#kunsthallebern

[gyamfieric]

Some days...

"Wandering through Bern on a New day" 2024

As part of the group exhibition Punya 2.0, curated by Kabelo Malatsie, at the KunsthalleBern, Switzerland. 2024

produced with assistance From Nicholas Kwame Ansah

Design and Construction with Gershon Gidisu

Featuring:

African Film Institute

Daniela Catrileo & Nicole L’Huillier

Rohini Devasher

Nina Emge

Eric Gyamfi

Asako Iwama

David Koloane

Nyakallo Maleke

Sindi-Leigh McBride

Camilla Paolino

Raqs Media Collective

Slaven Tolj

📸 Cedric Mussano

[we-find-wildness]

a corner piece #KatharinaGrosse Untitled (1998) #kunsthallebern #foundimage https://www.instagram.com/p/BoUMKbDFcVp/?utm_source=ig_tumblr_share&igshid=7u6fvaaz4m7r

[kunstkioskzh]

Pettibon, Raymond. 1995 4°. OKart. 134(1) S., Ausstellungskatalog Kunsthalle Bern #raymondpettibon #kunsthallebern #kunstkiosk #kunstkioskimhelmhaus https://bit.ly/3dkbXLG https://www.instagram.com/p/B99r8v4l7wv/?igshid=big3ocqz271n

[theegregore]

Jill Mulleady at Kunsthalle Bern

[worldfoodbooks]

NEW IN THE BOOKSHOP: DIEDRICH DIEDERICHSEN - (OVER)PRODUCTION AND VALUE / (ÜBER)PRODUKTION UND WERT (2017) • Diederichsen’s new book for STERNBERG PRESS and KUNSTHALLE BERN. • The “economization of art” began to take shape in the wake of the crisis of capital in 2009. The shifts that occurred in the art field during this time were accompanied by explicit critique and academic analysis that aimed to make the genesis of these transformations comprehensible. In this book, first delivered as a lecture at Kunsthalle Bern in April 2016, Diedrich Diederichsen follows Marx’s labor theory of value and counters the symbolic economies dominating the art field, as well as economic exceptionalism or calculation, with systems of recording and reading out. Expanded to include the sphere of individual aesthetic experience, these systems are not formulated as solipsism, or in terms of purposefulness, but as a means to compare relations within the productivity of open and incalculable connectivity, relations that allow aesthetic experience to be read out as the liquefied labor and lifetime of concrete others. • (Over)production and Value takes up considerations that connect Diederichsen’s previous writings, from On (Surplus) Value in Art (Sternberg Press, 2008) to Körpertreffer: Zur Ästhetik der nachpopulären Künste (Suhrkamp, 2017). • Edited by Valérie Knoll and Hannes Loichinger Design by HIT • Available via or website and in the bookshop tomorrow. • #worldfoodbooks #diedrichdiederichsen #sternbergpress #kunsthallebern #overproductionandvalue (at WORLD FOOD BOOKS)

[mpefm]

Kunsthalle Bern - Verena Dengler : Jackie of All Trades & Her Radical Chic Academy with (((HC Playner))) - 20 May > 23 July, 2017

http://www.mpefm.com/mpefm/modern-contemporary-art-press-release/switzerland-art-press-release/kunsthalle-bern-verena-dengler-jackie-of-all-trades-her-radical-chic-academy-with-hc-playner

[thesyzcollection]

#isagenzken ‘ Memorial Tower (Ground Zero), 2008 3m16 will be on view @kunsthallebern for her show focusing on a presentation of close to forty models for her outdoor projects since 1980. #thesyzcollection (à Geneva, Switzerland) https://www.instagram.com/p/Btx-CM9nd1l/?utm_source=ig_tumblr_share&igshid=13ucdcu6owb0r

[artbookdap]

