This blog looks at contemporary affect images and the politics of vulnerability, glitter and shine.
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Tyler Okonma: Glitter
Da na na na na
Da na na na na
Da na na na na, my baby
You’ve been on my mind
(How ya feel?)
I’m losing my mind because
I hope that we can be more than just friends
Firework
I feel like glitter, and every time you come around
I feel like glitter
You’re the one that I wanna give my life
You’re the one that I need to give my time
Ayo, mirror mirror on the wall, who the brightest of them all?
I never been the darkest one, ‘cause my self esteem is tall
So I never seen eye-to-eye with y'all niggas, ayo
Uno peso, never paid attention to what niggas gotta say-o
So I keep that buck, I ain’t give no fuck, then bill me up so I block 'em like Lego
Feelin’ glitter, feelin’ good and great
Got the burner got the heat like wait
Got the shit, its all up on that head
I use it on myself on the day you dipped
Got that 4-5-7 track, 8 for me
Babydoll, I hope you agree
Because you light my
Firework
I feel like glitter, and every time you come around
I feel like glitter
(How you feel?)
You’re the one that I needed in my life
(How you feel?)
You’re the one that I needed in my life
'Cause I love having you around (I love)
'Cause I love having you around
Yeah, look at my face, look at that jaw
This is north side and yeah, I can’t lie
We ain’t workout, we a fat boy
Yeah, sumo, gotta limo
Pills, can’t see-through, must be a window
'Cause you in the L
'Could be a DJ, when I see you my heart beat changes tempo
Yeah, simple, that’s what I want but I can’t
That’s who you are but I ain’t
How ya feel?
I’m parkin’ in quicksand, wait-
Please don’t save me
Ooh
(Please don’t save me)
How ya feel?
Fa la la la la
Fa la la la la
How ya feel?
Scum Fuck Flower Boy
Scum Fuck Flower Boy (How ya feel)
We didn’t get your message, either because you were not speaking or because of a bad connection
“Fuck”
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Philip Harrington: Marlene Dietrich at Fifty
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In graduate school, neither in my choice of dissertation topic nor in my turn to gender theory did I try to conform to philosophical standards that were, after all, everywhere debated; where they did exist, they were enforced by a kind of disciplinary police action that I opposed at a quite visceral level. I very much like your idea of the #sweatyconcept, and think perhaps that it might also characterize a certain difficult but necessary embodied resistance to forms of disciplinary power or cruelty within academic life. It is the action of the concept in one’s tissues, one’s muscles.
Judith Butler in an interview with Sara Ahmed (via endlessandrea)
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Open article: Queer love economies: Making trans/ feminist film in precarious times
In this essay, the authors Eric A. Stanley, Wu Tsang and Chris Vargas, all experimental filmmakers, discuss the impact of Born in Flames on their own work, as well as the ways their various projects pick up, extend, or change the political questions raised by the film. The relationships of experimental film to political community and community building are explored, particularly in the context of queer, feminist, trans, anti-racist politics and media.
#Wu Tsang#Chris Vargas#Eric A Stabley#Queer#Queer love#trans film#feminist film#open article#interview
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But, if cinema does not give us the presence of the body and cannot give us it, this is perhaps also because it sets itself a different objective; it spreads an ‘experimental night’ or a white space over us; it works with 'dancing seeds’ and a 'luminous dust’; it affects the visible with a fundamental disturbance, and the world with a suspension, which contradicts all natural perception. What it produces in this way is the genesis of an 'unknown body’ which we have in the back of our heads, like the unthought in thought, the birth of the visible which is still hidden from view.
Gilles Deleuze, Cinema 2: The Time-Image (via heteroglossia)
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Vulnerability
Sara Ahmed interviews Judith Butler:
“We are both vulnerable and animated by those effects, so I do not mean to associate vulnerability with pure passivity or being without a will. It may be that the will is formed precisely through this process.”
Full link, you guys: http://sex.sagepub.com/content/early/2016/03/31/1363460716629607?papetoc
#Judith Butler#Sara Ahmed#feminist killjoy#interview#good read#vulnerability#adressing#gender#race#gender studies#class
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Kelela “A Message” | Hallucinogen (2015)
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