-one can run away from his past.â Dazai smiles as he says. âBut if you go there, it is a different story.â
âAre you saying that I should join it?â
âIt is up to you.â Dazai smiles. âBut I promise you. If you join, you will no longer be bothered by anything from your past. Because no past can touch that place.â
âWhere is the place?â
Dazai smiles with pride. Then he opens his arms invitingly.
And he says them, those words that will change the future and decide its fate.
âThe name? That organization is calledâŚâ
The Day I Picked up Dazai â Side A â THE END.
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The Day I Picked Up Dazai - Side A (6)
Read Previous Parts Here: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
This is a mix of summary/translation from page 63 to page 80 of Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. If you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I donât speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but donât take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
Iâm sorry if thatâs too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who donât want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
SPOILERS AHEAD
The underground bunker is long and intricate, like the inside of an unknown underworld creature.
Dazai and I put our hands on the damp wall and moves forward, the dim light being our only hint. Occasionally, black insects would scurry away near our hands. We can hear the sound of water dripping somewhere.
A wind is blowing inside the shelter. It is a cold and moist wind that smells depressing like someoneâs breath. Dazai and I follow the direction of the wind.
âEven if we can get out of here,â Dazai says as he walks behind me. âIt doesnât mean that they will give up on the âpaintingâ just like that. You will need some kind of measures, unless you are going to move every week. What do you think?â
âNothing in particular. There is no need to move either.â I reply as I move forward. âI have been attacked quite a few times for things related to my past. But I have always managed to get out of it somehow. This time too, I will live until I die.â
âThat is such a wise way to live.â Dazai sighs.
I understand what Dazai wants to say. But in my case, if my past is coming for me, there is a part of me that wants to give up and let it do what it wants. How should I call it? Guilt? Or atonement? I donât know.
However, if it will involve people around me like this time, I canât just keep philosophizing like that. As Dazai has said, it might be time to come up with some countermeasures.
âDazai, if it were you, what would you do for a countermâŚâ
I turn around. Dazai is not there, at the spot I expected him to be.
He is far behind, crouching down, with his hand on the wall of the corridor.
âSorry but ⌠can you⌠just go aheadâŚâ Dazai says with a shallow breath. âI will⌠take a break and⌠chase after you.â
His face is pale. His fingertips are trembling.
I rush back to Dazai and put my hand on his side to support him. His body is as cold as ice.
âWhat happened?â
âWhen I was kidnapped⌠while I was unconscious⌠they probably have⌠somethingâŚâ
I return Dazai to the floor, and the moment I stand up to check his symptoms, I see the future.
A flash of light. Sound of wind.
Then Dazaiâs chest bursts open, his ribs pop out, and on his chest blooms a huge flower of blood.
Instant death.
That is a bullet.
I grab Dazaiâs neck and pull him vigorously. Dazai falls forward. A bullet shoots through the space where Dazai was just a second ago, landing on the wall behind us and making a damp sound.
I drag Dazai out of the corridor, hiding ourselves behind a concrete pillar. There are several bad things that can happen in life, but being targeted by an enemy with a gun from a far distance in a closed underground corridor is definitely one of them. Not to mention being unarmed, with an injured person who cannot move.
âI have underestimated you a little bit.â
From the other side of the corridor behind the pillars, comes a familiar voice. The ex-cop with gray hair. There is a strong dilatoriness of someone who has been used to making people wait in his movement. It is a kind of power that older cops always have.
âWe gave your bandage friend some percutaneous poison when he passed out. His limbs will become numb and he wonât be able to scratch his own head for a while.â
The guy has a gun. A double-action revolver. Five bullets. A standard police pistol.
That gun is not pointing to anyone. The guy just plays with it in his hand as he speaks in a boastful voice.
âRaise your hands and come here. Or you can die protecting your friend. Up to you.â
I quickly check my surroundings. This is a big storage room. It used to be a huge space for storing water and food for evacuation. Now it is just a huge empty space with nothing stored inside. The pillars that are too big for a single person to hold, are lining up like lifeless ancient soldiers. There are a total of four entrances on every wall. And the corridors beyond them are submerged in darkness.
There are no tools that can be of any use, nor a safe route to escape.
âDo you want money that much?â I ask as I casually shift my standing position to cover for Dazai.
âI understand what you mean. Money, money, money. Every one of us is too tied up by money. We donât think money is more important than life though. You think so too, right? Thatâs why, donât throw away your life, just spit out where the painting is. There is no way a mere liaison at the bottom of the organization should give up his life for the money, right?â
As if those words are the intro for a piece of music, men with guns appear one after another. Four, then eight, then twelve of them. Some in suits, some in security uniforms, some in urban camouflaged clothes. They come in all different forms but share the same tired, worn-out and cold expression. Their weapons include automatic guns, rifles, and shotguns. On this side, we are unarmed. It is not a difference in strength that we can manage. Moreover, Dazai is injured. They probably have taken Dazai with me for this reason. In other words, they needed a hostage.
The guy smiles a graceful and cold smile at the overwhelming difference in force. âYou might have heard already, but we all were once police officials. The police in this country are excellent. However, it is hard to say that we are always rewarded for that excellence. We live off a low wage that is completely out of proportion to the danger we face at work. And the nation pretends not to see this contradiction. However, we donât want to become parts of the public who just complain to the press and politicians without doing nothing, like pigs. So, we take action. We will take what we deserve with our own hands. That is why, the âpaintingâ that you know of is like a little blessing to those who maintain the countryâs order. Isnât that an honor?â
The ex-cop holds out his arms as if he is intoxicated by his own speech, as if he were the only messenger who just received a mission from God.
I donât know why but from those words and expressions, I start to hate the guy. Up till this point, I havenât felt any like or dislike towards him, even when he beat me, kidnapped me, or tortured me. This is a rare thing for me. Whether I dislike someone or not does not have much of an impact on this world though.
âWell wellâŚâ I hear a bored sigh, so I look back. That sigh is from Dazai. âIt is a pain listening to small flies running their mouths. I want to get out of here as soon as possible. I am thirsty.â
There is a tinge of danger in the guyâs eyes. âYou donât seem to understand the situation here.â
All the men point their guns at Dazai.
âOda Sakunosuke-kun, if you donât want that boy to be killed, surrender obediently. We will have to have a long talk with you.â
I look at the guy, then at Dazai. âIf I surrender, will you let Dazai go?â
The guy thinks for a moment before he finally nods. âOkay. That boy has no value to us to begin with. All we need is your head and your mouth.â
I slowly look at all of them and scratch the behind of my ears with my fingers. There is no meaning to that action. Then I hold up my hands and say, âGot it. I surrender.â
The man's lips quirks up as if he is trying to hide his joy.
Another ex-cop steps up and cuffs my hands.
âTie him up properly this time, so that he canât escape.â
I look at Dazai. Dazai looks back at me with a somewhat discontent face but he doesnât say anything.
âOkay, Oda Sakunosuke-kun, come this way. Let us prepare some fine wine for you. It is going to be a long talk.â
He takes the chain of the handcuff and pulls me toward him. He then throws a glance at Dazai and tells his subordinate as if he does not give a damn. âFinish off that bandage bratâ.
