gerapitico

[gerapitico]

So many people are talking about how disappointed they are in the season. I came out with the opposite feeling, and here's some reasons why: (cut because I wrote . . . 9 paragraphs on my phone about this . . . That's a lot huh)

Claire: So many people hate the presence of Claire this season and the lack of resolution. But I think it's no coincidence that the Faks spend the first half of the season establishing haunting and then make Carmy label Claire as his haunting (one of many). She haunts the story because everyone in the show expects something from her and Carmy, and they aren't getting it.

No forward progress: the first and second season deal with moving forward, at a break neck pace, regardless of the consequences. This season shows the consequences. No one grows, because The Bear, with Carmy's non-negotiables at the head, doesn't allow for growth. Everyone is stuck in the past, and some get to move through that, and others get even more stuck.

Vignettes and disconnect: the main through line is about pursuing excellence according to Carmy at The Bear. But there are a full 3 episodes fully out of step of that plot (potentially 5 if you include the last two episodes). 2 are out of time as well, with Tomorrow showing Carmy's education in kitchens, and Napkins showing how Tina ended up at The Beef. And Ice Chips is all about motherhood and breaking cycles of abuse. It's a season of disconnect, and you can take that many ways. A lot of people are talking it as bad writing, and as the showrunners fumbling the ball. I think managing a season with emotional beats and consistent themes in a non-linear narrative is so incredibly hard, and they hit so many amazing beats.

POC: I cannot speak to this, but the arguments I've seen are some of the only criticism I've agreed with in the season.

SydCarmy: yall, I've had my heart broken by ships far to many times to look at this reaction as anything more than pearl clutching. I saw how people reacted with Ted Lasso. I was here for the last season of Supernatural. So yes, I think their dynamic is cute. I also think they both have chemistry with other people, and that this season shows that they cannot work in the situation they are in now. People have complained about them losing their ASL sign, but neither of them are apologizing for anything to each other this season, so when would they even use it? Carmy used it a little at the end of last season, but Syd had totally stopped, and now so had he. Sydney is incapable of making a life changing decision (which oof, been there) and Carmy literally cannot think externally to himself. They are SO bad for each other even as friends right now, and they don't feel like end game. I know I do this too, but despite having platonic friends in my real life who I'm super close to, when I see it in fiction, I immediately see romance. And I'm working on that, because you know what I want here so so bad in season 4? Sydney and Carmen to have identities apart from each other, that can combine in a relationship (honestly I'd prefer platonic at this point) where they call each other out and support each other in healthy ways. Neither are there right now (though Sydney is WAY closer).

In all:

Some people are giving bad reviews, and I came away loving it. I hoped when I looked at the tags, I would find people excited, talking about the first episode and how it put them in a frantic trance, or how poignant it was seeing Donna sitting with the Faks while her grand daughter was born. Or maybe how with all the extreme close-ups this season, you still feel distant from the characters, because they refuse to communicate (a thing I also do and know a bunch of people that do!!!!)

A show is not a failure of storytelling if the characters don't change or develop. Sometimes the story is about being stuck, and not having a way out. Sometimes it's about the people in your life having huge, life changing events (death in the family, birth of a child, wedding of a co-parent) and being completely unable to be a part of it. And sometimes a story is messy and disconnected and cruel. Sometimes there aren't happy endings, and people do things you don't expect. That's life.

I haven't felt connect to a show in this kind of way in a long time. I got emotional from something that was said or done, or even a shot on screen, in every episode. And it was cathartic, watching a funeral where the kid didn't cry, seeing a panic attack at a party, and seeing a mother and daughter bond over something I will probably never bond with my mother over.

And there are other things I could mention, or talk about at length, but it won't change anything. It won't change people disliking the season, or dismissing it. It won't change the awe I had at chefs taking about their trade, or pea pods being cleaned, or the cinematography of the only title sequence they did all season. It won't change my want for the story to continue. But at least I got my thoughts out, so it's not stuck in me, like the apologies stuck in Carmen's throat, or the decision stuck in Sydney's head.

[gerapitico]

Yall, who is this budget ass One Direction church?!?!?! Ads here are wild

[gerapitico]

Mom broke her ankle…

(Source)

[gerapitico]

Watching Przewalski's horses run free on the Kazakhstan steppe for the first time in 200 years

[gerapitico]

Bill and Ben | Tom Cardy

[gerapitico]

Demons and monsters that torture people because they feed on human suffering are so dumb. People are suffering everywhere my guy go literally any place and take a deep whiff.

[gerapitico]

if you rewatch the "merry christmas lizards" speech and watch jeremy he's trying SO hard not to break the entire time it's fucking hilarious

[gerapitico]

ARTHUR PENDRAGON 1.04 The Poisoned Chalice

[gerapitico]

i love you taskmaster editors

[gerapitico]

gnashing my teeth at this entire scene

[gerapitico]

In honor of the Ides of March, my favorite Tiktok

[gerapitico]

[gerapitico]