Thoughts on atheism, heavy metal guitar, art, music, and whatever else I want to drudge up...
Don't wanna be here? Send us removal request.
Text
what do you mean elon musk did a nazi salute on live tv at the united states presidential inauguration twice and is now erasing the evidence off the internet by replacing the footage with the crowd cheering instead?
would be a shame if people reblogged this, wouldn’t it?
112K notes
·
View notes
Text
Just so you know, attempting to fix what's wrong with society makes you precisely the opposite of weak and childish.
It confuses me how normalized it is to be so anti human. The fact that two countries voted no to food being a human right. The fact so many people are against universal healthcare. The fact that it’s normal to believe some people don’t deserve housing because they’re poor, addicts, mentally ill, or any combination of the above. I find it so hard to comprehend that humans who have experienced hunger, thirst, cold, and illness would wish these things upon others, or at the very least not care. It frustrates me beyond belief.
These are the exact values we’re taught as children, to believe all humans are equal in worth and needs, and yet at some point you’re expected to grow out of that illusion. You’re expected to accept that this is what life’s like, that the world is unfair, and attempting to fix it makes you weak and childish.
9K notes
·
View notes
Text
That last bit though... The idea of two venerable British gentlemen cracking up at a thoroughly American cartoon that I probably laughed at when I was seven
Fun movie trivia:
Carrie Fisher said in an interview that doing her scenes with Peter Cushing in "Star Wars: Episode IV - A New Hope" (1977) were difficult for two reasons: she thought the lines were ridiculous and she found Peter to be so polite and charming off camera that it was hard to project the sense of disdain that her character, Princess Leia Organa, held for his character, Grand Moff Tarkin.
The costume boots they gave Cushing for the film were too small and hurt his feet. Cushing told George Lucas this, and asked if he could wear slippers instead. Lucas agreed, and shot Cushing from the waist up for nearly all his scenes to compensate for Cushing's slippers.
In addition to acting, Cushing was also an artist, skilled in drawing and painting. As a young struggling actor, in 1945, with no money for presents, he found a large piece of silk, cut it into a neat square, painted Dickens characters on it and gave it to his wife as a present. She later loaned it to a friend who wore it to a party where it was seen by a textile manufacturer who gave Peter a contract as a silk scarf designer. Amongst those he designed were those for the Festival of Britain and the Coronation. As an established actor, Cushing had showings of his water colors. His sketch of Sherlock Holmes became the official logo for the Northern Musgraves, a British Sherlock Holmes society.
Although Cushing and Christopher Lee were often mortal enemies on-screen, off-screen they were inseparable friends. He and Lee were once asked to leave a theater showing a Sylvester and Tweety cartoon, because they were laughing hysterically.
#star wars a new hope#grand moff tarkin#peter cushing#behind the scenes#star wars#christopher lee#carrie fisher
983 notes
·
View notes
Text
Besides that, if you're not willing to put in the time and effort to write the damn thing, why should I waste my time reading it?
I'm going to have to say this multiple times, but you do not have to use Generative AI to create background characters, locations, or plot ideas. There are hundreds of writing generators out there lovingly crafted for free by folks who want nothing more than to give you tools for writing. Please just search for them.
You do not have to use the Unethical Thieving Machine That Burns Down A Rainforest to help you write. There are so many resources out there that will strengthen your writing, not weaken it. You owe it to yourself to do better.
7K notes
·
View notes
Text
To this I'd like to add: acknowledging that trans people exist, believing that everyone deserves health care, and condemning wealth inequality
246 notes
·
View notes
Text
I'd enjoy modern fantasy films a lot more if their cinematography weren't invariably soaked in Gen-X's cultural neuroses
1K notes
·
View notes
Text
I wish there was a way to completely OPT OUT of AI. Like you could set your ENTIRE Internet browser to NOT shove it down your throat.
When social media was getting big, you could just NOT get a Facebook or a Twitter. It was simple as that. You can't do that with AI.