âYou promised different.â I say.
âPromise?â the guy raises his eyebrows somewhat happily. âOh, I indeed broke my promise. How about you then? We are the keepers of the law. Are you saying you have been obeying the rules without breaking a single one in your life?â
I recall about my past self and say, âI see.â
âItâs not the time to be convinced.â Dazai says with a flat voice.
âI know.â I say. âDazai, I am just like you. I am thirsty too. Letâs get out of here quickly.â
âHow are you going to get out of here?â A gun was pointed at my head. âWith this difference in numbers, you are unarmed, with an injured hostage? You are just a worthless underling, yet you are getting quite full of yourself just because you used to be in that organization.â
âHahahh! âGetting quite full of yourself just because you used to be in that organizationâ?â It is a laughter that strangely lacks depth. I look at Dazai. âIt is not a good idea to swear at a mirror.â
Everyone glares at Dazai. Dazai does not seem to care about those glares at all. He slowly looks around and continues.
âHow about I tell you why I went and collapsed in front of his house in the first place? Because I knew of a rumor. That no evils can come close to that house, be it burglars, smugglers, or mafia. No matter who it is, it is just around that house that they canât cause any troubles. It is a âcalm-zoneâ. It is as if they are afraid of something, or someone there.â
âHuh? WhatâŚâ
âIt seems that these guys donât plan to let us out of here alive. So, Iâll leave the rest to you.â
As soon as he says those words, Dazai leans straight back, like a signboard losing its support. He falls parallel to the floor, making a loud noise.
Everyone looks at him in awe. He is completely on his back. In other words, he is in the position with the lowest chance of getting hit by a stray bullet.
That is the signal.
<This part is summarized: Oda grabs the guy who is holding the chain of his handcuff to make him lose his balance and throws him on the floor. He steals the gun and starts fighting the armed men. They keep shooting bullets at him but he manages to dodge and takes them down one by one. A guy who used to be in the Special Forces gives Oda a hard time, but he defeats the guy and manages to steal another gun from him.> Now that I have a gun on both of my hands, it is not time to fight anymore. From here on, it is time to dance. A bullet rushes in. I stand up, almost closing my eyes and fire from both hands. Two shots forward, two shots horizontally with both arms spread out, two shots backwards like a pair of wings. I then cross my arms in front of my chest and fire two more. Flashes of light illuminate the room, and capture the world with their shadows. Finally, I align my guns and fires two more shots forward.
A bunch of golden bullet shells fall onto the floor, producing a clear, brass-like tone. That is the signal for the finale.
I hold the guns and stand still, waiting for the next moves. For someone to yell and hold their weapons and roar into the room. But no-one is coming. No-one is getting up, no-one is fighting back.
The only one who is standing in the room is me.
Everyone is on the floor, groaning. They have all been shot in both arms, or legs, or shoulders, and are bleeding and suffering in agony. But no-one is dying.
âThat is amazing.â The voice sounds really amazed. I turn to where it came from and see Dazai walking toward me. âNo-one is dying. They are badly wounded being shot in arms and legs but they are not dying. Just what kind of magic did you use?â
âI shot them so that they wouldnât die.â I answer honestly.
âHuh?â Dazai shrugs. âNo no that is not what I mean. I mean why you did what you did⌠but whatever. I will ask you later. Really, there are so many things I want to hear from you. Letâs get out of here first.â
âDazai.â I call out to him as he walks in front of me. âCount to two, then take one step to the left.â
Dazai turns to look at me and, after a brief pause, leans over then moves horizontally to the left.
A bullet passes through the place where Dazai was. It comes from the ground. Apparently one of the guys have got up and tried to shoot Dazai. It is the ex-cop who tortured me earlier. Come to think of it, he is the only one I did not shoot. I just knocked him down with a throw.
I want to fire back but I just run out of bullets now.
Before he can shoot a second time, I throw the gun. With a flick of my wrist, the gun flies horizontally towards the guy as if it is being sucked in. The two guns collide, and both are thrown away. The guy groans.
âDamn it!â He holds his hand as he screams. âWhat are you? What in the world are you?â
I have no reason to answer that question. Not to anyone in here. But after a little thought, I open my mouth.
âThe legendary assassin organization. There was no such thing from the very beginning.â
âWhat?â
âYou said you couldnât find any member of the organization but me. Of course. From the beginning, the track records that you guys know of were not left by an organization.â
The look of comprehension and astonishment slowly spreads on the guyâs face.
âYou⌠alone?â He goes limp after those words. Gradually, the fear starts to appear on his face. âYou are saying that the organization that spread so much awe, so many urban legends, the organization so fearsome that even the government didnât want to touch⌠was the work of⌠only you?â
I pick up a submachine gun at the back of the room and stand in front of the guy. This gun is made in the Middle East and can shoot up to ten bullets per second. It holds a ferocious destructive power that should be described as grinding off a body, rather than making holes on it.
âDo you have any last words?â
I point the gun at him.
The guyâs expression freezes.
I know very well what he is seeing. When you face a gun, you become unable to see anything but the blackness and the shine of that muzzle.
âYou have messed up with the wrong person this time. In this world, those who make mistakes will have to pay for it. The same price that all the people you have killed so far had paid.
âWait! Wait! Donât shoot!â The man screams. He wants to run away, but he canât seem to move his limbs properly due to the remaining effect of the faint.
âWhy do I have to wait?â
âI⌠as an inspector, I worked hard for more than twenty years..!â the man says, his throat writhing as if he canât breathe properly. âBut the wage I earned in those twenty years is less than what I can earn now in half a year doing this criminal business. Why does such a thing happen? Why is justice not rewarded? It is true that Iâm a criminal. But the real evils are those who created a system where justice is practiced, but not rewarded. The politicians of this country!â
There is a confined sadness of someone who really believes in what is said in those words. Out of all the voices that a human being can produce, that must be the most convincing of all.
However, there are also people who feel neither the poignancy nor the slightest itch in it.
âAhahahah!!â A dry and flat laugh. It is Dazai. âYou are really so predictable it surprises me. Even your final speech is exactly as expected.â
Dazai looks down at the opponent. Even people who look at the pebbles on the riverbank would show more interest than that.
âI get mad when people canât exceed my expectation. Just go ahead and shoot this guy already. You⌠by the way, how should I call you?â
Dazai looks at me and asks. Now that I think about it, Dazai has never called me by my name.
âCall me whatever you want.â I say and pull the trigger as a matter of course.
The submachine gun spats out bullets, making a sound like a crusher crushing a rock. The 9mm reapers that can easily turn a human body into minced meat rush towards the guy in a swarm. The floor where they land explodes. Debris scatter everywhere. The guy let out a soundless scream. He cramps a couple of times before passing out.
âWow. You really donât kill him.â Dazai says in a light voice, looking down at the guy who just fainted without a single scratch. âCompared to this guy, you are much more interesting. As long as he is alive, he will keep coming after you. Donât you have to kill him?â
âI do.â I nod, then throw the gun away and start walking off as I should. âLetâs go.â There is a short pause, but I can hear the sound of Dazai following me later.
