himawaripsycho

[himawaripsycho]

Recently, while staring far too long at a potato chip, it occurred to me that the ridges could possibly be used to create a lenticular effect. So I got out some chip dip (and the smallest paint brush I have) to test it out. I started with a simple 2-frame illustration of a football and a basketball, then I painted a little sour cream and onion dip bird. 🥔🕊️ - via my new @brockdavisart instagram

[himawaripsycho]

Smash that mf reblog button if you stoically ignore all labelled washing instructions and everything your mama ever told you about laundry and just send those bastards hurgling around in an overfilled tub to meet either death or glory

[himawaripsycho]

Source: instagram.com/tanya

About:

[himawaripsycho]

Making Huizhou inksticks (徽墨), famous for its high quality.

Notes:

The characters OP pressed into the inksticks are 山白, OP's username

The "internal heat" referred to in the video is a term in Traditional Chinese medicine referring to a cause of inflammation, swelling, twitching, etc.

[eng by me]

[himawaripsycho]

something I've been feeling so much lately is just exhaustion at the idea that I just don't know the modern internet well, and I don't know how creativity works anymore. I can't mass produce """content""" quickly. I like taking my time with my art. I don't know how to edit vertical things on my phone, I like making horizontal stuff on my computer. And I used to be adaptable and looked forward to online-culture advancements, but now I'm just so tired I can't be fucking bothered to learn anything new-- not when its all just gonna change again in 5 years fuck!!!

[himawaripsycho]

Hatsune Miku !

Turtle Island Version

Everyone started drawing Miku from their country so I wanted to join in :D

[himawaripsycho]

So my sister wants to start sewing more, because

a. She’s 5′ 11″ and can never find pants long enough for her legs or shirts long enough for her arms.

b. She hates synthetic fibers as much as I do and it’s difficult to find natural fiber clothes that aren’t made of cotton

c. She’s a biologist and would physically fistfight microplastics if given half a chance

So her gift from mom and dad for her birthday was a sewing machine. Not a super expensive one but a good solid serviceable one.

And recently she asked “So where do I GET wool or linen and thread that isn’t polyester” and mom was like ‘go ask your sister’

And I, of course, crashed into the group text like “GET A PEN I HAVE WEBSITES FOR U” and honestly I’m thrilled about this

[himawaripsycho]

[himawaripsycho]

Art is a kind of surgery. Something must be removed from inside of you. The process will irreversibly change you but if you don't go through with it you will continue to be poisoned. Are you listening this is important. You have to do it yourself like in Saw

[himawaripsycho]

A moment for a petty complaint:

When people are explaining how to weave in ends, in a tutorial or any video, and they say to "just follow the path of the yarn" or "double the stitches" and then proceed to do THIS

That's a valid way to weave in your ends, assuming your yarn is wooly enough to not slip and it won't be super visible, but that's simply not what you've described.

THIS is following the path of the yarn. It is also the superior way to weave in ends securely and least-visibly from both sides.

[himawaripsycho]

Artists, let’s talk about Instagram commission scammers

There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.

How they begin

Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.

What to look out for:

Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.

Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 

They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.

They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD. They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.

Where the scam actually happens

If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 

Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.

A few things can happen here:

They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 

They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.

The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 

You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 

Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.

You can find more info on that method HERE.

What to do when you encounter a scammer:

Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.

Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 

Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.

Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 

Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 

Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 

Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!

Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.

[himawaripsycho]

Dir en grey in Vicious, 1998.12

[himawaripsycho]

⚠️ this blog does not support works created by AI software ⚠️

[himawaripsycho]

white people please just purchase native artwork and jewelry from native people i keep seeing idiot white people be like “waaah i wish i could support native creators but its cultural appropriation” girl why would beaders sell you their earrings then. just dont get a medicine wheel or a thunderbird then like damn it is that easy

[himawaripsycho]

Throughout her translation of the “Odyssey,” Wilson has made small but, it turns out, radical changes to the way many key scenes of the epic are presented — “radical” in that, in 400 years of versions of the poem, no translator has made the kinds of alterations Wilson has, changes that go to truing a text that, as she says, has through translation accumulated distortions that affect the way even scholars who read Greek discuss the original. These changes seem, at each turn, to ask us to appreciate the gravity of the events that are unfolding, the human cost of differences of mind.