Trying to find a job? It goes straight to an AI filter. Trying to look at art? Here's 100+ ai shit. Trying to look up who was in what movie from the 1980s? GOOGLE GEMINI IS HERE WITH THE COMPLETELY WRONG ANSWER!
Someone PLEASE create a way to allow people to get AI the FUCK OUT of our lives if we DO NOT WANT IT!
36K notes
·
View notes
Text
I feel like we need a refresher on Watsonian vs Doylist perspectives in media analysis. When you have a question about a piece of media - about a potential plot hole or error, about a dubious costuming decision, about a character suddenly acting out of character -
A Watsonian answer is one that positions itself within the fictional world.
A Doylist answer is one that positions itself within the real world.
Meaning: if Watson says something that isn't true, one explanation is that Watson made a mistake. Another explanation is that Sir Arthur Conan Doyle made a mistake.
Watsonian explanations are implicitly charitable. You are implicitly buying into the notion that there is a good in-world reason for what you're seeing on screen or on the page. ("The bunny girls in Final Fantasy wear lingerie all the time because they're from a desert culture!")
Doylist explanations are pragmatic. You are acknowledging that the fiction is shaped by real-world forces, like the creators' personal taste, their biases, the pressures they might be under from managers or editors, or the limits of their expertise. ("The bunny girls in Final Fantasy wear lingerie because somebody thought they'd sell more units that way.")
Watsonian explanations tend to be imaginative but naive. Seeking a Watsonian explanation for a problem within a narrative is inherently pleasure-seeking: you don't want your suspension of disbelief to be broken, and you're willing to put in the leg work to prevent it. Looking for a Watsonian answer can make for a fun game! But it can quickly stray into making excuses for lazy or biased storytelling, or cynical and greedy executives.
Doylist explanations are very often accurate, but they're not much fun. They should supersede efforts to provide a Watsonian explanation where actual harm is being done: "This character is being depicted in a racist way because the creators have a racist bias.'" Or: "The lore changed because management fired all of the writers from last season because they didn't want to pay then residuals."
Doylism also runs the risk of becoming trite, when applied to lower stakes discrepancies. Yes, it's possible that this character acted strangely in this episode because this episode had a different writer, but that isn't interesting, and it terminates conversation.
I think a lot of conversations about media would go a lot more smoothly, and everyone would have a lot more fun, if people were just clearer about whether they are looking to engage in Watsonian or Doylist analysis. How many arguments could be prevented by just saying, "No, Doylist you're probably right, but it's more fun to imagine there's a Watsonian reason for this, so that's what I'm doing." Or, "From a Watsonian POV that explanation makes sense, but I'm going with the Doylist view here because the creator's intentions leave a bad taste in my mouth that I can't ignore."
Idk, just keep those terms in your pocket? And if you start to get mad at somebody for their analysis, take a second to see if what they're saying makes more sense from the other side of the Watsonian/Doylist divide.
14K notes
·
View notes
Text
As some of you may know, the original 1922 version of Nosferatu is my favorite vampire movie and one of my favorite films in general. Now they're about to drop a brand new remake of it. Now, the way I see it, any time you remake a movie, especially a classic one, it's important that the resulting film bring something worthwhile to the table. What does this new film have to say that previous versions didn't? What fresh new angle(s) does it display? What new freedom from censorship does it exploit? What weaknesses in earlier versions does it improve upon? In short, why do we need this film? In my opinion, Nosferatu got the only remake it will ever need when Werner Herzog made his version in 1979. However, I'm open to the possibility that Robert Eggers might convince me otherwise. That said...
1) Advance reviews I've seen have been uniformly positive, harping on the great story, the top notch acting, and the gorgeous visuals. I'll have to see the movie before I can form an opinion about the former two, but I have to say it: I hate the way movies look these days, especially sci-fi and dark fantasy films. Gaudy visual effects that make me wish CGI had never been invented. Horribly overprocessed cinematography that's been tweaked in post so much that even scenes with no visual effects look fake, making me wish the digital camera had never been invented. And, speaking of which, camera work that can't sit still; if it's not "cinema verite" shakycam it's the constant dollying back and forth, side to side, around this, over that, and through the other. And from what little I've seen from the trailers I don't think this film is going to break that trend.