Dazai has a point. I must be a fool.
However, this is not the first time I have heard that.
...
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The Day I Picked Up Dazai - Side A (5)
Links to Parts: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
This is the translation from page 52 to page 62 of Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. If you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I donât speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but donât take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
Iâm sorry if thatâs too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who donât want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
...
A series of pictures float in and out of my mind.
A coffee shop. A blue rain leaving water droplets on the glass of the store. A novel with only the first and the middle volume.
Regret. Blood patterns on the wall.
âThere is no mercy in this world.â
That is the voice of the younger me.
Thatâs right. No-one can forgive themselves. I will not forgive myself either.
Last volume of the novel.
âWriting novels is writing people.â
The man with the mustache. There is a ring of truth in his voice. Or perhaps I just want to believe that.
To answer that question, I have set my foot on a long track.
One day in a room with a view of the ocean, I will walk to my desk andâŚ
When I wake up, I canât tell where I am right away.
There is a wall in front of me. A bare concrete wall. A dark and damp wall, with black marks of water dripping, staining the color of the material. I can see nothing else. Even if I turn my head around, all I can see is that wall. I cannot turn my body.
I am being tied to a chair.
âBefore we start, let me tell you this.â There is a voice behind my back. I have heard this voice before. âI donât like violence.â
I remember whose voice that is. That is the older cop who came to my house.
âI donât like it when people use violence. I donât like to use it either. So just think about this as business.â
Sound of something cutting through the wind.
An intense pain gouges into my back the very next moment. My skin tears off, my bones crack.
Something hard has struck my back. A baton, a gun grip, or probably a blackjack.
The attacker is still out of my sight. There is only pain that shoots through my nerves and pierces into my brain.
âIt works, right?â the guy starts speaking. His voice is soft, as if he is lecturing a kid. âI went easy on you. I know very well how much pain one can tolerate, and at what point it will become unbearable. I have wielded this for decades.â
âThere are still things you donât know.â I say.
The manâs voice goes silent for a second, then he speaks in a hard voice. âWhat?â
âYou donât know how to torture.â I say. âIf you are going to hurt your victim, you have to ask questions first. Whatâs the point of hurting them before you ask? Youâre just tiring both of us out.â
I can sense a snort of laughter.
Following that is another blow, this time close to my neck. A flash bounces through my entire body. Starting from my neck, the pain feels as if every single nerve in my body is being pulled out. This one is stronger than the last.
âYou are right, young man. This is not a textbook interrogation.â says the voice behind my back. âBut there are times when everything should be done according to the textbook, and there are times when it should not. I know that much. This is just a preparation for you to open your mouth more smoothly later. So, rest assured.â
âGood to know.â I say, keeping my eyes on the wall. âSo letâs get back to the main point⌠If itâs about those counterfeit notes, I know absolutely nothing.â
The notes that Dazai was carrying. The source of all this. The huge bomb that Dazai, the messenger of calamity, has brought in.
It is not a surprise that such perfect notes can get intelligent agencies of other countries involved.
However, the guyâs reaction after that betrays all of my expectations.
â⌠counterfeit notes?â
That voice with a question mark attached to it floats unreliably and fluffily in the air, before it unravels and disappears.
My instinct tells me that it is a voice of perplexity.
âYou donât know about the fake money?â I ask. âIsnât that what you are after, the counterfeit money and Dazai?â âThat friend of yours is called Dazai? Who is he?â
I am going to say Port Mafia, but I shallow the words back in my throat. I should not tell them about Dazaiâs identity if the money is not what they are after.
âThere seems to be some misunderstandings here. I should clear that up first. We are here for you.â
âWhat?â
âWhereâs the painting?â
The guy asks in a hard, commanding tone. I quietly think about what he means, then I answer.
âWhat do you mean by âpaintingâ?â
âYou know what it is.â
His voice is assertive and solemn, the voice of someone pushing another off a cliff.
âYou guys stole a painting from a house you visited on business a long time ago. We are looking for it.â
âI have not a single idea what you are talking about.â I say. âAre you sure you are not mistaking me for someone else?â
Before I can finish my sentence, another blow comes down. This time on my shoulder. I can feel my veins breaking. Every part of my body from my neck down to my fingertips become numb.
âIâm not. We donât make mistakes like that.â The guyâs voice is preserving, as if he is suppressing the emotions with his will power. âYou were a member of that organization. Those cold-blooded guys who take money and kill in return. I donât know what kind of thing you did in there, but I guess you were probably just a treasurer or a liaison. Because you are only a postman with no presence now. However, that organization itself was a big shot. You can even call it a legend. Before it suddenly disbanded and vanished seven years ago, it was a synonym of âfearâ in âthatâ side of the world. We searched for the organization and somehow ended up finding only you. The other members have completely disappeared, as if they never existed in the first place.â
âI donât want to talk about that organization.â I say.
âYou will, young man. You will soon, whether you want to or not.â
I can hear the plonk of the club behind my back as he plays with it in his hands. âThat painting is worth 500 million yen. One billion if you are lucky. If you need it, we can even give you a share. You wonât be able to handle it anyway.â
âYou are making a mistake.â I say quietly. âItâs true that I know about said organization. I was a member of it for a while. But I donât know about that painting. Not a little bit.â
âIf you donât know anything about it, is it possible that other members have hidden the painting?â
âVery likely so.â
The man sighs. His voice after that sounds five years older. âItâs always like this. We walk around like hungry stray dogs, following the scent of food and sticking our noses to the ground. And when we think we have finally got there, the food has long been trucked off to another place. We again, twitch our noses and chase after the smell of the truck through the dry wilderness. Again and again.â
âI am sorry for that.â I say.
In fact, it is half true when I say that. After all, they have kidnapped Dazai, just because he happens to be with me. Dazai is not a person you should treat like an add-on for your mail-order stuff. Not in any sense. He is a Port Mafioso, and as I imagine, a very important one at that. It is too late to do anything, now that they have already kidnapped him. Even if they wash him clean, mend his clothes, and return him sparkling new respectfully with their heads low, Port Mafia will not forgive that. They will use an electric excavator to level flat the back of the heads of those who are kneeling on the ground begging for forgiveness.
Therefore, the doom for these kidnappers is already decided. The question now is whether Dazai and I will be doomed too.
I cannot talk about Port Mafia. That is no good. If they know that Dazai is a Port Mafioso, these guys will literally shrivel up. They will curse their own stupidity and try to cover it up with yet another stupidity. In other words, they will bury the two of us under deep concrete, and use the little time they have before being found out to escape to the other side of the world. There is no other way.
That is why I have to keep Dazai as my âmysterious friendâ.
âNow that you have all the information you need to tell the story.â The man speaks in a chilly voice, âAll you have to do is to chirp beautifully. If you need a little help there, I donât mind giving it my best to assist.â
He sounds somewhat happy. I can hear him slamming the club into his own hand. At this rate, I will be the one who has his bones crushed. (TN: There is a play of words here. The cop is using the expression ç˛éިç 躍, to say that he will try his best, but the kanji translated directly to âcrushed bones and smashed fleshâ, so Oda is using the same wording to talk about his own situation right now.)