The first of these changes is in the very first line. You might be inclined to suppose that, over the course of nearly half a millennium, we must have reached a consensus on the English equivalent for an old Greek word, polytropos. But to consult Wilson’s 60 some predecessors, living and dead, is to find that consensus has been hard to come by…

Of the 60 or so answers to the polytropos question to date, the 36 given above [which I cut because there were a lot] couldn’t be less uniform (the two dozen I omit repeat, with minor variations, earlier solutions); what unites them is that their translators largely ignore the ambiguity built into the word they’re translating. Most opt for straightforward assertions of Odysseus’s nature, descriptions running from the positive (crafty, sagacious, versatile) to the negative (shifty, restless, cunning). Only Norgate (“of many a turn”) and Cook (“of many turns”) preserve the Greek roots as Wilson describes them — poly(“many”), tropos (“turn”) — answers that, if you produced them as a student of classics, much of whose education is spent translating Greek and Latin and being marked correct or incorrect based on your knowledge of the dictionary definitions, would earn you an A. But to the modern English reader who does not know Greek, does “a man of many turns” suggest the doubleness of the original word — a man who is either supremely in control of his life or who has lost control of it? Of the existing translations, it seems to me that none get across to a reader without Greek the open question that, in fact, is the opening question of the “Odyssey,” one embedded in the fifth word in its first line: What sort of man is Odysseus?

“I wanted there to be a sense,” Wilson told me, that “maybe there is something wrong with this guy. You want to have a sense of anxiety about this character, and that there are going to be layers we see unfolded. We don’t quite know what the layers are yet. So I wanted the reader to be told: be on the lookout for a text that’s not going to be interpretively straightforward.”

Here is how Wilson’s “Odyssey” begins. Her fifth word is also her solution to the Greek poem’s fifth word — to polytropos:

Tell me about a complicated man. Muse, tell me how he wandered and was lost when he had wrecked the holy town of Troy, and where he went, and who he met, the pain he suffered in the storms at sea, and how he worked to save his life and bring his men back home. He failed to keep them safe; poor fools, they ate the Sun God’s cattle, and the god kept them from home. Now goddess, child of Zeus, tell the old story for our modern times. Find the beginning.

When I first read these lines early this summer in The Paris Review, which published an excerpt, I was floored. I’d never read an “Odyssey” that sounded like this. It had such directness, the lines feeling not as if they were being fed into iambic pentameter because of some strategic decision but because the meter was a natural mode for its speaker. The subtle sewing through of the fittingly wavelike W-words in the first half (“wandered … wrecked … where … worked”) and the stormy S-words that knit together the second half, marrying the waves to the storm in which this man will suffer, made the terse injunctions to the muse that frame this prologue to the poem (“Tell me about …” and “Find the beginning”) seem as if they might actually answer the puzzle posed by Homer’s polytropos and Odysseus’s complicated nature.

Complicated: the brilliance of Wilson’s choice is, in part, its seeming straightforwardness. But no less than that of polytropos, the etymology of “complicated” is revealing. From the Latin verb complicare, it means “to fold together.” No, we don’t think of that root when we call someone complicated, but it’s what we mean: that they’re compound, several things folded into one, difficult to unravel, pull apart, understand.

“It feels,” I told Wilson, “with your choice of ‘complicated,’ that you planted a flag.”

“It is a flag,” she said.

“It says, ‘Guess what?’ — ”

“ ‘ — this is different.’ ”

The First Woman to Translate the Odyssey Into English, Wyatt Mason

[himawaripsycho]

insane how many people just have these incredible artists in their families who get no recognition outside of crocheting circles because this art form is devalued for its association with women

[himawaripsycho]

Yuzen-dyed Furisode. Created about the year 2000, Japan.  The Kimono Gallery, A large rinzu silk furisode featuring yuzen-dyed (resist-painted) ‘oshidori’ (mandarin duck) on a stream, and classical designs such as fans, 'ume’(plum blossoms) and 'botan’(peony). Gold glaze and embroidery highlights. The rinzu (damask) silk base has woven peony motifs. This kimono was designed by the famous Japanese designer Kansai Yamamoto under his workshop Kansai Super Studio. Kansai Yamamoto was at the height of his career during the 1970’s and 80’s. He is also known for his avant-garde kimono designs, including ones worn by David Bowie in his Ziggy Stardust Tour. This kimono bears the stamp of his studio. The amount of labour and workmanship to create this furisode is remarkable.