2) I'm not sure the marketing decision to keep Bill Skarsgård's vampire makeup under wraps until the premiere was a wise one. The risk they're running is that the reveal had better be awesome or it's going to be a letdown; no middle ground is possible. The last movie I remember relying so blatantly on the "hide the monster" gambit was the Devlin/Emmerich Godzilla from 1998, and I think we all remember how that turned out.
3) I have, on the other hand, heard the clip of Skarsgård's voice as Count Orlock, and, frankly, I think it sounds absolutely ridiculous. It's like he's doing an over-the-top impersonation of Darth Sidious. Why do people think that shit sounds scary? Watch Herzog's version; Klaus Kinski came across as creepy and evil and dangerous just through his performance without any extraneous vocal affectations.
#nosferatu#nosferatu 1922#vampire#dracula#max schreck#bill skarsgård#robert eggers#werner herzog#klaus kinski
2 notes
·
View notes
Text
Project 2025 Cliff Notes:
1. Complete ban on abortions, without exceptions (pg. 449-503)
2. End marriage equality (pg. 545-581)
3. Elimination of unions and worker protections (pg. 581)
4. Defund the FBI and Homeland Security (pg. 133)
5. Eliminate federal agencies like the FDA, EPA, NOAA, and more (pg. 363-417)
6. Mass deportation of immigrants and incarceration in "camps" (pg. 133)
7. End birthright citizenship (pg. 133)
8. Cut Social Security (pg. 691)
9. Cut Medicare (pg. 449)
10. Eliminate the Department of Education (pg. 319)
11. Teach Christian religious beliefs in public schools (pg. 319)
12. Use public, taxpayer money for private religious schools (pg. 319)
13. End the Affordable Care Act (pg. 449)
14. Ban contraceptives (pg. 449)
15. Additional tax breaks for corporations and the 1% (pg. 691)
16. End civil rights & DEI protections in government (pg. 545-581)
17. Ban African American and gender studies in all levels of education (pg. 319)
18. End climate protections: (pg. 417)
19. Increase Arctic drilling (pg. 363)
20. Deregulate big business and the oil industry (pg. 363)
Not to increase anxiety, but I found this buried on Reddit. From six months ago. very good thing to have in your pocket so you are prepared
7K notes
·
View notes
Text
Remember that hypothetical street corner massacre Donald Trump crudely boasted about several years ago? I now believe he was sugarcoating it. At this point I'm convinced that he could pull out an assault rifle and start executing his supporters' children at point blank range right in front of their faces and every last one of them would say "thank you, may I have another". And sidetackle anyone who tries to stop him.
2 notes
·
View notes
Text
Speaking as someone who hates Donald Trump as much as anyone could who hasn't been directly harmed by his actions, behavior, or policies, I honestly wish that whoever it was that tried to kill him last Saturday had stayed home.
Look, the guy is in his late seventies and lives on burnt steaks and fast food. Death will embrace him soon enough as it is. But now he has sympathy points, and anything that gives Donald Trump sympathy points is bad on general principle. If the shooter had succeeded in killing him, it would have made him a martyr, and Donald Trump doesn't deserve that.
I don't want him sent to the grave prematurely. I want his reputation assassinated. I want his power, his wealth, and his freedom stripped from him. I want everyone who ever supported him to wonder in shame why they did it.
0 notes
Text
#atheism#christianity#judaism#islam#catholicism#mormonism#baptist#jehovah witness#scientology#religion
365 notes
·
View notes
Text
12 notes
·
View notes
Text
that crunchy vibe that 70s/80s movies have that modern movies simply cannot capture… that kind of quiet empty vibe to em that can be played for either bleakness or a peaceful energy… why do all modern movies (even the great and pretty ones) feel overproduced after watching an older film. what is it I can’t put my finger on it but it’s there I can feel it
56K notes
·
View notes