âWhat if I donât talk?â I ask.
âYou will regret it. Like a criminal who just receives a warrant, wishing that he would have sung honestly when he was asked to come voluntarily earlier.â
He is about to say something else, but his radio rings before he can.
âWhatâs up?â he picks up the radio. I cannot hear what they are saying, but I can sense the urgency in his tone. âGot it. Iâll be right there. Handcuff them.â
He hangs up, his footsteps getting farther away. After walking a few steps, the man says from a distance. âI will give you some time to think about it. No one is coming to help you. This is an evacuation bunker built during the old war. Itâs time to make a choice. You can become rich, or become a corpse for the rats to feast on. I hope you make the right decision for everyone to be happy.â
***
Dazai returns to the cell when I have just finished checking the shape of the fingernails on my two cuffed hands for the fiftieth time.
âHey, itâs been a while.â Dazai says with an indistinct smile that is not at the very least different from before he was kidnapped.
I look at Dazai and ask, âYou were not tortured?â
âTorture? Ah! So that was torture?â Dazai says, somewhat cheerful. âI was tied up and surrounded by two guys. But they left before doing anything. They were dragged away by their friends. I just told them something useful, and they started crying and hitting each other, saying they didnât want to die.â
âI see. What did you tell them?â
âI can tell you⌠But do you really want to know?â Dazai smiles like a sea monster from the underworld.
I give it a little thought and say, âI will pass.â
It is a temporary cell used to keep the prisoners in the war. Originally, it must have been a simple nap room inside the bunker to protect yourself from air strikes and such. The room is about the size of a hotel room, with only a rusty bed frame fixed to the end. The entrance door has been replaced by an iron door with fresh welding marks, and there is a thick chain used for boat anchoring and a huge lock hanging from the doorknob. A number of black power lines are wrapped around the hooks lining up on the wall, leading to the murky cage lamp at the back of the room. That is the only light source. There is no air conditioning, so the air in the room is unclean.
âWhat do you think they are?â I ask.
âA criminal organization.â Dazai speaks nonchalantly, jingling his own handcuffs.
âBut they are different from big settings like Port Mafia. Just a small group that will vanish with just a blow. However, its origin is a little interesting. Have you ever heard about an organization called â48â?â
I shake my head after giving it some thoughts, âNo.â
âThis is actually my first time meeting them too. They are harder to spot than any other criminal organization. It is almost impossible. Even if a great purge is to happen and this Yokohama turns into a clean paradise, they will still survive and continue to commit crimes. It is because they are an organization made up entirely of former cops.â
I narrow my eyes.
âOfficers from local stations, special forces members who were dishonorably discharged. Corrupted cops released from prison after their arrests. Police of external affairs who are on the list of distrusted agents. This is a small but robust labyrinth organization built by police personnel who, for various reasons, have fallen from the tower of public servants through utilizing the skills, connections, and knowledge from their former jobs. There are a lot of theories about the name â48â but the most popular one is that itâs because the police have to refer a case to the public prosecutor within forty eight hours of arrest.
âThat means the cops who came to our house were fake, but they used to be real cops too?â I say while recalling my memory. âBut how do you know?â
âYou couldnât tell? Their gestures somehow revealed their past history, and every word they say is mixed with the terms used when they were still in the police.â
I track my memory.
Now that he mentions it, the guy who tortured me said this before he left, âYou will regret it. Like a criminal who just receives a warrant, wishing that he would have sung honestly when he was asked to come voluntarily earlier.â He used a police shorthand to refer to âvoluntary accompanimentâ, and âsingâ is a term used by the police for âconfessâ. I guess they just use the words that they are familiar with when talking to their friends.
âWhat they are good at is blackmailing people using the connections from their former jobs, diverting seized goods to sell on black market, and leaking inside information about the police. They are the fallen ex-heroes. Although the scale of their activities is small, many of them have received real trainings, thus are formidable. There are many criminal organizations in Yokohama, but this â48â is hated by both the police and other organizations.â
âYou sure know a lot.â
âNot really. Unfortunately, I donât know what they are up to.â Dazai says as he leans against the wall. âThey said they were looking for a painting. Do you have any idea?â
I look at Dazai, then I say. âNo.â
Dazai looks at me. Those eyes are like the bottomless see at night. Dark, cruel, quiet, endlessly sucking people in and never letting go.
Those eyes are looking at every corner of my expression. I feel like my each and every single cell is being observed.
I wonder how long we stay silent like that. Suddenly, Dazai opens his mouth and speaks in a serious tone.
âYou do have a hint, donât you?â
I let my gaze wander through the air, then look at a scenery of the past that is not here. I want a cigarette so bad. âYeah.â
âWhy didnât you say anything?â
âBecause it doesnât matter.â I say, sitting down next to Dazai. âNo matter what those guys say, that painting is no longer in anyoneâs hand. It is in a place that it will never be moved from. That painting is not going anywhere, at least not during my lifetime.â
âWhy?â
âBecause I decided so.â
Dazai tries to say something, but he stops. Then he lets his gaze wander somewhere else, as if he is looking for an answer.
âGot itâ, Dazai says, looking forward. âThen letâs end this conversation here and talk about what we are going to do next.â
I find it strange that Dazai retreated so meekly. If he can make me spill out the whereabout of the painting, Dazai can get out of here without a scratch. But Dazaiâs eyes are quiet, inside them is a gentle indifference of someone who has already made up his mind. I cannot tell the reason though.
âSo, what are we doing next?â
âJailbreak.â I assert. âI have no reason to stay in this kind of place anymore.â
âThat is a good idea.â Dazai says, holding up his two hands. âBut how?â
We are both handcuffed. These handcuffs are not toys or replicas, they are the real things used by the cops. On top of it, there is a lock on the entrance too. I saw the guy who brought Dazai here just now locking the door. There is no mistaking it.
âI have something that can get us out of here.â I say. âBut there is also one thing that I canât do anything about. Reason.â
âReason?â
âYou donât want to escape, do you?â
Dazai looks at me with a puzzled look on his face. Then he says, âAre you going to help me?â
âI thought I would, but you have no reasons to do so. No reasons to accompany me and get out of here.â
Dazai looks around. âYou are right. I can still kill myself if I stay here. So never mind me. Just escape by yourseâŚâ
âI will take you with me even if I have to put a rope on your neck.â
Dazai looks at me, surprised.
âYou⌠Are you actually a pushy guy?â
âWhen it comes to things that I have decided to do.â I say, focusing my attention on the signs outside. There seems to be no one on the other side of the door.
âWhat makes you do this?â
âI donât like these guys.â
I say decisively. Dazai makes a surprised face again. â48? Why? Because they used to be cops? Or because they are aiming for the painting?
âThings like that.â I answer briefly, ending the conversation. âDazai, if I ask, will you come with me?â
âWell, I wonder. Iâm not that kind of nice guy who listen to othersâ requests that easily. Everyone has a hard time getting me to do anything. What can you offer?â
I have to admit, those words are out of my expectation.
âYou think that I can give you what you want?â
âI donât know.â Dazai smiles as if he has given up. âI really donât know. I have never met anyone like you before. Thatâs why Iâm asking you.â
I start thinking.
