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Concorde and Citroën DS
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Peter Fischli and David Weiss, Snowman, 1987/2016 (installation view, SFMOMA) Photo: Mary Ellen Hawkins
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Planetary Alignment with Giza Pyramid Complex
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Alexander Calder, Black: 17 Dots, 1959 - Painted sheet metal and steel wire _ #AlexanderCalder #Calder #mobile #sculpture #crabegrenouille
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John M Armleder _ #johnarmleder #dots #painting #crabegrenouille
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Damien Hirst, Phe-Val, 2005. Household gloss on canvas 228,6 x 228,6 cm _ #damienhirst #dots #painting #crabegrenouille
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Francis Baudevin, Untitled, 2012 _ #francisbaudevin #painting #circle #crabegrenouille
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Hugo Pernet, Négatif, 2007 _ #hugopernet #negative #painting #crabegrenouille
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Olivier Mosset, Untitled, 1970 _ As part of the collective BMPT – a group of conceptually driven painters formed in Paris in the 1960s by Daniel Buren, Michel Parmentier and Niele Toroni – Swiss artist Olivier Mosset is recognized for his series of paintings featuring a black circle in the middle of a square canvas. Leaving Paris for New York in the 1970s, Mosset turned to monochrome paintings, introducing motifs, compositions and specific formats such as shaped-canvases that came to be associated with his work of this period. Involved in a multitude of art historical movements such as Neo-Geo or appropriation, he explored new materials in the 1990s, which also led him to sculpture. In his work, Mosset called into question the gesture by dissolving authorship to reach a “zero degree" of painting. _ #oliviermosset #painting #bmpt #crabegrenouille
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Lee Ufan, Correspondence, 1993 _ #leeufan #correspondence #painting #brushstrokes #tate #crabegrenouille
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Niele Toroni, Empreintes de pinceau n°50 répétées à intervalles réguliers de 30 cm, 1971 _ #nieletoroni #painting #brushstrokes #moma #crabegrenouille
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Michel Parmentier, 15 février 1984, 1984 _ Paint on unmounted canvas, 7 horizontal bands 38 cm wide in alternating black and white lacquer (4+3) and, at the bottom, one partial white band 11 cm wide. _ #michelparmentier #painting #stripe #crabegrenouille
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Wade Guyton, Untitled, 2007 _ Wade Guyton's monumental Untitled from 2007 is a dramatically striking paradigm of the artist’s most immediately recognizable canon, broadcast in arresting scale and perfectly characteristic chromatic polarity. Embodying the form that has effectively become the artist's autograph, the large-format trademark X shape is here repeated in fragmentary echoes and remains determinedly incomplete as the schematic strata of printed black ink inconsistently accumulate across the white linen. Archetypal of the artist’s oeuvre, the formal and conceptual identities of this work are fundamentally defined by the autonomous accident and remote spontaneity of its mechanical fabrication. Via startling economical means, Untitled represents Guyton’s rigorous interrogation of the essence of authorship and his elegantly fabricated and brutally efficient analysis of the limits of creative production. _ #WadeGuyton #X #crabegrenouille
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Christopher Wool, Apocalypse Now, 1988 _ #christopherwool #apocalypsenow #1988 #painting #sellthehouse #sellthecar #sellthekids #crabegrenouille
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Steven Parrino _ #stevenparrino #kunsthallebern #painting #canvas #crabegrenouille
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