Dorothy Iannone's 'Story of Bern' facsimile edition is a staff pick for Women's History Month!⁠⠀ We ❤️ JRP|Editions' new facsimile edition of Iannone's infamous 1970 artist's book detailing the censorship she and her partner, Dieter Roth, experienced at a 1969 Kunsthalle Bern group exhibition curated by Harald Szeemann, who ultimately resigned over the issue. Originally published in an edition of 500 signed and numbered copies, this new editions is both a graphic masterpiece and an excellent reminder of why we celebrate Women's History Month today.⁠⠀ #dorothyiannone #storyofbern #facsimile #dieterroth @jrpeditions #womenshistorymonth @kunsthallebern #haraldszeemann https://www.instagram.com/p/B9mOJkwpk2z/?igshid=1d81tjzib4fli

[crabe-grenouille]

Steven Parrino _ #stevenparrino #kunsthallebern #painting #canvas #crabegrenouille

[aptmoda]

Boom boom. These pops of colors #kunsthallebern hurts so good. #colorcrush #artgallery #neon #makeyousmilestyle

[gyamfieric]

some days...

"Wandering through Bern on a New day" 2024

As part of the group exhibition Punya 2.0, curated by Kabelo Malatsie, at the KunsthalleBern, Switzerland. 2024

produced with assistance From Nicholas Kwame Ansah

Design and Construction with Gershon Gidisu

Featuring:

African Film Institute

Daniela Catrileo & Nicole L’Huillier

Rohini Devasher

Nina Emge

Eric Gyamfi

Asako Iwama

David Koloane

Nyakallo Maleke

Sindi-Leigh McBride

Camilla Paolino

Raqs Media Collective

Slaven Tolj

[we-find-wildness]

#MerlinCarpenter Courtesy Reena Spaulings Fine Art, New York (2016) #midcareerpaintings #kunsthallebern (à Kunsthalle Bern)

[kunstkioskzh]

Glarner, Fritz. 1972. Ausstellungskatalog Kunsthalle Bern #fritzglarner #kunsthallebern #kunstkiosk #kunstkioskimhelmhaus http://bit.ly/2LBwn8x https://www.instagram.com/p/B0Q81aVoiGc/?igshid=3y7jf7qtfa8c

[lienotes]

L.IE for Art Licks ISSUE 15: John Tremblay at  at Kunsthalle Bern

[worldfoodbooks]

NEW IN THE BOOKSHOP: MERLIN CARPENTER - MIDCAREER PAINTINGS (2017) Edited by Kunsthalle Bern Texts by Valérie Knoll, Sam Lewitt Merlin Carpenter’s 2015 exhibition “MIDCAREER PAINTINGS” filled the Kunsthalle Bern’s seven rooms with twenty-two transit blankets hung on the wall, pulled like canvas around identically scaled stretcher frames. The transit blankets are the kind used to pack fragile goods. Inexpensive and disposable, they are manufactured from recycled materials, compressed into an insulating sheet used to preserve prized surfaces and materials more valuable than themselves. Each work in the show was post-dated to 2016, despite the exhibition’s opening date in September of the previous year. The works were titled after one of the Shepperton-based artist’s seven galleries, and were prominently displayed as “not for sale.” The transit-blanket works are documented in the second half of this publication, the cover of which is embossed with each location of Carpenter’s seven galleries—New York, London, Los Angeles, Brussels, Berlin, Miami, Lisboa/Porto. The first half is composed of a black-and-white image feed, resembling collaged photocopies, of photos of the show’s installation, related gallery shows, and billboards advertising the show that displayed classic mid-to-late century consumer goods. In addition, texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt examine the materiality of Carpenter’s works, the particular mix of playfulness and earnestness in his artistic output, and how the “paintings” thematize the limbo of the “midcareer” artist as well as the circulation of the artwork as a commodity that signifies material wealth or value. Design by Non-Format Available via our website and in the bookshop. #worldfoodbooks #merlincarpenter #kunsthallebern #sternbergpress (at WORLD FOOD BOOKS)

[thesyzcollection]

@kunsthallebern ・・・ Isa Genzken - Memorial Tower (Ground Zero), 2008, as seen through Fenster, 1990 #isagenzken #groundzero #memorial #tower #detail #sculpture #bestshowcurrently @kunsthallebern #thesyzcollection congratulations to director #valerieknoll for doing such a good program (à Bern) https://www.instagram.com/nicolastrembley/p/Bv1L8E6HpAL/?utm_source=ig_tumblr_share&igshid=16bq01dx2esqf