I have a hint of what Dazai is looking for. But I donât have it on hand to give it to him.
HoweverâŚ
_The only thing I want now, is death._
_Why do we have to die?_
âDazaiâ, I say. âAs soon as we get out of here, letâs go to âthat placeâ. Right away. Itâs not that far away.â
Dazaiâs eyes are wide open. âYou say âthat placeâ? That you-are-a-fool-if-you-donât-go-before-you-die place?â
âYes.â
Dazai blinks and looks at me. I look straight back into his eyes.
I am not sure why but it reminds me of something from a long time ago. From when I was a boy.
âDazai⌠You are right. There is no good or bad in wanting to die. Because there seems to be many important things in this world, but in reality, there is nothing that important. Life and death donât even matter at all. The place we are going to is probably not going to live up to your expectations. Maybe you will find only rocks, scraps of paper, and things of such value there.â
Dazai stares blankly at me, as if he cannot believe what is happening in front of his eyes.
I look at the palm of my hand. I touch it with my finger, feeling the sensation. I touch a few more places, as a mean to buy time, until I finally say the last words.
âBut what if it is different?â
Silence.
I have never tried to get this close to anyoneâs heart before. I donât feel like I did it well. But strangely enough, I do not regret it that much. Even if I donât say it here and now, I will probably say it to Dazai somewhere sometime in the future. I feel that.
Dazai does not say anything. He just sighs, and looks into a distance with his arms crossed behind his head, as if he is considering. The chain clanks. âI too, have been caught by a person who says pretty foolish things.â Then he turns to the side to hide his expression and glances at me sideways. âSecret place, rightâŚ? If you have asked that much, itâs not like I canât go with you.â
I lift my eyebrows, âYou are not being honest.â
âItâs not that! Itâs not that Iâm not honest or anything! Itâs not like I⌠expect that much!â
I scratch my head. âThen letâs do it this way. If you die here, I will build a tomb for you. And your tombstone will read, âHere lies Dazai, the man who never beats Oda Sakunosuke at poker.â
Dazai looks at me dumbfounded. Then he opens his mouth wide and says. âTh.. thatâs not good! Alright! It cannot be helped then. Letâs break out of this prison.â
Dazai stands up, holds up his hand and snaps his fingers.
The handcuffs, which are supposed to be tightly fastened, fall off smoothly like a magic trick.
âYou took them off from the beginning, didnât you?â
âA little bit, with the metal wire I found over there.â
âWill that work on the door lock too?â
âOf course.â Dazai says as if it is nothing. Then he suddenly realizes something and turns to me. âNo way⌠when you said you had something that can get us out of here, you were talking about me with this?â
I shrug, âAfter nursing you for a few days, the chains that bound your legs to the bed was stealthily unlocked. It seems like they have been stacked up to deceive me though.â
âWhat? I have been found out? How boring.â Dazai pouts.
Dazai takes my handcuffs, sticks the tiny wire inside the keyhole and starts turning it. Immediately, there is a dry metallic sound as the internal mechanism disengages. The handcuffs drop to my feet.
âHow long has it been, I wonder? To have somewhere I want to go.â Dazai smiles as he rubs his wrists. âI have a feeling that even if there is nothing at that place, it will be fine as it is. Come on, letâs get out of here quickly and get some good fresh air.â
âŚ.
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The Day I Picked Up Dazai - Side A (4)
Links to Parts: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
This part is a mix of translations and summaries. Direct translation will be indented and italicized. With this, I have covered the first 43 pages of Side A.
This is from Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. It is a mix of summaries and translations of one part of the novel. So if you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I donât speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but donât take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
Iâm sorry if thatâs too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who donât want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
There is a knock at Odaâs door. That is the cops from the nearby station who come to ask him a few things because someone reported seeing a bloody man collapsing around there. Dazai signals Oda to keep silent.
Oda starts thinking about what he should do.
If he opens the door and tells the cops he knows nothing, they will just leave and thatâs it. But he has another worry.
If Dazai has committed a crime (which he most certainly has), I will later be charged with harboring a criminal. Depending on the outcome, I might even be tried as an accomplice. If that happens, I will enjoy the rest of my life in a state-run accommodation with three meals a day.
The second option is to tell the cops about Dazai. In that case, Dazai will definitely be arrested (because everything about him is suspicious) and Oda will also be at a risk of being suspected as an accomplice. Oda looks at Dazai, who is âsmiling a smile that is fifty times darker and denser than that of a kid thinking about what pranks to play.â Seeing that face, Oda comes up with another fear that if he sells Dazai to the cops now, he will face Port Mafiaâs revenge later.
Conclusion. Pretending to be out is the only way.
They hide behind the bed and wait for the cops to leave. Suddenly, Dazai taps on Odaâs shoulder, reminding him of the kettle of water he is boiling for his coffee, which is going to blow a very loud whistle once itâs done. They are about eight metres from the kitchen. If Oda just walks there, the floor will creak and the cops will know that there is someone in the room.
I look at Dazai again. After a moment of hesitation, he starts to make a series of gestures. He points at the kitchen, then at me. He holds his palm up in front of him, then stands his other hand on top of it, fingers down. He draws all the fingers on that hand back, leaving only the index and the middle finger, and slowly move the two fingers forward, one after another. Then he puts his index finger on his lip. Then he gives me a thumbs-up, and smiles, and nods.
I nod back.
âWhat does it mean?â I ask.
âI know right!â Dazai whispers in a soft voice. âYou didnât get it? I said to tiptoe to the kitchen and turn off the fire! I canât walk well in this conditionâŚâ
âLetâs do it.â I nod my head. âThere is not much time till the water boils. We need to hurry up.â
âHey, are you really in a hurry?â Dazai gives me a puzzled look. âI canât tell because your face doesnât change at all...â
Oda starts heading towards the kitchen. He uses his ability to figure out where he should put his feet not to make a sound. But then he sees the future when the kettle is whistling and gets so nervous, he decides that he needs a new kind of power, so he starts going on all four and crawls towards the kitchen.
Behind me, Dazai bursts into a small laugh as if he cannot stand my movements anymore. Dazai is right. If someone is able to photograph what Iâm doing right now and put it on the public newspaper, I would move to another city on that same day.
Oda finally finds his way to the kettle. He just needs to reach the knob on the gas stove and turn it off. He should have enough time.
However, my expectation is betrayed once again. I have forgotten about the foreign matter that exists in this house. Dazai, of course. He is more unpredictable than any human I have ever met. For example, if two people are on a three-legged race to the goal, Dazai might just turn around and start running in the opposite direction at a random moment. Or, he can desperately climb a cliff to survive, then all of a sudden, say that he wants to fall off it and die. He is a guy that has strayed too far from the reasons of this world. Our dear Trickster.
Dazai suddenly comes up with the idea that if he jumps out of the door with a gun in his hand, there are chances he can be shot dead by the cops. Oda tells him there is no gun in the house, so he decides to get a knife instead. He rushes into the kitchen, even faster than Oda. The cops outside notice the sound and ask them to open the door.
Oda knows that he has to stop Dazai, if he doesnât want things to get worse.
I have to stop that. I so want to cry and ask someone to help, but there is no one who can do it but me now.
He jumps up and sweeps Dazaiâs legs, making him roll on the floor. He grabs Dazaiâs neck, turns behind and gets into a chokehold, trying to choke him unconscious. Dazai, as a result, struggles happily while kicking his legs around. He hits the kitchen cabinet once, twice until Oda hears a sound of something coming off. Oda realizes that those desperate kicks are actually on purpose, and it makes the knife Dazai was trying to grab earlier fall off right to where Oda is. Oda canât move because he is busy holding Dazai down, so he has to use his ability to predict the track of the knife and barely dodges it. The knife stabs vertically into the floor next to him. He tries to calm Dazai down.
"Be still.â I say, âDonât struggle. It is not scary. It doesnât hurt.â
I donât even know what Iâm saying myself.
âYou liar! Mori-san said the same thing when he gave me shots.â
Dazai says so and keeps going wild. It means there are other people besides me who are having a hard time with Dazai. Who is this Mori-san again?
Dazai keeps kicking the kitchen stand and this time, itâs the kettle above Odaâs head thatâs going to fall.
It is a situation that I have never experienced before. A kettle above my head, a knife next to my face, false money somewhere in my room, cops at my door. And Iâm strangling a guy I just barely met.
Oda finally manages to choke Dazai unconscious. He goes âfufu ahahaâ before he faints. Oda pulls out the knife next to him and throws it toward the falling kettle, successfully catching it by its handle and having it jammed into the wooden part of the kitchen cabinet. By that time, the cops also manage to kick the door open and step into the room.
Just like me, those cops seem to have never witnessed something like that in their lives. Their eyes are wide open, but it is understandable. In the house that they just stormed in, there is a man strangling an injured person on the floor. The boy seems to have passed out in pleasure. The knife stuck on the kitchen cabinet is holding the kettle as if it was an offering.
Silence.
The cops look down at me. It seems that they donât know what to say at all. I never expected the first arrest in my life would be under this situation. I am not sure if that is the reason, but I end up saying something really stupid.
âPlease take off your shoes.â
The two cops look at each other. An older cop and a younger one. They are wearing standard uniforms, with standard hats on.
âOkay.â The older one nods vaguely. âIt looks like itâs going to be a weird job today.â
âI feel you.â I say.
Well, there have been a series of incomprehensible situations today, but the last one is the best of all.
The cops take out two gas masks and put them on their faces. Then they throw a gas grenade towards Dazai and Oda. Oda realizes that they are actually not cops. He tries to avoid the gas and kick them to the floor to escape. But he sees the future where they point the guns at Dazai and shoot him if he resists. So, he has no choice but to surrender.
I think, in my fading consciousness.
After all, I really should have kicked Dazai down the stairs when I found him in front of my door that morning. But regret is a part of life. Even if I have one more regret now, itâs not that much of a blow.
I pass out.
...
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The Day I Picked up Dazai - Side A (3)
Links to Parts: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
Continuation from Part 2. With this part, I have finished the first big part of the novel (about 30 pages). I currently do not have a clear plan of when and what I am going to translate next, so please kindly wait for updates.
This is from Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. It is not a summary, but a full translation of one part of novel. So if you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I don't speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
¡ This is a moviegoers-only benefit, so please be extra careful when discussing it about on Twitter. Use a #spoilers tag on your tweets or your fanarts. You can share the links to this post but don't take many screenshots.
¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
¡ DONâT GO TO THE AUTHORSâ OR OFFICIAL TWITTERS TO COMMENT ABOUT THE CONTENTS OF IT.
I'm sorry if that's too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who don't want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
Just like that, many days have passed.
Dazaiâs injuries have gone past the most difficult time and are slowly heading to the better. Even though the wounds should still be burning and painful, Dazai is strangely carefree. I donât know why. He doesnât seem to have any intention to riot and run away anymore, so I remove his leg restrains. I still keep the front door locked, though.
It is a pleasant autumn day. In the corner of the street, the fallen leaves whisper to each other the memories of when they were once parts of a tree. The scent of tea olive drifts in from nowhere, a scent that turns reminiscences of the past into vague and beautiful memories. Iâm sitting by the window, ramblingly thinking about the past. An aimless time while waiting for coffee water to boil. What a luxurious use of time.
âWhat are you thinking about?â
Dazai asks from the bed.
âIt is just this time when I quit my previous job. The tea olive was also blooming back then.â
âPrevious job?â
I take a glance at the kettle in the kitchen. There is still some time before the water boils. For a moment, I thought it would be fine to talk until it is done. Then again, I wonder what I was thinking at that moment.
âNothing big.â I say as I walk toward Dazai. âIt was a violent job. But I quit.â
âViolent in what way?â
I do not answer.
The room sinks into silence for a little while. Somewhere I can hear the voice of the trumpet vine families calling to each other.
âDonât wanna talk about it?â Dazai says as if he has given up, after a while. âFine then. When the wounds are healed, I will leave. Thatâs all there is to our relationship anyway.â
I do not respond to those words either. In the kitchen, thin steam is rising from the kettle.
âYou are right. When your wounds are healed, you will be gone. And you will end your life as you wish somewhere. Can I make a guess?â
âAbout what?â
âThe reason you want to die.â
âEh?â
âYou want to die, because you are a fool.â
Dazai looks at me with startled eyes.
A silence falls over the room. Dazai turns around and shifts his weight, causing the old floorboard to creak slightly. Somewhere far away, a walking dog is barking at a tree on the street.
âInteresting.â
When Dazai finally says so, his eyes look different from those of any human being. And those of any living things. Those are wounds. A pair of open wounds on his face, from which darkness is peeping out.
âYouâre talking big for a mere postman. However, many people have said the same thing. I canât tell why they said that though. Because everyone is dead.â
Dazaiâs face when he says that reminds me of the end of a culvert, or a black wall at the end of the road that leaves you no way to go.
âIs that so? But at least, if one dies without ever visiting that place, they can be called nothing but a fool. I can assure you of that.â
âEh? What is that place?â
âItâs a quiet place. Itâs not like itâs far away. You donât even need any qualifications to get in. The thing is not everyone can enjoy the true value of that place.â
âIt sounds like a riddle.â Dazai lets out a dry laugh. âIs that a strategy to get my attention by some kind of make-believe secret?â
âThere is no point in using a strategy when the opponent is you.â
âThat is true though.â Dazai says, turning his face to the other direction. âI canât read you at all.â
Dazai looks at me with his face turned sideways. Then he looks at the front door and chuckles. Itâs more like he is laughing at the current situation, rather than at me.
I feel that the gravity in the room has return to normal somehow.
âAlright. I will keep you company with a little silly talk as thanks for the treatment. You said it is foolish to die, right? So here is my question. If dying is foolish, then why do we have to die?â
Dazai is just there, as tranquil as an ancient book waiting for the answers to be unraveled.
âThe fatality rate for the act of living is one-hundred percent.â he says, his voice sounding like an unworldly being who has lived for thousands of years. âBut if you look at the whole living world, there are living things that do not die, and there are living things that do not have a life span. It means humanâs death is nothing but a function of life. It is nothing more than a promise written in the script of life as a finale.â
I give it some thoughts. âSo, you mean life is not something to regret?â
âNo, it is worse than that. Even though we are all promised death, from the beginning, all human beings were born with a preset desire called âI donât want to dieâ. This is also one-hundred percent true. That is why, that desire will never be fulfilled.â
There is that emptiness of reading a script that has been repeated thousands of times. The clichĂŠ that we have passed by and groaned over and over again.
âIt means that the act of desire is merely a tool, a convenient hypothesis far from the truth, and we are merely followers of a hypothetical thesis that we have to live because our predecessors did. How do you argue against this dark theorem?â
I look at Dazai.
I come up with a lot of counterarguments. However, I know intuitively that Dazai has not revealed even one ten-thousandth of his true intention. Even if I try to argue with him, he has already prepared a counterargument to that counterargument. That is, again, a debate that is already discussed exhaustedly inside him. And the counterargument for that counterargument of a counterargument has already been prepared. Just like an infinite staircase descending to hell, Dazaiâs dark reason has no bottom.
I take another glance at the kitchen. The water for my coffee has started steaming.
âIs that why you want to die?â I ask.
Dazai shakes his head to the side. âNo. This is just a play on words. There are things that canât be spoken by words. When it comes to things that canât be spokenâŚâ
âYou have to be silent?â I continue what Dazai is saying. âItâs exactly like that. Only you can understand your world. But that doesnât change the fact that you are a fool. I can assure you of that.â
Dazai goes âkay kay as he sighs exaggeratedly and lies down on the bed. Like a teacher who has run out of patience for a child who never ceases to misbehave. âI donât care to correct that but what is that place you talked about just now?â
âIf you go, you will know.â I say and look out of the window. The street is bright and quiet.
âWhy donât you try and explain to it me right here right now?â
âI will pass. In this situation, no, in most situations, words are not to be trustedâ.
âHmph, so you do say such things. Even though you like novels?â Dazai says as he takes a look at my bookshelf.
âYeah, thatâs why Iâm troubled.â I answer honestly.
Dazai looks at me for a while, and suddenly he laughs, somewhat more natural than ever before. âInteresting.â Dazai says. âYou are humble. I donât hate that.â
In the kitchen, the steam from the kettle is drawing a symbol in the air.
âI donât hate spending time in this house either, not as much as I thought.â
At that moment, there is a knock on the front door.
âŚ
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The Day I Picked Up Dazai - Side A (2)
Links to Parts: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Final
Continuation from Part 1.
This is from Side A of the Dazai novel which was given out as free bonus for those who come to the cinema to watch the BEAST live action movie in Japan.
Please carefully read the notes below before progressing.
- This post contains spoilers. It is not a summary, but a full translation of one part of novel. So if you plan to read the novel later yourself and think this would ruin your expectation, please stop here.
¡ I tried to keep the translation as accurate as possible, but as I don't speak English or Japanese as my native language, I may make some mistakes or use weird words etc. This translation might not be final. I may come back and fix it later if I find any mistakes.
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¡ Donât retranslate it. [UPDATE MAY 9, 2023] You can retranslate it but please keep in mind that my translation is not perfect and some meanings will be lost through re-translation. If you are not sure about the meaning at any part, please let me know! Donât repost this translation anywhere else out of Tumblr.
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I'm sorry if that's too much but honestly all I want is for everyone to have a good experience, for those who wants to read the novels to be able to read the novels, and for those who don't want to be spoiled, to be safe from it as much as possible.
If you have read and are okay with all the above, please continue to move forward and enjoy the novel. Have a good day!
...
Dazai is a strange guy in every possible way.
His eyes remind me of a burnt black cat, his build reminds me of a burnt black cat, his presence reminds me of a burnt black cat. He has a tone that sinks into the abyss of the spirit, and deep, dark eyes that seem to hold the conviction that the sun will never rise again. He is a man of few words. And his voice has the sound of severance that rejects mutual understanding from the very beginning. No one could understand him. No one ever will. And he himself knows that very well. That kind of voice.
It seems true that he wants to die. It seems that all the value standards of living reflected in his eyes are just as worthless and ugly as scrap iron. I donât understand why. Perhaps the day when I understand will never come. He seems to know that too.
That is why he wants to go outside. The only way to quickly end the pain of his wounds and achieve his desired âbig sleepâ is to leave my house. However, he is even cut off from death, because I prevent him from escaping.
And that is when Dazai decides to complain about my existence to the very end. He actually has a lot of complaints, about meals, sleep, and other pastimes. One after another, he will find faults in my nursing, criticize, and roast me in the most disparaging way possible. There is nothing that can escape his criticism. He is simply a tyrant. I could have whimpered like a nine-year-old girl.
However, I am actually fine. Because I know that Dazaiâs criticism is nothing more than an act he put on to serve his purpose. To discourage me. To depress me through and through, until Iâm sick of him and kick him out of my door like I donât care anymore. That will be his victory. So, I am fine, no matter what I am told. In reality, he must have been very impressed with my proper and adequate nursing.
For example, it goes like this.
âHey you! The porridge is hot. I canât eat it like this!â
âHey, itâs really too hot. You know I canât use my hands because Iâm tied up right?? No no, I told you. Stop forcing it into my mouth⌠Itâs hot! Itâs hottttt!â
âIâm eating, Iâm eating! Donât bring another one! Arghhh! Wait⌠canât moveâŚ. Gyaaahhh!! Itâs in my eye! It hurts! Itâs hot!! It hurts!!!!!â
âCome on. The toilet is limited to twice a day? Do something about that, wonât you? Even Port Mafiaâs prisoners have a little more freedom.â
âHey, I told you to deal with the boredom, but reading books to me? Itâs not something you do with someone this age, you know? And itâs all the same book. And it doesnât have the last few pages so I donât even know the ending! Is this torture? A new type of torture?â
Very realistic acting.
I ignore him and just continue with my nursing.
My dedication pays off. After a few days, the young manâs eyes are all dead and exhausted. He speaks in a faint voice.
âI canât⌠get through to him. This guy⌠He is a natural airhead.â
I donât really understand what he means by it, but after that, Dazai has become more obedient to what I say.
From then on, Dazai changes his strategy. Instead of complaining about the daily nursing, he starts to make very specific demands about food, especially the ingredients. I suppose he wants me to give up. But I am a man of patience and consistency. And I am also a practical person who believes that someone whose hands are wrapped around like that needs a proper distraction. I then become an amiable cook.
His first request is for pufferfishâs organ sashimi. That is a rare ingredient. I go to the fish market to look for it, but the owner there tells me, âAre you stupid or what?â so I give up. Next is grilled amanita virosa. It is a kind of mushroom. The white and beautiful one I heard. This time, I also walk around the mountain to search but I canât find any. Since the locals never eat this type of mushroom, I thought there should be quite some left in the mountain. What a pity. When I end up serving him the stir-fried dish made from the wild vegetables I happen to find on the way back from my search, Dazai looks at me with grudgeful eyes as if he is going to kill me, while saying âItâs delicious.â
The last dish is potato sprout salad. This one is just ingredients, so it is easy to get. However, I donât have enough time to wait for them to sprout and get enough of them, so I have no choice but to serve them to him as a sandwich, instead of a salad. Dazai is strangely happy to eat it, but later that night he vomits a lot, while writhing in pain âIt is not enoughâŚ!â To want to eat something even if it makes him vomit like that, he must like it a lot. It is a moment of hard work paid off for me.
(TN: In case you haven't realized it, everything Dazai requested above is super poisonous and can kill you if you eat them. xD)
On another day, I got this kind of complaint.
âYou know, I understand very well that you donât have any other intention rather than treating me.â Dazai says, flapping his two arms that have finally become free. By the way, his two legs are still tied to the bed. âBut I have too much free time! No reading, no phone calls, no video or radio broadcast whatsoever, only some music from those records! I have memorized so many songs that I can start performing tomorrow. You really donât have anything else? Any real entertainment?â
âNo.â
âWhatâs with the immediate answerâŚ? What on earth do you usually do living in this house?â, Dazai looks at me with a frightened face.
âThen how about playing a game?â I sit down on the chair in the room. âThe people who lived in this house before happen to leave behind a deck of cards.â
âI know. It was left on the bookshelf.â Dazai makes a suspicious face. âBut Iâm not ten years old. Playing cards alone doesnât make an entertainment at all.â
âI see⌠Then letâs bet on something?â I says as I take the cards out of the box.
For a second, Dazaiâs eyes shine sharply like a blade. âHmm. But do you even have anything to bet on? You donât look like you have that much money.â
It is true. I donât have that much money.
âThen how about this?â, I take out a chess board from the shelf and place sixteen white pieces and sixteen black pieces in front of us. âThese are going to be our chips. We will play poker with them as our stakes. Texas Holdâem Heads Up rule. Opening bet is one piece. There is no upper limit. If you manage to win my whole bankroll of sixteen pieces, I will give you the right to freely leave this house.â
âEh?â Dazai narrows his eyes. âAre you sure about that? You have quite some confidence there. So what if you win? Should I give you all my hidden assets too?â
âThere is no point in using something that is not here right now, as I have no way to confirm things like your assets and such.â
âThese fake notes thenâŚâ
âI absolutely donât need that.â I push back the wad of notes that Dazai just takes out. âLetâs see. How about revealing one of your secrets every time you lose sixteen pieces?â
âSecret?â Dazai chuckles. âYou did give it some thought, didnât you?â
That is a suggestion based on my selfish calculation.
The problem now is that there is a chance Dazai will come back for revenge after he is healed and released from here. And there is nothing I can do to prevent that. There is no wall in this world that can resist the fierce retaliation of the Port Mafia. I need some kind of insurance. At least something that looks like an insurance. If I can get just a little bit of information about this identity, his secrets, his intentions, it can be helpful in preventing that to happen. Of course, even if I hear his secrets now, there is no way for me to confirm them. That is why itâs only for the ease of mind. If I can get more than one secret out of him, that ease will deepen somewhat.
âHaha, interesting. You are thinking of taking a bunch of secrets from me?â Dazai smiles a distorted smile. âIt has been so long, since someone has been so determined to win against me.â
âIâm glad you got in the mood.â I say as I deal the cards. âReady?â
âAnytime you wish.â
Two cards are dealt in front of me and two cards in front of Dazai, all facing down. Before I deal the next card, Dazai says, âYou seem like a fair person. So, I will tell you a trick.â
âTrick?â
âThe one who suggested this game were you, but the one who guided you to it was me.â Dazai looks at me with deep tranquil eyes. âI already confirmed that there were playing cards on the shelf, and there seemed to be nothing else to pass the time. We both had little to bet. It was obvious that we would settle with the conclusion that we should bet on my freedom. If it were another conclusion, I would just make a bigger fuss. And just like that I was able to draw out the game I desired from you.â
âI see.â I stare at the expression on his face. âThen it means you also expect to win?â
âYeah.â Dazai says with a smile that seems to glimmer in the darkness. âThis kind of game, I have never lost once.â
There is no hint of bluff or humor. He is serious.
âThat is whyâ Dazai says as he pushes the first bet piece forward. âYou will not get to hear a single secret from me for eternity.â
30 minutes later.
âThe passcode for Port Mafiaâs emergency armed vault isâŚ7280285E.â
Dazai speaks with his dead face on the desk.
âYou have so many secrets.â I speak in admiration.
âOf course I do! Iâm the head of the special force under Bossâs direct command.â Dazai bawls out. âArgggh what the heck is going on? There goes most of my personal information. Itâs humiliating!!!â
This is the eighteenth game, and I have won all of them. His address, his subordinatesâ skills, time of joining the Mafia, total amount of money he has on hand, what he does in the organization, his favorite food, location of secret vaults, the fact that his current boss called Mori was once an underground doctor etc.
All the eighteen secrets Dazai have told me are so out of the ordinary that I canât help but believe he is really an important person in the Port Mafia. In fact, I probably have heard too much. There are not many people on earth who know the background of Port Mafiaâs boss â Yokohamaâs Taishan Fujun. (TN: Name of a God in China, who is said to be in charge of the life and death of mortal beings on earth) The number of people who are still alive after learning about that is a different story.
Dazai puts his face down on the desk in despair. He sure did have a lot of confidence.
âYou⌠cheated, didnât you?â
Dazai stares at me, his gaze as sticky as mud. I tilt my head.
âCheated?â
âI noticed it halfway. Thatâs a skill. You used some kind of skills to foresee how the games will unfold. I let my guard down at first because I thought skills wouldnât work on me. But if you have used your skill not on me, but on the place itself, then that would explain that disgusting foreseeing of yours.â
âSorry. I didnât mean to hide it.â I speak as I sort out the cards.
My skill allows me to look into the very near future. Not less than 5 seconds, not more than 6 seconds from the present. Thatâs why I am able to see everything, from the next development of the game, the next stake to be made, to the next card that will come out. On extremely rare occasions, during months when I am in a tight spot for money, I will go to the casino and use this skill of mine to grab some easy money and go home.
âIt sure was not fair.â I honestly admit. âJust like you, I have never lost in this kind of gambling before. Letâs void this game. From the beginning, I just wanted to help you kill time.â
âWe canât void it!â Dazai looks at me with protesting eyes. âWe canât even if we want to! If what we bet on was money, you would just need to return it to me in full. But I gave you information! You know that you donât lose information even if you return it, right? What else can you do? Can you completely forget everything that you have heard and seen at will?â
âIf that is the only way, then I will try.â
âHahhhh???â Dazai looks so tired. âYour jokes are not funny. After all, you are always saying them with a straight face. Somehow I canât take them as jokes at all.â
I tilt my head. âI didnât mean to make a joke thoughâŚâ
ââkay kay.â Dazai turns to the side with a sulky face. âArgg damn it, Mori-san will scold me for leaking so many organizationâs information.â
I give it some thoughts then ask, âWho is that⌠Mori-san?â
Dazai looks astonished. âYou really⌠forgot it?â
âŚ..
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